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#it is telling I know what the chapter is because this is the only manga chapter I read
daydreamalley · 2 days
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A Ramble about Phase 19 of the Fifteen Manga Ft. Storm Bringer spoilers
Just absolutely cannot get over the 15 manga. I love the light novel so much, but this manga adaptation is so ridiculously amazing. Dazai and Chuuya’s proximity/touching has been amazing of course. I adore the way Hoshikawa draws Dazai and Chuuya as well (my baby boys, especially Chuuya). But these last two chapters with Rimbaud and Verlaine. Like, fuck. The whole “At least, one of them felt that way,” part just hits so much harder in the manga for me, with the art and page placement. And this whole most recent chapter. Like firstly, you don’t have to end every chapter with like Chuuya getting stabbed okay, help me out here.
Comparing the last page of phase 18 with Verlaine and the first page of phase 19 with Chuuya makes it so obvious that Rimbaud is seeing the similarities between them with just that parallel, which is confirmed later with Rimbaud quite literally seeing Verlaine standing behind Chuuya. 
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Not to mention in phase 18 the “That’s right Paul, I remember you,” in conjunction with him seeing Verlaine in Chuuya.
Then that flashback with Verlaine carrying Chuuya and Chuuya’s just so small I could cry.
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Like, I knew he was small, but he's just so young, I can't. People were experimenting on him. Like, how??
The way Rimbaud wants to ask Chuuya something and Chuuya crouches down to him. Which leads to Rimbaud putting a hand around Chuuya as he tells him to live. How close and personal they are when Rimbaud says all of this just make it feel so much more impactful for Chuuya. Kinda love too that Chuuya isn't just standing over Rimbaud. He's making it obvious he's open to listening.
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Rimbaud says a lot of shitty things to Chuuya up to this point, even complaining that he has to kill a kid while only referring to Dazai, completely not acknowledging Chuuya as anything more than Arahabaki. But once he fully remembers what happened with Verlaine, I feel like that’s when Rimbaud remembers what he truly believed about Verlaine and his humanity and how that extends to Chuuya’s humanity. Because Rimbaud’s whole final speech is most definitely things he’d also thought of or told Verlaine before (as I think is confirmed in SB). I think those are Rimbaud’s true thoughts and beliefs on the matter, it just took that long for him to remember the full story and how he felt about it all. Rimbaud saw Verlaine’s struggles with humanity, and now he also remembers why Verlaine betrayed him. And so he tells Chuuya to live, just as Verlaine wanted him to back then, live without the burden of worrying about your humanity or where you came from, because “you are you.” It doesn’t matter if Chuuya (and Verlaine) “are but a pattern etched on the surface of raw power.” In Rimbaud’s mind, and honestly where we eventually end up at the end of SB, is that it really doesn’t matter what your origins are, whether someone is an artificial personality (aka pattern) etched onto raw power, because really everything is some version of a pattern upon the world. And in a word with abilities, a lot of people are a pattern connected to a power. Just as in SB Chuuya decides that even though Adam isn’t human and he knows it, it doesn’t take away from Adam’s actions, his sacrifices, or his dreams. Same goes for Chuuya and Verlaine. Their origins don't affect how human they truly are. Their humanity is significant no matter what. It just took a bit more convincing for Chuuya to get there, a little more than what Rimbaud could offer on his (almost) deathbed.
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Anyway, Chuuya holding Rimbaud’s hand as he dies just does things to me. Like, the book described that “Both Chuuya and Dazai quietly listened as if there was something in what Randou (Rimbaud) was saying that they couldn’t allow themselves to miss… Some things, however, would not return to normal: the body of a man who no longer felt the cold, and the hearts of two boys who stood rooted to the spot, staring at him. A gust of wind peered through their souls as it passed them by.”
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This page just so well depicts that last line. It truly feels these boys have heard something so monumental, that they won’t ever forget. Standing in the aftermath of their first fight together, hearing these words about humanity that both mean so much to both of them. Dazai’s expressions really convey this to me in the manga, and convey it just so beautifully. And Chuuya being so close to Rimbaud when he speak those words just makes it feel like those words truly are so monumental for him. And also this means that Chuuya fought to kill a man, that to be entirely fair and clear was trying to kill him first, and then held to his hand as he dies, and there’s just something about this added detail that’s so significant to me in portraying the weight of it on Chuuya. Chuuya's connection to Rimbaud is a complicated but important one. But really these words are important for both boys, because let’s not forget that Dazai also struggles with his humanity. Even if he doesn’t have a physical reason to doubt his humanity, like Chuuya, there are many other reasons that he does doubt it. So hearing that all people and all of humanity are really just patterns within the physical world, human or not that’s true of everyone and everything, and that’s important for Dazai to hear too. I think both boys think back to Rimbaud’s final speech quite a bit, if I’m being honest or did for a while.
I am NOT getting over the detail that someone (Chuuya??) put Rimbaud’s scarf on his grave. I just… it does something to me and I love that detail so much. And cutting back to that “You are you” line while Chuuya’s talking to the grave is just so perfect in my opinion, and again just shows the significance of it so, so well. It’s like, he's talking to Rimbaud, complaining about his actions really, and then it cuts to that “you are you” and it just shows almost the contrast I guess between Chuuya feeling unrest at not finding stuff about his past that Rimbaud could’ve given him, but maybe wouldn’t have anyway, and Rimbaud’s statement that those things don’t matter because Chuuya is who he is beyond all that. Also the little dandelion blowing into the wind, to me also signifying a wish being spread.
Anyway, entirely unnecessary to end the chapter with a big knife in Chuuya’s back, thanks. Especially after Chuuya mentions how he’s still exhausted from everything. Like let’s just, stop, please.
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He's just a boy, leave him alone for the sake of all things good.
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nottsukkomia · 3 days
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hi this is skittles and I'm not normal here's some proof of that
Pearl(Pokespe) is a Tsundere
-whatever the hell this thing is-
Okay, so as y'all know or maybe not know, Tsundere is a Japanese term for a character development process that depicts a character with an initially harsh personality who gradually reveals a warmer, friendlier side over time.(from Wikipedia). In some anime Tsunderes can be rude only towards targeted people like their love interest.
Now let's take a look at Pearl from Pokespe manga.
Right off the bat, he gets introduced as an aggressive, hasty and rude character. He often tries to, like, show his superiority over Diamond because the latter seems slow and unorganized to him.
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He also cannot take Missy’s “egotism” at first and is really harsh towards her in a way. The traits that tsunderes are known for are.. You guessed it: aggressiveness and trying to seem better than the other subject. But he'll be just an asshole if it was just that.
What Tsunderes are also known for is being cold on the outside and soft on the inside. Tsunderes are really helpful if they want to be. Pearl is also one of these cases. He quite literally says
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Though he's not afraid to admit that… Or is he?
If you look far enough past the aggressiveness facade that he has, Pearl cares deeply for both Diamond and Platinum, that's why he helps them all the time. He might not admit it, trying to wing it with something like
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but then he secretly sends Chahiko to spy on her and tell Pearl if something happens. Though, when Dia mentions it..
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look at this his ass is literally blushing even though he denies it
He tries to pretend he doesn't care at first
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And though his methods can be harsh, he actually tries to teach Missy a thing or two with these.
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This doesn't only apply to Missy. Diamond is looked after as well. Even if he gets called names and gets hit during first four volumes, Pearl tries his hardest to prevent Dia and his Pokémon from getting in trouble or getting hurt. It more so happens because they're best friends since their childhood and naturally he cares a lot about him(let's remember that moment at the lake when they both went to search for a red gyarados which might be a cause of Pearl's worry for Dia.) than it being a crush, since there's also platonic love and stuff.(but if you want to you can just say pearl is in denial) There are many examples of that happening and I doubt I can list all of them. So I'm going to just give you the most important scene in proving my point.
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this scene in particular shows just how much he cares about Diamond, even though he doesn't really know how to show that care. This scene becomes one of the largest steps of Pearl's tsuntsun melting into the deredere.
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he blushes, bro. he fuckin blushes.
After this chapter his relation towards Dia in particular noticeably softens. He now knows scolding isn't the best idea of letting his friend know he cares. This is character development my dear reader!!
