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#mama egypt
jehirodraws · 3 months
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My art for the hetalia zine!!!
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BBY Egypt and mama Egypt waking along the Nile! It was so much fun being apart of the anthology and drawing this.
@hws-anthology
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vikachizh · 3 months
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Gaul
New Kingdom
Persia
Qin Empire
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Oh Bastet, the healer
the protector of Ra
may you be blessed in this celebrating
may you always treat us kindly and have us in your care
for we speak highly of you
please accept this e-offering
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lord-of-tomatoes · 7 months
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He then went on to be a theatre nerd
Prev | Next
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rosesandalfazemas · 1 year
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How terrifying at the Ancients as Furby's?
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Judge yourself.
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fangomusic · 6 months
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9 Belgian Artists (Belgium/België/Belgique/Belgien)
Jacques Brel, Soulwax, Hooverphonic, Natacha Atlas, Gotye, Vive La Fête, dEUS, Front 242 and Zap Mama.
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falllpoutboy · 5 months
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nikolajs chance at breaking into the western film industry was in 2013-2014 and he completely missed it lol
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megafineme · 8 months
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The story of the ghoul, hadidan and Mama Ghoula, worth millions of dollars
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heyfarfallina · 2 years
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guess what...it’s almost 5 in the morning and i’m still wide awake 🥴
me:
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celticcatgirl2 · 1 month
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“…Magneto seriously worse this darn thing on his head for 50 years just so Charles couldn’t hear his gay thoughts? My mama always said Denial ain’t just a river in Egypt…”
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the-froschamethyst4 · 3 months
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My Daddy is My Hero
𖤐Pairing: Husband! Price x Wife! Reader
𖤐Pronouns: She/Her
𖤐Warnings: TOOTH ROTTING fluff, slight angst, language, married couple, children, codenames,
𖤐Summary: Your daughter Iris had a project for her school and it was ‘Who is your Hero’ and picks someone close to her
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"Mama."
Y/n heard the tiny voice of her 7 year-old daughter Iris. She smiles and turns to look at her daughter.
"Yes, baby?" Y/n asks.
"We're doing a project for school, called 'My Hero' and I decided to do daddy, can you help me?" Iris asks.
"Okay, what do you need me to do?" Y/n says, wiping her hands and placing her hands on her hips walking to her daughter.
"What did daddy do?"
"For the military?" Iris nods in response. "Well, why don't I help you with your paper first, okay?"
"Okay, mama."
"Alright let me see what you got."
This was a week ago, Y/n helped Iris with her paper for hours and kept the project a secret from John.
"My Hero is my daddy, John Bravo Six Price. My daddy was part of the Military as a Captain, he is also the member of the British SAS. Sometimes my daddy is away for months, and I miss every time he leaves, but he tells me he'll come back safe and he always brings me a souvenir from his adventures." She digs in her backpack and pulls out a few things to show off.
"This is a picture of my daddy and some of his work friends, this one is Ghost and this one is Gaz." She puts them back and then grabs a few things that Price has brought back for her.
"This is a mini pyramid, when he went to Egypt. This is a tin art piece from Mexico, they traditionally have art of landscapes of them and pretty flowers. And this is stein from Germany, they usually put their drinks in it." She puts everything back in her bag.
"My daddy is currently in Russia right now and is coming back today, I am excited to see my daddy, and he is my hero."
"Wow! Thank you Iris for sharing, a round of applauds for Iris," her teacher says.
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At the end of the day Iris had walked outside to see her mom standing in the car rider line.
"MAMA!"
"Hi, baby," Y/n bends down kissing her daughter's temple, Y/n noticed her paper in her hands. "What's this baby?" Y/n asked.
"My paper for my hero, I got a 100% and a gold star," Iris smiles.
"That's great baby," Y/n kissed her daughter's temple again, before they walked to Y/n's car.
"Mama, is daddy coming home today?"
"Yep," Y/n says, buckling her daughter in her car seat.
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Once Y/n pulled into the driveway and helped her daughter out of her car seat they go inside and Y/n placed Iris's paper on the fridge, so when John comes in, he'll see it.
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Iris and Y/n played some board games before Price came home. Price was stuck in traffic and just wanted to go home to his family, Y/n smiled at her daughter who was still trying to understand the rules of the game.
"Honey you move 4 spaces."
"But when I play with Anna, she says I'm suppose to move 8 times."
"Why?" Y/n asked with a confused look and a slight giggle.
"Because four plus four equals eight."
"Honey, you're not adding anything. What you roll is what you roll, you rolled a four so you move four places."
"Okay, mama," Iris says with no more argument.
"Daddy has finally arrived," John says as he comes through the front door, Iris pops her head up and Y/n looks over her shoulder at her husband.
"DADDY!" Iris yells, running towards him. He drops his stuff and picks her up.
"How is my baby girl, huh?" He asks Iris kissing her cheek.
"Good," Y/n gets up off the floor and walks over to him, her hands running over his shoulders and hugging his neck.
"And how is mommy doing?" He asked in a bit of a seductive tone before kissing Y/n's lips.
"Just fine." She says to him.
"Oh daddy, look," Iris wiggled from his hold and ran to the fridge, pulling the paper off the fridge.
"What's this?" He asks her, looking at the 100% with his usual big smile and then reading 'My Hero'. "Oh...I remember doing a project like this when I was younger, my hero was Aunt," he smiles and bends down to his daughter. "Who was yours, baby?" He asks.
"Read it daddy," she giggles and hands him the paper.
"My hero is my..." Price looks at it thinking maybe he was reading it wrong. "My daddy...Captain John Bravo Six Price." He reads the papers, tears wanting to fall from his eyes but he held them, choking on some of the words.
Iris hated seeing her father so upset...The last time she's seem him upset is when her grandpa passed away. Iris took her small hand wiping her daddy's tears that did soon fall on his cheeks.
The sight melted Y/n's heart. Price's big hand cupped hers and kissed her knuckles.
"Thank you, baby," he says, pulling her into the biggest and longest hug. "This deserves to be framed," he jokes and looks at his wife who has been crying since Price started reading the paper. He pulls her into a hug as well.
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9:00PM
Price couldn't help but constantly re-reading the paper, he was laying in bed, Y/n was doing her nightly routine and Iris was asleep peacefully in her bed.
"John?"
"Why did she pick me?" He asked.
"Because she loves you," Y/n says, crawling on the bed.
She cups his face and kissed his lips. "Did she tell you, she was going to pick me?"
"Yes...but...she loves you...she loves the little things you bring back for her, she took one of your bucket hats to school because she missed you so much. You are her hero, Price and you always will be, I hope you know that."
