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#like aside from being a good way to motivate myself it's also a great way to ensure i don't overwork myself
hecatesbroom · 5 months
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Just found the best way to motivate myself to write a boring essay: for every page I write I get to watch an episode of the show I'm currently watching
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pinkacademiaprincess · 9 months
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Hiii I’m so sorry to bother you!, hope your day goes well <3 I just want to ask, how can I improve in maths? I’m preparing myself for the sat and I have trouble with understanding it. Any tips would be very much appreciated, thanku !! ♡
Become a Math Whiz: Acing Math Class & the SAT 📈✏️📚👩‍🏫
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ty for the ask & the kind words! you are never a bother, i'm happy to help 🥰 i can def give some tips as someone who went from struggling w/ math to being good at it. and i’ve taken the SAT so i know that experience as well! i hope this helps 💗
take accountability
it’s very easy to try to shift blame & avoid taking responsibility for your grades/ performance. i used to think things like “the teacher is just bad!” or “i’m just not a math person!” but this mindset is just deflecting. some things are out of your control, like what teacher you have or preferring other subjects, but you have to step up & work hard to create your own success! remembering this will help you stay motivated and disciplined.
find your learning style
i talked about this in a previous post too, but there are different styles of learning - visual, auditory, hands-on, & reading/writing - and not all of them work for everyone. if you spend a ton of time studying and don’t see improvement or results, that’s a big sign that you’re studying wrong. a method that works for your friend or that your teacher uses might not actually be effective for you. so do some research into learning styles and study methods, and find implement strategies that work for you.
never fall behind
okay, easier said than done. but one of the biggest reasons i used to struggle is math is that i would get stuck on a concept, never fully master it, and then i’d stay behind. in math, a lot of topics build on each other. if you get stuck on a topic, it’s crucial that you figure it out asap or your confusion will snowball. you can’t build a solid structure on top of a wobbly foundation. the moment you encounter a problem area, study it until you’ve completely understood.
practice makes perfect
i try to steer clear of recommending specific study methods b/c everyone has different learning styles. but math is so dependent on problem solving & applications that you really have to master this skill in order to succeed. beyond just reviewing your notes & reading over concepts, you need to practice applying topics by solving problems. do the homework questions & do them for accuracy, even if it’s just graded for completion. find extra problems in the textbook, workbook, online, etc. redo questions from class or the hw that confused you until you can do them correctly without your notes. drill it until you can solve them AND understand how the steps work!
ask for help
i am clearly a big proponent of asking for help. in school, your teachers are gonna be one of the best resources you have. for one, they’re teachers for a reason, so even if you think they’re not too great at explaining stuff, they know the concepts. and besides that, your teachers the ones who are creating units, assigning your work, writing & grading your tests... they should be your go-to for questions. visit them during office hours or email to set up a meeting where you can discuss concepts. ask for extra practice problems, ask them to look over your work & let you know how it looks, talk through your work with them. aside from teachers, you can get help from a tutor, a classmate, whoever you can turn to. but pls don’t suffer alone! succeeding with help is still succeeding.
use the internet
so maybe your teacher truly sucks at explaining. maybe you don’t have classmates to help and can’t afford a tutor. or maybe you just wanna supplement your learning another way. i really really recommend utilizing free learning tools online!! khan academy is an obvious one for videos, practice problems, and more. you can also find tons of youtube videos explaining math topics. sometimes it helps to hear things explained another way. i also google “[math concept] practice problems” if i want extra questions to work through.
bonus: tips for SAT math
the SAT is a bit different b/c the math concepts aren’t actually too advanced. it’s all multiple choice so you don’t get to rely on partial points for showing your work. the SAT is testing your strategy & speed as much as it’s actually testing you on math concepts, so here are my best tips for that specifically:
use khan academy’s SAT prep tool - it’s free (!!!!!) and it links to your collegeboard account. it uses prior years’ SAT content so it’s very similar to the test itself. it helps you pace yourself, pinpoint your problem areas, learn & apply concepts, & track your progress. here's a screenshot from when i used it, as you can see my scores improved and i was able to ultimately get a superscore of 1450!
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take practice tests - this helps you get familiar with the time constraint. khan academy has plenty!!
do a ton of SAT math practice questions - ideally, find a ton of questions used in prior SAT tests and just crank them out. the test's concepts are quite repetitive so if you just focus on the topics they usually test, you can master them
learn test-taking strategies - the SAT is multiple choice and has a tricky time constraint, so however you can save time will help. become good at using the process of elimination & other multiple choice test methods. you can find these sorts of tips online!
i hope this helps! know that you are completely capable of improving at math. i went from thinking i suck at it & doing poorly in math class to acing my calc courses & studying to enter a math-focused field. utilize your resources and figure out your best study style asap, and you WILL see improvements!
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SR Chart in-depth Analysis Part 1 🗝️
I thought it would be a good idea to write down an interpretation of how my SR chart might develop during this year, forget about it, and then revisit it during and/or at the end of the year! A fun experiment for me, even though I can honestly say that I've already been seeing the way it has been activating.
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Note: please keep in mind I use sidereal and whole house system.
Libra ASC: this was the first thing that stood out to me when I saw the chart. I was already feeling an "upcoming glow up" vibe, and confirming it was hilarious. Even though Libra and Venusians in general are not just about appearance, they value aesthetics A LOT. I've already received comments on how my skin is looking amazing, and overall, just a lot of attention from others being thrown towards my appearance. So, aside from that more obvious aspect, I would say that this rising sign makes one feel more keen to developing and/or creating relationships of all kinds, meaning, that it is expected to become a tad more social during this year. Romantic relationships, creativity, arts, a need to be more diplomatic or neutral, and communication with others will become themes I will engage with a lot.
To give dept to this house, I pay attention to the where Libra sits in my natal chart and where it goes on the SR chart, also, where the lord of the SR ASC sits (strength, aspects, etc.) in the chart.
Example: Libra sits in my 12th house, and becomes the rising sign for SR chart. This tells me that a lot of my subconscious patterns will become more noticeable, particularly for relationships, and that those matters that are usually hidden about me are now put on the spotlight. Now, it's very interesting that the lord of my SR ASC moves to the 12th house, so its like there will still be things that are still kept hidden. Knowing me, I will be content with spending time alone and/or in foreign places, so I don't mind. Venus is debilitated, and I'm assuming that keeping to myself will partly occur from difficulties with possible insecurities, being overly critical or focused on self reflecting. Themes of feeling unworthy, and healing it. A great amount of attention being placed towards looks could definitely make one feel uncomfortable or unsure of why you're receiving it so much, and if it has to do with superficial reasons it can makes you feel unseen, as if others ignore your depth.
Scorpio stellium 2nd house: a focus on transformations occuring around money, resources, values, face area, food or products consumed, luxury, comfort, sensuality, and romance. I would expect a highlight and plenty of motivation to pursue all of these topics, since the Sun sits there conjunct Mars. Scorpios move quietly and under the radar, so there will be lots of secrecy on how I will exercise my power/drive, and also on communications around how I'm making money or managing my finances. Money from others moving directly into my pockets from foreign matters, contracts, writing/communication (9H ruled by Mercury), networking, social media, creative pursuits, romantic partner (11H ruled by Sun), somehow losses that turn into gains, expenditure, spirituality, and foreign residence (12H ruled by Mercury). In general, major important upgrades to the way I relate to Venusian matters.
Sagittarius 3rd house: even if houses are empty in a natal or SR chart they still hold meaningful information, but will of course be felt less in comparison to the houses that have planets. I see that my mindset, near environment, and communication will be a lot about/with foreigners, spiritual topics, traveling, and philosophy. The ruler sits in the 7th house, so it will also be mixed with my romantic life (with a foreigner), business, contracts, and other type of close relationships.
