#like. how does that make sense. how would it work. what would cause that. I am so confused

[6ix9inewiturmom]

Camera Caught- Matt Sturniolo

Summary: you accidentally left some hickeys on matt’s neck and the fans catch it, start making edits, and matt “punishes” you

Warnings: SMUT, degradation, orgasm denial, multiple orgasms, squirting, oral (female receiving), P in V, Unprotected sex, praising, slight crying.

A/N: I LOVE YOU ALL ENJOYY

PSA: I GIVE NO RIGHTS TO COPY MY WORK OR USE MY WORK FOR “INSPIRATION”

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Matt and I’s relationship has been very very private, we've been trying to keep it that way till we both collectively agreed to go public. Matt was down in the garage filming for a Friday video and I was endlessly scrolling on TikTok, I came across this edit of Matt, I didn't think much of it till i saw the comments.

Mattscupsupremacy: THE HICKEY?! WHO IS SHE?? MATTS A FREAKY GAL

Chrissypoohmylover: UHM MATTHEW?? what a freaky man.. she’s one lucky girl to be getting that fire dick

Nickismyqueen: WHY IS NO ONE POINTING OUT THE FACT HES NOT EVEN TRYING TO COVER IT UP??

Yamother6629: we lost another one girls… Funeral at my place at 6 pm tmr 😔💔

Thefourthtriplet5239: MATT SEEMED SO VANILLA.. who would ever guess that man is kinky?

“No no no” I say panicking out loud and immediately jumping out of bed and running through the house and busting the door open to the garage where Nick, Matt, and Chris are barging into the garage which sends the boys into an immediate panic

“Okay so you can edit this out of the video but it's an emergency,” I say out of breath.

“Girl go the fuck on, you said it’s an emergency, spill let’s go” Nick says snapping his fingers.

“Okay, patience, so I was scrolling through TikTok like normally waiting for you guys to finish filming and I scroll across this Matt edit,” I say trying to find the edit on my phone.

“Y/N how many times do I have to tell you to stop watching edits of me, I'm right here no need to fangirl over me,” Matt says with a sense of cockyness in his voice.

“No no hold on it gets better, so I scroll through the comments cause you know it's funny watching as the 12-year-olds talk about you being their ‘baby’-” start before Chris cut me off

“GET TO THE FUCKING POINT YAPPER,” Chris says throwing his hands in the air

“Says the one who goes on about putting a literal tit milk-drinking infant in the backseat of a car with no car seat. So let's not talk about her yapping” nick defends.

“ANYWAYS, Matt you forgot to cover your hickeys from the other night and everyone knows about it now, cause when you moved out of frame your hoodie must have come down, and there are edits and people calling you ‘vanilla’ whatever the hell that means, and like everyone is wondering who the girl is and I'm like panicking now,” I say with panic in my voice “I know you weren't ready to go public but everyone is like freaking the fuck out” I continue.

“Fuck, I thought the hoodie was a good cover” matt sighs “look its fine well figure it out after I'm done filming just go back inside and calm the hell down” he gives me a quick peck on my forehead and shutting the door of the car.

A couple of minutes later I got a text from matt, normally he does send me the occasional ‘i love you, almost done filming’ message but this one was a little different.

Matty B Rapz 💍

you’re in big trouble for getting us caught

i hope you ain’t tired cause you’re in for a long night

This wasn't out of the normal for Matt to be rough with me but over text? This is new, but I love it. I could feel myself getting soaked at all the possible ways Matt could fuck me, all the positions, thinking of all the ways in which he could make me cum.

After an hour and a half of endless scrolling through TikTok, I can hear the footsteps of Matt through the hallway.

“Hi baby, how was filming?” I say as he walks in the door immediately shutting it and locking it.

“Don't ‘baby’ me, strip,” he says harshly as his eyes darken with lust.

A smirk appeared on my lips, and moved off the bed walking towards him as I placed my phone down on the bedside table and slowly and teasingly removed my pants and shirt leaving me in my light pink lingerie set that I knew drove him insane, the way it hugged my curves, pushed my Brests up with a small delicate flower in the middle, and my underwear that sat and hung onto my hips with another small flower in the middle of it.

“So fucking sexy,” Matt says under his breath causing a light shade of pink to appear on my cheeks.

Matt wraps his arms around my torso and unclips my bra letting my breasts fall and the straps of my bra fall off my arms. He lightly pushes me back so I'm sitting on our shared bed as he places a deep and passionate kiss on my lips.

I yearn for more of his lips but he pulls away from me and starts trailing light kisses down my jaw and to my neck and sucking harshly on my neck so we have matching marks on my neck and soft moans escaping my lips.

“Since you had to go and get us caught,” he starts before sucking harsher in my neck in a pattern this time. “Everyone's gonna know who you belong to now” he pulls away walking back a couple of steps to admire the marks he left on my neck.

‘M’

His initial was spelled out on my neck.

“And you're not gonna cover that up. Got it?” he spits walking towards me and wrapping his hand around my neck.

“Yes, Matt” I whisper out

“Good fucking girl” he removes his hand from my neck and pushes me down so my back is now on the bed flat.

He lowers his body down, basically on his knees, and he leaves kisses down my stomach before kissing over my clothed pussy and a soft whimper comes out of my lips.

Using his teeth he guides my underwear off my legs and throws them on the floor with a smirk plastered on his face.

His face between my legs was always a sight for sore eyes, never failed to turn me on the way his blue eyes always stared at me through his eyelashes. He places small kisses around my thighs eventually making his way down to my dripping pussy and placing kisses everywhere around it but where I need him the most.

“Matt, please” I plead.

“What are you begging for? Use that filthy mouth of yours and tell me what you want” he says harshly.

“I need your mouth, please” i whine.

He smirks and uses his tongue to move up and down my folds collecting my juices he lets out a groan as the taste of my pussy touches his tongue. His lips attach to my clit sucking harshly on it.

“FUCK MATT” My back arches and my eyes roll back basically seeing my brain.

His tongue explores every inch of me as he keeps a steady gaze on me and how my body reacts to his mouth. His fingers trail into my begging hole that's clenched around the air begging to be fulfilled curling his slim fingers upward reaching a spot I could never reach by myself.

“MATT” I scream out as My thighs close his head in.

“Legs stay open” he mutters through my pussy.

His fingers now moving at a pace that's driving me absolutely insane, his muted moans against my pussy is only turning me on more.

“close” i breathe out trying not to strain my voice.

“hold it,” he says muttering against me as his nose flicks my clit digging his face deeper into my pussy. He was almost moaning as much as I was, typically he didn't even care if he cums, he gets off at watching me come unglued from his mouth or fingers.

“Please” I repeat pleading with matt.

“No, you're gonna hold it and you're gonna show me how much of a good girl you can be” he lifts his head continuing his pace with his fingers.

His gaze never left me, the way my back arched off the bed and my eyes rolled back just at his fingers was always so amusing to him.

“You always look so beautiful wrapped around my fingers,” he says smirking down at me and taking his lower lip between his teeth as he continues to arch his fingers inside me.

“PL-PLEA- CUM” i mutter unable to form a coherent sentence.

“Go ahead baby, let it all out” he coos in my ear in a low raspy voice.

The knot in my stomach snaps, and my orgasm hits me like a bus, my legs shake as my cum drips down into his fingers. he removes his fingers licking off my cum from them.

“Face down ass up, I ain't done with you” he says sternly.

I slowly nod turning around and holding myself up by my elbows taunting my ass around in the air. Matt smirks to himself removes his hoodie, and quickly removes his boxers and pants throwing all his clothes somewhere in the room.

I feel the bed dip down from the weight of his knees behind me. He reaches his arm around to my mouth places his hand below my mouth.

“Spit” he says harshly.

I obey spitting in his hand as he uses my spit to rub around the tip of his cock moving his hand up and down to coat his cock.

Matt aligns himself with my entrance and immediately bottoms out letting a loud groan escape his lips as my hips jerk backward and a loud whine leaks from my lips.

“You think you're so fucking innocent huh? Leaving those fucking hickeys on my neck” he spits thrusting harshly into me gripping onto my hair and pushing my head far into the mattress.

“I-im SO-SORRY” I scream into the mattress.

“Oh, you're sorry? If you were sorry you wouldn't be creaming all over my fucking. dick.” he says thirsting harder to annunciate his last two words as his head hangs low to look down at the white rim that's formed around the base of his cock.

“FUCKK” I whine out with tears starting to form in my eyes from the overstimulation. “CANT- CANT-TAKE” I muffle out as his hand pushes my head farther in the bed.

“You wanted this” he grunts “You take it” his hand travels down my body and starts to toy with my sensitive clit.

“OH BABY-” i scream out as my cervix begins to twitch around his cock signaling how close I was.

“Oh you think you're gonna cum soon?” he taunts rubbing faster on my clit as his thrusts begin getting sloppier.

“Pl-pl-please” I whisper yell to him.

“You're so fucking pathetic” he groans out using both hands and pressing my waist down the bed and rolling his hips into me getting deeper and kissing my cervix with his cock.

My legs began to shake and tremble “CLOSE” i choke out. his grip on my waist loosens up as he leans down and kisses my back.

“let it go, baby, let it all out” With that, the knot in my stomach breaks and I squirt all over the bed leaving a wet mess beneath me. “God damn baby you're so fucking sexy” he leaves small kisses on my neck as his thrusts got even sloppier.

“Oh fuck” he buries his head in my neck and groans as his cum begins to shoot out of him filling my hole of his cum.

He softly pulls out of me rolling me over now laying on my back and gives me a soft peck on the lips.

“Let me clean you up, yeah?” he smiles down at me and I shoot him a small smile back.

He throws on the same pair of sweatpants from earlier and walks softly and carefully to the bathroom wetting a small rag and bringing it back into the room.

“You did amazing, Y/N” he smiles up at me as he carefully runs the warm wash rag down my legs and anywhere else that was covered in cum.

“I am sorry about getting us caught, I know that we didn't want to go public just yet” I softly whisper as he makes his way next to me bringing me into his arms and placing a kiss down on my head.

“Hey, don't worry about it. We'll figure it out in the morning. But for now, just get some sleep," he says, running his fingers through my hair and occasionally kissing my head. We eventually drifted asleep, intertwined with each other.

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A/N PT 2 HI LOVES!! IDK how to feel ab this one but i hope you guys enjoyed it! I hope you're doing amazing!! And have an amazing day/night/evening!!

Xoxo

Gabs 💋

#Spotify #chris sturniolo #christopher sturniolo #matt sturniolo #nick sturniolo #nicolas sturniolo #sturniolo triplets #sturniolo fanfic #sturniolo smut #the sturniolo triplets #sturniolo x reader #chris sturniolo x you #matt sturniolo smut #matthew sturniolo #chris sturniolo x reader #sturniolo

[mysteryshoptls]

SSR Ruggie Bucchi - Platinum Jacket Vignette

"Happy 100th Anniversary"

[Land of Dawning – National Museum of Art]

Ruggie: Can't believe I'm here bein' a supporter for some museum like this. Guess ya never know what life's got in store for ya.

Ruggie: I mean, I totally wouldn't've ever paid to see paintings that I can't even fill my belly with…

Ruggie: But I guess it's okay if I don't gotta pay. I wonder if they got paintings I've seen in my textbooks.

???: This painting… These are the hyenas from the King of Beast's legends. When the three of them are lined up like this it's kind of intimidating…

Ruggie: Well, yeah, they were out there patrollin' lava quarries 'n goin' out on scoutin' missions, so.

Trey: You sure know your stuff, Ruggie. I guess that would make sense for a hyena beastman to know.

Trey: But still… Both patrolling and scouting seems like painstaking work.

Ruggie: Oh, yeah. From the stories I've heard, they had some pretty tight scrapes…

Ruggie: Like there's one where while they were out chasin' some stubborn foe, they ended up runnin' off a cliff tryin' to catch 'em…

Ruggie: Which had 'em endin' up flyin' into some real prickly thickets.

Trey: If it were me, I'd probably hesitate, worried about getting hurt. Guess the hyenas who worked under the King of Beasts were just that brave.

Ruggie: Brave? Then I guess I'll take that compliment, too. 'Cause I've jumped into thorny thickets like that a buncha times!

Trey: You've jumped into the thorny thickets…? A bunch of times!? Why would you do that…?

