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#rae.txt
athenagranted · 23 hours
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do we think eddie stopping the door from closing with his foot is the first time buck gets to see how.....flexible eddie is up close
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druidgroves · 2 days
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reading smut for fandoms im only vaguely in so i can get better at writing smut for fandoms im fully invested in. this is research.
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ice-sculptures · 8 months
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i wanted to make this poll because as a gifmaker, i'm perplexed at the way the like reblog ratio on this site has gone down significantly in the past few years and i'm really interested in getting some insight as to why that happened.
*just to clarify, this poll doesn't apply to mutuals' personal posts, tag games, or responses to asks you sent to people!! it's about creative posts like fics, gifs, art, fan videos, etc etc.
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magefeathered · 1 month
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Thinking about how When The Bough Breaks repeats "don't lie to me" and "you don't really love, you just hate to be alone" and then Say That You Will repeats "won't you say that you will, even if you won't" and then Granite says "we'd rather be six feet under than be lonely" because the timeline feels very much backwards, like a regression. It feels like instead of becoming more discerning in his relationships, Vessel has become more tolerant of mistreatment over time, and it makes me very sad to think about
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nacrepearl · 1 year
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Girl help minecraft roleplay took over once again
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nickblaine · 1 year
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season 5 script summaries
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links to previous script summaries: season 4, season 3, season 2, season 1, seasons 1/2 cont’d also, check my tht scripts tag for gifs, excerpts, and more details
i got the librarian’s email about season 5 scripts, and even though driving to and parking at WGAW has become a literal nightmare, i said fuck it and flew (crawled in traffic) down there the very next day. i wanted to see what the mood was like during the strike, anyway.
the staff had the library running business as usual, but the energy was high and there were pro-union shirts everywhere. there were a couple of guys on the first floor making literal piles of picket signs. i chatted with them for a minute and they said everyone was mostly out on the streets, picketing at every major studio in the city. rock on WGA ✊
i was on a time limit to beat rush hour, so when i read the season 5 scripts it was only Nick scenes. i searched for all instances of his name and wrote down everything i could. i may go back to read the rest of the season, but i can’t make any promises on when that will be.
before i begin (same as last time):
• everything described here is from the official scripts that are archived at the Writers Guild in Los Angeles. • the scripts i read are final drafts. there is no “writing in the margins.” everything described is from dialogue and script direction that was used on set. (click for an example) • the library has a strict no copies/photos rule in place which is why i summarize what i read. • anything in italics is a direct quote for the sake of clarity. • feel free to ask questions and i’ll answer to the best of my ability. my private notes are pretty detailed, but if i need to do more research i may save the answer for a future library visit. • please do not share this post without my permission. thank you in advance for respecting my wishes.
5x01 - Morning
Nick and Rose’s morning scene in this episode is more or less the same as this early script draft. The only difference is after Nick tells Rose her coffee is good, there’s an additional line that says: “It’s a lie, and they both know it. Rose appreciates the polite kindness.”
5x02 - Ballet
There was a short scene of Nick and Joseph Lawrence having a private chat at the airport before meeting with Serena Joy. It was cut from the episode, but you can see it in the trailer.
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In this scene, Lawrence confides in Nick that he’s nervous about the meeting with Serena because - in his words - “You had to let your girlfriend go after Fred.”
Nick assures Lawrence that they’re going to spin it as a savvy political move by blaming the Americans for killing Fred. Lawrence still chastises him for not doing his job. Then the conversation pivots (a little clunkily) to this line from the trailer:
NICK: Serena doesn’t know what happened.
LAWRENCE: Doesn’t matter what she knows. It matters what she believes.
When they meet Serena on the tarmac, she instantly has suspicions that they were responsible for Fred’s death. The conversation is tense until they all see Fred’s body getting rolled off the plane, then Serena needles Nick’s guilt and pokes at it with her “Fred saw promise in you” speech.
As they are leaving the tarmac, there’s a line that says “Nick acknowledges Mark with a nod” and Lawrence notices it. In the episode you can see Nick and Mark exchange looks in the background as they leave, but otherwise Lawrence doesn’t notice.