Capricorn 4th house: I don't usually pay much attention to Pluto unless its close to ASC or inner planet (Sun, Moon, Venus) but I will now for the sake of giving more context. There could be a major change of residence occuring or renovations of some sort. Home environment could be a bit chaotic or under frequent changes. Part of Fortune also sits there, so all of those transformations might actually be aligned with blessings or for a better outcome. The ruler sits in the 5th house with the moon, so it will definitely make me feel anxious and emotionally restricted or numbed. Luckily, I've had enough experience with Saturnian energy, so I know how to work through it until I find balance.
Aquarius 5th house: as I already mentioned above, with Moon and Saturn conjunct here it is likely that I will be feeling as if my emotions are harder to access which could cause anxiety, creative blockages, frustrations, or depression. Definitely will incorporate lots of yoga, nature, and emotional regulating activities during this year to keep that on check.
Pisces 6th house: with Rahu sitting there, I could see that my attention will gravitate around how I incorporate work, daily routine, health, and exercise with spirituality, creative endeavors, and abstract thinking. I had already experience gut health issues and almost all of those topics shortly after my birthday, so I can see how wherever Rahu is placed in a SR chart, there is a lot of movement for good or worse. With the ruler of 6H going into the 5H, I could see how work and health matters could exacerbate my emotional challenges.
Aries 7th house: Jupiter is siting here, and even though it is retrograde, the functionality of the planet doesn't suddenly stop occuring. It makes Jupiter have a more inward expression if anything. There will most likely be expansion or growth of romantic suitors (specifically male, since its in Aries), contracts, business, relationships of all type of relationships being upgraded somehow, and in general lots of luck with interpersonal skills. Those with whom I develop close relationships will become like teacher, or enjoy providing protection to me. The ruler sits in the 2nd house conjunct with the Sun, so others will either expand my resources or simply have an influence in it. Since its with the sun, it should be beneficial or empowering.
Alllllriiiight, I shall stop here for now and release the 2nd part at another moment!
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sluttywonwoo · 1 year
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instead of you [part ten] || l.mh
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pairing: [best friend’s brother] lee minho x college!reader ft. han jisung
summary: you didn’t expect to spend your summer pretending to be your best friend’s girlfriend- then again, you didn’t expect to fall for your best friend’s brother, either. 
warnings: swearing, alcohol, mentions of sex (18+ mdni)
word count: 2.6k
a/n: revamped my tom holland series from my main blog ( @wazzupmrstark ) to try and motivate myself to finish it!!
series masterlist | early access to the next chapter on ko-fi
“Just that you’re not technically a chef yet,” Minho explained defensively. “You’re not certified.”
“A chef doesn’t need a piece of paper to call themselves a chef,” Leo countered. “Anyone can be a chef. But don’t tell the WAC I said that.”
“Yeah, Minho haven’t you ever seen Ratatouille?” you teased.
“Great movie,” Leo added. “Jisung, great job on your dough,” he reiterated.
Jisung stuck his tongue out at his brother across the table who rolled his eyes in response as Leo picked up his ball of dough and rolled it in his hands.
“Minho, yours is still a little tough. Keep working on it.”
He nodded and took his dough back to continue kneading it. You noticed his jaw clenched subtly in frustration, but he didn’t say anything else. You watched as he rolled the pasta dough with a little more force, maybe a little too much.
Leo checked yours next and gave you similar feedback to Minho’s, even though Jisung had helped you with yours. You didn’t want to think about what kind of feedback you would have gotten on your own.
Your dough was still flaking apart when you went back to working on it, and you tried desperately to hold it together with little success. Jisung had left your side to help his mom so you were on your own.
At least Minho was also struggling. You felt a little better knowing he was miserable too.
You were starting to sweat with effort, you were so out of shape that even cooking had you catching your breath. You had thought this was going to be fun, but instead you were having flashbacks to high school P.E. class.
Leo made his way down the rest of the table and checked everyone else’s dough before circling back to you and Minho. He took over for Minho and instructed Jisung to finish kneading yours so that he could move on with the lesson. It was embarrassing to be singled out, but Jisung assured you it wasn’t your fault. He wasn’t making much progress with yours either.
“I don’t know what’s wrong with yours,” Jisung whispered to you.
“I probably did it wrong,” you hissed back.
“I watched you do it, you did it the same way as everyone else.”
“Then why is it being like this?”
“Sometimes food has a mind of its own,” Leo interjected, making you realize the entire class had been listening to you and Jisung’s back and forth. “This is good enough, though. We can set it aside with the other balls of dough to let them rest while we make the fillings.”
You and Minho set your sad pasta balls on the counter with the others before moving to the sink to rinse your hands.
“I think they’ll still taste good,” Minho said thoughtfully as he offered the bottle of soap to you and pumped some into your hands.
“I hope so.”
“It’s pasta, it’s almost impossible to fuck it up.”
“Yet somehow we still managed to.”
“Some would say it’s talent,” he said and shrugged.
You bumped his shoulder with your own as you fought over the water stream. You managed to stick your hands in first and Minho put his above yours only for you to shove them away.
“Hey!”
“You’re completely ruining the purpose of washing my hands!”
“I have soap on my hands, you have soap on your hands, what’s the issue?”
“And you’re washing off your germs and they’re going on my hands now!”
“Fine, fine, I’ll wait my turn,” he seceded and let you finish washing your hands before he rinsed off his own.
“Thank you.”
“You’re welcome.”
Making the fillings for the pasta was a much simpler process than making the dough. All you had to do was mix certain ingredients together. It didn’t matter what order you added them, if you whisked fast or slow, the only important thing was that everything made it into the bowl one way or another.
You worked in pairs for this step. Jisung mixed together the pesto filling while you did the parmesan-truffle one.
“This is different than the pesto I make,” he said, looking at the mixture in his bowl.
You frowned. “But I like your pesto.”
“It’ll still be good, baby,” he assured you with a kiss to the forehead. “Don’t worry.”
When the fillings were done it was time to revisit the balls of dough and roll them into pasta. Jisung explained it to you like rolling Play-Doh, but it was far more difficult in your opinion. Play-Doh was nowhere near as stubborn as this. The pasta dough somehow retained tension, and would bounce back every time you tried to stretch it.
Jisung ended up having to help you and Minho because both of you were starting at a disadvantage with your fucked up dough.
“I never want to hear you say I have it easier than you ever again,” Jisung warned as he folded your strands of dough into raviolis.
The class had moved on to the final step, shaping and filling the noodles, but you had already tapped out. Jisung was done with his portion before you had even finished one so he had taken over for you.
“I’m sorry for saying that,” you said, remembering all the times you had teased him for stressing out over his ‘soufflé final’ or ‘crepe labs’. “I would much rather be writing a paper right now.”
He shrugged. “Everyone has their strengths.”
“I’m starting to think that Ratatouille movie was bullshit,” you groaned.
“How ironic,” Minho snorted across from you.
He was really starting to get on your nerves. But you let his comment go, not allowing your temper to get the better of you. He was still Jisung’s family, even if they had a… complicated relationship.
When the class finally settled in the dining room of the restaurant to eat you were sweaty, sore, and exhausted. You could feel your skin sticking to the leather seat, and you felt severely underdressed. Back in the kitchen you hadn’t been so self-conscious. But now you couldn’t stop thinking about your appearance.
The atmosphere was much more sophisticated. The lights were dim, and soft music played in the background. All of the other guests were following an unspoken black-tie dress code while the fifteen of you were still wearing your disposable aprons, only now they were covered in flour and egg yolk.
And to make it worse-
“Smile!”
Nikki held up her phone and motioned for you and Jisung to scoot your chairs closer together. You took a deep breath and complied, leaning your head against your fake boyfriend’s and managing a grin. You really didn’t want this moment to be immortalized, but you didn’t want to be difficult either.
The camera flashed once, then again. Jisung wrapped a hand around your waist and pulled your body against his, pressing a kiss to your cheek for another picture. You scrunched up your face as the flash went off, the tickle of his breath against your skin and the feather-light touch of his lips making you squeeze your eyes shut.
