ANNA POPPLEWELL as Lola Fleming
CRAIG PARKER as Stéphane Narcisse
When I shared my fondness for this particular situation, my plan was to seduce you, that was before I came to care for you as I do.
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I am too connected to you
To slip away, to fade away
Days away I still feel you
Touching me, changing me
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DI Jack Robinson In The Episode “Death On The Vine”
Miss Fisher’s Murder Mysteries (2012-2015)
↳ 2x10 Death On The Vine
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Statues rant
To get the most obvious thing out of the way: All the stone pillars of Vikings in the great hall are different. There are six. We know the Vikings on Berk have been there for seven generations. Hiccup’s generation would make eight I assume, so there were seven chieftains before Hiccup including his father. Stoick is still alive. There are six large stone pillars in the hall in this scene.
When this argument happens, it’s not just Stoick disowning and shaming Hiccup
I’m sure the statues are also meant to be all his grandfathers and relatives from before bearing witness to his betrayal and moral split from the rest of Berk.
Also, the symbolism of the statues being just very Large.
The way Hiccup and Stoick are so much smaller than everything else there, exaggerated by all the lighting? Also, when you think about how comparatively the Vikings on Berk have such a small population and yet were able to establish such strong moral and structural architecture that then becomes an obstacle for Hiccup to overcome? It really conveys the levity of everything the Vikings went through and the generational impact of the argument they were having.
“But what about the shield portraits?”
That wasnt a thing 'till RoB/DoB and therefore doesn’t have as much narrative weight, none at all until after you’ve seen the TV series and maybe not even then, especially because of how differently the show and movie chose to interact with each other.
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It will be harder for you to remember. Love is always harder. Love means weathering blows for another’s sake and not counting them. Love is loss of self, loss of other, and faith in the death of loss.
- Christopher Buehlman, Between Two Fires
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