Tumgik
#lesser known roles
not-so-rosyyy · 2 months
Text
Tumblr media
Francesca Amewudah-Rivers, Tom Holland's rumoured Juliet Capulet for Jamie Lloyd's West-End revival of Romeo and Juliet
82 notes · View notes
novelconcepts · 4 months
Text
It’s always so funny to me when someone can’t tell the difference between an actor who’s over the top and an actor who is doing an intentionally over the top performance. The former can be super aggravating, I get it—but the latter can be so goddamn effective. Especially when you know the actor already, know they’re fully capable of giving normal human facial expressions and chill line deliveries. And they’re out here doing The Absolute Most all of a sudden? It’s for a reason, dude. It’s almost always for a reason. And once you can see past the camp on the surface, it’s so much fun digging in to what emotions the character is actually hiding.
#this is mainly about servant (and to a lesser degree YJ)#like Ambrose in servant is (pardon me) serving SUCH a chaotic performance#but having known her for decades I know full well that’s on purpose#Dorothy is over the top because she HAS to be. because she’s built walls so high around her own grief that the denial comes out in Crazy#and she fully thinks she’s the only one paying attention. the only sane one in the room.#you get glimpses of her being ‘normal’ in flashbacks#still a little Much. still a product of wealth and expectation. detached from reality to a degree.#but the character she becomes after the tragedy is. A Character.#it’s not the woman she was before. she bricked that woman up. she’s taken her performance from television and made a baby blanket out of it#it’s so. so intentional.#and you sort of get a similar thing going with Hewson in early eps of YJ#totally different starting block. Van doesn’t start out traumatized. but she does start out Big#she’s loud she’s silly she’s being intentionally wacky to get laughs out of people#and some of it comes off a little cringe. because it’s a kid playing a role#this is how you like me. I’m gay. I’m butch. I’m hiding.#if I’m a jester you’ll see what I want you to and nothing more. that’s the plan. it’s working. don’t look at the goalie.#not as a person.#but as the show goes on (or as she’s spending time with taissa) she slows down some. quiets. she’s snarkier. holding tension differently.#Hewson starts the performance at an 11 so they can really delve into who Van becomes when the mask is off#when there’s no point in playing the class clown#when it’s like. ah yeah. here’s the kid who grew up too fast.#here’s the kid who’s scared to death. and angry. and willing to fight to live.#it’s not an overacting thing. it’s VAN overacting to keep her secrets#watch the face so you miss what the hands are doing#actors man. actors are fucking cool. storytelling is fucking cool.#deconstructing the illusion is my favorite thing#(anyway still watching servant and it’s still really. Something Else.)
13 notes · View notes
tytangfei · 9 months
Text
the MDL girlies are so funny, some of them are saying that Lost You Forever would've been more popular if they casted other A-list stars like Dilreba and Yang Yang and Xiao Zhan and Gong Jun??? Huh????????? Lmao.
Nah, the current actors are doing fantastic, actually, and I'm enjoying their performances a lot. I'm glad they're getting a chance to shine, and really showing off their acting on a drama that requires so much emotional complexity. I love them and I wouldn't trade them for any other actor.
18 notes · View notes
jimmyspades · 3 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
"Now kindly be out the door and take that wagon away from here. And godspeed to you." THE HOMESMAN (2014)
5 notes · View notes
slav-every-day · 6 months
Text
Tumblr media
10 notes · View notes
Text
ah yes actor josh hutcherson from paquita salas
8 notes · View notes
lollytea · 2 years
Text
Yes it might have taken me an embarrassingly long time to really pay attention to it but in ASIAS, along with the 'half a witch' parallel, both Hunter and Willow are motivated by upholding the legacy of those who came before them. That picture of Gilbert and Harvey being flyer derby champions is just as significant to her as the Golden Guard sigil is to him.