“That’s a good one!” Nikki complimented, even though you were sure it wasn’t as flattering as she was making it out to be.
The pasta was served with a glass of red wine for everyone. Jisung was right, the pesto was different from his, but it was still good. It was no match for his recipe, but the handmade pasta did give it a few bonus points. You were sure you hadn’t gotten any of the noodles you made because all of the ones on your plate were perfect. It didn’t feel fair that you got to enjoy somebody else’s hard work while they got your shitty excuse of a ravioli.
But as the wine dwindled from your glass the negative thoughts began to ebb away too. Your muscles, though still sore, relaxed slightly and you rested your head on Jisung’s shoulder as everyone else finished their meals around you. The conversation carried on without your contribution. Your social battery had died hours ago, but you were content to listen to the Hans chat with other students at the table.
You weren’t a huge fan of wine, but the one served with dinner was palatable, and to be honest you weren’t one to turn down complimentary alcohol anyway. It tasted more expensive than anything you had ever drank, like the equivalent of velvet on your tongue. You finished your glass and the rest of Felix’s.
-
The next few days in Florence passed in a similar fashion. You ate a lot of carbs, drank a lot of alcohol and let the business of the itinerary overwhelm you. It was getting tiring, living in an act. Trailing along behind the Hans like a dog, worn on Jisung’s arm like an accessory.
You had known what you were getting into, and you were trying your best to enjoy the experiences- because who the fuck knows when you’ll ever get to go on such a nice vacation again, but pretending to be in love with your best friend was a harder feat than you had thought.
It felt like being in a school play. Every move and phrase had to be intentional. You tread the lines of your relationship with rehearsed expertise. And you had to watch what you said, because everyone’s eyes were on you. At least that’s what it felt like.
Jisung’s parents were easy. They fully bought into your lie, seeing what they wanted to. They usually left you to your own devices, too. His brothers were the ones who needed convincing. Not even Felix, though. Minho was the problem. Minho was always the problem.
You were in Rome now, walking back to the hotel from the Colosseum. Jisung had his arm slung around your shoulders and was talking his twin brother’s ear off about the Gladiators and inaccuracies in films about Ancient Rome.
You didn’t think you’d seen him this excited the entire trip. It was cute, the way he talked with his hands and looked off into the distance whenever he was really engaged in something. Felix was also cute. He was trying his best to keep up with Jisung, nodding his head at all the right points, asking questions when there was a pause in conversation.
“Yeah, gladiators fucking unionized,” Jisung explained. “They put their lives on the line all the time, ya know? Might as well get benefits.”
“If I was a gladiator I’d join their union,” you said, adding to the conversation for the first time in a while.
“There were women gladiators too, babe! You totally could’ve been one.”
You laughed. “You remember my season on the intramural dodgeball team? I wouldn’t last a day. But I appreciate the thought, Ji.”
You had dinner in the restaurant attached to the hotel lobby. Nikki passed around her Canon for everyone to look through the pictures from the day while a bottle of limoncello was passed around the table.
You’d scarfed down your pasta and passed on dessert in favor of another shot of limoncello. Rookie mistake.
In the past the sugary drink had always tasted like cough syrup to you, but this batch tasted like straight-up lemonade. You were tipsy, bordering on drunk, but nowhere near blacked. Nikki and Dom turned in around shot three, leaving the tab open for the four of you. Jisung went upstairs next, having gone too hard too fast on the limoncello (he was on shot five when his parents went back to their room).
Then it was just You, Felix, and Minho. You told Jisung you’d join him in a bit after the pianist played a couple more songs. In all honesty, the music reminded you of Jisung. Back at school you could always find Jisung in the music hall if he wasn’t in the culinary building. You’d always hear him playing as soon as you walked through the double doors. You could always tell it was him at the keys by the way the playing sounded. He was self-taught, but still a genius in your mind. He didn’t need any formal training to make beautiful music, and that’s what you loved about it.
When he moved out of the dorms and into an apartment he bought a keyboard, and you’d spend nights together in his room illegally pirating sheet music for him to learn new songs. He’d play whatever you requested, and if he didn’t know how to play it he’d teach himself.
The pianist in the restaurant played with a little more expertise. The notes sounded refined, perfected. Jisung always told you that perfect music was restrained music, that real music had flaws, that a song should sound a little different every time it was played.
After an encore of Beethoven the man at the piano stood from his bench and took a bow, passing his hat around the room to collect tips. Minho dropped a bill into the hat and you did as well, handing it back to the man afterwards. He dumped the contents of the hat into a briefcase and closed the lid of the piano, thanking everyone in the audience for their donations.
“Well, I think I’m going to head up now,” Felix said, yawning for emphasis. “We still have to get up at the ass crack of dawn even though we’ll all probably be hungover.”
“Speak for yourself,” Minho said cockily, then turned to you. “One more shot?”
The bottle of limoncello was almost empty anyway. Might as well finish it off, it’d be a shame to let it go to waste, right?
“Hit me.”
“God, you’re both going to be so fucked tomorrow,” Felix groaned.
“We’ll be fine,” Minho insisted, rolling his eyes at his younger brother.
“Good night, Felix,” you sang, waving at him as he walked off.
“Yeah whatever.”
Minho wasted no time pouring you both a shot of what was left of the limoncello. The restaurant was beginning to clear out so he worked fast, filling the glasses up to the marked line. You both took one and clinked them together before throwing them back.
You winced at the burning sensation in the back of your throat and put the glass back on the table, searching for something to chase the shot with. Your eyes fell to Minho, lingering on his cheeks, his lips, both pink from the alcohol or something else. You flicked your gaze down to his neck, his collarbone that was peeking out from the neckline of his shirt. You thought about how it would feel to kiss him there, to run your tongue over a love bite you’d given him.
You forced your gaze back to his eyes, hoping he hadn’t caught you staring. You had to act uninterested, you couldn’t let on to- but he was staring back. His eyes were intense, and almost impossible to read in the darkness of the room. You knew you should look away, knew you had to keep up appearances, but you couldn’t.
Later you’d blame it on the alcohol, but in that moment you knew the limoncello wasn’t what was making your head spin, or your what was making your vision cloudy.
You were about to leave the table, about to rush to the elevator and back to Jisung but then suddenly Minho was kissing you. He cradled your head in his hand and tilted your chin up to meet his lips. It wasn’t desperate or messy like most drunk kisses were. Instead, it was delicate. You swore you could feel every line of his lips against yours, feel his heartbeat through his hands on your cheek.
It was only for a second, not enough time for you to react or reciprocate and then he was pulling away, eyes wide with panic.
“Please don’t tell Jisung.”
lmk what you think i always appreciate feedback!!
no taglist today bc my laptop is broken but if you’d like to add yourself to the taglist you can do so here!
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feral-and-chaotic · 5 months
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Percy Jackson Episode 4 Thoughts!!
Right. Slightly more coherent than before.
Plot:
- Very close to the book, tho I like the lean towards making the Echidna fight more suspenseful than it is in the musical or the book.
(Even if it is a shame to cut the Chimera/Chihuahua joke I think this is a great move away from undermining the tension with comedy in the way that Marvel does.
- Love the stuff with Annabeth and the cops. Her standing up to them is both poignant with current politics and does a great job to show her bravery and how out of touch with the mortal world she is, forgetting she's 12 because she's been in camp for so long.
- I'm really interested in the fact they are taking so long to set up the Grover backstory and Pan stuff. I like how much weight they are giving it.
- also congrats kids. You blew up a bus AND a train AND the gateway arch. I couldn't be prouder.
-also, (I may be wrong and correct me if I am) but I believe they changed Echidna's motivation from trying to push Percy to test his powers, to avenging some super pissed off gods. And I think that it tightens the story by doing so. It makes the gods unlikable and you can really stand and empathize with [Book spoiler] Luke's motivations.
Characterisations:
Grover:
Man are they going off with Grover. Similarly to being, cutting some of his comedy for meaningful moments is fantastic.
