#idk if that even made any sense.

[demodraws0606]

What Cyberpunk DeadBoy Means and What it's Potentially Foreshadowing (aka very complicated analysis that makes a lot of sense and could happen depending on how colorpalet is feeling while writing the story)

Now I'm seeing so many people like running around wondering what this event could mean for the future for multiple reasons and like I've made like one post throwing my hat into the ring.

I've been frustrated with people's unwillingness to realise that this comm is prob foreshadowing because this is not the first time Colorpalet has hidden foreshadowing into comms weither subtely or not

Exemple's being :

-Akito's second comm foreshadowing his third event

-Lower's cover art literally foreshadowing what would happen to Mafuyu's phone in her event

-88 vocals being emurui and nenekasa foreshadowing the kind of dynamic the disbandement arc had with nenekasa wanting to move forward with emurui being scared of isolation

-Probably way better exemples that I forgot

I've seen people make Some assumptions which I don't agree with but there is one thing I think is true

There is 100 pourcent gonna be struggle between corporation/reality and WxS.

Purely because that's been WxS's entire theme since the beginning. They constantly bash you over the head with the theme of compromising with reality and the importance of dreams. In fact the pick of Maiki-P is not at all surprising as he basically has the same message WxS has just... well harsher.

The Big thing people have ignored however is by focusing on the lyrics, they've ignored something that's personally to me even more telling and that's the line distribution

We know for a fact colorpalet loves to mess around with line distribution, weither it's to make characters say lines that fit them or to kind of foreshadow their headspace.

Now something Big happens with the line distribution of Cyberpunk Deadboy that i've seen NO ONE notice and that's in the last chorus (that and also Tsukasa's lines which people have pointed out but it works less on it's own which is why I'm gonna analyse his lines afterwards).

This is the only time the chorus is like that, the others have a much more even distribution.

In fact the distribution choice makes it look like the rest of WxS is Talking to Rui.

It's even more evident considering the lines they chose to make WxS sing compared to only just Rui

Emu/Tsukasa/Nene saying kimi (you)

Rui saying boku (i)

Which honestly makes me think this is colorpalet foreshadowing some kind of issue reguarding specifically Rui. Remember Emu's second event ? The story of Rilley whose imagination was crippled by the industry to the point where he didn't really have any artistic vision until Emu's grandpa helped him.

In fact remember how the flashback that showcases that has Rilley working on a film

Now we get to Tsukasa's line which have been pointed out to be kind of sus but it's not just his lines.

Tsukasa refuses to sing with Rui (unless it's a line they all sing together but i consider those exceptions). In fact pretty much everyone has a duo line with each other except those two.

In fact in the section where Rui has duo lines with everybody, Tsukasa is the only one he doesnt sing with and the visuals make it clear that it's something that we're supposed to find strange

And then we of course have Tsukasa's solo lines

Tsukasa is the only one that say "fuzakeruna" outside of Rui (of course ignoring entire group WxS lines) and i've seen some people pointed out how it sounds like he's saying it in response to Rui's lines. Which I agree with.

Then we got his big boy solo lines

These lines will make more sense with my theory/analysis but right now if we go with the idea that WxS in the last chorus were speaking to Rui and Tsukasa in this comm refuses to sing with Rui then this implies those lines are Tsukasa speaking to Rui.

And this is where the insanity begins because people have pointed out a concerning trend with Ruikasa that I know some people use for shipping fuel but for me kinda feels more so like foreshadowing.

IGNORING all the ARG ass weirdness of the Fixer 2dmv, this choice to switch Ruikasa's colors have to mean something in my opinion outside of just wholesome shipping influence especially considering the two songs they do this are less than jovial.

What this kind of color switching signifies to me is that, Ruikasa somehow are/or will switch places.

And with that let me bring back Tsukasa's lines

These lines stand out because Tsukasa before remembering his dreams was extremely shallow only doing things for fame and probably the money that would come with it.

Now if you think about everything I've layed out I think you can gain a pretty clear picture.

Of Rui falling into the trap Rilley did, becoming jaded and losing the true motivation of his dream (or at least starting to have doubts). Becoming stuck with the struggle of managing dreams and reality.

Rui's costume even has a mask which can be a metaphor for his artistic voice and individuality being silenced .

Which now you get into the line distribution where WxS is implied to be talking to Rui.

And you get to Tsukasa, who is refusing to sing with Rui and in fact seems to be arguing with Rui if we really want to overthink it. In fact almost switching their roles from the main story.

Because Tsukasa has grown now and how else to show that growth than to switch Rui and Tsukasa's perspectives/roles.

