#just two guys doomed by the narrative together

[rainyinautumn]

once upon a time, when I was in the process of calculating death stats, I was chatting with a friend about it and they asked me who the most innocent player in 3rd life was. an interesting question, but first we had to define what "innocence" was.

in the end, we decided that "innocence" was, more or less, "goodness." it was primarily based on whoever had the fewest kills, but to narrow things down further, other factors would be considered. did they ever try to kill people? were they loyal to their allies? did they steal? cheat? grief? who truly didn't deserve what happened to them?

according to that definition, the most innocent player in 3rd life was Jimmy. as you all know, he was also the first one out.

on to last life. Jimmy is out first again, yes, but someone actually narrowly beats him for the Most Innocent Player award.

it's Tango.

and then, in double life, the two of them are soulmates. it's as if the universe took the two players who would not play its game viciously enough, brutally enough, cruelly enough, and doomed them by giving them each other. it cursed them for their innocence because the life series is not meant to be a game of kindness and mercy. it is not a game of making vows with your ally. it is not a game of giving your life away to save others. it is a death match. and so, for their goodness, they will die first. together.

#just two guys doomed by the narrative together #they're a perfect ally match honestly #jimmy has a history of preferring small alliances #and tango is so incredibly loyal and will never ever back out on a promise #and the soulbound is a promise in a way #a promise to keep each other alive #and well. they tried their best. #double life #life series #team rancher #overrainylyzed

[zer0point5ive]

thinking about adam and religion again thinking about [the man begins whispering to himself; childlike, primal] thinking about “god please help me i’ll be a better person i swear”. ohh the damage is critical

#much to think about. so much .. #doomed by the narrative doomed by everyone around him doomed by god even. hmmm #adam saying fuck all that noise but still thinking .. in the back of his head .. that maybe .. #📹 #adam nd lawrence should get freaky w it religious style also #just for fun #surviving the saw 2004 bathroom & committing blasphemy together most Romantic thing two guys could do probably #adam stanheight

[iunpackmyadjectives]

This has been said before, but I just love how wild ninjago shipping culture is

Four guys all living together and fighting crime? Yeah their poly ship is of one the most popular in the fandom

Which one won a “best ship” tournament? The (probably ace) robots of course

You want middle age men in love? We got two that are very popular, take your pick

The various of female side characters that were created almost exclusively to be love interests for the male leads, why not ship them together?

You want the main character shipped with a kid he used to go to school with and has only been in like two episodes? Almost universally considered better than what was almost his canon ship

You like the canon ships? Great for you, we got stuff for that too and we’ve added some much needed depth

Any flavor you want them, whether it be enemies to lovers or doomed by the narrative or canon compliant, it probably exists somewhere

And is shipping not your thing? There are more gen fics than anything else

#god i love this fandom #idk maybe a certain fandom for a certain group of streamers lowered the bar for me but still #The only downside to this is that we’re probably never gonna get a ship on any “most popular ship” list lol #ninjago #ninjago kai #ninjago cole #ninjago jay #ninjago zane #ninjago pixal #ninjago garmadon #ninjago vinny #ninjago dareth #ninjago ronin #ninjago skylor #ninjago lloyd #ninjago brad #ninjago nya #polyninja #pixane #scruffshipping #survivalshipping #amberphoenix #samuraishipping #greenflowershipping #ninjago jaya #ninjago kailor #This post taught me the tag limit lol

[broadwaytheanimatedseries]

Obsessed with the set up and payoff in every hatchetverse show:

TGWDLM hides it in its comedy pretty effectively: "take out the head, and the whole thing goes down!" The key to the main conflict buried in a nonsense monologue by the one note jerk character

Black Friday takes full advantage of their magical psychic child to be cryptic and ominous: "two doors not one" probably being the most obvious example, but a notable one is "Cross" as I think it's not just about Wilbur but also about Lex, who reaches across the threshold into the black and white

(Admittedly, that last bit is probably a strecth)

And NPMD drops all pretenses and leans into the horror of a doomed narrative by telling you exactly what it's about: "it's true! Human sacrifices! Demonic rituals! Sex magic!" All promises fulfilled by the summoning and the subsequent bargain made between Grace and The Lords In Black.

Then there's like, chronologically reversed foreshadowing? Okay so like what I mean by that is like, so you know the Hatchetmen?

Yeah, the angry mob that killed the Waylons and their starry children cultists?

You ever notice how they're never praised? Never honored or spoken of fondly?

Oh sure the town is named after them, but that's probably because they were the only ones around left to name it, and they named it after that time they did that murder together.

But they keep being referred to as hatchet wielding maniacs, even as they are recalled as the ones who put a stop to an evil cult it doesn't change the fact they weren't good people either.

There are no good guys in that story, not really.

And uh, how did Ted put it again, exactly?

"There are no creeps. There are no heroes. There are only people who are alive, and people who are fucking dead!"

Hatchetverse is really fucking good at fulfilling narrative promises, is what I'm saying, I guess.

#dee writes #starkid #hatchetfield #hatchetverse #Hatchettfield trilogy #tgwdlm #black friday #npmd #ted spankoffski #he really became the mvp of this post #call me T'noy Karaxis #the way I be shaking Ted around in his little box

[batsplat]

Chad reed on always the entourages creating the drama. I cannot believe that is what caused rosquez downfall but also given the level of Vale's celebrity and the way he carried himself, I can totally believe that it was the entourage (iPad stand I'm looking at you) that brought the end

(about reed's 2020 quotes in this) yeahhh I mean the downfall was caused by a whole bunch of factors, not just any one thing... like all great tragic narratives, it feels inevitable from a global perspective and yet thoroughly preventable in its specifics, with loads of points where you think, 'oh, if things had just gone a little bit differently'... there's this tension in how, in the end, maybe it would've always gone wrong, but a lot had to come together for it to go wrong in quite such a spectacular fashion

reed's definitely correctly identified one of the factors - the entourages, and valentino's entourage specifically. though fwiw, I did cut off the article before reed predicted the marc/fabio rivalry was headed a similar way (this was from 2020, obviously before the arm injury):

for better or for worse, fabio has skipped the villain arc to head straight to the depressed frenchie arc

regardless of whether this rift would have happened or not, the idea that marc would have gotten a new appreciation for the situation valentino found himself in is at least an interesting one. though if anything, the rivalry with fabio would have more closely paralleled valentino's with the other aliens (new talent coming through, but with the previously dominant rider still a regular winner). now is the time marc's learning what it feels like to come back from a prolonged absence from being competitive at the highest level - and of course with a new superstar simultaneously making his debut

so yeah, anyway, tragedy, you can point to all sorts of strains and pressures and tension inherent to professional sport that were exacerbated by the personalities involved and the influence of the media and the passage of time etc etc. but never mind all that, let's get back to entourages! I know you mention everybody's favourite b-list shakespeare villain, but I'm going to basically mostly ignore him because it's well-trodden ground. yeah, it does help to have one guy who's whispering poison into your ear for a prolonged stretch of time before showing up at your motorhome doorstep with a bunch of telemetry and a dream. and yeah, there were people in valentino's entourage definitely encouraging this path to doom. but what I'm also interested in is the flip side - why nobody stopped him

I would like to submit into evidence this passage detailing the thoughts of vale's mechanic alex briggs. now briggs in this excerpt blames two groups for how things went down in 2015:

the yamaha side (specifically the press group) for not talking him down from the ledge before the presser

the crew chief and other assorted italians on the team for being too "yessy" and not standing up to him

let's briefly (for a given value of the word) focus on the first one. if you're a random yamaha pr person and you see the valentino rossi run to a press conference (given he was late) with a bunch of papers in his hands (well, he's not actually holding the papers in those gifs, but presumably somebody's got them), it's probably a tough ask to expect you to hold up the valentino rossi and ask him what exactly he's intending to do with those papers. also, is he really going to back off because you, random yamaha pr person, have asked him to please not accuse the competition of sabotage? added context is that some at yamaha were aware of what valentino thought about the race at phillip island (which we'll get to in a sec), but god knows if the pr people did. unless he confided in anyone on the yamaha side what the plan was, a lot of them would have been blindsided too - which does come back to the problem of how big a deal valentino is and how maybe you're a little more cautious about questioning what he's about to do with those papers than you would be with somebody else. it does feel like perhaps a bit too much to expect for them to have launched some last-minute intervention, or to even know what kind of intervention they could have gone for beyond low-level comedy hijinks to stop him from even getting to that room. why did nobody from yamaha place a banana skin in his path

but we do know that at least some in yamaha were aware of valentino's great big phillip island sabotage theory, because lin jarvis has very helpfully told us as much (from the post-sepang media scrum):

Q: Do you think it was a mistake for Valentino to [provoke?] Marc so much on Thursday with a very personal and hard attack? Jarvis: There are always many different ways of addressing different problems - Valentino chose to do it in that way. Perhaps that is what provoked Marc into being quite aggressive on the track. I really don't know, you need to ask Marc not me about that. Every action has a consequence. That's life. Q: And did you know before that Valentino was going to be so aggressive with Marc in the press conference? Did you know before? Did you discuss with Valentino about this decision or you didn't know until it happened? Jarvis: Personally, I was not aware of that. I was aware of Valentino's opinion of the race in Australia, but I was not aware... but I was not aware that he would - Q: Don't you think because Valentino at the end of the day is an employee of Yamaha he should discuss before with you about such an important decision, to attack a rider of another factory in such a heavy way [...]? Jarvis: You can't control every incident, everything that happens and you know, generally we have a very good [...] relation, connection with our riders, we talk to them before about things before, but anyway I think this is something Valentino felt strongly about and it was his decision and that's it.