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Price couldn't sleep, he looks at the ceiling and then at his sleeping wife next to him, he caresses her face kissing her forehead and getting out of the bed. He puts on a t-shirt and headed down the hall
He goes to the kitchen, he notices the light on in the kitchen and then seeing a little someone with a glass in her hands.
"Iris...baby, what are you doing up?" He asked.
"I can't sleep, and I was thirsty," Iris says, looking up at him, but he bends down to her level. She walks to him, his arms wrapping around her as she was still holding her glass of water.
"Come on, baby," he rubs her side and kiss her temple as she followed him back to her bedroom. He opens her bedroom door and she walks in, placing her glass on the nightstand and getting back into her bed but Price rests on her right side of her.
"Daddy."
"Yes?"
"Can you stay home, tomorrow?" Iris asked, looking at her daddy. She rolls on her side and plays with his dog tags.
"I can see," he says, placing his arm over her side rubbing her side again and patting her small leg.
Iris's eyes felt heavy, and she ended up falling asleep, Price looked to his right and looked down at his tired, sleeping daughter, he smiles kissing the top of her head.
He ends up falling asleep in Iris's bed, Y/n woke up to an empty bed and walked to her daughter's bedroom seeing a sleeping Price and Iris.
Price holding Iris and her face buried into his side. She smiles at her husband and baby girl, she walks in kissing his forehead and kissing Iris's temple.
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The next morning Y/n and Iris were in the kitchen and Price was still asleep in his daughter twin size bed. Iris's princess blanket draped over him.
Y/n pushed a mug of hot chocolate to Iris and Y/n stood next to Iris to help her with homework. Price had came out of his daughter's bedroom yawning and looking at his daughter and wife.
He kisses Y/n's neck and kisses Iris's forehead, he fixes himself some tea and leans over the counter watching his two girls.
Iris was writing down what Y/n was telling her, Y/n's right hand moved Iris's dirty blonde hair from her face, looking like the girl version of her father but the feminine features of her mother.
Price sees the paper on 'My Hero' on the counter and placed it back on the fridge, he kisses his daughter's temple and wife's temple before walking into the master bedroom and grabbing his phone.
He was going to fulfil his daughter's wishes and he will stay home today.
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Comet Donati [Chapter 7: Heart Attack]
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A/N: Hello all! Only 3 chapters left!!! 🥰 Thank you so much for loving this fic and giving all my eccentric AU ideas a chance. I’m currently in Washington DC visiting one of my best friends, so if I’m a little bit tardy replying to your comments/messages then that’s why. Don’t fear!! I will check in as soon as I can, and I am still amazed by and will forever cherish your support. 💜
Series Summary: Sex, drugs, boy bands. You are a kinda-therapist recruited (via nepotism) to help Comet Donati through a recent crisis. Things are casual with Aegon, very not-casual with Aemond. Loosely inspired by One Direction.
Chapter Warnings: Language, references to sexual content (+18), drugs, alcohol, smoking, Shelby being a bigger plague than the locusts of Egypt, mental health struggles, references to violence and abuse, New Jersey, pregnancy, mini golf, lots of content for the Cregan girlies.
Selected Chapter Quote: “We’re meant to be together. We have so much history.”
Word count: 6.2k.
Link to chapter list (and all my writing): HERE.
Taglist: ​​@doingfondue​ @catalina-howard​ @randomdragonfires​ @myspotofcraziness​ @arcielee​ @fan-goddess​ @talesofoldandnew​ @marvelescvpe​ @tinykryptonitewerewolf​ @mariahossain​ @chainsawsangel​ @darkenchantress​ @not-a-glad-gladiator​ @gemini-mama​ @trifoliumviridi​ @herfantasyworldd​ @babyblue711​ @namelesslosers​ @thelittleswanao3​ @daenysx​ @moonlightfoxx​ @libroparaiso​ @burningcoffeetimetravel-fics​ @mizfortuna​ @florent1s​ @heimtathurs​ @bhanclegane​ @poohxlove​ @narwhal-swimmingintheocean​ @heavenly1927​ @mariahossain​ @echos-muses​ @padfooteyes​ @minttea07​ @queenofshinigamis​ @juliavilu1​ @amiraisgoingthruit​ @lauraneedstochill​ @wintrr13​ @r0segard3n​ @seabasscevans​ @tsujifreya​ 
Let me know if you’d like to be added to the taglist! 💜
You type into Google as you hide in the public bathroom stall, pink tile walls and mint green porcelain, very 1950s, phantom drips of water and humming florescent lights: Can Plan B make your period late?
You scroll through the results, clutching your iPhone with both hands. Faintly, you can hear the rest of the band outside, chattering, laughing, slurping on Slush Puppies, smacking trees and rocks with their golf clubs. Yes, the consensus seems to be; Plan B can delay your period. Incidentally, so can pregnancy.
“Fuck,” you whimper. You peer down at your panties, as if you can force bloodstains to appear: sparce rosy threads of warning, dark red splotches like rust, you aren’t particular. You’ll take anything. “Fuck,” you say again, defeated. You get dressed, wash your hands, and head back out into the cloudless afternoon sunshine.
“Stargirl, it’s your turn!” Aegon shouts as you trot over to them: tenth hole, shaped like an L, featuring an intimidating loop de loop. The course is dinosaur themed; Rhaena picked it. Aegon points to Jace. “This deformed bastard wanted to skip you.”
“I told you,” Jace moans. His speech is garbled and lisping, his face comically swollen, bruised yellow-emerald-indigo and drooling blood, stitches above his left eyebrow. He just had his dental implants placed yesterday; the four teeth that he lost at Club Camelot could not be readily located for reattachment. “I can’t keep track of who’s next. I’m on like four different opiates.”
Baela frets over him. “Shh, shh, baby. Try not to talk.” There’s something about watching someone get almost-murdered that makes you want to forgive them, you suppose.
You grab your club and golf ball, dark blue, from where you left them by a tree. Rhaena gives you a covert little thumbs up and raised eyebrows. Everything good? You smile—too widely, insincere, a liar—and nod. Technically, you have yet to obtain concrete evidence to the contrary.
You take your turn, somewhat awkwardly due to the splint that still encumbers your dominant hand. You are thinking about anything but mini golf. Your ball goes halfway through the loop de loop and then comes rolling back. How many strokes? Four, five, you lose count, it doesn’t matter. Aegon is snickering, though not in a mean way, never in a mean way. Aemond is watching you. He does this constantly; you can feel his eyes—river water, otherworldly atmosphere—on you all the time, you can see him on the periphery of your vision. But when you glance at Aemond, he looks away. You’re wearing flip flops, a black NSYNC t-shirt, and bright pink shorts that Baela insists are of the very short variety. Aemond is staring a little extra hard today. Shelby alternates between glaring at him and at you.
