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#just for them to be killed in the beginning and yes this is a thirst post for lady D
thisonehere · 1 month
Note
Lin kuei trio x vampire reader?
Bleeding me dry
A/n: You got it. I hope you don't mind, I also added some dark elements. Tags: Mk1 AU, Vampires, NSFW(ish), Request C/w: Bloodsucking, suggestions and innuendos to sex, Consensual feeding, doomed romance
Bi-Han
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You first meet when you creep into his room one night. You were so hungry, it has been so long since you had a decent feeding. And Bi-Han...he was just succulent. Surely he'd keep you fed for a good time. And there he was, all alone in his bed.
You can't help but pity him a little. He had no doubt been very lonely, especially after his betrayal and his brothers abandoning him. But your hunger matters more than his feeling right now.
He sleeps in very little clothing so access to his next is very easy. You lick your lips as you take a gander at his thick neck, practically pulsing with the blood inside.
You leaned down ready to sink your neck into him, but then an unexpected thing happened. His eyes snapped open and grabbed you by the throat. Bi-Han has always been a light sleeper, he trained himself to become even lighter after learning of your vampires.
You gasp in surprise as his wraps around your throat and you eye his hand holding a wooden stake in it.
Bi-Han's first instinct is to kill you. But he paused after seeing you. You were beautiful, surprisingly so. He couldn't bring himself to kill you no matter how hard his gut urges him to do so.
Bi-Han was quite disgusted by your people, but he could not deny that he found you alluring. You were enchanting to gaze upon and he couldn't help but want you.
You talk, Bi-Han demanding that you explain yourself. And you do. You tell him about your thirst, how starved you've been for so long. Bi-Han almost pitied. He stared at you for some time.
Finally, Bi-Han shows his neck to you. "Go on, you come all this way for it. Take it." He growls. You hesitate, giving him a surprised look. You slowly crawl up to him.
Your fangs pierce into his neck causing Bi-Han to moan much to your surprise. His hand travels around your waist as you begin to feed on him.
He gasps and moans as you go on. It is a strange feeling. It's painful but it feels...good, somehow.
You pull out, satisfied.
This becomes a thing between you two. He'd let you feed off of him, so long as you were an obedient little bloodsucker.
You intrigue him, a creature of the night, he'd stay up late just to be with you. Who needs sleep? The things you two get up to during these ungodly hours make the lack of sleep worth it.
If a single of his Lin Kuei said a single thing bad about, then they were as good as dead. You are his, and refuses to let a single soul disrespect what is his.
He wants to believe that you are his pet, but he is a whimpering mess without you. He could care less if you suck his blood, so long as he can feel your touch. So long as he knows he is your one and only.
Many Lin Kuei notice how pale and drained bi-Han appears. Unless someone does something, you could very well suck him dry. Bi-Han refuses to see this. He is strong, he will survive, he is the GRandmatse for a reason.
Other Lin Kuei argues that you're turning him into a creature just like you. To Bi-Han, this is an even better outcome. If he is turned then you and him can be together forever.
You make him feel loved, something he hasn't felt for a long time. He'd kill to keep this feeling you give him. He refuses to separate himself from you...even if it kills him.
Kuai Liang
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Kuai doesn't trust you. That's the thing about him. Unlike his brothers, he has a good head on his shoulders that allows him to think rationally.
You met when you tried to feed on his clan. He caught you and was about to slay you, but you...there was something different about you. You looked so beautiful, so innocent, he just couldn't bring himself to do it. He let you live, incarcerated, yes, but that's better than being dead.
Kuai doesn't know what to do with you. The way you hypnotize people and feed on them until their shrivelled up and empty disturbs. You are a walking Venus flytrap. So deadly. So alluring.
Kuai tries to bond with you. You find yourself spending hours talking to each other, telling each other's stories. He marvels at how long you've lived, at how enrolled with the other. He pities the fact that you have no choice but to feed and thus tries to make an effort to help you.
He tries to take a more ethical approach to your blood-sucking. Why not animals? Or artificial blood? Anything that stopped you from feeding on humans.
He keeps his relationship with you a secret, he only lets close friends such as Tomas and Harumi. Though they don't truly approve of such a union. Studying you to make sure that you are not up to anything wicked.
He wants to tell Liu Kang about you, but he knows he'll take you away from him. And that is something he just can't let happen. He hides you. Something he knows deep down is wrong. He knows a lot of the things he's doing with you, and you're doing to doing to him, are wrong.
Tomas, Harumi and another member of the Shirai Ryu argue with Kuai, telling him how dangerous you are and how deadly such an entanglement will mean for him. They worry for him, scared that you're corrupting They worry for him, scared that you're corrupting him. His eyes are baggy from all the late nights he has spent with you. His temper has worsened, as a result of becoming so protective of you.
He just can't see what's wrong. He's helping you, he truly believes that he's making you better. He cares less and less about their words, they don't see what he sees.
By the Elder Gods, how did he get like this? He was such a calm and reasonable person, but now... he can't recognize himself. He has driven himself mad trying to help you, but he doesn't understand you. He smothers you with love yet he fails to see that what you two have is forbidden for a reason.
If you or Harumi or Tomas don't do anything soon...Kuai just might get himself killed.
Tomas
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Shirai Ryu warriors argue that you've put a spell on him. If that is true, then Tomas couldn't care, he loved you and he'd want to stay with you even if he dies!
Okay, that those sound over dramatic but that's just how he feels. He has always been the weakest link of the brothers when it came to romance. He was desperate for love and looked for it in the wrong places. When it came to romance Tomas threw all caution and sense of reasoning out of the window.
You first met when you were on a rampage and sucking Dhirai Ryu dry. When you came to him, he was ready. He feigned sleeping and when you came to him, he was ready to fight you.
But the moment you laid eyes on each other, he knew he was yours and you are his. He was enchanted by you. How could he hurt you? You no doubt thought the same thing. You two lost yourselves in your feelings. You stare at each other, this feeling is so magical that you both forget why you are here.
You made love on his bed at that moment. And you feed on him the entire time.
Kuai? let's just say he wasn't approving of this union. Tomas was very defensive of you since he first laid eye on you. He'd often get into an argument with Kuai on your behalf.
Deep down he knows how wrong you and him were together. But you just make him feel so good inside, so fulfilled, how could he possibly turn you away? He loves spending time with you, from morning to midnight he was with you.
He was so head over heels in love that he was willing to let you feed off of him. His moaning, whimpering, and begging fills your ears with every suck. Elder Gods, he loves so much to the point it hurts. Literally.
Tomas still has a conscience, he still tries to make you see the error of your ways. And he tries to find ways to fix things.
He goes to Liu Kang, thinking maybe he knows what to do. Unfortunately, Liu Kang warns Tomas instead. He warns that his loving you could kill him. That is the last thing he wants to hear. He's so much in love that he wants to think that you'll be happy forever and ever and nothing bad will ever happen because you just love each other so much.
Kuai can see the pale skin and the dark circles around his eyes. You fear that you're killing him. But Tomas dismisses this, stating that he's just tired and needs more sleep, nothing to worry about. You and him are fine. Nothing bad is happening. Everything is fine.
But he's not fooling anyone. Kuai can see that Tomas's teeth have gotten...sharper. He complains that he's getting more and more hungry, and he seems to be less and less fond of daylight. He suspects what you've done to him, he might just kill you for it.
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hhonghu · 1 year
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Pretty boys showing off their midriff,,,, currently going feral
Heizou's here too because of his shirt, giving me glimpses of his waist like that
[Thirst]!
feral anon my beloved bc why?? why are they dressing slutty and showing us their waists as of we don't wanna do unspeakable things to them >:(
i can imagine heizou pretending to be coy, wanting to lure you in of what he was wearing. see how he wears a literal shirt with open sides?? don't tell me this is for you to have easy access on him. he'll even tease you too, pulling his shirt a bit to the side so you can catch a glimpse of his nipples, already hard and puffy. you snap. you would come up behind him and put your hands under his arm to the holes of the side of shirt and grab his chest. he would act startled, muttering "what a pervert you are, just grabbing me like that.", "shut up, slut." you growl, signaling to lift his arms. you begin to toy his nubs, pinching and pulling while he moans, a ditzy smile on his lips as he feels sparks of please. he grinds his ass back to your, trying to feel more from you. "quit that, better have not tested my patience or you could've gotten more." heizou whines, wiggling his hips in dismay. "i'll keep playing with these," you pinch hard, making him mewl out your name. "all i want, so deal with it."
for aether, our beloved aether, he teases you with his stomach. especially after defeating an enemy, sweat would be running down his stomach and you would just stare. with his outfit, you can't help it, it just has your mind running. and he knows it. he knows how his exposed stomach riles you up and he likes it. he would push you back against a tree standing up and fumble with your pants, dropping it down and stroking your half-hard cock. "you were staring so much, [name]. what were you looking at?" he giggles, swiping his thumb across your slit. your eyes become hazy as he nudges your tip with his stomach, smearing pre-cum all over. "pervert. wanna cum on my stomach, don't you?" his strokes become faster on your shaft while feeling stimulation from your tip because of his stomach. you feel your legs wobble as your orgasm approaches, thrusting your cock in his hand. "that's right, [name]. cum all over me, cum all over my stomach.."
cyno.. just cyno. have you seen what he wears? hoyo missed the chance to make his nipples visible, he is literally not wearing anything even a shirt!! why can't they do that?? but i digress, because honestly ogle at him all you want, his body is too pretty not look at. so imagine finally camping to rest for the night after exploring the dessert with cyno. you get to rest after a long time of defeating and.. distraction. the entire time you two were fighting enemies, you can't help but sneak a glance of his body. his biceps, his waist, his chest? you were holding on to the last straw of focus you had or you might've just ended up jumping him instead. so while you two were resting, you passively said to let you use him for the night since you barely focused and almost got killed multiple times (pathetic excuse yes but its effective) and surprisingly, he agreed. you didn't waste any time, pushing him down on the sand and straddling his chest while he watches you, curious what you'll do.
you undo your pants and take your cock out, stroking it. "haahh— you don't what you were doing to me out there, cyno. you got to cover up sometime or i might just pounce on you out in the open." what you said made his eyes widen and his face suddenly felt warm. "how vulgar." he mutters as you eying his nipples. you pressed the tip of you cock to one of his hardened nubs, circling it around as you kept stroking your shaft, making you groan. his back arches, eyes watching you intently as your cock plays with his nipples and strokes your cock. he can't look away. you free hand comes up to his other nipple, tugging and pulling while you stroke yourself faster, making sure your tip keeps pushing to his nub and he whines, his hips writhing around. you feel yourself about to cum, getting you to pinch him harder. "[n-name], you're so nghh— filthy.. getting off to me like this. maybe i should keep mmmph— showing myself like this to you.." you give pull on on your cock and groaning as you cum, spilling it all over his nipple and chest. you catch your breath and look at cyno and his mouth was in a frown. he grabs your cock and pulls it, "i was expecting you to cum in my mouth.. so do it again."
hehehehe i had something in mind with cyno and honestly it was probably bc of a twt vid i saw or smth lol . thank you for anon again for the food! <33
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auras-moonstone · 10 months
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mad woman — ethan landry (part two)
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word count: 839
summary: ethan and y/n talk about their deceased siblings and begin to bond.
pairing: gf!ethan landry x gf!fem!reader
based on: mad woman by taylor swift
previous part ; next part
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SURPRISINGLY, BAILEY LET HER JOIN THE PLAN. It didn’t take a lot of convincing on Ethan’s part, they all suffered the loss of a loved one, so they knew the thirst for revenge Y/N must be feeling.
