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#just a bit of fun really
island-in-the-shadows · 3 months
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Hannibal and Will Adopted Oliver AU Pt. 2
I literally have waited long enough to continue posting this one. Definitely owed it to @ib3li3v3you so here goes:
Pt. 1 here: https://island-in-the-shadows.tumblr.com/post/742073028536582144/my-hannibal-and-will-adopted-oliver-au-hcs
Oliver goes hunting on his own for the first time at 18 (so prior to arriving at Oxford). His dads are waiting in the wings, so to speak, in case Oliver fumbles. His hunting style is, given that he's a teenager, a little more conspicuous than his fathers'. His target had been scoped out for months, however. Got just the right person from his papa's (Hannibal) Rolodex of Rude.
Oliver wanted to try something a little different from how his dads do it which meant finding the rude man in question and seducing him while simultaneously remaining in the shadows. He really thought this out. Anyway, very looong story short, he basically does what cannibalistic spiders do to their mates. Except with a deadly syringe. His fathers' help him create a spidery display.
Oliver does start out eating regular, if incredibly fancy, food but does develop the taste for long pig and, in either case, has a fondness for Sweetbreads. Don't ask me why, I'm still not clear and do not want to probe.
Oliver seriously considers taking care of Farleigh for a while because he finds him unspeakably rude. However, Hannibal and Will advise him not to and recount how they have waited for the right time. Besides, they both know that Farleigh going missing would be noteworthy and possibly alienate their son from what he wants the most: Felix.
Hannibal sympathises with Oliver much more than Will does about the whole Felix thing. Will knows Felix's type and is just instantly on his guard. Hannibal, on the other hand, knows what it's like to fall for some pretty boy more or less at first sight.
This means that Hannibal is the one that gets the brunt of the calls when Oliver needs to vent about Felix. Yes, even when Oliver is so angry with Felix for abandoning him to shag some girl that he debates about killing him.
Back to Oliver's lies: Instead of telling Felix that his dad died, he says his mother died.
Will is the one that helps Oliver fully understand what it is that Felix wants. Except Will never suspects that Felix might want Oliver too. Cut him some slack, it's his kid and he mainly just wants the crush to go away.
Hannibal and Will argue about Oliver's obsession with Felix. Get in a fight about it. Hannibal believes Oliver and Felix are inevitable. Will thinks their son is going to wind up with a corpse and a broken heart.
The tack in the bike tyre was Hannibal's idea.
Oliver finds horror movies funny because, come on, he's literally seen and done worse.
Oliver does tell his dads that he's going to Saltburn instead of coming home.
Oliver knows how to cook though not as well as Hannibal. However, when he eats Venetia out, he thinks her blood would be wonderful in a Sanguinaccio Dolce. He wonders if Felix's blood tastes better.
His phone kept ringing while at Saltburn and Oliver kept ignoring it. The "HL" and "WG" brought questions from Felix, so he lied and said it's family members who are always asking him for something or to forgive his dad. Stupidly, this prompts him to change the name for both numbers and put "dad." (Let's remember Oliver is very smart but also very fucking stupid in canon; same goes here.)
When Felix answers the phone when "dad" calls, it's Hannibal on the other line. Hannibal follows his son's ruse and pretends he knows nothing about Felix. He does, however, get curious. Tells Felix that he would love to see Oliver for his birthday and that wouldn't it be nice if Felix came with him.
Hannibal lies and says that he's at something like a program for rehabilitation. Really wants to make it extra tempting for Felix. Gives him the address and says that oh this whole building was remade and blah blah he plays it up. He has a ball doing this.
On the drive to this place (not Prescot because, even though that's where Hannibal and Will found him, that's decidedly not where they live now.), Oliver at first doesn't recognise where they're going. Hannibal and Will and Oliver moved to this estate (one that Hannibal has long owned but barely used) a few months before Oliver started at Oxford and Oliver really only left it to hunt once and then to get on the trains and busses that would get him to school. [I did actually look for real estate for this and had fun doing it.]
However, when they turn into a familiar little road with all the familiar buildings before they get to the definitely familiar 16th century manor, Oliver starts to panic.
Felix comments on how nice it is for a rehabilitation program. Oliver is dying inside and he knows his dads did this on purpose.
Felix is, however, taken by complete surprise when he realises that Oliver's dad and his "friend" are the only people there.
Hannibal asks Felix forgiveness but that Oliver is so embarrassed of them that he had to lie. He reveals Will is his partner and that oh yes, shame about Oliver's mother dying all those years ago.
Will is polite but quietly observing. Hannibal is the consummate host. Felix is livid but polite. Hannibal likes that Felix keeps playing at politeness. Will finds it grating.
Oliver will pull Will aside and ask why? Will pats Oliver's shoulder, "We were curious what would happen, you should know that."
When Hannibal hugs Oliver goodbye he whispers, "Don't spoil the meat."