That's pretty much it thanks for coming to my small talk about the cause of why I draw Pearl blushing a little above his nose all the time, no matter the situation
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bye
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koko2unite · 8 months
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I am reminded again that Legosi's theme and Louis' theme played together become a full song
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uwu-oikawa · 1 year
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I don’t understand how Furudate created chapter 387 and expected me to ever be okay afterwards
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shadowtraveled · 2 months
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"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.
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but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)
mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…
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the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.
every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.
first, the snake part of the chimera appears to be modeled after some species of coral snake mimic
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which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.
which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.
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the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.
walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?
well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.
you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?
it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.
when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.
and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.
kui laid it out in three panels better than i could hope to.
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yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.
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evangelifloss · 1 month
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Thinking about a certain scene in Dungeon Meshi that completely encapsulates the Autistic experience of making friends as an adult and how hard it is to try and navigate it without ending up getting hurt.
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Like IDK about y'all, but this is a common problem ALOT of Autistic Adults face when trying to make friends with other people, because unlike children who aren't good at keeping their opinions to themselves, Adults ARE. In society, we're even encouraged to "keep the peace" "be polite" and etc, which commonly leads to awful scenarios as shown above when Laois finds out his buddy has come to resent who Laois is without actually telling him. All too often the friends that we love to hang out with, people that we're so happy to spend time with, don't feel the same way and in many cases, come to blame us for our social cues or lack thereof.
And when/if we do eventually find out how our friend feels, Dungeon Meshi hits us with another painful panel of how that usually ends up playing out.
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It's hard for Adults with Autism to make friends, and even harder to maintain them because alot of the ways Neurotypicals tell other Neurotypicals that they don't like a certain behavior is by quietly disengaging. Whether that involves having one sentence answers, going quiet, or having a certain tone in their voice, all those things signal annoyance or disapproval, but for the Neurodivergents, those subtle cues are completely missed.
And yet when we inevitably discover we DID do something, it is natural to ask "well why didn't you tell me?" because in our minds, it should've been the next step in the equation. However for the Neurotypicals, that's NOT something to bring up. Its important to be SUBTLE about the issue at hand and rely on signals to tell the other person. Blame is placed on us for not noticing the "obvious" signs of disapproval rather than the idea of talking it out as such things are uncomfortable and harder to do. Alot of the time what ends up happening is resentment due to the idea that it was "obvious" and the fact one didn't notice indicates a deliberate ignorance rather than a complete unawareness. It ends up calling into question our quality as a person and our sincerity. We get called "fake" or "malicious" or even "stupid" for failing social cues rather than questioning the decision to be indirect and vague.
For a manga about exploring the dungeon, it seems that the artist would rather explore very real and prevalent dynamics in society with the adventuring premise as a backdrop. I felt VERY seen in these panels, and many others, because it happens so suddenly and dare I say it, plainly. There's no dramatic build-up or spectacle made and in essence, it just Happens.
I think that's what makes the scene hit even harder. It seemingly comes out of nowhere for Laois, like how it always comes out of nowhere for alot of people, and it's never a dramatic twist either. It's always mundane and hurtful. A sudden unforeseen bump in the road that ends up calling into question one's entire friendship with someone and consequent other friendships. It asks "what if other friends feel the same. What if the people that I really like actually hate me and I don't know it?" Or at least that's what I came away with after reading the chapter. I've been where Laois was and the only reason I'm not there now is because I lost the naivete I had and doubt everyone else's sincerity.
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cinnabeat · 10 months
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i cant remember if i said this or not but i was saying how i dont think the reveal about iruma being a human was being teased cuz the progress for it was all very natural but now that the fucking reveal was cockblocked TWICE by a fucking phone call im willing to retract my statement
#THIS is teasing#the fact that iruma is a human was never really touched on much?#like first of all iruma had to get over thinking he was gonna get munched on#not saying its an unreasonable fear but like he couldnt be too paranoid about it#like his humanness is always in the background and iruma HAS expressed wanting to say it before#and explicityl showing that his fear is no long er being waten and more just being rejected in general#which is a normal fear and a nice show of his progress in the character development department#and maybe the issue of him being human would be more touched upon if it wasnt the background plot#like i think people forget mairuma is a very slice of life manga lmao like the action and antagonist plot is VERY background#like the whole point is iruma learning to do things gor himself rather than doing things because others want him too#its about irumas character journey you know? like yeah theres like a prophecy or whatever happening but thats b plot business#so the reveal of him being a human should naturally follow the flow of his own character development which it has!! and i think iruma is in#fact getting to that point of feelinng brave enough and confident enough to tell his closest friends if hes not at the point already#also it probably feels like its being teased bc its quite literally been years irl but u gotta take into account the Whole Manga and not the#weekly chapter releases#like of course everything feels slow when ur only getting bite sized pieces of big arcs you know?#idk what the rate of plot progress is tho bc my only experience with anything FINISHED is fairy tail and that too 545 chapters#which is wild considering how much shit happened there and how much shit ISNT happening here#where was i going with this#oh yeah so before it didnt feel like teasing just basic plot progression based on where the characters are in their devlopment which for a h#heavily character based story is amazing imo#but the two interruption are VERY annoying especially since it just breaks the tension#maybe itd be comically if i was reading this all in one go like start to finish like haha damn interrupted twice#but it IS annoying in real time. i do apprrciate the universe refusing to let the antagonists share irumas secret with the people he conside#considers important without his say so. very considerate of them#narnia can eat shit btw no matter how pretty he looks#michi tag#i fucking wish i could talk like this about other things im interested in but i only pull out my analysis hat when i see bad takes which mar#mairuma has A LOT of imo. like every new chapter at least one person will say something so baffling that i have to say something back if onl#only to myself
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lovelybrooke · 7 months
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Yandere Gojo and Getou x reader headcanons
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I haven't completely finished the manga, very far behind in fact (Chapter 93), so please no spoilers. But I wanted to write something about these two because they are so yandere coded its insane (also because I wanted to see something involving them that wasn't smut). I'm letting you guys decide if this is platonic/romantic.
Masterlist
Gojo and Getou believe they are better than everyone else, they're stronger than everyone, smarter than everyone. It was a well-known fact that both of them thought this way. So, it's why so many of their peers thought it was weird their best friend wasn't a sorcerer.
You were a pretty normal person. You went to a normal school, had a normal part time job, even had a pretty normal family. In truth, neither of the two could remember how they met you. It's almost like they blocked out their life before all of you were together. Maybe it was when you were their server at a cafe they loved to frequent after missions. Or when you bumped into them while trying to get to school on time. Or when they were hanging around your neighborhood for what they said was "work." Either way, what's obvious is the two can't get enough of you.
When you officially become their friends, they both make the decision not to tell you about their lives as sorcerers. They know you'll probably resent them for it in the future, but it's the best way to ensure your safety. They couldn't risk you getting mingled in with any potential curses that would want to get at them. Even if anything tried to kill you, they'd obliterate them without a second though.
You sometimes question how they both know so much about you, and they honestly think it's the cutest thing ever. Neither of them tries to hide their less savory tendencies, why would they? You're their best friend, of course they'd want to share clothes with you, and go to school events that they weren't invited to with you, and bad talk your other friends right in front of your face. It's what comes with being friends with them, you should expect it by now.
While both of them are similar in many ways, there are aspects that each of them has that are purely their own. Gojo is mysterious in a lot of ways, acting dumb about a lot of things only for his demeanor to instantly change if you or Geto are threatened. You don't know if you should be afraid of him or not, but something about Gojo says it doesn't really matter.
Getou, on the other hand, is sometimes less scary than Gojo. He teases you less, doesn't agree with Gojo's ridiculous ideas as often, and, at least for a while, is more emotionally available than Gojo. It's not that Gojo doesn't care about you, but he isn't as good at dealing with emotions when compared to Geto. However, it sometimes feels as though Geto sees right though you, right into your soul. Even when you try your best to hide something from him, he knows what you are really feeling, sometimes a little too well.
Gojo and Getou don't always see eye to eye about you. Sometimes, especially after though missions, arguments spark up about you. The more obsessed he grows, the more Gojo wants to tell you about curses and Jujutsu sorcerers as a whole. Getou doesn't think this is safe however, believing that it instantly put you at risk. Gojo says they can protect you, while Getou reminds him you're weak, and they you'll always be at risk if you know the truth. Their arguments never lead everywhere, it only leads them back to you.