“I’m sorry you have to go through that… being close to the person that killed your sister must be tough, kid” Bailey said, putting a hand on her shoulder.
“It is, but I know that this pain is worth it. We are going to make them regret taking them away from us”
“Well said” Quinn spoke, and Y/N sent her a smile. “We should head back to the dorm”.
“Sure. Thanks for everything, Mr. Kirsch” Y/N said with a warm smile.
“You are welcome anytime” he replied.
“Bye, dad” the Kirsch siblings said in unison as they left their dad’s home.
“You two go, I have other plans” Quinn told them.
“Paul?” Y/N asked with a playful smile.
“God, no. That is over, this one is called Lorenzo” the red head informed.
“Uh, Lorenzo. I like it, have fun” the girl waved at her roommate.
“You too, but if you have too much fun please don’t tell me” the girl’s voice distorted as she walked away, but they were still able to hear her.
Ethan’s blood rushed into his cheeks “Sometimes she speaks too freely”.
“You say that now, but if…” she stopped herself from going further and killing the mood “Sorry”.
“Hey, no. It’s okay, you can talk to me, you know?”
Ethan and her weren’t close at all. This new alliance brought them closer, yes, but the word ‘friend’ was still a bit too big for their relationship. However, he was the closest person she had at the moment, it had been so long since the last time she talked to someone without having to fake or hide emotions, that she just gave in.
“I miss her, a lot” she grimaced. Vulnerability was not something she was accustomed to show. “I don’t have the luxury of having other siblings, and even if I did, what I had with Amber was something unique. All the things that once bothered me about her, are the ones I now miss. I would give everything to hear her awful rap playlist that I absolutely loathe, or the loud and tiring parties she hosted despite knowing how uncomfortable I felt at them, and god I even miss her talking my ear off about that awful horror movie franchise she adored”.
“She sounds just like my brother” he sighed. “It’s nice that you had a nice relationship with her”.
“You weren’t close to Richie?” she asked.
Ethan shook his head “No. Our age difference, our different taste in things, we just never connected that much. And…”
“Yeah?” she encouraged him.
“I guess part of me has always resented him” he confessed, there was a trace of guiltiness in his statement.
“Can I ask why?” Y/N asked carefully.
“He was my dad’s golden boy. You know when kids asked their parents which child is their favourite and they say they love them all equally, even though it’s not true, as to not hurt their feelings?”
“Yes” she said unsure.
“Well, my dad wasn’t like that. He favoured Richie and admitted it proudly. And Quinn, being the only girl, also has a special place in his heart. His little girl, you know? And I am just there”
“Ethan…”
“I’m not saying he doesn’t love me, ‘cause I know he does, but Richie is gone, and I’m here and that disappoints him a bit” he had his eyes glued to the pavement, not daring to look her in the eyes. And Y/N wanted to throw up, cry and hug him at the same time. “Sorry. I overshared, right?” he tried to laugh it off.
“How long have you been bottling that up?” she asked softly.
“The resentment? My whole life. The thought of my father being disappointed I wasn’t the one who died? For a year” he replied.
The vulnerable environment encouraged her to grab his hand “Well, you can come to me whenever you want to, no matter how dark your thoughts are”.
Ethan smiled, and Y/N was in awe at how perfect his teeth were and how mesmerising his smile was “The same goes for you, Y/N/N”.
They continued their walk towards the dorms with the sound of the busy streets of New York resonating in their ears. None of them said a word until they reached Ethan’s apartment, which was the closest one. He had to let go of her hand—and regretting it instantly when he felt the warmth of her palm leaving his skin—, as he looked for his keys.
“Well, thank you for everything, Ethan. I’ll let you rest”
“See you tomorrow, Y/N/N” he gave her his dazzling smile once more before closing the door.
Y/N went to bed with the a good feeling on her chest. She finally was about to get the revenge she had desired and also, maybe, she had gained someone to talk to, a potential friend.
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macsimagines · 9 months
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what about alpha!kisaki, like do you think his yandere tendencies would be worse if he was an alpha? you’re very consistent btw, I love your blog 🥹🫶
(Finally Alpha!Kisaki <3!!! Thanks for the request and compliment this will be one of the last ABO requests I do so I'll try to make it good. Also I feel like an ass because I went overboard on this one... oops can you guys tell I have a favorite)
Yandere!Alpha Kisaki
Met you through a Rut Aid service. Sort of...
Kisaki was taken aback when he presented as an alpha. He was pleasantly surprised and was at first excited to be apart of an elite. Then his ruts hit and apparently they're out of control.
After a few doctor visits he's diagnosed with over producing dominate pheromones. Its apparently common when a young Alpha is surrounded by other very strong and dominate Alphas.
Because he is so much younger than most of the gang members and finds himself in a leadership position his body is trying to overcompensate.
When his ruts hit is when domineering pheromones' overproduce and cause him to have hyper aggression and feral behavior. His room was in complete shambles and he actually tried to fight his own parents.
Its decided he will be going on intense suppressants and will be having his ruts at a private facility where he will be supplied with artificial omegan pheromones that should calm him down.
They don't. Nothing fucking works for years and years. He's an adult now, and not one thing has helped. He just eats suppresants like they're candy and prays to god he can keep it together.
Nobody else notices his issues though. He keeps it under wraps and when he needs to rut, he usually has his lackeys prepare him a special room.
He's almost killed omegas that volunteer to help him through, he hopes one will actually work but they all smell like shit and his Alpha just wants to rip them to shreds when they get too close.
Then comes a new service that provides alpha's with fresh real omegan scents for their rut. If he likes one then he send his own scented item in. If you're a match you two will begin an anonymous pen pal service.
The idea appealed to him, because he was a very dangerous and private man. He needed his anonymity. It was worth a shot at the very least...
They send him a box of samples filled with items like plushies or sweaters (some freaks send their underwear wtf-)
Kisaki has gone through at least 4 boxes and he's about to give up when he stumbles upon a hoodie. Your hoodie. With some inane cartoon or video game (insert favorite cringe character here)
He throws your bag across the room hard as he can because he's so annoyed and it snags on the edge of the table and rips. Then he smells it.
The most perfect soothing calming thing he's ever had the pleasure of smelling in his life. And its your hoodie. He buries his face in it, drinks it in like its water and he's been dying of thirst.
Oh yes, thank fuck, dear god. You're perfect.
If he had a little more restraint he'd be embarrassed at how fast he comes that night. He's not even in rut but he's fucking his own hand like he's 12 again...
Calls the service the next day and tells them he's incredibly interested in your items and wants them all. Exclusively. He also asks (demands) for your personal profile.
They tell him "Thats not how this works sir." and he almost burns their headquarters to the ground, but decides against it. He has to be smart and safe about this. He can't loose his omega.
Plays along with the service, has his best cashmere sweaters and silk shirts sent out to you.
Its a match! Of course it is. You're all but mated to him at this point, and its decided then that for your heats and his ruts you'll be exchanging scented items.
While that happens he has his men infiltrate the company and find you. Finally gets his hands on your information and wants to puke.
There's nothing wrong with you, its just the circumstances.
You suffer from a pheromone diversion disorder and a pheromone deficiency. Your body has a hypersensitivity to alpha pheromones causing you reject the majority of them and your body produces a miniscule amount of omegan pheromones because of being unable to handle others.
Its like you were made for him. His perfect match...
You're younger, and poor. At least by his standards. He can't stand the fact that you send him your cheap shirts and sweaters. Not because he finds it to be pathetic, but because he knows you deserve better. You need what Kisaki, your alpha, can provide.
Lets you go through one heat with his scented items and gets a letter from you explaining how thankful you are.
"You were the only alpha to like my scent, funny right? Saved my butt though, your smell was the only one I liked too."
Kisaki decides that's it. He's gonna make you his Omega soon. He's got an imported collection of hand crafted luxury collars on the way, you'll pick one out when you're ready he just wants to have them prepared and he plans a meet cute.
He had his men tracking you for weeks, since the first time he found out your name and address. Knows you like to just listen to music and walk in the park. You'll bump into each other, smell one another on accident, and fall in love.
The guy is so dedicated to this that he even wears casual clothes, (Vicuna Wool isn't casual you pompous shit), and when it happens he loses himself for a moment.
Your shoulders brush, your eyes meet, and for once in fucking years, he feels at peace. He doesn't even say what he was planning on saying and you take the lead (that wasn't supposed to happen shit-)
"Uh, heya stranger," you smile at him cocking your head, "Smell'ya around?"
This was easy, you two hit it off. You make it easy... Your personality is incredibly calm compared to his own highstrung one. The only problem is that he doesn't want to wait. He needs you now.
Fate is finally on his side, and you ask about the item exchange. He says "What if we just...Shared our heats and ruts together.
He has you convinced it's a good idea. When else will you meet an Alpha whos smell you actually love?
The key to his plan. You're going to bond Kisaki. He's going to get you so high on his over production of pheromones that you're going to go feral and bite him right on his mating mark.
You'll wake up after your heat and feel like a total monster, while he's on cloud nine. That was the best week of his life, his knot felt so at home snuggly inside you...
Kisaki will comfort you. Tell you its not your fault, that he should've done something... Don't worry baby, he knows you'll take responsibility.
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multific · 1 year
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Doll
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Simon 'Ghost' Riley x Reader
Words: 450
He is the centre of your universe. 
The only one you saw and loved.
No one could tell you otherwise.
You were too far gone.
He could be gutting a man in front of you and yet you'd still aww over how cute he looks and thirst over how his muscles flex.
Johnny often said you were obsessed and you never denied it, you knew you were.
Even Simon knew you were.
But he was the same. Obsessed over his Doll, as he called you. 
Doll. My Doll. Endless pet names.
Simon promised himself he would never fall in love or have a relationship.
But how was he NOT supposed to love you? How was he not supposed to be so obsessed with you?
You were gorgeous, everything about you, your curves, your eyes, you lips and everything else. Simon saw you as if you were a Goddess. Like a siren. Someone to lull him to his death and he would die happily for you.
No matter what you asked, he would do it for you without hesitation.
Take a bullet? Yes.
Make dinner? Yes.
Kiss you for the thousandth time that day? Yes.
Make love to you? Of course.
Kill someone? No hesitation. 
All he saw was you. And all you saw was him.
Price was a bit hesitant in the beginning when he started to notice your relationship but the results didn't lie.
The missions you two went on were perfect. No difficulties, no casualties, and everything done efficiently, and perfectly. 
And quickly.
So, Price sent you on more and more missions together.
The latest one, Johnny was also there and Graves.
You never liked him.
And now the others knew why. 
You patched up Johnny's arm as he tried to listen to anyone on the radio.
"You are bleeding a lot Johnny." you looked around the corner, seeing two Shadow barge into a house. You knew you needed to move soon.  
"You are bleeding just as much. Ghost will kill them once he realizes what they did."
"They will be dead before he can get to them."
Johnny laughed a little.
Then radio came through.
"Doll, are you with Johnny?"
"Yes, Sir."
"Johnny, if she even has one-"
"Too late." you replied and you heard your boyfriend groan.
"Johnny if she has any additional injuries."
"You will behead Graves because it wouldn't be our dearest Johnny's fault." you said as you watched Johnny kill a couple guys with a knife. 
"Exactly, Doll." his deep voice came through the radio.
"Can you guys stop flirting? We have a mission here." asked Johnny and you rolled your eyes.
"Negative." came Simon's answer and it made you laugh.
