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#if we do not care we do not exist
pratchettquotes · 1 year
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LORD, WE KNOW THERE IS NO GOOD ORDER EXCEPT THAT WHICH WE CREATE...
Azrael's expression did not change.
THERE IS NO HOPE BUT US. THERE IS NO MERCY BUT US. THERE IS NO JUSTICE. THERE IS JUST US.
The dark, sad face filled the sky.
ALL THINGS THAT ARE, ARE OURS. BUT WE MUST CARE. FOR IF WE DO NOT CARE, WE DO NOT EXIST. IF WE DO NOT EXIST, THEN THERE IS NOTHING BUT BLIND OBLIVION.
AND EVEN OBLIVION MUST END SOME DAY. LORD, WILL YOU GRANT ME JUST A LITTLE TIME? FOR THE PROPER BALANCE OF THINGS. TO RETURN WHAT WAS GIVEN. FOR THE SAKE OF PRISONERS AND THE FLIGHT OF THE BIRDS.
Death took a step backward.
It was impossible to read expression in Azrael's features.
Death glanced sideways at the servants.
LORD, WHAT CAN THE HARVEST HOPE FOR, IF NOT FOR THE CARE OF THE REAPER MAN?
Terry Pratchett, Reaper Man
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sheepgirlmaidtummy · 2 months
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man. this whole thing pisses me off because like. even when people talk about staff having a history of hating trans women, that this isnt the first time, without fail black trans women are forgotten to be included again and again. im not surprised this caused such an uproar when the popular white woman gets deleted. nobody should be, its been that way like forever. some cunt in my inbox got annoyed i called rita a sex worker (lol? okay)
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but i mentioned that in my post because so many black trans women have gotten removed from this site for their sex work alone, regardless of if it "broke community guidelines" or not, especially when tumblr live and the ads on this website are so fucking horny. idek what to say rn because like. this wont get as many notes as the posts talking about her will. the exploding car thing is gonna get more attention than the trans women on this site you dont actually care about listening to. ive been talking about how unfair it is to be a black tgirl on this site for years and nobody cares.
i love rita, we talked abit the other day and she's doing fine, dont get it twisted and think i hate her or some bs, she's a big fucking reason im not fucking homeless.
but part of why her deletion got to #1 trending on tumblr for multiple days in a row is that she's white
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i vote that next year instead of reading Dracula we do a Jeeves & Wooster Book Club. those two never got the rabid tumblr shipping fandom they deserved (disqualified for the sheer technicality of being published a century too soon). we must correct this injustice
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bruciemilf · 1 year
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Having so many de aged! Jason feelings. I might just burst.
Dick and Tim theorize on how a small, happy little baby winded up in Jason's apartment. It's no secret their brother, a wall of bulk with a tender core, houses the homeless sometimes.
Maybe the baby is someone's? But if so, why was he alone? Jason isn't exactly famous for his unquestionable wisdom, but he's too caring to leave a defenceless infant by himself.
More importantly, why is this baby rolling on his tummy on a familiar brown jacket, evidently craving to be picked up?
"Can you take him? I'm not..." Tim's not good with kids; It's a running joke among them. Even If there's nothing comical about this.
Dick nods. His pride does swell when the baby giggles and coos.
"He has good taste."
" Okay, Narcissus. Let's take him home before your head pops,'' was Tim just a tiny bit jealous this little chubby cheeked thing was snuggling close to Dick, while downright glowering at him?
Maybe. A little. But babies were glorified chunks of meat, shaped just enough like a human to be considered cute. What did they know?
So they get home. It's a pleasant rarity, but they're all in one place.
All except Bruce, of course. Too busy bleeding on the streets to spend any time with them, Dick huffs,
Poor Damian is trying to jump and leap amongst them giants, struggling to take a peek at their young guest, " Grayson! I want the baby!"
" He's not a toy, Dami," they all share a silent look, clearly thinking the same thing. He got it from Bruce,
"What does it do?"
" He's a baby, Steph. He's not even aware he exists!"
" God I wish that were me,"
Duke looks at Babybird, as Dick affectionately took to calling him, with a strange, quizzical look, " He looks familiar. You said you found him at Jay's?"
" Yeah, but I'm taking him to a firestation. I just had to show B. You know he likes volunteering at daycares. Maybe he'll recognize him."
" Recognize who?"
Babybird was chewing on his own foot when the elevator doors slid open. Cass wasn't a wordsmith.
She read movements and actions as one listens to music.
Every member of her beloved family was a song of their own; Dick was motivational and calming.
Stephanie was packed with action, brimming with electrifying energy that just made you want to jump.