You really feel a depth to him which was maybe lacked in the musical and books. I adore how they are weaving in his bravery and levelhead too, it feels a tad more mature than with Percy and Annabeth and that makes absolute sense. He's done this before and boy can you feel how scared of messing up he is.
Also also. I adore how the writers have established a relationship between Grover and Annabeth as well as Grover and Percy. The books could never really elaborate on that because we have Percy's POV and so he'd miss that in places. But the show is doing great with my boi Grover!
Additionally, as an environmentalist myself, I'm happy they are weaving that in a way that feels organic. Great writing and acting choices all around especially with Aryan Simhadri who is killing it.
Annabeth:
Man does this episode sink it's teeth into her characterisation. I love how we are getting a thorough elaboration on her feelings to the Gods and Athena. And Oh boi is she the opposite to Luke. She craves her mother's admiration and... She's not seeing it. It's a great choice because it highlights how hands off the gods are and that the system NEEDS to change.
I also like how they tied that desperation for validation into her hubris. It's still pride her. But it's pride in her mother. And man, the pride with her plan feeding into her being self sacrificial reminds you so hard that they are all just kids.
Also, where would I be if I didn't mention how good the moments with Percy are. Him teasing her and getting a genuine laugh was beautiful. I love the chemistry for all of these actors.
Percy:
I love this idiot. He's so angry and scared and also funny. God, I love the nuance being brought to him. I love the genuine fear that he has facing the Chimera and being arrested by the cops. I also love how Walker Scobell sells the anger at the gods for implicating his friends in his actions to send Medusa's head. Great stuff.
Additionally, I love the moment on the bridge, this idiot (smart but brash) pulling a self sacrifice on the bridge feeds so well into his undying loyalty to a fault. Willing to trick his friends into letting him die, to save them is a very Percy thing. I also enjoy how they haven't made Percy stupid, whilst keeping Annabeth still more strategic than him, by having him basically just steal her plan.
Also the soft stuff in this episode fucking ruled. The train car joking, him cheering Annabeth up with a stupid voice. The little asides.
Overall, god I love these dumb kids. And this show has made me start rereading the books!!!! Am I hyperfixating again??! Never!!!
.
.
. Yes I am.
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ambrosiagourmet · 3 months
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Feel free to ignore this, but I love reading your analysis and was wondering how you start analyzing things? I try to do it myself but I always feel so unconfident in my interpretations and feel scared about posting about them and them being “wrong.”
Just curious to see how you approach your analysis and meta! Have a lovely day!
Ooh, what a good question! I'm happy to share a little, sure.
Under the cut bc it got long hehe 😅
So my first (and probably the most important) response to this is: it's hard to feel 100% sure that you are totally "correct" about this stuff.
There are always going to be other ways to interpret things. There are things you miss, or perspectives you don't consider. There will always be people who disagree. And even if you are as accurate and totally convincing as humanly possible, there always going to be different types of analysis that you can't cover all at the same time!
I think, especially when it comes to like, doing casual analysis for something you love, it really helps to just follow your passion. It's fine to speak confidently about an interpretation that you find compelling, even if you haven't considered every possible angle of how it could be wrong. It's about what speaks to you, after all.
For instance, the conflict-avoidant Falin post (which is currently the analysis post of mine with the most notes) was largely born from an interpretation of Falin that really resonated with me, based on a couple of points I remembered strongly from reading the story. It's definitely not the only way to look at Falin, and I don't think it's like the universally correct interpretation of her character. But it is the interpretation that got ME interested in talking about her, and in turn, resonated with other people, too!
I have plenty of anxiety about this stuff, so I won't pretend that it's just easy to turn off that "what if I'm wrong, though" part of your brain, but I will say it doesn't hurt to try to start writing. You can always draft a post and come back to it, or delete/private it, or reblog it later to add more context or nuance. You aren't shackled to your opinion forever, much as the internet (and anxiety) can make it feel that way.
As to where to actually start with analysis... for me, it's almost always either a detail, a question, or both.
Here's an example of an Idea In Progress I've been thinking about.
While I was grabbing screenshots from the Nightmare chapter, I noticed that Marcille's hairstyle there is similar to one of the chapter covers I'd also just looked at:
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So like, that's interesting to me! Especially since the cover was from the chapter where Marcille makes her deal with the Winged Lion. So then I can start to ask like... what does it mean that there's this similarity? I could tie it in to the way I think the Lion kind of infantilizes her, talk about what influence the Nightmare chapter might have had on Marcilles decision. Alternatively, I could ask, are there any other similar times Marcille wears this hairstyle? Any other hairstyles that are repeated at key times?
Any of which could lead to some fun analysis! Alternatively, it can also just be fun to post about the detail without the analysis. Just be like, "hey, look at this weird thing." Other people might chime in with ideas about it, or maybe it will sparks something for you later! Either way, you'll have an easy reference saved for reference. Even if deeper analysis doesn't come, it's still fun to have pointed out. Details and connections are just. They are just great. And Dunmeshi especially has SO much to dig into.
(Oh, also, quick aside here: ignore anyone who tells you the details don't matter and weren't intentional. It fully does not matter. If drawing a connection helps you realize a new meaning in the story - if it inspires and motivates you - it's worth investigating.)
Anyway, the Adventurer's Bible is also a great place to find details to jump off of. The timelines and little blurbs highlight important events or facts about the characters, and you can then go fishing for other times those things come up or are referenced in the story.
In terms of starting from a question, it can also be fun just to spend a little time with something you don't feel like you totally got. I had a great time doing that with the succubus chapter, for instance. If there's a scene you find yourself kind of skimming over because its not clicking for you... go back and try and examine it! Even if it's just a small thing - an expression you missed or a panel with a funny little joke - it can be just as rewarding to try and pay attention to the parts of the story you don't understand as it is to dig into the parts you do.
~
Really, in a lot of ways, I like to use analysis as an excuse to just spend time with a story I care about. It's a way to savor it! And if you can write up those thoughts and ideas, you can share them with others, which can be even better. A dish doesn't have to be perfectly cooked to delicious, after all. Go, with Senshi's blessing, and make good food.
And of course, as with all things creative, never forget about Two Cakes:
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eisforeidolon · 6 months
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Question: It's very clear that you both work so hard, and it must be so hard being under constant scrutiny and under the spotlight, how do you both prevent burnout?
Jared: I don't think we do. That's a great question, I mean it, I think that's an awesome question. I, I, I -
Jensen: Burn out.
Jared: We burn out all the time.
Jensen: Yeah.
Jared: Yeah, and then we have moments like this with y'all, we remember why we like to stay lit, y'know. And so we kind of -
Jensen: [makes several exaggerated faces as audience laughs]
Jared: Burn out, like a flame?
Jensen: [reaches over to pat Jared's knee]
Jared: Can't touch this! [moves Jensen's hand away]
Jensen: [cracks up]
Jared: [gets up and leans over Jensen a couple separate times to talk away from the mics]
Jensen: You've been hanging onto that one since you said MC Hammer!
Jared: [nods] I have.
Jensen: You had that locked and loaded and ready to go!
[they both talk over each other a bit on this next part, so best guess here:]
Jared: Like as your hand came over it was like, it's happening, it's happening!
Jensen: Yes, yes, yes! Can't touch this!
Jared: Can't touch this. Honestly, all jokes aside, I think we do burn out. I know I do, speaking for myself. I burn out a lot. I get exhausted. And then it's - and I think Sam and Dean did as well? I think a lot of the characters, if not all of them that we've played, have burnt out. You know, reading the scripts. And you kind of remember, like, why you keep fighting, like why you get back up and you borrow - you know, you get by with a little help from your friends until - you know you kinda fake it 'til you make it and you're like, okay now I'm back on track and I'll keep it together. It can get tiring, for sure. But I think ideally that the good that we're able to be a part of, and the families we've built and been invited to become part of certainly give me energy, and get me up and at 'em and y'know motivated.
