not a prompt necessarily but I’m always down for planymphia angst 🙏🙏🙏
in response to multiple asks i’ve received for planymphia angst… here is this <3
i know baby, no attachment
None of this had been in the plan.
It was the first thing they’d talked about that first night in Jane’s apartment; Neither of them were looking for anything serious. They were both unavailable, incapable of making any promises. Not now. Not yet. It would be clean, simple, no strings attached. Just two people using each other. Innocently, admittedly using each other, but using each other nonetheless.
They’d been on the couch in Jane’s dimly lit apartment. Jane was an obvious sort of gorgeous. It was the first thing Nymphia had noticed about her, what drew her in on that first night they’d met: she’d been wearing something meant to lure you in, hypnotized by the clinging of her clothes to her body, the wave of her hair, her eyes tightlined and sharpened like knives. Jane was almost lethal to look at, all done up and primed to kill; the most magnetic friend-of-a-friend Nymphia had ever been introduced to. She was somehow even more gorgeous now, sitting on the couch in her casual clothes, her face aglow in the light of the television, her auburn hair pulled up into a messy top knot. She was painfully, effortlessly attractive, and, much to Nymphia’s surprise, only so much of a smooth talker. She came off suave at first, all punchlines and quick remarks, but after a while Nymphia could start to see her thinking. Jane would be in the middle of a sentence, flying through it, hurtling towards some revelation, and then she’d catch herself. She’d pause, freeze on a word and scoff at it, like she was considering whether whatever she was about to say would be worth the sentiment. And then she’d go a bit shy, averting her eyes and playing with the pilling on the upholstery, giving away just how carefully considered she was. And just when Nymphia was starting to think that Jane was completely nervous to her core, that Nymphia might actually have the upper hand in this situation, Jane would bring it back. She’d pick her head up and let the words go, say something so stunningly direct and devastating. It left Nymphia a little breathless, a little too endeared, a little too eager to kiss her.
They could have guessed at the chemistry, but it didn’t come close to the real thing.
What happened when Jane’s skin hit Nymphia was the sort of collision that produced suns and planets and supernovas, flinging particles off into space with enough pressure to form entire worlds. Nymphia could practically see the stars behind her eyes, fluttering shut when Jane was hovering above her, hand between her legs, finding some undiscovered place that Nymphia didn’t know had been there all along, waiting to be found. Jane turned Nymphia’s body into something more than it was before, transforming her irrevocably. Jane was a comet crashing through her atmosphere, and Nymphia was awe-struck, staring at the sky and watching the sparks shower. You can’t be prepared for such life-altering things, it's what makes them so devastating.
What neither of them could have predicted was the ease of what came after - the lying in bed, talking about it. The debrief. Nymphia was a bit too happily fucked, and unwilling to share the extent of her satisfaction. She was worried she would come off easy, inexperienced somehow. Jane, however, was endlessly attentive. She wanted Nymphia’s experience of the encounter, all the details - what she liked, what satisfied her the most, what she wanted more of. Her sheer desire to please was enough to pull the details out of Nymphia. She was rewarded when Jane allowed her to relive it, this time through Jane’s eyes. Jane’s gaze was far off with remembering, a smile playing at her lips as she recounted her experience of Nymphia in such erotic detail, every telling arch and shudder, and the whole thing was so overwhelmingly flattering that it sort of made Nymphia want to do it all over again.
Nymphia had known better than to pack an overnight bag. She thought she had, anyway.
Her eyes were closed and she was nearly asleep when she’d mumbled, ‘I should be going soon.”
Jane just chuckled. “You’re half asleep already.” Her fingers trailed up the curve of Nymphia’s thigh. “Just spend the night. If you want to.”
Nymphia's eyes were suddenly open, “Yeah?” Jane traced stars onto her hip.
“Mhm,” Jane hummed, eyes flickering up, then back to the curve of Nymphia’s waist.
Nymphia closed her eyes, savored in the feeling of Jane on her skin. A long moment passed.
“D’you cuddle? Or is that against the rules.”