Now how this would happen really depends since there are multiple ways they can go about it with the time they have.

There is obviously mystery dude dude (who i know now is sakaki) who still gives me bad vibes. However there is actually two way they can make mystery dude trigger this sort of plot :

-Mystery dude is malicious and actively manipulates/confronts Rui to make him rethink his worldview

-Mystery dude isn't malicious but instead is just jaded/has been through a lot of industry bullshit which ends up rubbing off on Rui accidentally

But you can even just not have mystery dude involved with this at all (which i doubt but still) because you know what loose plotpoint is still lingering over WxS, fucking Asahi

Rui still has not talked about Asahi to WxS, in fact Curtain Call ends on an explicit cliffhanger which is never really emotionally concluded (at least in Rui's own events, technically the arc ender did but there are still a lot of loose threads from that arc). Why would Colorpalet make Asahi come back after Rui graduates, they could've just had him disappear into the sunset but instead they hint at his potential comeback.

Unless Rui will be forced to again confront similar feelings he did during Curtain Call this time with possibly an added layer of whatever happens during WxS's freelance arc.

Anyways yeah this is overly complicated but then again colorpalet is not being easy with us so...yeah.

#project sekai #pjsk rui #rui kamishiro #wxs #wonderlandxshowtime #project sekai theory #project sekai analysis #rui kamishiro analysis #wxs rui #wxs tsukasa #tsukasa tenma #rui #cyberpunk deadboy #i'm sorry if this giant wall of text makes sense to nobody but me but i need this to leave myt mind otherwise i explode #and also i'm not looking at twitter for theories of this event because twitter is the breeding ground of bad takes so idk if i'm the only #one but it's very interesting #anyways i really don't want any “but what if the comm is not at all related to the event at all” because we've had active confirmation #colorpalet describe events and give at least on sentence prompts to commissioners (which we know pinnochioP and the creators of Mr.Showtime #I believe) and again even if it WERE the case and it was a fluke or a rewrite or whatever #it doesnt change the fact colorpalet made an active choice to make the line distribution and 2dmv like this #this is the motherfuckers that foreshadowed an arc ender years before through a fucking song cover art #complain about their writing all you want these motherfuckers love little detail oriented shit like this for better and for worse

[the-gayest-sky-kid]

i think sometimes people forget dazai is 15 in fifteen

#not in the sense that they dont treat him as a fucked up kid. they also dont do that but its a different issue #but in the way people apply that statement he gives mori to his current self #like 'is there really any value to this thing we call living' or whatever #like i know i say words of a man who has not yet met chuuya nakahara #but like those are genuinely the words of a dazai with no chuuya in his life yet #by the end of fifteen chuuyas given dazai motivation to try at living and i think from that point forward the statement he made doesn't like #i dont think it covers his current ideas on the topic anymore #its not that there isn't any value to living it's that he specifically is incapable of finding it or smth something like that #and even then i think that gets warped more as time goes on yk #idk. take anything i say abt dazai with a spoonful of salt im not as caught up as i should be

[sirazaroff]

How do you think Velvet flirts with Coco?

This is one of the funniest asks I ever got and im glad cause this is just gold. Like how does the Bun™️ woo her stupid bozo??
————


I have my biased takes on what Coco and Velvet are like as characters, but to start off I wanna focus on what Vel brings to the table.

I think a lot of people have moe’d her down to a nervous/scaredy bunny girl and…that’s not her at all. She’s a real multilayered character who can and will kick your ass flat. She’s also…

- very very attentive to people

- excellent at memorizing things she sees and hears, and quickly at that

- very emotionally in tune with people, herself included

- insanely kind and helpful

- honest about her feelings and will voice her thoughts when ready

Also she’s a bunny like come on. Is baby. It’s impossible to not find her likable.

I can go on forever, but I think these are enough likable traits to work with.


Time to shift. Now we focus on what I think Coco likes in a person:

- Hot girls

- Complexity

- Someone true to their nature

- Some sense of honor

- Someone striving to learn and to better themselves

Hopefully it’s not lost here, but there’s some compatibility don’t you think? Velvet’s got some of those traits that Coco likes.

————

So where’s the flirting? It’s coming I swear, I just needed the background info to help support the answers.

Bun bun flirts two ways: intentionally and unintentionally. The latter is usually what’s happening most often.

