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#just one of those things that stuck
merciganimard · 4 months
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Sara from A Little Princess was the patron saint of weird little girls. Passionately telling stories about her special interest the French Revolution and Princess de Lamballe getting her head cut off and carried on a pike
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mumblesplash · 2 months
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he's not even that light impulse is just really strong
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cosmicwhoreo · 8 months
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Maybe Grand Reef Cookie shouldn't always try to make the things he finds into some sort of tea or meal....
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puppyeared · 5 months
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its so hard to watch time pass when things like careers and assignments exist. what do you mean im supposed to take that seriously
#I have an assignment that was due a week ago and I really really dont want to do it. I have to but i dont want to#im probably making it worse because my brain has built a wall around it so now i can’t do literally anything else until thats done. but#because I don’t want to do it I’m just kinda stuck. turns out this is what they meant when they said emotional regulation is part of#exec dysfunction.. I’ll have a thought like if I get a little bit of it done now i can get it over with. I can just submit something#and then not even 5 minutes later itll be like ugh but I have to draw all the assets out. I have to write things and make spreads ugh#and its just flopping between those two things. i hate it when ppl are like well how much time do you need to work on one thing#because BOY id love to know too. I’d love to know exactly when my brain wants to cooperate with me and work around that but I cant#even my period can’t decide when it wants to punch me in the stomach. which is kinda funny in the grand scheme of things but still#its so weird im just lying on my bed thinking abt all this like damn.. the time will pass anyways no matter what I decide to do.. damn….#if I submit that assignment now and take the L I literally won’t die. it’ll just be a deduction on an assignment nobody will ask me about#I know this but I’m still stressing myself about it so my thoughts aren’t really connecting to my body. weird#maybe its because Im having a hard time looking forward to things. theres definitely a lot I should be living for but I don’t really feel#a strong attachment to it I guess? it’s been like this for a while with holidays and meeting with friends so I just don’t#I kinda figured its because im pretty passionless and its more like passing interest. but it’s not very fun when it feels like I’m going to#be living distraction to distraction for the next 70 years or so lol#idk it kind of feels like slowly bleeding out. which is funny because I actually did experience blood loss this week#had a 30 minute nosebleed and literally could not stand. also it felt like someone was pinching the back of my brain which was interesting#yapping#does this count as vent#vent#Ive just been making an oc carrd and contemplate changing my blog header for the past 3 days honestly
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astaraels · 2 days
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why do people think Yevgeny wasn't Mickey's son? in 3x06 there was clearly no condom used (not that Terry probably would have let Svetlana stop to get one), but there's no reason to think she wasn't using condoms with her regular clients. it's not Svetlana's fault that she was a tool used to rape Mickey—the sole blame for everything that happens in that entire situation belongs to Terry Milkovich and him alone—so why does it feel like it's just another way for people to shit on Svetlana for something that wasn't in her control? it's not as though she'd asked to get pregnant in the first place...
#stop giving svetlana shit just because terry was one of her clients—between him and sasha do you really think she had a chance to say no?#her attitude towards mickey is s4 is very easy to understand when you think about the fact that a) she's his age or maybe a year older#b) she is a person who knows she has to take what life gives her and make the best of bad situations#c) her entire future rests (so she thinks) on her and mickey making their marriage work and he was absorbed in ian (which the audience gets#but svet has no context for) and thus her feeling threatened is very understandable because mickey also won't stand up to his father#so yeah of course svet is gonna see terry as the one person who will put things the way they're supposed to be#but! it's after mickey comes out and he and ian fight everyone in the bar that she realizes mickey could be an ally to her#and she extends a hand in friendship because they're both stuck in this situation and yeah of course she wants him to stop being stupid#about yev—as she puts it “baby did not choose this either” which leads me to think she understands mickey's situation a little better now#but yev looks so much like mickey and has those big blue eyes of his (also evidence for baby mickey being blond)#I get that the whole child from rape thing isn't fun for mickey to have to deal with but women have to go through it all the time—like Svet#okay rant over I'm sorry I'm just...it puts a bad taste in my mouth whenever I see it in fic or meta that yev can't *possibly* be mickey's#mickey milkovich#svetlana yevgenivna#yevgeny milkovich#shameless
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hephaestuscrew · 10 months
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I do think there's something special about the way that audio drama creators seem to love including cameos of voice actors from other popular audio dramas. Obviously, part of the reason why actors from one show might pop up in another is because the audio drama creator community is relatively small and interconnected, and also because those actors are very talented.