Jane’s hum was an amused look at you asking so soon. She was already pulling Nymphia to her chest.
That first night turned into a three-day sleepover, because of course it did. Nymphia and Jane stretched themselves over the long arc of the weekend, sharing the sort of welcome, unexpected ease that you can’t put down, the kind that you’ll happily destroy your routine over and resign yourself to picking up the pieces after the fact. One weekend became another, and then occasional nights at Nymphia’s apartment with the door shut and her duvet crumpled at the end of the bed. And then they added the weekday rendezvous: Nymphia meeting Jane at her place after work on Thursday evenings, promising not to keep her up late and failing miserably, leaning her head on Jane’s shoulder in the morning as she locked the door on her way out. And then Nymphia was bleeding into Jane’s week, her Tuesdays and Wednesdays, her breakfasts and dinners, her late-night ice cream cravings and subsequent walks to 7-11. And then it was all too regular: Nymphia and Jane, Jane and Nymphia.
It's been a few months now, and there are so many things Nymphia loves about Jane.
She loves how Jane drives with one hand on her thigh, or with her fingers in her mouth. How she looks over to the passenger seat with that special look that's reserved just for Nymphia, and makes her feel like the only person she's ever wanted. She loves how she listens to her music loud, sings along when she’s drunk and tossing her hair, or when it's Sunday morning and she’s at the stove and there’s a record spinning in the living room. Nymphia loves how unabashed Jane is, how bold. How she never hesitates when it comes to the people in her life, how to be loved by Jane is to be fiercely defended by her. Nymphia loves how Jane kisses her in the middle of her sentences, especially when she's talking too much. She loves that Jane is so rough. How she can fuck her like she hates her. She loves how Jane can be so tender. How she can fuck her soft and slow, as reverent as religion. How Jane can make a mess of her, then put her back together again.
There are so many things Nymphia hates.
She hates that Jane is so impulsive, how she strikes so thoughtlessly, how she has to return to the wounds later to draw the venom out of them. How Jane is so stubborn, so set in her ways, so inflexible. How there’s two Janes - the one she’s with now, the one she is around her friends. The one who doesn’t kiss her, hardly touches her aside from a possessive arm around her shoulder or a tap on her knee. How the real Jane, Nymphia’s Jane, emerges as soon as they’re alone together, the one who will see her downturned gaze on the way home and coo what can I do, princess? Hmm? What can I do to see that pretty smile? Nymphia hates that she forgives Jane so easily, that she crumbles every time, that she loves Jane completely and entirely and beyond any measure of hurt that she could unknowingly inflict upon her.
She hates that she’s still sitting at this party, long after Jane promised they’d leave. She hates that Jane’s friends clearly like her; they laugh at Nymphia’s jokes, compliment her shoes, send knowing glances and winks across the room every time Jane so much as mentions her name. She hates how, when they ask what they are, Jane is all too quick to brush them off.
It's obvious that Nymphia’s upset by the way she pounds up the stairs, by the way she wordlessly digs through her purse for her keys, by the way the anger and the hurt and the disappointment emanate from her like poison.
“I just can’t believe they asked that,” Jane scoffs. Nymphia says nothing, gritting her teeth as she turns the key in the lock.
It should be obvious, but Jane is a bit too self-absorbed to notice.
“Like, we don’t even know what we are,” Jane says, and Nymphia feels sick, because she thought she did. “Why would she put me on the spot like that? In front of everyone?”
Nymphia pushes into the apartment, beelining for the kitchen.
“I mean, it was weird, right?” Jane continues, relentless. “Why do they need to know so bad?”
“Yeah,” Nymphia’s voice is hard, laced with venom. She chucks her keys onto the counter with a little too much force. “Why would they?”
“Right,” Jane doesn’t notice. “It would be nice if they could just let us-“
“I don’t know why they could possibly be so confused.” Nymphia interrupts, working off her thigh-highs.
Jane misses a beat. “Wait. Are you-“
“I can’t fucking imagine why they’d think that we’re together.” Nymphia lets her boots drop to the floor, one gut-wrenching smack after the other.