Ok this is long enough...will keep developing this for later with the big party, the maze, Felix surviving, and eventually becoming interested in more exotic meats. LOL
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faerywhimsy · 1 year
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What started as a fanfic writer's assist has gotten out of hand
So, I've never actually been able to make it through a full read of Prince Lestat. I know I'm far from the only one, but I'm not one to drag the dead. So Imma drag her publishing team instead.
The 'team':
Writers like Ms. Rice, who produce many books and consistently bring in a great deal of money for their publishers, are often given far wider editorial latitude than other authors. Ms. Rice has been a best seller for Knopf since 1976, when it published Interview With the Vampire. Later Rice books have not done as well as Interview, but they still sell about a half-million copies apiece in hardcover, said Paul Bogaards, a Knopf spokesman. He said that Blood Canticle had sold about 375,000 hardcover copies and that Ms. Rice always “has a built-in audience waiting for her next novel.” An executive at a rival publishing house, who spoke on the condition of anonymity, said publishers often took a hands-off editorial approach with stars like Ms. Rice and Stephen King, another prolific, best-selling author, particularly as their careers matured. “Ultimately it's the author's book,” the executive said. “With an author of a certain stature, they're the artist; we're the amanuensis.” Knowing that, from AR herself, we readers had to be content receiving a first draft, I've naturally started wondering what an edited version of Prince Lestat might have looked like.
So then I, an editor, opened a word document, input the file and made the beginnings of an overall structural edit had such a manuscript to landed on this humble, amanuensis' desk.
My favourite little Easter egg as I've developed this is looking between the contents pages and page numbers in each document side by side. I decided real quickly that I'd keep all chapter names, just for bearings sake, but cross out the ones I didn't intend to keep.
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I was surprised by how chapters many I would elect to keep, albeit some in a very paired down, truncated version. However, I don't think it's unreasonable to think that actual editorial conversations with this prolific, career matured and best-selling author might have led to chapters between contemporaries of Maharet and Mekare being merged together since many of them contained introductions to the same handful of characters (Everard, Rhosh, Teskhamen, even Gregory).
The other thing I quite enjoyed indulging in was bringing back passages directly from The Queen of the Damned, both at the start and again midway through. 'Isn't that just self aggrandising?' Well, yeah, in a lot of cases, sure. And maybe a part of that is more the fangirl in me than the editor. Still, this is tumblr, so I'm doubling down.
Prince Lestat leans a LOT on QotD, down to literally naming page numbers at one point and it just seemed less clunky to have the referenced pages in this actual book rather than... page numbers? And what about first time readers to this universe? What about people who had heard about Anne Rice but weren't alive when the early books came out? What about long time fans whose memories aren't working so well now as they were in adolescence?
... I don't know about most everyone else, but Prince Lestat came out in 2014, and I know a number of fans that have complained about getting their hands on the original trilogy that was 30-40 years old, and is now closer to 40-50.
Ugh, and there are so many great connections you can make when you put QotD and PL directly side by side. Little details, like the end of PL being recorded in Palm Springs, California, and the Coven of the Articulate really having its beginnings in the carpool of *checks notes* "shining black cars streaking through the American night" "like a gypsy caravan leaving the Sonoma compound in California."
And then I laughed OUT LOUD when I read Everard snarky rejoinder upon meeting Teskhamen, a servant of the Mother. "Doesn't everyone say that these days, since the publication of the Vampire Chronicles? Do any of you ever cop to having been a renegade or some clever menace who wheedled the Blood from a Gypsy blood drinker in a ragged caravan?"
Akasha's downfall is literally the thematic beginning of PL. QotD portrays the first time the Sacred Core exists (for the reader) and then moves within the narrative. A Sacred Core that is about to move again in PL a mere 30 years later.
Characters like Khayman and Maharet, Jesse and Daniel all see character arcs beginning in QotD and concluding for better and worse in PL. Character motivations like those of Gregory Collingsworth and the family he forms also have their beginnings in QotD—a family that directly parallels the one at Trinity Gate—even if we don't see Gregory and his cohort on the page at that time.
Okay, okay, I'm moving on.
At first it shocked me how disparate some of the chapter lengths were, but that ended up working to my advantage as I cut down some of the longer ones for what might have become a second draft. I'm not even going into fact checking. I left enough descriptions in for bearings on where we are in the world—god, so many locations—and left the rest to chance. Cause, let me say again, this is intended to be my fanfic assist lol.
Don't get me wrong, a first pass still sees the novel at over 100k. This is no shy wallflower of a novel in any universe. And, oh my god, those gems that shone so bright already? They shine so much brighter when one doesn't have to wade through the murk and —— to get to them.