At the Putnam’s party later in the episode, you may have noticed that after the Handmaids arrive, Esther and Nick share a notable look. The script describes this as a fraught moment in which Nick is filled with remorse and wishing he could do more. It also says Esther remembers Nick from when he and the Eyes arrested her, and she’s visibly pissed about it. As they walk away from each other, “Nick can’t help but be reminded of June.”
While Serena Joy is manipulating the Commanders into broadcasting Fred’s funeral, Nick steps in because he’s moved by her bravery and “attempting to atone for his hand in killing Fred.”
In the secret meeting between Nick and Mark there were a few cut lines of dialogue. Most notable is after Nick tells him he just tries to stay out of trouble, Mark replies, “Catches up to everyone, at some point.“
Opaque, Nick thinks about that. How long does he think he can keep going?
Ok, so the end of the episode when the funeral is on TV in Canada, I’m happy to report that Nick IS mentioned in June’s inner dialogue. The scene describes her recognizing who is onscreen with Serena. First she sees Lawrence, and then... “And finally, most painfully -- NICK.” (Yes, in all caps like that, lol.)
5x03 - Border
Cute June inner-dialogue when Lily asks her if Nick’s a big Jezebels guy: “June doesn’t know how to explain what type of “guy” Nick is.”
The awkward Lawrence residence dinner scene. Commander Mackenzie genuinely loves Rose (”old friend of the family”) and is instantly distrustful of Nick. Serena doesn’t buy Nick and Rose’s relationship as genuine either, and tries to subtly acknowledge Rose’s close relationship with June’s daughter’s parents by telling him how lucky he is. Nick is tense, but then his banter with Rose relaxes him, making Serena surprised to observe real affection in their relationship.
During the dinner itself, Mackenzie is just making everyone extremely uncomfortable by bringing up June. Nothing too interesting in the script here, it’s mostly just dialogue.
There is a cut line after dinner when Nick and Rose are leaving, and she says to him, “Well I wouldn’t say that’s the most relaxing dinner party I’ve ever been to.” (He responds “Yeah. No.”) Then he spots Mark all alone. Script says Rose understands what he’s about to do. “Nick squeezes her hand, then heads over to Mark.”
The script emphasizes here that Nick is unsure talking to Mark is a good idea, but he really wants to be the one to tell June about Rose before Serena does.
Mackenzie scares the shit out of him in this scene, and the “fuck” Nick mutters at the end was originally not spoken out loud (”OFF NICK, fuck.”) but I’m so glad it was.
Alright, phone call scene. One of our few big Osblaine moments!
NICK: June. Hi.
June suddenly feels like everything is going to be okay.
This scene is mostly dialogue. The final product is all the acting that goes into it. It does say Nick is stressed to relay upsetting information about Hannah and Rose. When June hears about Rose, she knew this was coming eventually, but it’s still a blow. It also describes how painful and hard this is for both of them. But at the end of the call, right after June tells Nick to be happy, is my favorite line in the whole script:
It’s an impossible ask, maybe, for these two to be truly happy without each other.
After the phone call, there is a cut scene between Nick and Rose where they simply look at each other.
Rose knows exactly who he was on the phone with, and what he said to her.
She looks worried for him, knowing it wasn’t easy.
He nods to her -- it’s done.
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5x06 - Together
According to the script, Lawrence only invited Warren Putnam over to his house to get Nick on board with killing him. Warren repulses Nick so he’s down.
The next scene they’re in is when they execute Warren. (Such a good scene.) After Nick shoots him in the head, the script describes the camera hanging onto Nick and “his soldier’s stoicism.”
Then it cuts straight to Rose in the Blaine home. “She’s disappointed in him and he knows it.”
Now this scene threw me off. It’s written much differently than how Max acted it. Nick is actually a lot more warm toward Rose in the script, much like how all their previous scenes were. Several lines of Nick’s dialogue were changed (”Can I help?” became “You gonna tell me what’s going on?” onscreen) and his body language comes across way more cold and defensive than what’s described on paper.