Jane blinks, brows knit together. Nymphia straightens up, fumbles with things on the counter that don’t need to be fumbled with. “Are you upset about this?”
“Why would I be upset?” Nymphia picks up a stray mug, sets it down again. “You just told all of your friends that we’re nothing serious. Why would I ever be upset about that, Jane?”
“I didn’t say that, Nymph,” Jane starts, already on the defense. “I said that we’re something.”
“Oh, right. My bad.” Nymphia scoffs. “We’re something. Let me know when you’re ready to illuminate me on whatever the fuck that means, Jane.”
Jane recoils at Nymphia’s profanity, unfamiliar with her frustration. She’s never seen her like this- so hurt, so ready to retaliate.
It's not funny. Jane shouldn’t laugh. She really shouldn’t, but she’s viscerally uncomfortable and horrifically unprepared for this situation, so she does anyways. “Are you really angry about this?”
The whole thing is white hot and embarrassing, and Nymphia has tears in her eyes when she turns and whips her purse to the floor.
Jane jumps. “What the fuck?” She’s wide-eyed, both hands held up in shock. “Nymphia. Are you serious right now?”
“I don’t know Jane,” Nymphia bites. “Are you serious?”
“What?”
“I kinda thought you might be,” Nymphia steps over her bag. “Y’know, because you cut me a key to your fucking apartment. I thought maybe that constituted we were more than,” she curls her fingers in the air, “something”.
Jane shakes her head, jaw tight and temple pulsing. When she speaks, it's in a lower voice, almost ashamed. “I don’t want to talk about this right now.”
“You never want to talk about it!” Nymphia’s voice cracks, a desperate wail. Jane’s mouth opens, already halfway towards defending herself until she looks at Nymphia and sees her bottom lip quivering, the spilling over of her tears. Jane looked back with a concerned, almost panicked expression, lips frozen and slightly parted.
“Do you love me, Jane? Do you even fucking like me?”
Nymphia surprises herself with the question. She’s so amped up, so high on adrenaline that she lets it all out- the culmination of weeks of words she’d bitten back, suddenly pouring forth from where they’d been collecting in a lump in her throat.
“No, seriously, do you? Because I can’t fucking tell. I think you do, because- because you say all these beautiful things, and you spend so much time with me, and you take such good fucking care of me. So you must fucking love me, right? But when your friends ask, I have to sit there and listen to you tell them that we’re something. Like it’s so fucking confusing to you. Like it's a goddamn secret. Do you know what that feels like?”
Nymphia is fully pacing now, walking the length of the kitchen over and over again. Jane follows her with wincing, pained eyes.
What Nymphia hates, more than anything, is that she doesn’t hate Jane at all. Not for any of it.
“I’m fucking in love with you, Jane, alright?” Nymphia whines, hands whipping through the air with frustration. “I’m so in love with you, and everybody fucking knows it. Your friends, my friends, my mom, everyone! But no one seems to have any goddamn clue if you love me too. And you know what? I’m not sure if I do, either.”
When she finally expels the last of the words from the hole in her heart, Nymphia looks up through her tears. She can barely stomach the sight of Jane, lips parted and wordless, unsure of what to do with the outpouring of Nymphia’s heart. She stares at her, eyes twisted in pain, then looks to the ground, like Nymphia’s words have slid off her and collected in a puddle at her feet. Nymphia just cries, a pained and exhausted whimper on her lips as she pushes past Jane and into the living room. She collapses on one end of the couch, pulling her knees to her chest and hiding her face behind one hand, hot tears sliding down her cheeks and into her mouth.
Jane stands in the center of the room with her back turned, still facing the phantom of Nymphia’s words that may very well haunt her kitchen forever. Her head is spinning, because how the fuck did this happen. Nymphia is openly sobbing behind her, and the sound is so gut-wrenching that Jane is nauseated.
Nymphia makes a horrible, shuddering gasp for air and Jane finally breaks, crossing the room and dropping to her knees on the floor where Nymphia sits. She doesn’t even look at her, just sobs, and Jane can physically feel her heart fucking breaking.