After the situation with Riko, you notice a large shift in your relationship with the two. You no longer see them as much, but when you do, they're rarely together. In a way, it's like their personalities swapped. Gojo became more reserved as Getou became more hateful. He suddenly started talking about people like they were a disease, not even trying to hide it from you. It put a huge strain on your relationship, even when he'd hug to tight and swear to you that you were different from them, you were better.
Getou disappears soon after that. Gojo becomes closer with you, often to the point of feeling suffocating. You've always had a feeling that Gojo knew what happened to his dear friend, and chose to keep it from you, for whatever reason. But regardless, you both feel the strain caused by Getou's absence, and it damages the last bit of a friendship you had with Gojo. After graduating, you left, needing to leave, needing a break. Gojo tried to convince you to stay, but you had your mind set.
Today, you were much older, both of you were much older. You don't remember much from your time with Gojo, but oh boy, did he remember you. He often when though his favorite moments with you in his head, whenever he needed a moment of peace. He regrets letting you leave. So, when he hears you're moving back home, he couldn't be happier. He won't let you leave him this time, he stronger now, he can protect you better.
When you do move back home years later, you meet up with Gojo. It's fun, he's happy and boisterous, and you don't think you've laughed as much as you did when you first back up with him. Though, you couldn't help but feel like someone, or something, was watching you. It was familiar, but terrifying at the same time.
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A/n: Sorry that the ending sucked I didn't know how to end this. I would love asks for jjk but just keep in mind that I'm not that far in (chapter 93)
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shadesoflsk · 3 months
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      LULLABY FOR A BROKEN HEART
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pairing: Leon Kennedy x Gn reader.
summary: After a mission, Leon musters up the courage to ask for one thing he's always wanted.
warnings: hurt/comfort, a bit of angst, fluff, Leon is touch starved, no consumption of alcohol but there are mentions of it, injuries, mentions of trauma.
word count: 2.1k
author's note: Hello! So... I had prepared some dad leon headcanons but after reading DI manga latest chapter... I knew I had to write something about it. I wrote this with a platonic relationship in mind but you can also see it as an established relationship! I just wanted an excuse to write about Leon because he is literally an angel ueueueue. He deserves the world.
      masterlist
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With heavy and wobbly steps, Leon’s blurry vision—from the lack of sleep— could make out the frame of your door, your apartment’s door. A part of him knows that he may be a burden—or that’s what he believes. Fatality, sorrow, and overall bad outcomes are the only things his mind can register.
He doesn’t want to bother you. Hell, he doesn’t want to speak to anyone right now. The fact that he somehow made it safely to your front door was enough for him to know that you would be so angry at him. You shouldn’t drive after a mission. You shouldn’t—... let yourself die. He knows all those phrases by heart. 
He’s getting better. He’s a lot better, to be honest. He no longer drinks, but he may as well look drunk right now. His head was hurting like hell, but he blamed it on his mission. He’s getting too old for that shit. But, a healthy improvement doesn’t mean that he can’t fall. 
Recovery isn’t a straight line of betterment. There are nights when he can sleep like a baby. But then again, some days, he goes to sleep knowing that a nightmare may attack his dreams. 
His fist bangs against your door, at first trying to be quiet. But after a few seconds, some desperation came within his knocking, and a louder sound filled the already silent night. 
The melancholic feeling of being alone lasts a couple of seconds before he hears some steps inside your home, those get even closer until he sees the door opening. The sight he admires before him is far from comforting. The eyebags under your eyes, your disheveled hair, and the quiet yawn that escapes your lips say it all, you were sleeping. 
At first, you don’t say anything, letting the silence in the air fill the lack of response from both parts. Yours and Leon’s, two souls that are aching right now but for different reasons.
Leon, who is hurting because he doesn’t want you to see him like this. And yours because you’d give him the world just for him to stop blaming himself. Ironic, but in reality you’re two sides of the same coin.
Amidst the countless things you want to tell Leon, you step aside allowing him to enter your apartment. The one he knows as his cozy getaway. His second home. The first one is your mere existence. 
Physical things last no more than a few weeks, months, or years. Everything is doomed to cease existing. He has witnessed it through the years he has worked as an agent. Those gigantic and marvelous houses politicians love to brag about? A bomb would destroy them. That motorcycle he loves? Yeah, that one…. No more than a few pieces remained.
But the simple fact that you were alive and breathing meant so much. He wasn’t a stranger to death. He knows that he has become desensitized to those topics as much as he denies it. But even if someone were to die, their proof that they belonged to this world would live in those who loved them, those who were close to them. 
And that’s why you’re his home. The kind of home that served as a refuge when life got too much, when life stopped basking him with its sunlights but rather sent him a blizzard. Your presence was enough for him because you granted him the affection he has long forgotten he could have.
As he enters your apartment, the normalcy and everydayness of the living room embrace him like a thick and warm blanket. The usual smell of your scented candlelight also brings him back to the reality where he could feel safe.
He’s alone for a while, you let him sit on your couch even though he might stain it with the dirt on his pants and whole body. You don’t exactly care, you can clean it after. 
His eyes are unfocused as he waits for you to come back. At that moment, the memories of his last mission came to his mind. They don’t haunt him like they used to do in the past, where he decided to stop the voices from getting louder by drowning in alcohol.
Now, they replay in his mind like a Deja Vu, like a movie he was the main star in. However, it doesn’t mean they stop stabbing his heart knowing that he had taken lives. 
He used to be a religious person. Right now if someone asks him if he follows a certain God, he would respond with a simple no. But when he sees the bodies of those whom he had to kill, he would offer a silent prayer, asking whoever hears him that their souls could rest in peace.
Leon kills, but he’s also a lover of life. He loves the world and its people. He wants to believe that he'd be reminded as the one who fought for those who couldn’t, even if he didn’t want to be associated with that type of job.
In his mind, it may sound corny but he has started appreciating the simple things in life. The way someone would smile at him in the supermarket, the way a random stranger would greet him even though they don’t know him. It was a nice reminder that he was, in fact, alive.
Your steps break the silence—once again. In your hands, there’s a first aid kit. 
There’s a certain urgency in the way you sit next to him to treat his wounds. Your eyes never leave him as you try to make sure that nothing is hurting him. Even when he has awoken you from your sweet dreams, you’re the same caring and compassionate person as always.
An alcohol swab touches one cut he had on his temple, a bruise already forming on the skin. Proof that his head was literally slammed against a metal tube. Not his proudest moment, if he had to be honest.
“I’m not going to break, you know…” Leon finally speaks as your hand seems to slightly shake out of fear of bringing more pain to him.
You manage to let out a chuckle at his words. “I know. But I’m not taking risks.”
His eyes continue to remain fixated on your face, like a puppy who is looking at a treat. But rather, he’s like a homeless man admiring one of the prettiest houses he has ever seen.
There are no questions asked, nor complaints about anything related to his late-night visit. He appreciates the fact that he’s welcomed no matter what. Nonetheless, he can’t help but thank you for your hospitality.
“Thank you.” He murmurs as you clean another injury that was just above his eyebrow. “You’re too good for me.” Leon's words show a moment of raw sincerity.
Leon’s humanity is palpable, even when he doesn’t notice it. There’s a childlike glimmer in his eyes when he watches his favorite movies, a hint of regret when he talks about his missions, and a big sense of empathy when he speaks about the victims who died at his hands.
Leon’s kindness knows no limits. And you wish everyone could observe what an amazing human he is.
“Why is that?” You asked, scooting closer to hear him better. To pay full attention to what he’s about to say. There’s nothing Leon loves more than knowing he can really talk with someone about his feelings since he has mastered the art of closing off.
“For this…” He admits as his hands gesture your first aid kit, to your apartment as a whole. “I’m not used to being… pampered like this. I get hurt and I fix myself up.” His expression darkens slightly.
“Well… I’m here, aren’t I?” You give Leon a warm smile before pinching one of his cheeks making sure not to touch any of his cuts. “You don’t have to be alone all the time, Leon. You can rely on me.”
Leon’s lips turn into a shy smile as you pinch his cheek. “Yeah, I know.” He’s grateful for your hospitality and overall care. But it’s hard for someone who has always been in solitude to think that it’s okay to rely on someone, that it’s okay to need a person. 
He’s silent for a moment before asking a question that’s been nagging him for a while now. “But… Don’t you get tired of it? Of taking care of me?”