As for Rose, she isn’t soothed by Nick’s assurances here. And that’s it for this episode.
5x08 - Motherland
New Bethlehem opens with another cut private moment between Lawrence and Nick.
Nick is brooding by the water, “still grappling with the moral and emotional consequences of shooting Warren in the head.” Lawrence finds him and tries to prod, but Nick gives him nothing.
LAWRENCE: You look a little more moody and broody than usual. Really, you sleeping okay?  
NICK: I’m fine.
Lawrence moves on because they have work to do. He reminds Nick he’s counting on him.
Lawrence gives his New Bethlehem speech to the other Commanders. When one of them pushes back, “that’s the cue for Nick, the muscle. Enough carrots, time for sticks.”
After Nick bullies the Commanders and Lawrence consolidates his power, the script describes these two as a “dynamic duo” lol
Okay, brace yourselves, there’s a cut Osblaine scene up next. I had no idea this existed, I don’t think there are any shots of it in the trailer.
It takes place after June visits Serena in the detention center and realizes she can’t help Hannah unless she’s there. If you watch that part you will see her pull out Lawrence’s burner phone as she leaves. But instead of going to Lawrence’s office like she does in the filmed version, in the script she calls Lawrence and just says, “I want to talk to Nick.”
It cuts to the next night at the border wall between Gilead and Canada. June is waiting on the Canada side as flying drone searchlights swoop across the electrified fence. (All described in dramatic detail.) She sees Nick appear on the other side. They look at each other, waiting, and once the searchlights clear they move to meet each other at the fence.
JUNE: I need to know if this is for real. I need to know that Hannah and my family will be safe.
NICK: I know. You will be. I promise.
JUNE: How can you promise that?
NICK: Things are changing, people are scared of Lawrence. I’m in a position now where i can make sure you’ll be safe.
JUNE: I want to believe you.
NICK: June. You can finally be with Hannah, watch over her. Isn’t that what you always wanted?
She nods.
NICK (CONT’D): Then please. Come back.
“To me,” he means. June’s heart is torn.
At this point the searchlights return and they have to separate. This scene is written like a soap opera. “They can’t help but reach out to each other, almost brushing fingertips before they move apart and run back, escaping the lights.”
Photo of this scene from Max’s IG:
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Later in the episode, Lawrence is back in New Bethlehem with Nick. Nick asks which way June is leaning and Lawrence says it’s toward yes. The script says here that Nick understands that Lawrence is trying to manipulate him, but he can’t help but be cautiously optimistic at the idea of having June and Nichole in New Bethlehem with him.
By the end of the conversation, Nick is “considering.”
5x09 - Allegiance
We’ll skip to 27 minutes into the episode, when June sits with Mark after the failed mission. Mark catches June off guard by bringing up Nick. She’s taken aback by the revelation that he turned down Mark’s offer, but Mark says she can still persuade him. The script says “June imagines the prospect of Nick in Toronto” which I think you can see pretty clearly on Lizzie’s face lol.
Then we cut to the big Osblaine reunion.
Lots of dramatic buildup in the script leading up to their conversation. I don’t know how to describe it other than to show you:
She looks toward the courtyard. And there he is --
NICK
Waiting for her. Strained.
JUNE
Takes a beat to soak him in. She gets out.
OUTSIDE
June approaches Nick, their eyes locked.
Like, damn. They love building tension with these two.
Anyway, dialogue proceeds as it does in the show. Nick tells June that his wife’s pregnant and June has the wind knocked out of her. She’s described as “appalled by Nick’s commitment to Gilead, but understanding of his loyalty to Rose and their future child.”
And then--
JUNE: I want what’s best for both our families.
They look at each other.
A giant chasm between them now. But they’ve shared so much. So much trauma. So much love. A daughter.
JUNE (CONT’D): Well. This is a fine mess, isn’t it?
This scene is once again described as painful for both of them. “She tries to keep it together. How can they part? How can they say goodbye?”
Before Nick says “I love you” he was supposed to wrap his arms around her, but in the final cut they keep their distance.