Ruggie: Actually, did you know? In the Sunset Savanna, there's this real steep cliff that's become a bit of a tourist attraction.

Ruggie: It's the perfect place to catch the settin' sun, so a ton of tourists go up there to snap a pic, leanin' over the fences 'n everything.

Ruggie: And like, sometimes there's folk that'll get so focused on settin' up the shot, or that'll bump into others that they'll drop and lose stuff.

Trey: I'd expect they'd have to let their stuff go if they dropped it off the cliff… But how does this all tie into you talking about the thorny thickets??

Ruggie: Sheeheehee. So actually, at the bottom of that cliff, there's a huge bramble of thorny thickets.

Ruggie: It's off-limits, and it's pretty dangerous, so no one really heads down there.

Ruggie: So, that's why I'd sneak down in the dead of night, and pick up all the lost items!

Ruggie: Sometimes I'd find little wrapped pieces of candy, watches 'n accessories, and even wallets!

Ruggie: Well, it kinda depended week to week what dropped, but… That was a great way to make some quick cash.

Trey: B-But if you had gotten injured, would all that have been worth it?

Ruggie: Yeah, true. Back when I was just a kid, I could slip in 'n out pretty easily, but I had to stop when I started getting' bigger.

Ruggie: Not only was I makin' big bucks, but the cliff's environment was getting' kept clean. Felt like a win-win deal to me.

[Land of Dawning – National Museum of Art]

Ruggie: Oh, this one… It's a painting of the thunder god and his son.

Trey: Yeah, according to the legends, he came to the human world just after being born, and was raised by adoptive parents.

Ruggie: Basically, that means he was raised apart from his actual dad, right? Amazin' they actually look like they get along good.

Trey: Haha… I wonder. Do you get along with your dad, Ruggie?

Ruggie: Nah, I don't got one.

Ruggie: He left back when I was a kid, so I don't remember anythin' about him, 'n I don't know what he's up to now.

Trey: Oh… Is that so? Sorry, I didn't mean to overstep my bounds.

Ruggie: Huh, that reaction's pretty different than what I'm used to.

Ruggie: Back home, there's a ton of kids just like me, so usually they'd just shrug and go, "Oh, okay" and move on.

Trey: And I guess it doesn't sound like they're saying that just to be considerate.

Ruggie: Obviously. Because the bigger problem is not havin' the money to buy food!

Ruggie: Granny'd take care of me, but there wasn't much we could do 'bout our empty bellies…

Ruggie: When I was big enough, I'd start working together with all the kids in my little neighborhood to scrounge up some food.

Trey: Kids running around trying to gather food on their own… That's hard for me to imagine.

Ruggie: There's a buncha ways to gather up food. We'd go into town and ask for alms, or drop a line in the river.

Ruggie: We were always pretty hungry, so we'd pretty much do anything… Oh, like we had a great time once digging for potatoes.

Trey: Is digging up potatoes that exciting?

Ruggie: WELL, YEAH!

Ruggie: There's actually a type of potato that grows in my country that can get as large as 20 kilos…

Ruggie: Around the time the potato harvestin' was finishin' up, we all snuck into the fields at night…

Ruggie: And we'd pick up some stunted potatoes that were left behind, as well as dug up some other forgotten potatoes.

Ruggie: We were all up in arms to pick every single one before the sun rose!

Trey: Why'd you go at mid… Never mind, I'm not going to ask.

Ruggie: And then, this one year when I was diggin', I hit the jackpot!

Ruggie: It was a potato so huge I wouldn't've even been able to carry it with both arms! It had't've been heavier than 20 kilos～

Ruggie: Didn't think there'd be any potatoes left that huge… Maan, I really lucked out then.

Trey: 20 kilograms, huh… With something that big, I don't think there'd be much to worry about eating for a while.

Ruggie: Don'tcha think?

Ruggie: I was thinkin', like, we could dry whatever was leftover and turn it to powder to make it last a bit longer…

Ruggie: But then Granny ended up boilin' 'em, fryin' 'em, and basically makin' a ton of dishes. It was a potato party extravaganza!

Ruggie: Me and the other street kiddos were just packin' 'em away, and little by little it started to disappear…

Ruggie: In the end, I couldn't make anything to save it for later.

Trey: Ah… That's rough.

Ruggie: And I never saw a potato that huge ever again. Guess good luck like that only ever hits once in a while.

[Land of Dawning – National Museum of Art]

Trey: Woah… This painting has a real powerful presence.

Ruggie: So, this is a painting of when the Thorn Fairy transformed into a dragon to fight, huh.

Trey: She looks way stronger than what her stories say. I bet I would be no match for her.

Ruggie: Eh!? Trey-san, you lookin' to pick a fight with the Thorn Fairy? It'd be waaay better to try 'n flatter her instead

Trey: Oho, but that might be the scarier route, don't you think? You might end up in deep trouble if you were to offend the Thorn Fairy instead.

Ruggie: Sheeheehee. Oh, but I'm pretty good with that kinda stuff.

Trey: Haha, well, I guess I have to admire that pluck.

Ruggie: But man, she's really something. She's the one that caused all that lightning too, right?

Ruggie: They say it was always thunderin' and lightnin' outside her castle as a way to keep intruders out… That's a huge undertakin', huh.

Ruggie: But with all those lightning strikes, I bet the bread prices were super cheap near the Thorn Fairy's castle.

Trey: Bread? …Ohh, right! Because when lightning strikes, certain particles are released in the air that helps plants grow.

Ruggie: Huh? Wait, are ya sayin' there's actually a whole science behind the whole "bread gets cheaper whenever it thunders"!?

Trey: Oh, isn't that what you meant?

Ruggie: I was just sayin' what Granny would always say…

Ruggie: Wait, so does that sayin' mean that 'cause more wheat gets harvested, more bread can get made, and that's why it's cheaper?

Trey: Yeah. Although, with how much we've developed our fertilizers nowadays, I don't know how much lightning strikes actually play a part anymore.

Ruggie: Cooool, I had no idea. Guess you Science Club folk know your stuff.

Ruggie: I bet Granny didn't really know the meanin' behind it like you did…

Ruggie: But I bet she saw with her own eyes the change in bread prices whenever there were tons of thunder and lightning.

Ruggie: But still… Kinda weird, huh. Sheeheehee.

Trey: Weird? What is?

Ruggie: Back when I was a kid, I only ever cared 'bout food, so there's no way I woulda been interested in learnin' why the bread was cheaper.

Ruggie: But now, I heard your whole spiel, and my reaction was to think it was pretty cool. Guess I'm maturin'.

Trey: Well… Maybe it's just that you can actually afford to take the time to listen now?

Ruggie: Maybe, maybe not. 'Cause my wallet's still pretty empty…

Ruggie: Oh hey, maybe this is just me bein' able to relax my stresses away, huh!? …Maybe not, heh.

Trey: Could be, if you're enjoying your time here, at least. Oops… Look at the time.

Trey: I think I'll head out to go check on how my dormmates are doing. See you, Ruggie.

Ruggie: 'Kaay, see ya. I'm gonna keep lookin' around this area a bit longer.

Ruggie: Hm? This painting… A lion cub's just lollygaggin' with a warthog 'n a meerkat.

Ruggie: I'm wonderin' if they even know all the scary things that can happen to animals that step outta their territory, hm?

Requested by Anonymous.

#twisted wonderland #twst #ruggie bucchi #trey clover #twst ruggie #twst trey #twst translation #twst birthday

[superprincesspea]

Courted by the Dragon

Chapter 15 - Forfeit

Aemond Targaryen is both the cause and witness to the greatest humiliation of your life. You would rather die than see him again. Yet summer at court and the precipice of civil war have other ideas.