You instantly shake your head, responding with a blunt “Nope, never.” In fact, you would be awake all night long just to make sure he was alright. 
“You’re a God’s sent… I swear.” He chuckles as his gaze moves towards his own hands which are fidgeting. As if he was looking for something to grab, to hold onto. 
He hesitates for a few seconds, he doesn’t want to overstep boundaries but then again… He’s not used to being touched let alone hugged. But right now… he craves feeling the tender and intimate affection that a hug brings.
When was the last time he was touched? He doesn’t remember. The sole thought of admitting it’s been months if not years that he hasn’t been hugged brings embarrassment to his already troubled mind. 
You notice, you know Leon a little too well. You recognize every little quirk he has, from the way he sometimes sticks out his tongue when he’s focused on something to the way he looks at everyone before delivering a punchline.
But you wait for him, you want him to be comfortable. 
As a sigh leaves his lips, he finally speaks. “Can you hug me?” His words come out hushed, as if ashamed of himself for asking something so… banal, so simple. “I really need it.”
The way he speaks, the way his voice suddenly cracks and the way his fingers twitch even more tell you enough.
“Come here.” You encourage him, opening your arms. He wastes no time getting himself closer and wrapping his arms around you. The kindness that you’re showing him could bring him to tears, but he doesn’t let them fall. Right now, he just wants to be embraced.
He was bigger than you, being an agent built his body to be ready to fight, to kill. Of course his muscles would basically bury your frame as he curls himself into the hug. But funnily enough, he feels like a kitten that found solace on a rainy day. He feels getting even smaller and almost disappearing from the catastrophes of this world.
He could easily rest his head on your shoulder. But instead, he decides to bury his face in the crook of your neck, feeling even more at ease in this peaceful moment. Closing his eyes, he lets the warmth of your body soothe his aching soul.
He always takes care of everyone, his mind and soul are connected to people he may as well never see again. He feels too much, he feels everything. Nevertheless, there are times when he wants to be the one being doted on, to feel safe.
And right now… he is safe.
“You may think I’m stupid…” His words are muffled as his face is pressed into your neck, his stubble ever so slightly brushing against your skin.
“I sometimes think you’re stupid.” You tease him, trying to bring some humor to the situation as you sense that Leon is starting to doubt himself. Your arms hug him closer, tighter. Letting him know that you aren’t going anywhere. “But right now… I think you’re the most amazing person ever.”
Leon doesn’t say anything for the moment. His breathing is steady and calm, drowning in your so familiar scent. His fingers caress the back of your head, touching your hair reminding himself that you were there, as if the hug wasn’t enough.
“You’re the most selfless person I’ve ever known.” You murmur, pressing a kiss on the top of his head. “You fight so much, you’re so important to many people. You don’t even know how much I thank life for having a Leon Kennedy next to me.”
Your words break his heart a little. Not because you said something wrong, not at all. But rather… he can’t imagine how his existence could bring happiness to someone. Chris, Rebecca, hell everyone has helped him a lot. But you are like an anchor which he clings to.
“Don’t feed a stray dog…” He tries joking, but his voice is barely a whisper. You’re used to his jokes. Most of the time, they are harmless and light-hearted. However, sometimes they served to hide what he was truly feeling. “They’ll always come back.”
“I don’t want you to come back…”  You respond. letting your hand rub his back. “I want you to stay.”
And Leon is definitely going to stay, he’s going to stay with you and with everyone else. He will fight off every bioweapon, he will succeed in every mission. Just to come back to his home and to his life. A life he’s learning to love and enjoy.
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nimpnawakproduction · 7 months
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The ultimate reference sheets for all of Vash's outfits in Trigun maximum (with commentaries)
IT IS DONE. I'M FREE. Now I can forget all about Trimax and draw Trigun stampede designs only hahaha (just kidding I have things for Trimax on the stove).
Trigun bookclub was an awesome initiative, I loved the manga with my all heart and wanted to honor Nightow's designs ;w; I also wanted to help my fellow artists with references for Vash's clothes because DEAR GOD it's difficult to understand how the hell he dresses himself in the morning. I have a lot of fun dressing and undressing him like a barbie doll. My hyperfixation is completely healthy.
I put a "read more" section to avoid spoilers :) !
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The July coat
The very first coat in Trigun chronology and the one he wores during the destruction of July ! There is not a lot of panels to take references but I tried to stay as close as possible to the manga. I don't know what number of prosthesis he had before but let name this one Prosthesis 1.
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Scars map
Next, nakey Vash ! There's A LOT of changes between one panel to another. Scars changes places and forms panel to panel and the design evolved from the first chapters of Trigun, the time we see him naked as Eriks and his undressed state while he was a prisoner on the Ark. I drew the scars that appeared more than once or were in clean view in a panel (but really you can do like Nightow and draw as many scars as you want without thinking about consistency, this boy has been in a meat grinder)
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After July underclothes
Or the jumpsuit that gave me grey hair. His suit does not make ANY sense, I don't know how the hell he dresses himself in the morning with this. My solution is that it's very long gloves and chaps strapped to a belt. The position and shapes of the belts changes IN EVERY PANEL. Same for his knee guards, sometimes they're here, sometime they cover his shins, sometimes they are tiny..... I gave up in the end and draw them as we see them in the very last panel he wears this suit. But damn he looks good in it.
Also in all of the 13 volumes, there is not a single panel with a clear view of his holster (I checked...) so here is my interpretation.
This is prosthesis n°2, the design is a little different from the first one so I guess Prosthesis 1 got destroyed (this happens a lot).
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After July coat
The very first Trigun coat he wears in the manga ! Very simple, very basic, it gives him impossibly wide shoulders but Vash deserves it. The first one is worn Post July until Vash's confrontation against Brilliant Dynamite Neon. The second one is the state of his coat after the sandsteamer incident. He loses his prothesis after his fight against Monev the gale. He meets Wolfwood with only one arm and stays that way while he fights Knives for the first time.
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Eriks
I took liberties with colors because there's no colored panels with Vash as Eriks. Yes I drew him without suspenders because he has them for like 5 panels and then Nightow drew him without them for the rest of Eriks arc so I made choices ;w;
I love the fact that Vash choose to wear tight jeans even in his casual outfits, this boy will not let his skin breath. This is now Prosthesis 3 ! It's way less advanced than the ones he wore in the rest of the manga, the other ones seem to replicate skin.
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After his years as Eriks
And now the first Maximum coat, he wears it until the famous Yuri hospital arc! Finally an undersuit that makes sense, I love it, too bad Nightow-san decided that I had to suffer and changed it again to add BELTS EVERYWHERE. We only see his legs in this part of the manga so I gave him the same top because I can.
The tubes he has on his waist are filled with bullets, he can connect them to his prosthesis to have a mini machine gun.
We are now at Prosthesis 4 !
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Hospitalization on the Home ship
The famous Yuri hospital phase! Vash definitely shared his wardrobe with Wolfwood, you can't tell me otherwise.
The first outfit still shows Prothesis 4 but he keeps it for like 5 minutes and lost it again against Nine-lives. I don't really know if the prothesis comes with the integrated glove or if there's synthetic skin under it but why would he keep the glove on if it's not intergrated?
The second pictures is the different outfits he wears during his convalescence. I took liberties with the colors, I drew this in like 10 minutes, everything seems easy when you don't have to draw BELTS. We are now on Prothesis 5 ! Nightow drew it as a regular arm so I guess Vash wears gloves on top of it??????
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Back on the road in pursuit of Knives
He wears this one after his stay at Home, throughout the Dragon's nest ark and until his 2nd fight against Knives.
I liked the design of his jumpsuit until I looked closer at the panels and saw that the design change ON EVERY ONE OF THEM. Knee guard on only one knee? No kneeguards? Two??? WHO KNOWS ??? I tried to make it work but really go wild with this one, even the author does not know how his pant looks.
Still prosthesis 5, BUT UNTIL WHEN?
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Prisoner on the Ark
THEY MASSACRED MY BOY. Did they even feed him at least in 7 months? Those pictures are the definition of the drenched kitty cat left under the rain. Give this man a blanket and a therapist.
Bye bye Prothesis 5 ! And see what I mean when I say that his outfit does not make sense????? It comes out in parts????
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After his imprisonment on the Ark
The last suit in the manga! He keeps this coat until the end of the story. From this point, only his hair changes (or the color of his coat).