5x10 - Safe
Just wanna note that when Nick shows up on the bridge to meet Mark, it was originally written so American soldiers yank Nick out of his car, handcuff him, and drag him across the bridge to Mark. We were deprived.
Also the first thing out of Nick’s mouth here was supposed to be, “How is she?”
In the hospital, Mark is telling Nick what’s going on but, “Nick can’t even speak. Looking at June, with her black and blue eyes.”
Mark gets the hint and leaves Nick alone. An interesting thing to note is that the line “it’s probably better if she doesn’t know I was here” is NOT in the script. At all.
The rest of the scene is sweet and simple.
Nick crosses, sits beside June.
A beat. Nick takes her hand.
Says nothing as he watches her sleep.
And that’s it.
Mark and Nick’s second scene on the bridge is just as short and to the point. In fact it’s almost entirely dialogue, so the emotions you see onscreen came from acting and directing. The only notable difference here is when Mark tells Nick he could’ve run away with June, he was scripted to give actual examples of where. “Maybe not to Canada, but there are -- places you could’ve gone. Idaho, the Westward Territories.” (Hopefully foreshadowing lol.)
At the party, it is scripted that Rose tries to greet Nick when he arrives and he doesn’t even acknowledge her. Like she doesn’t even exist.
There isn’t much description to accompany the punch. There is a line that says if Nick wasn’t pulled off of Lawrence than he’d be happy to keep on whaling on him. It also describes Lawrence as “rattled” and Rose as “humiliated.”
At the train station, during June’s goodbye to Mark, she asks him to tell Nick that she and Nichole are safe as a nod to their phone call in episode 3. The only descriptive line here is, “A beat, as Mark clocks the deep and selfless connection between Nick and June.”
The final scene I have notes for is Nick and Rose’s breakup in jail.
There are a couple parts of their scripted conversation that didn’t make it onscreen. Starting with right after Rose tells him a good man wouldn’t leave his wife every time his girlfriend calls, Nick’s response was supposed to be, “she was almost killed.” Then Rose laments that she thought she was lucky that someone like [Nick] would deign to be with someone like [her.] Nick says, “I was the lucky one” and she tells him to shut up.
Then there’s the “You will never let go of her, will you?” line from the show. Nick explains that he tried, but Rose retorts with, “Who knows what that woman will bring to our door. I have to protect our son.” Nick is described as scared now, and pleads with her not to leave.
Now I have no idea if that “our son” drop was supposed to be a legitimate reveal or just hopeful Gilead thinking. The script says nothing else about it and it was cut from the show. But it will be fun to speculate as we wait for the final season.
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floralminho · 4 months
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happy new year lovelies <3 hope 2024 is good to u <3
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frightmarefalls · 2 years
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akk really said “I’m CHOOSING to repress my feelings for you”
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raeewe · 1 year
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i’m not one to fall into parasocial relationships except for when i burst into tears when i saw that jenna and julien got married
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I WANNA PLAY LOVE AND DEEPSPACE BUT IM A DUDE AND PLAYING AS A GIRL GIVES ME DYSPHORIA FUCK
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athenagranted · 1 day
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text posts are not enough i need my mutuals to sit through a 100-slide powerpoint presentation about my topic of choice while i go off on tangents every five minutes
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druidgroves · 1 month
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"this song is about this" "this song is about that" "this person wrote this song about this person" wrong all songs are about ocs ive made and ocs that have not yet come to pass
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lesbiantiana · 1 year
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I am not immune to women covered in blood
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ice-sculptures · 26 days
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i love bothered and bewildered and bisexual people
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magefeathered · 25 days
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Me 2 hours ago: i will give this beloved mutual one (1) boop. so they know I'm thinking about them but I don't seem creepy :)
Me now: [CACKLING MANIACALLY] HERE, RANDOM PERSON ON MY DASH, TAKE 10 BOOPS. BELOVED MUTUAL, YOU GET 25! I NEED THAT BLACK PAW!!!!
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nacrepearl · 1 month
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Crystal season 2 is crazy cause if I was kidnapped, sexually assaulted twice, and then victim blamed while someone was actively trying to choke me to death I'd start killing
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