note the use of the word "personally", which does leave the door open to others within yamaha (outside of valentino's inner circle) knowing what was going to happen. jarvis, unsurprisingly, comes down pretty firmly on the side of 'well what were we supposed to do'. given that jarvis admits he knew valentino's theory and is hardly a stranger to valentino's modus operandi - after all, he was already team boss at the time of another tense press conference in sepang eleven years prior that took place in the wake of valentino accusing a competitor of messing with him - you do have to wonder whether yamaha could not have tried a little harder to stop valentino. but again, accounting for the power of valentino's status and the power of his character, I'm personally unconvinced yamaha could've done much to convince valentino to change his mind

so then: the italians. a little bit of context - briggs started working with crew chief jerry burgess in 1994 and both of them were on mick doohan's team for all of his five 500cc titles. when doohan's injuries forced his retirement, valentino inherited his championship-winning team upon moving up to 500cc. jb was vale's very first crew chief in the premier class, and him as well as briggs have been working with vale since december 1999. understandably, this is a very tightly-knit group. it is one that made the jump to yamaha with valentino - here's just a quick excerpt (also from oxley's valentino rossi: all his races) about briggs' thoughts on that move:

When Valentino decided to defect to Yamaha, he was determined to have his crew go with him. Only one stayed at HRC. "We first got to know about the Yamaha deal in Portugal, I think [September 2003]," Briggs continues. "I wanted to stay with JB, because I hadn't finished learning what I wanted to learn. "I remember a clandestine meeting in the car park at Phillip Island, about salaries and how everything was going to work. It was really exciting. When I very first started working with Honda the whole group was very much a team. Towards the end we felt like it started to become a bit us and them: the engineers and management, then the mechanics and the riders. They'd sort of got too big for their boots - they'd designed this wonderful bike, so it was like it had nothing to do with us. That made it easier to leave.

and also about the move to yamaha, from the 2020 barker biography of valentino:

But with his trusted crew chief Jerry Burgess and most of his other team members from the Honda garage agreeing to defect with him, Rossi had the crew he needed, not only to win but also to enjoy his racing. It was a heartening display of loyalty and something of a risk for all involved. ‘When I announced to the mechanics that I was going with Valentino they said, “I’m coming too,”’ Burgess later explained. ‘Some of those guys were leaving very secure jobs and taking a big gamble.’

the group also survived the move to ducati (obviously a deeply frustrating two years not just for the guy riding the bike) and the move back to yamaha. but then, valencia 2013, valentino announced his decision to fire jb in a press conference organised for the pair of them. his 2013 season had been deeply frustrating - yes, he had gotten a podium in his first race beating both marc and dani, but after that generally speaking he couldn't come close to matching the other aliens when healthy. he was comfortably the fourth best rider that year, scrapping and clawing his way through midfield battles and having to rely on misfortunes befalling the three title contenders to achieve his podiums and his sole victory at assen. he was considering retiring at the end of the 2014 season once his current contract expired, but wanted to try everything he could to see whether he could be competitive again against the world's very best. and so, he made the decision to roll the dice and get himself a new crew chief, the italian silvano galbusera

now I have to say, personally I have a lot of time for this decision (even if it was maybe not... uh, enacted in the most graceful of manners, given how sudden it was). I come from a sports background where a certain ruthlessness in personnel decisions is encouraged and generally praised - if something isn't working, you should have the courage to make a change, even if it's deeply uncomfortable (including on an interpersonal level). also, while it was a sudden departure, it's not like burgess was that keen on sticking around much longer (again from the same oxley book):

Valentino ended his collaboration very suddenly at the end of 2013. Burgess was shocked but not too much, because he already knew that he was coming to the end of his own career. "When it ended for me I'd already been doing it 30-odd years and I'd told Valentino a few weeks earlier that I wasn't going to sign any more multi-year contracts. I was 60 by then, so I'd go year by year. I'd already signed a contract for 2014, but I would've thought if we hadn't had any more success by then that there wasn't much point in continuing. I felt we would win more races but I was more doubtful about championships. "I'd read enough sporting biographies to know that sportsmen change their coaches towards the end of their careers. It can give them a spike in results but it doesn't change the overall story. Looking back, Valentino's career went on longer than I expected. He enjoyed some success but no more championships and that's what you race for. Of course he was in the unique position of being able to get a factory bike until he retired. He was very special and deserved everything he got."

which, look. again, personal bias, but to me it's reasonable to part ways with somebody who doesn't think any more titles are plausible, because at that point it's just somebody who has a very different view on your career than you do and may well not stick around for much longer anyway. also, at the end of the day, jb was wrong! valentino came extremely close to winning another title, and just because he didn't, doesn't change the fact he could have. if it had rained on the 8th of november 2015 in valencia, we might be having a very different conversation. (or if they hadn't changed the bloody qualifying format post-2012.) honestly, if the 2016 and to a lesser extent the 2017 season had gone just a little differently - a working bike in mugello here and an unbroken leg there - he could have been a genuine title threat in two more seasons. in any case, what it does show is that valentino even at the end of 2013 was still as determined as ever, was ready to engage in what was a huge gamble (given how almost all his success had come with the highly decorated jb) on the off chance he might find what it took to win again. this will not have been an easy decision for valentino. here's a write-up of the presser at valencia, that stresses how uncomfortable the occasion was, how surprising a decision it was to jb, but how publicly at least there was a lack of recriminations (which, to be fair, wouldn't be much fun to do in a shared presser):

(you'll note that the phrasing in the presser about athletes attempting to extend their carrers by changing things up is echoed in what he says in that book interview where he adds that it doesn't change the overall story, again suggesting he didn't really believe valentino would be competitive. he also uses the same phrasing in ANOTHER interview that confirms as much, but I think you get the point.) valentino said at the time, "it was a very difficult decision for me because I have a great history with jeremy. he is not just my chief mechanic. he is like part of my family. my father in racing". this is somebody he'd been working with since age 21, somebody who is not only revered within the paddock for his work with several of the sport's greats but is also a man who valentino obviously has a close personal connection to. meeting for the first time when vale snuck into the honda pit to check out the bike he might ride next season, hitting it off immediately, countless rowdy dinners together, parties, jb and another older colleague sitting back when food fights started, watching valentino grow up, working with him throughout all his big manufacturer switches, all his successes and all his failures... as much as anything else, it's evidence of how strong vale's desire to win was, how determined he continued to be, to make this choice at this stage of his career. and jb was open to the idea (at least publicly) that it might end up being a smart call:

the 'dirtiest' part of the whole affair is how it was actually carried out - it's not great form to tell your crew chief the day before you end up doing a press conference together to announce your choice. for whatever it's worth, this is how valentino justified the timeline:

and lastly, which I think is the most key part, is valentino's belief. because at the end of the day, the only reason why he's doing any of this, and the only reason why what was to come was possible at all, is that he himself still thought that he could challenge for another title - as much as that belief had come under strain:

now what this piece also goes on to say is that nobody believes this will work. nobody believes that firing jb will lead to better results. people expect that this is going to lead to his retirement, quite possibly at the end of 2014. it's worth just remembering sometimes how extraordinary valentino's return to the top of the game post-2013 really was, how it went against how we expect a rider's competitive lifecycle to work, went far beyond the longevity exhibited by any top rider before or since - all while going up against riders who are widely believed to be some of the best to ever do it. valentino beat jorge in both 2014 and 2016, and remains one of two people to outscore prime marc marquez over the course of a season. not to engage in too much rossi prop here, but sepang 2015 can't really be understood without all the frustration that led up to it, to this one golden chance, this miracle that everybody had believed to be impossible (sometimes even valentino). this wasn't supposed to be happening. it was happening. and then, so so close to the finish line, valentino could feel it slipping, slipping, slipping away

but of course, we still don't know whether changing crew chiefs is the key factor that made him competitive again. maybe he just needed a bit longer to get back into the swing of things post-ducati disaster. maybe the bikes just started to suit him better. hey, maybe it was that nifty exercise regime he'd engaged in a wee spot of espionage for so that he could pinch it off his teammate. what we can say, however, is that valentino's choice both tells us a lot about his mindset, as well as (to finally bring us back to the actual point of this post) representing a massive shift in his 'entourage'. this is what briggs is referring to in his quote - the italians. the new crew chief. the people who couldn't stand up to valentino. now obviously, as mentioned above briggs had worked with jb for the better part of twenty years and can hardly be considered a neutral party. here were briggs' feelings on the matter (yeah it's from the same oxley book again, I got it new for eighteen quid which is a very generous price, would recommend):

When JB was out at the end of 2013 it was like losing my mechanic dad. I remember being in the garage when we found out about it. Then they arranged a kind of farewell, a kind of hodgepodge farewell. It was terrible, I didn't like any of it. I was just hiding behind one of the bikes in the garage, crying, going, what's going on here? It didn't seem right to me. I think maybe Valentino thought he would get faster again sooner, but I think it took at least a year to get the taste of the Ducati out of his mouth. I think if he'd stayed with JB we would've won the championship in 2015.

which. look. we don't have time to unpack all that. but. the point is that obviously briggs wasn't exactly a massive fan of the change within valentino's team, and his comments about the 2015 season do have to be read with that in mind. as to whether vale really would have done better in 2015 with jb at his side, your guess is as good as mine. all that being said, a part of me wonders how much losing that grounding presence enabled valentino's late-2015 spiral. maybe not in terms of talking valentino out of the great big fluctuating lap times treachery theory - to state the obvious, valentino got himself involved in plenty of drama during jb's time as a crew chief. jb himself occasionally helped add fuel to the fire in those feuds, like his infamous comment about how he would be able to fix the ducati's issues in 80 seconds that casey still brings up every three business days (the comments were poorly phrased but also somewhat taken out of context, in that jb was talking about a specific set-up problem). he's generally been pretty happy to be forthright about valentino's rivals, for instance this about casey:

My feeling at the time was that Casey probably only had one game plan, and having watched Casey over the years, he doesn't have a plan B. If it doesn't go his way from the outset, it's probably one of the weaknesses that he had through the youth that he had, through the lack of experience that he had. That's not a criticism of him per se, he was still only 22 at the time.