I adore the little angel wing symbol on his left arm, such a cute addition. Too bad it appears in one of the most traumatic event of his life.
Speaking of his jumpsuit...The return of belts.... But at least this outfit stays relatively coherent except for his kneeguards who appear and disappear panel from panel but most of the time he doesn't have any, so no kneeguard it is. Prosthesis 6 hello !
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Final battle and end of the story
It hurted to drew those outfits ;w; And working on the design of his coat when he fights Legato made me realize where Orange studio took inspiration to chose the colors for Vash's coat in the final episode of Stampede ! Great job ! I tried to color the same effects as one of the illustrations showing dark Vash but I'm not really good with colors..... He actually radiates energy but with some purple undertones, I took some liberties because those are my drawings I do what I want.
I'm not sure at 100% that he has a tuft of blond hair left when his outfit turns black but his hair is all black at the end of the fight. His prosthesis is destroyed at the end of the fight. He got another one in the final chapter. So 7 prosthesis throughout the story!
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yumeka-sxf · 7 months
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Even though today's new chapter was pretty funny, it also reinforces how Damian's need to act indifferent and even hostile towards Anya stems from emotional baggage from his family - whether it's brainwashing, strict discipline, or something else, we see how he's so afraid to show even a minute trace of feelings towards a "commoner" that he has to go through hoops just to ensure no one else sees him give Anya a gift.
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What could the Desmond family have instilled in him that gives him such aversion to anyone of a lower social standing? I hope we find out someday. But at the same time, this chapter also gave me the impression that Damian doesn't like having to put on this jerk act in front of everyone. He seemed annoyed and exhausted that he had to do all this just to repay a debt, a debt which no one was demanding of him. Despite all the insults he hurls, the kid has morals and dignity. So it's a shame he feels such a strong need to supress that (he and Twilight have a lot in common in that regard. Twilight is simply better at hiding his real feelings since he's an adult and has been doing it much longer).
However, Damian seems okay with showing only Anya his softer side (when no one else is looking of course). Probably because, unlike all the other Eden kids, she's not from a high-class family with whom the Desmonds have to put on airs with.
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While I'm not nearly as into Damianya as Twiyor, I can appreciate them as a cute future couple when they're older, with the seeds of that future relationship slowly sprouting in the series (though nothing romantic now of course as they are only 1st graders). Endo brought back Damian's "shojo filter" in this chapter, which was at maximum strength! (Is Damian secretly a CLAMP fan? 😂)
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It's only at the end of the chapter, when the debt is repaid and Damian can finally relax, that he's able to see Anya's natural cuteness, without the shojo filter (his expression here looks like one of Twilight's...they really do have a lot in common!)
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What's also interesting is that, compared to some of their early confrontations, Anya never returned Damian's insults until recently, maybe around the end of the bus hijacking arc. In the beginning of the series, she seemed to not know how to act when faced with bullying and was just focused on getting Damian to be friends with her. Now she openly returns his jabs with her own.
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This could be because she's confident that they're friends now, so she doesn't have to hold back and can match his insults without worry. Or maybe she's just learning how to better deal with hostility her own way? Or she's just copying his bad manners...hard to say 😅
I like how Endo brought back Damian's promise to repay Anya for the handkerchief incident. From what I've gathered reading the manga fanbook, he tries hard not to leave plot points unaddressed. Which brings me to another highlight of this chapter - mention of Melinda again!
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I knew Endo wouldn't forget about her, but I've also been wondering when she would return as a prominent figure in the plot. This chapter raises the question of why she's so intent on Damian and Anya becoming friends...is it simply because Yor would like that, and she wants to be good friends with Yor? Or is there some ulterior motive behind the scenes?
Even though stories focused on the Eden kids aren't typically my favorites, I actually really enjoyed this chapter! It had the great SxF comedy I love of misunderstandings between the characters leading to hilarious moments - Emile and Ewen think Damian wants to duel Anya, Becky thinks Anya wants to spend alone time with him because she's in love, Damian just wants to give Anya the gift to clear his conscience, and Anya just wants to eat the cakes!
(I love how Endo made Anya's mouth slightly watering throughout the chapter whenever she's thinking of the cakes!)
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It's hard to tell if this was just a stand-alone chapter or if it will lead to a continuation of the "plan C" thing brought up a while back. I hope it does if it means we get to learn more about Melinda and the Desmond family overall!
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bakuhatsufallinlove · 2 months
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Omae Part 2 Electric Boogaloo
Tomorrow is the one-year anniversary of my post Omae: Complexity of Self-Expression and Intimacy in the Japanese “You.” In honor of it, I’m doing a follow-up post.
Why? Because I made two claims in that post:
“as far as I can tell, Izuku is the only person Katsuki has ever used the pronoun omae (おまえ) towards in-canon”
“Furthermore, he has only used omae towards Izuku on three occasions.”
I prefaced both with “as far as I can tell” because I had some doubts that Katsuki’s use of omae was exactly that exclusive, but I knew it was pretty damn exclusive, so I went ahead and wrote the meta anyway. And I still stand by my assessments of how he uses it and what those moments mean.
But I was wrong on both counts.
Katsuki has used omae towards people other than Izuku.
He has used omae towards Izuku on five occassions, as of chapter 409.
Of course, chapter 409 wasn’t released until months after I wrote my pronoun meta, but at the time of my post, I had in fact missed one pivotal omae directed at Izuku that occurs much earlier in the series.
I wanna talk about those two extra omae towards Izuku and who else he has used omae towards. Much like Katsuki, I am a perfectionist, so if I'm gonna revisit this topic, I'm gonna go all the way.
So, I went through 409 chapters and catalogued every single time Katsuki uses a second-person pronoun.
STRAP IN, BUCKOS.
An Exhaustive Analysis of Bakugou Katsuki’s Second-Person Pronoun Usage
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These are all the “you” pronouns Katsuki has used in the manga. We’ll go over them one-by-one and talk about who he uses them for, when, and my thoughts on why.
First, a note about rudeness: In many languages, and certainly in Japanese, familiarity and rudeness go hand-in-hand. In dictionaries and on grammar websites, you’ll see advice about using a term only with “people above you” or “people equal to or below you.” In general, you are either talking up to someone (polite speech) or you are talking down to them (casual speech). Excluding outright derogatory language, talking down to someone is the same as treating them as your equal.
Talking up creates or maintains distance between parties. Casual speech, familiar terms, and directness are nuances that generally get introduced into relationships as they deepen. Basically, being close to someone gives you the “right to be rude” to them. To speak this way with a stranger or people who are your hierarchical “social superiors” is considered rude in part because you lack an established (or equal) relationship with them.
I mention this because I think some people are under the misapprehension that for Katsuki to show someone he cares, he would have to speak respectfully towards them—that is, talk up to them. That simply isn’t the case, and in fact such behavior might convey callous indifference instead, because switching from casual speech to formal speech with someone you have history with puts distance between you, pushing them away.
Instead, there are more nuanced ways to connect and affirm bonds. Katsuki using omae rather than temee, for example, is not him being more polite, he's just being less insulting. He is still talking down, and one could argue that by refusing to talk up to anyone, Katsuki treats everyone equally. I mean he is still a foul-mouthed little monster, but you know, at least he’s consistent about it.
Anyway, keep this “right to be rude” in mind.
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As mentioned in my first post, temee is basically Katsuki’s default second-person pronoun. If he’s addressing someone directly and he isn’t using one of his mean nicknames, it is almost guaranteed to be this word. This graphic is the only one that is not exhaustive, featuring just the top three.
Temee is derogatory; it is often translated as “you bastard,” and even when it’s not, its presence encourages translators to slather a veneer of rudeness across the sentence as a whole. Unlike the other pronouns we’re going to talk about, there is basically no scenario where you could use temee and not come across like an asshole. You could use it with friends or family to joke around, but you’re still being an asshole, just a funny one.
And... can we just acknowledge the vast gulf between Izuku’s 62 and runner-up Todoroki’s 14? Obviously Izuku is the protagonist, so it makes sense that much of the dialogue we are shown from any character is about him or directed at him. But it’s also just really funny.
No single use of temee is particularly notable since it's so common, but it is obvious why these two are at the top of the list: Katsuki has a lot of scenes with them, and he considers them his rivals. As a result, they tend to throw him into a tizzy often.