“Nymphia,” she says, placing her palm on Nymphia’s knee. “Nymph. Hey.”
Nymphia shakes her head, face contorted with tears. She flinches at Jane’s hand like it fucking hurts, and Jane winces as the guilt slices through her. She exhales a sharp puff of defeat and drops her head in hurt.
Nymphia just cries and cries, and the reality of the situation sinks in Jane’s stomach with every sob. She’s sick to her stomach with concern, worried that Nymphia might actually fucking hyperventilate, and then she’s gently begging the girl to breathe. She goes to reach for Nymphia again and pauses, scared to reach out, scared to hurt Nymphia, scared that she’ll recoil from her again. It’s then that Jane knows, for the first time in all of her life, what she wants. She knows, right as it threatens to slip out of her hands.
“I’ve never done this before.”
Jane hears her own voice. Her words hang in the air for a moment, floating like smoke between Nymphia’s shaky, shattered breaths. Jane looks up.
“This,” she says, a tentative hand on Nymphia’s knee. “What you and I have. I’ve never-”
The words are hard for Jane to stomach. They don’t pour out like Nymphia’s do. They catch in her throat, feel wrong in her mouth. She’s not sure they’ll be enough.
“I’ve never had this with anyone,” she says. “I’ve never wanted to. Not until now.”
Nymphia wipes at her eyes, shudders a bit as her breathing quiets.
“I, um,” Jane glances down, scared to look. “I don’t know how.”
Nymphia finally looks at Jane, so small and nervous and crumbling at her feet. She wants to take her hand, to show her, to be endlessly patient even if it kills her. The desire is so enormous, even now. She almost hates herself for it.
“I know I’m fucking it up,” Jane says to the floor, her voice tiny and wavering. “I’m sorry. You don’t deserve that.”
“I just need to know,” Nymphia whispers.
Nymphia swallows hard, and then Jane looks up and its so fucking harrowing, so moving, because Nymphia can see the guilt in her eyes, the desire, the glimmer of words she can’t figure out how to say. She watches as she considers, catches herself, lets it go.
“I do.” Jane says. Nymphia’s heart plummets, because she knows what she means.
“I don’t want to say it now,” Jane says. “I don’t want it to be an apology. I want you to know I mean it. Is that okay?”
Nymphia nods and Jane mutters over and over I do, I do, you know I do.
It's beautiful and tragic and overwhelming, and Nymphia wants to crash into Jane, to merge together and surpass the need for words entirely. It's too soon to know yet if it's for better or for worse, only that she does it - that she reaches out and takes Jane’s hand.
“I don’t know if I’ll be any good at it.” There’s a hint of a smile on her lips, a bit of Jane laughing at herself. “But I want to try.”
Nymphia just nods and feels more tears streaming down her cheeks, and Jane’s crying too, and then they’re crashing into each other. Nymphia is leaning down and throwing her arms around Jane, who is sitting forward and clinging to her like she’s scared to let her go. Like she caught a shooting star in her bare fucking hands.
It's a whisper against her hair, but Nymphia hears it. “Can I try again?”
Nymphia could hate herself for it for all of forever. She’s prepared to. Jane doesn’t know what she’s doing, and she doesn't either. Nymphia nods anyway.
It's a new world, one of their own making. It's unexplored, uncharted, and they’re venturing into it together, hand in shaking hand. It's dangerous. She’s doing it anyway. She might hate herself for it. It might be the bravest thing she’s ever done.
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i love ryomina
no but seriously. even when i’m thinking about other things that captivate my interest, i find myself coming back to them and feeling like i fell down three whole flights of staircases every time i do. they are one of my favorite pairs in media and are very special to me.
it’s the way that ryoji and minato’s lives are inevitably intertwined with each other due to the circumstances 10 years ago on the moonlight bridge. without no minato, there is no ryoji. minato as he is today is because of ryoji. they have irreparably affected each other’s lives that you cannot discuss one without bringing up the other one.
ryoji mochizuki, who is death, pharos, thanatos, nyx avatar, the man of many names and identities, is the perfect summation of p3′s messages and themes.