Masterlist

~~~

When your mother and sisters break away to join the queen in the wheelhouse, you’re taken to the stable where the horse waiting for you is a chestnut mare with a little white patch between her eyes. 

“Flare,” the groom calls her, and she does not look pleased to see you. 

In fact, she snorts when you offer her your hand, her foot stamping on the hay, and you think the only thing worse than a long ride to the Kingswood, was to do it on a horse that already hated you. 

Still, it wasn’t really the riding you minded so much as the company, Aemond’s company to be precise, though you had not yet seen him. 

“Your saddle, my lady,” the groom says, interrupting your thoughts before presenting you with a fine brown side-saddle, its leather work embossed with dragons and ivy. 

“I shall be riding astride this morning,” you tell him, deciding there was no way you would ride an untested horse without the complete control of both your legs. 

“But this saddle is a gift from the Queen!” The groom retorts, looking completely aghast at your suggestion, his brow knitted and his words curt despite your rank. 

A gift? Surely not.  

Yet , the brass work is all shiny and new, the leather without cracks or marks to sully the pattern. But the most startling detail, which you’re not quite sure how you’d missed before, is the pommel, where the first letter of your name entwines with a dragon. 

For a gift, it’s certainly an extravagant one and hardly fitting for the third daughter of Borros Baratheon.  

You’ve never even had your own saddle before and refusal feels so awfully rude you hardly dare to say it, yet, if Alicent wanted you to travel to the Kingswood with the men, then you should be free to ride like one too.  

“That may be so,” you say, chin up, defiant , “but I shall be riding astride or not at all.”  

And to be perfectly honest, you didn’t want to be riding around on a lavish gift detailed for a Targaryen either.  

What would people think?  

What was Alicent thinking? 

“You heard the Lady,” Aemond’s voice causes you to start as he appears by your side, his presence enough to force the groom to submit to your wishes without another word.  

But you don’t thank him, you’re too busy trying not to think about how he’d asked you to marry him the last time you’d spoke. Yet you can think of little else. 

“This is the horse they have given you?” he says, his foot easing onto the bottom rung of the fence, his tone enough to confirm your fears.   

“Is there something wrong with her?” you ask, a sinking feeling pulling at your stomach. 

“Not if you enjoy unruly beasts.” 

You meet his eye, and a smile twitches at his lips before he glances over your shoulder. 

“Boy ,” he calls to the stable hand hovering in the background, “is there no other horse to saddle for the lady?” 

The boy shrugs, his attention darting around nervously before finally admitting, “the queen requested Flare personally , my prince.” 

“Hmm ,” Aemond’s jaw tightens, his finger drumming on the fence as the groom returns with a new saddle. This one black with yet more dragons.  

“Have my lady saddled on Ōños and I shall ride Flare,” Aemond tells him. 

“But -” the groom half protests, neither wanting to disobey his queen or his prince. 

“You'd rather my lady was thrown from the horse?” Aemond says, and it's not a question, his tone is sharp, commanding.  

Aemond gets what Aemond wants. 

“You need not switch horses with me,” you tell him, when the groom scurries away again, thinking you do not wish to have a prince of the realm thrown from a horse on your account. 

But he shrugs, unconcerned, “I am the superior rider, so it only makes sense for you to have the easier horse.” 

You can’t help but laugh, amused by the utter certainty of the words coming from his mouth and, even if you were quite sure they were true, it was such an arrogant thing to say that you felt compelled to refute it. 

“Tell me,” you say, eyes wide, “is there a reason his grace already considers himself superior when he has never even seen me ride?” 

“You have seen my dragon, yes ?” 

“Briefly , but this is not a dragon, it's a horse.” 

His eye slides to Flare then back to you, “I trained on horseback every day of my childhood before acquiring Vhagar then three times a week after that. How often do you ride, my Lady?” 

"Six times a week, when I am home,” you answer, with so much confidence you almost believe it. But you would not be bested yet again, and you were certainly no novice since your father, who’d always longed for sons, had insisted on frequent practice.  

A fresh smile quivers at Aemond's lips, his brow raised, "is that so? Then perhaps my lady will need to come to my aid when I am struggling to keep up with her?” 

You picture Aemond on a wild bucking horse and can’t help but laugh, “I must say, it shall be difficult to aid his grace if I am too busy making fun of him.” 

“Oh, I have no doubt in that regard, Lady Baratheon,” he says, seeming to almost enjoy the prospect, before the groom returns with the new horse, all saddled and ready, and certainly not what you expected. 

The horse Aemond had ridden at the tourney was a destrier, strong, fierce and entirely black. But this one is smaller, a palfrey perhaps, with a pure white coat and mane, so bright and unblemished, he almost looks as though he cannot be real. 

“What did you say his name was?” you ask, words formed with a gasp. 

“Ōños.” 

“Is that Valyrian?��� 

“It means ‘Light’,” he answers, his hand pressing to your lower back, guiding you closer, “he was a name day present from my Grandsire when I was a boy.” 

“Hello Ōños,” you whisper, stretching your arm to offer him the scent of your hand and he nuzzles into you, allowing you to stroke the spot right between his big dark eyes.   

“You’re so beautiful,” you tell him, moving to pet his neck and run your fingers through the wiry bristles of his glossy mane. “And such a good boy...” you add, admiring him more with each pet, “so gentle... so calm...” 

“You offer more praise to this horse than you have ever given your prince,” Aemond says and you’re not sure if he’s scolding you or teasing you, as he moves to ensure your saddle is tight around Ōños waist. 

“Are there not ladies enough at court who praise his grace?” 

“None that matter .” 

“Very well ,” you say, clearing your throat as though your heart isn’t fluttering, “I believe my prince has the most wonderful horse.” Then you laugh, petting Ōños again, “or is that just further praise for you, sweet boy?” 

Aemond snorts and you look back at him with yet more laughter. 

“If my lady offers crumbs, I shall eat them heartily,” he says, extending his hand to help you mount. 

“I have no need for assistance,” you decide, thinking you were finding his company unbearable enough without the touch of his hand, as you take the reins and secure your foot in the stirrup. 

But Aemond grasps your waist to help you anyway. Easing you up and over, the skirt of your gown rising to the very top of your thigh with the motion, so you feel the coolness of the air as it hits the bare skin above your stocking. 

Gods . 

You look down, just in time with Aemond, who reaches eagerly for your hem, as though he is a gentleman.  

Yet , as he pulls the skirt back down the length of your leg, his progress is marked with the delicate touch of his fingers in a way that cannot possibly be accidental.  

Gods. Gods. Gods.  

He meets your frozen stare, his eye dark, and you should say something.  

Anything !  

But your breath is trapped in your chest, and you can only give thought to the almost unbearable rush of tingles which have hurried excitedly to some deep, unreachable place in your core. 

Then he smiles, and it's not a wicked smile, its content , satisfied , and you hate it, almost as much as you hate the way he takes hold of Ōños’ bridle, leading you out into the yard as though nothing is amiss.  

Yet, what was the alternative? For him to gloat? Or worse, for him to say one of the thoughts which seemed to race behind the look in his eye?  

You didn’t want that . What you wanted, was for you to say something. To react. To scold him. To remind him you were a Lady of house Baratheon and not to be treated as such.  

With all of this in mind, and the tingles subsided enough for you to breathe,  you shift forward in the saddle, so your words can reach him despite your hushed tone.  

“Do not imagine you can take such liberties with me again,” you say, and Aemond stops before he turns to look at you, his smile more wicked than you have ever seen it. 

“You give me little credit, Lady Baratheon, my imagination is far more creative than that.” 

You frown, not quite understanding his meaning, then understanding it all at once and your gasp is quickly followed by a glare.  

“If I told my father what you just did, he would have your hand!” 

“If you told your father,” he begins, the wicked look on his face turning decidedly smug, “he would give me your hand, and I’m quite willing to test the theory if you are, my lady?” 

He's right, of course , and that only adds more fuel to your temper, though in a yard brimming with people, you can only seethe in silence. Looking at anything but the prince as the morning sun beams down so pleasantly you could scream. 

Seven Hells!  

You’re beyond grateful when the groom arrives with Flare, providing you momentary relief from Aemond’s unwavering attention, as he moves to inspect his own saddle, before mounting her in one smooth motion which she does not take kindly to.  

She stomps in protest, and Aemond pulls at her reins, his hand on her neck, his words low and inaudible in the busy yard, as he gets her under control. 

“We should leave before everyone else,” he says when she has calmed, reaching for Ōños’ bridle again and pulling him in time with Flare. 

“We should wait,” you insist, glancing to where Ser Maurin is talking with some of the other men, none of them yet mounted on horseback. 

"And get stuck trudging through the droppings of a dozen horses all morning?”  

Your nose crinkles at the idea and, when Aemond smiles, you imagine he’s thinking something along the lines of, ‘that’s what I thought’ , as he continues to lead you towards the open gates. 

When you make it as far as the wheelhouse, you peek in through the slatted windows, catching just a glimpse of your sisters talking excitedly with the queen before Aemond releases your bridle and kicks his horse into a trot. 

But you don’t follow, you pull on the reins, stopping Ōños since you’re in little doubt that following Aemond will be a mistake. 

Yet, you can’t deny the part of you that wants to do it anyway. Because despite what you like to think about yourself, or honour and decorum, there’s a thrill to Aemond’s company that you find irritatingly compelling. 

Why was that? You wonder, thinking how safe and easy a ride would be with Tyland Lannister by your side. But he isn’t even invited, you realise now. It’s only your family, Aemond’s family and the guards.  

Drawing your hand across the reins, you half-heartedly tell yourself to turn back towards Ser Maurin, where you will be safe from any further improprieties or proposals of marriage, but that’s not what you do.  

Perhaps you can blame Ōños, who reacts quickly to even the slightest hint of pressure from your feet. But that would be a lie.  

It's your decision to chase Aemond, and Ōños is only too happy to gallop through the yard, as you were sure he’d done countless times before. And it's reckless to ride like this, with so many people in your path, but you seem to have left all common sense in the stable, so why stop now? 

You jump a cart filled with apples, overtaking Aemond’s lead, and he was right . You didn’t want to spend the morning trudging behind the wheelhouse. You wanted to fly, and the Kings Road stretches ahead with barely an obstacle in your path. 

Ōños, seeming to sense your excitement, picks up speed with little encouragement, dashing through the gates, his hooves pounding the earth so hard you can feel your hair slipping from its pins.  

Your horse at Storms End could never run like this , he’s far too old and far too lazy. But Ōños is so powerful he feels unstoppable, yet you must stop, knowing you will quickly leave the procession behind entirely if you keep going. 

You tighten your legs, pulling at his reins and he comes to a halt quickly, obediently, turning when you pull the rein again, so you can look back, and see that Aemond’s horse has barely run half the length of yours.  

Instead, she’s picking at the brambled hedges which flank part of the path and Aemond is trying desperately to coax her back into his command. 

You stifle your laughter, trotting closer. 

“Does his grace require my aid so soon?” you tease, more than a little pleased by the look of frustration on his face. 

Aemond bites back a grimace, his words laced with exasperation and spoken in High Valyrian as he pulls tightly on the reins. But Flare gives into his insistence at her own pace, taking one last bite of the sun ripened fruits before moving on. 

“Perhaps you should ride at the back of the procession after all?” you tease again, noticing the wheelhouse is now ambling its path through the gate. 

“Or perhaps I should abandon Flare with a squire, and we can ride pillion as I’m sure my mother intended?” 

“Ha ,” you scoff, your eyes narrowing with a dare which should not be coming from your lips, yet you’re feeling so pleased with the situation that it sneaks out anyway, “you’ll have to catch us first.” 

Aemond’s eye darkens, his hand snatching to grab your wrist before missing entirely, “is that a promise?” 

You don’t answer but you enjoy the adrenaline which pumps in your veins. Yet, why not enjoy it? For once, you’re the one with the upper hand and it feels good, you want to toy with him like he always toys with everyone else. 

Unable to contain your smile, you lead Ōños in a circle around Flare, careful to keep just out of reach before you kick him into another gallop which Aemond tries, but fails, to keep up with.  

Yet, as always, Aemond is not interested in losing. So, instead of chasing you for miles of road, he turns, heading back to the gold cloaks who are leading the procession before dismounting to switch horses with what looks like Ser Willis. 

His new horse is a deep hazelnut brown and much more obedient than Flare, so now the chase is really on, as he seems to fly towards you without any hesitation on the horse's part.  

“Come on,” you say excitedly to Ōños, adrenaline still beating in your veins as you kick him into action, charging down the road and leaving Aemond to race through clouds of dust instead of the ones you’re sure he’s more accustomed to. 

You keep your lead, all the way to where the road splits into a fork, and you’re forced to slow into a trot, unsure of which route to take. 

“Caught you,” Aemond says, grabbing Ōños’ bridle so he can pull you both towards him and you roll your eyes. 

“You didn’t catch us,” you tell him, allowing yourself to feel as smug as Aemond usually is, “I stopped.” 

“A promise is a promise, Lady Baratheon,” he tries to remind you, your horses turning in a tight circle to keep you together. 

“I don’t recall promising you anything .” 

His jaw tightens, frustrated, but his eye smiles, “you’ll deny your prince his reward?” 

“I’ll deny a cheater ,” you retort, nodding to the horse between his legs, “you were supposed to be riding Flare.” 

He releases Ōños’ bridle, a long breath blowing through his nose, “I did not wish to lose.” 

“Nor have you won.” 

He laughs, his gaze scraping across your lips, “how about a race then? First to the camp shall choose a forfeit for the loser.” 

You scoff, feeling a little uneasy at the prospect.  

You were already too far ahead of the wheelhouse and feeling quietly certain that there would have been some raised brows at the way you and Aemond had raced ahead of the procession. 

Yet, that’s not what you say, or what’s really holding you back, “I do not know the route.”  

“It’s only one road from here to camp and Ōños has done it a hundred times.” 

You give him a pointed look, “as have you .” 

Aemond bites back whatever expression wants to grace his face, “you’re afraid I’ll win? You have the better horse.” 

If you refuse him, it would be as good as admitting you thought he was the superior rider after all, and you were not about to do that . “I’m not afraid.” 

“Then prove it.” 

“Well...” your heart pounds, “what exactly is the forfeit?” 

His smile fills his cheeks, his eye looking as blue as the sky behind him. 

“When you win, you can tell me,” he says, and you pretend you’re only half considering the bet as you line Ōños up, so it will be a straight shot when you kick him into action. 

“See you there! ” you call over your shoulder, racing ahead and unable to contain the burst of laughter which cackles mischievously from your chest. 

Now was your chance to best him once and for all and you were not going to squander it, except , Aemond doesn’t follow behind. He jumps the farmers fence, racing his horse through the field and you really should have known better.  

In Cyvasse he was always ten steps ahead, so why should this be any different? 

Yet, instead of giving up, you only push harder, pressing Ōños to go faster, leaning into every turn as tightly as possible and trying to keep your eyes ahead instead of searching for a dragon. Perhaps that's what he wanted, for you to lose focus, for you to assume his victory. But he wasn’t the only one who enjoyed winning. 

You can see the clearing in the distance, see white tents and staff already milling around to ensure everything is prepared for the queen’s arrival. But you can’t see Aemond and that makes you nervous. 

You shift your weight forward, almost crouching to gain momentum, just as Aemond’s horse jumps through the trees, landing mere paces ahead of you on the road. 

But, while his horse must slow to right itself after such a jump, you and Ōños are only moving faster.  

You speed ahead and you can feel him tight on your heels as you make it right into the centre of camp. 

“Woah,” you tell Ōños, who seems intent on charging straight through the clearing and beyond, and you're grinning from ear to ear when you circle back to meet the miserable expression on Aemond’s face. 

Victory had never felt sweeter, and you intended to gloat. 

“You look quite unhappy, your grace,” you say, panting as you try to catch your breath. 

Aemond doesn’t reply, and you suspect he is a sore loser of the worst variety, as he kicks his leg over the horse with a frown, before handing the reins to a groom whose probably been standing around since dawn. 

“I only wish everyone was here to see how I beat you,” you add, determined to salt the wound but Aemond’s frown is soon smoothed into a reluctant smile. 

"Congratulations,” he says, taking your waist and pulling you from the horse so you’re securely in his embrace.  

“Though I must admit,” he whispers, still holding you tightly, “I would much prefer my lady to be the one doing the forfeiting.” 

You’d forgotten about that part, winning had been pleasure enough alone but a fresh smile brightens your face before you push his arms away. 

“Hmm ,” you say teasingly, strolling through the small stretch of camp with Aemond as your shadow, “what's a good forfeit for the most repugnant man in the world?”  

He coughs out a laugh, and you already know precisely what his forfeit needs to be, if you are to make it through this picnic with any sense of decorum, but you don’t say it, not yet .  

You keep walking, and quickly make your way past the clearing, to where the forest grows beautifully lush and dense, and if you were to choose a picnic spot, it would be this . Not the cover of a tent with servants to bend to your every whim, but here, where the trees tangle with the undergrowth and the only thing you can hear is the unmistakable chorus of the woodland.  

“Are you going to tell me or not?” he says, and his impatience makes you want to hold your tongue for as long as possible, but you take small comfort in knowing you’re just about to annoy him. 

“Your forfeit,” you say, turning to look at him, “shall be to stay at least 20 paces away from me for the duration of the picnic.”  

It might not be very exciting, but it was the only forfeit which made any sense if you didn’t want to spend the entire day wrapped up in his company. 

His eye narrows, his head tilting, “and if I don’t?” 

You laugh, half amused, half annoyed, "then you shall be obliged to complete an even more humiliating feat!” 

Aemond’s jaw ticks, “such as?”  

You glance to where the river rolls lazily in the distance and think of all the times he’s mocked you for that day on the beach, “how about a dip in the water, since you like suggesting it so much?” 

Aemond snorts, moving closer, “my lady only wishes to punish me when I think she would have found her forfeit very enjoyable indeed.” 

Now it's your turn to snort, “if my forfeit was to marry you, then you are mistaken.” 

He grins, his eye meeting yours, “I cannot marry you in the Kingswood, but I do find it interesting that you would conjure the idea so readily.”

“I -” you start, your cheeks reddening but he was right. He hadn't said anything about marriage, that was all you .  

Seeming to eat up yet another portion of your embarrassment, he unclasps his cloak, letting it fall to a pile on the forest floor.  

“What are you doing?” you say, confused , though your gaze holds a keen interest in the way his long fingers begin loosening the buttons on his doublet. 

“You said so yourself, if I cannot stay away from you, then I must take a dip in the river.” 

The blood drains from your face, your heart stopping just as you meet the determined look in his eye.  

“Because I didn’t think you would do it!” you gasp, and the smile that fills his face is made up entirely of mischief. 

“Do you not take your bets seriously, Lady Baratheon?” 

“Apparently not as seriously as his grace!” you exclaim, reaching to swat his hands away from his chest and dissuade any further progress along the buttons.  

But Aemond is resolute and, as each button comes loose, he steps closer, forcing you to back away. 

“My lady must believe I would have ensured she took her forfeit very seriously indeed,” he says, his doublet falling open to reveal the stark white linen of his tunic, the strings bound tightly at his neck. 

You take another step away from him, your back colliding with the rough bark of a large tree. 

“Do you want to know what it was? Your forfeit?” he asks, slowly loosening the long strings with a single pull. 

“No.”  

A smile quivers at the edges of his lips, and he inches right into your personal space, while the tree holds you still. And you can’t move, only watch, as his tunic unravels enough for you to see there are no bandages across his chest, only the bruise. Faded to a bloom of green instead of purple and so striking against his alabaster skin that you inhale a sharp breath.  

Yet, you’re not looking at that . At least not for too long. You're staring at his hands, as they sink downwards to slide the end of his belt through its loops, each click of his buckle making your heart jump. 

“This is absurd,” you whisper, your body tensing. 

"Really ?” Aemond’s voice is low, seductive . “When I watched you undress, I found it quite mesmerizing.” 

Your eyes flick to meet his and he must see the puzzled look on your face.  

He had found you in the water, had he not?  

“I was on the clifftop, resting Vhagar,” he says, answering the question which had not yet left your lips, “and just before I turned to leave, there you were. Wearing the black and yellow of house Baratheon.”  

He pauses, letting the information sink into your bones, and you can hear the tightness in his breath before he laughs softly and continues, “I already thought it unusual for a high-born lady to be alone, so imagine my surprise when you began to take off all your clothes.” 

He watched you. From the very first moment. He watched you.   

You remember the way your chemise had billowed from your hands, forcing you to chase it down the beach. On the cliffs, he had certainly not been close enough to see every detail, but he had seen you. Your freedom, a moment that had felt so pure, so private . 

Your temper burns and you push him with all your might, the action not surmounting to much considering the man you’re trying to repel, and his strength only serves to frustrate you further.   

“You really are the worst man that ever lived!” You say and you mean it, but Aemond only smiles, enjoying the suggestion and possessing not an ounce of shame in his actions, past or present.  

“I'd say there’s hardly a man alive who could have resisted watching you.” 

Perhaps he was right. But he was the man who had been there that day and, though he could have left without saying a single word, he chose to fly closer, to stand where you could see him. To humiliate you.  

Still, that is the least of your concerns as his belt comes free and his hand moves to rest beside your head on the tree, the hairs on the back of your neck pricking to attention. 

“You’re out of your mind!” you tell him, thinking there was no way you were going to stand around while he took off all his clothes, and when you push him again, he doesn’t budge. He inches closer, his other hand tangling in your hair. 

“From the moment I saw you on that beach, yes, ” he concedes, a spark of warmth flickering across your chest, but you ignore it.  

“I hope you jump in the river, and it carries you out to sea!”  

Aemond bites back his laughter yet he’s so close you can feel the echo of it rippling across his chest, and smell that all too familiar scent of his skin.  

“It would be most unfortunate if I were to die without first kissing my lady, do you not agree?” 

“I am not your lady.” 

“But you have no objection to the kiss?” he shifts slightly, his nose brushing with yours. 

“Yes ,” you’re barely breathing, “I have an objection. I- ” 

But Aemond doesn’t want to hear what you’re about to say, he wants to kiss you, and you anticipate the touch of his lips with more desperation than you thought yourself capable of.  

Yet , as his head tilts, and you feel the heat of his lips searching for yours, you come to your senses and turn away, his kiss landing on your cheek with a low groan.  

Still, it is a kiss, Aemond’s kiss, and even if it hadn’t intended to land as such, it was still warm and delicate on your skin, and you couldn’t ignore the way your body reacted. Wanting more, wanting so much more that you were afraid of your own desires.  

“I think his grace is forgetting himself,” you scold, your words no louder than the flutter of a butterfly wing, but really, it is you who is forgetting yourself . 

“If I am forgetting anything,” he argues, his breath hot on your cheek, “it is why I did not kiss you sooner.” 

“I'd say it’s because I do not want you!”  

“Need I remind my lady that she has the most terrible face for deception?” His voice is strained, a single finger pushing along your jaw, forcing you to look at him. 

"Need I remind his grace that I still find him the most repugnant man in the entire world?”  

Or was that just another lie to crumble under his scrutiny? Surely not. No, you find his behaviour mostly smug and sometimes downright appalling. Yet that didn’t stop the way your skin ached for his touch; it didn't stop it for a heartbeat. 

“You can remind me every day when we are married,” he promises with a slow, easy smile and, just as you think he might try to kiss you again, you hear a noise. Both of your heads flicking towards the sound. 

It’s the wheelhouse, you realise, innocently ambling its way towards the clearing, while you’re standing hot and breathless, pushed up against a tree with Aemond’s clothes half undone and decorum fully discarded. 

This was madness! Complete and utter madness! And you only had yourself to blame. 

“I’m never marrying you!” you say, resolute , before his gaze returns to yours and he stares at you for a long moment. 

“Then my lady must allow me the honour of proving her wrong,” he vows, stepping back so he has room to refasten the strings on his tunic. 

You scoff, trying not to look at anything but his face, “I have quite made up my mind on the matter.” 

“As have I.”��

“This is not a game Aemond, you will not win.” 

He pauses, surprised, delighted , “ what did you say?” 

His name, you realise. You said his name. Not his grace or my prince or even Prince Aemond, just Aemond.  

Your fingers press across your traitorous lips but it's too late to take it back now. So you don’t try. You don’t even dare to say another word.  

You’re free to move and you do so assuredly, hurrying back towards camp with your hands brushing through your hair to hide any evidence from your little misadventure in the woods.  

Seven Hells!  

If Alicent had contrived to force you into Aemond’s company, then she had succeeded entirely.  

You’d made one bad decision after another from the moment you’d laid eyes on him in the stable, and if you were being completely honest, you didn't trust yourself not to make another one. 

No, what you needed to do was find Cassandra and stick to her ladylike manners for the rest of the day. Perhaps she would even switch places with you in the wheelhouse? Yet, as you think this, you remember how you’d insisted on riding without a side-saddle. Of course you had, because you were just as Septa Orella had always told you. A defiant, ill-tempered girl.  