Jace putts next. He misses the ball twice. On the third try, he hits it into a nearby pond. Golden koi fish scatter beneath the rippling sheen of the water.
“Loser,” Aegon declares mildly. “Criston, why the fuck are we in New Jersey?”
“Because you’re playing three shows at the MetLife Stadium in East Rutherford,” Criston says as he putts; his green golf ball sails through the loop de loop, bounces off a wall, and then rolls straight into the cup, a hole in one. “One Direction did it, Taylor Swift did it, and now you’re going to do it too. And if you don’t make it too unbearable for me, I’ll even take you to the beach while we’re here. Okay?”
“Okay,” Aegon agrees. He slurps on his Slush Puppie. “Oh, Aemond, I need the Netflix password.”
“You forgot it again?!” Daeron says. Jace, groaning softly, lies down on the ground in a patch of shade. Baela gets a bottle of Orajel rinse out of her purse and starts pouring it into his mouth.
“Get your own account,” Aemond snaps at Aegon. “I think you can afford it.”
“Bruh, that’s not the point! I don’t know where I left off in Grey’s Anatomy!”
They keep bickering. You stop listening. You can only hear the sounds of rustling leaves, squawking seagulls, the whistling of the warm August wind. You can only feel the weight of Aemond’s half-fascinated, half-resentful gaze on you. He wouldn’t believe me, you think. If I really am pregnant, he would never believe that it was an accident. He would never believe that I was that guilelessly, unambitiously stupid. Hell, I did it and I barely believe it.
You steal a glimpse of Aemond—black shirt and black sunglasses, white shorts, Adidas sneakers—and he turns away, pretending to pick dirt off his golf ball. Interestingly, he will talk to you about things not related to that night in Tokyo; perhaps it would be too suspicious not to, a neon sign for the rest of the band to read. But he never allows himself to be alone with you. And he never touches you, not even a grazing of hands or an absentminded bump as he passes you in aisles or hallways.
Bump, you think miserably. An inauspicious choice of words.
“We should watch Se7en,” Aegon is saying now. “Comet fam movie night.”
You mutter: “We’re not watching Se7en.”
“What’s Se7en about?” Rhaena asks.
“You wouldn’t like it.”
“What’s in the box?!” Aegon shouts dramatically—quoting the beautiful yet doomed David Mills, a name he once borrowed to schedule a Zoom meeting with you—and then cackles. It’s his turn. He clobbers his golf ball and sends it flying through the loop de loop; it pops over the barrier and disappears into a bush. Startled squirrels dart out of the leaves.
“Loser!” Jace slurs as he lies sprawled across the ground, vindicated.
“Stop spitting blood everywhere,” Aemond says. He putts next, and badly: poor depth perception. “You’re getting it on my sneakers.”
“Watch it, cyclops.” Jace points to his own stitches, bruises, surgically replaced teeth. “I let you have this one. Now we’re even. But next time I won’t be so charitable.”
“You’re not even,” Aegon tells Jace, abruptly severe. He whips off his aviator sunglasses, crouches over Jace, glaring and thunderous like a storm. Baela observes this warily. “Not even close.”
Jace is intrigued. “No?”
“No. Your face will heal.” Then Aegon pokes him in the jaw and Jace screams, tears slithering down his puffy, mottled cheeks. Cregan yanks Aegon away before Baela can scratch his eyes out. Criston repossesses Aegon’s blue raspberry Slush Puppie as punishment. Luke wins the game, five under par.
Comet’s first shows in the United States this tour start just like the last few in Asia: Jace is iced, painted with concealer, thoroughly medicated, numbed into semi-consciousness. He does lines of coke in the bathroom under Cregan’s supervision. He can’t perform without it. Criston tried to negotiate a month off for Jace, but the label’s message was clear: get him on stage, we don’t care how you do it, we don’t want to know about it, here’s a blank check, figure it out or we’ll find another manager who can. Now Criston watches Jace with his arms crossed over his chest, his dark eyes wounded and anxious, his shoulders slumped beneath the weight of what he believes is failure.
The story released to the press is that Jace fell down a flight of stairs but is recovering smoothly. He can barely sing; his mic is turned up, and during Jace’s verses Cregan or Luke layer their voice with his. He wobbles and flubs his way through Night 1 in East Rutherford. You spend the show staring up at the stage without seeing it. Baela and Rhaena are with you, but you aren’t really with them; you feel like if they reached out to touch you, their hands would find only translucent emptiness like a mirage. Shelby is flocked by fellow influencers that she’s invited in from New York City. Aemond is somewhere, somewhere: lurking in shadows, brooding, avoiding, musing, suffering, jotting down starlight-colored judgments in his black-paged notebook.
Per tradition, the band and their entourage coalesce in Jace’s suite after the show. Jace himself, the gracious host, promptly collapses on a couch and lies there senseless as the party spins around him like the planets of a solar system. Baela is perched dutifully beside him, holding ice packs to his jaw, wiping away drool the color of one of Aemond’s Brambles. A tattoo artist is inking a goldfinch, New Jersey’s state bird, to the top of Jace’s right foot. Criston is across the room and speaking—rather tensely, it seems—with cigar-smoking label executives. Shelby is snapping photos with her friends; they take turns posing each other out on the balcony, adjusting elbows and wrists and knees, swiping away stray flecks of mascara, rearranging hair, recommending plastic surgeons. Aegon is typing WhatsApp messages—mostly emojis, from what you can see—to Miley Cyrus. At Luke’s prompting, Aemond begins sharing his comments to the presently sentient members of Comet. He puffs on one of his Benson & Hedges cigarettes as he reads aloud. He kindly skips over any criticisms of Jace’s performance.
You can’t stand hearing Aemond’s voice; not because there’s anything wrong with it, but because there isn’t, because you can’t stop remembering what he said to you in that florescent-white bathroom at Club Camelot in Tokyo, because he uses his words on so many people who aren’t you, because sooner or later your time with Comet will be over and you’ll only ever hear him again through Spotify songs and YouTube clips from before the accident, because he will one day be a ghost who haunts you, rattling doorknobs and chilling pockets of air but never speaking. You escape to ask the bartender: “Can I get a Coke?”
“A rum and Coke?”
“No.”
“Like…white powder coke?”
“No, a Coca-Cola. With nothing else in it.”