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Anta is a contraction of anata. If avoiding a “you” pronoun entirely is the most polite way to refer to someone, anata is arguably the next most polite way. It is considered polite towards someone of “equal or lower status,” but can seem distant—you hear it in commercials when the narrator has to address the audience, “you, the customer.”
Anta strips away that distance and expresses either familiarity or contempt, depending on how you want to read it, which makes it pretty fucking funny that Katsuki uses it for his mentor figures. It is worth noting that anta is significantly less offensive than his typical temee and arguably even omae. A normal person would never use anta towards their boss or teacher—or their lifelong idol, for that matter—because it is talking down, which puts them on your level. But Katsuki’s whole persona is built around rebellious superiority, so out of all the options, he affords All Might and Best Jeanist the least offensive pronoun he can stomach using. Essentially, “I’m not gonna be fuckin’ polite but god, fine, I’ll be LESS rude, I guess” while still maintaining plausible deniability.
I also wanna note that there are instances where Katsuki technically uses temee towards All Might and anta towards Izuku, because he uses them in the plural form to refer to both of them at once. It’s actually pretty interesting to see who is framed as the “primary subject” of his scolding based on which pronoun he uses.
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Chapter 257
All Might is the one droning on and on, so Katsuki’s response pluralizes his All Might pronoun anta into antara, lumping Izuku in with him. Basically: “stop wasting my time and get to the point (and that goes for you, too, Deku).”
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Here we’ve got him pluralizing temee and, between All Might and Izuku, it’s definitely more the Izuku pronoun. So this reads a little like “dammit Deku you kept this secret so badly I found out and then you swore me to secrecy but you’re STILL UTTER SHIT AT HIDING IT so you are MAKING MY LIFE EVEN HARDER (and you, All Might, don’t you fucking know better??)”
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Aaaand now we’re at the good shit. Okay, let’s break it down.
Ochako
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Chapter 36
Katsuki addresses Ochako with omae at the very start of their Sports Festival battle, and this is in fact the first time he addresses her personally with a second-person pronoun. It’s a great writing choice: unlike every other fight we’ve seen Katsuki in so far, he isn’t busting out his typical boisterous insults. Rather, what he says reads as a measured assessment of her as a threat, and omae contributes to this. Had he used temee, he might still have come across this way on the whole, but the use of omae as the first word out of his mouth—when the audience knows he uses temee—sets this moment apart even more.
The text of Uraraka vs. Bakugou isn't ambiguous: Katsuki takes Ochako seriously, immediately, when no one else does. This is of course a rejection of sexist assumptions about girls, but it is also because Katsuki is smart. Kaminari’s battle is the foil to this fight. Where Bakugou succeeds, Kaminari failed, having been too sexist, cocky, and just plain dumb to properly assess his opponent and the danger they pose to him.
I said in my first post that Katsuki’s omae towards Izuku immediately after Deku vs. Kacchan 2 reads as him addressing Izuku as an equal, and I would say the same is true here.
After Ochako tries to execute her plan and Katsuki accuses her of colluding with Izuku, he uses temee towards her. It’s his standard choice, of course, but the change feels a little loaded in hindsight. She might have been afforded a different pronoun once, but she quickly gets lumped into the temee pile at least partly due to Proximity To Deku.
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Katsuki talks the most shit when he’s on the ropes—a strategic, cocky camouflage for his vulnerability. We know from his thoughts watching Todoroki vs. Midoriya that at this moment, he was pretty worried he was at his limit. But Katsuki also likes a good challenge, and he respects people who can give it to him, so in gearing up for the climax of this fight, he calls her by her surname.
The progression: omae + mean nickname → temee → surname.
In later scenes, he addresses her with his typical temee, which just goes to show you that Katsuki really picks and chooses his moments.
Or, as All Might put it:
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Speaking of picking and choosing his moments, this next one was a delight to discover.
Jirou
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Chapter 182
As with Ochako, this is the first time Katsuki uses a "you" towards Jirou personally. To be precise, what he uses is a sound-shifted variant of omae pronounced omee (written variously as おめえ, おめー, and おめぇ). We’ll talk about whether that means anything later.
This occurs during the school festival when Jirou belts her heart out suddenly. Katsuki thinks back to how the band had criticized his improvisation and her specifically telling him not to do it during the show. So he says out loud, to himself, “omee ga surun kai,” for which I think the funniest translation would be, “OH BUT YOU CAN DO IT, HUH??”
The official English translation is “hypocrite!” which isn’t bad, but yeah, he is being such a grumpy little sarcastic baby about it, it’s very funny. Just muttering complaints under his breath, with no actual ill-will attached. The fact that he uses omee reinforces the sense that this is not a serious complaint; it’s good-natured ribbing and contributes to the reader’s awareness that Katsuki likes and respects Jirou.
While Kaminari and Sero mischievously try to trick him into participating in the festival, Jirou earnestly asks for his help while acknowledging his skill.
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Chapter 171
On top of outright asking "onegai" (please, but literally: "a request"), the verb construction she uses (やってくれたら, yatte kuretara) frames his participation as a favor; kureru is basically “to do for the benefit of someone else [often to your disadvantage or inconvenience].” And then she personally works her ass off to make their performance the very best it can be.
Later during the Joint Training Battle, Katsuki relies on her, uses a nickname for her (to her annoyance), and saves her. Kirishima and Kaminari both astutely comment that the festival band reinforced Katsuki’s trust in his classmates and his willingness to work with them towards success.
In this moment during the festival, Katsuki is letting Jirou shine, because each of them doing what they do best is what makes the performance a triumph in the first place.
But the boy’s still gonna be a bossy little tsundere about it.
4th Grade Bullies
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Chapter 62
In Izuku’s flashback, little Katsuki uses omaera (plural form) towards the 4th graders who pick a fight with him.
You might be thinking, “Hang on, haven’t all the omae uses so far been for people Katsuki likes or at least respects? So why is he using it for these two?” And you’d be right, at least when it comes to present-day, teenage Katsuki using omae, because it’s no longer his default.
Flashbacks to Katsuki and Izuku’s childhood tell us that Katsuki’s default peer address as a kid was most likely omae, and that he switched to temee as he got older and became more of an obnoxious little shit. I emphasized in my first post that omae seems softer coming from Katsuki because it’s a departure from his normal way of speaking. The flashbacks show us a time when he was... kinda just a regular kid using language common among boys his age.
Still, there is a “cool tough guy” air to this moment, because omae can also come across as contemptuous—which is how Izuku uses it towards villains in present-day. Izuku uses boku for himself and kimi for peers, the combination of which tend to be seen as kind of soft and boyish, rather than macho and cool. Little Katsuki uses the boastful pronoun ore for himself and omae towards the bullies, who are both older and therefore technically "above" him.
So Izuku marvels at Kacchan, who talks big and tough like a grownup. Kacchan who can do anything, who stands his ground, fights to win, and invokes the heroic ideals of All Might.
Izuku
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Chapter 9
The first time we see Katsuki call Izuku by his name is when we learn the origins of the nickname Deku. It also happens to be the first time we see Katsuki address someone with something other than temee. This scene shows us a glimpse of what their relationship looked like before it totally fell apart: before Katsuki nicknamed him Deku, he called him Izuku. And before Katsuki started hurling insults and screaming “you bastard” (temee!) at Izuku all the time, he used a different “you” word for him, too. Little Katsuki addressed him as a little boy would address a peer or a friend.
It made me wonder… is the aftermath of Deku vs Kacchan 2 the first time Katsuki has addressed him as an equal since they were little kids?
And, furthermore, little Katsuki uses the sound shifted variant, omee.
You might be surprised to learn that temee itself is a sound shifted variant of temae (手前, てまえ). Temae literally means “before the hand” and historically, it was a humble first-person pronoun, meaning “me, who stands before you.” Omae (お前) literally means “the one before [me],” it was historically very polite and only used for extremely high-class people. Somewhere along the way, temae became a second-person pronoun like omae, and both started to be perceived as quite rude.
Tough guy Japanese speech patterns are epitomized by sound shifts and bitten off words. Supposedly, this dialect originates in Tokyo’s historic Shitamachi area, which is characterized as rough and working class in sharp contrast to the wealthy, high class Yamanote area.
So, does omee mean something different than omae? Maybe, but not always. Does it mean something different when someone says “Thank ya” rather than “Thank you”? Or when someone says “y’all” rather than “you all”? Not exactly, but… does it feel different? It can.