~~~

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[not-handsome-enough]

DICK KNUBBLER MAYE STILL BE ALIVE

Kinda

Alright before I do anything take this with a grain of salt, cause it’s probably a continuity error / can be easily explained away BUT if you all would like to hold onto some hope please just hear me out. And also it offers a question for yall.

Alright! So!

On twitter someone had asked Brendon and Gene about Murmaider III and its placement on Dethalbum IV ( which btw shoutout to Gene’s wife that was brilliant ) and Brendon had mentioned that what sets 3 apart from the other two was that it was more dreamlike, and that it was made AFTER Army of the Doomstar. Now since Brendon and Gene weren’t the ones to make the order on the Album we can’t set a timeline for the songs ( though they are set in Brutal to Dreamlike order once again shoutout to Genes wife you goddess ) we can at least say that some songs were made post Army. In fact we could also make some assumptions about what songs were made DURING army. So I’ll separate that list here.

NOTE : YALL DONT NEED TO READ THIS PART THIS IS JUST ME RUNNING WITH “ some songs were made post AOTD which ones could they be teehee “ JUST KNOW MURMAIDER AND SOS WERE AFTER KUBBLER DIED OK SORRy I’m not deleting that whole thing I like it

Songs with “ * “ are canon, the rest are personal interpretation.

DURING ARMY OF THE DOOMSTAR:

* Aortic Desecration ( the first song of salvation but obviously not )

* SOS ( song of salvation )

Gardener of Vengeance ( Nathan directly references this during the scene where he confides in the band and Knubbler that he doesn’t write songs about hope and he’s just doing what he knows. I believe he wrote and recorded this but felt it wasn’t good enough to be the song of salvation and moved on. HOWEVER the language he used could place this as post AOTD because it sounds more like a thrown out there example kinda like how he figured out SOS in the cave )

Poisoned By Food ( Again I think this is a scrapped song of salvation since besides the actual poisoning of food a lot of the imagery feels like the what the metalocalypse was described like )

BLOODBATH ( guess what another scrapped song of salvation. This one feels like a ‘you don’t scare me I’m going to confidently stop you because if I go down you go down with me’ song. Also it could be Nathan trying to reach out to Magnus since he was one of the people on his list. Also quick note I’m going song by song so I don’t know if I’ll notice if any other songs would reflect the list I just got out of work so I’m not gonna catch it all rn )

Horse of Fire ( this is tricky because lyrics like star still blazing allude to this being written before aortic desecration but also Nathan didn’t have the talk with the whale until the deadline came up in which he had to go with aortic desecration <he wouldn’t have had time to write about the fist or the hand.> But the lyrics don’t have the <we should reach out to the fans> revelation that SOS has. Maybe this was a draft for SOS but I think once Nathan figured out what SOS was meant to be it just came to him naturally. I’m not sure. HOWEVER since the doomstar is referred to as a star that is still blazing and not a portal that’s been destroyed it’s safe to say this is not post AOTD. Either way this is an important song to keep in mind if you look at this speculating )

POST ARMY OF THE DOOMSTAR:

* Murmaider III ( stated by Brendon Small in the interview. He said he feels that the boys would have written this after AOTD and based off of interviews he’s had in the past about his songwriting process it’s hard to not take this as canon so. )

DEADFACE ( I think this is post because while the song plays during the movie only Skwisgaar knew about the possession so the lyrics wouldn’t quite make sense yet. It’s a tricky placement but I can see Skwisgaar playing around with it since he does play the notes during the movie )

Mutilation on a Saturday Night ( this feels so much like a we survived so now we’re gonna party song I can’t see Nathan Skwisgaar or Pickles make an argument for this being a Song of Salvation. Also all the fucked up shit they talk about references what happened during the metalocalypse but it’s spoken in past tense like a ‘hey we fucked shit up but we fixed it so now we’re just gonna keep fucking around haha’)

I am The Beast ( simply cause I don’t see this as something Nathan would write during AOTD but the ‘ I am a beast this is my domain and when I speak you scream my name ‘ could work as a salvation line but it feels too much like a Mutilation Saturday Night ‘I can write whatever I want cause I lived and I’m not gonna hold back’ vibe )

Satellite Bleeding ( this feels like the first song they would have written and recorded after the doomstar died. Kinda like watching the sky clear up after a storm. )

Now despite me rambling on about this I would like to draw attention to what’s canon. Specifically SOS and Murmaider III. These songs came out after Knubbler died. Yet Dethalbum IV credits Knubbler for production.