Her intentional flirting is what you would expect. Some cheeky words, being a playful tease in her actions like when she flashed her camera in After the Fall. I think she would 1000% take advantage of her physique and incredibly vast skillsets. She is totally totally showing off during training and sparring. Coco might hide her gaze under her glasses but that dumb bitch is so easy. So so easy…

Now her unintentional flirting is basically that Velvet is just doing her thing. She’s comfortable and loved by her team. With them she’s able to be herself and have fun, and that’s what coco loves most. Seeing Velvet thrive and not feel like she has to hide herself away from the world, and with it comes moments and actions that make Coco, much to her surprise, fall for Velvet.

I guess simply put, Velvet flirts by being her cheeky self around Coco, and her leader falls for her every time.

#fooze #smugm3ss #rwby #rwby fanart #velvet scarlatina #rwby velvet #coco adel #rwby coco #crosshares #rwby crosshares #of course these are just my playful opinions #but yeah I mean these two kiddos are funny and idiot goobers but they’re also so sugary sweet to each other #without any compromise to their personalities either #I just wanted to answer this already but I had a lot more tender moments planned for these two to show #I’m a firm believer that they’re perfectly made for each other. they kinda remind me of bees but just. different you know? #wow Fooze so much stuff to answer a simple question~ SORRY IDK I HAVE THOUGHTS and it takes months to get them out okay?!?! #probably doesn’t even make sense either! #anyways velvets favorite pastime is raising coco’s bp just by looking at her for longer than 5 seconds #sorry if this is also formatted weird I’ll fix it tomorrow if need be

[llitchilitchi]

setting off for a long journey

#dnf #oblivion au #sketchbook #ert #do I even tag this? should I tag this absolute mess of an au with any of the participants? #this was simply me wanting to draw the view of white gold tower after like a 5h obliv sesh #yes I know that theres only two towers at the side shut up #this isnt even a real location I imagine this would be in jerall mountains but it doesnt make sense #this is like. cheydinhal view at best. probably more south idk I made it up #just needed to have these two kiss in the early morning hours before dream has to leave for a mission #Ive been playing more obliv so there Might be more idk #done with like 10 colouring pencils cause yeah #the blue looks eyestrainy but trust me its worse irl I love that colour #wish I could get the colours more true to life #anyways thank you for reading this rant I am here to talk about this silly au that I am very normal about

[yesloulou]

#im blogging like i don't have 2.3k today please scroll on and pretend you didn’t see this i just really need to vent a lil #the fact that 800 ppl apparently thought this made sense is so upsetting #max did not ignore carlos on the podium and if he did it would not have been funny #in the cool down room was NOT ​the wrong ferrari charles was fucked by his car which was a shame but carlos podiumed fair and square #max was also not pouting he gave carlos compliments like he would've any fellow racer he respects #finally that man was not down horrendous that day even by lstappen standard #these 'scholarships' are so so bad that they actually made me unblock il-p #she's so normal in comparison #tbd #idk #*

[vnzndt]

I'm still lost at what it do. A small dumb part of me is still hoping for the best.

But regardless of what happens, I do not regret my time here :')

i think we all are a little lost :’( and it’s not dumb, i think all of us want the best case scenario for everyone involved. it’s entirely normal and human to feel empathy in every aspect of this. the love we have always had for them isn’t something that can go away magically and the same goes for any other emotion we’ve felt towards them in our time here. give yourself time :)

i will not ever regret any of the time or love or effort i have put into this community and i will always cherish everything it gave back to me. truly the best 4+ years of my life and i wouldn’t trade it for anything. i’m trying my hardest to not think of this as some kind of unhappy tragic ending to something so incredible that we all loved so dearly because the community is still just as strong and united and that’s something we built, not the cc’s.

regardless is the keyword here. there will always be time to process and evaluate your feelings & i hope everyone has some kind of support in place and if not, my dms & asks are always open

#ollie asks #idk if any of this even made sense

[no-brain-just-akutagawa]

I just found out Fyodor's cello piece from the 3rd season is called "Bird of death" and I find that interesting for a few reasons.

First of all, is it connected to Nikolai? They work together and -shipping aside - if they're actually friends, it would make sense for Fyodor to write a piece either for him or simply inspired by him. Not only are birds associated with Nikolai, but death as well since he was supposed to die by being cut in half. He also kills people, so if we combine all those things, they kind of make him a symbolic bird of death.

Secondly, it would make the cello scene have a slightly different atmosphere as Fyodor would be playing a piece he associates with his friend who's going to die after commiting a series of murders while a different murder is taking place. Also the situation would be even weirder for Katsura because it would mean he was kidnapped by a guy who didn't just play cello for him, but play a piece he associates with his friend. Of course Katsura would have no way of knowing, but still.