Tim was clean and precise with accents of pop. Duke was light and happy and silently confident. Damian was angry, and passionate and brave.
Bruce was powerful, sad, and perfectly tragic.
But when Babybird shrieked, yelled out in happiness and excitement and tried to wiggle out of Dick's arms with a sunshine beam and grabby hands?
Her father was a love song.
"Jay," The name sounds like Bruce is choking. His eyes are burning with tears, marching directly to Dick, " Jay? Jay!"
" Wh--"
"Dada!" Babybird, -- Jason? They only now noticed the white curl bouncing on top of his head, ( their inner detectives groan) " Dadadada, pap papi pap,"
They can't do anything, frozen in place, as Bruce spends the following two hours planting a garden of kisses on Jason's cheeks, full with laughter, while they read and color and build blocks.
"Uh, Bruce? I'm...I'm gonna call Zatanna."
" In a minute."
" DAD, --"
" In a minute."
It wasn't just a minute. It was an entire week.
As ridiculous as it was? They were starting to get jealous.
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cruelsister-moved2 · 7 months
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lets say hypothetically that i wanted men to die and suffer for all time
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ganondoodle · 7 months
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me: finally im able to cope with how much i hate totk and can fuel that energy into other things :)
nintendy: the shiekah tech just dissappeared and no one knows why or cares enough to investigate it lol. lmao. its gone bc the calamity is gone or something even tho it literally isnt bc ganondorf is right there haha lol, stop asking, why do you care. just forget it existed and look at that sexy goatman and glue instead!! glue! isnt that wild?? also its totally a direct, 100% same universe and exact same characters, despite them act totally out of character, sequel to botw-
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jondoe279 · 3 months
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atp i genuinely doooon’t care if the old guard two is the worst thing put to film i just want to see the best character of all time (andromache the scythian) and her loser henchmen and everyone’s favorite girl nile freeman again
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angelsdean · 5 months
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I need people to understand how S&P (standards and practices) works in television and how much influence they have over what gets to stay IN an episode of a show and how the big time network execs are the ones holding the purse strings and making final decisions on a show's content, not the writers / showrunners / creatives involved.
So many creators have shared S&P notes over the years of the wild and nonsensical things networks wanted them to omit / change / forbid. Most famously on tumblr, I've seen it so many times, is the notes from Gravity Falls. But here's a post compiling a bunch of particularly bad ones from various networks too. Do you see the things they're asking to be changed / cut ?
Now imagine, anything you want to get into your show and actually air has to get through S&P and the network execs. A lot of creators have had to resort to underhanded methods. A lot of creators have had to relegate things to subtext and innuendo and scenes that are "open to interpretation" instead of explicit in meaning. Things have had to be coded and symbolized. And they're relying on their audience to be good readers, good at media literacy, to notice and get it. This stuff isn't the ramblings of conspiracy theorists, it's the true practices creatives have had to use to be able to tell diverse stories for ages. The Hays Code is pretty well known, it exists because of censorship. It was a way to symbolize certain things and get past censors.
Queercoding, in particular, has been used for ages in both visual media and literature do signal to queer audiences that yes, this character is one of us, but no, we can't be explicit about it because TPTB won't allow it. It's a wink-wink, nudge-nudge to those in the know. It's the deliberate use of certain queer imagery / clothing / mannerisms / phrases / references to other queer media / subtle glances and lingering touches. Things that offer plausible deniability and can be explained away or go unnoticed by straight audiences to get past those network censors. But that queer viewers WILL (hopefully) pick up on.
Because, unfortunately, still to this day, a lot of antiquated network execs don't think queer narratives are profitable. They don't think they'll appeal to general audiences, because that's what matters, whatever appeals to most of the audience demographic so they can keep watching and keep making the network more money. The networks don't care about telling good stories! Most of them are old white cishet business men, not creatives. They don't care about character arcs and what will make fans happy. They don't care about storytelling. What they care about is profit and they're basing their ideas of what's profitable on what they believe is the predominate target demographic, usually white cis heterosexual audiences.