Little Katsuki’s sound shift links this moment to our last example:
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Chapter 409
As you acquire language, you develop a personal relationship with it informed by your experiences. More than just dictionary definitions, you gain cultural and emotional associations, and that impacts how you interpret media and other people. I don’t think anyone can say that omee definitively conveys something different than omae, but I do know that when I personally read Katsuki use it in 409, the shift feels like casual fondness. Like letting down your guard. A reassurance spoken softly. It somehow feels just a bit softer than if he had enunciated omae.
Years ago, Katsuki used it to tease Izuku about how he can’t do anything. And four hundred chapters later, he uses it to say “I won’t get in your way anymore.”
You should read pikahlua's really, really good meta about what this line means.
Whether it was intentional on Horikoshi’s part or not, I think it is a meaningful callback. These are the only two times Katsuki has ever used omee towards Izuku. It emphasizes how he has changed, yes, but it also ties in the context of his own past "uselessness" and how he has surpassed it, that he won't ever again be "a weakness others can exploit" to get to Izuku. But also, as pika says:
(And I read that he’s ready to let Izuku be the main character.)
The only other time Katsuki has used omee is towards Jirou, when he affectionately teased her for being a hypocrite while also making sure she got her time in the limelight.
And what does Katsuki think in the next chapter?
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“Izuku, do your best.”
Izuku gets his time in the limelight. They each brought their own strengths to this final battle, and Katsuki has held up his end. He wasn’t a burden, he didn’t hold Izuku back—he came back from the dead, saved their hero, and took out All For One. Now Izuku has to do what he does best.
A lot of the things I said in this post simply reiterate the meaning of the text itself, and that's because the nuances in Katsuki’s dialogue support the narrative. They reinforce what the story tells us about him and his relationships, and I think that's pretty amazing.
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monstertidbits · 9 months
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i don't know why it took me so long to pinpoint the exact problem izutsumi had with laios specifically; yeah she was nasty towards everyone at first but she was much worse when it came to laios and he's the one she took the longest to warm up to. then i reread the series and got to ch43 and just.
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it's clear why she can't stand laios at all: he's the leader. he's the one who calls the shots, he's the one everyone follows and as it seems, they obey even if what he suggests makes them uncomfortable. and she hates that, because she just managed to run away from the nakamoto clan, she's finally free. even laios simply being caring and concerned for her makes her mad, because she feels this is him being condenscending just like how her old party was.
at first, he seemed like some weirdo who likes to indulge himself and doesn't take into consideration everyone else's opinion. that's why he's the one she struggles to understand and accept as a friend the most in her new party, keeping up this attitude of hers for quite a while. but a lot has happened after she joined the party and she saw this man helping his friends, putting them before him and saving them time and time again, and taking matters into his own hands instead of passively waiting for a miracle, just like her; especially when he took responsibility for his sister's current state and killed her on his own. albeit wary at first, she came to respect him and his choices. so when he asked her to do this one thing, she didn't even protest:
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she simply asked him about his promise to reunite with everyone, with his friends. and then she followed his lead, even though he didn't answer her, because he didn't need to; izutsumi already decided to put her trust in him, whatever the outcome may be. their relationship is another example of laios's struggle with leadership in the manga and being considered a rather unusual leader, and that makes their interaction in chapter 95 so much more sweet and meaningful:
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this is her giving back for all that he has done for them in this journey. she comes back to him, to give him advice and encouragement and tell him that everyone cares enough about him to want to struggle for him, too, just like he did for them. she's the one to help him clear his head when he needed it most. and this chapter purposely starts with her being surprised at being called laios's "comrade", because it's about her not only accepting him as the leader, but as her friend too.
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animaymay · 1 month
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SxF 96 Analysis: Some Small Details About the Reveal
Ok, hear me out. I haven't even read the manga for Spy x Family (yet); I've only watched seasons 1 and 2 of the anime, but I've somehow stumbled upon spoilers for the last two chapters (ch. 95 and ch. 96), and other small bits here and there.
And since I am not totally caught up on the story, I hesitate to call this a proper analysis since I'm mostly going off of what I know from the anime at this point. But!
I've been following the chatter and excitement following chapter 96 and I just wanted to throw this quick analysis out there, since I haven't seen some of these details mentioned yet.
So, I'm going to focus on this particular moment, just for what it is. Down the line, after catching up and having all of the character and story details, I might revisit this scene again with additional insight.
Of course, I'm sure we've all seen this panel at this point.
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At first glance, this panel is beautifully drawn. You can tell that it was drawn with a lot of care and attention to detail. Typically, such manga panels are used to emphasize the fact that this is an important moment for these characters and/or the story.
There are even bits of confetti(?) flying around them, reminiscent of cherry blossom petals; this is another known technique used in manga to indicate the emotional importance of a scene for the characters featured.
That all feels pretty obvious, I'm sure. But I also wanted to point out other small details given here, which could potentially add another layer to this scene for folks.
I've seen a lot of discussion around how Anya's admission here is a big deal (and it is). But I haven't seen anyone mention the small detail here that she whispers, "I can read people's minds."
I believe that is also why we see that speech bubble transparently -- to visually show us the softness of her voice in that moment (in addition to representing Anya's willingness to be transparent about herself).
However, let's consider the conversation up until this moment. Right before, Damian had jokingly asked her, "How did you know about my dog and the pond, anyway? What, did you read my mind or something?!"
Of course, he was not expecting Anya to say, "Yes". But it's not the fact that Anya said, "Yes" that makes this scene impactful. Anya could have easily said the exact same words, at normal volume, with a smirk on her face, and nobody would think twice about it. Damian would have immediately understood that she was teasing him. And anyone overhearing their conversation would have thought the exact same thing.
But that isn't what happened. Because Anya was serious in that moment. With a genuine expression on her face, she says, "Yes" and then she whispers her secret to him.
And that is what shocks Damian. That is what causes him to freeze.
In that moment, he's able to sense her sincerity and hear the truth in her words.
His gut reaction is to believe her, whether it's because it's Anya or because of how she said it. It isn't until he has a second to think and his brain kicks into gear that he starts to notice the disparity between what he knows to be true and what Anya is telling him. In a split second, he questions this, and then ultimately rejects the notion that she could be telling the truth.
Why?
The obvious answer would be that what she's told him does not line up with what he knows to be true of reality. The rational and logical part of his brain overrides his heart and his gut, ultimately recognizing this disparity and forcing him to reject Anya's claims.
However, they are at a young enough age that it wouldn't be uncommon to easily believe in "impossible" things like magic or superpowers. So, there's also a chance that it goes a bit deeper than this.
Perhaps this sudden display of sincerity and truth from Anya didn't line up with her typical behavior with him. He's not used to seeing that side of her, and as a result, his mind resorts to him thinking that she's lying to him. He thinks that she's just teasing him. Not only because that's what he expects from her, but also because the only other alternative would be for him to admit that they've just shared a true moment of openness and transparency between them.
Anya's whisper implies, "this is only for you to know." As a defense mechanism, Damian's brain decided that it was more likely that Anya was teasing him than it was that she was being vulnerable with him in that way.
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Another detail from this moment stems from the fact that this reveal takes place while they are dancing together. Partner dancing is an activity that requires cooperation and teamwork. At first, we see Damian and Anya struggle with getting the hang of it, but eventually they start working together.
That, in itself, seems to be a fairly good representation of their relationship with each other. However, even more so, it follows the flow of their conversation in this moment. It isn't until they start cooperating that they start to open up to one another.
And the pinnacle of the conversation -- the reveal -- happens at the exact moment when Damian dips her. Not only does this make for a picturesque panel, but it is also a symbolic visual of what's happening.
Dipping your dance partner inherently requires a level of trust. The person being dipped has to literally put themselves in their partner's hands. Depending on the dip, they are giving up varying levels of control and safety over to their partner. They have to trust that their partner won't drop them, or bring them too close to the floor; they have to give up their balance and trust that their partner can hold the weight that they're giving up. And their partner takes on the responsibility and burden of that person's trust (as well as trusting that the person that they're dipping does not throw themselves around carelessly).
And here, in this scene, despite the bickering we see Anya and Damian do, we see that there is at least that small amount of trust between them. Anya trusts Damian to dip her, and Damian trusts Anya to be dipped.