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storiesbyrhi · 1 year
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Witch!Reader x Bat/Vampire!Eddie Munson Series Masterlist The Grimoire The Timeline
Warnings: canon typical violence, horror genre typical violence, swearing, animal death, no beta, warnings updated each chapter.
Synopsis: No witch has stepped foot in Hawkins since 1845, but when Vecna opens the ground and poisons the town, a voice begins to call to you. Have you been brought back to this cursed place to heal the townspeople’s wounds, to save a hexed bat that always finds its way to you, or to redefine your history with a reunion 150 years in the making?
Chapter Summary: In honour and love. 2562 words.
Author’s Note: We pick up where we left off.
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1986
“You’re welcome…”
Your feet were planted so solidly on the ground it was as though you’d grown roots. He took the few steps needed to almost close the space between you.
“Why… why are you helping?”
Oh.
Your body had an almost visceral reaction to his voice. It was more than a familiar sound; it felt like home. You wanted to cry. “I... I… Uh- That’s hard… to explain…”
He looked you up and down, then accepted your answer with a nod.
“I need to… need to bury him,”
“Let me,” the man moved faster than you, scooping the dog’s body up and holding it against his chest.
“Oh… No… He can’t be dumped somewhere. I need to bury him. He deserves to be honoured.” You could feel embarrassment bubble up, something you weren’t used to. It was easy to talk about the craft around witches. It was easy to hide it from humans with clever language. It was entirely illogical, but you needed him to understand what you were saying. You were afraid he’d laugh or deny you this rite.
The man looked from you to the dog. “I know where to go. If you’ll take us,”
“How… Do… Do you remember? Being a bat?”
He nodded. “I am… starting to.”
As the vampire dressed in borrowed clothes, ones that fit more poorly than the last, you picked the best apple in your fruit bowl and a piece of Apache Tear obsidian from your crystal collection, stashing them in your bag.
You checked outside the trailer for nosy neighbours. The coast was clear and you walked to your car. The man had never been in a car. He’d seen them. Knew, in theory, that he just had to sit in it. Still, it presented a challenge.
When you unlocked the passenger side door and opened it for him, he stood awkwardly for a second. “Unless it's close enough to walk?” you asked him. He shook his head and got into the car, holding the dog’s body like a security blanket.
As you drove out of Forest Hills, you stopped at the main entrance. “Which way?”
The man nodded north.
You turned the radio on to fill the silence, assuming there was no conversation to be had.
“You do not belong in this place,”
“No. I don’t,” you agreed. “I used to be. Before the town, before… this lifetime… I lived here with my sisters,”
“They are not here now,”
“No. I’m the only witch here,”
“A witch,” he repeated, nodding to himself.
“Do you know what that is?” you asked.
He looked at you, his eyesight unaffected by the night. “I… may,”
“Oh… Okay. Well. Are you remembering anything else? About what you are?”
“I need blood.”
Of course, he’d know blood. “You will die without it. Well… A kind of death. Eventually. That would be very painful for you though,”
“Yes,” he said, like he knew that. Perhaps the thirst for blood was so innate that the knowledge he’d die without it was too. “Vampire.”
The word startled you. It was still surreal. It was as if a Tasmanian tiger or woolly mammoth were to walk out in front of your car.
He was a vampire. A vampire you had helped. A vampire you had taken a living thing to, to kill. It hadn’t occurred to you until then that you could have simply healed the ridgeback. You could have healed all the animals in Hawkins Kennels, instead you took one to its early death and devoted time to a vampire.
You focused on your breathing. In. Out. In. Out.
“Do you know your name?” you asked, needing the conversation as a distraction. Once telling him yours, you waited, but he shook his head. “We might need to give you one. Or, at least, a nickname.”
Between your limited knowledge of the roads of Hawkins and the fact he’d only ever seen it from the sky, it took a while to locate the place he intended to bury the dog. It wasn’t unpleasant driving empty streets with him though. You wondered if it should have been.
A partially overgrown road, unpaved and a threat to your car tires, was where he lead you. As natural landmarks began to come into focus, the moon’s rays the only light for miles, you felt the growing sense that you’d been to this place before.
When your car came to a dead end, you cut the engine. “Is it far?” you asked.
The man shook his head and waited for you to open his door.
He walked in front of you, flattening a path. Over the tall grass you could see you were coming to a wooded area. You smelt the oak before hitting the edge of the trees.
“Was this a witch?” the man asked, stepping out of your way.
Before you, constructed between two tall sycamore trees was a doorway of sorts. Hundreds of branches and sticks had been used to create a near-perfect circle. They were woven and stuck together to build an arch over and under. A gateway to the woods, not one that defied science, but still an oddity seemingly supernatural in origin.
“How… how do you know this place?”
He had no answer, so he stayed silent. It was just one of many parts of the flatlands, of Hawkins, that as a bat he watched over. He liked the forest doorway though, as much as he’d ever been able to like anything.
“I think… I think I’ve been here. I think I made this,” you said, voice dropping low.
“You cannot remember?”
It made no sense. You should have been able to remember. An unsettling feeling washed over you. Someone had been tinkering in the vampire’s mind, dislodging memories and letting them freefall. Surely, you didn’t have that in common.
When you didn’t answer his question, he asked another. “Is this a place… to honour?”
The dog.
“Yes. Yeah, it is.”
You took the lead, walking through the forest gate and looking back to see what would become of a vampire crossing a witch’s threshold. Nothing. Whatever magic had been there was long gone.
Not far from the gate, you stopped. The vampire understood, carefully placing the dog on the woodland floor. He stayed knelt on the ground and began to move sticks and brush out of the way. His movements gained momentum and soon he was moving faster than your eye could read. He was a blur, then he was standing next to a deep grave, the soil of which was dark under his fingernails.
You nodded when he looked to you for approval, then he laid the dog in the ground. While the vampire buried his victim, you gathered tokens from the nature that surrounded you.
Upon the grave, you laid butterfly weed and echinacea flowers, the apple, and obsidian.
“Hel, comforter in grief,
We ask you to receive this soul.
They lived pure, good, and true.
Hel, watcher of the dead,
We ask you to receive this soul.
Go peacefully now, no lament, no sorrow, nor rue.”
Standing side-by-side with a hexed vampire, you committed the dog to the earth not with a spell but a blessing, and grieved for the oath you’d broken.
“Go now,” he spoke. “I will come soon.”
Before you could ask what he meant, the vampire had gone from your side into the night. You waited in the car for fifteen minutes, the heater blasting stuffy air onto you. When he didn’t return, you drove home alone, only to find him perched on the roof of the trailer.
“That seems very dramatic,” you told him as he followed you inside. He was silent and all but invisible out there, still it seemed even an amnesic vampire couldn’t forget to have an operatic flair.
The trailer was warm and the artificial lighting soft. When you turned to him, you could see it on his face. The colour high on his cheekbones. The red on his lips. He’d found his way back to you, by way of more death.
1836
He watched you while you built the gate. Although he wouldn’t reveal himself, you could feel his curious gaze. It sent electricity buzzing through you, though you would burn at the stake before admitting that to yourself.
When he felt sure no townsfolk or coven members were joining you, he sauntered through the field, parting the long grass at will.
“Little witch. Why are you playing with sticks?”
You paid him no mind, which you knew would drive him crazy. He walked through the gate and around it, poking at the branches and making noises of discontent.
“If you aren’t going to help, you can go be a nuisance to your own kind,” you warned him, a stick pointed in his direction.
He swiftly grabbed the stick, tugging it hard, pulling you into him. It was the first physical content you’d made. The stick was forgotten as his cold hands wrapped around your upper arms, your chest pressed to his. He looked down at you, bared his sharp teeth in a smile.
“You don’t want me to go. Do you?” Your blown pupils were answer enough. He grinned again. “How can I help?” he asked, voice softening as he let you go and stepped away.
“I need… more…”
“More…? Sticks?”
You nodded dumbly.
He stayed close, within your sight, and moved at the speed of a human. You steadied yourself, regained your composure, and continued with your task.
The circular doorway would allow humans and witches to pass safely through the woods. It worked like a protection spell, once through it the individual would exist within a bubble, the bubble would take them through the dense and dark forest untouchable to vampires and foes.
On the other side of the woods, your mother had created one just like it, though she preferred to work in the daylight. Your penchant for twilight walks and midnight magic had, so far, gone unnoticed by the coven. Moonlight was a strong conductor, after all.
When the doorway was complete, holding strong against push and pull, you considered sending the vampire away. Somehow though, your magic felt stronger when he stood next to you. So, he stayed.
“Bloodline magic, far and wide,
Enchant this doorway so friends may hide.
Leaf and petal, wood and stone,
Protect our friends, return them home.”
You painted a circle of salt, sage, ground black cat bone, and mud around the doorway while reciting the spell. Then stood on the opposite side to the vampire.
“I dare you to cross through,” you said to him, a coy smile warning him of your witchy mischief.
“You wouldn’t be trying to kill me, would you, little witch?”
“If I were, it would not be with sticks and stones.”
He laughed, then considered you, his head cocking to the side. “If you want me to cross through, it will not be for free.” It was obvious he wouldn’t be able to walk through the circle, but the damage he would sustain was a mystery. What price would he put on shame or pain?
You huffed and crossed your arms. “What do you want? More stolen apples that you can’t eat?”
“A kiss,” he replied.
Your expression stayed playful; you held your nerve. He didn’t miss the way your breathing hitched though.
“For that, I want more,”
“Of course, you do,” he laughed, motioning for you to continue with a wave of the hand.
“Your name. A kiss will buy me your name.”
The vampire was quite pleased with himself for having held back that detail. He had predicted it would become useful. Witches and their silly little words and silly little names. It was all so important to them.
“You have yourself a deal.”
You clapped with joy, then bowed at the gate. “Please cross this witch’s threshold,”
“Oh, I do love it when you speak so filthy,” he quipped.
Tentatively, he approached the gate, waiting to feel his skin burn or something mystical and unholy. You watched amused at his sudden caution.
“Nothing will happen until you cross through,” you told him, trying to hurry him along.
He shot you a dark look that ought to have frightened you. Instead, you giggled.
The vampire took a useless breath in and jumped off the ground. He hit the circle like it was a brick wall, then was sent on a harsh rebound from the trees and into the tall grass.
You covered your face to conceal the laughter, waiting for him to reappear, ego bruised.
The wind whistled through the air and you thought perhaps you had pushed the vampire too far. Carefully, you followed his path from the gate out the woods and to where the grass began.
“Oh, vampire!” you called sweetly.
His voice came from all around you. All-encompassing whispers of, “Little witch, little witch, little witch!”
“I’m not afraid of you.”
The whispering stopped. You walked into the tall grass and found him lying on his back, casually lounging.
“Have you come to shower me in kisses?” he asked, fluttering his long eyelashes as you.
You knelt next to him, leaning over so your arms were either side of his head. “Give me your name,” you demanded, eye to eye with him.
“When I was born into this world, my mother named me Edward,” he said so casually, like it had never been a secret.
“Edward,” you repeated, a tone in your voice that made him smile.
“Are you disappointed? Would Molech suit better? Abaddon? Paimon? Or perhaps Lucifer Morningstar is what you expected?”
You looked down at him and saw through the shallow humour. “There’s a boy in the village. His name is Robert. It means bright star. His mother calls him Bobby and he answers when she calls,”
“Are you trying to distract me with a lesson?”
“Edward is of Old English origin. It means both fortune and guardianship. Which, in your case, does not fit quite right.” You didn’t reveal that his name was relatively new in human history, leading you to conclude he was not an Ancient vampire.
