you remember that daddy arc story i did? how would you continue it if you were writing it? like teen dad jaune who's just trying to do right by his daughter now in beacon what changes in jaune's character and what changes in the story? (freeby mordred loves professor port because he tells some of the best stories she's ever heard.)
I'm assuming you are referring to this story.
So, let's start with where Jaune is now. Since he's raising this girl alone, that means that his family isn't available or even aware of Mordred's existence. Maybe tap into how Jaune came to find her, perhaps with her own memory of her daddy finding her. Then we'll explain how and why Jaune is at Beacon with his girl; did he sneak in, is he attending to gain some sort of benefit, and what does the Beacon staff have to say about all of this?
I've seen plenty of teen daddy Jaune stories, and unfortunately none of them last longer than a few chapters. Jaune's personality is always different and just from the first chapter, Jaune is very different from his canon self since he's raising a child in a world full of Grimm. And not only would Jaune change, but the rest of the cast would have to as well, or at least we see more of what kind of people around Jaune are like when faced with the aspect of helping raise a child. Those stories I mentioned earlier were almost always harem fics, though there's a rare exception of one.
Now, for my final suggestion, I ask this question; who is Mordred? How old is she, what does she like, what is her connection to Jaune, and so on? Introducing a child character is a great way to discuss certain aspects of the world of RWBY that isn't usually explored, that being what Remnant is like from the view of a child.
Hopefully this can help get the grease wheels turning in your head. Oh, and I like that Mordred loves stories. That's a neat, little trait to use when describing a character. Especially when it's a world so deeply tied to stories like RWBY is.
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RWBY Christmas Tales
A Feast for Kings
Yang: Jaune! Quick! I can't find my dress! *runs all over the house*
Jaune: Woah, woah there! *gently grabs Yang* What's going on?
Yang: I can't find my dress! I've been looking all day for it and it's gone missing! I even tore up our mattress to see if it was under there.
Jaune: You mean this dress? The one you're holding in your hand right now?
Yang: ...oh. *chuckles*
Jaune: Are you okay, babe?
Yang: Yeah... I guess I'm just a little bit nervous. Arthur's coming to dinner and I want everything to be perfect.
Jaune: *chuckles* You don't have to worry about that. He's seeing us, not the King of Vale. We're his friends. I'm sure he'll appreciate the dinner and the gift.
Yang: You think so?
Jaune: I do. Don't forget, I was his Master at one point. Still, we can't give him some basic Christmas dinner. We need to show him how we do it Arc-Long style.
Yang: *nods excitedly* That we do! Shall I bring the reinforcements?
Jaune: Make the call, soldier!
[20 minutes later]
Jaune: *opens the door*
Ruby/Oscar: *saluting* Ruby and Oscar reporting for duty, sir!
Jaune: At ease, soldiers! Now then, did you bring what I asked for.
Ruby: *shows bag* All here!
Yang: Alright everyone, battle stations! Each of us is gonna make a signature dish. Ruby what do you have?
Ruby: Garlic rolls, with my own butter, pigs in blankets, and a cranberry apple salad!
Yang: Nice one! Honey, what do you have.
Jaune: Our ever so awesome roasted duck, with a side of potatoes, parsnips and carrots.
Yang: And now for the best part, dessert! What have you got for us, Oscar?
Oscar: *smirks* Strawberry cheesecake!
Jaune: Excellent! *puts on apron* Ladies and gentleman, let's get cooking!
[2 hours later]
Jaune, Yang, Ruby and Oscar, now dressed up in their suits and dresses, prepared the table for the arrival of their guests. As soon as Ruby placed a poinsettia in the vase, the doorbell rang. Jaune opened it and found Arthur Pendragon standing alongside Robyn Hill and Mordred.
Jaune: Arthur, you made it!
Arthur: *chuckles* Good to see, Jaune. Merry Christmas. *hugs him*
Jaune: *hugs back* You too man! Merry Christmas!
Yang: It's great to see you again, Arthur.
Arthur: You too. Oh, me and Robyn have something for you.