(this is about laguna seca 2008 and how he helped valentino win that race, including in plotting out vale's rather ruthless tactics - which casey was of course not exactly a fan of.) or these. uh. harsh comments about dani from spring 2010:

Q: Is that atmosphere or track knowledge? Is it like the Spanish finding something extra at the racetracks in Spain? JB: Well, therein we show the weakness, don't we? If you can get up on that weekend, on the technical racetracks of Spain, why can't you get up on the technical racetracks like Australia, where the Italians do? Lorenzo is a guy who will and does. Stoner has been able to get up on tracks all over the world. Unfortunately, Dani Pedrosa's into his 6th year in MotoGP, and he's won 8 races, Jorge Lorenzo's two months into his 3rd and he's won 6. It's night and day between those two, is the way I see it. Dani's an extremely fast rider, but a shockingly poor racer. Q: Were you surprised at Jerez [2010] when Pedrosa fought back when Lorenzo passed him? JB: When did Dani fight back? With two laps to go, and he didn't even get close enough to try to come back. Dani has never been a fighter in races, he's a lovely kid, don't get me wrong, but you can see that Lorenzo, having Pedrosa in front of him, it was never going to be the way he was going to finish that race. He was going to finish on the ground or he was going to finish in front of Pedrosa. That's the sort of race that we want, we had that with Biaggi and Valentino, and from history with Schwantz and Rainey. All the good riders have always had somebody they have had to put the target on the back of. It was Doohan and Gardner, and Doohan won that battle hands down, and I think Jorge Lorenzo's going to win this battle [with Pedrosa] hands down.

kind of a dick! so his attitude to valentino being valentino has generally been a) well having enemies is good, actually, with an added slice of b) good luck to his enemies :) - see also this quote (from the barker biography) in the context of the gibernau rivalry:

And that made Rossi even more dangerous, as Jerry Burgess pointed out: ‘Valentino is the sort of rider I wouldn’t want to get angry. He can take you apart on the track.’

so yes, jb is also perfectly brutal in his own right, as you presumably have to be to work alongside valentino so closely for so long. he is, however, also somebody valentino has a massive amount of respect for, somebody who helped turn him into a legend and is responsible for a lot of vale's success - not least, of course, in the pivotal move to yamaha. he was replaced by a man of a far far lesser stature in the sport, one who presumably would have been grateful to valentino for the biggest job he was ever going to get. if briggs is right and there was a shift in valentino in 2015, surrounded as he was by italians (derogatory) who could not stand up to him, who allowed valentino to insist on war and peace on the pit boards, to focus more and more on things that had nothing to do with riding... it would be going a little too far to say that valentino was missing an adult in the room given he was, in fact, in his thirties and should have been capable of being that adult. and who knows what jb would have said or thought or done about the great big childhood hero deception theory. but sepang 2015 was the culmination of a lot of things, including a pressure cooker of a season that grew more and more tense and put more and more stress on everyone involved - perhaps for none more so than valentino. maybe, just maybe, if he'd had somebody around him with fifteen years of experience in handling him, who could have just occasionally told him to knock it off, to concentrate on the racing, to keep things simple (always jb's defining philosophy), to maybe not get so wrapped up in the great big spanish collusion theory...

or maybe it wouldn't have mattered! maybe we're getting cause and effect all wrong here; maybe valentino was deliberately fashioning his entourage into one that was only going to give him positive feedback. maybe he would have just stopped listening to jb, maybe the very decision to fire jb makes it clear he was no longer interested in what jb had to say. it's a tragedy, after all! maybe it was always going to go like this. maybe it was always going to end like this

speaking of entourages, marc's manager played a bit of a cameo role in fanning the flames just a little further (article from marca, 26/10/2015):

alzamora obviously will be somebody valentino is familiar with, having raced him in 125cc and also having just coexisted in the paddock over the years. valentino could of course be lying, but idk, why would he? he's already made his case by this point, and what if alzamora were to contradict him? if it's true and this conversation did happen, you do have to say it's a spectacularly unhelpful intervention from alzamora. even if marc was mad at valentino, why the hell are you telling valentino this AFTER sepang 2015? what's the plan here buddy

^ 1999 world champions: alzamora in 125cc, vale in 250cc and alex criville in 500cc. people think motogp lore is complicated but if you know like, five guys, you're set for about twenty years of drama

which does get to the heart of the matter - a lot of these people have big egos and their own agendas and they love to run their mouths. they like talking a big game and getting involved in things they really shouldn't be getting involved in. is reed right that these people in the riders' entourages 'created the drama'? well, no, I think the two men at the centre of this particular tragedy were plenty capable of doing that themselves. nevertheless, you can point to how professional sports (and motogp in particular) forces you to rely heavily on a small group of people to keep you sane at the centre of the storm, and the risks that can emerge when that small group collectively unmoors itself from reality. you can point to the perils of fame, both in making your reliance on your inner circle so unnegotiable as well as in providing you with the status and power and ego to ignore anyone who might wish to change your mind. you can point to specific figures in this story who managed to incite the conflict between the two of them, as well as how the pressure cooker competitive environment they were operating within helped set up the ultimate catastrophe. you can point to how valentino lacked anyone with the power to stop him - both in the direct sense of forcing him to reconsider and the indirect sense of commanding his respect enough to make him see sense. maybe, just like in 2004, valentino had simply been "looking for an excuse" and he was always headed down this path. or maybe if somebody had just held him back a little that year, kept him focused on his riding, maybe if the right person had intervened at the right time...

maybe, maybe, maybe. that's why it's a tragedy

#valentino rossi #rosquez #// #4693 #i get the sense he's unpopular on here but EYE will miss lin jarvis. i think he's funny sorry. him and his certifiably insane employees #i loveeee that media scrum love his very dry lil summary of events acting like we're not so so far down the rabbit hole #anon: man fuck that ipad stand #me: lemme tell you a tale about a man called jerry burgess and the daddy issues he inspired in multiple grown men #and yes the fact that valentino unceremoniously dumped his 'paddock father' is. interesting :) i get him ughhh #also on the flip side i am curious what kind of conversations were going on in the marc camp during that sepang weekend #alzamora's two big contributions to the rosquez saga: 1) trying to stop marc from going to the ranch #and 2) telling vale that marc was mad at him for argentina and assen and in doing so helping back up vale's theory #what was he cooking

[damianbugs]

thoughts on bruce x jack drake?

hello anon apologies for the late reply but when i first received this ask i immediately assumed there was a leak in mine and @plutoslvr messages because we were literally talking about it about two seconds beforehand. i could barely sleep that night.

my thoughts are that old man yaoi is so enjoyable when it's just slightly ridiculous and entirely impossible. there are three ideal sections of the brujack ship (enjoyed by population NO ONE, apparently, but with our combined efforts i imagine we can spark this flame):

rivals to lovers

bruce wayne vs wanting to bone people who want him dead

doomed by the narrative

1. rivals to lovers.

bruce and jack competing in the worlds most intense "who is the best average-leaning-towards-okay dad" battle. trying to outperform in casual "okay dad" actions to win "okay dad" points from tim, something that is totally normal and entirely possible (jack is always in the lead and bruce has not yet realised that he will never overtake him).

this one is so fucking funny to me. silly events such as them fighting on who gets to take tim to his school events, comprising on taking turns (for tim's sake, not because they want to) or attending them together (the pta now think bruce wayne and jack drake are in a relationship). jacks like im taking tim to the skate park and bruce is like well i told tim i'd take him to lunch — now it's bruce and jack taking their kid to the park then lunch together and the paparazzi have no idea how to headline this.

i imagine eventually tim can't handle this truly bizarre tension filled dynamic anymore so he cancels last minute and bruce and jack are like, well, we've already booked a table at this super expensive restaurant AND that cool movie afterwards, so we might as well make use of them.

at some point the "i HAVE to one up the other guy to impress my son" becomes "i HAVE to one up the other guy to impress our son AND so he realises how i'm obviously a catch"

i imagine eventually when they form some sort of established relationship ("do not call me your damn boyfriend, bruce, are we fifteen?") the rivalry doesn't really stop, but it's far more fond and well, tim's just glad he doesn't need to set aside two days a week to make sure he spends time with each of them.

2. bruce wayne vs wanting to bone people who want him dead

now we all know bruce's ideal type is someone who is either a) actively a danger to his life or b) was at some point more inclined to being a danger in his life or a secret third thing that is c) would become a danger to his life if pushed slightly in that direction. we've no time to psychoanalyse this but it's hardly a point that needs to be explained after taking a look at his long list of exes.

now, after this, is it truly out of the realm of possibility that after jack drake finds out that bruce wayne is the fucking batman and is to partly blame for tim's dangerous life choices he stomps over to the man's house and threatens to SHOOT HIM, that bruce wants him carnally. my exact words when reading this scene was "rather reservedly, i imagine this level of foolish and almost stupid bravery impressed bruce, regardless if it it was for entirely unselfish reasons on jack's part or if it was genuinely out of care for tim" i then say "i also think this would have moved bruce, emotionally, figuratively, poetically, sexually WOAH"

we all know that canonically when bruce falls in love or becomes even slightly interested in someone, he goes STUPID and impulsive. he's sending jack rare artefacts and really specific gifts and throwing galas with the sole purpose of inviting jack all without even considering that is actually not a normal response to have after someone threatens to kill you. perhaps he doesn't even realise this is something more than just paranoid obsession, and he tries to rationalise it like "i'm only trying to convince him to come with me to the museum so i can work out what kind of person he is in casual date settings and also to kiss him WAIT"

this one is funny if jack is just not interested at all and he's like okay what the fuck what kind of mind games is this guy trying to pull. tim is your mentor trying to tell me something through the purchase of these front seat opera house tickets and tim is like i can't believe this is real life i hope this is all a nightmare this can't be happening to me. bruce is hopelessly infatuated and jack is like don't think i won't file a restraining order against you BATMAN.

or it can get funnier if jack is like I WONT FALL FOR YOUR SEDUCTION TECHNIQUES BATMAN (proceeds to fall for batman's seduction techniques).

bonus alfred is actively praying on jacks downfall (canon) and is experiencing war flashbacks when bruce begins to display lovesick behaviour

3. doomed by the narrative

now as you may have noticed most of these work before the bright red alarm that is JACK DRAKE'S TRAGIC DEATH. his death in and of itself is already so sad, because he was changing, he was better and tim was so close to having everything he wanted, and jack was truly hopeful to be present and good to his son.

if we now throw in the mix of this shortlived romance, wherein canon bruce is already swamped with guilt about janet's death and feels as though he OWES it to tim to save jack as well, it becomes all the more heartbreaking. i would actually change nothing about how it happened in canon. jack still leaves that phone call for tim, tim and bruce still race to get to him, tim still finds his father's dead body and bruce still holds tim away from the corpse.

because the best part about this potential relationship is that it is born from the shared want to look after tim. it's what connects them and what causes any sort of interaction between them. so even at this point, bruce's first priority is tim, because it will always be tim first, but also because that is what jack would have wanted from him.

just another love for bruce to hide in his heart, let it consume and damage him, let it make him colder and harder to approach, another layer on this already unbreakable foundation. it probably causes problems between tim and bruce, for the sake of mourning but not reacting and simply because loss can make people very unkind. bruce's guilt is now more than just what he already feels for somehow failing tim, but also for not being able to save someone he loves, again.