“Do your arms tire, Amabel? May I take this weight from you?” With vampire speed, he sat up, pulling you over him, your legs straddling his lap.
The game was fun. You held your arms out straight, letting them lean on his shoulders. “My assertion is that like Bobby, you will answer to a different name. I think I will call you… Eddie.”
You half expected him to argue. Instead, he smiled tenderly and snaked his arms around you. “You can call me whatever you want, little witch.”
Eddie listened to your heart, how it began to beat faster as you leaned down and ran the tip of your nose against his. His lips touched yours, his cool to your earthy warmth. You had kissed witches and humans and a few fae folk too. Nothing… absolutely nothing compared.
You rolled your hips against him, begging to be held tighter, instead he maintained the space between you, breaking the kiss and resting his forehead against yours.
“What are we going to do?” he asked, in a moment of honest vulnerability.
Willing yourself not to cry, you left his sorrow unanswered and instead, leaned in to kiss him again.
End Note: Not me agonising over US English versus Australian. The Grimoire and timeline have been updated (links at top of post). Reblogs encourage me to keep writing! And, I'd love to hear your thoughts.
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moodymisty · 4 months
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A kinda funny anecdote: I asked my husband who he thinks tumblr girlies would like to fuck and he sighed and said Sanguinius or Magnus.
But he wished people would thirst over Jaghatai Khan more, since he's actually a good man, playing up a mysterious façade but actually being a loyal and intelligent man, a family man even, as he is from a culture that values family. Only thing faster than his sword is his wit.
So, if you please, I would love to see the Great Khan whisk away the reader, on his bike or horse, just something a bit romantic if you feel like it <3
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[ 𝕸𝖔𝖔𝖉𝖞𝕸𝖎𝖘𝖙𝖞'𝖘 𝕸𝖆𝖘𝖙𝖊𝖗𝖑𝖎𝖘𝖙 | 𝕬𝖔3 ]
Author's Note: YES! JAGHATAI TIME! I'm so glad someone requested him! He's really an awesome Primarch and one of my favorites, I would totally paint some if that didn't mean I had to paint white. It's sad how often people forget to mention White Scars when mentioning kinder space marines, they're awesome. Hope you enjoy.
Summary: Khan realizes he's in love not when he sees your beauty or your skills, but when he sees you in the mud with the horses.
Relationships: Jaghatai Khan/Gn!Reader
Warnings: None, Though I had a bit of trouble forming this one in a way I was happy with, so apologies if it reads a bit weird? It's also my first time writing Jaghatai
Word Count: 1143
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While Jaghatai would be wrong to say this would be the oddest sight he's seen in his already long existence, perhaps it's up there.
"There you are."
His voice travels easily over the sound of the wind raking the tall grass, blowing fabric and hair along with it.
Sitting cross legged in the grass of a massive rolling field is where he found you, playing with the snout of a horse that has lazily laid on his legs to be at a similar height to you. He blows air through his lips, making an odd whinny at you when you turn and stop giving the stallion your full attention. You catch Jaghatai's eyes for a moment before looking away, a bit contrite.
"Apologies," You say, and he can hear the title Lord Primarch on your lips. You stifle it now, as he finds it far less palatable than his others.
"Do you have need of me?" You move to get up, but the Primarch gives a response before you're able. Jaghatai's mouth quirks up ever so slightly to one side, watching the horse attempt to get purchase on your clothing with his lips while you aren't looking at him.
"No. I was only curious where you had managed to lose yourself this time. My captain was beginning to think we were down one remembrancer."
You don't directly answer him, but the way you glance over at him with a guilty smile is enough.
Your hand brushes along the stallion's cheek, the thick fur of his growing winter coat raking through your fingers. The nights are getting colder, and the baseline humans that serve the massive, overheated Astartes find themself bundling pelts and fabrics tighter, skin burned from cold wind.
Jaghatai can hear you now whispering to the horse under your breath, even as the cold air whips across the barren, grass covered field. He can see the plume of smoke from another camp far in the distance.
They aren't hostile, but he never allows himself the sheer foolishness of assuming they will remain that way. Especially since they're carrying with them valuable cargo this time; Remembrancers and Navigators, and other such. Humans that would be an easy and worthwhile target, if they were ever so foolish enough to do so with a Primarch so close.
He gestures to the horse who's snout you gently rub, feeling the soft, tiny hairs on the stallion's upper lip. What a rare moment of relaxation you've gotten with no overseers looming over you as they would on Terra. How interesting that it seems the Astartes of the White Scars are less rigid than your old Imperium higher ups.
"I am surprised he's letting you do this. The last man that got close, he killed."
You look up at him as if he's telling a sort of terrible joke- then you realize that he is dead serious, as much as that soft, ever so slight upturn of the corners of his mouth might say otherwise. The Horses of Chogoris have always been so untenably wild, perhaps you shouldn't be surprised.
"I'm no stranger to that sort of thing, nowadays." He finds it amusing that you don't seem to state it negatively. "Going from Terra to Chogoris has been quite the adjustment."
The horse's tail whips sharply once, before settling again. You continue playing with him, occasionally looking to the Khan as he stays in silence. It's peaceful, far more peaceful than he's had in a long while, and the moment allows Jaghatai to finally piece together what has been gnawing at him since you'd entered his life. To think that was so long ago now, at least in the timeline of a mortal.
His eyes watch over you, your gentleness as you treat the stallion in the same, abit foolhardly way of kindness he's seen from you before. For someone who has seen more than their fair share of things that would make other mortals crumble, you seem to take it all in stride.
Perhaps its why you've managed to fit in so well. His men much prefer your attitude to the few other pompous, stiff Imperium operatives they've had the misfortune of being in the presence of. It may not be often, but more than once has he caught one of his captains rolling their eyes.
But now he finally understands what that feeling was that had dug it's nails into him; The one that had been heavy in his chest and on his mind. The one that had his mind drift to you in moments of slowness.
He is in love with you. Or perhaps more accurately, he's striding down the path closer to it. Each step he takes, each time he speaks with you, he makes his way closer and closer.
He enjoys the way you look at him, speak to him without so much formality, the way you treat the galaxy like it's full of wonders instead of horrors. You know in reality it is, but you once joked it's better to simply keep moving than to sit in the corner and weep. Perhaps that was the moment that this all started.
A part of him knows that something like this is only going to bring problems. To entangle this with a labyrinthine crusade of Astartes, of other Primarchs.
But in the end, he doesn't care.
The Primarchs were doomed to this feeling of being separated from humanity- their own internal humanity- by a pane of glass; So close and able to watch, but not truly feel. Even with how much they mimic, the Primarchs all feel a distinct emptiness within them from how cast away they are from those who they share species with.
To have a chance to maybe feel love, to actually feel truly human for the first time in his life, he isn't going to pass it by. Perhaps it's selfish, but he has little care. He is going to live his life the way he wishes any he will deal with the difficulties as they come.
Jaghatai Khan can easily vault the fence with zero effort, given his height. In doing so, he steps close to you, and the massive horse raises his head and begins to rise to his hooves, no longer allowed to slack off. He roughly gestures with his hand for you to rise.
"Up. I'll show you how to ride him."
You get up on your feet, and look up at him. He looks down at watches the light of the brightest moon of the month reflect on your skin. There's the faint smell of smoke in the air from the fires, and that stinging scent of cold air. You easily climb up onto the horse's bare back, Jaghatai even then still taller.
"Perhaps if you can tame him just enough, he can be yours."
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Text
The Rime of the Ancient Mariner and parallels in OFMD
2.7k word meta
If you haven’t read my other post about why I’m talking about albatrosses in the first place, read the first part of this and come back! All of this will make the most sense if you read all of the parts I’ve written – I’ve split them up for ease of reading, because holy shit this is long.
TWs: animal death, blood, eating animals, starvation, emotional abuse, physical abuse, gunshot injuries, suicidal ideation, canon-typical mental health problems
MAJOR OFMD SPOILERS THROUGH S2E03
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Let me start out by saying that yes, this is anachronistic – this poem wasn’t written until 1798. I also don’t care: Oluwande is wearing crocs, Stede’s “corpse” is crushed by a piano whose maker won’t exist until 1863, Blackbeard’s got his whole leather-daddy getup, Zheng Yi Sao won’t be born until 1775 – OFMD plays fast and loose with historical accuracy, and I am never going to dismiss an OFMD theory because the timeline doesn’t match up :P
Now that that’s out of the way, a little bit of background information. Long summary incoming.
The Rime of the Ancient Mariner is a poem written by English poet Samuel Coleridge. The story is told through the words of the mariner, who has recently survived some horrifying ordeals, soon to be told to a poor unsuspecting stranger who just wants to attend a wedding. As the story goes, the mariner set out with his crew of 200-some-odd men, and everything’s going just peachy until some storms pick up and drive them toward the South Pole. Stranded and lost, the crew fear for their lives, until an albatross appears. At the same time that the albatross appears, the storms clear, the helmsman is able to make their way through the ice of the South Pole, and a southern wind picks up, pushing them back north. The albatross follows the ship, but the mariner believes that it is somehow responsible for the mists and fog that now surround the ship, so he shoots the bird with his crossbow. At that point, the fog and mists actually do clear up (by coincidence or otherwise) – and the crew praise the captain for taking down the bird.
But it’s a fickle crowd – soon the wind stops blowing, and the ship is becalmed; the crew blame the Mariner for killing the bird that had been their good luck. They sit in the middle of the ocean for days or weeks, dying of thirst. They cannot even speak, they’re so thirsty – but they make sure that the Mariner knows that he is to blame for this by tying the albatross’s body around his neck and forcing him to wear it like a grotesque necklace. Eventually, everyone on the ship except the Mariner dies (there’s a bit here about Death and Life-in-Death rolling dice to see who lives and who dies – the important part is that none of the crew survives).
Finally, the Mariner is left alone on his ship of corpses, which strangely do not smell or rot. He wishes he could die, but he doesn’t. During this time, he begins to appreciate what there is left to appreciate – the life around him in the ocean, in the air, “all things both great and small” – and the curse is lifted from him. The albatross detaches from around his neck and sinks into the ocean.
From this point on, the story goes about as you’d expect – the curse being lifted, the wind picks up again, setting the Mariner speeding back home (though, perhaps unexpectedly, his crew gets to come back as zombies for a short while to man the ship until it reaches land again, at which point they die again. RIP). As the ship is coming upon the Mariner’s homeland, it sinks like a rock to the bottom of the ocean – a hermit happens to see the Mariner floating out there and comes to pick him up, thinking he’s dead. When the Mariner opens his eyes, the hermit believes him to be the Devil himself (I mention this only because I think the wording of “Demon? I’m the fuckin’ Devil” lines up perfectly with this).
As penance for shooting the albatross (as if all of this so far wasn’t enough), the Mariner spends the rest of his days wandering the earth, telling his story and making random wedding-goers sad.
HOO BOY, that was a lot. (A whopper, one might say.) Thanks for sticking with me so far.
Now, some of the parallels between this poem and the events of OFMD are more neat and tidy than others are. The biggest parallel, obviously, is the link between the albatross and the “impossible birds” that Ed references in S2E01 – the entire reason I started reading this poem to begin with. The links between the show and the poem are not ones that I think the characters in the show (Ed) are consciously making. I think these allusions more reflect the themes and symbols that the writers and directors want us as the audience to pick up on. Therefore, the “impossible birds” conversation in canon is not talking about albatrosses in the sense that they are commonly referenced in literature, as the proverbial weight around one’s neck that represents guilt – but we can still talk about that symbolism outside of canon.