Jensen: We, you know, we also started doing this at an early age. Where we really kind of conditioned ourselves to just work this way and work this hard and continually keep going, keep going. Like the strike and the pandemic were pretty bad for he and I. Like we don't know how to turn it off, you know, like really really kind of like shut it down. And our wives know it, too. Because they're like, you need to get back to work. We're like, yep. Because we've been doing it for so long, it's just, it's our - it's how we're wired. But like he said, yeah, we burn out on occasion, but we also know that this is what fuels us. So it's easy to recover and jump back in the pool. When you love it, and when you've been doing it this long - we wouldn't still be doing this if we didn't love it and it didn't fuel us in some way.
Jared: Right.
Jensen: So yeah, I think that that's - and we have very good wives and we have amazing children and we have great friends and we have incredible extended family that inspire us and I think give us the energy to kind of keep going through those moments of exhaustion. So.
Questioner: Well, I hope you get some rest.
Jared: Me too. Thank you.
Jensen: Rest is boring.
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bumblingest-bee · 9 days
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Out of all assassins from titular musical who do you think is the "most sympathetic" and the "most worst"?
oooh that's a really really good question. setting aside personal opinion for the moment (i'll get to it promise!), one thing i find interesting about assassins is that it doesn't necessarily ask us to sympathize with the characters, but just to consider them as they're presented to us and sit with whatever conclusions we draw from that on our own.
that being said the show does present some as more sympathetic than others imo. (there's no such thing as an unbiased narrative, no matter how hard you try!) for example czolgosz is never directly condemned by the balladeer unlike, say, booth (kind of balancing the audience's immediate resistance to a character like booth). it also neutralizes oswald quite a bit by taking away his agency in the actual assassination, which i think is a very intentional way to let the audience relate to him in that final scene.
anyways! so who do i think is the most/least sympathetic in the show? i'd say the "worst" is booth because he's purely ideologically motivated by hatred. aside from whether you think he was mentally ill in real life, as a character he's presented as sane, if a little unhinged. someone like guiteau, who's obviously not in his right mind, can be pitied. but booth? he's calculated and manipulative and even aside from the assassination he spends most of the show being a total asshole. (but he's very very entertaining while doing it lol)
as for my most sympathetic? lynette squeaky fromme. no, seriously.
because the thing about assassins, as i mentioned earlier, is that we as the audience aren't necessarily meant to make moral judgements. we're meant to consider the assassins as people like us.
if i was taking "sympathetic" to mean the most morally justifiable, or if we were talking in terms of real life rather than fiction, i'd say czolgosz (or even one of the assassins who was obviously mentally ill and unable to make moral decisions). but the point of assassins is not to morally justify the characters. it's to see ourselves in the characters. and that's meant to scare us.
i see myself in squeaky. i feel for her! even though she's largely a comic character, she's a poignant one. she's desperately lonely and insecure. at her core, she's still a frightened teenage girl who wants above all things to be loved. that's what i sympathize with. but she's willing to do awful things to get that love. and that's what scares me.
the great thing about assassins is it doesn't force you to sympathize with these people, but it gives you permission to. it can show you the parts of yourself that you don't normally want to look at, and that's a powerful thing to see if you let it.
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caffeine-clouds · 11 months
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sorry to be negative but just looking back on things now I realize... I didn't really enjoy Sonic Prime season 2 that much.
like - don't get me wrong - Sonic Prime Shadow is the best Shadow we've had in ages. I'm not complaining about Shadow - I think s2e1 is literally the best episode in the series because of his and Sonic's dynamic.
But my issues with the season stem from, and maybe I shouldn't be complaining because Sonic is for kids - but jeeze for me there were just too many action scenes - and they were so long and drawn out, and in between all that the Eggmans got far too much screen time. Generational humour stopped being funny in- scratch that, it was never funny. All of them come off as annoying, I don't enjoy any of them - and I consider myself fucking easy to please lmao
The fight scenes are animated wonderfully don't get me wrong - but Sonic Prime seems to struggle, at least in this season, balancing developing character alongside the action. Did Sonic learn anything new about or develop his bonds with the Bozcage residents? No... not even Thorn Rose really. The pirates, aside from Dread, don't have anything unique about them to write home about.
The best parts of the season, for me, were Shadow (and by extension his dynamic with Sonic), Rusty Rose/Black Rose's friendship, Nine being... Nine (cuz he's cool and also has a great dynamic with Sonic), and Chaos Sonic. Why? Because they're one of the few interpersonal elements of the show that focus on characters and their relationships. We get Shadow being the pragmatic straight man to Sonic's recklessness. We see Rusty Rose change to the good side and form a connection with her counterpart. We explore something interesting when Sonic is forced to fight an even more obnoxious version of himself - and how Sonic hated seeing himself in Chaos Sonic, and then Nine's motivations are just plain good - and Sonic seeing him as real, while Shadow doesn't is just interesting philosophy.
But unfortunately- those were very small parts of a season that was mostly fight fight fight then eggmans bicker
Once again I feel like fans are doing the heavy lifting when finding the substance in these characters. I'll see posts that deconstruct the various versions of Knuckles and what that says about the Prime version - and like - yeah that's so cool! But I also think... you put way much more thought than the writers did. I genuinely think they said "Knuckles but jewel obsessed pirate" and called it a day. The show never tries to tie these versions back to exploring the original versions of these characters - Sonic isn't having any sort of introspection on his friends and what their strengths are and what they mean to him.
Also, again sorry for bringing this back to Dread but he was far less interesting in season 2. Tricking his crew was cool (since Prime Knuckles could never pull a move like that - which... again, would be nice for the show/Sonic to acknowledge in some way) but basically all his dialogue beyond that point becomes "me beauty" and just... eugh.
Anyways I hope season 3 just takes a breather to explore the characters more lol - because if anything happened to these counterparts - I wouldn't feel a damn thing unless it's Nine
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nothorses · 1 year
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If you have the energy I’d like to hear you talk abt what you value in atheism as a belief system! (This is meant positively I’m just bad at Words, if the question puts you on the spot then no pressure to answer!)
Hello!! Yes!
I think "belief system" is maybe the wrong word- imo, a big part of what makes atheism what it is is that there isn't any kind of organization, there's no system, and the only "requirements" are... well, ultimately just that you call yourself an atheist.
I've seen a ton of different ways to define the word, and a ton of different people call themselves that- or something else- for different reasons; my point just being that it's a really diverse, really complex label, and ultimately I think it works about the same way queer identity labels do: you decide if it applies to you, and if you decide it does, then it does! There's nobody to tell you whether you're right or wrong about that; that's sort of the whole point.
I grew up atheist, and aside from a couple of edge cases I learned about in my 20's, my known extended family is entirely non-religious. I say "three generations of atheists" because I recall one great-grandma who had some angel-related paraphernalia and I don't really remember her deal about it, and because "atheist" is a close enough shorthand; some of my family would probably rather describe themselves as "agnostic", but their reasoning, when I've asked, is largely that they think "atheist" means "anti-theist".
I also say that because my experience in learning about religion has been... kind of unique. I live in an area that is 60% non-religious; I think a good amount of that is that people who grew up with some Christian influence in their life decided not to pursue it themselves. Still, it's not super common to talk about religion here, and religious influences- while they still very much exist- aren't really named for what they are.
What that means is, essentially, that I absorbed a lot of values and ideas as a kind that came completely detached from any reasoning. And I'm a painfully introspective (read: anxious) person; I spent a lot of time reflecting on those values from a very young age, and I was encouraged to do so, in many ways, by the adults around me.
I distinctly remember being about 10 years old, in a car with my mom and stepdad, and wondering about why people Did Good Things. Was it selfish- because it made them feel good? What motivation was there to be charitable and generous, if not for some kind of reward? I knew I wanted to do good, and I knew that part of that was internal satisfaction, but that didn't feel right as an answer. I decided later that this was a function of human nature, to help each other- and even if it was an evolutionary community-building thing, doing good was also a way of building a happy, sustainable life with full and healthy relationships.