Thirdly, does that make Fyodor a bird of death? Because if it's not connected with Nikolai whatsoever, then it's most likely connected with Fyodor himself. It would make sense because he kills people as well, but would also accidentally make both Fyodor and Nikolai be associated with both birds and death (#matchingimagery).

Lastly, how much does studio Bones know?? I checked the dates of manga volume releases and Sunday tragedy chapters did come out back in 2017, so the team working on the anime would have enough time to integrate this title as an easter egg if they wanted to do that (as the 3rd season began in April 2019), but then again it seems like a random idea to allude to a character from a future arc that they weren't animating at the time. Either a member of the team was/is a fan of bsd or they're getting extra info on future events. Bones also seems to be making surprising decisions when adapting the material (such as putting Fyodor in Untold Origins), so I think it's possible they know something we don't.

But it's also possible that Bird of Death has a different meaning that I'm not aware of or it's all just a coincidence haha

#my brain is completely fried today so idk if I'm making any sense haha #bsd #bsd spoilers #bsd original #bsd nikolai #bsd analysis #bsd fyodor #did I come here today just to share this? yeah I did #but I'm genuinely curious because it's seems like a waaay too big of a coincidence #I had no idea bird of death was made for bsd I thought it was a classical piece that bsd just borrowed #also I didn't want to put that in the post itself but the fyolai potential?? #it would be even more hysterical if my theory was correct because the scene of fedya playing cello for katsura is what inspired a scene #in my fic in which fedya plays a piece written because of kolya #like it's never stated explicitly because I love being as ambiguous as possible but I hint at that #so you know it would be funny if my fic had an added unintentional connection with the anime #but it's even more possible that it's just my brain being done for today and that it's all just a coincidence

[donnydamakkk]

unpopular opinion: there is no point in the show in which jeid would have made sense. jj never seemed interested in him, and his feelings always felt misconstrued and misplaced. they never had that kinda chemistry.

#ro's takes #unpopular opinion #jennifer jj jareau #jennifer jareau #spencer reid #anti jeid #furthermore i didn't even realize they were actually friends until jj made him henry's godfather #even that decision doesn't make sense to me #especially considering she didn't trust him alone w henry until he was like what 5 or 6?? #what episode did they get drunk n hungover? y'all know the one #maybe that doesn't stand out to most ppl but idk #me? im not finna make someone my child's godparent if there's a point in time that i would b worried about them being alone together #like at any point #why would i make u a godparent when im worried bout if u can take care of them without me #the trust is the point n canonically it wasn't there #they always read as older sister/younger brother who love each other #are there for each other during hard dark times #but aren't really close cua they share no commonalities #i genuinely don't understand how ppl see anything but #that said yeah even jeid as best friends doesn't really make sense to me #she's never really interested in him enough for that to ever make sense #she doesn't even ever care to listen to his lil infodumps #which contrary to fandom beliefs she doesn't have to listen to him if she doesn't want to #her not wanting to doesn't make her a bitch either #criminal minds

[mewling-central]

The Collective Seraphic Writing System

This post is going to be the one dedicated to explaining how the Seraphic writing system works. This writing system is entirely digital, as physical writing is no longer in everyday use throughout the Collective, so it's a bit inconvenient to actually write out. It's also weird to read, because it's written in a way that makes the assumption that you know how to speak and understand Seraphic, but I'll try to explain what I can.

Seraphic has two written forms: longform and shortform. Longform is used primarily to teach young instars how to read and write, and as a way to show how a shortform word is meant to be read. Shortform is the main form of writing, and due to its complication it's usually put off for a year or two before being taught in pupariums. Shortform is the method I'll be teaching today. It's primarily morpho-phonetic, with elements of both an alphabet and grammatical logograms, and is written bottom-to-top and right-to-left in reverse boustrophedon (the path of writing goes up, flips 180°, and goes back down). Because of this, you're expected to be able to read both right-side-up and upside-down. For this post, I'll be using an example sentence to highlight specifics areas of the writing system, as shown below:

It reads: nJasāğn k'œ̄nan ālxōr e-fya.

"There are 16 dull knives on the floor."

There are seven elements you need to be aware of when writing in Seraphic: the alphabet, class cartouches, procedural and plural ligatures, preposition glyphs, tone diacritics, numerals, and punctuation. I'll be going through each one step-by-step.