OR jack lives au and bruce is even MORE obsessed and insufferable about it and tim literally has to help his own dad break out of the manor because batman is holding jack hostage (bedrest for almost dying).

or we have our obligatory bruce wayne "I almost lost you, so now im going to push you away for both our sake" arc to which Jack drake probably threatens to shoot bruce again and then they do it silly HAPPY ENDING EVERYONE GO HOME

#me vs making up romance that isn't there but could be but probably not but WHAT IF #i didnt even mention the what if jack moved into the manor to recover post coma #or what if jack and bruce were together during no mans land #or short college romance jack and bruce #IM NORMAL #this is zafs fault tbh #bruce wayne #jack drake #tim drake

[sharpth1ng]

would billy and stu like/play silenthill?

Yeah I think Billy would be more into it than Stu. They're Silent Hill boyfriend x Resident Evil boyfriend to me.

The og Silent Hill games are atmospheric and punishingly difficult in terms of mechanics, like these games (especially the first) are these psych-horror art pieces. The sound design, the narrative, the creature design- all of these things come together to very effectively create a sense of dread in a way that feels similar to some of the movies we know Billy likes. The Exorcist, Silence of the Lambs, and Psycho all have this feeling of doom and uneasiness that builds over the course of the narrative.

I think Stu would like Silent Hill well enough and he would definitely watch Billy play but I don't see him having the patience to really enjoy them the same way. Like I said Stu strikes me as more of a Resident Evil guy to me, it's that faster pace, the campy tone and aesthetic, all stuff I think would appeal to him. I think Billy would prefer the later RE games (7 & 8) a little more but I think he'd still enjoy chilling with Stu while he plays them and also playing with him on the games with local two-player modes.

I wanted to reference these series in Debaser tbh, but they both came out a little later in the 90's than I thought they did so it just didn't work for the time period.

#stuilly #early horror games #silent hill #billy x stu #ask #scream 1996

[badass-queer-couples-battle]

Propaganda:

For Shadowpeach: "ok so, we all know from that one tumblr post that yaoi is two blokes doing fuckall and yuri is when there’s themes and shit? well these two (shadowpeach) have So Much Themes. they were super close friends for years and years (both immortal) before their epic breakup scene (wukong was trapped under a mountain and macaque refused to free him) (he wasn’t entirely in the wrong but that’s another story) (also wukong killed macaque there was that, that did happen) (its complicated)

from the Moment we see these two, all we know about them is that they’re the most divorced ever. as time goes on, we see the complexities in their relationship, and they introduce a lot of the overarching themes and motifs of the show (hero and warrior pairs, peaches being a symbol of their relationship, etc). also they’re both girls to me

tmnt theme song voice toxic codependent yuri!"

"theyre So So gay divorced and have an incredibly complicated and toxic relationship. also according to that one tumblr post yaoi is when theres two blokes doing fuckall and yuri is when theres themes and shit, and these two have So So So many themes and shit. theyve got motifs out the wazoo. peaches are a motif of their relationship and in the very end of the s4 finale wukong hands macaque a half-melted peach flavored (and shaped) popsicle. this is yuri to me"

"They used to be semi-immortal bff's, but then they fell apart and literally one of them died(bc of the other), then he revived, then got semi-consumed by revenge™ and tried to kill each other for a while, but they are cool now and they gave the sweetest little smiles when they finally talked- *fangirls* ok ok, look at it this way: it's a royalty au but it's canon."

"Well, they are toxic doomed yuri vibes, in my.most opinion. But also their designs are pretty gender I think.. mostly wukongs imo. And ik eyelashes aren't inherently feminine but theyre both some of the few(if not only) male characters in the show with visible eyelashes. Also if it counts, out of the relationships that I've seen compared to theirs, most are canonical sapphic relationships from other cartoons (catradora and bubbline notably)"

For Arthur and Linus: "THEY ARE SOO YURI!! OLD MAN YURI!!! LIKE!!! JUST LOOK AT THEM!!! THEYRE SO ADORABLE"

"A warm, loving caretaker of magical children who are orphans falls in love with the fat neurotic caseworker and changes his life for the better."

For Thoschei: "i. why great

They are each other's narrative foils. They are archenemies. They were childhood friends. They might not have been married, but they are divorced. They call themselves best enemies. They are the "i can fix them"/"i can make them worse" duo. They've proposed to each other (to rule/travel across the universe together), but each declined the offer from the other. They've kissed. They've killed each other. They've killed for each other (the first to do so was the Doctor who is the protagonist and the hero, but this fact was revealed in an audio drama, not in the TV show). The universe's too small for both of them. "The cosmos without the Doctor scarcely bears thinking about" is a real quote from one of the episodes from the 1980s. They are war criminals. The Master commits atrocities to attract the Doctor's attention and admits it. They are not able to get rid of each other for good, nor they really want to. One of the showrunners literally spent the BBC's money to make his E2L I Can't Decide fanvid for them and make it a part of an episode.

ii. why guy:

They'd been in male bodies for more than 40 years…

iii. why yuri

…until one of them regenerated into a woman. After some time, the other did so too. Sadly, they haven't interacted in their female bodies on screen, but the fandom makes do with fan content.

in conclusion: this is The guy yuri if i've ever seen one"

#guy yuri round 1 #doctor who #lego monkie kid #the house in the cerulean sea #shadowpeach #thoschei #the doctor #the master #sun wukong #lmk macaque #linus baker #arthur parnassus #thitcs #tj klune #lmk #guy yuri poll #(this poll reminded me I've had THITCS on my to read list for months) #(need to get into it found family is my jam(

[ravenpureforever]

random question time! which wwx's relationship do you like the most and why? It could be platonic or romantic, all canons allowed

Thank you for the ask! Oh boy this question is hard, because I like I appreciate so many of his relationships for different reasons that picking just one feels kinda cruel 

I think the biggest tie for me is between JC and LWJ for WWX. 

Wangxian is the rare ship where I genuinely can only see them romantically with each other, like I’m multishipper, I’ll ship literally anything if you have an interesting concept, pretty words or beautiful art, like grab my attention I am yours, except these two, they live in my head rent free and they can only be together because like maybe you lost everything, maybe you can never go back to that blissful youth you once had, but that doesn’t mean you can’t build a new life for yourself and find happiness and all the grief and tragedy does not define you but you still want to help people and you will help people and maybe it isn’t the life you thought you wanted when you were fifteen but it is a wonderful one and you love and you are loved and you are happy and that is enough. Maybe you suffered, maybe you were cruel, maybe the world misread who you are and assigned you a role you did not ask for, but maybe that doesn’t matter because you know who you are, you are still kind, and you have someone who knows and understands you and trusts who you are. You are both also kind of insufferable in your love and get to be annoying too. 

But JC & WWX are my ultimate tragic doomed platonic relationship, my neurotic little freaks who can’t be normal about each other and have zero boundaries, bickering idiots, wanting to go back to your youth except you’ll never be 15 again and you the person who knew the most intimate parts of yourself is now a stranger except you still see the glimmers of the person they used to be, the most brutal variation of you’ll never recover from that kind of devotion, the ultimate capturing  lost youth and having to go down different paths and really depicting what growing up is like sometimes, the viciousness where I am able to hurt you unlike anyone else (regardless if I want to or not), the abusive household codependency of survival, literally carrying a piece of your soul in my chest and making the ultimate sacrifice you never asked for because I couldn’t bare to risk losing you, the hollowness is a symbol of my devotion and the fullness is an omen of our splintering, there is one brain cell being shared like a game of tennis, my pathetic meow meow and beloved blorbo, I genuinely can’t be normal about them. 

I think if I really have to pick between them though, I’ll have to say JC & WWX just by virtue of I don’t like Wangxian fics that mischaracterize or villainize JC, like if he’s featured and isn’t a well-written character (Shanastorytellers' and loosingletters’ fics my absolute beloveds), it really takes me out of the narrative. His depiction and relationship with WWX has a lot of impact on my Wangxian enjoyment, and even in canon my beloved Wangxian gets to develop because of all the Ls this poor guy takes, so congrats JC, you win here! It’s by a literal hair, but JC & WWX platonic relationship, get these boys a reconciliation so they can drink in Lotus Pier and gossip about their kids and people they think are stupid, WWX it will enrich your marriage so much I promise. It’s what *I* deserve.

#mdzs #the untamed #rom-com asks #wangxian #jiang cheng #wei wuxian #lan wangji #cql

[polysyndetonaddictsupportgroup]

hii 📓

Okay so the thing is that I wanted a “the Zenin raised Megumi instead of Gojo” fic but the thing is that I’m absolutely convinced that if the Zenin were the ones that took Megumi they wouldn’t actually take tsumiki too. The fandom consensus I’ve personally seen has been that she would have been taken and mistreated by zenin for being a female non sorcerer but I personally think they would have just straight up left her behind.