And talk about it I will.
For those of us who have watched the show, it probably goes without saying that Ed’s got a fair amount of guilt, shame, psychological trauma, etc. that he carries around with him. So if we’re going to invoke the albatross metaphor following S2E3, what specifically can we say is Ed’s “albatross?” There are a few candidates that immediately come to mind. It could be his guilt surrounding a) his father’s murder; b) Lucius’s attempted murder; c) the abusive, toxic relationship that he carried on with Izzy; or maybe even d) himself.
That last one is a little esoteric, so let me explain. Ed hates himself – aside from all the self-destructive tendencies as evidence, he admits it out loud in his dream with Hornigold in S2E03. I wonder if the albatross that is hanging around Blackbeard’s neck is Edward – the real Edward, the one that is more than just his fame, his terrifying persona, his violence-as-a-form-of-love tendencies – the Edward that Stede fell in love with. I wonder whether Ed’s guilt surrounds more than just how he’s hurt others, but how he feels he has killed a truer, better version of himself, and that he can never regain it. In line with The Rime of the Ancient Mariner, killing this “albatross” of a better Edward didn’t just kill him – it killed everyone around him as well. And now, after he has borne the blame of others for having gotten them into this situation, he is forced to wear…himself. The guilt that weighs him down is the knowledge that there is a version of him that was loved, that Stede loved, and in his eyes, he has killed that version of himself.
I want to take a moment to acknowledge a post (or several posts) that I saw several months back in relation to season 1. In these posts [Link1, Link2], smarter people than me drew a connection between a metaphorical albatross and the black cravat that Stede gives to Ed – and that Ed continues to wear until he and Stede change into their privateering academy garb. Something both of those posts touch on is how the cravat represents Stede, and I think that is completely true; however, I posit that the cravat represents the fact that Ed is lovable.
Something that’s been pointed out in the past 48 hours since these episodes dropped is that Ed is not wearing the cravat during the first parts of season 2. Only when he essentially decides to kill himself via storm do we see him once again wearing the cravat (the cravat is also noticeably absent from the purgatory dream sequence).
What exactly this means is still shaky to me – in my mind, Ed does canonically see the cravat as a reminder of his “real” self, and he puts it away and tries to hide it while he’s still…well, functioning is far too strong of a word, but at least not actively suicidal like we see at the end of episode 2. I think hearing Izzy supposedly shoot himself is what pushes Ed over the edge into being actively suicidal; perhaps at this point, some part of Ed is still hoping against hope that he can convince himself not to do it, to wait for Stede. Alternatively, it may be that if he dies here, he wants to take the idea of a “better him” with him.
In the sense of the cravat representing the albatross (meaning the cravat presence is not a choice of the characters, but of costume design), the cravat being missing during the batshit-insane-high-on-rhino-horn Kraken era may represent him not actually feeling the guilt of losing himself during this time. He may have actually convinced himself that a lovable version of himself never existed, and he’s living guilt-free. The guilt comes back when he hears Izzy shoot himself – he’s reminded that he caused this by killing a version of himself that Izzy trusted and even loved, in his own fucked-up way. From then on, the cravat is back on – the guilt is back, and it’s strong enough to induce the kamikaze-type rage we see in the storm.
(Important to note here that while I stand by this interpretation, I’m not sure how it fits with the fact that Ed is wearing the cravat just after the Krakening – the moment when he’s looking back on the island that he just abandoned the Revenge crew on in S1E10.)
I’m leaving this one for myself to come back to later on the off-chance I have some sort of epiphany.
Oh wow, you’re still here?? Probably time for a water break. Go on, the rest will be here when you get back. And there’s unfortunately quite a lot more that still needs to move from my brain to this Word doc.
Ready? Ok.
So that’s one possible interpretation of what Ed’s “albatross” is – I won’t spend time on other possibilities because what I’ve laid out here is the interpretation that I most strongly subscribe to. But all that is only really addressing one part of The Rime of the Ancient Mariner. Granted, it’s the most important part, symbolically, but there are some other parallels that I want to address that together convince me that the writers of OFMD are actually, specifically referencing this poem.
Obviously, there’s a parallel in that both the happenings of the poem and OFMD occur on actual, physical ships, captained by the man who ends up “shooting the albatross” and being rightfully blamed for it. Both of these ships suffer because of the dead albatross – physically, both ships are taken through devastating storms, and both ships are falling apart. The ship in the poem stops moving indefinitely because of a becalming (all wind and ocean currents stopped); the Revenge stops moving indefinitely because Ed removes the wheel. Both ships suffer casualties – in the poem, everyone dies, and on the Revenge, those crew members may be physically alive, but they are haunted by it. The poem makes note of the fact that the crew died of thirst – while this doesn’t seem to be a main concern on the Revenge, the show does show us, rather graphically, that they were beginning to starve, having to catch and eat raw seagulls to survive (note that dead birds are also a recurring theme in OFMD, leading me to believe even more that albatross references are intentional).
There’s an interesting pattern in the poem concerning dead people – specifically, how they don’t seem to be entirely dead at first. Firstly, the crew that die of thirst drop dead, one by one, on the deck of the Mariner’s ship. However, the poet notes that the bodies did not decompose or smell. Later, these bodies are resurrected by whatever sea spirit chooses to spare the Mariner’s life, using the bodies to man the ship and sail it back to shore. When they are done with this, they drop dead once more, staying on the ship as it sinks to the bottom of the ocean. When the hermit finds the Mariner floating in the ocean, he thinks him dead, before the Mariner’s eyes shoot open (similar to a certain someone at the end of S2E03).
In season 1, I can’t think of any instances wherein someone was presumed to be dead, but actually wasn’t, aside from Stede’s fuckery. However, this theme has come up at least 3 times in season 2 so far: Lucius being the obvious one, then Izzy, and finally Ed himself (and if I’m understanding correctly, Ed was actually, literally, cold-in-the-ground physically dead, not just “presumed dead.” This might be clarified in a future episode). That seems…intentional.
Side note: how long was Ed supposed to have been dead? Days? Didn’t anyone notice that he wasn’t, like, rotting? Especially when “the smell of rot” has been something that very consistently shows up in the show when it’s relevant (see: Lucius’s finger infection, Ed being able to smell Izzy through the walls of the ship).
One more thing: the last thing that the Mariner sees when leaving the shore, and the first thing he sees when he gets back? A lighthouse. Now, could that just be a coincidence, with lighthouses being a very common image in sea-based stories? Sure. But I’m choosing to believe that this poem was chosen (and yes, I say chosen – as in the writers took inspiration from this poem) specifically because it has so much imagery in common with OFMD.
These are admittedly tenuous links between the poem and the show, but they are links, so I’m including them.
The last thing I want to mention about this poem is how its “moral,” if it can be said to have one, is to treat living things with respect – you as a person do not live in a vacuum, and your actions have consequences for others, not just yourself. And I think this sentiment lines up incredibly well with a line that Jim has in S2E02:
There was a time when life meant something on this ship. When we lived for each other.
According to Jim (and according to literally everything the show has been telling us), the ship was a safe place when the people onboard cared about each other. Fang mentions that Blackbeard didn’t even react when Ivan died; Blackbeard callously shoots his first mate, with the intent of having him killed; he doesn’t even care about his own life and whether he lives or dies. Just like in the poem, this is the issue that needs to be resolved in order for the curse to be lifted – the Mariner (Ed) needs to rekindle an appreciation for life. In the poem, this is a simple “every living thing is special” kind of epiphany – I get the feeling it’s going to be a much more complicated journey in OFMD, especially since the show as a whole is somewhat irreverent concerning the deaths of non-recurring characters. For Ed, I imagine it’s going to be more of an appreciation for his own life – not the value of life on the whole, but the value that his life holds.
So. That’s a lot of words that I just typed – I’m hoping at least some of them made sense. Huge thank you to anyone who made it this far! This is all I’ve got on this particular poem, but I’ve still got more things I want to say about another poem called L’albatros (Charles Baudelaire) and how it relates to Ed and his perception of himself. It’s a huge stretch to say that this poem exists in-universe and Ed has read it, but it makes sense to me and I want to get my thoughts down on (virtual) paper – I’ll link to it in the original introductory post (link to that at the top of this post!).
Let me know what you think!! This silly, stupid pirate show will be consuming my thoughts for at least the next several months, and I’m dying for some reciprocal opinion/info-dumping. Inbox is open!
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cubeapples · 3 days
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the reason i think tomarrymort is a predator-prey relationship is because in reality, if you look at it completely objectively, harry is just an obstacle voldemort has to beat down. he is not an equal enemy. it's really not that deep. put down your pitchforks, let me explain.
obviously, they are enemies in the way that they stand for opposing ideologies. so it is an enemies to lovers dynamic, but it isn't THE enemies to lovers dynamic. they just don't have enough history to be portrayed as arch enemies in my opinion. that title goes to dumbledore.
you have voldemort, who is a terrifying warlord who has brought britain to its knees. he has stricken fear all over the world. people are afraid to say his name. and then you have harry, who is powerful in his own way, he is a decent wizard and is considered voldemort's enemy by a prophecy.
voldemort, in his paranoia and fear, decided to kill this toddler who is considered his enemy and ends up without a body. as you can already tell, there is a maaajor power imbalance here, it's laughable that voldemort lost to a baby. because of this, he has to spend 13 years as a wraith without a body. that is probably one of the most traumatizing things he has probably went through. obviously, when he recovers, he becomes even more irrational. he makes another horcrux, he considers harry as a real threat because he thinks harry's power did that.
we, as the readers know that the last statement is untrue. canonically, it was lily's love that protected harry. not some magical power harry possessed when he was a toddler, but because lily loved him so much that voldemort's soul was split apart again and he was left in agony.
then, harry grows up. he is a bright student. he is good at DADA, he sucks at history, he is powerful enough to cast patronuses. but overall, he is mediocre. we don't see him having a thirst to learn, we don't see him actively seeking out ways to destroy voldemort, we don't see him taking his occlumency lessons seriously. (rightfully, because snape was being an ass) but overall, he doesn't go out of his way to do anything significant. he's just trying to survive. but that doesn't mean he is not brave. when he's put on the spot, he faces voldemort and hardly runs.
but overall, he is not in control of the grand scheme of things. dumbledore is the one orchestrating voldemort's downfall behind the scenes. harry is just a particulary shiny pawn needed to win the chess game, but the queen is still dumbledore. sure, harry is scene forming the da in book 5 and sure, he goes on the hunt in the seventh book, but that is only because voldemort is actively pursuing him. do you see it now?
yes, you could say harry would have graduated and fought against voldemort but... so would everyone else. there is an entire order dedicated to fighting against voldemort, harry isn't special.
harry is only significant to voldemort because of the prophecy, without it, he will always be a no one to voldemort. you can't disagree with this, because if you do, you should be prepared to ship neville with voldemort because he could have been the chosen one, but the prophecy wasn't about him. he fought alongside harry, too. he slit nagini's throat, and yet voldemort barely pays attention to him.
you can say harry isn't prey-material because he fights back. but that is because he's been put on the spot. he has no where to escape at all. harry never instigates any of their fights, they are not on equal footing. they can therefore, never truly be equals opposing each other, simply because harry does not have the expertise to hold his own against voldemort. the prophecy labels them equals, but is this ever truly portrayed? no! voldemort literally has a piece of his soul inside harry, it's like he partially owns harry already. they were never equals to begin with. if jkr truly wanted to portray them as equal enemies, she should have given harry more credit. he is never anywhere near as powerful as tom riddle. she shouldn't have had dumbledore providing all the info, she shouldn't have had harry be a martyr-like figure who has to sacrifice himself to save the world, she shouldn't have made harry win based on pure luck.
the only reason harry won was because of voldemort's irrationality and harry's plot armour.