Alphabet

The alphabet makes up the majority of Seraphic writing. There are 30 consonants and 6 vowels, and they all arrange into syllable blocks called "cells". Each consonant takes one of three forms depending on if it is at the start of the syllable, before a vowel, or at the end of a syllable. The alphabet is featural, meaning that the way each letter is written is meant to encode its pronunciation. Here is the alphabet in full:

Each consonant (excluding the ejectives) showcases the three variant forms it can take (similar to capital and lowercase letters in the latin alphabet). The largest, leftmost character is the form that hosts the interior vowels within it. The rightmost vertical form is used when preceeding another consonant, and the upmost horizontal form is used at the end of syllables. If a syllable contains a syllablic consonant, the main consonant will have no vowel within it and instead a syllable-final form of one of the syllabic consonants (r, l, m, n, or ŋ) placed on top of it.

Concerning vowels, they are solely meant to be written within consonants, acting sort of like internal diacritics. They cannot exist on their own, nor can more than one be written within the same consonant (Seraphic doesn't allow diphthongs), and if a vowel must be written by itself it is written within the glottal stop letter ' (in this instance acting as an independant vowel holder).

These rules apply to individual syllables. In multi-syllabic words, each syllable cell is arranged together in a specific way based on the number of syllables in order to keep the line uniform and compact.

the flow of reading word-internally definitely follows the overall direction of writing (bottom-to-top, right-to-left) so broken down an entire word will usually look like this when written:

Seraphic written in longform will be written entirely using the alphabet. Spaces are put between words, punctuation and numeral symbols are still used, and tone diacritics may be included as well, but otherwise it's entirely spelled out in this way. Writing this way makes the text as a whole quite longer, and can come off as childish or imply you're a new learner of Seraphic, so shortform will usually be used in official contexts. In shortform, alphabetical letters are restricted to non-declined parts of nouns, adjectives, and proper nouns.

Class Cartouches

In Seraphic, there are seven noun classes: Solar (people), Astral (animals), Vital (plants), Terranean (places), Metallic (objects), Lunar (concepts), and Oceanic (everything else). Similarly, the writing system employs seven symbols called "class cartouches" to encode which noun class a word is in. This is drawn from this writing system's predecessor, the Aeonic Seraphic alphabet, that also used glyphs to notate class. These are the seven noun class cartouches:

The thing about the class cartouches is, not only is it morphological, but it's also phonetic. A noun is never spelled out in its entirety, usually only part of it is. When a class cartouche is used, it's supposed to stand in for the class prefix itself without having to additionally spell the class prefix in the rest of the word. For example, in the word zājlux (tail), the "-jlux" would be spelled out, and the solar class cartouche would be drawn around it to stand in for the "zā-". Even though you don't write it, you still know it's there because of the class cartouche. Because of the nature of the noun class prefixes, and how many different forms they can take, it can be daunting to have to guess if you're supposed to pronounce a word with a "za-" or a "zo-", but there are patterns to which prefix (and thus, declension patterns), is meant to be read depending on what the following sound is.

Solar class

read as zā before f, v, s, z, c, j, pf, ts, tc and any cluster of two consonants (e.g. zāsā, zāfr, zājlux)

read as zō before x, ğ, h, ', and kx (e.g. zōxō, zōxur, zōğœcl)

read as zē in stressed syllables, and occasionally before consonant clusters (e.g. zēzmp'ux, zēzt'e, zēvasax)

read as s before vocalics (vowels and syllabic consonants), r, l, w, y, n, t, d, p', or k' (e.g. srāc, sēr, sōğœc)

read as ts before t', the ts replacing the t' entirely in pronunciation, for example tsn would be written as (Solar)t'n (e.g. tsn, tsā, tsłzaf)

Astral class

read as ğr before f, v, s, z, c, j, x, ğ, h, pf, ts, tc, kx, p', t', k' and and cluster of two consonants (e.g. ğrzles, ğrxur)

read as x before vocalics, r, l, w, y, ŋ, k, g, p', or t' (e.g. xūc, xŋox)

read as kx before k', the kx replacing k' in pronunciation (e.g. kxa)

Vital class

read as wā before r, l, w, or y (e.g. wāya, wārāc, wāwax)

read as wō before k', k, g, x, ğ, ŋ, or kx (e.g. wōk'ł, wōxur, wō'ōf)

read as wē before consonant clusters (e.g. wēzles, wējlux, wējlozln)

read as ū before n, m, p', p, b t', t, d, f, v, s, z, c, j, pf, ts, or tc (e.g. ūt'u, ūp'n)

read as w before vocalics (e.g. wē, wīn, wājr)

read as wī occasionally before consonant clusters (e.g. wīzya)