So, imagine a show that started airing in the early 2000s. Imagine a show where the two main characters are based on two characters from a famous Beat Generation novel, where one of the characters is queer! based on a real like bisexual man! The creator is aware of this, most definitely. And sure, it's 2005, there's no way they were thinking of making that explicit about Dean in the text because it just wouldn't fly back then to have a main character be queer. But! it's made subtext. And there are nods to that queerness placed in the text. Things that are open to interpretation. Things that are drenched in metaphor (looking at you 1x06 Skin "I know I'm a freak" "maybe this thing was born human but was different...hated. Until he learned to become someone else.") Things that are blink-and-you-miss-it and left to plausible deniability (things like seemingly spending an hour in the men's bathroom, or always reacting a little vulnerable and awkward when you're clocked instead of laughing it off and making a homophobic joke abt it)
And then, years later there's a ship! It's popular and at first the writers aren't really seriously thinking about it but they'll throw the fans a bone here and there. Then, some writers do get on the destiel train and start actively writing scenes for them that are suggestive. And only a fraction of what they write actually makes it into the text. So many lines left on the cutting room floor: i love past you. i forgive you i love you. i lost cas and it damn near broke me. spread cas's ashes alone. of course i wanted you to stay. if cas were here. -- etc. Everything cut was not cut by the writers! Why would a writer write something to then sabotage their own story and cut it? No, these are things that didn't make it past the network. Somewhere a note was made maybe "too gay" or "don't feed the shippers" or simply "no destiel."
So, "no destiel." That's pretty clearly the message we got from the CW for years. "No destiel. Destiel will alienate our general audience. Two of our main characters being queer? And in a relationship? No way." So what can the pro-destiel creatives involved do, if the network is saying no? What can the writers do if most of their explicit destiel (or queer dean) lines / moments are getting cut? Relegate things to subtext. Make jokes that straight people can wave off but queer people can read into. Make costuming and set design choices that the hardcore fans who are already looking will notice while the general audience and the out-of-touch network execs won't blink and eye at (I'm looking at you Jerry and your lamps and disappearing second nightstands and your gay flamingo bar!)
And then, when the audience asks, "is destiel real? is this proof of destiel?" what can the creatives do but deny? Yes, it hurts, to be told "No no I don't know what you're talking about. There's no destiel in supernatural" a la "there is no war in Ba Sing Se" but! if the network said "no destiel!" and you and your creative team have been working to keep putting destiel in the subtext of the narrative in a way that will get past censors, you can't just go "Yes, actually, all that subtext and symbolism you're picking up, yea it's because destiel is actually in the narrative."
But, there's a BIG difference between actively putting queer themes and subtext into the narrative and then saying it's not there (but it is! and the audience sees it!) versus NOT putting any queer content into the text but SAYING it is there to entice queer fans to continue watching. The latter, is textbook queerbaiting. The former? Is not. The former is the tactics so many creatives have had to use for years, decades, centuries, to get past censorship and signal to those in the know that yea, characters like you are here, they exist in this story.
Were the spn writers perfect? No, absolutely not. And I don't think every instance of queer content was a secret signal. Some stuff, depending on the writer, might've been a period-typical gay joke. These writers are flawed. But it's no secret that there were pro-destiel writers in the writing room throughout the years, and that efforts were made to make it explicitly canon (the market research!)
So no, the writers weren't ever perfect or a homogeneous entity. But they definitely were fighting an uphill battle constantly for 15 yrs against S&P and network execs with antiquated ideas of what's profitable / appealing.
Spn even called out the networks before, on the show, using a silly example of complaints abt the lighting of the show and how dark the early seasons were. Brightening the later seasons wasn't a creative choice, but a network choice. And if the networks can complain abt and change something as trivial as the lighting of a show, they definitely are having a hand in influencing the content of the show, especially queer content.
Even in s15, (seasons fifteen!!!) Misha has said he worried Castiel's confession would not air. In 2020!!! And Jensen recorded that scene on his personal phone! Why? Sure, for the memories. But also, I do not doubt for a second that part of it was for insurance, should the scene mysteriously disappear completely. We've seen the finale script. We've seen the omitted omitted omitted scenes. We all saw how they hacked the confession scene to bits. The weird cuts and close-ups. That's not the writers doing. That's likely not even the editors (willingly). That's orders from on high. All of the fuckery we saw in s15 reeks of network interference. Writers are not trying to sabotage their own stories, believe me.
Anyways, TLDR: Networks have a lot more power than many think and they get final say in what makes it to air. And for years creative teams have had to find ways to get past network censorship if they want "banned" or "unapproved" "unprofitable" "unwanted" content to make it into the show. That means relying on techniques like symbolism, subtext, and queercoding, and then shutting up about it. Denying its there, saying it's all "open to interpretation" all while they continue to put that open to interpretation content into the show. And that's not queerbaiting, as frustrating as it might be for queer audiences to be told that what they're seeing isn't there, it's still not queerbaiting. Queerbaiting is a marketing technique to draw in queer fans by baiting them with the promise of queer content and then having no queer content in said media. But if you are picking up on queer themes / subtext / symbolism / coding that is in front of your face IN the text, that's not queerbaiting. It's there, covertly, for you, because someone higher up didn't want it to be there explicitly or at all.