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dearcat1 · 7 months
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(Drugs)
Part 2 of The Advantages of Thirsting
Xanxus stares at the human disaster that is supposed to be his opponent. He's just standing there, looking at Xanxus like all the answers to life can be found under his nice looking boots. They're boots. Combat boots. Completely normal combat boots, even. Xanxus fucking checked. He turns, eyeing the crumpled form of Don Vongola on the ground. Xanxus clicks his tongue. He wants this fight, he wants to win Vongola's throne fairly enough. Yet, a part of him wants to check on the guy, see if he has a fever or if he's drugged or something but he suppresses the urge. Sawada is none of his fucking business, strange crush or not.
"Right." Xanxus holsters his guns again, staring around the battlefield for something to do. "We'll finish this tomorrow."
Sawada is nodding before Xanxus even finishes speaking. "Tomorrow," he says, like it's a confirmation for a date instead of a challenge. "And you'll step on me tomorrow?"
"Kill you," Xanxus corrects. He feels like he should be offended but he thinks Sawada doesn't think Xanxus is too soft or too weak or too gentle to kill him. Sawada is just happy to die by Xanxus's hand. Because he thinks Xanxus is hot.
What is wrong with these brats?
"Yes," Sawada sighs, like a school-girl fangirling. "You will kill me."
Xanxus eyes him, fingers twitching with the urge to shake Sawada's shoulders. "What is wrong with you?" He takes care to make it violent, as far away from worried as he can.
"Nothing is wrong with me," Sawada's face lights up anyway. "I'm fine. I'm great even. I've never been better."
Somehow Xanxus doesn't believe him. Poor dude. He's gone insane. Xanxus brings his wrist up, trying to catch a whiff of his smell. He's not close to a heat, he's pretty sure. And nope. He sniffs again, he smells like he always does. Sawada is still standing there, watching him with that silly little smile on his face. Xanxus frowns, killing the little shit now feels… Well, there would be no point in it.
Beside him, Squalo snorts. "He's got it bad."
"Did we drug him?!" Xanxus hisses under his breath. "I didn't give the order."
"We didn't drug him," Squalo eyes Sawada with the beginnings of glee edging into his smile. "This is all you."
"I didn't do shit," Xanxus protests. Other than the fighting, of course. "Look at him," he gestures at the guy. "I could beat him up and he'll thank me for it."
"I would," Sawada confirms, dreamily.
Xanxus makes a face, eyebrows rising at the confirmation. "See?"
Squalo's smirk has teeth. "He thinks you're beautiful and deadly and he will die happy between your thighs."
"So happy," Sawada confirms, looking at Xanxus's thighs with longing.
For lack of anything better to do, Xanxus shoots at both of them. Squalo avoids it, Sawada doesn't even try.
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First shared in The Saiouma Pit discord server, parts said by other members are in quotations, unassigned bullet points are my messages
Hina: "It could go either way but... if it's Shuichi demonic royalty instead of parent, it's his uncle or Shuichi's parents and uncle being there and he's managing to perfectly play shit off to his parents while his uncle is just not buying it?"
his parents being the rulers of hell but his uncle being the one that cares to visit
Dra: "Shuichi tells Kokichi about what's going to happen, Kokichi agrees to help him find someone to marry (they are stupid) but before they can think of anyone time Runs out Shuichi's uncle appears from his silly little red demonic circle, looks at Shuichi, notices Kokichi and just "your human is rather small" And Shuichi loses it because oh fuck he didn't want to get Kokichi involved in this"
Hina: "The fact they really thought an hour was enough time to find a fiancé is just sad"
Fuwa: "we can extend it to 6 hours." And then I said: "no, an hour is perfect"
also Shuichi knew beforehand and just waited helplessly until it was last bell to do anything so he asked Kokichi for ideas
Fuwa: "they do fucking tinder, try to get a demonic looking match. They use a goddamn fake face app, to like, see who's demonic enough, and they point it towards Kokichi on accident at the very end, and it's like "perfect match". "Wow it's truly satan!!""
Hina: "WHY THE FUCK WON'T ANYONE MATCH WITH ME??? I TRIED A THIRST TRAP. I POSTED A PHOTO WITH A DOG. DO YOU NEED A FUCKING FISH??? IS THAT WHAT WE NEED??? SHOULD BE GO FISHING???"
Dra: "Does Kokichi get pros/cons of suddenly being married to demon royalty?" me: "like, what could the cons even possibly be? but yes he does"
after that dinner he stays up at night, pulls out his trusty white board
Dra: ""What if they don't have wifi in hell"", Fuwa: "Shuichi's family" (also listing cons)
Hina: "Pros: Demon Royalty, Would Protect You, Live in Castle, Rich, Cool Uncle, Husband Kinda Cute Ig Cons: The Signal Sucks, Parents are Meh, A lot of fire, Hot. Everyone Here lowkey wants to kill you"
idk about the killing part, I think Kokichi could gain respect in hell, they'd think he has what Shuichi lacks, he was always deemed too timid and soft for a heir to the throne, now this human he brought on the other hand…
Dra: "Ok but it'd actually be so funny if the other demons started going with Kokichi's lies and introduced him as the most powerful demon ruler that just happens to look like a lil dude (it's totally so he can fool sinners into thinking he's harmless) and Shuichi is just watching this go down like "huh""
I love fake dating AUs so I'll try to add a little more to this.
Neither of them has realized their feelings yet when that fated night happens, but something's been brewing through months of their living together. They're just friends that help each other in situations like needing an emergency fiancé. It's cool.
Until it's serious and they're told to pack, so they can begin preparations for the wedding and coronation in Hell as soon as possible. So things get a little tense, but they can go with the flow. It's just another adventure in the life of a supreme leader. And then the shenanigans begin.
The chambers prepared for them obviously have only one bed. They have to show off their affection to sell it to everyone. Learning new details about each other when they're made to pick out stuff for the wedding together. Some frosting on one's face while trying potential cakes. Waking up face to face after swearing to stay on far off sides of the bed the night before.
Kokichi learning things about Shuichi's childhood, Uncle shows him pictures. Shuichi watching Kokichi as he impresses demons with his act, looking at the faces he makes and being not only impressed too, but falling a little bit in love with the joy it brings Kokichi to have a receptive audience.
The realization of feelings being followed by the assumption it's unrequited and wallowing in it. The mixed feelings when trying on suits, dreading the approaching wedding day while thinking the other doesn't feel the same. Something pushing the tension past the limit and causing the confrontation. I've been thinking of maybe introducing a little magic to Hell's wedding traditions; they would each have to throw an ingredient into a huge jug of a special alcoholic drink that is prepared for weddings some days in advance and those specific ingredients have to be thrown in by the couple because the mixture will turn a pretty color when someone in love does this step.
Those idiots. These two morons. When it turns out alright they jump to the conclusion that the other is in love but with somebody else. [This could also be done with Kokichi hearing Shuichi mumble something about love in his sleep, or overhear him venting to somebody who knows their situation, probably Uncle or a friend, say "I think I'm in love" all tragically and the same misunderstanding happens]
So accusations fly, "If you're in love with someone, then why didn't you go to them with this?"
"I didn't know then. Why did you agree to this if there's someone you-?"
"I didn't know. And I expected this to be over by now. I thought that they wouldn't approve of me, or find out it's a farce and then kick me out."
"You should be with the one you love. I can open a portal for you. I can come clean to everyone, I got you into this mess-"
"No. It's not that simple" Shuichi looks at him questioningly, so he sighs and continues "... I am pretty sure it's unrequited. Doesn't matter anymore. What about you? I promised to help. Whatever that means now."
Whether they resolve it at that point or continue without talking things out [Shuichi claiming that his feelings are unrequited too, so their only option is to stay on track.] is up to you.
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nevis-the-skeleton · 1 year
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Why do we hate Airachnid that much?
I saw a short but rather interesting post from @cosmics-beings, which questioned why most of us hate Airachnid that much: here
A possible first answer was that it was because she killed Breakdown. But as cosmic says, Starscream killed Cliffjumper and Megatron killed Dreadwing, yet that doesn't stop us from liking one or the other, or even both : here
So what is different with Airachnid? What makes us don't love her, sometimes going so far as to hate her. Because deep down, she's not much different from Starscream. Both are characters who don't really belong to one side, and who are selfish and calculating. They both have:
-Tried to betray Megatron
-Became MECH Allies
-Killed a partner of Arcee/or other (so Breakdown for Airachnid)
And yet, despite these striking resemblances of actions, the two did not do it for the same reason, or in the same way.
*
First, why do both of them want to betray/kill Megatron? Starscream attempts to do this because he is being abused by Megatron. He's actually one of the few Starscreams to be at least loyal as long as you treat him well, and meet some of his expectations. In the beginning of the series, Starscream shows no signs of betrayal, until Megatron begins to hurts him. It's from this moment that Starscream begins to think again of betraying him, by killing him. This is one of the first reasons, the second being an undeniable thirst for power from him, which he somehow tries to fill. Adding the fact that he led the Decepticons for three years, and as soon as Megatron returned, everything started to go wrong. Thanks, Dark Energon…
But, Airachnid? Why does she do it? Why does she want to betray Megatron so badly too? For power? Like Starscream? But what is the motivation behind it? She seems more the type to live alone, and all of a sudden she wants to lead? In fact, we don't understand her intentions unlike Starscream, this is one of the first points that makes us not like her, because we can't understand her. A character on the villain side can be appreciated, but has to be understood.
*
Then why did they try to ally with MECH? For Starscream, the answer is simple: he was literally starving to death, and MECH had the resources to solve that problem. Afterwards, one might wonder why he betrayed his species in such a way by revealing to the MECH how to build an artificial Transformer. Already, because it suited him, the MECH was bound to look for energon for their robot, and he knew that in return for his information, he could have some. In Starscream's head you don't get anything for free, if you don't have anything to give back, you get nothing. This, he already learns with the Autobots, because if he didn't have the necessary information, Ratchet wasn't even fixing him. And surely it was already like that even with the Decepticons. Starscream also indeed shot Bumblebee's T-cog, but he had no real malice behind it, in fact the shot practically go off on its own. And, yes, he mocks Bumblebee. But at the same time it's Starscream, we can't expecte from him to have compassion for an enemy.
Airachnid on her side does it for her vendetta against Arcee, nothing else. She just takes pleasure in making Arcee suffer, by threatening her human family: Jack and June. She doesn't gain much, except the pleasure of hurting her nemesis. She is not necessarily looking for a refuge, or an ally. She was planning to betray MECH right after anyway. Because, let's be clear, she has no real reason to hate Arcee that much… Airachnid hurts Arcee more than Arcee hurts her. Except maybe her pride.
*
Then, both killed robots, but the way to do it is different. Starscream usually tries to kill in one shot. We saw it with Cliffjumper, both in the scene where he kills him, and in the flashback. In episode 1 of TFP, Starscream kills Cliffjumper in one shot, aiming directly at the Spark, he does not seek to make the prisoner suffer.
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So yes, it's frankly not cool to kill a prisoner, but the Decepticons are not angels in this series, nor are the Autobots. So it's not necessarily surprising for him to do so. Especially when we're talking about Starscream. Afterwards, we see that he is not necessarily interested in killing an enemy in pain, because in the scene in the past, with the first appearance of Shockwave. Starscream has a multitude of choices to kill Cliffjumper, more or less painful.