minato arisato, the wildcard and protagonist, who has boundless kindness in his actions despite the unfortunate cards handed to him.
the two of them complement each other and tell a beautiful story from start to finish.
minato’s personas capture this perfectly. he awakens to orpheus, who’s flames burns bright, is snuffed out by thanatos during the encounter against the arcana magician. a visual precursor of the idea that ryoji stole from the life that minato could have had.
it’s the way that over the course of the game as minato interacts with pharos, talking throughout the dark hour, forging a bond that cannot be broken, that allows ryoji to exist. minato humanizes death.
november. the bells toll, calling the appriser. and yet, it’s peaceful... quiet, and full of life. ryoji, who breaks free from death’s chains, refusing his role, is given the chance to live for a month. to make the most of the humanity that minato has given him over those ten years. and what a life he lived. ryoji’s life is a reflection of what minato’s life could have been like in another universe.
it is the way the two of them are reflections of each other. ryoji with his hair down is just like minato. they are both stubbornly committed to choosing to be kind, to love life, yet are chained down by the cards the narrative dealt them with. they finish each other’s sentences, knowing each other intimately in a way no one else does.
how is that, a boy who lived for only one month, profoundly changes the course of the narrative? he is simultaneously relevant and irrelevant. blink, and you miss it, the beautiful life that he led.
ryoji is horrified at the revelations of being the appriser. he who so desperately wished to forget that his existence was meant to bring the end to all life, was unable to escape the inevitability of death. in a non-human way, of course. he becomes remorseful. a shadow of his brief time as a human who was enamored by the small beautiful things that life had to offer.
he is swallowed by grief. grief knowing that his very existence will take away not only minato’s life, but everyone else’s. the very thing that ryoji loved- life, fundamentally went against the role he was born for- to be the harbinger of death. and unable to grapple with this sadness he believes that the best thing for minato to do is to kill him, so that SEES can live in bliss not knowing about their inevitable end.
SEES is left rattled, calling into question what the meaning of life is and what they do when faced against the inevitability of death.
and!!! minato chooses!! for ryoji to live!! even in spite of what ryoji is MEANT to embody, minato still stubbornly chooses to defy death itself! and if that’s not cool i don’t know what is!! minato wants everyone to have the chance to live!!
so he climbs. he ascends tartarus, to meet ryoji, again, who is now the nyx avatar. and i just think there’s something so so beautiful about being able to use messiah, minato’s ultimate persona, against nyx avatar.
messiah, being the fusion of orpheus and thanatos is peak ryomina to me. because ryoji and minato have established an unbreakable bond from having been entwined for 10 years, minato still has a piece of death with him, and by proxy!! ryoji is able to defy and rebel against nyx trying to bring the fall! and i think that’s fucking cool shit if you ask me!
even when all of the arcanas have been gone through, it’s still not enough to stop the fall. and yet. minato knows. in the way that ryoji was sealed in minato 10 years ago by aigis... minato becomes the great seal so that everyone can live. it comes full circle.
march rolls around. he fulfills his promise to SEES on graduation day. minato dies from exhaustion. but goddamn does his sacrifice make me weep- he’s had such, such a tiring journey. he’s been through so many things because he was at the wrong place at the wrong time. but at the end of it all, he’s reunited with ryoji in death.
and i think this is why ryomina continues to evoke so much emotions for me, to this day. the relationship that they have embodies so much of persona 3′s messages and themes that it makes me feel like a microwave with nothing running in it.
p3′s message is very hopeful, for me. my favorite takeaway from it is that even if death is inevitable, appreciating the life that we were given and choosing to live as best as we can with kindness (even if we can’t feasibly do everything), is just? really nice? and you see this manifest in both ryoji and minato’s personalities and what they do for the other characters.
ryomina just feels so distinct to me, the flavor that their relationship ties back to my favorite takeaways from this game and im just!! god!! i love you minato arisato! i love you ryoji mochizuki! im so glad that i could meet them! i’m happy that they changed my life! they made me want to appreciate the connections in life even if they were fleeting! they made me!! want to pay attention to the good moments in life and cherish them!
i love ryomina so much!!! i’m so glad that these two could bring so much joy into my life! and i hope that others can have this joy too! 💛💙
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The last day of 2023.