“Okay, whatever,” the bartender says, perplexed. He fills a glass with ice and dark liquid that pops and fizzes with carbonation, then slides it across the counter to you. You meander out into the hallway where you can be alone, where you don’t have to pretend to be okay.
The carpet is gold but frayed, the walls adorned with faux marble columns and scuffs from recklessly handled suitcases. Even the hotels are worse in New Jersey. You sip your soda—nonalcoholic, huh? you think, then push it aside—and roam past suite doors and vending machines until you reach the cove of elevators. There’s a full-length mirror hanging on the wall there, gilded, gaudy. You frown at yourself, a reflection that suddenly looks a bit like a stranger. You’re wearing a short seafoam green dress, gold earrings and sandals, and an eerily vacuous expression. You turn and move your hair aside so you can peer over your shoulder at what’s been indelibly penned there since Rome: the tiny comet, the lyrics that encircle it.
I wanted to remember this band forever. To remember Aemond. You can feel your stomach drop as it grows heavy with dread. The pulsing music from Jace’s suite has followed you down the hall, Sugar by Robin Schulz and Francesco Yates. I think I might just have more than a tattoo to remember him by after all.
One of the elevators dings and opens. A man lumbers out, towering, broad, monstrous. You gape up at him: brown threadbare coat, heavy boots, unruly dark beard, grey eyes like a bleak winter sky. There is a miasma that colors the air around him with smoke and alcohol, sweat and earth.
“Hello there,” he says, politely enough. His voice is such a baritone rumble that it’s difficult to understand. He has a British accent, but not like Aegon’s, not like Aemond’s. He reminds you of someone you can’t quite place. “I’m looking for a certain young gentleman. I’m hoping you can point me in his direction.”
“Sure,” you reply, trying to disguise your shock so you don’t offend him. He could be someone important. He could be an eccentric producer or a consultant. Or a drug dealer. “Who…uh…who was it you were hoping to speak with…?”
He smiles: sharp canine teeth yellowed by nicotine, glinting eyes like silver coins. “Cregan Stark.”
“Okay,” you stammer. Drug dealer?? “Okay, okay, I’ll…uh…I’ll go get him.”
You hurry down the hall and into Jace’s crowded, smokey suite, clinking glasses and flirtatious titters in dim lighting like late twilight. You return your empty drink to the bartender, then tap Cregan on the shoulder and inform him that someone out in the hallway is asking for him. He doesn’t seem surprised to hear this. Drug dealer, you think confidently. Cregan gulps his vodka shot and follows you out of the suite. He steps through the doorway. He turns towards the stranger. And then he stops dead. His eyes go wide. The blood drains from his face. And Cregan—immovable, inscrutable, unflappable Cregan—shrinks until he is a child again.
Immediately, you know you’ve made a mistake. You reach for him. “Cregan, wait—”
“My son,” the monstrous man sighs. And of course now you’ve realized exactly who the mirrorlike grey of his eyes reminded you of. “My son.”
You can’t stop him. How could you stop him? Faster than you can think, he has crossed the space between you and entombed Cregan in a stifling embrace. Cregan stands paralyzed, his eyes shifting, searching for escape. Tentatively, appeasingly, his hands slowly rise to hug the man in return.
“Criston?!” you shout. But within the suite, he cannot hear you over the music and the berating of smoke-veiled, bejeweled label executives.
“Did you forget about me, huh?” the man asks Cregan gruffly. And as he steps back he grips one of Cregan’s shoulders: not like Criston would, not like a father, like a vice, like a bear trap. He shakes Cregan once, not too hard. “You can fly your private jet all over the world but you can’t call your own father back? Huh? Huh?!” He shakes Cregan again, harder.
“Criston!” you scream. “Security! Somebody!”
Nobody can hear me. Nobody is coming.
You sprint into Jace’s suite, seize Criston by one hand, drag him out into the hall. On the blurry periphery of your vision, you can see Aemond getting up off the couch to follow you. The second he spots the monstrous man, Criston is roaring. “No no no, get away from him!” He pushes between Cregan and the giant, terrifying, wrathful. The man dwarfs him. Criston doesn’t seem to know it. “You can’t be here. We’ve been over this, you’re not allowed to be here—”
The man tries to reach around him to clutch at Cregan’s shirt. Aemond pulls you away from the scuffle. Criston hits the man in the solar plexus; he is momentarily stunned, wheezing. By the time he straightens up, Criston—louder than you, bellowing and fierce—has summoned security. They are swarming the man and escorting him back down the hallway towards the elevators. Aemond goes to Cregan. Criston looks at you. You’re quivering, penitent.
“I had no idea…he asked for Cregan…I would never have…I thought maybe he was a friend of the band…”
“He’s on our no fly list,” Criston says. His voice is tired yet patient. “But you wouldn’t know that.”
You try to apologize to Cregan, but he isn’t listening to you. He’s listening to Aemond. Aemond is speaking to him, low and calm, too quietly for you to hear. “I’m okay,” Cregan says unsteadily. “I’m fine.”
“It’s alright if you’re not,” Aemond tells him.
And you know that right now you are unnecessary, intrusive. Criston goes downstairs to figure out how Comet’s security guards in the lobby didn’t catch this and—presumably—to ensure that the invader is properly dealt with. Aemond slings an arm across Cregan’s shoulders and leads him back to the party where he is cared for, welcome, valued, safe. You hide in your own suite and try not to think about the dates on the calendar—missing blood, summer days ticking down towards zero—as you steep in a hot bath and attempt to scrub everything you’ve done wrong, today, yesterday, ever, off your skin. Then you change into an oversized Backstreet Boys t-shirt and your favorite Cookie Monster pajama pants.
You try to sleep but of course you can’t, surrounded by a silence that only gets louder. When you hear the swipe of a keycard and the creaking of your door, you don’t know who to expect: Cregan, Criston, Rhaena, Luke, Baela, Jace, Daeron, Shelby, Aemond, ghosts. The clopping of his Crocs gives him away, neon pink to match his tank top. “I’m really not in the mood for anything resembling sex.”
Aegon replies as he kicks off his Crocs: “Did I ask, succubus?” He crawls into the bed, throws an arm casually across your waist, rests his head on your belly as your fingers thread through his chaotic blond hair, fond and tender. He burrows into you, into your softness and your warmth and your truth and your mysteries. Sometimes you feel like you’ll give until he falls into you like a trapdoor, the bones of his hands tangling around your spine, his blood vessels spilling into all of your rage-scarlet cavities, hollows of the flesh, hollows of the soul. “You’re sad.”
You stare up at the ceiling. “I have a lot on my mind.”
