i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.
He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.
And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.
And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.
Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.
Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."
There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.
It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.
Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.
At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.
"Do you like to do anything?"
Nothing. Just silence.
Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.
Danny says nothing the entire time, and is again the first to leave.
Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.
And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.
He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.
Danny is dull-eyed and blank faced the entire time; he looks miserable.
So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.
"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"
"Don't."
He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.
Bruce tilts his head, practiced puppy-like. "Pardon?"
"Don't." Danny says, strongly. "Don't make any deals with Vlad."
It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"
The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."
Bruce stares at him, thoughtful, before looking away. "Alright. I won't."
And they fall back into silence.
Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."
He's scampered away before Bruce can question him further.
(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)
At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.
Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.
("Tucker told me once--")
("Tucker?")
("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")
(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)
(They are ecstatic to hear from him.)
It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."
The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."
The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.
When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.
Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.
"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."
When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.
Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.
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Writing Woes
Me: damn this is a great story idea :) I'm really enjoying writing this idea out! The potential character dynamics, psychology, and dichotomy of love vs hate vs indifference are very compelling to me!
Me ten minutes later: ...is this the plot of fucking Death Note
A fairly average man comes into a great power, without a word and without a reason. Surely if this power has come to him, it becomes his duty to use it to better the world, yes? He will not reveal his part in creating that betterment, of course. He needs no thanks for doing the right thing, and people's opinions can be fickle. He is careful.
But still he wonders, why? Why did this power come to him, of all people? Why is someone trying so hard to stop him? If he has the power to change the world for the better, surely it's because he's special. He was chosen for this. Anyone disagreeing with his choices are going against destiny! That faceless man, the nameless one who keeps him cornered, parroting lies in his garbled voice to turn the people against him, he was no better than a demon playing at humanity!
It's pride, that's what it is. They wanted to keep him from bettering the world because it would mean admitting their faults. Can't they see how much better things are getting? They'll all be better if we just... dig out the weeds.
The governments want to stop him, the police, the media, but look at their own actions! Surely they shouldn't judge his actions as terrible. Such hypocrisy in such widespread positions of power, the whole system needed uprooting! This was it. This was his purpose - to weed out the evils of the world and make the world just again.
They could call him a monster, a murderer, they could say he was "playing God"... what did they know? If God existed, He surely didn't care for the world as much as him! God was just as bad as the rest!
But every day, more and more people are understanding my vision. They want to see the world peace I will ensure. Every day they make their pleas for justice, and I hear them. The righteous love me as I love them, and I must reward their devotion.
Still, that one man still stands in the way of my future. Every step I take towards a perfect world, he is only a step behind, dragging me back by the neck. Who is he? The things he says, undermining me, condemning me. And they are listening.
I despise him.
I will weed him out, too.
-----
Hate is not the enemy of love, but its lover. Entwined within each is devotion; the desire to follow another to the ends of the earth, for better or for worse. The enemy of devotion is indifference. When one's thoughts of another stir no emotion, this is the death of love.
Given this, what is hate but an act of worship? The devout destroy themselves from within to follow the path of the self-styled God, with hatred, with fear, with lust, with defeat. But what is God when devotion dies and all that remains are frail facsimiles of love? When it is God's turn to die, it will die pathetic and unknown.
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x. he spun the stars on his fingernails (regular version)
self ship playlist for me n huffie composed of more contemporary music <3 i think this one is maybe the most representative of my s/i story tbh!!
lyrics under cut!!!
the ballad of mona lisa - panic! at the disco
- a lonely speaker in a conversation / her words are swimming through his ears again / there's nothing wrong with just a taste of what you've paid for
she had the world - panic! at the disco
~ she held the world upon a string / but she didn't ever hold me / spun the stars on her fingernails / but it never made her happy / 'cause she couldn't ever have me
remember my name - mitski
- 'cause i need somebody to remember my name / after all that i can do for them is done / i need someone to remember me
when you were young - the killers
- he doesn't look a thing like jesus / but he talks like a gentlemen / like you imagined when you were young
shadow - bearstronaut
- i'm the one you want in the palm of your hand / running down your back at every word's end / you can let me down, put me in my place / although you've had enough, there's still more i can take
i will - mitski
- i will wash your hair at night / and dry it off with care / i will see your body bare / and still i will live here
stay soft - mitski
- it's why i've arrived, your sex god / here to take you where / you need to go / to where the dark remembers you
genghis khan - miike snow
- i know there's no form / and no labels to put on / to this thing we keep / and dip into when we need
animal - neon trees
- here we go again / we're like sick animals, we play pretend / you're just a cannibal and i'm afraid i won't get out alive / no, i won't sleep tonight
casual affair - panic! at the disco
- break involuntary ties / a secret so the spies / could never find us out / stay for as long as you have time / so the mess that we'll become / leaves something to talk about
kiss from a rose - seal
- there used to be a graying tower alone on the sea / you became the light on the dark side of me
pure love - hayley williams
- if i want pure love / must stop acting so tough / (i give a little, you give a little) / (we get a little, sentimental)
far too young to die - panic! at the disco
- well i never really thought that you'd come tonight / while the crown hangs heavy on either side / give me one last kiss while we're far too young to die
resistance - muse
- will they find our hiding place / is this our last embrace / or will the walls start caving in?
fear the future - st. vincent
- when the war start anew / in our bed, in our room / i'll come for you, come for me too
starlight - muse
- far away / this ship is taking me far away / far away from the memories / of the people who care if i live or die
deus in absentia - ghost
- the world is on fire / and you are here to stay and burn with me / a funeral pyre / and we are here to revel forever more
parachute - sean ono lennon
- 'cause if i have to die tonight / i'd rather be with you / cut the parachute before the dive
skyfall - adele
- let the sky fall / when it crumbles / we will stand tall / face it all together
on my own - les misérables olc
- without him / i feel his arms around me / and when i lose my way i close my eyes / and he has found me
trade mistakes - panic! at the disco
- i feel marooned in this body / deserted, my organs can go on without me / you can't fly these wings / you can't sleep in this box with me
haunted by the kiss - talkfine, starkid
- my heart won't stop beating / hoping that this kiss / will never ever become a scar / you're in my soul / you're tormenting me / if you're suffering as much as i am / please, won’t you tell me
maps - yeah yeah yeahs
- made off / don't stray / well, my kind's your kind / i'll stay the same / pack up / don't stray
sweetest goodbye - maroon 5
- where you are seems to be / as far as an eternity / outstretched arms, open hearts / and if it never ends, then when do we start?
high - the cure
- and when i see you happy as a girl / that lives in a world of make-believe / it makes me pull my hair all out / to think i could've let you leave / and when i see you take the same sweet steps / you used to take, i know / i'll keep on holding you in my arms so tight / they'll never let you go (never let you go)
dig - incubus
- we all have a weakness / but some of ours are easy to identify / look me in the eye / and ask for forgiveness / we'll make a pact to never speak that word again / yes, you are my friend
two slow dancers - mitski
- it would be a hundred times easier / if we were young again / but as it is / and it is / we're just two slow dancers, last ones out
in our bedroom after the war - stars
- it's us, yes, we're back again / here to see you through 'til the day's end / and if the night comes and the night will come / well at least the war is over
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