I have never understood the "what is the purpose of life?" question- it's been pretty obvious to me from a young age that there isn't one, and there doesn't need to be. We weren't "put on the planet" in the first place. We're here because of a beautiful string of semi-random events, and we get to decide what to do with the opportunities and hardships that comes with.
When I was 12, I decided, on a walk home from school, that my "goal" in life was going to be to be the best person I possibly could. I have spent a lot of time since then working out what that really means; along the way, I realized that in order to do this, I also needed to be a happy person. I needed to heal and grow and live a sustainable life, and I needed to value myself and my inherent worth.
This is a lot of rambling to say, essentially: I think atheism means different things to different people, but I think the idea that it's some kind of void of experience and value is plainly ignorant and genuinely damaging.
This is just a snapshot of the ways in which I currently recognize atheism to have influenced my life, and there's a lot more I could touch on as well! But the idea that we choose what's important is core to a lot of atheism, I think; and there is a genuinely beautiful value system that follows from this.
I choose what's important to me, and others choose the same for themselves. I choose my goals and "purpose", and others do the same for themselves. In a lot of ways, that heterogeneity is part of what makes communities work: understanding and appreciating differences in value systems and worldviews means including more and more of what each individual has to offer.
None of this is exclusive or universal to atheism (and again, the label itself is pretty broad depending on who you talk to) but it's an example of the ideas that can follow from certain questions pretty inherent to the idea that there isn't a higher power.
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walkawaytall · 8 months
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For the fic ask game:
16. Is there a commonly held misconception about one of your stories that you’d like to correct for the masses? (I know of one and thought you might want an excuse to say it. 😎)
17. What does your editing process look like?
16. So, I think I actually may have touched on this answering number 20 (at least if I'm thinking of the same conversation that you are about Han's motivations in Purpose of Heritage thus far)? And, aside from that, I don't think there have been many widely-held misconceptions -- though there have definitely been different responses to certain things than I expected (like, more than one person saw Reconstitution as a bit of a downer and that was...the exact opposite of my intent with that story...but we all bring our own experiences to the stories we read, so I'm not going to say their reading is wrong per se, just that I intended for the ending of that rather melancholy fic to have a hopeful slant to it, even in the midst of life's imperfections).
Oh! Actually, I though of another one: there are moments in Purpose of Heritage specifically where Leia's straight-up wrong. Like, she is our heroine, our main character, our beloved space princes, but she's also 19/20/21 years old and traumatized and very specifically not dealing with said trauma in healthy ways at least 50% of the time (her eschewing therapy repeatedly is not supposed to be viewed as a super-great alternative to, you know, going to therapy), and there have been moments that people have clocked as Leia being a badass -- and they aren't wrong -- but I also see them as Leia's cool, together facade cracking in a way that isn't good technically.
Like, we love Leia, so the scene at the shooting range where she uses Varner Coy's blaster to shoot a line of bullseyes does feel badass and empowering and a little cathartic because that guy has been a jerk, but it's also Leia losing her cool entirely and giving into an impulsivity that I don't see as a good thing for someone in leadership to do. I didn't stick immediate consequences in there because I'm not writing an after-school special, but...just because Leia doesn't always have negative consequences for a thing doesn't mean that I included it with the intent that it was supposed to be seen as totally awesome, full-stop. Sometimes it's partially awesome, and partially a big red flag. And maybe I should be more obvious about this; I don't know. I just am not writing a morality tale exactly, so I don't want to steer the narrative into an area that makes it feel clunky or preachy.
17. For normal-length things like one-shots or Collateral, a multichapter with chapters that are a sane length (4K-6K words): I write the thing, I read the thing and edit as I read. I may or may not edit while I write; it depends on how long it is, how long it takes me to write, if any parts are giving me issues. (Like, if I get really, really stuck, I'll start on a fresh document and copy/paste different sentences and paragraphs until I can get back into a good rhythm, and in the midst of all of that, editing happens as well). I basically read and edit things several times until I'm either 1. Entirely happy with it (rare) or 2. Tired of looking at it and no longer debating about changing anything (more common).
For Purpose of Heritage, I did an unhinged and probably short-sighted thing where I wrote what was originally two chapters, decided I preferred them together, and combined them, setting a precedent for myself to write chapters that are 8K-10K words long (and that is legitimately where I've felt each chapter has a natural stopping point -- like, I'm not padding stuff to get to a certain word count. Most of the chapters, I suppose, could be split in half, but we're so far beyond that at this point, I'm just resigned to writing giant-ass chapters until this project is complete). I used to reread everything every time I set out to write a new chapter to try to ensure I didn't go off-the-rails tonally, but when that became too cumbersome, I think you were the one that mentioned having your phone read what you'd written aloud, and I use that not just to review past chapters, but also to edit (so, thank you for that suggestion if that was you, DP!). It helps me identify clunky wording and sometimes straight-up inconsistencies.
So, I usually write and edit as I write, then reread the whole chapter and edit, have my phone read it and mentally dogear what needs to be looked at and edit those pieces when I can, and then read it another time and occasionally have a beta reader (thanks for the times you've helped with this, by the way!) assure me that I haven't gone off the rails entirely if I keep worrying about one particular aspect, edit again with any beta reader suggestions in mind, and finally publish when I'm either as pleased as I'm going to be with it or I can't bring myself to read it again. I do usually try to make sure there is at least a night where I ignore the chapter entirely before doing one final editing pass-through before I post. Giving my brain a chance to not think about it helps me catch errors I missed on earlier read-throughs, and also usually helps me realize that I haven't, in fact, written a pile of garbage.
Thanks for the questions! Sorry these answers are so dang long!
fanfic writer asks
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toastsnaffler · 8 months
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sorry if this is odd to ask but what is your workout routine? I’m trying to motivate myself into exercise again and seeing how other people do it helps. Have a good one!
meant to reply to this sooner but I forgor… getting round 2 it now tho! disclaimer I dunno as much abt exercise science as I’d like to + don’t rly have any 'training' so my approach just comes from personal experience - take this w a pinch of salt lol. I’ll split it in 2 parts: my routine first + then a list of things that personally motivate me in a reblog in case u find any of that useful >:-) (under the readmore cuz this ended up being kind of long 👇)
ok so: I try to ‘actively’ work out 5 days a week. this tends to be broken into 1-2 longer full-body sessions (around 60-120 mins long, at the mo usually bouldering/parkour or a full-body home workout) with a rest day before/after + then 3-4 shorter home workouts (30-60 mins long, usually some form of weight/resistance training, targeting specific muscle groups). e.g. a fortnightly workout timetable might look smth like this for me:
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I don’t tend to plan specific workouts more than a few days in advance so I don’t actually follow an explicit timetable like this. instead I set aside an ‘exercise timeslot’ every day (usually 4-6pm) and I’ll intuitively decide how to work out on the day – i.e., what part of my body feels ready to go? what part feels tired + needs a break? do I have the energy/focus to do 45 mins or do I need to shorten it to 30? do i need a rest day? working out regularly means I have a good sense of how long I need for certain muscles to recover so if there’s an activity I want to do on a specific day (like a sports club I wanna attend) I’ll keep it in mind and plan accordingly so I’m fresh for that. as a rule of thumb, I avoid working the same muscle group on consecutive days + give myself a full rest day before & after any intensive full-body workout. I also try to never take more than 3 back-to-back rest days unless I’m sick/on my period/life gets in the way – otherwise its very easy for me to fall out of routine even if I’ve maintained it for months beforehand (<- adhd ass)
(also worth noting – my ‘rest days’ aren’t completely ‘inactive’ – I’ll go for a walk or do some stretches/yoga or another gentle activity instead. I need a lot of physical movement in my life or I go stir crazy <- adhd ass strikes again)
my ‘home workouts’ are the sort of movements u can do at a gym with the equipment there, but I replicate them with a yoga mat + my own weights + a sturdy chair. I have 6kg & 10kg pairs of dumbbells, plus yoga blocks + resistance bands for extra challenge. most of my workouts are based on resistance/interval training, which is focused on increasing strength by repeating sets of movements/holds at a consistent intensity/pace for specific lengths of time, with short timed rest periods in-between (e.g., a typical workout might look like 45 mins of 45 movements targeting 1-2 muscle groups, each done for 40 seconds followed by a 20 second break before immediately moving onto the next).  I like it bc I can rly feel the progress I make + find it satisfyingly challenging (<-masochist) but also bc its easy to tailor to my own ability/how much energy I have that day etc by changing weights/pace. it also works with my adhd brain bc I only have to do each movement for 40-50 seconds at a time before moving on to smth else so I don’t get as easily distracted (as opposed to doing like xyz number of reps for xyz sets). if you’re interested, I swear by caroline girvan – I’ve done her EPIC programmes a few times now + often cherrypick from her videos when I want to work certain muscle groups without sitting down + compiling a list of individual exercises + setting a timer myself. the ‘EPIC beginner’ series is a great intro to her longer ones, I sometimes use that to ease myself back into working out if I haven’t for a while, but be warned it isn’t aimed at ppl who are completely new to that style of exercise. I think she has an app now that comes with an ‘absolute beginner’ version + a 14 day free trial(?) so might be worth checking that out. I will admit some of her stuff is TOUGH - I still can't do all of them w the same weights/pace she does... I particularly struggled with wrist strength when I started out too and had to do some separate conditioning/strengthening exercises before I could even work up to doing like. a single push up on my knees... so if u do check her out try not to get put off by how crazy strong she is bc thats literally her career skfjkj the important thing is just doing it to the best of ur own ability/to ur point of hypertension + keeping good form throughout!!