Drawing your attention to how crediting in the Dethalbum works, each album has a little section for Dethklok to get musical credits and thank whoever and whatever. There’s also production credit and location credit. On ALL of the Dethalbums Knubbler is credited as producer. Cause he’s the producer makes sense yeayeyaeyah. But whenever there’s a change in location or production, there’s additional credits.

ANOTHER NOTE: I DONT HAVE THE KLOK OPERA CD I HAVE NO IDEA WHAT THE CREDITING SYSTEM LOOKS LIKE ON THERE but if someone happens to be selling that cd outside of eBay please let me know

Let’s look at them.

Dethalbum I ^

Shit ton of credits right, and on the other page which I didn’t take a picture of and can’t because I’m not home at the moment there’s credit to Snakes N Barrels for “Kill You” with each member listed. Take note that songs that are considered exceptions are credited differently and locations not at Mordhaus are credited.

I lied I have the other page. For those without the dethalbum cds the actual credits are usually on another page and “Kill You” got mixed in with it

Anyways

Dethalbum II

Hey Knubbies gets to thank someone this time! Anyways once again Knubbler is credited for production, but also Dethklok. Keep this in mind. Also the fact that different location credited for Murmaider II but it’s recorded at Mordhaus

Dethalbum III

Knubbler credit AND Abigail credit along with Dethklok AND once again location credit is Mordhaus and another fuckass place. Only thing that’s not really credited is Magnus with The Hammer but idk if he was like Toki and William where they play the songs but don’t really write or if he actually wrote The Hammer. I’m not a HammerHead, I’ve seen people interpret him as both, but at the end of the day idrk.

So what about Dethalbum IV

Knubbler is credited. At Deus Keep. Only Knubbler. Only at Deus Keep. “But he’s not credited as a Producer” True! If the album was released in universe it would probably be a producer credit. Especially since Brendon and Ulrich have Producer credit on the page prior. Maybe it’s because Knubbler didn’t make it to the final production stage. Or maybe he’s staying hidden undercover..

Remember earlier. He canonically was not around for two of these songs on this album. He could not have recorded OR mixed SOS or Murmaider III. Even if you don’t fully think that Murmaider III was made Post AOTD, SOS was done post Knubbler death. Hell, the song was dedicated to him by William! But there’s no separate credit for SOS.

If we went on the same basis as previous albums SOS would have been credited to that part of Norway where they traveled to that I forgot the name of and I’m not gonna look up but you get the point. Or even Dethklok would have been credited as production. I could also say something about how Murmaider III wasn’t recorded in the Mariana Trench and how the whale isn’t calling to Nathan anymore but that’s for another day. Right now though, it’s just Knubbler. Just Knubbler and Deus Keep.

Which leads to 3 possibilities.

Knubbler Lives: Knubbler survived ( the flashing things on the ground were teleporters ) and Deus Keep is rebuilt. To celebrate their survival they make Dethalbum IV but don’t release it

Knubbler Died: The band recorded the last few songs on the album at the remains of Deus Keep. Knubblers presets aren’t changed so credit remains to him. Once again not releasing it.

It’s not an album: Dethalbum IV doesn’t exist in universe. That’s why there’s no producer credit. That’s why Nathan doesn’t thank the klokateers ( he thanks the army of the doomstar which is just him thanking fans ). Dethklok recording it post AOTD is more to do with how Brendon records dethalbums than in universe writing.

I like to think that this is just an unreleased album in universe since the record label is more than likely destroyed, but it has the possibility of releasing one day if society is rebuilt to what it once was. But it really depends on if you think the album is canon to the universe. Cause there’s no Mordhaus credit on Dethalbum IV and there’s no way for SOS to have been recorded at Deus Keep and blablabla

something fun to think about tho yk?

TLDR: two songs on dethalbum IV were made after Knubbler death yet the credit doesn’t change for him in the dethalbum so there’s a chance that he recorded and mixed those songs cause he is alive and well horray

#metalocalypse #take this with a massive grain of salt #take it with a rock of salt tbh #dick knubbler #I’m rambling like crazy but :( #also I just noticed on dethalbum IV it’s the first time Murderface isn’t placed last in credits #I’ll be honest if Knubbler wasn’t credited at all on dethalbum IV I would have cried very much #I FORGOT TO SPOILER THIS I AM SO SORRY #ARMY OF THE DOOMSTAR SPOILER #SORRY #ARMY OF THE DOOMSTAR

[prosebushpatch]

Okay so I recently, finally, watched Wish and I have some thoughts. Overall, not as bad as everyone makes it out to be, but still has a lot of fundamental story problems and I've got to get them off of my chest. I'll mostly be focused on Magnifico because I think his motivations and arc largely represent the problem with the overall theme.

Okay so my biggest problem with Magnifico is his motivation. His tragic backstory. How on earth does he go from losing his whole family to thinking, the only way he can prevent that from happening again is to grant wishes? The logic doesn't track. It almost makes sense in his creating a kingdom where he protects everyone and "doesn't even charge rent," but it does not make sense with his wish granting. Having a great need to be control to make sure he doesn't lose anyone ever again can be a compelling motivation for a villain, where we see lines crossed that don't justify the intent, but in the movie, he's too self-absorbed to seem to have any actual care for the people of Rosas.

I think if the motivation was changed to something like Magnifico had once been a bright-eyed, enthusiastic wish granter who blindly believed all wishes were good but learned the hard way that that wasn't true could have been a better fit for the overall goal of the movie. Imagine that he granted a wish for a wicked person who used that wish to hurt others, or if Magnifico granted a wish but that wish ended up ruining the person's life because what they wanted wasn't what they needed (i.e. Remember The Princess and the Frog? Dig a little deeper) and that person could have went after Magnifico and blamed him for their troubles (harkening back to We Don't Talk about Bruno). This would be an understandable tragic backstory for Magnifico, and better explain why he's so careful about the wishes he grants. And, perhaps the reason he keeps the wishes he doesn't want to grant is to keep the people in his kingdom docile. No one will be angry with him for not granting their wishes if he makes them forget them and lose that drive and motivation, which makes more sense than the unexplained hording them like he does in the movie? Why does he keep them in the movie other than admiring the wishes? It doesn't make sense to me.

This would give Asha more of a reason to oppose him, if it's shown how his desire to not get hurt or to inadvertently cause hurt turned into a paranoia where he drains people of wishes to fly or play music that inspires others. And, as a side note, we need to see more of how Rosas is a kingdom of people who lack drive and motivation, where only those younger than 18 have that special part of them that inspires them to chase after a dream (something that Astor Rhymemaster touched on). Because that's the point of wishes, right? That's the point of the entire Disney canon. A dream is a wish your heart makes. That star can only get you so far, it takes hard work and determination. It's wanting something better in life, it's dreaming of leaving behind all you know to chase after a tangible light. It's finding a new dream, it's finding a new wish as you grow and learn about yourself and the world.

I don't think the movie Wish understood what makes wishes so important in Disney stories. You know what wishes do? They ignite change. It's not about getting what you want, it's about finding the courage to chase after something better. Ariel wants to be where the people are, but really she wants to be somewhere where others are willing to understand her and in the end, she finds that and makes amends with her father, who finally is willing to see her for who she is. Rapunzel wants to see the lights, and that desire pushes her to leave a tower she's been trapped in her whole life, learning that the world is not as cruel and cold as her abusive mother told her. Cinderella wants to go to the ball, to dance with people who treat her as a person and not a servant of cinders and ash. That wish is granted by a fairy godmother and gives her a hope that is worth fighting for, a hope that helps her reclaim what is rightfully hers; a glass slipper that fits only her and the love that comes with it.

Wishes inspire change. The movie should have been about that. Magnifico could have been right, that some wishes inspire negative change that can drag down multiple people. The kingdom of Rosas could have been so placid because change is scary. Maybe Magnifico could have convinced people, after taking their wish, that it wasn't worth it. Maybe the wish ceremonies could have changed so it wasn't portrayed as some sort of lottery everyone looks forward to, but Magnifico would grant wishes on the spot if he decided they were good and worthwhile, and he would lock away the wishes that would cause trouble and tribulations. 18 year olds could be enthusiastic to give him their wishes, thinking they were surely good and worth granting, only to forget their wish and be told that their wish would have only brought about their unhappiness, this would have justified a more solemn tone in the kingdom, setting up a world where people are mostly downtrodden, thinking their wishes are bad and pointless and they're better off without them. Imagine Cinderella or Rapunzel being told their wishes weren't good, reinforcing all the things their abusive families tell them, taking away that hope and courage to find something better for themselves.

Here's where the true conflict could come in. Asha could be onto this from the beginning, and her opening song could have been about this concern that the people who didn't get their wishes granted aren't willing to try at all. (Because, after all, why doesn't Sabino play music at all? Having that taken from him would take so much joy and creative expression from his life!) But why does Asha know something is amiss?

Simon.

Imagine that Magnifico has a strict rule not to ever share your wish with another person because then it wouldn't come true. It makes sense with our own superstitions, and then makes it so that no one knows anyone else's wishes. Maybe your best friend changes so drastically after giving up their wish, but you believe, like everyone else, that their wish would have only caused suffering. What can you do about it? Well what if Simon told Asha about his wish? What if Asha knew his wish wasn't dangerous and couldn't imagine a way that it could go wrong? That would give her a reason to doubt Magnifico and put more emphasis on how Simon has lost his drive like all the other adults in the kingdom. And it can also emphasize in the end that sharing your wishes and dreams with others can be a powerful thing. Just the act of sharing your dreams can inspire others to go after their own, and they can give you the encouragement to chase your wish too. Wishes inspire change, love gives you the courage to make it happen.

Imagine if the star boy used to be a human, who wished to help others and lost his humanity to do it. Imagine his wish confirms Magnifico's belief, that wishes cause suffering because star boy lost his tether to earth and is separated from the people he loves. Imagine how he foils Asha who also wants to grant everyone's wishes. Imagine him ensuring she doesn't make the same mistake he did while she gives him a reason to change again, to anchor himself to humanity again because he loves her enough not to leave for forever.

Imagine the movie confirming that, yes, change is scary. Chasing your dreams won't always make things better. You might fail more than you succeed and some wishes cannot coincide with each other, leading to grief and strife. But some wishes are worth it. Sometimes, chasing after something better and failing is worth leaving a worse situation. Sometimes taking that chance is worth it, and, like in all fairy tales, if you are kind and generous and act with love, that will make all the difference in the end.

Also, I know everyone wished for a Magnifico and Amaya evil power couple, but imagine if Magnifico was truly in love with Amaya, as he is in the movie, but that love is eventually his undoing. Like Amaya leaps in front of Asha, and Magnifico stops or redirects his attack because she's the one thing he loves more than himself and that is the weakness that Asha and co can take advantage of. Imagine Amaya keeping Magnifico in the mirror and he gets to dote on her from his imprisonment for forever. I'm just saying. At least 30 sickos like me would be into that. Imagine the depth it would give to the themes of love and change and wishing and how acts of love make all the difference.

Alright, I'll get off my soap box. I just really wish Wish could have been stronger because these fairy tales Disney is famous for matter. They really do. But the movie feels too stale and shallow and too much of a cash grab that knows the outline of a disney musical, but is unable to understand the heart of why they work.