#other miscellaneous ASIAS thoughts that are not worth their own post but i think about them often:#its an episode that asks ''but who are you outside of the roles this story uses to define you?''#this is the only episode of the Hunter Makes Friends series where his actions are not motivated by Belos#and Willow is neither one of Luz's two best friends nor the estrangled acquaintance to Amity#both characters are unnattached to those influences here. And without those roles slotting them into predictable places#we're able to explore new nooks and crannies of their personalities#stuff that really hasnt been revealed before#the two of them are trying out something new and a little out of their comfort zone and it pulls new traits out of them#Hunter’s hexside infiltration reveals him to be WAY more socially awkward than previous eps have shown#and then after his flyer derby match it really brings out his excitement over having friends and the genuine affection he has for them#Meanwhile this is the ep that really establishes what an ambitous go getter Willow can be#Shes never been a leader before. Shes never been this direct or ruthless. But her dedication to this team really pulls it out of her#and these lesser known sides of themselves are the version the other meets#lastly it is a very good take on a Person Vs Society story#again Hunter's internal conflict in this episode has nothing to do with Belos. He literally never gave a fuck if Hunter had magic#But Hunter was still born and raised on the boiling isles and no matter how sheltered he is#the inherent prejudices of the place is gonna gnaw at his self confidence. hes gonna internalize this shit#so while every Hunter ep before this was about how Belos has manipulated his self of worth as a person#this time we are dealing with how hunter views himself as a WITCH#MEANWHILE Willow's struggles with have always been entirely focused on her insecurity as a witch#her terrible grades and her severed friendship has always been about her insufficient abilities with magic#but in this ep you learn that it goes deeper than that#she berates herself not because of her magical ability but because she believes that shes stupid#the half a witch thing has severely deteriorated her worth as a PERSON#their respective struggles go in different directions in this ep and their emotions are complicated#but they still overlap enough that they can understand what the other is feeling#OKAY AND LASTLY AGAIN. Forreal this time#that scene when Darius is about to attack the entrails and Willow throws her arms out to shield all three of them#and then Hunter proceeds to run in and shield HER#because SOMEONE had to shield her. they are instinctive protectors. they are the same
141 notes · View notes
regallibellbright · 1 year
Text
If I had a nickel for every iconic Nintendo DS game I played in my teens heavily utilizing the system’s central mechanics, with a wonderfully distinctive artstyle, themes about death and the need for connection, a huge reveal at the very end of the game involving a major supporting character’s true identity that makes them and the true plot impossible to talk about without spoiling, and a spiky-haired amnesiac protagonist who is dead, I’d have two nickels.
Incidentally, I finally got around to tracking down and saving Missile’s “Welcome!” as a reaction image and now I have Ghost Trick on the brain.
15 notes · View notes
crickwater · 1 year
Text
I don't have any strong feelings abt matt mercer dming for d20. I am enjoying seeing the intense reactions of everyone else tho
10 notes · View notes
sketchbook-rose · 1 year
Text
Tumblr media
1 note · View note
terrence-silver · 2 years
Text
I don’t get a lot of Jan Valek asks. 🤔💡
8 notes · View notes
ok ok I know that kinning Eddie Munson isn’t a contest. however.....
Tumblr media
I think I’m winning. 
5 notes · View notes
akkivee · 2 years
Text
Tumblr media
a radio show hayama-san is a part of will be hosting some vtubers and had i not recalled that, i would have been very confused why the hell the first half of the email i got from the channel hosting them was entirely in english lol
6 notes · View notes
aidenwaites · 14 hours
Text
I cant believe it was only an hour thirty. Like I sat through the whole thing and it felt like it was so long but it was only an hour thirty
1 note · View note
joycrispy · 9 months
Text
Awhile ago @ouidamforeman made this post:
Tumblr media
This shot through my brain like a chain of firecrackers, so, without derailing the original post, I have some THOUGHTS to add about why this concept is not only hilarious (because it is), but also...
It. It kind of fucks. Severely.
And in a delightfully Pratchett-y way, I'd dare to suggest.
I'll explain:
As inferred above, both Crowley AND Aziraphale have canonical Biblical counterparts. Not by name, no, but by function.
Crowley, of course, is the serpent of Eden.
(note on the serpent of Eden: In Genesis 3:1-15, at least, the serpent is not identified as anything other than a serpent, albeit one that can talk. Later, it will be variously interpreted as a traitorous agent of Hell, as a demon, as a guise of Satan himself, etc. In Good Omens --as a slinky ginger who walks funny)
Lesser known, at least so far as I can tell, is the flaming sword. It, too, appears in Genesis 3, in the very last line:
"So he drove out the man; and placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life." --Genesis 3:24, KJV
Thanks to translation ambiguity, there is some debate concerning the nature of the flaming sword --is it a divine weapon given unto one of the Cherubim (if so, why only one)? Or is it an independent entity, which takes the form of a sword (as other angelic beings take the form of wheels and such)? For our purposes, I don't think the distinction matters. The guard at the gate of Eden, whether an angel wielding the sword or an angel who IS the sword, is Aziraphale.
(note on the flaming sword: in some traditions --Eastern Orthodox, for example-- it is held that upon Christ's death and resurrection, the flaming sword gave up it's post and vanished from Eden for good. By these sensibilities, the removal of the sword signifies the redemption and salvation of man.
...Put a pin in that. We're coming back to it.)
So, we have our pair. The Serpent and the Sword, introduced at the beginning and the end (ha) of the very same chapter of Genesis.
But here's the important bit, the bit that's not immediately obvious, the bit that nonetheless encapsulates one of the central themes, if not THE central theme, of Good Omens:
The Sword was never intended to guard Eden while Adam and Eve were still in it.
Do you understand?
The Sword's function was never to protect them. It doesn't even appear until after they've already fallen. No... it was to usher Adam and Eve from the garden, and then keep them out. It was a threat. It was a punishment.
The flaming sword was given to be used against them.
So. Again. We have our pair. The Serpent and the Sword: the inception and the consequence of original sin, personified. They are the one-two punch that launches mankind from paradise, after Hell lures it to destruction and Heaven condemns it for being destroyed. Which is to say that despite being, supposedly, hereditary enemies on two different sides of a celestial cold war, they are actually unified by one purpose, one pivotal role to play in the Divine Plan: completely fucking humanity over.