But there's also often such a sense that creators are having fun with these cameos. Like Greater Boston casting audio drama heavyweights Briggon Snow, Zach Valenti, and Felix Trench as famous film actors Matt Daemon, Ben Affleck, and Mark Wahlberg respectively. Or Faux and Stallion having Tom Crowley (who plays a Victorian detective in Victoriocity) pop up as Dr Watson. Or Unseen casting Beth Eyre and Felix Trench as characters who are twins. Or Arden getting Emma Sherr-Ziarko to play an actor impersonating a character played by her former Wolf 359 costar Michelle Agresti (with Michaela Swee also appearing as an actor impersonating the other main Arden lead).
In these cases, it's not just that there's a cameo, but that the cameo is given particular (often comedic) significance to those who are aware of the featured actor's other work. The vast majority of people wouldn't recognise any of these voices. But by doing these very intentional cameos, these creators show confidence that a fair chunk of their audience will know these actors and enjoy the link. There's an awareness that listeners of one audio drama are fairly likely to listen to (or at least be aware of) other fiction podcasts, even when the shows in question aren't of particularly similar genres. Recognising these cameos feels like being in on a secret. It feels like these shows are giving a little nod to listeners to say that we're part of the same club.
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creaturefeaster · 1 month
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doodle page from tonight
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july-19th-club · 1 year
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i know for a fact i have made this post before but for me it's very important that bbc merlin is a pointless tragedy. it wouldn't be good (it's frequently not good anyway but it would be a lot further away from good) if it wasn't a pointless tragedy! it's simply not arthuriana if it doesn't go past the high point of the heroic/legendary/high medieval romance stuff and end with detailed rundowns of exactly how everybody got betrayed and died like that is what makes it real arthuriana to me and not just a silly show about a wizard
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bidokja · 11 months
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I was joking a while back that the actor they have playing KDJ for the orv movie was too handsome for him and a friend who's read orv was like "KDJ is actually secretly attractive!!" And I just felt my soul leave my body right then
SIGHS...
Okay. Buckle in. I'm gonna finally actually address and explain and theorize about this whole...thing.
I'm not gonna cite any exact chapters cause it's like 11:30 and I've got an 8 hour drive in the morning but I'll at least make an approximate reference to where certain things are mentioned. Also, this post is just my personal interpretation for a good bit of it, but it's an interpretation I feel very solid about, so do with that what you will. Moving on to the meat of things:
There is one (1) instance in the web novel that I know of which describes specific features of Kim Dokja (especially ones other people notice). This takes place when members of KimCom are trying to make Kim Dokja presentable to give his speech at the Industrial Complex (after it's been plopped down on Earth). This is when they start really paying attention and focusing on Kim Dokja's appearance since they're putting makeup on him; I still don't think they can interpret his whole face, but they can accurately pick out and retain more features than usual. If I remember correctly they reference him having long eyelashes, smooth skin, and soft hair. These features can be viewed as (stereotypically) attractive.
Certain parts of the fandom have taken this scene and run with it at a very surface level, without realizing (or without acknowledging at the very least) that this scene is not about how Kim Dokja looks. This is, in part, due to not realizing or acknowledging why Kim Dokja's face is "censored" in the first place, and what that censoring actually means. I think it's also possible that some people are assuming the censorship works like a physical phenomena rather than an altered perception.