“Yeah, but I don’t know what. That’s the strange thing. Usually I can tell.”
“You’ve been gone.”
He looks up at you, confused. “I’ve been right here.”
“You know what I meant.”
Aegon doesn’t argue with you, doesn’t try to defend himself, doesn’t make promises both of you know he could never keep. He only lays his head down on your belly again and pulls himself closer to you, closer, closer, melting into your melancholy, dissolving into dreams.
~~~~~~~~~~
“I was eleven when he broke my arm. Thirteen when he cracked my skull for the first time. Then I got big enough to hurt him back.” Cregan looks out over the waves: blue currents, white froth, sunbeams like glinting blades. As Criston promised, Comet is spending an afternoon in Seaside Heights. You and Cregan are sitting on the sand together twenty yards from the others. “I grew up in a two-bedroom cabin with no electricity or running water. We had a metal wash tub outside, ate deer and squirrels and rabbits, never had clothes that fit, never saw a doctor except when what was wrong might kill us. We had a woodstove and chopped down trees to burn in the winter. I had eight siblings, six of whom are still alive. Barnett overdosed. Courtland drove his friend’s Nissan into a brick wall. I’m not sure it was accidental.”
Your words are soft like a whisper, like gentle hands. “Cregan, I’m so sorry.”
“It’s not…” His voice breaks. He stops for a while, composes himself, begins again. “It’s not something I talk about. Not because I’m trying to forget it. I can’t forget it, I’ll never be able to, I understand that, believe me. There’s just nothing to be gained from talking about it. I never feel better afterwards. I always feel worse.”
“You don’t have to tell me anything you don’t want to.”
“I know that. Don’t you think I know that?”
You wait, watching him. There’s something he needs to say. Down the beach a ways, Baela is doing yoga, her bare feet sure and agile in shifting sand. Rhaena, Luke, and Aemond are flying kites in the breeze: black dragons, green dragons. Shelby is, predictably, filming them from where she stands on Aemond’s good side. Aegon and Daeron are swimming so far out that you’re beginning to worry about sharks. Criston is parked under an umbrella with an unconscious Jace, reading Memoirs Of A Geisha and eating a sandwich full of something called pork roll.
“After Comet happened, I got all of them out,” Cregan continues. “My mum, my siblings. Good houses in safe neighborhoods. Security in case Dad makes an appearance. He does, every once in a while. He’s locked up, he’s free, he’s locked up again. He has nothing else to do but haunt us. I’ve been waiting for him to die since I was old enough to understand what a graveyard is.” Cregan looks at you. “Does that make me a bad person?”
“No,” you answer immediately.
“The thing is…” He holds out one large hand, palm down, like he’s resting it on a table. Then he shakes it. “Nothing ever feels stable. Nothing ever feels safe. No matter how much money I see stack up in accounts, I lie awake at night wondering what I’ll do if it disappears. So many people rely on me. I can’t stop worrying I’ll end up back in that cabin somehow. I can still hear drops of rainwater seeping in through the gaps in the roof. I can still smell burning wood.”
“The fact that you feel this way, given your history, is completely logical…even if the fear itself is not. Does that make sense?”
“Yeah,” Cregan says. “Yeah, I think so.”
“Do you think it would help if we sat down and looked at the numbers and did some math? Because I suspect that even with a hundred dependents, you’d easily be able to float them for the rest of your lifetime just using the money you already have. And there will be royalties from Comet’s songs forever. Maybe if we can show you exactly how improbable your worst case scenario is, that fear will begin to fade a bit. Not go away, not completely, maybe not ever…but I think you’ll be able to quiet it down.”
“I’ll give it a try. If you recommend it.” Cregan lights a cigarette and takes a drag. Criston glances over and then pretends he didn’t notice. “I have a daughter,” Cregan says; and you can’t stop the shock from hitting your face like a fist. He smiles faintly, wistfully. “I know. I’ve worked very hard to make sure she is kept away from…” He gestures broadly. “All of this.” Fame. Debauchery. Tabloids. Reddit threads. “I was way too young. And her mother and I…we were never really together. It was contentious for a while, but we’ve sorted through things. I support them financially, obviously. And when I’m not on tour or in the studio, I disappear up to Lancaster for a few weeks at a time and no one is the wiser.”
You study him as wind tears in off the Atlantic Ocean, as seagulls swoop and screech overhead. “I’m sure she’ll appreciate how you’ve protected her once she can understand.”
“I don’t know how to be a father. Not a good one. But I try. I don’t just show up for movie nights and birthdays. I take her shopping for school supplies. I put her back to bed when she has nightmares. I take her to the dentist, to the park, to the library. She really likes pigs, so I adopted a few from a farm animal rescue and we learned how to raise them together.”
“You caring about being a good parent puts you ahead of a lot of people already,” you say. “Nobody in Comet knows?”
“Just Aemond. Once, years ago, her mother needed something and I was out of the country. I had to let somebody in on the secret, somebody I could trust. I chose Aemond. I chose right.” Now Cregan is amused. “He’s the one who suggested the pigs.”
“Of course he did,” you say; and you can’t help but smile. “How old is she?”
“Six and a half. Do you want to see a picture her?”
“Absolutely. If it’s alright with you.”
Cregan pulls his iPhone from his pocket, swipes around for a while, and then turns the screen so you can see. She looks like him, a lot like him, but with round cheeks and long dark lashes. And Cregan is beaming as he says: “Her name is Iris.”
“So you didn’t have to do the Maury paternity test thing.”
He laughs, shaking his head. “No. I knew from the second I saw her she was mine.”
“She’s lucky to have you.”
Cregan shrugs, pensive, evasive. “I don’t know about that.”
“I do.” And he believes that you mean it; you can see it on his face. Aemond is watching you and Cregan, you notice now. He glances over, pretends he didn’t, glances again. You gesture to the crashing waves and say to Cregan: “If Aegon gets attacked by a shark, will you jump in and punch it or something please?”
Cregan chuckles. “Yeah. That’s my main job here, I think. Stopping people from dying.” And then, seriously: “Thank you.”
“Don’t thank me. I haven’t done anything that warrants it.”
“No. Really.” Cregan reaches out, takes your uninjured hand, squeezes it briefly before releasing you. “Thank you, Stargirl.” Then he stands and walks to the water’s edge, letting the surf rush up over his ankles, for just a moment feeling nothing on his shoulders but the sunlight.