Terranean class

read as va before f, v, s, z, c, j, pf, ts, tc and any cluster of two consonants (e.g. vafl, vasērn, vasa)

read as vo before x, ğ, h, ', kx, and consonant clusters (e.g. voxāl, vodsā, vojrayux)

read as vu in stressed syllables and occasionally before consonant clusters (e.g. vujlux, vulvren, vuzajni)

read as f before vocalics, r, l, y, w, m, n, ŋ, p, b, t', or k' (e.g. fe, fruvn, fmağo)

read as pf before p', pf replacing p' in pronunciation (e.g. pfan)

Metallic class

read as ja before f, v, s, z, c, j, pf, ts, tc and any cluster of two consonants (e.g. jafa, javlni, jawaya)

read as jo before x, ğ, h, ', and kx (e.g. joxl)

read as c before vocalics, r, l, w, y, n, t, d, p', or t' (e.g. can, cya, cenaŋx)

read as tc before t', the tc replacing the t' entirely in pronunciation (e.g. tcłvr, tcāŋğl, tcū)

Lunar class

read as la before r, l, w, or y (e.g. lara, layeğr, lalel)

read as lo before k', k, g, x, ğ, ŋ, or kx (e.g. loxir, loğn̄, loxel)

read as le before consonant clusters (e.g. levp'ā, levren, lejt'ān)

read as li in stressed syllables and occasionally before consonant clusters (e.g. liwayi, lit'n̄, livasāx)

read as y before vocalics (e.g. yar, yu, yawu)

read as l/ł before n, m, p', p, b t', t, d, f, v, s, z, c, j, pf, ts, or tc (e.g. lce, łzēwok'u, lvulvren)

Oceanic class

read as a/ā before m, n, p', p, b, t', t, d, s, z, f, v, c, j, pf, ts, tc, w, r, y, l, and all consonant clusters (e.g. ap'i, āt'ē, ācèya)

read as o/ō before ŋ, k', k, g, ', x, ğ, h, and kx (e.g. ōxūr, ōxān)

read as aw/āw before vocalics (e.g. awun, awaf, awaman)

Of course these rules are not hard set, and there are several instances where a written word contradicts these rules or even when two words end up spelled the same, but for the most part these rules will generally be consistent for most written words. It seems like a lot to remember, but usually it's a thing that you eventually develop a sort of "ear" for.

Procedural and Plural Ligatures

The procedural and plural ligatures are additional glyphs used to mark, respectively, the procedurals and the plurals of a noun. The procedural are written at the bottom of the noun (since Seraph is written bottom-to-top and these are prefixes of course), and there are 12 separate procedural symbols in use. Similarly, the plurals, being suffixes, are written at the top of the noun and contain only three symbols (the singular is usually unmarked). They are as follows:

The plural ligatures attach to both nouns and adjectives freely, but in order for a procedural ligature to attach to an adjective, the adjective needs to be put in the oceanic class and subsequently written with the oceanic class cartouche. Additionally, if you want to write remote past/future forms for each procedural, you would need to attach the resultative present ligature underneath the preexisting past or future ligature (these conjugations haven't developed their own separate ligature forms, so they follow the tradition of using the resultative in addition as semantically that is where the remote forms originated). I don't really have a way to show you how to pronounce the plural forms, as even though the different pronunciations are pretty few they're actually pretty inconsistent on which one goes where. It's just one of those things you kinda have to already know. You can check the introduction to Seraphic post to see what forms the plurals can take, but otherwise it's basically, like, memorization. The procedurals on the other hand DO have a predictable pattern of pronunciation, but each tense has a different form based on what class and declension the noun is in, and with six tenses and seven classes each with at least three different declension forms, it's definitely something I can't summarize here. Again I HAVE to make a separate post for that because the declension forms are vital to knowing how to decline properly in Seraphic.

Preposition Glyphs

This section will probably be the easiest to explain really. The preposition glyphs are pretty easy to recognize. They're written in between words, attaching to both of them instead of floating freely like regular words are. There are 19 glyphs for the 19 prepositions, and they don't really change form. Sometimes, if occurring at the beginning of a sentence, they'll have one end sorta lopped off, but not everyone follows through with this convention. Here are the glyphs listed below:

Two or more prepositions can't occur sequentially, it's a very one-at-a-time situation, although in colloquial speech you'll see two prepositions being used in certain instances.