I'll address that last point first. The censorship of Kim Dokja's features is not something as simple as a physical phenomena. It's not a bar or scribble or mosaic over his face. If that were true it'd be very obvious to anyone looking at him that his face is hidden. But his face is not hidden to people. They can look at him and see a face. If they concentrate on his eyes, they can see where he's looking. They know when he's frowning or grinning. They see a face loud and clear. But what face are they seeing? Because it's not really his, whatever they're seeing.
No one quite agrees on what he really looks like. And if they try and think about what he looks like, they can't recall. Or if they do, it's vague, or different each time. We notice these little details throughout the series. Basically, Kim Dokja's face is cognitively obscured. Something - likely the Fourth Wall, though I can't recall if this is ever stated outright - is interfering with everyone's ability to perceive him properly. This culminated in him feeling off to others; and since they don't even realize this is happening, they surmise that he is "ugly."
Moving on to the other point about what the censorship means: To be blunt, the censorship of his face is an allegory for his disconnect from the "story" (aka: real life, and the real people at his side). The lifting - however slight - of this censorship represents him becoming more and more a part of the "story" (aka: less disconnected from the life he is living and the people at his side). The censorship's existence and lifting can represent other things - like dissociation or depersonalization or, if you want to get really meta, the fact that he is all of our faces at once - but that's how I'd sum up the main premise of it. (The Fourth Wall is a larger part of the dissociation allegory, but that's for another post).
So you see, them noticing his individual features isn't about the features. It's not about the features! It doesn't matter at all which features got listed. Because they could describe any features whatsoever and it would not change the entire point of the scene. Because the point isn't what he looks like. The point is that they can truly and clearly see these features. For the first time. They are seeing parts of him for the first time. Re-read that sentence multiple times, literally and metaphorically. What does it mean to see someone as they are?
This is an extremely significant turning point dressed up as a dress-up scene.
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P.S. / Additionally, I'm of the opinion that Kim Dokja is not handsome, and he is not ugly. He is not pretty, and he is not ghastly. Not attractive, nor unattractive. Kim Dokja isn't any of these things. More importantly, Kim Dokja can't be any of these things. The entire point of Kim Dokja is that you cannot pick him out of a crowd; he is the crowd. He's a reader. He's the reader. Why does he need to be handsome? Why must he be pretty? Why is him being attractive necessary or relevant? He doesn't, he doesn't, it's not. He is someone deeply deeply loved and irreplaceable to those around him, and someone who cannot even begin to recognize or accept that unless it's through a love letter masquerading as a story he can read. He is the crowd, a reader, the reader. He's you, he's me. He's every single one of us.
#orv#orv analysis#orv meta#orv spoilers#mine#ask#there's also the meta that he is described with these (stereotypically) pretty features as they are about to try and 'sell' him to a crowd#which feels to me like a very pointed way to convey how 'beauty' is commodified. how audiences like 'attractive' characters more#note: made some edits to add in a couple of sentences my brain forgot in the moment so make sure u reblogged those if u do#tag edits for further commentary that isnt strictly relevant to the point i was making:#do i think that this face censorship was executed as well as it could have been? nah.#not that it was like. done Badly. it's followed through to a certain point. its established enough for me to make this post at least.#but i do think it is the one thing in the web novel that SS didn't capitalize on.#like. they still stuck the landing but it was not as picture perfect of an execution as the rest of the metaphorical stuff in orv#also. this (not the face censorship specifically but the 'hes just some guy' point of it all) is one of the big reasons i think that-#-visual adaptions of orv can never quite work. they can do the best that they can with that medium but a lot of nuance is lost-#-simply by virtue of it being a visual medium#i personally think the only way a visual medium could work would be one where they commit to the power move of not showing kdj's face#(until a certain point (of view) that is)#his face is always facing away or out of frame or hidden by someone or something else in the way#commit to the fucking allegory or simply perish
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iraprince · 2 months
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Hiii, i love your stuff and kinda from a distance really look up at you for, in my perception, being able to express yourself without giving a fuck. Thats sick dude, Im so so afraid, of absolutely everything, its nice to think like i might grow into someone less apologetic of my existence. Nice to see people just being yknow
hey, thank you, this is really really nice. the secret that is probably not a secret is that i am also deeply afraid a lot of the time lmao -- but less than i used to be, and in ways that feel less stifling and self-suffocating, if that makes sense.