Robyn; *hands Yang a present*
Yang: Aww, you shouldn't have. Thank you so much!
Mordred: Ruby, Oscar, I got something for you guys too. *hands them two long boxes*
Ruby: *jumps with excitement* Oh my god! I can't wait to see what it is!
Oscar: Now, now, Ruby. Wait until after dinner.
Ruby: But-
Yang: Come on, sis. Patience is a virtue.
Ruby: Hmph! *pouts*
Jaune: Now that you're here, let's get started on the appetisers.
Robyn: Oh don't go through so much trouble.
Jaune: Oh don't worry. Come on, everything's hot. We got a lovely apple and cranberry salad, pigs and blankets and- gah! What happened to the garlic rolls?
Ruby: What?!
Everyone rushed over to the table and saw that the garlic rolls had gone, including the plate.
Ruby: ...I worked so hard.
Oscar: There, there. *hugs Ruby* It'll be okay.
Jaune: How did they just vanish like that?
Yang: Guys, look! *points to an open window*
Mordred: Wait, was that open the whole time?
Arthur: Who'd be that crafty to steal garlic bread unseen?
[Outside]
Ren: *sneaks behind the tree*
Blake: Did you bring what I asked for?
Ren: *shows garlic rolls* It's all here.
Blake: *licks lips* Excellent.
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thoughts on mordred’s story arc
oh boy do i have thoughts on mordred's story arc. (warning: theyre allll over the place)
here's the thing: i legitimately think that it was a good story arc, one of the best. i love bbc merlin and the charm of its terribleness, but the character arcs rly do piss me off. the constant and consistent problem with almost all of them is that the characters will change massively for... kind of no reason?
for example, when morgana began to hate arthur and want him dead and stuff—that development came out of nowhere. for the entire series up until that point, she had loved and cared for him. now, all of the sudden, she wants him dead?? now, it had made sense for uther. he had done terrible things to morgana and could very clearly see the line between her love and hate for him. you could to watch her tip-toe along it in real time until she began plotting his murder. that arc made sense. but arthur? there was no point where we saw arthur do anything that would make her hate him the way she did. he was just randomly lumped together with uther as another pendragon she had to kill to get the throne. but, again, it doesn't make sense! she never lumped them together. in the episode To Kill the King, morgana directly compares arthur and uther by telling him that, "You're a better man than your father. Always were." again, she never lumped them together! yet, later on, that's exactly what she does.
anyways, that was a bit of a mini-rant, but it was illustrating the point that bbc merlin was terrible at providing reasoning for their characters' arcs.
mordred's, tho? made sense. the reason he wanted to kill arthur was because arthur killed the girl he loved, kara. now, do i think that we should have spent more time with kara? absolutely! do i think that mordred's story as a whole made sense? of course not!
like, his connection to morgana never made total sense to me? i just wish that we got to see a lot more of his bond with her. when he ends up leaving morgana to join arthur, it feels kind of dry. like, yes, this is big and important and everything, but the only emotions i felt were panic from merlin. a bit more distress and grief over the lost relationship between morgana and mordred would have made the story infinitely better.
but i sort of get why they didn't do that, and its because they didn't show too much of mordred's emotions at all—he was a very bland character, tbh. with the rest of the cast, we know them through their emotions. everything they did was reasoned by what they felt. with mordred, we know him through his actions. he does a lot of stuff that i wish was more fueled by emotions the audience could actually decipher. tbh, when he killed arthur, it felt kind of out of place to me, because it was one of the first times we actually saw him do something so obviously fueled by his emotions.
overall, i think mordred's arc was objectively good because his actions did make sense. he did everything for a reason. i just think it would have been a million times better if we got to see his emotions more and watch them explicitly fuel the things he did. if they had done that, i think arthur's death would have made a lot more sense and hit a lot harder, because we would be able to justify it. when they distanced us from mordred, it was easy to hate him. i would have liked to see the audience's emotional turmoil if mordred had been a character that they could actually understand and relate to:)
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