While we’re here. Here’s a canon hair/eye color chart. With evidence.
Nick: Blonde/Blue/Green
the evidence is very marginal and I usually disregard it, but it does say:
“This idea is that we’re Nordics. I am, and you are, and you are, and—” After an infinitesimal hesitation he included Daisy with a slight nod..."
'Nordic' was eventually coopted by the Nazis as a companion word to their Aryan bullshit, and in 1924 (when this part was likely written) there were even some measures to separate 'dark whites' (Italians, Jewish people, etc) from 'lighter' white people. All bullshit, but all this to say the implication at the time of writing would have meant light hair and light eyes.
Also. Fitz had blonde hair and blue eyes and we know about this fucker and his self-insertion. Like I said I usually ignore this but it is kind of funny because I have never once seen a representation of nick with anything other than brown or black hair
Jay: Blonde(?)/Blue
This comes from the Princeton holograph. since fitz decided to deprive us in the final product.
For his hair: "...his bright suit and hair..." (pg 139). jay's suit is caramel colored in this scene so the closest I can imagine is that his suit and hair are of a similar color, like perhaps a reddish blonde at most but certainly blonde at the very least, if the description lends to anything.
Fitz wrote as follows in regards to Jay's eyes: "...at a table with a handsome blue-eyed man..." (pg 103); "...the blue-eyed man looked at me..." (pg 103); (he also calls them handsome eyes on page 105.......); "dark blue eyes opening out into lashes of shining jet" (pg 105); "...with such a wild look in his blue eyes..." (pg 115); "...his eyes, damp and shining like blue oil..." (pg 131); "...damp and shining like blue oil..." (again) (pg 137); and i think that's enough thank you scott
Daisy: Dark(?)/??
There's two bits of evidence, mainly, for Daisy's dark hair. I'm assuming it's dark brown but that's just me. First is the whole 'Nordic' bullshit thing, where Tom is hesitant to include Daisy in the 'Nordic Race' or whatever, which would imply that she has darker hair. Also, Fitz directly confirms this with the line "...and once he kissed her dark shining hair." HOWEVER. Daisy does say that Pammy has her hair, and Pammy's hair is 'yellowy'. This is even weirder considering Tom is remarked as having 'straw hair', as in blonde. So. Maybe we CAN'T rely on the alcoholic for consistency.
Daisy's eye color is not remarked on, just that they're bright. So maybe light. but who knows.
One other note is that Ginevra King, the woman Daisy is based off of, had dark brown hair and eyes.
Jordan: Blonde/Grey
This one is easy, thank god. As for her hair, it's written "...autumn-leaf yellow of her hair..."; and again "...her hair the colour of an autumn leaf..." girl get a toner. and also the forementioned Nordic bullshit argument. Jordan was included with Tom and Nick.
Her eyes: "Her grey sun-strained eyes..."; "Her grey, sun-strained eyes..." (again)
Again, the direct inspiration for Jordan is Edith Cummings who had, shocker shocker, blonde hair and grey eyes if a period-appropriate painted color portrait is to be believed.
Tom: Blonde/??
For his hair he's described as a "sturdy, straw-haired man of thirty". the argument could be made that that is more in regards to the texture but knowing fitz it probably means that tom is also. blonde. you'll start to notice a pattern.
As for his eyes, all that's really mentioned is that they are shining and arrogant. no color
Tom is based off a few people so I won't rely on any of them for hints or clues.
George: Blonde/Blue
This one is pretty cut and dry. "He was a blond, spiritless man, anaemic, and faintly handsome...hope sprang into his light blue eyes."
Myrtle: ??/??
If you can find written evidence for myrtle having red hair I'd love to see it because I've been searching for a while now and I can't find it in any draft. It's a movie thing, I guess, like switching jordan's and daisy's hair colors around in lazy deference to eurocentric beauty standards and a pitiful attempt at acknowledging fitz's penchant for color-based symbolism <3
The only clue for Myrtle having red hair is that her sister does. SO maybe she does, too. Her eyes are a mystery.
Klipspringer is also blonde and balding, too. God's least favorite creature I guess.
so it's safe to say that fitz just loved making everyone blonde. like, everyone. and considering that he himself said that all of his characters were just him, that makes an unfortunate amount of sense.
the thing is that they're so fascinated by sex, they love sex, they can't imagine a world without sex - they need sex to sell things, they need sex to be part of their personality, they need sex to prove their power - but they hate sex. they are disgusted by it.
sex is the only thing that holds their attention, and it is also the thing that can never be discussed directly.
you can't tell a child the normal names for parts of their body, that's sexual in nature, because the body isn't a body, it's a vessel of sex. it doesn't matter that it's been proven in studies (over and over) that kids need to know the names of their genitals; that they internalize sexual shame at a very young age and know it's 'dirty' to have a body; that it overwhelmingly protects children for them to have the correct words to communicate with. what matters is that they're sexual organs. what matters is that it freaks them out to think about kids having body parts - which only exist in the context of sex.
it's gross to talk about a period or how to check for cancer in a testicle or breast. that is nasty, illicit. there will be no pain meds for harsh medical procedures, just because they feature a cervix.
but they will put out an ad of you scantily-clad. you will sell their cars for them, because you have abs, a body. you will drip sex. you will ooze it, like a goo. like you were put on this planet to secrete wealth into their open palms.