They only bought Megumi. They keep non sorcerers and women as servants in their compound but all of them are Zenin themselves. Tsumiki isn’t related and I couldn’t really see any reason why they’d want her. Which turned this into a fic where Tsumiki loses her brother, but she’s trying to find him again, she swears. I think of it as my “siblings doomed by the narrative desperately try to write a new one where they can be together” fic.

The thing is that Tsumikis mom was one of those people who thought love and consumption were synonymous. She had a habit of getting caught up with assholes and just… having both of them chew on each other for a while until it turns into this horrible fucking bloodbath.

Tojis just another loser her mom got caught up in, but he’s Tsumiki’s favorite out of all the losers, because he gave her her brother. Her mom marries this random guy she barley knows and Tsumikis pretty sure she does it so they can both ditch their kids twice as much, secure in the knowledge that there’s supposedly another person checking in. It works out great for them, because they both stop coming entirely. It’s fine, because Tsumiki has Megumi and Megumi has Tsumiki and they don’t need anything else.

It’s one of those things where they were in really unhealthy circumstances and it made their relationship a little bit unhealthy but not necessarily bad. They both had to grow up way too fast and deal with way too much too soon and become codependent on each other because they are, in the most literal way possible, dependent on one another. Neither of them know how to love in a way that doesn’t involve sacrificing themselves for their sibling, mostly because they don’t have a way that doesn’t involve that.

They’re in a sinking ship and tsumiki knows it. Their parents aren’t coming back. The money is going to run out sooner or later. Their problems are stacking up.

Megumi has confessed to her that he sees things that no one else does. When she asks him how he knows no one else sees them, he explains that they’d say something if they did and won’t say anything else. And she doesn’t know what to believe but she refuses to call him crazy. He tells her that monsters cling to her back and he fights them off for her. She patches up his bruises and cuts and tells him he’s brave and tries to figure out if she’s just imagining that her back feels lighter after. He tells her that there are dogs that only he can see that have started following him around, and she tells him she believes him and can never remember, later, if she meant it or was just saying it.

The last time Toji came by, he left them more money than tsumikis ever seen in her life, took them to ice cream, told them that he was sorry he was so shit at this and that the money was Megumi’s share in a payment. It was for something he was going to help daddy with later. Tsumiki and him were to use it to take care of themselves and be healthy, because Megumi couldn’t help him later if he wasn’t. And tsumiki was always afraid of what he meant by that, but in the end, she let it slip her mind. After all, Toji hadn’t been by in ages. He probably wouldn’t come by at all.

And he didn’t. But others did. Two men she’s never met before are waiting outside their building one day, and when they see Megumi, they laugh. But the thing that Tsumiki can never get out of her mind later is that she swears they weren’t looking at Megumi directly. They were looking at his dogs.

Tsumiki basically tries to get Megumi and powerwalk past them, but they’re a lot bigger and a lot stronger and there’s nothing she can do, really. They have a brief conversation about whether they should take her too, before one decides that Toji only sold him his kid and to leave the other behind. This makes both of them try to run, but there’s nothing either of them can do to overpower the men, and the men say that “Naobito would go ballistic if they left the ten shadows behind” so they take Megumi and leave her.

They put Megumi in a car and shove Tsumiki to the curb outside of it, and she tried to hold onto his hand, she swears. She grabbed at the car door even when the car started moving, and she banged on the windows, and she watched as Megumi kicked and punched and screamed inside, until one of them hit him and he went still. She ends up falling and hitting her head when the car picks up speed, and when she wakes up again, the cars gone and she has no idea where it went.

And it becomes a foundational moment for who she is. I think she was just intensely lonely before Megumi and poured a lot of herself into this idea of a family together. Tsumikis never able to shake the moment of her being outside the car and Megumi being on the inside, and not being able to get into him. She can never again get what she felt in that moment out of her head.

She goes to the police and tells them that it’s her little brother, his dad sold him but she wants him back, and they’re like “…”. The issue is that apparently her mom can pick up the damn phone if the police call and she shows up, spins some lie about how her and the stepdad split up and he took the kid with him, they never adopted each others kids so it was within his rights, Tsumiki was taking the separation hard and acting out. She lies, basically, because toji hadn’t kept up his end of the deal and dropped in to check in (neither had she) and his kid wasn’t her responsibility, he could do what he wanted with him. She doesn’t want the police poking around the way she lives. Just let the kid go because he’s probably dead and not her real brother anyway.

Tsumiki refuses to give up on him. They were both kids who no one cared about but they cared about each other and that had to be enough. But she’s seven with no support and zero idea on how to find him. She starts skipping school to look for him in random streets, puts up flyers, can’t go outside without looking for him. She gets held back a year in school because of how much she skips and she can’t bring herself to care. She buys him gifts on every birthday and writes him letters she can’t post because she’s going to find her brother and she’s going to prove to him that she never once stopped looking for him. She just. She needs him to know that she never stopped looking for him. She needs to find him and be able to honestly tell him she never stopped trying.

One day her mom comes back in clothes she can’t afford and comes with movers they shouldn’t be able to afford and announces a move they definitely can’t afford. Tsumikis absolutely opposed to going because if her brother comes to look for her, she needs to be in their old apartment so he can find her. She doesn’t have much of a choice in the matter. They have mysterious new benefactors who are setting up a trust to take care of tsumiki with a very generous stipend for her mom but they have to move to Sendai as a stipulation of getting the money.

It’s not until the attorney who’s managing her trust hands her a set of glittery blue butterfly hairpins that tsumiki realizes her mom sold her brother a second time.

The thing is that tsumiki had this one cheap set of butterfly hairpins she’d always stopped to look at in the store when she took Megumi to go grocery shopping. Shed never buy them, because they couldn’t afford it, but it was the thing she wanted most openly in front of him. She was always secretly really insecure about her hair, because they were the kind of poor where bar soap was a luxury they could only sometimes afford and kids at school made fun of how her hair was dirty and frayed. Megumi was the only one who ever saw how badly she wanted those stupid hair clips. If they had to give her a set of butterfly hair clips, it’s because he demanded that they did.

It’s basically implied that the Zenin are the ones paying for her care and upkeep due to an unspecified deal they cut with Megumi, but when they approached her mom with it, they added the caveat that Tsumiki had to be moved to a new city entirely and there could be no forwarding address left anywhere.

The zenins stance on tsumiki is, effectively, that she’s a weakness Megumi needs to be weaned off of. They honestly assumed he’d just like, forget she ever existed and he. Did not do that. He actually pitched a total bitch fit. Tried to scale the compound walls. Bit multiple people including the clan leader. But he’s got the ten shadows, he’s heir to the clan, and he can’t be caught up on some random non sorcerer who isn’t even a Zenin. They end up agreeing to pay for her to live very comfortably if he starts cooperating more but they want to make sure that he can’t ever find her again if he does ever succeed in running away.

Tsumiki is at once full of hope and hopeless, because on one hand, the butterfly clips prove that Megumi still loves her and remembers her, at least in her mind. But at the same time, she’s being moved to Sendai and doesn’t know how they’ll ever find each other again. She doesn’t honestly know if they’d recognize each other if they saw each other again. She wears the butterfly clips every day, even when she gets too old for the style, because she’s more confident about her brother recognizing them than her.

The thing about tsumiki is that she doesn’t understand hate. She just doesn’t. Her mom and toji always got caught up in these perceived slights and revenge and never once let go of the past. They’d destroy themselves if it meant taking down the people they hated with them. She never wanted that. She wanted to live with the people she loved and she’d happily turn around and forget everything, all the pain, all the searching, if it just meant she could go back to being megumis sister.

This isn’t about hate. This is about that moment outside the car, where her brother was inside and she couldn’t get in to him. This is about how helpless and small she felt when they shoved her to the curb and ripped megumis hand out of hers. She needs to make sure that when she finds Megumi, she can take him home again. So she decides she needs to learn how to fight.

Itadori Yuuji has the constitution of an ox and the strength to match it, and he is known for getting in fights with bullies and trouncing them so thoroughly that it’s never a question of who wins when the fight starts. He’s insanely physically capable and can hold his own in a fight with ease. He’s also nice and kind and Tsumiki’s comfortable enough asking him to teach her how to throw a punch or two.

She is bad at it.

So fucking bad at it.

But she never gives up, and Itadori is nice enough to keep teaching her despite how embarrassingly horrible she is at it all. He always asks her why she wants to learn so bad, she doesn’t seem to like it all, and she never answers his question honestly.

In their last year of middle school, their class has a trip to Kyoto. She, Itadori, and the rest of their group walk into some random restaurant in the city and have barely sat down when someone comes inside, starts searching every booth in the restaurant while shouting Tsumikis name.

And oh. They could recognize each other after all.

She looked for Megumi in every crowd she was ever in, but she didn’t consider that he was doing the same. Or that he would see her first.

Her brother grew up without her seeing it. Hes older, dressed in strange, expensive clothes, has a slightly bruised up face and split lip, but his eyes are the same, and he looks like the brother she remembered.

But a lot more nervous than Megumi ever was. He was a tiny, stoic child who didn’t take any shit and never showed fear, even when there were monsters that only he could see. But he’s nervous when he tells her that she probably doesn’t recognize him or remember him, but when she was a lot younger, he—

Megumi. He’s her little brother. Of course she remembers him. She’s been looking for him everywhere.

Megumi didn’t smile much as a child, but he smiles at her then. He tells her he doesn’t have a lot of time and she tells him that they can leave out the back, and he never let her hold his hand as a child but he takes her hand so easily in that second. And just for a second, she’s his sister again, and it’s everything she wanted.

They never make it out the back.