And holy shit has it been a chaotic ride, one which you all shared with me, or that's what it feels like!
The Major Moments:
Feb: Cato's cancer diagnosis and discovery of weird mutated cells that likely won't be explained until after he passes away. He's still with me, fortunately! No idea how much time he has left but I'm grateful for every second
April: a small leak in my dining room ceiling turned into a bigger leak which turned into a massive hole in the ceiling, at least it wasn't winter???
May: DD Born Again Photos give us all a goddamn heart attack
May: I FUCKING REACH MY OVERALL 1,000,000 WORD COUNT ON AO3. 🎊 🎉 🎊 Next stop is 1mill for TRT!
June: Went to my first con since Covid! Drove all the way down to Philly to see Charlie Cox, WHICH WAS FUCKING AMAZING, HE HELD THE RED THREAD FOR OUR PHOTO, MY FANFIC DREAMS HAVE COME TRUE, AND I TOLD HIM WHAT DD MEANS TO ME AND HE WAS SO NICE I COULD CRY
June: At that same con, I finally FINALLY got to meet my bff @wonderlandmind4 in person after many many many late nights of chatting, and we just CLICKED like we'd been friends for years, which I should have expected, but still! And then I got to meet a bunch of my readers, too! Best con experience EVER
July: enter Whoops Covid Finally Got Me After 3 Years But Charlie Was Worth It ™
July: Finally dusted off my draft of Pasta's First Dark Fic cause even if my brain was too fuzzy to write, I figured I could edit a bit. And I did! And was pretty happy with the results!
August: Shit Now There's A Long Covid Heart Issue And I Can't Be Seen Until Late November Thanks Covid ®
August: leak in the garage leads to me losing about 65% of all the beautiful, special woods pieces I'd gathered over the course of six years for carving. Within a week I am gifted a huge bin of wood from a kind soul at my local witchy shop
Sept: TRT's 6th anniversary!
Nov: I was slowly getting back into the swing of things, doing a bit of writing in between learning to manage whatever was going on with my heart (which we'll hopefully figure out in January when I get all the results of testing in Jan)
Early Dec, and the worst week of my life: mom got sick. Within one day she went from not feeling good to needing an ambulance. By the next day, she was in the ICU - flu induced double pneumonia that was interfering with her breathing and heart issues. And with one more day, she was put into an induced coma and ventilated, without any of us sure if she'd pull through. They told us she'd likely be under for two weeks, potentially longer even if she made it. The amount of messages and supportive comments I got from all of you, the talks I had with @wonderlandmind4 and @shouldbestudying41, just the general sense of having a community to help me means more than I can ever say as you all helped me through that terrible, horrible moment, even if it was just gently messaging me to remind me to try to eat.
Mid Dec: against ALL odds, Mom was off the ventilator in a week. By week 2, she was out of the ICU. By week 3? Off to the physical rehab center. She was there a grand total of 1 week before she was allowed to come home to finish her recovery. Early December was the worst moment of my life, and yet it was also bookended by the best Christmas of my life even if it was spent at the rehab center, because I got to have my mama back, and hug her and tell her I loved her and make jokes, and now she's home and we've been watching Christmas movies and eating grilled cheeses, and as far as I'm concerned, that's what the holiday is to me: not presents and snow and lights, but this moment, this time with her. 'In all the places you find love, it feels like Christmas.'
In just a few hours for me, it'll be 2024. I have no idea what to expect going forward, or even what to plan for, much less a resolution. I know I want to get back to TRT when mom's a bit better (she still needs a lot of help, understandably). I know there are wood carvings I want make; friends I want to visit; witchy events at my local shop I want to go to. But other than that... who knows? If I'm lucky, things will be calmer than this past year. But even if they aren't, at least I know I have dear friends, all of you, and my family, including Pasta Mama, to help me through it.
Goodbye, 2023. Hello, 2024.
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