Personally I have a lot of options about Stoliz relationships, and I don't enjoy how they treat eachother, so here are some Stolas and Stoliz redesign and facts just to make myself happy, completely self indulgent.
Cracgking fingers* WElLL
In this idea Stolas is slightly older than Blitzø because of some magic thing he did to learn ages worth of information, they meet at the same age but when they see eachothers again Stolas is slightly older, maybe around ten years.
Stolas marriage with Stela is very complicated (i blame my friend for this idea) it is common behavior in the Goetia family to marry for convenience and HATE their spouses, they all talk shit about each other and laugh at their spouses expenses, it is what is normal for them and it is the way they have fun, everyone is used to this marriage social construct, but Stolas is the weird one of the bunch.
He tried really hard to have a happy marriage and he never truly understood why Stela humiliated him in family gatherings, and it only made it worse when he felt genuinely offended by his words because he was taking the fun out of their marriage. Stolas has a hard time understanding this. Goetia family DOES NOT GET DIVORCES that are considered a failure, u can hate ur spouse all u want but Divorce is a big NO.
Octavia, is actually 20 years old and she wants to be independent, but Stolas is an overprotective parent, he thinks he is staying married for her sake, but it is actually because he is afraid of what people would say. Octavia moved out of the palace but she is actually living in the garden in a smaller part of the castle (just a nepo baby thinking she is independent) Stolas actually cried for that. He is an overprotective parent, but his kid is not a kid anymore and she doesn't need them, he should be looking for his own happiness and all of this is driving him to a mid life crisis (he is 40 and Goetia lives to +250 years, but he feels old)
One night Blitzo shows up with the intention of stealing Stolas book. They end up getting drunk in stolas room talking about everything, it is the first night they enjoy in a long time. All of the alcohol and happiness ends up in the having great sex, and it is not part of the deal they made for the book, the deal is about Blitzo visiting Stolas when he needs his book, he is free to leave right away if he wants but hey genuinely enjoy eachothers company and the fuckin is just a fun little extra. They don't label their relationship, they got issues.
Stella never finds out about Stolas actively cheating on her, she knows something is wrong but can't figure out what, especially because she doesn't believe Stolas is capable of cheating on her with the lower class.
Blitzo is the same idiot we know, but he doesn't act like he hates stolas, but words are hard for him so they never truly talk or say that there feelings are very real. He has low self-esteem, he believes strongly that he doesn't deserve been liked by Stolas and he feels like he is taking advantage every time they are together, he keeps himself for saying those things because he is in love and he takes what he can until Stolas gets tired of him
Blitzo's business idea came up because he needed something substantial he could leave for Loona. If someone ever happens to him he knows Mox and Millie would keep her company but he needs to be sure she will have a future of he is not around.
He adopted her at age 13, she was on high alert all the time but soon enough she was Blitzo precious little girl, but she is 15 now and she is a menace to the world, the teenager rebellion hit her hard, and Blitzo doesn't have anyone to ask for parenting advices, his only ideas are for trying to do the contrary his father did to him, so Loona is spoiled considering Blitzø financial reality.
All i have so far, sorry about it, muak.
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tfw your dad died when you were like four and you spent the next ten years of your life training to avenge him and when you do avenge him you just move on to the next war. and then the next. all you have known is war. and everyone wants you to be more like your father. he is a warning of all that you could become. you don't remember him. you are your father's son. you know you are nothing like him. you both were pawns in the gods' games.
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on today's episode of Hashing Out Concepts Theatre, i spent a while today while waiting for my new fridge/freezer to be installed after my previous one died and i lost all my food hashing out a bunch of concepts for another game idea i have. (rest assured i'm not actually working on it as a game yet i just like to bash out a framework for things every now and then to make my brain do happy chemicals lmao)
putting all of this stuff under a cut since it's a bunch of images and also in case people aren't interested XD
i am regrettably a huge fan of comic books (mostly DC) and i've seen a couple of comic book inspired IFs popping up lately, though when it comes to my own interest, i'm definitely more into a straight interpretation of a comic book universe than a more. the boys-style universe - i'm into the camp lol, not so much the grim and gritty stuff. (though that's just my own personal preference)
anyway the idea behind That's Just Super is something that i really like about certain comics - giving the villains more of a purpose and rounded existence than just existing to be in somebody's rogue's gallery. the joker's angry defence of the batfamily from various other DC evil forces, lex luthor's furious resistance against brainiac alongside superman because it's His planet, damn it, DOOM throwing in with the heroes in every second marvel event comic... i really like stories where villains and evil characters don't always make the Most Evil choice just Because, but have clear and explainable motivations that sometimes bring them into what we'd consider a 'good' alignment because unlike in d&d, there's no real such thing as a concrete moral alignment.
(this is my banner design for it)
the basic idea is that an inexplicable cosmic event removes all of the superheroes from the planet, leaving it vulnerable to attack by evil mindflayer style aliens - unless the supervillains who remain are able to band together despite their more unpredictable, less cooperative natures and save the planet in the heroes' absence. after all... if aliens take over the earth, the villains can't take it over themselves.
here's my fun little UI design idea lmao...
the other major thing about That's Just Super that i've been hashing out is the pc. the basic idea is that you pick your villain identity from a list but you get to customise their like. birth name and secret identity, while the villain identity comes with its own name, costume, and set history (including occasionally past romantic encounters). i like playing around with the way that IF works with the idea of mcs and customisable mcs so i just thought it'd be a fun twist... it also allows me to create nice drama by having set occurrences in the past lol.
so i did some profiles for the nine villain options - three each of the DC triad of tech/metahuman/magic origin. they're all based on a specific kind of villain archetype, and i really tried to limit myself to ones where i could definitely pin down more than one specific influence so it didn't end up like me just making too many analogues haha... even if some of the influences are probably pretty obvious.
weirdly i haven't even Thought about ROs yet since i've been so focussed on the pc... maybe i'll play around with the partially set background idea even more and only have 1 possible RO for each villain choice or something. maybe a couple that you can romance as anybody... not sure. (talionis could definitely have a messy broken romance with his superhero for example)
apologies that readability isn't great but these are mostly just made for me lmao
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It is difficult to argue that [Edward IV] was wrong in what he did. His advancement of [Richard of Gloucester] can be criticized only by those who believe that the only good nobleman is an impotent nobleman. Medieval kings did not think in these terms. Gloucester’s power was valuable because it ensured royal control of a significant and troublesome part of the country. Nor can Edward be blamed for not foreseeing the ends to which Gloucester might put his power. The duke had been a loyal upholder of the house of York, a central figure in Edward’s polity*; there was no obvious reason why he should not occupy the same role under Edward V. In this respect, precedent was on Edward’s side. Previous minorities had seen squabbles over the distribution of power, but no young king had ever been deposed. Even royal uncles traditionally drew a line at that, something which explains why Gloucester’s actions seemed so shocking to contemporaries and, perhaps, the reason why he got away with it so easily in the short term.
In the immediate sense, Gloucester must take final responsibility for what happened in 1483. However one explains the motives behind his actions, things happened because he chose that they should: there is nothing in the previous reign which compelled him to act as he did.
-Rosemary Horrox, "Richard III: A Study of Service"
*Richard was also, yk, Edward's own brother who had been entirely loyal during his life. The problem wasn’t that Edward trusted Richard, the problem is that Richard broke that trust in a horrible and unprecedented way to usurp a 12-year-old. Please understand the difference.
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