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He had the choice, but between making suffer Cliffjumper, or make him silent forever, he prefers the second option. He prefers a standard, quick way, a hit claws straight into the Spark.
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Even with Wheeljack, if Soundwave hadn't stopped Starscream, Wheeljack's death would have been instantaneous.
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When Starscream kills, it's to be effective, he doesn't seem to really enjoy hurting others. Except perhaps with Arcee, but the little desire for revenge must have been just as present as for our dear warrior. But here, too, he wanted to kill in one shot, like against Airachnid with his missiles. But I also add that's he don't hate makes suffer others, he's not a cool bot you know. But, he seems to have a preference of instant kill instead of painful one.
While Airachnid takes pleasure in making his opponent suffer. She never kills them right away, prolonging the fight, or imprisoning them in her webs. Already to put pressure, but also to make his opponent totally at her mercy.
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And sorry but, is it me, or does she really don't know what "personal space" mean? It's kinda interresting in fact.Why is she doing this?
Anyway, like I said, you can't really hate her for that, killing in the back or when the enemy is helpless is the Decepticons way in this series (except Dreadwing). But, even there, she does not kill them right away. For example for Breakdown. Well that's technically a case of self-defense, because he was trying to kill her too. But given Breakdown's scream of pain, it clearly wasn't quick. And then you just have to see the state of his corpse! Why cut him up like this?! Clearly, it wasn't necessarily to do so, especially since there was always Dreadwing, which could have happened at any time. Yet she took her time, literally tearing Breakdown apart piece by piece.
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Even Megatron is more lenient on this, often giving a quick kill or an effective hit, like against Ratchet. And, for example, he shooted directly into Dreadwing's Spark, without trying to torture him.
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And, yes, Airachnid killed Tailgate with one hit, but she had tortured him beforehand, in front of Arcee! Not to mention that she massacred entire species, for her morbid collection, which is super creepy. And, again, apart from showing that she's a psychopath, I don't really see the point of this collection.
So, Starscream and Airachnid are selfish and calculating as I said before, but Starscream mainly uses this as a defense mechanism, whereas Airachnid seems to be aware of it and enjoy it.
*
We also see that unlike other Decepticons, she shows no signs of empathy, or bonding with others, or even weakness. For example, Starscream has empathy for Breakdown and that's kind of what drives him to save him, beyond orders. He is also disturbed by the state of his corpse with Cylas in it. We also see his weaknesses, or when he doubts, which also pushes the viewer to have empathy for him. As another example, we have KnockOut who is enraged when he finds out what Cylas did to Breakdown. Or Dreadwing, who is a super endearing character because of the love he had for his brother. Even being a Decepticon, he kind of mourns his death. There is also the friendship between Megatron and Soundwave. Just see Soudwave's reaction, when Airachnid tries to betray Megatron. And we have a moment of vulnerability from Megatron when Orion Pax somehow returns, which is what stops him from killing Optimus. While Airachnid is cold, and shows no real emotions. Even Shockwave who is supposed to be emotionless has more than her, and he has a bond with Predaking. We can for example see small affectionate moments between them.
Airachnid has no friendly relationship, even if it's not unheard among the Decepticons: Breakdown and KnockOut, Starscream and KnockOut, Soundwave and Megatron, Megatron and Shockwave, Predaking and Shockwave, Skyquake and Dreadwing, and even Soundwave and Starscream (in a way). Airachnid seems to have only enemies and no friends.
The fact that no character is attached to her or appreciates her, makes that the viewer does not get there either. Major characters like Starscream, Arcee, and even Soundwave don't like her. And they are characters that fans appreciate. So, inside, without realizing it, we don't love her like them.
*
We don't always understand her intentions, and she seems to take too much pleasure in making others suffer, which makes the viewer unable to appreciate her. We also don't know much about her, especially on an emotional level. In fact, Airachnid isn't deep enough, and doesn't really show any weakness. We rarely see her being scared, sad, or having doubts. Things that you can actually see in the other Decepticons. I think the reason most of us don't like Airachnid is because she seems to us as totally unsympathetic and sadistic to an extreme degree.
Unlike Starscream or even Megatron who don't necessarily seem to take pleasure in hurting or killing. This is also the case with most of the other Decepticons, the only exception being KnockOut against Cylas, but he does it mostly out of revenge. For example even Megatron when he beats Starscream doesn't seems to appreciate it. It's impulsive and out of anger, whereas Airachnid most often does it hyper-premeditated. She's a psychopath, so it's hard for the viewer to get attached to her.
But, it's don't mean that we can't appreaciate her, or that we can't appreciate a character like Airachnid. For example, Overlord, who's kinda like Airachnid, is like by many fans. But the difference is that he shows emotions, even sadness or doubt. Not just joy about hurting people.
All I said doesn't mean she's a bad villain, quite the contrary. If she had been exploited better, they could have easily made her the main villain of Season 3. I made an analyse, where I explain that she's could have been a really cool villain, but that they don't show her full potential, and that her character has not been explored enough : here
If you have others ideas about why we don't like her that much, I would be happy to hear it :).
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nerdyvocals · 10 months
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Final round of episode quotes as @look-at-those-niceass-rocks and I finished our final watch party. Once again, the cast and crew are in the house, so @saveourpinks, please enjoy. (You can find previous posts with more unhinged quotes here and here)
Honorable mention from before we actually started, them waking their husband up with: wake up, it's time for me to see gay shit
Second honorable mention, a conversation had while I struggled with my audio: Them: I tried to show [Husband] Merely Players last night but he was too tired Me: I can't believe your husband is homophobic Them: I AGREE Husband, distantly: I don't deserve this!
(about Buddy) God his shoulders, he's built like a Dorito
(this is specifically in reference to episode 8 but honestly, this was said multiple times throughout our watching) Me: WHAT DOES ANY OF THIS HAVE TO DO WITH COMMUNISM??? Them: It's the 50s! If it ain't American, it's communist!
Me: I love that Buddy's dad's name is Dick Them: It was a choice
(In reference to Blandiels) He makes me SO uncomfortable. Like I know that that's the point but he's so slimy-NO NO STOP, STOP KISSING HER, FUCK-!
(roughly three minutes of us screaming over Lydia's Woman Scorned (tm) dress, followed by another three minutes of us laughing at the faces everyone was making when I pause the video)
(about Susan's mom) Me: Heinous fucking bitch Them: What. A raging. CUNT.
(after we both spent a Hot Minute thirsting over Cynthia dancing on the car) Them: I talk a big game but if I was within five feet of this person, I would be just staring and stammering Husband, distantly: We know honey Them: SHUT UP
(both of us wheezing over CGI!Richie)
Cops: *show up* Us: *John Mulaney voice* SCATTER
Them: NOT THE LINE I'VE LOST THE ONE I LOVE THE MOST AS SHE PICKS UP OLIVIA'S JACKET Me: They are simply In Love
Them: He's gonna do something stupid, I can feel it. Me: You don't know the half of it! Them: He's gonna propose to a teenager! (okay maybe they do know the half of it, fuckin' prophet)
Me: *reading off episode titles as it starts storming where I am* And this one is called You're Dropping Out of Rydell- thank you dramatic thunder???
(honorable mention, me being unable to tell what was real thunder and what was from the episode)
Them: I'm not emotionally ready for this Me: Me neither and I've seen it like eight times already
Nancy: *dramatic exit* Them: She's so dramatic and I respect her and only her
Me: I love you singing along to a theme song with no lyrics Them: Sometimes I just gotta make funky little noises!
(About Nicholson) I am going to break that man's ball sack with a driver.
Them: It's giving pouty little bitch Me: Which one? (referring to Buddy and his dad) Them: Yes
Cynthia: *walks in in Richie's Jacket* Me: Hello my name is Single and Gay Them: I am not single but I am gay and I think... I don't think, I have no thoughts, head empty
(About McGee, then the scene transitions to Daniels) Them: The only adult in this school I respect- I AM GOING TO KILL HIM WITH MY BARE HANDS! Me, wheezing: What about your human hands? Them: THOSE TOO
(said in the most disgusted voice I've ever heard) Of course he likes Walt Whitman
Them: [Husband], I'm killing the pedophile, wanna help? Husband: Let's be honest, do you really need my help? Them: Someone's gotta drive the car.
Them: "Feelings central?" I bet you were feeling sensual when you were making out with Olivia-LYDIA on your couch earlier Me: ...You good there? Them: The names are too close
(Face to Face begins) Ah, dramatic acapella is my gender
Me: Once again, love how much you hate Buddy Them: He's had so many chances to earn my respect and he has done nothing!
Guardian Demon: *appears* Them: What. The fuck. Is happening? Me: BEAUTY SCHOOL DROPOUT BABEY
(@ Buddy) Them: He's not a total ding-dong. Just like 80% Me: He did just thank her (Susan) for having sex with him Them: ...85%
(About the Red Sox analogy) Cynthia giving me Gender Euphoria with one sentence
Nancy: *talking about love stories, mentions Shy Guy* Both of us: *Cackling at the full-body never mind Cynthia does*
Nancy: Tell anyone of my vulnerable nature and I will deny it until the day I die! Them: FUCKING MOOD like I know I was literally also just crying but we're gonna move past that, I'm a bad bitch again
Me: Finale time! Any thought or predictions before we get started? Them: Leonard gets arrested and as he's being taken away, he gets hit by a semi truck- Me: What is this, Mean Girls??? Them: Yes! McGee punches the principal in the face and defeats him in blood combat and cements her place as principal- Me: *slowly dissolving into horrified laughter* Them: Cynthia gets to kiss Lydia again, which is all I really need to be happy, and terrifying CGI Richie comes back and does the Macarena! Me: *can't start the episode for five minutes because I'm laughing too hard*
(Ten seconds in) PAUSE THIS I HAVE BEEF THERE IS NO FUCKING WAY OF GETTING MARRIED THAT QUICKLY IN A CATHOLIC CHURCH
(after rant) Me: Yeah but the tensions wouldn't be as high if they had six months to stop the wedding! Them: ...there are two wolves inside of me, one says valid, and one is formerly Catholic and Upsetti
Me: I want a shirt that says "I have two wolves inside of me, one of them is Catholic" and nothing else Them: *WHEEZE*
Cynthia: He's just. Some guy. Both of us, in sync: HIT HIM WITH YOUR CAR
"Old Soul" is groomer for "Fuckable"
(@ Gil climbing in through the window) Me: On the one hand, I'd fold, on the other? Terrifying! Them: YES! Me: Although I guess if I had the rapport with someone that they have?? Maybe?? Like good in media, bad in real life. Them: Gil? Yes, absolutely. Edward Cullen? Fuck no! The two genres of climbing through my window
(after the drag race) YET ANOTHER THING BUDDY DID NOT EARN
Me: Hey, do you have tissues? Them (afraid): ...should I get some??? Me: Maybe Them: I don't think I have any in the house??? Me: Ah! You're fucked!
*ten minute interlude of us crying over the Coming Out Scene, discussing what it means to both of us, and how furious we are of future generations not getting to see the best queer rep of our lifetimes if this show doesn't get saved. On that note, sign the petition if you haven't already.*
THEY STARTED BY STEALING A CAR THEY WILL SAVE THE FRIENDSHIP BY STEALING A CAR
Oh someone please hit hi- YESSSSS!!!