Tone Diacritics

Seraphic is a tonal language, and luckily it has diacritics to indicate the tones. They frame the words on each size, being used on both nouns and adjectives where applicable. You'll usually see them in formal contexts like government documents and letters of address, on signs and boards and menus and any kind of display especially in highly populated areas, in use by those whom are just learning Seraphic and don't have a hang on remembering all of the tones yet, and just in any context where clarity of literacy would be important. In everyday colloquial text conversations and things the tone diacritics will be usually dropped as context is sufficient enough to know, although tone diacritics may be reintroduced to differentiate homonyms that are distinguished only in tone (e.g. lxal "power" vs. łxāl "day"). There are eight individually recognized tone diacritics:

The low tone is the base tone and is usually left unmarked, so there's no sign for just the low tone. When a low tone transitions to a rising or falling though, the low transition diacritic will be used to connect the two. Many of these diacritics are usually connected consecutively when a word requires it, flowing as if they're one larger tone diacritic. This can give a whole host of unique tone symbols, but for the most part, all of the tone symbols can be broken down officially into the 8 diacritics. There isn't a 1-1 correspondence between individual tone diacritics and syllables within a word, usually you can know from context and just knowing how the word is pronounced. For example, the word łxāl would be written with one high tone marker even though the word is two syllables, but it's meant to infer that the entire word is pronounced with an even high tone. Here are some additional examples:

The top example is the word jalzègxa "chronicle". You can see that it uses the two low tone transitions to connect to the central falling tone, representing a low-falling-low relationship. The word below that is māzefādnu "hourglass". It employs a high-low-high, and then a high-low, with the last high-low meant to merge with the high-low-high. So truthfully it's meant to be interpreted as high-low-high-low. There's a lot of possibilities, but breaking it down will simplify what tones are being used specifically.

Numerals and Punctuation

This final section will discuss Seraphic numerals and punctuation. Now, unlike in most human languages which uses base-10, having 10 unique symbols to represent the values of 0-9, Seraphic uses base-16 and represents the values 1-16 with 16 individual symbols. In base 16, we would write 16 as 10, standing for one set of 16 and zero sets of 1. It's written in positional notation like arabic numerals, where each position represents a power of 16 (instead of a power of ten like in base-10). Here are the numerals:

If you were to write a number like 299,792,458; you'd convert it into base-16 which would be 11,DE7,84A; and since Seraphic numerals are grouped in 4 instead of 3 it would actually be 11DE,784A. This is how you'd write that:

Both Arabic numerals and Seraphic numerals describe the same amount of things, they just group things differently. We group in sets of 10, they group in sets of 16.

As for punctuation, there are only 5 marks that's in standard use, and these are them:

Single bar - separates individual sentences.

Single dot - separates clauses for clarity, separates numerals into groups of four.

Double dot - separates individual words such as in lists or replaces a single dot when separating clause groups.

Triple dot - Distinguishes quotes and dialogue, as well as highlighting names, terms, and titles.

Double bar - used to end full paragraphs/passages instead of a single bar.

Overall, that's pretty much everything I can detail about how the Seraphic writing system works! It's complicated but it was very fun to develop and boy was it satisfying to get it to work. Hopefully you'll now be able to decode a little better Seraphic writing, and maybe even write something of your own!

ŋKowīci cu-stux 'ōf tsa-levp'ā cu-zāsláf pi-lizt'n ğōdjasa! (Thank you all so much for reading!)

#conscript #constructed script #neography #conlang #constructed language #artlang #writing system #orthography #seraphic #collective seraphic #whoa boy this one is even longer #had to do a lot of writing and doodles for this #of course i needed them so itd all make sense #i needed to provide examples #either way i hope this made any sort of sense #ill provide the declension forms soon enough and that should be relatively shorter #idk if it'll be easier to explain though #eh whatever

[zerodaryls]

it's so funny (read: sad) that if bigoted fuckheads didn't insist i was a woman simply by virtue of my body at birth, i'd probably be chill with she/her pronouns in addition to he/they. if my mom didn't insist i was her daughter, i'd probably let her call me that, and we could still have a relationship.

i'm nonbinary and 'gendered' words are hypothetically meaningless, but because there are so many people who are more interested in telling me who i am rather than lovingly and curiously letting me express my own sense of self, those words carry trauma.

there's no reason a nonbinary person like myself can't be a son and a child and a daughter. there's no reason a nonbinary person like me can't go by he, they, and she.

'she' is not a slur. 'daughter' is not derogatory. 'beautiful' 'pretty' 'gorgeous' 'feminine' are not insults.

to the contrary, they're parts of language that express certain facets of a multi-faceted human existence, like mine.

and i have this sad, mournful feeling that if it weren't for unloving, condescending people, i'd probably be down to be called any of those things alongside my usual masculine/neutral terminology.

but i'd rather die than let anyone tell me what i have to be called.