#rose and rambles #wish 2023 #disney #disney wish #if you read anything i post let it be this im shaking the bars of my cage #I HAVE SO MANY FEELINGS ABOUT FAIRY TALES AND DREAMS LET ME AT THE PEOPLE WHO MADE WISH SO SHALLOW #ILL MAKE THEM TEA AND GIVE THEM A GOOD SCOLDING #WHILE STEALING THEIR CLOTHES AND PUTTING ON A FAKE MUSTACHE TO TAKE OVER WHILE THEY'RE NIBBLING ON NICE COOKIES #THAT'S A TOTALLY NORMAL THING TO DO RIGHT #if you want to tell a good story you gotta tell it yourself <- my villain origin story #or at least my Sebastian kiss the girl moment. i can't believe they took out star boy. God forbid independent women have romantic interests #anyway im obsessed with how Magnifico always called Amaya “my love” and i think we can do beautiful and twisted things with that #Also i kind of hate the whole 'oh there's no saving him from this evil magic corruption' like le please that's the most stupid thing to eve #be in a fairy tale #just proves these people didn't actually read the snow queen #also also go watch Astor Rhymemaster she's a genius and explains songs IN SUCH AN IN DEPTH WAY #i haven't interacted with much other wish stuff so idk how others are rewriting it but this my ideal

[illusionsofdreaming]

birds without feet;

Notes: I return to the blog with this monster of a ficlet. This was actually written for @nin-deer who very graciously allowed me to share it on the blog as well. A small imagine that grew out of control haha... enjoy~ Ft: Beacrox

It was but a subtle shift of air that caused him to abandon his project. In an instant, he whipped around, knife in hand, its sharp blade poised just above the intruder's jugular, ready to cut deep with the slightest pressure.

Despite the threat of a blade at your neck, your smile was relaxed as you lifted the roll of parchment in your hand. “Delivery!”

His eyes quickly scanned the kitchen, noting the shifted curtains he pieced together your point of entrance. Only when you wiggled the paper impatiently did he finally drop the knife and swiped the parchment from your hand, ignoring your huff of laughter as he scanned over its contents.

“It’s nice to see you too Beacrox. How have you been?” 

Your attempts at casual banter were ignored, but the moment you began reaching for the food on the table, his gaze snapped to yours, promising pain should you attempt further.

You were wise enough to heed his warning as you stepped back, hands raised in surrender. “Sheesh, you’re not going to make any friends if you keep acting this way.”

Crumpling the piece of paper, he threw it into the fireplace as you clicked your tongue in mock annoyance.

Had he cared for your opinion, he might’ve been annoyed, alas it was easy to dismiss as he threw a pouch in your direction, the clink of gold muted as you caught it from the air. He watched as you tossed the bag a few times before pocketing it.

You must have caught the confusion on his face as you glanced up with a grin. “I know you won’t cheat me of my payment.”

Though it was the truth—Molan’s motto was always to repay what’s due—such blatant admission of trust from someone working in the dark underbelly of society puzzled him, and without meaning to, he’d let his displeasure slip through. “It could’ve been filled with rocks.”

You blinked, head tilted as if you’re considering the possibility, then you laughed. “Then I suppose I’ll be a few pretty rocks richer.”

He scowled and returned to his work, grabbing his knife to hide the flush of annoyance he felt by your flippant answer. You knew such responses would annoy him, and he refused to give you the satisfaction of being correct.

One does not survive long in the underworld with their morals and innocence intact. Your deliberate pushing of buttons was another tactic to wheedle information from your targets, and he wasn't inclined on revealing anything. You already know far too much as is.

“Leave,” he ordered, his limited patience well and truly spent. 

“Always a pleasure talking to you, Bea~”

He threw the knife in his hand, but by the time he turned around, you were already gone. The only evidence of your visit was the lingering echoes of your laughter and a missing tart from the plate of desserts he'd prepared earlier.

━ ⋅𖥔⋅ ━━✶━━ ⋅𖥔⋅ ━

As you kept the package just out of his reach, he couldn’t help but think: for a grown person jaded by the underworld, you sure liked acting like a child at times.

“You just thought of something rude didn’t you?”

His gaze snapped to yours. “You forget who you’re dealing with.” he warned coldly. The Molan household might have fallen from grace but just because he had traded his daggers for kitchen knives, they were no less lethal in his hands. Was it confidence or foolishness that made you dare to test his patience?

The silence in the kitchens was deafening as your eyes met across the counter. 

“I haven’t,” You said finally, “not once.” Your smile was wry and lacked its usual cheer but the heaviness in your tone bore the weight of many secrets, of someone who knew far more than what they’re letting on. He’s faced with an uncanny sense of unbelonging and emptiness that seemed eerily familiar. 

But with a blink of an eye, the mask that had slipped had righted itself. “I have a change of mind,” You sat on the edge of the counter island, tension and somber mood shaken off, replaced with an all too sunny smile. “I’d like another form of payment for the information I’m selling.”

He felt anger lick up his throat as his fist clenched above the table. “That was not part of our deal.”

“An amendment to the agreement then, if you will-”

“I refuse.”

Your peals of laughter filled the room, “You didn’t even let me finish!”

“I refuse.” He repeated sternly. Knowing your personality, it would be an amendment that would greatly irritate or inconvenience him. 

“I’d like you to cook a dish for me.” You continued, ignoring his words. 

There was a sharp snap as the corner of the table cracked under his hand as incredulity stole over his face. 

To begin with, payment for your services had never been cheap, each bag of gold was worth more than several months’ worth of food. If all you wanted was a decent meal, then you’ve already been charging enough to dine at any of Roan kingdom’s finest restaurants.

“It’s not a dish that can be found on any menu in the kingdom.” You tutted as if you knew the thoughts that were going through his head. “It’s not something that can be bought with gold.” 

You’re pulling his leg. “And why do you think I’d care to create a dish no one’s heard of?” Beacrox asked through gritted teeth.

“I know you don’t.” You laughed, lips slanted with a smile. “It’s something I’ve tasted a long time ago but have no idea how it’s made. I’ll describe what I remember and if you believe it’s impossible to recreate or not worth the hassle,” you shrugged in an exaggerated display of nonchalance, “then I’ll take the usual payment like nothing’s changed. It’s a good deal for you right?”

Nothing about this deal made sense. You’re essentially offering your services for free while he’d benefit regardless of whether he succeeds in recreating the dish or not. His expression was stiff as he crossed his arms.

You set the package down on the table gently and slid a piece of folded paper next to it. “Take your time to think about it.” You offered as you pulled your hood up. You left the kitchens as quietly as you’d arrived, leaving him to brood in the silence left behind.

━ ⋅𖥔⋅ ━━✶━━ ⋅𖥔⋅ ━

“Here.” he sets the completed project on the table with the reluctance of a person who would rather be anywhere else but in the kitchens at that very moment. He folded his arms, pinning his hands to his chest, resisting the urge to snatch the plate and throw it in the trash, calling off the deal.

Beacrox had no expectations of being able to recreate a dish he had never heard of. Yet, from the moment he set the plate down, you stiffened in place, your pleasant smile melting away, replaced by shock.

“Well?”, You flinched as he prompted impatiently. You pulled the dish closer, your smile weak and crooked. 

“I was just a bit surprised that’s all..” your voice trailed off.

He filed your reactions away in the back of his mind.

Your grip was uncertain but eventually you picked a piece from the plate and placed it in your mouth.

You froze in place, and he immediately slid a cup of water and bowl over. 

But you surprised him when you kept it in and swallowed. “It…” He watched as your face straightened slowly, all visible emotions ironed away into one of careful neutrality. 

“..tastes nothing like it.” 

When vague subjective descriptions on a slim piece of paper were all that he had to work with, he’d expected this outcome. The bag of gold he had prepared in advance was tossed onto the table as he reached to retrieve the dish, only to be deterred when sharp pain sprang across the back of his hand. The surprise he felt from the fact he’d failed to catch your movements was swiftly replaced by irritation when he realised you’d slapped him. 

His eyes narrowed, “What are you-“

“I’m taking it.” you said and to his utter confusion, went on to shove another bite in your mouth.

“You just said-“

“I know what I said.” you huffed, “I never said the dish had to taste right did I? It’s a good first try-“ His eyebrows lifted as you suddenly lost the ability to maintain eye contact with him. “Anyways, I’ll be the judge of what’s accepted and I say this passes.”

You've always been an eccentric character, but just when he thought you couldn't faze him further, you managed to render him speechless yet again. Till now, he’s yet to figure out your intention behind your request, if taste was not a priority then what use was creating the dish you’re looking for? 

“Get out of my kitchen.”

“But I haven’t-“

“Out.”

━ ⋅𖥔⋅ ━━✶━━ ⋅𖥔⋅ ━

Of all the informants in the kingdom, none possessed skills that could surpass yours. It was why, despite the many headaches you induced, Beacrox had chosen to suffer your pestering for so long.

Not one of his sources has ever confirmed how you acquire your information or seen you in action. Yet the intelligence you provide, which has, at many times, sounded unbelievable, had been proven to be true time and time again. 

Perhaps the strangest thing of all was that, despite the ease with which you uncover others' secrets, the same couldn’t be said vice versa. Little to no information could be found regarding your background, whatever was found was obviously doctored, being far too mundane for someone of your skills. You were either incredibly thorough at covering your tracks or an experienced fraudster, and Beacrox was inclined on believing the latter.  

Your unpredictable behaviour made it hard to judge whether you’re an ally or foe, so it was only natural that he’d sought for leverage to hold against you in case there’ll be a day you’d decide to betray them and sell their secrets to their enemies. 

That was the only reason he would consider playing along with your games.

Though he knew not the significance of these dishes to you, he had hoped they would provide some insight on your background or places you’ve been to where other sources have failed to narrow down. 

But of course even the meals you’d request would be harder if not just as difficult to trace as well.

It was only a matter of time before you caught onto his intentions, after all, he’d never kept his investigations a secret. Yet instead of pulling back like he’d expected, you had become bolder in your requests, eyes sparkling with mischief as if you understood the frustration he was going through and still remain one infuriating step ahead of him at all times. 

He’d considered the possibility that you could be pulling his leg, but there was something about the nostalgia in your eyes as you taste each dish that made Beacrox believe in their authenticity. 

He glanced at a small box hidden by the side, within held a small but steadily growing pile of recipes of unknown origins. Not for the first time, Beacrox found himself questioning if all these peaceful days have turned him soft after all.

━ ⋅𖥔⋅ ━━✶━━ ⋅𖥔⋅ ━

A familiar, unwelcome figure was sitting in his fresh crate of produce.

A quick scan around the area confirmed that you were alone and he walked over to assess your state. A splatter trail led up to the crate you sat on and his brows furrowed in distaste. The darkness made it difficult to immediately see any obvious signs of injuries and when you made no reaction to his presence, he kicked the crate below you.

“Ow.” you stirred, complaining with a soft laugh. 

Conscious. 

“Why are you here?”

Your unannounced visit broke one of many unspoken rules governing their kind. As people maintaining a delicate facade, unexpected visits were not merely discouraged but deemed perilous. No one would fault him should he choose to silence you then and there - such was the severity of your faux pas - yet he stood, only mildly irritated, at the disruption you’ve brought to a peaceful night.

It took a moment longer than he liked before you gathered enough strength to speak. “Sorry,” you apologised and for once, actually sounding it. “I just need a little rest. I’ll be out of your hair soon.”

Your laboured breathing and unfocused gaze suggested otherwise and he folded his arms as the dreadful feeling of his plans for an early night slipped through his fingers like fine sand. 

“How bad is it?” 

Impatiently he waited for you to process his words, your sluggishness a strange contrast to your usually sharp wit and quick retorts. 

“It’s been treated.” 

The smell of blood was sharp and acrid, he would have to clean the stains soon if he wished to avoid its scent lingering in the area. “I will not ask again.” He warned.

You were exhausted, it could be seen from your posture and expression. Though he understood the instinct to hide one’s weakness, from the moment you chose to rest here it wasn’t a matter of ‘if’ the truth comes out but a matter of ‘when’ and Beacrox would preferred if it happened sooner rather than later.

Just as he was contemplating the benefits of leaving you to your fate, your lips loosened. “Stab wound on the left, missed vitals. I’ve been tended to but some of the stitches might have opened up.”

That would explain the bloody trail you left. He should count his blessings that it didn’t sound too bothersome, assuming you hadn't foolishly downplayed the severity of your injuries. Your arms came up defensively as he began moving towards you, eyes widening with surprise, “Wait-“

His arms slipped under and around and with barely a grunt of effort, he lifted you up. The sudden motion drew a muffled groan from you and he allowed you a brief moment to collect yourself before he began moving. From this position, he could acutely feel the heat radiating from your skin and the tremors that wracked your body. 

Your confusion and trepidation were clear and it was with some hesitation before you decided to open your mouth-

“Save your breath.” He advised and you obediently swallowed your words.

He moved you into the storage shed behind the kitchen. Though dark, he navigated through the small space easily, setting you on the surface of several boxes, he stepped back to note that you’ve lost consciousness. The walk hadn’t been far but you must have exhausted your reserves traveling here.