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khickuwa · 5 months
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"no matter what the future holds, we love you very much."
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kamariya · 3 months
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i know the fandom loves to pretend that xie lian doesn't take care of himself but let's really think about it for a second. he doesn't have a penny to his name, he has no luck, no spiritual powers and no friends and family left in the mortal realm. how exactly should he take care of himself?
he eats food off the floor because it's better than going hungry. that's how many people in poverty live. he doesn't think twice before touching something that might poison him because when you don't receive medical attention for centuries, you're naturally going to adopt an "it is what it is" mentality about your health. he probably didn't get treated by a healer the first few times he got corpse poisoning because he didn't have enough (or any) money to pay them with. he's humble and ignores however which way he's slandered because what can he do? he's heard things like that and worse before.
800 years of poverty will teach anyone humility as well as strip them of it. 800 years of poverty and solitude can make anyone into a complete cynic, an abuser and/or worse.
but xie lian didnt break, not permanently. what jun wu put him through is nothing compared to what the world put him through. tell me this: is jun wu truly the real villain of the story? or is he a micro manifestation of all the other systematic issues in the TGCF universe, wrapped up into a shiny, evil package that's easier to hate, easier to digest and easier to fall for?
know that even though jun wu "set up" the fall of xianle, it was corruption and imperialism that truly brought the kingdom to its knees. know that teen xie lian truly fought for his people, be they patriots or rebels, and that the reason his efforts could never come to fruition was the corruption of the royals and the nobles.
in a world as systematically corrupt as that (much like our own), how easy do you think it would have been for a poor, homeless and friendless man to live a happy, fulfilling life (which he never lived)? and how much easier would it have been for him to gradually give away his morals and principles in favour of a better meal for once, for a better bed for the night? considering his martial skills and vast knowledge of cultivation, would it not have been easy for him to take a path like jun wu himself? like xue yang, even?
and do you think that xie lian did *not* do all these things just because he had "self-sacrificial" tendencies? after centuries of being only a little better than a beggar, do you think the reason he wants to help the common people is because he feels Rich Prince Guilt?
don't you think that the act of preserving oneself here, the act of not sacrificing onself for a cause, is actually whenever xie lian decides to keep following the path of justice, his Third Path? does self preservation only count when it's your body you're preserving, or your material wealth, or your name? surely your own principles matter more. surely you mean more than a fancy title on a tyrant's mouth.
place yourself in xie lian's shoes, and answer this: if you were to go through all that, even if you were to not become a horrible person, would have found and maintained the courage, time and time again, to keep being kind, to keep taking care of yourself, to not become heedlessly reckless, to not become a walking corpse with a noose (ruoye) wrapped around your neck?
in my opinion, xie lian is a hell of a lot positive for a man who's been through so much and never heard a "it's okay, you can rest now" once (until hua cheng came along, at least).
do you think xie lian doesn't feel bitterness towards lang qianqiu, who buried him with a stake through his heart for gods know how many years, because he just... hates himself? or do you think it's because he helped raise lang qianqiu since childhood and earned real respect and admiration from him, after so many years of being spat on, cursed and ultimately turned invisible? do you think he begged to be banished once again only because he felt guilty (although yes, he did feel very guilty) for the terrible fate that befell lqq's family, or because he also genuinely cares about what happens to his people --- he protected the xianle remnants by setting himself up as a cold-hearted murderer, and he protected lqq by refusing to fight him.
do you think that being so old and having seen so much, xie Lian can't tell danger when it's looking him in the eye? he's not stupid. he doesn't neglect his safety until and unless it's to protect someone he cares about. e.g., when he tried his level best to protect shi qingxuan during the Blackwater arc, knowing that he's fighting things and people beyond his control. my point: it didn't matter if he failed. he had to try, just like he tried with his kingdom, and the kingdom that came next. sqx was the first person after hua cheng to befriend and defend him in a long time, and he wanted to show him the same courtesy. can this be reduced to "self-sacrificing" tendencies or "playing the hero", too?
when xie lian stepped out of that bridal sedan, he knew he was playing with fire, but he's not stupid. if he hadn't stepped out, who is to say that crimson rain sought flower wouldn't have entered on his own, or dragged him out forcefully? xie lian isn't a "you only live once, let's make bad decisions" person. xie lian is a "no matter how many lives i live, i will not change" person.
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heckyeahponyscans · 2 months
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50% of sales proceeds of these adorable Care Bears will go to the PCRF (Palestinian Children's Relief Fund), donated directly by eBay as soon as you purchase
please take a look :)
>>>eBay link<;<<
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cathalbravecog · 1 month
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letting the days go by
(got a feeling someone defo already drew this so i chose a different pose ref to the mv lol.)