Aemond gives Shelby his kite and, as she glares bitterly, makes his way over to you. He takes off his sunglasses so he can see you better and hooks them on the waistband of his swim trunks: black, of course, his usual color. You’re actually wearing black today too, a flowing coverup over a pink swimsuit. You feel very much like hiding. When Aemond speaks, there is perhaps a hint of envy, green like leaves of poison, gleaming like snakeskin. “What were you and Cregan talking about?”
“Fatherhood.” And then you realize how it might sound.
There is a split second where Aemond looks startled; then he remembers Iris. “Right. Not so easy for people like us to navigate.”
People like us. Celebrities, boy band members, haunted men. You scramble for a nonchalant way to feel out the subject with him. “How does Louis Tomlinson handle it?”
“He’s a saint,” Aemond says. And you think: Patron saint of baby daddies? “Freddie was very, very unplanned. The mother was a nobody, a rebound. And a lot of people assumed she did it on purpose to try to keep Louis. Or to get eighteen years of a luxury lifestyle out of him. Or to just get fame in general. Personally, I believe it was all of the above.”
“Right,” you say, sweating heavily beneath your coverup.
“But none of that is the kid’s fault, and Louis is a good enough guy to realize it. So he plays nice with Freddie’s mother and they don’t go to war through tabloids anymore.”
“So, uh…” How can I put this? “You’re good with kids too. Cregan told me you had the pig idea.”
And the look that crosses Aemond’s face, the look: caustic, incredulous, night-dark, self-loathing. “Are you insane? Have you met me? I terrify kids. And I should, but not just because of the eye and the scar. What the hell do I know about being a decent father? What do I know about being a decent anything? I’d have no idea where to start. I’d fuck it up even if I tried desperately not to. I’d end up with kids like Aegon: addicts who hate themselves, people who are irrevocably lost.”
You say meekly: “I think Criston is something like a father to you. He could be a role model.”
“I’m not half as good a man as Criston is.”
Change the topic, change the topic, before Aemond gets suspicious. And there’s something else you’ve been meaning to ask him. “Aemond…after you almost murdered Jace…when we didn’t know if or how he was going to be able to perform until he healed…did anyone ask you to come back to Comet and fill in for him?”
“No,” Aemond says. And he’s thunderstruck by the thought, appalled, petrified.
“You don’t think that it might have been a good idea? That it might make sense?”
“No,” he says again instantly.
“But…in Tokyo…when Daeron made that speech at the last show…I think the crowd’s reaction was pretty powerful, don’t you? People still care about you. They love and respect you. And I think…maybe…it might help you with what you’ve experienced. To get back on stage—even just one last time—and prove to yourself that you still have what it takes. To know that if you do leave Comet, it’s your choice, not anyone else’s.”
“They love who I was,” Aemond says. “Not who I am now. And that’s easy to do. They don’t have to look at me.”
“Goddammit, there’s nothing wrong with how you look, Aemond!” you burst out. “You look fantastic. I never get tired of looking at you. I want to look at you all the fucking time. I’d hang life-sized portraits of you on every wall in my apartment in Kansas City. That’s how much I enjoy looking at you.”
He thinks you’re joking, he thinks you’re trying to make him feel better. You can’t stop him from thinking these things. And yet still, as he turns away, he is smiling: just a whisper of a curl at the corner of his lips, secretive, fragile.
As Comet is leaving the beach, you stop at a souvenir shop on the boardwalk to buy your keepsake for this tour destination. You settle on a pink frisbee that has I love the Jersey Shore! embossed on it in large, abrasive letters. You think your parents’ Australian cattle dogs will enjoy fetching it when you get home. Home feels so much closer—both literally and figuratively—than it did just a few weeks ago.
Criston is browsing through the t-shirts. “Hey, what size is your mom, Aegon? Medium?”
“How the hell would I know? Probably.” He holds up a pair of red, white, and blue bikini bottoms that say Firecracker across the ass. “You think my dad would mind if you sent her these?”
Criston is blushing. “Aegon, stop.”
“You could get her a bikini top too. Oh look, that one over there is red, it matches. And it says MILF across the tits. So that’s pertinent.”
“Stop!” Criston cries, distressed, and flees the store.
Halfway through the hour-long drive back to the hotel, Aegon insists that Criston stop the Escalades so he can get a hoagie from a Wawa. Aegon has never had a hoagie before. He says he cannot truly experience America without one.
At the ordering counter, Jace—slightly less bruised and swollen today, and thus in better spirits—taunts Aegon: “Are you sure you need all that bread? You’re going to be wearing a muumuu on stage by the time we get to the Midwest.”
“You know, just because you said that, now I’m going to get two hoagies…”
On the television mounted inside the Wawa, CNN is reporting on a group of tornadoes that just struck Wichita. And it occurs to you that tornadoes don’t have trajectories to calculate like hurricanes or airplanes or comets; they are climatological sharks. They strike quickly, indiscriminately, and then they’re gone again. They aren’t named. They aren’t enshrined. They don’t even have a belly to cut open and retrieve pieces of your loved ones from. If they take someone, they’re just gone.
While the rest of the band is in line to order their food, and Aemond is scrutinizing the dried fruit and nuts selection, you sneak through the other aisles.
It’s time. I have to find out eventually. I have to know.
You pluck a pregnancy test—cute, pink, nausea-inducing—off a rack, purchase it with truly impressive speed at the checkout counter, and race to the bathroom. It’s surprisingly difficult to piss on a tiny stick of doom, especially when your primary hand is in a splint and only partially useable. Eventually, you manage. You put the cap back on the pregnancy test, set it on top of the toilet paper dispenser, and stare at the metal door of the stall. The Wawa speakers are playing The Fray’s Over My Head.
It won’t be positive. It can’t be positive.
You think of pregnancy test commercials you’ve seen: happy couples rejoicing, happy single women getting negatives. How are you supposed to react to bad news? Nobody ever tells you. Do you scream, sob, beg for forgiveness, schedule an appointment at Planned Parenthood? Do you kick the bathroom stall door down in mindless feminine fury? Do you throw yourself off a balcony?
There’s no way it will be positive. It was one time. Just one goddamn time.
And who knows if that will ever happen again with Aemond. This does not improve your mood.
You pick up the pregnancy test. It is unequivocally positive.
You shove it into the small rectangular trashcan for pads and tampons, things you won’t be needing in the immediate future. You get dressed, leave the stall, go to the sink and wash your hands. Then you grip the cool, slick, white porcelain and gaze at yourself in the mirror under nowhere-to-hide florescent lights. What do you feel? Everything, nothing, things you can’t name yet. You’re a raw nerve, you’re completely numb.
The bathroom door swings open. Shelby enters. She squares up with great purpose. Your eyes roll to her, slowly, with no tolerance left, not a drop of it. “Stay away from Aemond,” she demands.