(at the start of All In) Me: She (Cynthia) is going to cry Them: I'm going to cry Me: I'm already crying
Me: Lydia is stronger than I am I would already be on my knees. (note I use a cane and sometimes a wheelchair, if I am on my knees I Will Not be Getting Up)
Me: Hopelessly Devoted walked so this song could fucking run Them: I WAS ABOUT TO SAY THE SAME THING
Pink Ladies: *Offer Hazel a jacket* Them: *aggressively close to the mic* That sounds very gay I'm in
Them: I cannot take my eyes off Jane. Like they are all very beautiful right now but there's something about her- Me: It's the bisexual energy Them: ...Dammit, you're right
Rizzo: We'll start our own gang! Them: With blackjack and hookers!
(Introduction of Frankie Zuko) Them: I'm sorry, HUH???
(As credits roll) Me: So, how we feelin'? Them: Normal, I am so normal, I am feeling so fucking normal about this. Me: Thoughts? Them: *incoherent screaming*
We had some much fun doing these, we decided to keep a quotes list for more movie nights. Next up, Julie and the Phantoms!
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lovethathookhausen730 · 6 months
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Red Liquid
Chapter 1: Tyler's Story
Tags: @shawtys-things @kennadawn2002
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Tyler's POV
Hello you're probably curious as to know who I am right?
Well my name is Tyler Senerchia most people call me by the name "Hook" I'm basically a pro wrestler of a company called "All Elite Wrestling" which my dad the legendary man himself "Taz" works there as a commentary person
Now there's not a lot to know about me but if your so curious here it is.... I'm not much of a nice guy well it's if you disrespect me or my father's legacy but if you respect me, I respect you plain and simple
But there is one thing you all should know, at daylight I'm more human but at night I'm a demon yes a demon and when my demon form appears you better hide from me as much as you can I tend to kill if necessary but if there's two things I won't hurt it's women and children but bad guys... Heh it's more fun for me to kill again if necessary
But I'm not the only person that's a demon I have others that are like me I have Anthony Bowens, Darius and Dante Martin, Action Andretti and Darby Allin but the thing is there demon forms don't come out like mine but at most nights I do tend to keep my demon form locked away
Now back to knowing about myself...my only cravings I get are blood from enemies and sometimes sex from the women I choose for my liking
Now when it comes to sex.... sometimes my demon form comes out to play I tend to get very sexual during lustful desires but the problem is I sometimes can't control my thirst for blood so most lustful nights turn into disaster at the end and I do tend to lose control
Most of the day I just wrestle for my liking and get to hear the fans scream for me is music to my ears just like I get to hear my victims scream in pain when I get to tear them to fucking pieces hearing them scream in pain and begging for mercy is more music to my ears then ever
Speaking about enemies I already have one target so far... Wheeler Yuta
Now I know what you're thinking "why Wheeler Yuta?" He's the worst from BlackPool Combat Club those guys are strong and powerful demons but none of them are compared to me but you'll get the point when you go further into my life and story
I'll end my half of the story here just remember, there's more to my story so I hope you all can handle it my story is just the beginning....
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anncanta · 8 months
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Dracula vs. Hannibal: love, light and shadow
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I'd like to talk a little about Dracula versus Hannibal controversy. In Dracula, Moffat and Gatiss address Hannibal in many scenes, answering and arguing with this series to show their own story.
The first thing that catches your eye is the actual theme of cannibalism. Moffat and Gatiss relegate it to the background so that it is not so much "hidden" in the plot as it takes on a different meaning. Dracula certainly eats people, like Hannibal, in an effort to "own" them, but there is a difference.
Firstly, unlike Hannibal, for Dracula, this is a need, a basic need for food, without which he will simply die. Another question is that over hundreds of years, Dracula was unable or unwilling to find a way to feed on people without killing them. But this is a topic for another conversation. And secondly, Dracula’s cannibalism includes not only and not so much taste, but quality, meaning, and relationships. Dracula collects stories and the people who embody them. No matter how strange it may sound, for him, it is a dialogue. Which becomes his salvation, after all. But more on that later.
The second is how the theme of love is resolved in one and the other series. For Hannibal, love is something strange, unfamiliar, another way to devour someone and enjoy their likeness to himself. For a long time, I could not understand what makes the story of Hannibal and the character so disgusting. And finally, I realized that it’s not just that Hannibal kills and does it in as vile a way as possible. The fact is that, by killing, Hannibal, as it were, turns the victims into himself, infecting them with internal decline and decay.
Mads Mikkelsen is a wonderful actor, and for two seasons, I couldn't understand why he looked like a walking mannequin. Until it dawned on me: yes, because that’s exactly what he plays. In contrast to Anthony Hopkins, who plays a burning, sharp rage, a wild, almost primal passion, Mads Mikkelsen portrays an empty, cold, eternally bored psychopath. Classic, like a textbook. It’s scary with him not because he can kill you, but because he can and wants to corrupt – since he is not able to taste the joys of life and humanity.
In this sense, Dracula is an incredibly beautiful answer in its vitality. I remember that the first thing that struck me about Dracula was his inner strength and passion, his thirst for life. In his old body, leaning on a cane, he looked like a young man who was imprisoned in this uncomfortable shell. He moved in it, too, as if jumping up and down with impatience. He is the same in his relationships with others. Unlike Hannibal, who wants to turn everyone and everything around into himself, Dracula wants to continue himself, to extend himself forward. He wants a future and therefore leaves the castle because he realizes that the future presupposes the presence of others in his life.
Dracula's relationship with Jonathan Harker could be (and is sometimes visually reminiscent of) Hannibal's relationship with Will Graham. Quotes are scattered here and there: chandeliers made of deer antlers on the ceiling, the fireplace in the castle (which is absolutely the same color as the one in Hannibal's place), even the figurative solution for the fantasies of Jonathan in a dream and Will working at the crime scene is the same.
But the result is different. Will in the story with Hannibal is the victim, the follower, even if for a while he became the hunter and lured Hannibal into a trap. In the end, he follows the path outlined by Hannibal, because from the very beginning, he is captured, poisoned, and all he can do is destroy evil along with him. Jonathan – and this is shown both visually and at the text level – is the master of the situation from beginning to end. He is the one whose favor Dracula seeks, whom he begs for this favor, and who ultimately becomes for him the path to the light.
The disgusting scene in Agatha's laboratory is not only about the fact that Dracula deceived Agatha and Mina by pretending to be Jonathan. This is a materialized metaphor that literally shows that Dracula, as we know him in the second and third episodes, actually came out of Jonathan, and was able to become so because he was in Johnathan's skin.
Dracula doesn't turn people into himself. He doesn't have that kind of power. In the first episode, we see that he consistently and for quite a long time tried to convert someone, creating an equal to himself, but he only succeeded with Jonathan. By the way, why?
I think because Jonathan was the first person Dracula approached as an equal in many years. Whom he saw, understood, and recognized. Remember the scene on the roof? Remember the moment when Dracula says to Jonathan, who is rising from the floor, clinging to him: ‘Tell me you won't follow me, and I'll let you go’? Remember the brief moment when Dracula looks at him with his head thrown back? There is neither triumph nor malice in this look. There is pain and melancholy in it. It's the look of someone who knows what's going to happen because it's happened many times before, – and yet desperately wants to be wrong. And when Jonathan rejects his offer, when he vows to pursue him as long as he lives, catharsis ensues. From there, even if he doesn't realize it, Dracula walks with the understanding that it takes two to share who you are, to create a relationship.
Moffat and Gatiss liberally scatter references to Hannibal throughout all three episodes of Dracula. Dracula pursuing Jonathan, slowly falling drops of blood, the presentation of Dracula as a gourmet, even the appearance of the main character from a wolf – all this either resembles or directly points to that. But starting seemingly the same way, this story leads in a completely different direction. The dark compass turns and it turns out that where Hannibal tries to lead Will into the darkness, Agatha is leading Dracula to the light. The climax is the final scene, in which in both series the characters die, and before that one of them says, “It`s beautiful”. But if Will experiences a transformation and speaks this way about his ‘dark side’ – which is symbolized by blood in the light of the moon – Dracula pronounces these words in relation to the sun – finding his light side.
And there's also a deleted scene at the end of Hannibal. I think it could have been a quote from Bram Stoker's Dracula – two people in a chapel, illuminated by the sun. In Dracula, this is the same quote, but unlike Hannibal, where the heroes sit in a church, that is, to contact the divine they resort to an intermediary, in Dracula they are inside the sun, in direct experience, without allegory, images, and symbols. Love does not need words and expressions. It is what it is.
By the way, the same idea is heard in the ending of Sherlock.
I think it's no coincidence.
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raayllum · 6 months
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Few things, to begin (and we're rounding back to the "I turned some chains into snakes, don't worry)
The line that put the "Callum did dark magic to save the dragon and Rayla" to dust at long last (seriously - was Callum drawing the dragon in his sketchbook before resolving to leave? No) thank you very much.
And ofc it's setting up the turn later on in this episode, paralleling Soren, Terry, and Viren's (and even Rayla's in a way) word choices justifying the actions they likewise felt tormented over ("I have to do this. I don't want to, but I have to" in 1x02; "I had to" in 3x09; "I had to, I couldn't let him hurt you" in 4x03; "I had to so something, I had to save him!" in 5x03) etc.
Speaking of Viren in S5, this scene mirrors Kpp'Ar and Viren's encounter, with Kpp'Ar rebutting Viren's more noble motivations: "I have always done what protects my family." "No choice? Hah! You made the choice you always have: the one that gives you power." Here, Finnegrin takes a word that Rayla has used to describe Callum (3x01) and twists it accordingly. Yes, Callum wanted to save his friends, but he only did the dark magic for a good reason, but he's still the kind of person who will read dark magic books in the first place and seek out magic as a solution at all. He's still a mage, per Zubeia and Rayal's assessment: "Aaravos chose as his instruments people who had strong hearts and strong minds, but who had an insatiable thirst and fascination with magic." "Mages." "Yes, mages were his prey."
Unlike Lujanne, who is a master Moon mage, Callum doesn't consider dark magic to be an abomination - just another kind of magic, one that's worthy of study to him like all the rest. Curiosity is what paves the walkway, and Love is what makes him walk
Finnegrin here is also a stand in for Rayla in a way, vaguely reminiscent of their first meeting in 1x02. "I'm looking for someone [...] There are only two targets tonight" -> "I just want one thing... Well then maybe you found what I'm looking for." They're both even interrogating him and 'want' someone dead (legitimate in Finnegrin's case, maybe more diluted in Rayla's)! While I know most of us were like Callum why the fuck are you telling him anything, Callum trying to find some sort of common ground actually makes a lot of sense when the last time he talked a ne'er do well elf out of violence, it actually worked out
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"Can't you just make peace with them?" "It's not that simple." (1x02 with Harrow) "But it's not that simple. It won't work." (Ezran in 4x03) "But it's not that simple." (Janai in 4x08)
Last but not least, you have the fact that both Claudia and Viren's steps are dogging Callum's path (in addition to the continuing fallout of what, is ultimately, always his decision), dealing with the consequences of all their actions. Claudia told Callum not to do dark magic in 2x07, bu he went through with it anyway, insisting that she'd already shown him how - just as she created chains to attack her friends, he unbound chains to save them. And of course, Finnegrin is only seeking this spell because he knows it can be done, even if he has no idea of the personal history Callum has to both the spell (done to avenge his mother by his father) and to the actual orchestrator of it (his predecessor and primary foil).
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And last but not least, you have Finnegrin and Callum's primary parallel (Ocean spell notwithstanding) in which they both seek to kill someone ultimately to be free: for Callum, he was researching how to kill a powerful Startouch elf, and Finnegrin, well...
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