Two men come in. Megumi calls one of them uncle, and he goes stiff and flat the second he sees him. His uncle apologizes for his nephew, tells everyone that he always makes scenes when they’re out in public, tells him to apologize to the nice people and leave. Megumi was mistaken.

Tsumiki tríes to keep ahold of his hand. Really, she does. She tries to tell people to call the police. But megumis “uncle” steps towards her and Megumi slams him into a table, and then suddenly Megumi’s the one insisting that they leave immediately. They can go. It’s fine. They’re leaving. She loses ahold of his hand.

She tries to follow, but the other man restrains her. She learns that she’s better at slamming plates into peoples heads than she is at punching, and at this point itadoris Friend In Danger Override has been triggered and he fucking tackles the dude, which gives tsumiki the clearing that she needs to chase outside after her brother. She gets out just in time to see him be pushed into a car, and she’s had years to think about the last time this happened and figure out what to do differently. She throws herself in front of the car and refuses to move.

See her entire stance is that she’ll sooner get run over and killed in the street than let them do this a second time, but she also can see Megumi trying to fucking punch the drivers head in from behind because he’s about to hit his sister. His uncles trying to restrain him, and just for a second, she sees his hands make the shape of the shadow puppets he used to show her as children. Something invisible slams her out of the way just as his uncle knocks him out.

She picks up a rock and tries to smash in the fucking window with it, and itadori has to pull her out of the way to keep her from getting her feet run over when the car finally tears out of the parking lot. She goes ballistic on him for stopping her because her brother was right there and she lost him again and she didn’t even get the license plate. He was right there.

The police basically do jack all again. There’s no license plate, no names they can follow up on, and they’re still half convinced this is a settled custody issue even though tsumiki insists her brother was sold by his dad and is very plainly getting hurt wherever he is. Itadori is now a devoted advocate of finding tsumikis brother and reuniting them, and both basically kind of end up becoming really close to the other? He’s taking care of himself and his grandpa alone, she’s alone while her moms awol again, and they both become the others support system.

At one point, there’s this random girl and boy who doesn’t speak who shows up to their school for indeterminate reasons. The girl is bored and twirling her glasses in one hand while the person in a suit that they’re with asks the principal questions, and when tsumikis eyes catch at the right angle, she sees an invisible monster clinging to a classmates back through them. She realizes it’s exactly what Megumi always talked about and still remembers that the people who took him could see his dogs. She corners the two others in a room and tries to demand information about the invisible monsters or see if they know her brother or the people who took him, and immediately gets blown off. The fight escalates until the girl tells him that actually, yeah. She knows tsumikis brother. He is a very special person to some very powerful people, and the only way she can ever help him is to tell him that she’s let go of him and that he needs to do the same to her. That’s the only message that the people who have him would ever let get through, and his life would get a lot better as soon as he got it.

The people who have him would give him anything in the world, except for her. He could be a lot happier and healthier than he is right now if he just agreed to stop trying to find tsumiki. If she really wants to help her brother, then she needs to let him go.

Tsumiki nails her in the back of the head with a milk carton when she tries to walk away. It sloshes out on her. Tsumiki did not intend this. She cannot admit that fact. There are some actions you just have to own when you do them. She tells the girl that he’s her brother and she’s never letting go of him. She’s going to find him. They can’t keep him from her forever. She doesn’t care how long it takes her.

For a second, tsumiki really thinks this girl is going to kick her ass, but she doesn’t. She wishes her luck and tells her she’ll need it, and it’s only later that tsumiki realizes she slipped the eyeglasses into her pocket.

And as it turns out, her brothers monsters were real all along.

There was a knife that toji left in the frame of his bed. Tsumiki confiscated it from Megumi as soon as he found it, and it was odd and strange and gave her bad feelings when she held it, and it can kill the things that gather on her back. When she follows Itadori to their local high school and joins the occult club in an attempt to find more people involved in this world of invisible monsters, she wears the eyeglasses and keeps the knife hidden in her bag.

It comes in handy when her senpais are trying to open this thing and suddenly there’s like a fucking portal opening and Actually Let’s Not Oh Too Late Let’s Run Let’s Fucking Run.

They run.

Meanwhile at the hospital Megumi found out in very quick succession that his sister has fucking sukunas finger and also that there’s a very over enthusiastic himbo who is the self appointed vice president of the Find Fushiguro Megumi And Bring Him Home Club who absolutely fucking refuses to leave his side. Sorry who are you. Why are you so enthusiastic about finding him. Megumi sort of was the one doing the finding there was a whole tracking situation and him waiting dramatically in the shadows like they just did it.

Anyway they run very very quickly to tsumikis school where she is dodging she is serpentining this is a fuckton of monsters oh holy fuck is that her brother?

The fight goes bad.

Tsumiki manages to follow itadori and her brother out at a much slower pace because she’s not a freak of nature like itadori and shows up just in time to see her brother shouting at itadori to not eat the fucking finger while itadori is absolutely trying to eat the fucking finger.

She chucks her shoe at him. The finger goes flying.

Then the monster eats it instead.

Tsumiki: :o

Yuuji: :o

Megumi: fuck

Now there’s a bigger monster and the fight goes even worse. There’s a lot of shouting. Itadori ends up with her knife. Then he ends up getting eaten and they’re down both a knife and itadori, who’s probably fucking dead. Then megumis insisting she run and she’s insisting he shut the fuck up because it’s sort of taken a decade to get this close to him again and she’s not fumbling the bag now because of a monster on the rampage. Have a sense of fucking priorities here.

Then itadori bursts out of the monsters stomach with the knife like the fucking Kool Aid Man and the fight is suddenly very over. Good job, team.

Gojo rolls up to his most stoic and eternally pissed off student having a dramatic and emotional reunion with his sister.

Yuuji, in a very bad whisper: no no so like she’s been looking for him for years but he saw her in the restaurant

Gojo: :o go on

Yuuji: and then he got caught by like, I don’t know, he said he was his uncle or something but the dude acted so weird and creepy and they put him in a car and Tsumiki tried to stop the car but they got away

Gojo: *gasp* what no

Yuuji: I know! Anyway then I start helping her look for him but we can’t find him anywhere until I’m at the hospital and he just walks up to me right?? And I’m like “dude I have been looking everywhere for you” and he’s like “I have no idea who you are, I’m here about that fucked up demon finger” and I’m like—

Megumi, really trying to have a moment here: we can both hear you

And megumis like “this is uh. My new teacher. I guess. I am his only student. And he is uh. Enthusiastic. Do not linger in conversation with him.”

Tsumiki is lingering. She needs fucking intel so he can’t disappear again. Where does he go to school and can she transfer there. It’s fucking wizard school? Will they take her even though she’s not a wizard? She cannot emphasize enough that she will study any fucking subject they want so that way she can be close with her brother again she does not care if it’s applicable to her education or life. She can throw things at people itadori tell the man tell him how enthusiastically she will throw things at monsters for their weird fucking wizard school.

Itadori: she hit me in the face with her shoe like five minutes ago

Tsumiki: see???

Megumi keeps trying to forbid her from wizard school but she’s technically the older sister so she has override rights. She will go to wizard school. How does she get wizard school to accept her.

And Gojos just really weird and off and keeps looking at Megumi and saying that he “didn’t know he had a sister.”

He really didn’t know that Megumi had a sister he wanted to stay with.

And then suddenly it’s like a switch is flipped and he’s back to his normal self telling them to leave everything to him, because he’ll make sure tsumiki can come back with them. And uh? Itadori? Weirdly physically capable kid who will apparently eat anything? Is he going to be good getting home after all this?

Itadori: actually if it’s not too much trouble can I go to wizard school too my grandpa sort of died half an hour ago and I don’t have plans for the rest of my life. Tsumikis kind of my best friend and I’d like to make sure she’s all good at wizard school. I’m a really good fighter and I stabbed the last monster so like can I come too because you know. Dead grandpa. No family or future to speak of. Haha.

Gojo:

Megumi:

Tsumiki, softly: dude

There’s more after they make it to jujutsu high but this is already really long so we leave it here

#ask games #jjk #jujutsu kaisen #continuing my streak of becoming obsessed with minor background characters #other highlights include itadori trying to platonically wingman for tsumiki with her brother (because it’s been like a decade and she knows #nothing about him and he knows nothing about her and she’s terrified he won’t like her once they get to know each other again) so that way #itadori can be the one asking the get to know you questions and tsumiki doesn’t have to admit out loud that she and her brother know nothing #about each other only the inherent problem is that her brother is actually unfairly pretty and has a sort of dry wit and is reserved but #when you get to know him he’s such a genuine dude and oh fuck oh no he’s in trouble this is his best friends long lost brother he has to be #violating some kind of code here. Kugisaki stop laughing at him this is a crisis. #gojo basically backed out of teenage fatherhood when he saw Megumi walking around with the divine dogs because it’s one thing to butt heads #with a major clan over an outcast member it’s another to do it for their most sacred technique #he thought that Megumi would be better taken care of than anyone else in the clan as the person with the ten shadows and that he’d probably #be better off than with an emotionally broken seventeen year old who works at least 28 days a month and has no idea how to raise a child #he never realized that Megumi had a sister he wanted to stay with who the Zenin separated him from #he tells himself he would have intervened if he had known because he’s been secretly worried and guilty about not taking in Megumi after all #since Maki showed up and said some worrying things about the clan heir and his standard of living and got the confirmation when he met #tsumiki and realized that he could have kept them together all those years ago and didnt. megumi and tsumiki kind of haunt him with lost #potential because not only could they have grown up a family but they could have grown up his family. megumi doesn’t know why satoru gojo #of all people is being so weirdly helpful and intense about about sponsoring tsumiki and keeping her close to him

[victimsofyaoipoll]

Round 1

Propaganda Under Cut

Han Sooyoung

han sooyoung is one of the main trio protagonists yet people constantly ignore her in order to ship the other two males despite the fact that they are all doomed by the narrative TOGETHER!!! fanon content is even worse because it either slaps a lesbian sticker onto her to shittily write her off in fanfic OR they make her so one dimensional its like a cardboard stand in. han sooyoung arguably has a more important/interesting dynamic with the main male protagonist yet everyone ignores her because they want their uwu gay babies IM SO SICK OF ORV FANS

Dokja and Joonghyuk are a very popular ship (rightfully so, i get it) but usually Sooyoung is seen as in the way of their relationship or not as valued as the other two even though her place in the story and relationship with the other characters is just as strong. Recently there was a post on twitter being rude about people who ship her and Joonghyuk (which is a super valid ship) and i saw a lot of hate that i believe just stems from her getting “in the way” of a yaoi ship. 