“Make me.”
She is in disbelief. “I’m sorry, what?”
You turn all the way towards her. “Fucking make me, Shelby.”
“I knew you wanted him,” she says, she seethes. “I saw you in those paparazzi photos from Reykjavik and I knew you were already twisting your claws into him.”
You hold up your hands to show her; your thoughts are fuzzy, dazed, without inhibition. “I have no claws whatsoever. If I did, you’d know about it. Believe me. You’d be able to look down and watch your heart beating through the gashes.”
“You don’t belong here. Some Midwestern farm girl running around in flip flops and Cookie Monster pajama pants? You’re trash. You’re a user. You’re a nobody. And if you’re trying to steal a taken man, then you’re a whore too.”
“I’ve been called worse things by better people.”
“I can make them hate you,” Shelby says indignantly. “Comet. The world.”
“Good luck with that, Malibu Barbie. Nobody even knows I exist.”
“Stay away from Aemond,” she says again, trembling with her futile bleach-blond rage. “We’re meant to be together. We have so much history.”
“And yet no future.” You smile sweetly, breeze past her, step on one of her perfectly pedicured feet with a thoroughly unpretentious flip flop. By the time you return to them, the band is almost ready to leave Wawa.
You’re not hungry, but Aegon coaxes you into taking a few bites from his hoagie. You’re not able to focus on what people are saying, but you hear Aemond mention that he wishes Comet had time to visit a planetarium in some nearby town called Toms River. You think about what it would be like to lie side by side with him under the stars, under the sky where comets appear again after vanishing for centuries. You wonder if there’s anyplace where you and Aemond could ever be truthful with each other.
At night you can’t sleep. There is no shortage of reasons why. You wander from your bed to the gold-carpet hallway to the vending machines, where you stare brainlessly at the options. Am I supposed to not be drinking caffein? Did I get any Vitamin D today? How much sugar is too much? You buy a bottle of apple juice—surely a safe bet—and head back to your suite.
As you walk by Aemond and Shelby’s door, your steps slow. Some nights you can hear them in there arguing: Shelby reiterating all the reasons why they’re perfect for each other, clearly a rebuttal to an accusation you weren’t privy to. Some nights you hear muffled casual conversation or episodes of Cosmos. Some nights you hear nothing at all. Some nights your imagination colors in the gaps before you can stop it: his hands on her, his mouth on her, things you know you have no right to dread and yet you do. But tonight, Shelby is momentarily removed from the scene. You can hear the distant pattering of the shower, and then Aemond alone in the living room gathering up plates and glasses. He’s singing something very quietly, so quietly it takes you a while to recognize it. It’s not even a Comet Donati song. It’s Through The Dark.
You sit down in the empty hallway, your back to his door. And you lean your head against it as you listen to Aemond singing softly to himself, doubt sinking into you the same way that trapped blood fills a bruise: Maybe it wasn’t as good for him as it was for me. Maybe he doesn’t talk to me because he doesn’t want to. Maybe I don’t belong here anymore. Maybe I’ve invented a history that we don’t really share. Maybe he didn’t mean it when he said he loves me.
“What am I going to do?” you whisper, scalding tears brimming in your eyes, shivering hands settling on your belly. In a few months, you’ll be showing. “What the hell am I going to do?”
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kujakumai · 1 month
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would you like to elaborate on the "catastrophic mommy issues"? I'd love to hear what your thoughts are on that lol
Thief King is a child raised by a mass of vengeful tortured souls in the ruined basement where they all died, all of whom are in effect a stand-in for family/community/parents. They are all TKB has left, and they are highly protective of him; they seem not entirely within their right minds, not capable of competent childcare, and they give him explicit instructions on how to destroy and take over the world, which he follows enthusiastically.
I think about this a lot, like a lot a lot, and while we don't see much I think its gotta be a very tangled dynamic. When writing him I tend to use "mom issues" or general references to his mom as an emotional stand in because I think she's probably the most likely person he'd remember clearly when he needs a real face, but that's not necessary. All of Kul Elna is Mom for these purposes.
There is a lot going on here, for example:
>Kul Elna does not seem to leave the temple unless accompanied, or at very least they prefer to stay there. This means TKB probably spent a significant portion of his childhood in the same ruins and possibly the same room where he watched everyone die. Cool! Great!
>Kul Elna appears to be only partially corporeal, limited in their ability to do much besides menace, and TKB says they are "in hell" (unclear what that means). I do not think they are up to the daily tasks of feeding, bathing, or taking care of a small child. I think he probably grew up as an urchin mainly in squalor.
The closest real-life analogue to this is, probably, simply a child in the care of someone who is ill or disabled such that they cannot effectively take care of even themselves without support; so you have a situation where no one has done anything wrong, and this family loves each other very much, and the only real culprit is the society that failed them. But you're still going to end up with a kid who is not getting their needs met, is in a situation that is often stressful and sometimes scary, and that will lead to a rapid Adultification where the kid takes on the role of steward without ever having a proper childhood.
>The Zork-raising instructions were given to TKB by Kul Elna. He tells us this. I am less concerned by Kul Elna's obviously Zork-influenced plan to destroy everything than I am its effect on a 16 year old boy who loves them very much because they're all he has left in the entire world. When did they bring this up? Is it recent? Has it been an ongoing plan for years--has TKB effectively been raised on the idea that he is to be Egypt's own destined apocalypse maiden? How fucked up would that be?
Fandom is hesitant, I think, to ascribe anything malicious to Kul Elna or suggest that their relationship with TKB is sinister--which, for the record, I don't think it is, I think this fucked-up little family has nothing but love for this kid in the depths of whatever humanity they have left--because Kul Elna gets such an unjust treatment in canon it makes us incandescent. Yet the same would apply to TKB--if they want the world in ruins and him at the top, how could he even think anything different? After everything the pharaoh did to them, and to you, of the life they deprived you of? Impossible to suggest something different. You can't tell him they're wrong. What's that old softer world bit; I am a pacifist, and I will be a pacifist until I die, or someone threatens my mother.
>TKB does not need survivors guilt to be an unfailingly loyal Mama's Boy to his ghost family (Ghost's Boy?) but he's got to have it. A simultaneous immense guilt for getting out when no one else did; the immense loss of being left behind, like they all went to become this without him; the weight of being the only one left, the only one who can take revenge not only for you but for them, and if you fail then no one will remember any of their names, or yours. One chance. Avenge them or die a nobody. Don't fuck this up. It's your responsibility, like it or not, because no one else can help, and no one else can help because of what your enemies did to them, which is why you need to do it. It's almost self-justifying.