they will hit you with that same palm. it will be disgusting that you like leather or leashes, but they will put their movie characters in leather and latex. it will be wrong of you to want sexual freedom, but they will mark their success in the number of people they bed.
they will crow that it's inappropriate for children so there will be no lessons on how to properly apply a condom, even to teens. it's teaching them the wrong things. no lessons on the diversity of sexual organ growth, none on how to obtain consent properly, none on how to recognize when you feel unsafe in your body. if you are a teenager, you have probably already been sexualized at some point in your life. you will have seen someone also-your-age who is splashed across a tv screen or a magazine or married to someone three times your age. you will watch people pull their hair into pigtails so they look like you. so that they can be sexy because of youth. one of the most common pornography searches involves newly-18 young women. girls. the words "barely legal," a hiss of glass sand over your skin.
barely legal. there are bills in place that will not allow people to feel safe in their own bodies. there are people working so hard to punish any person for having sex in a way that isn't god-fearing and submissive. heteronormative. the sex has to be at their feet, on your knees, your eyes wet. when was the first time you saw another person crying in pornography and thought - okay but for real. she looks super unhappy. later, when you are unhappy, you will close your eyes and ignore the feeling and act the role you have been taught to keep playing. they will punish the sex workers, remove the places they can practice their trade safely. they will then make casual jokes about how they sexually harass their nanny.
and they love sex but they hate that you're having sex. you need to have their ornamental, perfunctory, dispassionate sex. so you can't kiss your girlfriend in the bible belt because it is gross to have sex with someone of the same gender. so you can't get your tubes tied in new england because you might change your mind. so you can't admit you were sexually assaulted because real men don't get hurt, you should be grateful. you cannot handle your own body, you cannot handle the risks involved, let other people decide that for you. you aren't ready yet.
but they need you to have sex because you need to have kids. at 15, you are old enough to parent. you are not old enough to hear the word fuck too many times on television.
they are horrified by sex and they never stop talking about it, thinking about it, making everything unnecessarily preverted. the saying - a thief thinks everyone steals. they stand up at their podiums and they look out at the crowd and they sign a bill into place that makes sexwork even more unsafe and they stand up and smile and sign a bill that makes gender-affirming care illegal and they get up and they shrug their shoulders and write don't say gay and they get up, and they make the world about sex, but this horrible, plastic vision of it that they have. this wretched, emotionless thing that holds so much weight it's staggering. they put their whole spine behind it and they push and they say it's normal!
this horrible world they live in. disgusted and also obsessed.
RIP Annabeth, I just know Percy sacrificing himself for you, after knowing you for a week, after telling you that you’ve done more for him this week than his father ever has, is permanently altering the brain chemistry of your avoidant attachment self
my love is mine, all mine I love, mine, mine, mine nothing in the world belongs to me but my love, mine, all mine nothing in the world is mine for free but my love, mine, all mine, all mine
pathologic but it's a lost 1920s german expressionist film [id under cut]
[id:
image 1: a digital drawing of a fake poster, using bright colours and rough, painterly brushstrokes. the title, 'pest' (german for 'plague'), is written at the top in spiky black text. in the foreground a man dressed as a tragedian is staring intently at the viewer, his hands raised and splayed as if in horror. in the background, the town is framed against a red sky, with the polyhedron in yellow behind.
images 2 and 3: fake casting sheets for the film, with the names of the actors and the characters they are playing above a black-and-white portrait photograph of them. all the text is in german. in english it reads:
'Pest', a film by Robert Wiene
Alfred Abel as Victor Kain
Ernst Busch as Grief
Lil Dagover as Katerina Saburova
Ernst Deutsch as the Bachelor
Carl de Vogt as Vlad the Younger
Marlene Dietrich as the Inquisitor
Willy Fritsch as Mark Immortell
Alexander Granach as Andrey and Peter Stamatin
Bernhard Goetzke as General Block
Dolly Haas as the Changeling
Ludwig Hartau as the Haruspex
Brigitte Helm as Anna Angel
Brigitte Horney as Maria Kaina
Emil Jannings as Big Vlad
Gerda Maurus as Yulia Lyuricheva
Lothar Menhert as Georgiy Kain
Asta Nielsen as Lara Ravel
Ossi Oswalda as Eva Yan
Fritz Rasp as Stanislas Rubin
Conrad Veidt as Alexander Saburov and Tragedian
Paul Wegener as Oyun
Gertrud Welcker as Aspity
image 4: four digital sketches of set designs for various locations. all are strongly influenced by expressionist imagery, using extreme angles, warped perspective, and dramatic shapes. they are labelled 'street 1' (a street lined with houses), 'street 2' (a square with a lamppost and a set of steps), 'polyhedron exterior' (the polyhedron walkway), and 'cathedral interior' (the dais at the far end of the cathedral).
image 5: four digital drawings in a black-and-white watercolour style, showing fake stills from the film. all are similarly distorted and lit by dramatic lighting. the first shows katerina's bedroom, with katerina standing in the centre of the floor. the second shows the interior of an infected house. the third shows daniil staring out of the frame in horror, one hand on his head and the other raised as if to ward something off. the fourth shows an intertitle with jagged white text reading 'the first day' against a dark background.