99% of that kind of symbolic fanart REFUSES. to acknowledge her existence man. even though she is part of the main TRIO man

Shinoa Hiiragi

The fandom hated her for getting in the way of Mika/Yuu (she had a crush on yuu). The rare times they didn’t hate her they made her into a fujoshi obsessed with shipping them which isn’t in character at all. In fact if you look at the owari no seraph specials she would ship yuu with kimizuki but no one even cares

One of my favorite characters ever forever and treated heinously by crazed fujoshis that hallucinated she was getting in the way of MikaYuu, which for the record she wasn’t! I mean even if she WAS getting between them it wouldn’t justify the crazy misogyny that got thrown at her but she had a ONE-SIDED CRUSH on Yuu. He didn’t even like her back. What was the issue, then? An unrequited crush is not going to prevent a relationship! Whatever I haven’t even told you about her. She’s Silly. She’s incredibly cunning and a great leader, in fact she is the leader of the anime’s main squad. She’s calculating. She’s a gossip and a prankster and a bit flirty and a bit mean-spirited and she presents herself in a Silly Goofy way, in part to cover up the amounts of angst in her backstory, like my girl has ISSUES. She even has an epic demon weapon that is better and cooler than most other demon weapons but if you ask any fangirl from way-back-when, she’s just a bitch and the personification of evil. and probably homophobic too, even though she has a girl rival-turned-friend which is the gayest trope out there. 

She seems to be the (male) protagonist's love interest and appears to be canonically in love with him, but he is not interested in her whatsoever, often brushing her off and dismissing her in favor of thinking about his found family instead. I don't necessarily ship him romantically with any other male character (i hc him as aroace) but by god the anime was extremely charged with homoromantic subtext in every corner. One of those "holding each other's faces in the opening, spends the entire first season pining and wishing to be reunited" types. The fandom ships her love interest with another male character to the extent that I started watching the show in the first place because i kept seeing ship posts of the main character with that other guy thought they were cute. And also i cannot fucking stand her personality and want to light her on fire. I think the rest of the fandom agrees with me but I'm honestly not sure. I'm also a gay man so i think you could argue that I, the submitter, could play the role of the "yaoi" terrorising her as well

#poll #han sooyoung #omniscent reader #orv #shinoa hiiragi #seraph of the end #owari no seraph #round 1

[cryptocism]

i know you've said before that you had a lot of missed opportunities with moments between three and four in the past, (mainly to keep the story moving through six's perspective,) and i'm just curious if you have any specific instances in your brain that you'd like to share? i wouldn't blame you if you didn't but i love these guys and i thought i might as well ask !!

oh yeah there was a handful of scenes i had outlined. originally my idea was to have short flashbacks from Three's POV at the beginning of each chapter, basically functioning as a simultaneous vehicle for empathy and to flesh out his backstory. A lot of it was going to be retellings of canon Inertia Moments from Three's perspective, sort of like "missing scenes" in canon.

a lot of those discrete moments i ended up reusing and combining into the scene that Six witnesses, but originally they took place over a handful of instances.

one of those "missing scenes" bits was going to be referencing F:FMA #7 where Four brings CRAYDL some CD's from the past:

basically taking place in the gutter between those last two panels. lots of drama and unspoken tension: four's much more positive relationship with CRAYDL, the fact that CRAYDL calls Four "Thad", and lil sprinkle of foreshadowing for the CD's and other "artifacts" from the past that are clearly ferried to the kids in the basement without Three or Four's knowledge.

throughout the flashbacks would be a narrative thread where Three is holding tight to some hypothetical future where Four lets his guard down and Three can kill him and take his place. Then gradually the existential doom of the situation seeps in through the cracks of Three's psyche while he watches Four (failing, despised by hero and villain alike) and realizes that existing as Inertia is just a shadow of a real life, and that taking Four's place would doom him the exact same way. plus the bonus drama of wanting Four around even when he's terrified Four is going to come back, connecting neatly with the way he keeps Four's corpse in the future because he needs the reminder that Four is dead but can't stand the thought of letting him go.

anyway it all ended up staying in the outline phase because at that point i was more committed to Six unwillingly bearing witness to the past in a bid to avoid his doomed future bc it felt like it got more mileage story/character-wise. as much as i love Three and Four's insanely toxic dynamic, i think if i wrote out their scenes as originally outlined the tone would really blend together as one long bummer.

however i did really like this one line that went something like: "Being without powers was a helplessness that caught in Three's throat like a fish hook." so rip to that one ill have to find a way to repurpose it in something else.

#asks #anonymous #basically i decided that Three's motives or a window into his psyche is more interesting in its absence #in the first and only section of the story actually from Three's perspective he makes the conscious choice #to cut himself off emotionally and psychologically from CRAYDL as much as possible #so plot-wise the reader is as much in the dark about Three as Bart and Thad are #because Three has functionally cut himself off from the narrative as well

[menelaus-blue]

i had a very important realization while i was out walking today. out of the main four vnc characters, noé is the one we know the least about. he fits into a category of what i would call the glass protagonist–a guy who basically exists only to narrate the story, joining the ranks of those like nick carraway and richard papen, except he's just like way more mysterious.

see, part of what makes a narrator like nick work narratively is that we know just enough about him to 1) understand his perspective on the events of the story and 2) know what his role in the story is. nick is able to give his insider/outsider view of gatsby because he is neither part of the buchanans' world nor part of gatsby's, and his role in the story is to serve as a kind of mediator between the two of them. he's daisy's cousin in long island, but he's also a working man in city, etc, etc.

the funky thing about noé is we just...don't know anything about him. we're told a couple of things about his childhood; that he was adopted by an old couple in the human world, that they died and he was somehow on sale in altus, and that the comte took him in. but really, the time before and after louis's death is uncannily empty for the guy who we're following through this world. yes, of course it's fair to say that we know the most important things about noé, but we honestly know way more of vanitas's childhood than his, and that's a big part of the central mystery of the story.

(there's an element to this, of course, that comes from both of the examples i gave before, the great gatsby and the secret history, being novels. as readers, we get an extra level of introspection from nick and richard that is very difficult to translate directly into manga as a medium. however, i would argue that it's not impossible, and all that being said it does sometimes feel intentional on mochijun's part just how little of noé's background she's shown us.)

both nick and richard narrate their respective stories onto the reader from their position as outsiders, which we know is noé's role in vnc from the get-go. i mean, he says this explicitly in chapter one: "this is the tale of how i met vanitas, and how we walked together, of all we gained and lost, and of how, at the end of that journey, i would kill him with my own two hands". he's the narrator and this is his story, just like nick and richard, right?

but while nick and richard are the narrators, and give us, the readers, an excuse to look into their worlds, they are not exactly essential players on the board. both the great gatsby and the secret history give the impression that, without their narrators, they would have continued nearly exactly as written; the characters were doomed to fail long before the story began, and the intervention of some white guy isn't enough to either stop that. and yes, vanitas is doomed as well, but we are introduced to his death as an event that is intrinsically tied to noé himself.

"with my own two hands", noé says. he is not only an actor in the saga leading up to vanitas's demise, he is a starring player in it. (and yes, we ofc later learn that vanitas is going to die with or without noé's intervention but i think it's important to understand that this is our introduction to noé, vanitas, and the story itself) in this way, noé differentiates himself from his glass counterparts, in that he inserts himself irrevocably into the plot. he is both a character in the story and an observer, a chess piece and the one playing the game. this is why the gaps in his backstory feel so jarring, at least to me, because we are not meant to view him as solely a window into the world of vnc, but as a character all on his own.

anyways, all that being said, i'm hoping with the introduction of lady archiviste we're finally going to learn more about noé and his time with the comte, just because it's like a HUGE gap in the story.

#i think it goes without saying that domi's line about noé being a hermit for the past several years really stuck with me bc like. what. #she just dropped that line and then it was never mentioned again #noé also says in chapter one that he was sent to paris by his “former teacher” #like what does that mean. has he just not seen the comte in several years? has he been living somewhere else? what happened between them? #sometimes i think that maybe noé himself doesn't remember everything but ig we'll see #noé archiviste #vanitas #vnc #vanitas no carte #the case study of vanitas #the great gatsby #nick carraway #the secret history #richard papen #sorry if this got a little rambly by the end ahhhh

[schafpudel]

Epidemiology of the Raven's Blood

Part 0: Prologue

Realistically, the blood does things because it's convenient to the plot of the anime, and no deeper thought needs to be put in than that. However, while it does explain inconsistencies in its writing, it's boring and not fun to my pattern-seeking brain. I like to piece together coherent internal logic to stuff in fiction, even if I know the authors themselves didn't think that hard about it. It's fun to me!

At the same time, Princess Tutu's meta-fictional conceit does give us some wiggle room to borrow the Doylist understanding and smuggle it back into a Watsonian explanation. So...

In-universe, I think, the purpose of the Raven’s Blood can be understood as a plot device to easily convert a separate “character” and their body into a narrative extension of the Raven; that this is why Drosselmeyer would write it into the logic of his story. Bored of a character you introduced previously and want to heighten the stakes? They're a toadie of the Raven now. And when we go a level down in fictionality...

To the Raven, other living things exist to be exploited. The only use you can have, beyond being a meal, is being a pawn who can get it what it wants – and what it wants is to consume. Like some ancient castle-bound vampire or wicked dragon, its power and intelligence are ultimately in service of a simple predatory desire. If you are neither edible nor manipulable, you are simply a nuisance.