From the darkness he brought out a small knife and paused, looking at your face, sweat slicked yet slack from tension, having found an escape from the worries troubling you - however temporary. He recognised that this moment might be a rare opportunity to unveil the secrets you hide, yet as quick as the notion flitted through his mind, it was dismissed just as quickly. With methodical precision, he cut open the side of your shirt where red had stained through.

The wound was as you’d described, if not a bit irritated and swollen. Basic first aid had been applied, though the messy stitch work left much to be desired, it did its job in holding your injury closed. A few stitches had come loose and will need to be reworked but nothing that he’s not capable of handling even with his limited medical knowledge.

As his gaze roamed to your face checking, yes, you were still unconscious, he left and returned moments later with a candle, clean water, cloth and a clean shirt. 

A dusty shed and mere candlelight were far from an ideal setting to perform any kind of wound care, but he doubted you’d care at this point. Pristine, white gloves snapped on, he made short work of cleaning, restitching and bandaging your wound. 

He was about to tilt a bottle of potion into your lips when you mumbled. He paused, waiting to see if you were regaining consciousness. You mumbled again and he frowned. It took him few moments before he realised two things: you weren’t waking up anytime soon and the words you’re mumbling, weren’t in a language from Roan or even any of the neighbouring kingdoms. 

As a master assassin, he had learned many languages, so the fact that you spoke one that he couldn’t place piqued his interest. He watched your lips, intent on studying and memorising the unique intonations and pitch, however, it seems your instincts finally kicked in, and though still unconscious, you’d stopped mumbling. 

Even out cold, you’d find a way to be bothersome. There was nothing more he could do, he left the folded, clean shirt he brought along by your side and with one final glance at your still form, he closed the doors behind him and locked it.

━ ⋅𖥔⋅ ━━✶━━ ⋅𖥔⋅ ━

He returned the next morning to a broken lock and an empty shed. In place of where you’re supposed to be was instead a piece of paper and a bag of coins. 

“Thanks for last night. Sorry about your spuds, I’ve replaced them for you :)”

A glance to the side confirmed the presence of a fresh crate of potatoes and a slip of paper containing the description of a dish never heard of before in the kingdom.

And for the first time ever, a name to go alongside the unfamiliar dish.

━ ⋅𖥔⋅ ━━✶━━ ⋅𖥔⋅ ━

You never mentioned what happened that night and he didn’t pry. Still, something seemed to have shifted between the two of you.

He no longer chases you away the moment you appear, while you've learned to place yourself to avoiding getting in the way of his cooking. He pretends not to notice when you arrive with injuries and you feign surprise at finding mysterious salves appearing nearby. 

“Aw, did you miss my company?” you teased when you caught his gaze assessing you after dropping by from one of your longer absences.

Beacrox made no attempt to conceal the dry scowl on his face. “Like one misses a rat infestation.”

“Charming~” you beamed.

Some things, still don’t change no matter what. 

━ ⋅𖥔⋅ ━━✶━━ ⋅𖥔⋅ ━

In the end, it was the one question he couldn’t figure out. 

“Why me?”

The dishes you've shared are simple, you could've hired any other chef, given the same descriptions and they would’ve achieved similar results. But you chose to badger him, an unknown chef working for a humble count's family instead.

You paused in your devouring of yet another strange dish, blinking as if surprised that he would be the first to initiate conversation.

“Why Bea! You should have more confidence in yourself, you’re one of the best chefs in Roan!”

It was as obvious a deflection as he ever saw. His fingers tightened around his arms and he took a slow breath. So you’re going to be stubborn. Well, two can play that game. He tried another angle. 

The words tasted foreign on his tongue, but they were something that turned over and over in his mind since that night. He’d probably horribly butchered the pronunciation but it seemed the meaning was successfully relayed from the way your eyes widened and your pupils shook with recognition. 

The utensil held in your hand clattered to the table and Beacrox kept his eyes trained on you, taking in your paling face. When it didn't seem like you would offer an explanation, he continued.

“It’s what you kept repeating that night.“

A myriad of emotions crossed your face: shock, confusion, fear, and finally, resignation. 

In the silence, you slowly repeated those same words. Sharp, crisp and wholly foreign. 

"“Home,” your voice was soft, but it was the loudest thing in the kitchen. “‘I want to go home.’” you swallowed thickly, a wavering smile on your face. “that’s probably what I said.”

There was a lot to unpack from that revelation. 

He was suddenly reminded of how you’d react to the dishes each time, savouring each one, scouring the plates clean despite the differences in tastes. You ate not to fulfil the hunger of the body but to satisfy a craving of the mind. After receiving the recipe with a foreign name, it had confirmed one suspicion of his, that wherever these dishes came from, whether it was a place or a person that you're reminiscing about, they're likely no longer accessible.

You're reliving memories through dishes you barely remember. Chasing ghosts in your memories in search of some semblance of normalcy. 

Trust was a limited and rare currency in the underworld, hoarded jealously and coveted by many. You’d handed him the leash he’d sought since he agreed to your little game yet he felt gutted by the weight of the revelation, his shoulders burdened.

“Why me?” He repeated softly.

You watched him. “I don’t know.” Your voice sounded small and so tired. “I thought maybe, if it’s anyone, you’d probably understand.”

What does the concept of home and person mean when they no longer exist? Who are they but displaced people playing roles too big or small to hold their histories? Bearing memories of a place and person, but unable to find an equivalent?

It was a mistake. He shouldn’t have asked.

“But I wasn’t lying you know?” you added suddenly and he looked up in confusion, the smile you wore was weaker than usual but it was genuine. 

“You are one of the best chefs in all of Roan.” You declared in that same, familiar confidence which you use to share all those impossible, far-fetched sounding intel that always, turns out to be fact. 

For some inexplicable reason, it was that simple statement that dispersed the tempest building within.

Beacrox sighed, ran his hand through his hair, and exhaled through his nose.

And perhaps, there was a small, exasperated chuckle.

━ ⋅𖥔⋅ ━━✶━━ ⋅𖥔⋅ ━

“Bea please marry me.”

It wasn't often, but on rare occasions, he would nail the taste of a dish right.

He didn’t bother with a response but moved to refill your plate nonetheless.

━ ⋅𖥔⋅ ━━✶━━ ⋅𖥔⋅ ━

“Thank you.”

He paused while wiping the dishes. “For what?”

“Just,” Your gaze dropped to the plate before you as your fork tapped lightly against the edge. “Thank you for the food.”

Beacrox watched as you returned to eating, mind filled with memories of all the dishes he's made, of greatswords and bladed edges, and thought of what home and belonging is. 

We’re not so different. The idea of it wasn't as horrifying as he had thought. Once, perhaps he would’ve been unnerved by the sentimentality. There are still so many things that remain a secret when it comes to you, and yet, as you close your eyes to savor each bite, he feels as if he knows you better than most.

You ate in comfortable silence. He rolled his shoulders and allowed the tension in them to drop off. 

This might not be ‘home’ but for now, this moment was as good a resting place as any for people like them.

“You’re welcome.” he said softly. 

━ ⋅𖥔⋅ ━━✶━━ ⋅𖥔⋅ ━ 

BONUS:

Once again, it begins with a ridiculous request from you.

“Bea please, you have to prepare this for Choi Han. I’ll even sell you my kidneys, I really need to know his reaction.” 

What value would owning your kidneys have? That you’d blatantly suggest such things to an assassin like himself was laughable, stranger still was his playing the fool and following along anyways.

He didn't question how you knew about their mansion's new guest, though your sudden interest in the visitor when you’ve shown no such interest in past guests was worthy of note. Even he had unconsciously tensed when the young master had introduced him. Something about the newcomer didn’t seem right. They were strong, but their potential was untapped and raw, like an uncontrollable beast on the verge of lashing out at any moment.

The glimmer of something in your eyes further confirmed his suspicions. You knew something about this stranger though you refused to reveal more, only promising that he’s not a threat to him or Ron. 

He frowned at the pot of red he’s stirring, the pungent smell wafting through the room. Footsteps from the doorway had him looking up, but the person that crossed the threshold was not the person he’d expected. 

The young master stepped in with a cautious look in his eyes. 

“I thought I smelled..” brown eyes narrowed at the pot he held. “What’s that?”

Beacrox glanced down at the strange dish he was asked to prepare, wondering why of all people that could’ve come, it would be Cale Henituse. 

“A dish a friend taught me to make.” Then for some reason unbeknownst to him, he offered. “Would the young master like to try?”

Cale hesitated, but eventually slid himself onto a seat, choosing the one farthest away from him. At least the young master seemed sober. Beacrox felt no fondness for the young master he served, even if it was true that he had begun to change recently, raising even the interest of Ron. 

Spooning a small portion, he set the dish and utensils down before Cale, ignoring the young man’s flinch as he gauged Cale’s strange expressions. 

The young master stared at the dish as if it would leap up and attack him, his strange wariness reminded Beacrox of your reaction when he first presented that first unfamiliar dish to you. 

“.. there’s no way..” Cale muttered to himself as he poked and prodded until finally, he tried a bite. 

“What.. the hell?”

Beacrox had never seen the young master's eyes bug out like that, and he decided it was quite an entertaining sight, even if the dish’s original target wasn’t meant for the redhead. Still he stifled an irritated sigh as a thought crossed his mind when the young master exclaimed.

“How the hell did you learn to make kimchi?!”

“What the hell did you make me do this time _______?”

Notes: I've had lots of thoughts while writing this imagine turned fic. Nin-deer gave me a simple prompt of "cooking" and I went and turned it into lore- OTL even I don't understand the intricate workings of my brain. I've had to cut out some chapters details as it was growing out of hand so I hope everything's links together properly. I've reached that stage where I've reread a piece of writing so many times, nothing makes sense anymore. I've deliberately left the dishes 'cooked' vague so you're free to imagine whatever cuisine you'd like that Beacrox helped butcher 👍🏼

#TCF #TRASH OF THE COUNT'S FAMILY #IMAGINES #TCF X READER #Beacrox Molan #platonic #pre relationship #multiple identities #after a long hiatus #smacksdown with 4000 worded thesis #believe me when I said this monster got out of control #it was actually longer #i had to cut many parts out to prevent it from turning into a multichaptered fic #this au got out of hand #the lore I had planned... #i would love to see if I'll return to this AU #perhaps post the rest of the 'deleted' moments #would love to hear about everyone's theories on this ficlet

[hollowed-theory-hall]

Hi! I have a doubt about how horrocruxes work. Let's say you make two horrocruxes and then you are killed, and obviously you don't really die. Now my question is does one of your horrocruxes disappear and you're only left with one for next time, or do they both remain intact?

Hi!

I mentioned the basic idea of how I believe Horcruxes keep you alive in a former post:

Magic, theoretically, works according to the microcosm macrocosm concept that exists in alchemy and occult theories and philosophy in general. What it means is that a small-scale example of something will affect the larger, true-scale version of that thing. For a Harry Potter example that isn't Horcruxes: you wave your wand and say Wingardoum Leviosa — so you essentially "act out" how you want the feather to levitate with your wand and incantation. Then your magic causes the same to happen to the feather. Your wand and incantation are the microcosm and the feather floating is the macrocosm. A Horcrux works similarly. The reason they stop you from dying is that a microcosm version of you, the soul shard, is bound to the mortal plain and can't die. So, by the microcosm macrocosm logic, you won't be able to leave the mortal plain and die either since you are the relevant macrocosm. Essentially binding the soul pieces in the Horcrux to Earth binds you too, to Earth. But you aren't bonded as strongly to the Horcruxes. That's why he can't sense them. They bind him to the world of the living, not so much to each one of them.

(From this post)

So essentially, what a Horcrux does is act as an anchor for a part of your soul, and as such binds the entire soul. If you die, the Horcrux stops you from moving on into the afterlife. It won't make you a new body or anything like that. Hence why Voldemort stayed as a wraith for as long as he did.

So, for your question, both Horcruxes would remain intact, as we see happens with Voldemort's Horcruxes in the books.

I think it's important to note that Voldemort decided he should make multiple Horcruxes. In general, the ritual for a Horcrux is intended to make one Horcrux, hide and protect it well, and voilà you're immortal (sorta). The intention was never to have multiple Horcruxes. Voldemort is just paranoid and way too curious for his own good.