That's how it's supposed to go. It is written.
...But, in Good Omens, they're not just the Serpent and the Sword.
They're Crowley and Aziraphale.
(author begins to go insane from emotion under the cut)
In Good Omens, humanity is handed it's salvation (pin!) scarcely half an hour after losing it. Instead of looming over God's empty garden, the sword protects a very sad, very scared and very pregnant girl. And no, not because a blameless martyr suffered and died for the privilege, either.
It was just that she'd had such a bad day. And there were vicious animals out there. And Aziraphale worried she would be cold.
...I need to impress upon you how much this is NOT just a matter of being careless with company property. With this one act of kindness, Aziraphale is undermining the whole entire POINT of the expulsion from Eden. God Herself confronts him about it, and he lies. To God.
And the Serpent--
(Crowley, that is, who wonders what's so bad about knowing the difference between good and evil anyway; who thinks that maybe he did a GOOD thing when he tempted Eve with the apple; who objects that God is over-reacting to a first offense; who knows what it is to fall but not what it is to be comforted after the fact...)
--just goes ahead and falls in love with him about it.
As for Crowley --I barely need to explain him, right? People have been making the 'didn't the serpent actually do us a solid?' argument for centuries. But if I'm going to quote one of them, it may as well be the one Neil Gaiman wrote ficlet about:
"If the account given in Genesis is really true, ought we not, after all, to thank this serpent? He was the first schoolmaster, the first advocate of learning, the first enemy of ignorance, the first to whisper in human ears the sacred word liberty, the creator of ambition, the author of modesty, of inquiry, of doubt, of investigation, of progress and of civilization." --Robert G. Ingersoll
The first to ask questions.
Even beyond flattering literary interpretation, we know that Crowley is, so often, discreetly running damage control on the machinations of Heaven and Hell. When he can get away with it. Occasionally, when he can't (1827).
And Aziraphale loves him for it, too. Loves him back.
And so this romance plays out over millennia, where they fall in love with each other but also the world, because of each other and because of the world. But it begins in Eden. Where, instead of acting as the first Earthly example of Divine/Diabolical collusion and callousness--
(other examples --the flood; the bet with Satan; the back channels; the exchange of Holy Water and Hellfire; and on and on...)
--they refuse. Without even necessarily knowing they're doing it, they just refuse. Refuse to trivialize human life, and refuse to hate each other.
To write a story about the Serpent and the Sword falling in love is to write a story about transgression.
Not just in the sense that they are a demon and an angel, and it's ~forbidden. That's part of it, yeah, but the greater part of it is that they are THIS demon and angel, in particular. From The Real Bible's Book of Genesis, in the chapter where man falls.
It's the sort of thing you write and laugh. And then you look at it. And you think. And then you frown, and you sit up a little straighter. And you think.
And then you keep writing.
And what emerges hits you like a goddamn truck.
(...A lot of Pratchett reads that way. I believe Gaiman when he says Pratchett would have been happy with the romance, by the way. I really really do).
It's a story about transgression, about love as transgression. They break the rules by loving each other, by loving creation, and by rejecting the hatred and hypocrisy that would have triangulated them as a unified blow against humanity, before humanity had even really got started. And yeah, hell, it's a queer romance too, just to really drive the point home (oh, that!!! THAT!!!)
...I could spend a long time wildly gesturing at this and never be satisfied. Instead of watching me do that (I'll spare you), please look at this gif:
Tumblr media
I love this shot so much.
Look at Eve and Crowley moving, at the same time in the same direction, towards their respective wielders of the flaming sword. Adam reaches out and takes her hand; Aziraphale reaches out and covers him with a wing.
You know what a shot like that establishes? Likeness. Commonality. Kinship.
"Our side" was never just Crowley and Aziraphale. Crowley says as much at the end of season 1 ("--all of us against all of them."). From the beginning, "our side" was Crowley, Aziraphale, and every single human being. Lately that's around 8 billion, but once upon a time it was just two other people. Another couple. The primeval mother and father.
But Adam and Eve die, eventually. Humanity grows without them. It's Crowley and Aziraphale who remain, and who protect it. Who...oversee it's upbringing.
Godfathers. Sort of.
27K notes · View notes
legionofmyth · 9 months
Text
Unveiling the Epic World of Palladium Fantasy RPG, 2nd Edition
📚 Unveil the magic of Palladium Fantasy RPG, 2nd Edition! ✨ Join us on an epic tabletop journey as we explore this captivating world. #TTRPG #PalladiumFantasy #TabletopGaming #RPGAdventure #UnveilTheMagic
Palladium Fantasy RPG (2e) – [PDF]Welcome, fellow adventurers of the tabletop realm! If you’re seeking a new and exhilarating journey in the world of tabletop role-playing games, you’re in for a treat. Today, we’re diving deep into the captivating universe of Palladium Fantasy RPG, 2nd Edition. Whether you’re a seasoned Dungeon Master or a rookie explorer, this game is bound to ignite your…
Tumblr media
View On WordPress
1 note · View note