Diseases and parasites will manipulate pain and pleasure, fear and love, the body and the brain. But while a real disease or parasite’s goal in psychological and physiological manipulation is to reproduce, to turn the infected into a means by which to spread itself to new hosts... the Raven's curse is uninterested in this. What matters, to the Raven, is that the cursed becomes a minion and a pawn, who can bring its prey closer to its own mouth.

Part 1: Lay All Your Love On Me

Part 2: Serving Your Heart On A Platter

I’m sure you’ve heard of a sickness that feeds predators their prey. Toxoplasmosis, for example makes male rats as horny and lovesick over the smell of cat urine as they are at the scent of female rats, switching the pathways of fear and desire, to lure them into being devoured. The pathways between the two run parallel, you see. For the infected, every cat becomes a succubus, a siren, a beautiful creature calling its prey to their willing doom. And, if the parasite gets what it wants, this is how the rat dies.

       Why am I talking about this? Because Mytho starts talking about feeding himself to birds literally the day that his symptoms start presenting, in episode 14.

It’s true he’s saying this while antagonizing Fakir, so one could also brush it off as him just Saying Shit to make his roommate as uncomfortable as possible. But also – we know what the Raven wants, in the end.

For most of season 2, however, Raven!Mytho doesn’t continue to talk about feeding himself to crows. He’s mostly focused on seducing sacrifices, manipulating public opinion, having meltdowns about not being loved enough, and being petty to Fakir and Kraehe. His sense of self-preservation (in as much as Mytho has ever had one, cough) seems genuinely intact for episodes 15 through 21. If Mytho is feeling weirdly giggly about getting eaten during that timespan, he’s doing an awfully good job of hiding it.

And then Mytho starts molting into a crow monster at the end of episode 21, and the rat toxoplasmosis symptoms kicks back in.

(We're not told what he's smiling about here in episode 22, but the next episode, episode 23, makes it obvious:)

This does seem likely to be a Mytho-specific symptom; Rue shows no sign of this. The Raven has been particularly invested in eating Mytho’s heart for a long time, after all; Mytho’s job as the Raven’s doordash delivery guy was always going to be temporary even if he hadn’t beeninterrupted every time. It’s entirely possible that other people could end up with this “symptom” too, but we never see it.

The fact that Raven!Mytho proceeds to acts so strangely cuddly after telling Kraehe she’s an ugly fuck (but also that he needs her love) feels somehow related to this enthusiasm for getting eaten by crows. His voice delivery in the Japanese audio for the heart/lips/blood line sounds…  …I hate to say this.

It sounds like he thinks a crow girl ripping out his heart and touching it onto her mouth is really hot.

(Yea, of course she's shaped like an uggo human (and he's in the process of moulting into a majestic raven and he's sosososo excited for that) - but hey, she's technically a crow as far as he knows, and she has black feathers....)

(And while regular!Mytho seems negative to neutral about that in season 1, Raven!Mytho only ever complimented Kraehe for having crow-like qualities.)

Anyways! In Mytho's final state under the Raven's Blood, he immediately obeys the Raven's orders to be devoured, completely ignoring Rue and Tutu's pleas.

...You know, until the Fairytale Confession of Love, because this is a magical curse and it is a fairytale.

Part 3 and Part 4 are not ready yet but are in the works. See you soon.

#princess tutu

[zedleaked]

Spamton for the character ask game! :3

favourite thing about them

God I love his chaotic energy,, his design is so easy to draw fucked up and silly its great... Again I think I like guys who look silly but are secretly fucked up and depressed its wonderful

least favourite thing about them

The fact that he probably wont ever appear again... guess this is what fanfiction is for

favourite line

"YOU WON'T BECOME A [Big Shot] WITHOUT TAKING A FEW [fights]. I HAVE BEEN [beat] ON, [stepped] ON, [$#*] ON, [$#*]D UP, [$#**]D DOWN, [shaken] UP, [stirred] AROUND, [cracked] LIKE AN [egg], HAD [sand] KICKED IN MY [eyes], HAD MY [nose] METAPHORICALLY [ripped off], [kissed] ON THE [mouth], [tucked] INTO BED, DRANK MY [orange juice], FELL DOWN THE [stairs], AND YOU KNOW WHAT? I STILL GOT UP [in the morning], AT [2 A.M.], TO GO DIRECTLY BACK TO [bed]!"

brOTP

Kris and Spamton are the best friends forever you can't convince me otherwise,, they need to cope with the fact that they are doomed by the narrative together... Plus I like Spamton being the one that talks a lot and Kris being the one that listens :3

OTP

I love Swatchton... even though I haven't drawn much because Swatch is a pain in the ass to draw... Swatch just having to deal with Spamton's chaotic ass is so funny to me,, I love all the aus just about Swatch finding Spamton and taking him in... please... feed me... ouhahgha... Like Swatch may feel that they have some kind of debt to pay because they've been the one kicking him out of the mansion all the time...

nOTP

That being said shipping Spamton with literally any of the minors is a big no I will find you and place explosive pipis in your pants

random headcanon

If bro drank his tea [the one pink addison sells] he would almost die,, bro hates himself that much...

unpopular opinion

My guy is selfish as hell and he would not do a good deed if it did not benefit him in the long run,, he may have a soft spot but sometimes people forget he's evil and helped two teenagers kill everyone so he could take over Cyber City

song I associate with them

$4.99 by Jack Stauber... LITERALLY THE SPAMTON SONG... it's just him,, the ad cut ins and everything

favourite picture of them

torture...

#ask #deltarune #spamton #spamton g spamton #not art

[fractiflos]

Okay, for months I have had so many fic ideas revolving around the first three holders, I've decided to put them all down here for the Three Weeks of Trioholders Event hosted by @aimportantdragoncollector, to help inspire others. Feel free to use these for the event or any future fics (or drawings), since I don't think I'll have time to write them (and I didn't want to overwhelm the ask game lol).

Cheerleader bet: The first 3 holders make a bet; losers have to wear a female cheerleader outfit. I like the idea of Yoichi winning, so he gets to see Second and Third in cheer skirts waving pompoms, but this is your fic (or art)

An AU where Yoichi works as a nurse and Second lands himself in the hospital with a gunshot wound

The 2nd and 3rd are scientific rivals forced to work together by the government to oversee the creation of an important new technology

Ichinii kindergarten AU: Second and Third love pretending to be knights and rescuing people, but Second hates having to rescue princesses because "She's not pretty enough to be a princess" until one day, Yoichi Shigaraki transfers to their school and volunteers to let them rescue him, but wants to pretend to be a princess, much to the amusement of the other boys. Oddly enough, Second has no complaints about this princess.

Deku and Bakugou's uncles both come on the same day to pick them up from preschool, bump into each other, and would you look at that Second, love at first sight is real after all. Meanwhile, Yoichi just thinks of him as a friend at first.

Deku and Todoroki are studying together, when his Uncle Yoichi walks in, with his two best friends, Second and Third, along with his cousin Hikage. Naturally, Todoroki sees the green eyes and pale hair, and immediately thinks that Hikage is Yoichi's secret lovechild. All that's left to do is figure out who's the father, Second or Third? Meanwhile, AFO catches wind that Yoichi has a secret lovechild, and assumes that the father must be All Might. (I left a lot of details out, but it's fun to see what people fill in. I submitted this as an ask, but I was super tired, so it ended up being barebones and I hated it, so I'm rewriting it here)

A modern AU where AFO has been secretly scaring off all of Yoichi's boyfriends. It's actually pretty easy as even without his quirk, he's still terrifying. Then one day, Yoichi brings a certain spiky-haired man home, and not only does he look like the rebel bad boy from every father's nightmare (very different from the previous nerdy cowards Yoichi's dated before), but none of his previous tricks can drive him off.

Genderbend! I guess this is more geared for art, but hey, who's to say our first three holders aren't unlucky enough to be hit with a genderbend quirk while out on patrol

Angel and Devil! Yoichi is an angel, the brother of the Big Guy himself (Yep, AFO gets to be God). Tired of the rules of heaven, he sneaks into hell, where he meets a pair of very interesting (read: hot) demons.

OR REVERSE: Angels, Second and Third are tired of following the overly strict rules of heaven and sneak into hell, which is ruled by Demon King All For One. There, they meet a rather attractive white-haired demon...

After a terrible incident with some hair dye, and a friend who is now on very thin ice, Second's pink hair has now been turned into a really ugly shade of orange, and he has a date in less than 48 hours (I refuse to get over his hair color)

College AU: Second and Third have been friends since they were in diapers, and are now getting physics degrees. One day, Third decides to introduce his childhood best friend to the new friend he made in art club, Yoichi Shigaraki. Then ends up having to Third-wheel as they spend the whole-time flirting

Romeo & Juliet AU. This time, it's Second & Yoichi. I mean, they're both star-crossed lovers doomed by the narrative to die, so why not?

Victorian Era! Yoichi is secretly in love with his servant(s), but is engaged to marry someone else

Second is a horror writer with writer's block. When his apartment lease is up, he decides to finally buy a house out in the countryside, thinking the nearby spooky woods will inspire him. The house tends to inspire him more, what with the random oozing, slow opening of doors, and breezes that sound like whispers. It's almost as if he's really haunted...

Yoichi is in college now and away from his strict brother. He decides to go with his roommate to a party, but his sheltered upbringing has left him woefully underprepared for the wildness of a college party and... Has he been drugged? Don't worry Yoichi, your heroes have come to save you!

Baby Izuku Midoriya is babysat by his uncles! So, while they do all sorts of fun baby things that somehow turn out to be extremely dangerous, Hisashi has a nice dinner with Inko.

Done! I hope I've managed to inspire someone.

#Three Weeks of Trioholders #yoichi shigaraki #mha #second one for all holder #second one for all user #third one for all holder #third one for all user #duoholders #trioholders #jane's fic ideas