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tianhai03 · 1 year
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meant to draw something for dmc4's anniversary but hey. better late than never <3
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waitineedaname · 8 months
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i feel like my two top video games to recommend if you ever want an emotional experience that changes you forever are Night In The Woods and Outer Wilds
Night In The Woods is easier to recommend to people because it's shorter and less game-y (number one on my list of games that could be made into a tv show or movie) but hoo boy does that game hit in a very real way. the way it captures the feeling of being lost in your twenties, the feeling of dying small towns, issues of poverty and capitalism and mental illness and addiction and grief and being queer.... not to mention its realistically written (and often extremely funny) dialogue, charming aesthetics, and excellent soundtrack. chef's kiss.
Outer Wilds is harder to recommend because there is a significant learning curve with the gameplay (you will crash your ship over and over. this is okay. it's kind of the point.) and it's so impossible to describe because every person's experience is utterly unique by design and the whole point is to discover things for yourself, but good lord, does that game rewire your brain chemistry. it's a game about the vastness of space and the even greater vastness of time, and the fact that despite this vastness, you can still connect with people, even if you will never meet, even if they died long before you were ever born, you can still touch other people's lives
both games are the type to make you question your existence, but still be comforted after the fact. both games say you don't have some cosmic purpose, the universe does not care about you, but people do, and you can find meaning even in uncaring world
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bumblingbabooshka · 2 months
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B'Elanna, Neelix, Tuvok and Chakotay needed to star in an episode where they just talked about their different beliefs and approaches to spirituality/religion. Paired off and all together. I need to gain more insight. I need characterization and I need it to be messy.
#B'Elanna's difficulty with Klingon myths and religion (especially due to her internalized racism)#Chakotay's current strong belief in his own spirituality despite his initial complete rejection of it (and how B'Elanna seems to admire#and have talked with Chakotay about it extensively in the past given how many specifics she's aware of)#Neelix's belief in an afterlife being the only thing that comforted him after his entire family was killed - the knowledge that he would be#able to reunite with them again and that knowledge being ripped away from him#Does he still believe? Are there other aspects of his previous spiritual beliefs that are thrown into question?#Just because it isn't 'real' does it make it unimportant? How do we even know whether or not it's 'real'?#He died and doesn't remember reaching that tree and seeing his family - does that mean it didn't happen?#Tuvok's line in 'Innocence' about how he's begun to have doubts about whether or not a katra exists and what happens after someone dies#and his firm ties to Vulcan spirituality and ritual#ALL SO INTERESTING!!!!!!!!#star trek voyager#I don't think it'd be a calm or healthy conversation either - they're not therapists and I don't think anyone but Chakotay#would be particularly careful with his words#and before you say Tuvok's a Vulcan so he would be let me remind you that Tuvok told B'Elanna to her face that he thought Klingons#were basically savages - he is INDELICATE to say the least#Neelix is careful with his words bc he's a people pleaser for survival but also he has a tendency to bother people and be overly pushy#and I think he'd do a lot of research and be the one leading the conversation/the reason they get on the topic and continue on it#B'Elanna wouldn't want to talk about it. She wants to talk about it the least. But she must!!!! Bc the episode demands it!!#st voy
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hellenhighwater · 1 year
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Wait is that actually your ex-boyfriend's hand? What happened to him?
He works with real live dinosaurs so....
Nah, he and are are super good friends--we were before we dated, and remained so after, because the breakup was extremely amicable, and he's one of those people who's a terribly good gift-giver. Most years we still exchange gifts sometime between our respective birthdays and christmas, and he sent me that hand (it's a replica) as a gift one year. I made him the archaeopteryx fossil bowl this year.
Just because this is the OG bone-stealing witch website, I will clearly state that the only real human bones I possess are my own. My animal bones are all either scavenged myself or gifted to me by the people that scavenged them. (I have a sort of energy that consistently makes people go "I saw this dead thing and thought of you!")
I don't have a problem with owning human remains that are ethically sourced, but the reality is that unless you can very precisely trace the origin of human remains to the specific person who clearly and unequivocally stated in life that they're cool with someone keeping and displaying their now-unused crunchy bits, it's...probably not ethical. So if someone has some of their own bones that they're done using that they want to send my way: cool, let's talk, ideally before it's necessary to have the conversation by seance. Otherwise, I will continue to be perfectly happy with my replica remains.
I'd like to will my crunchy bits to someone who will make dramatic monologues to my noggin, but hopefully that's not an issue I'll need to deal with for a while yet.
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