full body home workouts are pretty much more of the same just longer since I'm hitting more muscles (i.e. 60-90 mins) + sometimes with cardio elements (altho I can’t do HIIT workouts involving jumping at home bc I’m a respectful upstairs neighbour 😔). If I go to the bouldering gym (I try to go fortnightly atm) I’ll usually spend ~2 hours, focusing on trying to send one route at a time until my arms give out. im currently getting confident with V2 grades and tentatively working on V3s. its probs my fave sport, there's a level of problem solving to it that I find rly mentally stimulating... even tho I boulder solo, trips to the gym are social for me bc I often end up chatting to ppl working on nearby problems + picking up technique/advice from them, its a v welcoming space (I'm also planning on joining my new city's queer climbing group!). the parkour sessions I go to are also social, they're run locally for free around the city + structured by more experienced members in the community. they usually involve a warmup, conditioning, drills focusing on certain movements/jumps etc, and then free 'play' trying to put those moves into context. again ~2 hours long. im def not a pro at climbing or parkour but theyre super fun + would 100% rec if ur interested + can find a friendly local group for either, u can teach urself using online resources too :-)
goes without saying but I also warm up for at least 5 mins before doing ANYTHING!!! I try to cater it to the muscle group im planning on working with but still cover the whole body cuz its important to get ur heart rate up + even when u focus on one muscle group there will be others that get dragged in. I don't rly have a 'set' warmup but again caroline girvan has some good ones on her channel 👍 likewise always good to cool down after with stretches cuz future me will be grateful for it.. altho sometimes I'm a bit lazy abt it 🤭
okkkk i think that’s pretty much the bulk of it, I’ll stick my motivation tips in the reblog 😁
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recurring-polynya · 9 months
Text
Writing/Art Update 8.29.23
I did more than nothing this week, which was something. I guess.
I really do want to get back to work on Ductwork, but it's Renji's birthday this week and I wanted to have something postable. Obviously, it would be fun and cool if I could finish that porno I started, but I was struggling with that, and I wanted to divert my brain a little. I do not remember exactly why or how, but I got it in my head that I wanted to write some Renji & Momo Academy horsing around and I came up with something good for that, and I started it. Sounds great, right? It grew in my head a little, but it still seemed pretty do-able, and in a wild thing that never happens, I had both a good ending in mind and a title, and I was feeling good. I even got a whopping 700 words of it written.
Then I got hit with an incredibly stupid and possibly unpublishable, like, future chapter of this thing, on the presumption that it turned into some sort of long anthology of Renji-Momo-Kira-and-sometimes-Rukia stories, who does want that? Everyone wants that. Everyone except me who has to write it. Well, I do want to write it, but I also want to write the story that I am way way super behind on and planned to spend my fall on. Anyway, having no willpower whatsoever (my general writing rule is that when I want to write something, I let myself write it, because the feeling is fleeting and unobtainable under artificial conditions) and write 2100 words that I honestly do not know what I am supposed to do with, aside from let them sit in my drafts for four years until I dredge them out again. o____o
Also, the porno is up to 2871, an increase of 458 words, wrung out of me one by painful one.
Also, I re-read the one Big Scene I really like in Ductwork and it's so irritating to having something this good and to still need, like 50,000 words to go around it.
In other news, I drew a thing. It's...Renji adjacent, so I'm gonna post it on the 31st, since I probably won't have anything else. It's fine, it can be Renji's birthday until I say it's not. (Oh shit I just remembered I have 80% of a Renji - Orihime fic that I found in my drafts that I was hoping to dust off and finish for the Renji - Orihime Birthday Interregnum. Maybe that's still do-able)
I have definitely gotten into a place with my drawing (and my writing is started to go there too, I am afraid) where trying to do anything seems too big and too hard and not worth starting, but I'm really trying hard to fight back against that. I want to figure out something to do, like redrawing screenshots or something, which will take a lot of the hard "picking a pose" up-front friction out of the activity, because I was really close to not-sucking for a while there, and then I lost all my enthusiasm for it. :(
Anyway, the kids went back to school, so the house is a lot quieter this week. They're really good kids, I don't want anyone to ever think I don't like my kids or something, but I get really exhausted being around other people, and it's like every muscle in my body relaxes if I get the house to myself even for a bit. (Mr. P is still here, but it's better than everyone). It also helps my motivation, because I say to myself, "I've got until 3 to get my own stuff done" and then it's Mom-on-call time again and that's honestly really helpful to my executive function.
Grand total: 3319 words and one drawing, distinctly not bad
PS: Despite it resulting in some productivity, I do not at all like the feeling of being scatterbrained like this, it makes me very overwhelmed and short-tempered. I've also been getting a lot of asks lately and it was making those feelings even worse, so I've closed my ask box until I feel like I've got my brain under control again.
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skruffie · 2 months
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I've been having a lot of talks with Alice and our friends about the ongoing ttrpg we're in and thinking about the last 20 odd years of me roleplaying online, various other rp experiences, and how online text rp is so completely different than tabletop
I've had a lot of characters come and go and develop in weird ways but if you really want to challenge yourself to do intensely complicated and dimensional stories with equally complicated characters, finding the right table to be at is the best possible way to do that hands down. it is so different when you come from a lot of text rp where you can edit and think more carefully about your responses but being face to face and improvising on the spot takes a lot of trust and it's just been FANTASTIC
one of the things that the throwaways campaign kinda helped me ask myself was why I get uncomfortable asking for things that I want or even desiring things sometimes because when you have a DM staring at you and asking "what does Sasha want" you have to speak on behalf of your character and know those desires intimately. i then started asking "well wait why can I figure that out for someone who isn't real but not for me". the throwaways campaign isn't going anymore and we started a Lancer campaign instead, so this also is an opportunity to try a whole new game system aside from DnD. it's also very, very, verrrryyyyy complex and layered with all of the character interactions, motivations, and desires. getting a chance to do this with trusted friends.
it is a far fucking cry from years ago. i've had ex friends resent plots in secret and criticize them for being "torture porn" despite the fact they didn't have to be in the plot at all (and also with ample warning and no hiding what type of villains were going to be in it!), compared to what I would consider actual torture and snuff porn with the way my college abuser drove our one-on-one RP into the ground without allowing me much creative control. i feel like there is a lot to be said about how roleplay dynamics--either in larger groups or one on one--can be used as tools to perpetuate toxic and harmful behavior but once you find partners that make a point to ensure the experience is genuinely fun even when you're arguing with each other in character, it's amazing. after tabletop we also debrief with each other to talk about the things that went really well in the session and try to work through things that maybe didn't go great, because collaborative storytelling requires everyone to be on board. it's also a good time to just speculate wildly about character feelings and i eat that shit up for every meal.