If you want me to editorialize, I don't think he actually cares much about ruling the world, nor does that goal make sense. I think in the back of his little brain he thinks that if he wins he finally gets to join them somehow.
tldr; I think TKB's relationship with whatever the hell Kul Elna has going on is way, way more complicated and nuanced than even he is consciously aware of and you can love someone very much and still fuck them up immensely (arguably a major them of ygo itself). TKB's has such catastrophic mommy issues he literally tries to end the world. We are talking literal apocalyptic mom issues. Cataclysmic.
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smoothie03 · 9 months
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[Ancient Hetalia]
A little illustration series I made in February/March before my exam about the Antiquity.
Here we have Ancient Egypt, Mama Iberia/Hispania (Spain and Portugal's mom), Minoan Crete (Ancient Greece's mom), Ancient Greece, Britannia, Germania and Noricum (Austria's mom and Germania's sister)
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leviathanspain · 1 year
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they find out + wedding + baby
headcanons of the weasleys + friends finding out bill is the father of your baby, a shotgun wedding and a very stressful birth
will i see you again? continuation
.・。.・゜✭・.・✫・゜・。.
after you and bill had talked, the weasleys all ushered themselves back into the dining room for an awkward dinner
but you and bill were holding hands, and that clearly didn’t go unnoticed
your father had raised his eyebrows at you but you waved a hand
i’ll explain later
but bill was whispering that his family had caught on
so abruptly, you stood up
bill and i had sex in a club one night in egypt and he’s the father of my baby
silence
like pin drop silence
molly had shrieked
and arthur was shaking his head
bill stood up
surprise! he laughed awkwardly
the twins erupted into laughter
honestly about tjme billy
we were getting worried!
bill nearly knocked them out at their comments but you had laughed
and so he laughed too
ron blinked, welcome to the family
i hope i get someone pregnant in a club too
ron had murmured until hermione smacked him
i was joking!
molly had clasped her hands together
when’s the wedding?
you and bill had looked at each other and shrugged
we haven’t gotten there yet
and that was how you ended up with a shotgun wedding, eight months pregnant
it was a beautiful wedding
although bill definitely had more fun than you
considering you couldn’t even drink and your feet were swollen
but you didn’t spoil his mood, letting himself enjoy himself
even if he was utterly wasted, he still cooed at your belly
i love you my pretty pretty baby
he would whisper before planting a wet kiss on your cheek and moving back out to dance
your father had danced with you just once after you danced with bill
but those were the only two times you danced
you didn’t even see bill the rest of the night
he and his brothers were gone off the face of the earth for two days after your wedding
you would’ve been mad
but you didn’t mind it at all really
he was having fun
days passed
you were ready to pop
and just almost two weeks later
you were at st mungos yelling your head off
bill had left the ministry early to meet you at the hospital
you grabbed his hand tightly
babe i think you’re breaking my fingers
your baby is breaking my pelvis, shut up
yes darling
the pain of labor was so intense
you could’ve passed out
you WISHED you passed out
but when you heard those cries
the pain had washed away
it’s a boy! the nurses announced and you smiled
bill, your voice was getting farther and farther
the room got serious again as the nurses handed the baby over to bill and ushered him out
my wife-
we will do everytbing we can
the wait was excruciating
bill couldn’t even comfort his own baby as his mother was dying
his family reassured him that she would make it
but bill was a cynic
and they were right
you were awake
groggy and definitely still not in the best shape
but good enough to see bill and the baby
bill brought the baby in
say hi to mama
you laughed as best as you could
he’s got red hair?
obvi, bill laughed
and he’s chunky too
nine pounds of weasley muscle
you looked at the baby in his arms and your heat swelled
have you thought of a name ?
bill shrugged, i thought you did
we can figure it out later
baby weasley went unnamed for a whole month
kinda embarrassing since people were asking what his name was
but finally bill came around to choosing one
and it was perfect
your little family
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chrissymorgan9700 · 10 months
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So...
I have been thinking of an angst/tragic Bowuigi AU, but I don't know how to write it.
Picture it: Bowuigi, but a Prince of Egypt crossover.
The Koopa Kingdom has already taken over the Mushroom Kingdom and everything else but Sarasaland when Mario and Luigi are separated
Mario arrives and meets Princess Peach while she is in hiding in Sarasaland.
Bowser meets Luigi after he falls in the Darklands and soon they start falling for each other.
Cue wholesome Mama Luigi and Junior moments
Mario and Peach find a way to tell Luigi about what's really going on with Bowser's rule. Luigi is in denial.
Luigi finds out on his own and runs away, also going to Sarasaland.
Bowser's heart is broken.
Luigi is told to convince Bowser to let the Mushroom Kingdom go or face serious consequences (Burning Bush: Stars/Grambi/Rosalina)
Bowser and Luigi reunite, enter Kamek and Kammy (Playing With The Big Boys)
Luigi fails to convince Bowser, Bowser feels betrayed. Double angst
Consequence #1: Water turns to Lava (Water to Blood Plague)
"The Plagues", but replace 'brother' with 'lover'
Bowser & Luigi reunite during darkness plague and have a heart to heart
They love each other still, always have and always will and Bowser is almost convinced.
Enter Junior. He missed his Mama and wants him back, but is also scared of what's happening.
Bowser : "I will not be dictated to. I will not be threatened. I am the morning and evening star. I am Bowser! King of the Koopas!"
Luigi : "Something else is coming, something much worse than anything before. Please, let go of your contempt for life before it destroys everything we hold dear. Think of our son!"
Bowser is hardheaded.
Luigi tells Mushroom Kingdom & others to put a sign on their doors (a star/mushroom/what have you)
Enter Plague 10: Death of the Firstborn
Plague takes every firstborn child in the Koopa Kingdom
Cut to Koopa Castle as one last soul is taken.
The sounds of parents screaming in grief echo through the smoke-filled air.
Out of all the weepings and wailings in the Koopa Kingdom, Bowser and Luigi's are the loudest and most heart wrenching.
Bowser tells Luigi that Mushroom Kingdom and all other kingdoms he's enslaved are free while hunched over their son's dead body.
Luigi: *reaches out hand*
Bowser: *flinches away* "Leave me!"
Luigi leaves, Bowser silently cries as he watches him go.
Luigi starts bawling once more when he gets outside.
Has to keep it in to tell Mario and friends that Bowser is no longer in control of their kingdoms anymore.
Everyone is celebrating, but Luigi silently mourns
If any of you take this idea, please, PLEASE tag me!
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