#harry potter #hp #asks #hp meta #anonymous #anon asks #horcruxes #horcrux #voldemort #tom riddle #lord voldemort

[p5x-theories]

Fun news: The start of Kayo's Confidant actually confirms she and Reo are related, though I think her dialogue might be implying they're relatives in law, and Reo's technically directly related to her Darling (husband)?

From Google Translate, dialogue during the interaction with her that establishes her Confidant:

Kayo: "Ah, I'm sorry, it feels strange to say this suddenly, right?" "... This is how it is, there is a child from a relative who is coming to stay at my house recently." "That kid graduated from high school this year and should be about the same age as little Wonder, right?" "I heard that he has a dream to become... I remember it is... What is the special photography actor called?" "When he came to Tokyo, he seemed to plan to work part-time to earn tuition while attending an acting school." Wonder: "Very impressive"/"It will feel very hard" Kayo: "Right?" "In an era like this, as an adult, of course I want to cheer for him to be able to leave his parents and walk alone with his dreams in mind." "However, it is too difficult for young children today to grasp the sense of distance, right?" [skipping past a little tangent of hers for the sake of this post] ... "If I put pressure on the kid, it would be harder to say something to cheer him up, right?" "We also have to consider the relationship between relatives. I don't want to cause trouble for Darling because of myself."

That last line is what makes me think he might be the son of a relative specifically on her husband's side of the family, since otherwise it seems a bit odd she's worried about potentially causing trouble between Reo's parents and her husband. But it's not impossible Reo's actually on her side of the family, and either way she evidently does consider him part of her family.

(As an aside, later in this scene she also mentions her Darling works in the fashion industry, and she herself used to be a fashion stylist, so it's cute they have that shared interest!)

#fourth beta #I'm actually not sure if this dialogue was the same in the third beta but I don't want to dig for the gameplay right now heh #okyann #leon #character info

[featherymainffins]

Now this might be because I have issues but is it just me or does Slay The Princess feel like an allegory for a relationship?

#like i dont even mean the actual textual stuff like the two gods loving each other i mean like #while the narrator himself does say that he is not the protagonist at all the voices do in fact count him as one of them and #both the narrator and the voices are described as shattered glass pieces on the floor #and im saying that just to contextualise what im about to say because i feel like the narrator is an echo of someone who was in #a relationship with another person and is trying to 'slay' the memory of this person and defeat death not only literally but #on a metaphorical level (as in the death of a relationship). if you do slay her you destroy her memory and in that way you do not know her #at all nor do you care to #and the routes would be the perspectives held by different parts of you. shes literally a being that changes based on who perceives her #but metaphorically thats just how people work isnt it? relationships are complicated and there is a part of you who sees someone as a razor #and there is a part of you who sees them as a damsel and another who sees them as a god etc etc #its like youre a person who is trying to make sense of the situation and; which is why the construct of the princess is made up of #several vessels called perspectives. you understand the whole of what you think only when you take apart all your perspectives; #and theres a you who isnt you anymore who doesnt want to do this. hes telling you to just destroy it. it was wholly wretched and wholly bad #and it changed which is a crime in itself. theres an echo of you. and theres you; built by this echo because thats how the self works #we are each our own god and we build ourselves. the different voices are like different parts of you #much like the vessels are the equivalent of the voices. theyre the finite confined perspectives; aspects of a whole person #and slaying her in this context would obviously mean literally just destroying the memory and deciding that change and all it brings #is an awful thing. though im not yet sure what the difference between leaving with the whole and between separating yourself #and leaving with just an aspect would be. #thats probably like the only thing thats kinda ruining this interpretation lol #oh and obviously a lot of the routes have like very strong relationship symbolism. specifically a lot of them feel like #scenes from a relationship that is falling apart. for example in the adversary and then the fury when you run away the dialogue #basically mimics a partner running away from a conflict and the other one destroying themselves because of it #witch and the thorn are both heavily Esop-coded and the text itself says that its about two people hurting each other even though they love #each other but both are afraid of the other one and of being vulnerable. thorn is about finding forgiveness in one another #and deciding to be better and love each other despite the hurt youve caused each other due to your problems #etc etc #like am i insane am i mental am i projecting?

[seilon]

more and more it makes me kind of uncomfortable (for lack of a better/softer word) to call my own characters ‘ocs’. because like. they’re from a completely original universe and from completely original intertwined stories and all that. so why would i have to specify they’re original in the same way someone would when referring to a character they made for a pre-existing non-original universe/franchise/whatever? by that logic every fiction author ever would be referring to their characters as ocs rather than just. their characters. you know.

#i guess you could say it’s different or something because I haven’t published any one Solid Official Work yet or anything but. #I don’t think that particularly matters? cause then you just get into policing what does and doesn’t count as Real and Official and that #inevitably doesn’t do anything good #idk man I know the term Original Character isn’t technically incorrect in my case but. I just feel like that term was created to separate #fandom creations from their source’s canon. or maybe to describe characters that don’t come from any particular established universe #or story at all (fandom or otherwise). #cause otherwise. why shouldn’t I just be calling them my characters. the characters from my universe and my works. which are #established and incorporated. it’s definitely not properly organized or set up for true publication (at least not yet. definitely possible #I’ll publish something as a consumable structured thing someday) #you just don’t hear established authors calling their characters ocs. because why should they? the original part is sort of a given. #hopefully anyway #anywayyuyyyyyyeuyyyhh sorry this is not important just has been on my mind the last few weeks or few months or more #kibumblabs #I guess there’s also a difference maybe between making characters for the sake of making characters- and those being ocs- versus #characters that are developed as part of a larger work/story #I definitely feel like there’s a difference between the two and how they should be labelled (but im not saying one is more valid than the #other or anything like that.) #like when I see a poll that’s like ‘how many ocs do you have’ I just kinda sit there cause that question. doesn’t make sense in #my situation at all. because it’s the same as asking the author of a fiction novel that question. what do I count as my ‘oc’ #would that mean my primary characters? or vaguely my primary and secondaryish ones? or do you mean every single character mentioned #regardless of importance or prevalence? every single named parent or grandparent or boss or childhood friend or one night stand or etc etc #I feel like it’s weird to call those characters ‘ocs’ in the way the question is implying. but then what DOES count? it just doesn’t make #sense for something like this. right? it irks me a little

[starpros-sunshine]

Looking at the tempest cards (beloveds <3) reminded me of my bit where I mentioned I think it's interesting how Wataru was the one who initiated the walz but still takes the following position while Eichi takes the lead and how that could be interpreted to be applied to their roles in the forming of our narrative and you know after blackbird I have to say that really was one of my bestest takes

#like. it makes sense no? #it really does make sense no? #my ego got so boosted you don't even know #i love blackbird thank you akira for writing blackbird thank you blackbird for being blackbird #every time I see a blackbird now I look at it with a newfound appreciation #but I mean cause you see how and #Wataru was the one who approached Eichi #Wataru was the one who asked Eichi to rewrite the narrative with him #And they did that together #and you see what I'm saying here right like you can't walz alone #yanno yanno?? #it just works so wellll #it makes sense for Eichi to be the leading position here cause it was initially his task which he was given by wataru #which also makes sense in the tempest context that wataru initiated the walz #Oh I love the I love them I love them #my beloveds the loves of my life where would I be without them #wataei

[puppyeared]

Doodles I really like

#I really like how these turned out!!! like really really good pancakes #I came back from a hike with my friend and I’m covered in like 12 mosquito bites UGHHHGGHH #I need to remember to buy after bite on my way to work tomorrowww #ALSO IT ME. THE CASUAL KAITOU KID ENJOYER WHO DOES NOT WATCH DCMK BUT LIKES BRINGING IT UP EVERY TIME…. WOE #I’m doing this to myself at this point I know I should watch it but I don’t wannaaaaaa.. I wanna watch the new Tokyo mew mew tho #oooo and the uhhh lycoris recoil I think that’s what it’s called?? it looks cool #I was also thinking of trying to watch little witch academia again after I gave up last time. and my friend wants me to watch over the #garden wall and I think I could do it cause the episodes are really short apparently and it’s halloweeny #my art #myart #doodles #kaitou kid #my oc #Augusta #fankid #eeheheheh…. I was bored and I drew a fankid for Augusta and Antonto rotate in my brain for fun #bow if you’re reading this you have no idea how much fun I’m having I’m throwing em around like a chewtoy #whwhdhd I kinda wanna make a ref for them… a name like Shade would be cool eHEHEHE #like an oc but like. an unofficial oc does that make sense?? hmmm #the owl house #toh #Luz #hunter #willow #Gus #amity #lumity #dcmk #magic kaito

[kdramacrybaby]

Okay I have some thoughts about this drama that I need to get out cause I don’t know how to feel about it just yet

#alchemy of souls: light and shadow #alchemy rant #alchemy of souls #drama rant #so on one side i am wanting so hard for bu-yeon to regain her memories #i wasn’t sure if i would like the explanation of how they brought her back but it does make sense within their universe so that’s #an issue for me #and every time she remembers something new I’m there 👀 like a complete clown cause i know it’s too early in the story for her to actually #remember just yet #destined lovers and all that is a pretty good trope that usually works for me and probably will in this drama too #buuuuut… on the other hand this version of Bu-yeon is probably my favorite version #i liked Mu-deok a lot don’t get me wrong #but there’s something about bu-yeon i like more #so thinking about how she may change drastically when getting her memories back makes me a bit sad #they’re probably not even that different and I’m just being dramatic but still #and somehow the story of Uk finding new love would be just as good to me i think #of course they would have to explain a bit more about naksu really being dead and all that #but i really wouldn’t have been that mad if bu-yeon had been a new seperate character and a new love interest #but then again Mu-deok (and previous Bu-yeon) and Uk were such a good couple too #i really can’t decide what i want the most right now #i know of course (or y’know am pretty sure) how it’ll go #but yeah #idk how to feel just yet #either way though i will probably still love the drama so 🤷🏼‍♀️

[arklay]

help besties am considering uploading my nonsense to ao3 but i have no idea how that website works :)

#like not just the tags but also how in the world i'm going to organise everything... and i was like okay do i put like prompts as multiple #chapter things but then that would probably get confusing cause they're all over the place and also like warnings i'd want them to be for #each prompt not the whole work arghghgh but also like the prompts have no fancy names either so do i just leave them as the prompt #you know? does this make any sense? organisation is my best friend and my sworn enemy i hope that helps #but for real am also terrified of my stuff leaving like my mutuals circle lmaooooo i don't want diana to be perceived by the masses are you #JOKING like she's so special to me i am terrified... also cause i get scared i write him ooc even though like. i apparently don't. but i #freak out a little cause i write some sappy shit and then go oh yeah you're like evil and stuff huh oh well <3 rambling cause i'm nervy and #don't know what i'm doing send help i need my hand held at literally all times figuratively and literally #i mean it already technically escapes the mutuals circle but like typically people who follow me you know not just like searching for #character and they just seem my stuff oml terrifying #see* good lord i already fixed too many typos i cannot #leah.txt

[fucktheroyals]

I know why will has to have that same hair cut. it's cause his hair hasn't grown since he died. he's totally fucking dead isn't he.

#the question is when and what is keep will will. is he alive inside vecna's head. #stranger things #i AM half joking idk if he's dead but this came to mind while i was thinking about it #besides it doesnt work cause if he was dead how would his body still function normally otherwise #like he COULD be dead but either his body stops functioning all together or it funtions as normal you cant have hair growing if #it isnt functions as normal. does that make sense? #*sigh* time to press post on another insane take

[ritsmew-sakunya]

everyday i learn that i am lacking in another way :)

#irls were talking about something and it just hit. me. hard . #like why is it that so much stuff that just comes naturally to others is impossible to me #what do you mean you can just talk to people and ask random questions ?????? #they put it in a way as if its an obvious thing that anyone does #i guess its probably a combination of my trauma plus autism plus anxiety teaming up on me to make sure i can never make a proper conncection #yeah i hardly know anything about my partner where they know a lot about me cause i over share on my priv twt but my brain does not work in #a normal way to fix ??? that #if someone wants me to know something they would tell me right ?? like if they havent told me something that means its not for me to know ?? #is that not ? how it works ???? #so confused #humans make no sense to me #i can barely be considered one