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All About Me
tagged by @somethingclich8, thanks!
three ships: Eddie Diaz/Evan Buckley (9-1-1), Marinette/Adrien (Miraculous Ladybug) and Crowley/Aziraphale (Good Omens).
first ship: Do self-ships count? Because if so it was myself and The Doctor (Doctor Who). If not it was probably Rapunzel/Flynn Rider (Tangled).
currently consuming: Orange and pineapple juice 😊
currently watching: 9-1-1 Lonestar as Season 4 has just started.
last movie: The Menu. Was a super trippy movie, highly recommended if you like psychological movies, like I do.
last song: Mary On A Cross - Ghost. God this song is sooooooo good.
currently reading: So many books its embarrassing. I really need to finish reading them. The one I want to get back to the most is The Seven Husbands of Evelyn Hugo.
currently craving: Sleep, but that's nothing new.
tagging anyone and everyone who sees this.
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ruporas · 9 months
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captain's warm hugs! (id in alt)
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verflares · 29 days
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i thought i felt your shape, but i was wrong. really all i felt was falsely strong, i held on tight and closed my eyes. it was dumb, i had no sense of your size. it was dumb to hold so tight.
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criticalsyourroles · 2 months
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now i've watched a fair amount of d&d i've started to pick up on the differences between dm style i think
like brennan IS all the bad guys. every game he dms is brennan vs the players. he makes npcs and battles that make his friends throw things at him and he smirks the whole time. he makes them tell him their worst fears and then he makes them do it. and it's awful and amazing and really funny
matt IS exandria. his characters and battles never feel written or constructed, they just feel like things that already existed in the world. it's all about verisimilitude with him, and he's amazing at it. he tends to fade into the background and let the players react to the story and it makes everything he does incredibly cinematic
aabria dms like she's just another player at the table reacting to the story, right up until someone gets lulled into a false sense of security and tries to fool around and THEN she throws a curveball by making them deal with the consequences of their choices. she's like oh you think that's funny?? then i'm about to be hilarious, bitch. and she keeps getting away with it bc she's just that good!
basically, brennan's an evil bastard, matt's the world, and aabria's the queen of consequences
or:
brennan - fuck
matt - around
aabria - find out
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wasyago · 3 months
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welp, didn't manage to get everything out before season 10 started, but i gotta post it one way or another so here we go! heard there was a fandom swap game going on, wanted to do a couple promts of my own :D
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sasswonfp · 1 year
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This joke came to me in a fit of laughter (ALT description provided :3!)
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the-meme-monarch · 5 months
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been rewatching hlvrai and drawing along :]
edit i fixed the last one (drew his gun on the wrong arm and it Ate At Me (yes i just flipped the drawing what are you a cop))
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cuddlytogas · 2 months
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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mayasaura · 1 year
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I don't wanna further hijack that poor poll, but the thing about Harrow's schizophrenia is that it's canon. The author has confirmed it, and shared that it's based on her own experience.
It's a pretty obscure bit of canon, so of course there's no shame in not already knowing, but that's why I'm so obnoxiously persistent about letting people know.
Whatever else is up with Harrow, autism or cptsd or any number of likely headcanons, she is also schizophrenic. I feel like that's too important to be handwaved away as a difference of opinion.
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dustybones · 28 days
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lil scene redraw from @tadpoleeater's fanfic
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dizzybizz · 3 months
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"this is regrettably the best kiss of your life, you understand?"
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All About Me
tagged by @somethingclich8, thanks!
Are you named after anyone?
I named myself but no, I had no-one in mind.
When was the last time you cried?
Yesterday.
Do you have kids?
Nope but I hope to way, way in the future.
Do you use sarcasm a lot?
Nah, oh my god I would never.
What’s the first thing you notice about people?
Their outfits usually. Not to judge or anything.
What's your eye color?
Blue.
Scary movies or happy endings?
Happy Endings. Happy Endings. Happy Endings. Happy Endings. Happy Endings. Happy Endings. Happy Endings. Happy End-
Any special talents?
I can wiggle my eyebrows?
Where were you born?
England.
What are your hobbies?
Watching TV, Reading, Gaming, Writing, Crocheting, doodling on occasion.
Have you had any pets?
Yes. So many. So so many. Cats, dogs, hamsters, chinchillas, various birds, various reptiles, fish etc.
What sports do you play/have played?
I attempted horse riding until my body crapped out. I do miss it though.
How tall are you?
Around 5'2"/5'3"
Favorite subject in school?
English, Maths and ICT were my favourites depending on the school, if my friends were in the class and most importantly whether or not I liked the teacher.
Dream job?
Ever since I was little I wanted to be an Author. And I will be! One day. When I get around to it...
tagging anyone and everyone who sees this!
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personal HCs of the human lords in black
yeah i based em off of the canon npmd ones with some nmt-lore-related details. it's all just for funsies rlly
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salamispots · 2 days
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a rug hook commission for @stickynotebirds! :O (who also drew the original sketch/design and I tweaked it a little bit)
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