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77angelnumbers77 · 10 months
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you mentioned that erisol was a NOTP before writing ECIP, at what point would you say you went from disliking the pairing to actually shipping it? have you grown more fond of it as you continue writing ECIP?
Alright. Liz answer asks normally challenge, impossible. Clearly. Answer below the cut.
To be honest, the reason I disliked it initially is that it struck me as male VrisRezi without any of what made VrisRezi appeal to me -- their childhood friendship, the betrayal, etc . . . it was just Eridan fighting Sollux over a girl he thought felt like he owned.
On top of that, I didn't even like Eridan all that much until I listened to Ugly Story by PhemieC. It sort of humanized (trollized??) him for me. I reevaluated his motives and just his character in general -- if nothing else I can say that he's well written, even though he has so many faults.
I guess it's also not completely true that I didn't ship EriSol before ECIP, I just disliked it because EriSol shippers gave me a lot of shit about VrisRezi. So . . . when two guys have a toxic relationship it's cool and fun, but when two women have a toxic relationship it's suddenly intolerable? It strikes me as a reflection of fandom's opinions on female characters in general. I might be reading too much into it.
I did interact with EriSol content and I did read some amazing fics, but a lot of the time it wasn't quite portrayed in the way I thought it should be. My problem is I have very specific opinions on how certain characters and relationships should be portrayed, which makes it pretty difficult to find good fics in particular. I'm a huge canonverse diehard for most of my fandoms and pairings, for example.
All this to say, EriSol always struck me as interesting, but I have beef with some EriSol shippers. It's a natural part of being a long-term member of a fandom, methinks😭
As for ECIP? It's been a real journey for me. I started writing it during a time where I had been reading a lot of EriSol content. I was half asleep when the idea struck me and I wrote like I had been electrocuted, although I continued to be half asleep. When I woke up, I had a passingly good first chapter, and it just went from there. I told myself that I was going to wait until it was finished to publish, but I got excited at some point and just released it as it was. That's why some of the earlier chapters are so rough and short -- I was still getting a feel for longfics and, aside from grammar and spelling, it is largely unedited. ADDITIONALLY, I wrote it during a break between Homestuck re-reads, so that's why some of the details are weird. I know I'm doing a great job of selling my fic right now . . .
Thanks for asking!! I'm a pretty big fan of EriSol now, although VrisRezi is still my big ship. These two hold a special place in my heart. Above all, I want Sollux to be happy. I still don't like Eridan very much, but like a parasitic mold, he continues to grow on me. If Eridan makes Sollux happy, he can have a little seadweller. As a treat.
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dirtyoldmanhole · 5 months
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going through CQ has me thinking how corrin/gunter would progress if i had the stamina to write that route on top of YRMR (for revelation). :P
obviously, i'm not going to write another 120k fic. [stares meaningfully @ myself lmao] but here's the bullet points i've been playing with for those interested ~
in general, i think corrin has a much worse time in conquest, and gunter has a worse time in revelation. there's ups and down to rev with corrin, but his longer absence in CQ meant she truly thinks he was, like, for real dead. in yrmr/revelation, she was honestly so distracted with the hoshido/mikoto/dragon stuff that she shoved her grief aside for so long that he came back before it really hit. (unhealthy in a different way but it does keep her going).
i deleted the scene in the fic since it was a little maudlin/cheesy, but lilith feels like she'd be the only one to realize just how hard corrin grieved for him, that very first span of days in the astral plane (in both routes).
cq!corrin, bluntly - feels like she's being constantly broken with the "tests" of loyalty that garon and iago force her through, so there's a lot harsher of an element to keeping her stoic game face on, much earlier. i think she honestly just numbs herself to any and all emotion between that and the grief and basically all the "constants" in her life changing given the new war campaign "for" garon.
once corrin finally re-joins him in valla, she just. breaks down in ugly sobs in his arms. she's a mess, he's almost a mess, and it's kind of a good thing that reunion was mostly private.
ironically azura's the first to know about their... thing. i see the three of them staying in valla overnight to at least catch up on [plot shit] and to speak freely for the first time in like, ever, while recovering from minor wounds from that battle. he totally holds her by his side. uwu
(imagine if corrin had told azura offhandedly 'oh he was like my dad' a few weeks before much like micaiah/sothe's 'he's my brother' and then azura sees. them all but canoodling. lmao. 'if whatever your deal is familial i will eat my entire pendant')
post re-recruitment:
i also think their relationship would, surprisingly, progress much faster than even in the rev route. corrin seeks him out nightly just for him to hold her through the night terrors and in one of those nights, they uh.... stumble into the sex, heh.
i also, hah, think it'd progress a lot "harder" in the kink sense - as mentioned above, corrin has a shitty, shitty time in CQ's route, and i think she'd seek him out as somebody she can safely 'break' with in those scant moments of uncomplicated happiness. cough [nods meaningfully @ the recent 'gunter is totes a sadist' headcanon] cough
i don't think he actually ever tells corrin about his late wife until after the war, or his whole motivation for killing garon. it's..... not great, in ways i actually feel like their relationship in yrmr/rev route is more open/honest? their dynamic in CQ is more ... two shellshocked veterans finding that spark of happiness and nonverbal trust in private vs in the middle of some truly crushing awfulness where they both have to keep their 'game face' on in public.
lategame:
so the thing is. i think kana's an accident in CQ vs them intentionally wanting a child post-YRMR, lol. (parts of it are funny ('oh shit what do you mean babies can still happen') and then parts of it are whiplash-y tragic when gunter's struggling with his feelings given his late wife/child. given he uh. hasn't told corrin about that yet. yeahhhh.)
i'm on the fence as to whether he blurts it out to her in the middle of all that (i can see their nastiest "fight" being here especially when hormones are going nuts, she's a little less patient with him than she is normally, and there's a lot of pressure there.)
corrin/gunter never actually outright tell anyone about their relationship (unlike in yrmr), even when kana's a thing. both of them really don't want iago and garon to be able to weaponise kana or their relationship - not that the stakes are higher here than in rev, per se, but there's much less margin for error. (kana knows who his parents are but is also instructed not to tell anyone, at least until before garon and iago are dead.)
tho i think azura explicitly knows because she'd be the one to suggest the deeprealms as a place for pregnant!corrin to go to for safety once when she can't hide it.
buuut it's obvious enough to the point when lilith dies in the eternal staircase that xander & co just give corrin to him immediately afterwards all 'make sure she doesn't crack ok'. she regresses a bit there - gunter actually gets to see a glimpse of what she was like before; just.... completely dead eyed. (i actually have an old piece of art that was one of my very first gunter/corrin strips that's just that entire scene. need to finish it.)
to that point i think lilith's death also hits hard because out of anything that's been a "constant" loving presence for corrin, it's the northern fortress gang. and lilith was iirc the one person to be there pretty much continuously even when corrin went over in hoshido.
interestingly i also think that gunter is ... while he's still focused on seeing garon dead, he kind of knows this is corrin&azura's endgame plan anyway, so he puts himself more as an advisor/supportive figure to help make it happen. he's quite good with long term planning, and i don't think anankos would have near the hatred or hold on him as happens in revelation.
anyway i haven't figured out post-endgame stuff yet (i totally want to see how anankos slots into this since the silent dragon still has a number of negative feelings to pull off on with gunter) but there ya go ~
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