like, it used to be "i'm scared that if i express myself the way i want to, everyone will find me obnoxious, so let's just sand those edges down to be safe" -- now my fears are more like "now that i'm expressing myself in a way that feels natural and real, i'm afraid that it's all stupid/vapid/not worthwhile or meaningful" (<- specifically abt my art) or "i'm happy that i talk and act the way i want to now, but what if it makes me impossible to befriend," etc etc etc. which still feels bad and puts me in a funk a lot of the time but at least it's a fear that comes After/in reaction to doing stuff, rather than a fear that STOPS me from doing stuff, you know? like, it's evolved into a kind of fear that's less in my way.
anyway. i believe you'll experience something like this, because wanting to grow is the first step of growing. the fact that u hope or wish for something different means you're already on your way. to fewer fucks!! or at least distributing the fucks u give in a way that serves u better
#stuff like accepting that i'm reserved and i'm not very accessible via messages.#or that my online tone isn't very bubbly and it's weird and uncomfortable to force it.#i stop letting fears about that shape my behavior ('i'll look mean or snotty so let's force markers of Friendliness to avoid that!!') -#- and instead act the way i want to and then trade it in for new fears that come After the action.#also a good reminder to give urself is that if ur fear is abt how other ppl perceive u (as 90% of mine is personally)#u really... can't actually control that. and being very very anxious abt it all the time is usually ur brain throwing a tantrum abt not--#--having that control. bc it is understandably very scary that u don't have that control#as much as it sucks + is terrifying the truth is the only thing u can do is ask urself 'am i behaving in a way that i'm proud of'#'am i behaving in a way that's in alignment w my values + what i think is important'#bc if the answer to that is yes and somebody hates u or is deeply offended by ur existence anyway. well. literally not ur problem#but obv being at peace w that is way way easier said than done + requires tons of practice and will take. probably. years. which is fine#i am stuck with myself. i can either contort myself forever trying to be someone everyone will like and find totally nonthreatening and-#inoffensive and in the process exhaust myself totally and never feel safe or natural myself. OR#i can say okay. so i am a kind of prickly guy with stern and drab speech patterns and close to no social energy. and i think i can still be#-sexy and fun this way. and it is up to other ppl to figure out if they can agree w me on that#ANYWAY enough rambling for now. just another one of those things i think abt a lot so i have a lot of ready-made sentences abt it in mind
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bookshelf-in-progress · 7 months
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There's always a danger of caring too much about a story, and then getting paralyzed by the need to do it justice, so it never gets written.
I've solved this problem in the past by writing stories so fast that I don't have time to get too invested, or writing stories that I'm not that attached to.
But maybe the trick is to love the story so much that I want to share it any way I can, even if it's imperfect. To feel that any version of this story is better than the story never getting written at all. To get out of my own way and stop worrying about what other people will think of my writing, or even what I think of my writing, and love the story for its own sake, love the readers enough to want to have the joy of sharing the story with them.
Maybe it'll work. Maybe it won't. But so far it feels like a much better approach.
#adventures in writing#i think inklings has finally born fruit for me#other years i've stayed far away from beloved story concepts#for just this reason#and then i mentally shelved most of those story concepts#recognizing i'd likely never write them in a way that lives up to my imagination#and that probably gave me the distance i needed to pick some of them up again#for one thing the short time frame of inklings forces me to get down to the heart of the concept to fit it into a short story#and the long development time means i've had time to figure out what the core of the concept *is*#what keeps this story lingering in my imagination; which means i know what the good parts are#and then the deadline also forces me to try to write it fast and short#because if i don't write it for inklings i likely never will#and that's a tragedy i want to avoid#having such a clear concept of the story's core#means i can put up with ugly haphazard drafts#because i know what the overall story feels like; i've had years to develop it#so instead of a bad draft proving a story's not worth writing#i *know* that the story's worth writing because it's stuck with me this long#so the ugly drafts are just the building blocks necessary to create the final product#of course the danger is that i'll put out a story and it won't be as cool outside my head#and people will hate this piece of my soul i've poured out to them#but if i love it enough maybe it'll reach that special status#where it means so much to me personally that the wider audience reaction doesn't matter#but before i worry about this i gotta write a draft first
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fromperdition4 · 12 days
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You Never Cared (Enough)
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This. This is the moment, I think, where Porsche finally admits to himself he wants Kinn.