But underneath the surface level, the fact that Anya whispers her secret to Damian while he's dipping her reinforces the idea that she trusts him with that knowledge. In that moment, she gave up some of her own control and safety, and placed it in Damian's hands. Only his. Her whisper implies, "this is only for you to know." And he's been given the responsibility and burden of deciding whether to hold it, or drop it.
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shiro-s2e2-erukinzu · 4 months
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Anime only watchers and people who aren't caught up with the Manga, BEWARE... Cuz I'm about to discuss Spy X Family Mission 93... You have been warned...! 👌
[SPOILERS AHEAD FROM THIS POINT ON]
AHHHHHHHHHHHHH!!
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IT HAPPENED...! IT FINALLY HAPPENED!! THIS IS NOT A DRILL!!! AHHHHHHHHHHH!! 😵
Honestly, words cannot describe how crazy this chapter was, but we're gonna talk about it anyway...!! 👀 LET'S GO!!! 😆
The chapter begins with everyone checking how well they did on finals, and Anya did a whole lot better than last time...!! 😆
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I AM SO PROUD OF HER!!! 👏😄
Anya went from 213th to 168th place!! 🎉 Let's hope that Anya continues to improve in the future...!! 😊👍
Then, we finally got to see how well she did in Classical Language and...:
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She got second place...!
But, she will still receive a Stella for it!! 👏😆Then, we find out that she got 24 points in math, which is just below the cut off point... Which means...:
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So, not only did Anya get a Stella, she ALSO received A TONITRUS BOLT!!? 😵😂🤣😌
GODDAMNIT ANYA!! 😂 That means the score is still tied, but now it's 5 and 5 until she either becomes an Imperial Scholar or gets expelled...!! 😌
Then, we got probably my new favorite Loid expression...:
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🤣😂🤣😂🤣😂🤣😂 I'M SO SORRY LOID!!🤣
This poor man can't catch a break, but at he's quite proud of Anya for doing well on the test...!! 😊
After that, we cut to Authens praising Anya as well, but Sigmund says something that intrigues me...:
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"...One day you'll experience the frustration of realizing that hard work is not always rewarded..."
Hmm... What could this mean...? Personally, if Sigmund does have something to do with the experiments that were conducted on Anya, then this could be his way of saying that not many know of his scientific experiments... But, that's just a guess at this point and I could very well just be reading too much into this single sentence... 🤔
Moving on, before Anya goes to bed that night Loid asks her a question...:
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I was surprised that Twilight asked this!! 😲 But his question turned out to be for naught because Anya doesn't really remember... 😔 So, Twilight just tells her to forget about what he asked and now I'm wondering if this will lead Twilight finding out the truth about Anya's past and that she's a telepath... 🤔
Well anyway, we cut to Anya and Damian receiving Stellas for doing well on the test, and then it's the middle school students turn... AND GUESS WHO SHOWS UP...?! 👀
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DEMETRIUS MOTHER F---ING DESMOND!!!😵
AFTER ALL THIS TIME, HE HAS FINALLY APPEARED...!! 👀
I can't believe that I was ACTUALLY RIGHT that he was gonna look more like his dad...! (Check out this post where I drew what I thought he might look like!! 👍)
But to continue, Demetrius is also as strange as his mother and father... ESPECIALLY BECAUSE OF THIS...!!:
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After finally getting to meet him and seeing that Anya can't read his mind, my original theory that he might be working with his father, just got thrown out the window...!! Because now, I think that Demetrius has been experimented on... 😥 I hope that I'm wrong, but I just don't know this point...
AND THINK THAT'S ENOUGH ABOUT THIS CHAPTER FOR TODAY!
Today's chapter was excellent, but now that Demetrius has finally shown up, my mind is going crazy about what this ALL MEANS!😫
Anyway, I think I'll stop for today and possibly regroup with myself to figure out WHAT IS WRONG WITH THE DESMONDS!! (Except for Damain, who is the only normal one there..!!🥲) So until the next Mission or if I try attempt to figure out what is up with the Desmonds; take care, be safe out there and be kind to one another...!! Later!! 👍
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rabbitsrants · 24 days
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What do you think of D.C.'s M26, do you think it was just a fire of pairs for us Shinran?
SPOILERS FOR MOVIE 26
i think, in total there are two significant shinran moments worth talking about
i enjoy certain elements of the first scene:
ran impulsively goes after a member of the black organization and puts herself in danger because he poses a threat to haibara. their fight is AMAZING, i love how ran dominates pinga despite him attacking her with a knife
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something similar happens in the manga as well (chapter 434), so the writing for ran absolutely tracks here
chianti sees the fight and interferes by attempting to shoot ran - shinichi barely manages to save her in time
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here's the thing: i absolutely hate the writers for often reducing ran to a damsel in distress in these movies, that's an issue i'll further analyze in a bit
with that being said, i don't mind shinichi saving ran in this scene. it's an impactful shinran moment, cause so far the writing is similar to the manga
the only difference between chapter 434 and this movie is the fact that shinichi actually sees what's happening and is able to actively protect ran. i don't have a problem with that, because that's what shinichi and ran do - they protect each other.
what i love even more is how shinichi decidedly urges ran to stay put, i think that's also very in character for him:
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he wants ran nowhere near the black organization, for very specific reasons that i'll get into another post
so far, this is a well executed scene, right? it's a very realistic, high-stakes moment that we'd expect from the manga. so far, so good, right? RIGHT?!
no. cause this is where the movie writers fuck up:
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W H A T
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ARE YOU FUCKING KIDDING ME?! SHE ACTUALLY STAYS?! AND WHEN SHIN TELLS HER TO RUN, SHE RUNS?! WHAT?!
this is is supposed be ran??? no fucking way.
my girl is the definition of reckless and stubborn. she's not just the type of person who'll enter a burning house to save a girl she barely knows (chapter 174), she's also the type of person who refuses to waste a single second when human lives are at stake. no matter how much shinichi begs her to stay away.
chapter 640
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and she does this in chapter 822 on the mystery train as well: shinichi yells at the detective boys, sonoko and ran, he tells them not to leave their room, no matter what. and ran repeatedly attempts to go against his instructions because she's worried about haibara, despite receiving a text message that she's okay, btw. ran's intuition tells her that something is wrong with haibara, so she's gonna fucking look for haibara!!!
i need the movie writers to understand that my girl is absolutely unhinged. she cares about other people very deeply, to the point where she's incapable of watching from the sidelines as they potentially get hurt
so how would i have written this moment? what would've been a more realistic version of this scene?
shinichi and ran get into an intense fight: shin desperately urges ran to stay put, she refuses to listen. and then there'd be two possible outcomes:
a) ran continues to go after pinga and dies in the process (remember, ran was fully prepared to die for haibara in chapter 434)
b) shinichi realizes that he can't stop ran and offers her a safer way to help. ran accepts and they work together as a team to get haibara back
why didn't the movie writers go for this approach? my theory: they don't want ran to take a bigger role in these movies, so option b) was a no-go for them. obviously it'd make even less sense for them to kill off ran, but like i already explained, there's no way ran would just give up on haibara in that moment
so why include this moment at all? what's the point of starting such a strong scene if you're not gonna progress the plot?
the point is ran being a damsel in distress.
which brings me to the second shinran moment in this movie:
ran goes after pinga again and he kicks her off the balcony, she's about to fall and get hurt
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kuroda ends up saving her and shinichi feels inadequate
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..............
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AGAIN, THERE'S NO PLOT PROGRESSION, THE ONLY POINT OF THIS SCENE IS TO MAKE HER LOOK WEAK
idk who this woman is but this ain't ran
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HERE'S RAN FUCKING MOURI FOR Y'ALL
a woman who's consistently depicted as strong, fierce and very capable of protecting herself:
chapter 43
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chapter 169
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and that's not to say that shinichi doesn't worry about her sometimes, ofc he does:
chapter 493
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but that doesn't take away from the fact that she's a fucking badass who can defend herself
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and it's not just that she's capable of protecting herself, she protects shinichi too.
chapter 5
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..........
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it's like the movie writers read the manga, took note of moments where shinichi comes through for ran but completely forgot that it's mutual, they come through for each other:
chapter 389
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chapter 1050
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the movie staff doesn't get ran, they seem to have no idea how strong or caring she is and i hate how much it's hurting the fandom's perception of her
in conclusion:
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visit the shinran library for more
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