Because Porsche isn’t really arguing against Kinn’s point here.
Kinn does care about his people - we’ll see very clear examples of that later in the series (when he’s grieving for Big and Erica, when he saves Pol and Pete during the shootout, etc.), and Porsche has concrete proof that Kinn cares just as much about him -
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But Porsche doesn’t want Kinn to see him as an employee - a responsibility. He doesn’t even want to be seen as a friend.
He wants Kinn to admit that being with Porsche meant something… different. That he didn’t just use Porsche, to get it out of his system, when he was an easy target.
Because it was different for Porsche.
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As far as we know, the end of episode 4 was the first time Porsche had sex with a man, the first time he’d had sex after being drugged, and… the first time he’d had sex with someone he really liked. Someone he’d been starting to get to know, who irritated and intrigued him all at once, instead of just a one-time fling.
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And he barely got any time to process all of that - his sexuality, his autonomy, his feelings - before Kinn shut down, put more distance between them than ever before, and became cruel -
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So it’s only now, after getting time away to get back to who he was - in his own house, spending time with his brother and friends - that Porsche has finally worked out just why he’s so hurt by Kinn.
That, despite everything, he doesn't want to be just one of Kinn's people.
He wants Kinn to care more about him.
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cave-monkey · 28 days
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Six Ears, and being left.
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tatsumi-rin · 2 months
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Moral Orel doesn't seem 100% like a show I'd feel seen in if you don't know me but then I remember the episode with the special ed kids and underneath the usual satire on extremist bible belt religion it reminds me WAY too much of how actual special ed departments treated me and other kids growing up.
Like the writers must HAVE BEEN THERE IN LIFE, man. I'd kill to sit down with Dino Stamatopoulos and find out what the fuck inspired him and the other writing staff that day.
#husbandothings#moral orel#bonus fun tag rant? bonus fun tag rant...apparently#in those departments you are immediately written off as a tragic forever toddler by at least 50% of the staff regardless of your disability#there's good ones but the bad ones bring the fun spicy trauma#it doesn't matter how smart you actually are you gotta draw the sad face on that boy on the comic sans worksheet at the age of 15#in your free lesson spaces that you got because of reasons#if someone tells me they're a teaching assistant or have “qualifications” in autism and special needs development i immediately distrust#because I have never met a neurotypical person with those qualifications who knows how to treat kids like humans especially autistic kids#funniest part? I was mostly in the special ed department because of my hearing and not totally my undiagnosed autism#and a little because of wonky emotional development from get this...a freaking religious school#like i see adults in the show and i see the headteacher who tried to tell my parents i should forgive the bullies because jesus would#even though the truth is way more nuanced but he just wanted to wash his hands of it#it's funnier than it should be because that teacher would fit right in to this show for that and additional reasons I won't state here#my family were atheists but thought the school would be good#the weird thing is at that time as a little kid I liked the idea of believing in god but nothing that happened proved Him to me#and moral orel hits because it resonates with the fact i genuinely believe religion can do good and it's all about the people#the ones who want to use that faith for good in the world and surviving rough crap and not to do things that would make jesus flip tables#that has stuck with me for over a decade as has the people who felt the show reinforced their christianity#but anyway
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coconut530 · 9 months
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AN. EPISODE. 🎸🪕🎻🪈🎺🎷🪘🥁🪇
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taffingspy · 17 days
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RS3's story problems these past few years is a great example of "boring characters cannot carry a good plotline"
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