#i try to reclaim 'feminine' words for myself in private #calling myself 'babygirl' when i need to chill out. or saying i feel pretty. or going 'she needs help' when i'm struggling lmao. #but there's still so much fucking trauma in those words from the people who've forced them on me #who've snarled in my face that GOD made me ONE THING and ONE THING ONLY and that's a WOMAN (stepdad) #who've guilted me for taking their precious perfect daughter away as if i'm fucking dead (mother) #who've mocked me and everyone like me as if we're not the experts on our own sense of self (general transphobic public) #like. i'm not a fucking man. i'm not a fucking woman. i'm nonbinary. gender is absurdity as a concept. i'm done with it. #but being called a man or a son or a guy or 'he' or WHATEVER in that vein is fine and dandy because i've never had anyone say #'that is all you can EVER be'. or worse: 'that is what GOD made you to be and you have a ROLE to fill' #(christianity pls die approximately yesterday thanku ��) #so yeah. idk. ranting yet again about Cis Audacity. #the complete lack of empathy. the lack of curiosity even. #the condescending bullshit. the 'i understand you better than you do'. the fucking AUDACITY. #i am the expert on myself. i am the ONLY expert on myself. period. no contest. not a debate. #i understand myself better than anyone else is CAPABLE of understanding me. #i could call myself 'she' and understand that i meant it in a nonbinary way. #in fact i could even see myself letting other trans people call me feminine terms at some point in the future. when i've healed more. #but cis people? probably not. they can call me 'he' or 'they' or they can fuck off & never get to know me because they don't wanna know ME #/end rant #any terfs/bigots that try to touch this post will be swiftly blocked and quite possibly cursed. have the day you deserve <3

[kabukeo]

tonight's little doodles

#doodle #lcb #meursault lcb #meurgreg #im trying to be less self conscious about making meurgreg or any ship art really #twt has exposed me to everyone having an opinion on every ship ever #which has made me back away from making too much art of any one ship #i know meurgreg is one of the most popular ships but because of that i also feel an odd sense of guilt #i cant explain it like i should use my art to contribute to a rare pair or smth idk #its all a bit weird and irrational #but ive realized i have not been able to make art for myself for months #every idea i have and everything i go forward to draw im always thinking about how others will feel about it #and how i can make it better fit or adequate for an audience so i dont let them down or bore them #and that mindset has made art so much of a chore that ive significantly slowed down so much on art at all #so idk #trying to stop overthinking and just draw what i feel to the extent that i feel #escape the perfectionism and wanting to please everyone as much as possible #to elaborate on the weird meurgreg feeling i guess its like #i feel guilty for filling tags even more with an already popular ship & making mutuals who dont like meurgreg see it more #but its just not that deep #people can mute meurgreg and thats just not my problem anyway #sry ab these tags!

[autistic-katara]

there r fics that make u insane (so amazingly good it’s removed ur sanity) and then there’s fics that make u insane (you need to fistfight the author for how they did a specific thing that caused u to rant for hours)

#i know i just posted that other thing but ffs that is NOT how u handle someone in that situation everyone involved made everything 10x worse #yet it’s being treated like the right thing to do (which again ofc they’re cops they don’t understand harm reduction but still) like #seriously everything’s so forceful like u seriously think forcing ur friend to talk to u or forcing a patient to talk to a therapist under #the threat of being admitted to a psychiatric hospital is gonna make her feel comfortable talking to u? or anyone? she’s just gonna trust u #less and get better at hiding it and speaking of which the taking away all sharp objects thing makes sense in theory but like think abt it #for a minute she confirmed she isn’t suicidal and this is her only way of coping so do not just forcibly take away all her coping mechanism #like yes she is hurting herself but it’s a COPING MECHANISM. she’s coping with something. help her with that don’t just take away her penci #sharpers or whatever (which btw since she’s an adult she could easily buy more stuff and yk learn to hide it better) which again has to be #voluntary it isn’t gonna work if u force someone to do smthn they don’t want to like as ur friend u could’ve made it clear u care abt her #and wouldn’t judge her for anything and r here if she wants to talk don’t just say “you have to talk to me” and casually threaten #hospitalisation when she isn’t ready in the moment like seriously if this wasn’t a badly written fanfic she would completely stop trusting #bcz given that this wasn’t even done out of panic i would like ffs u are NOT doing any of this right #oops sorry ranted abt the bad fic in my tags- #it’s not where the author’ll see it and know it’s about them i don’t feel bad abt it #this was my first time even looking at stuff for this fandom so #cw self harm in tags #idk if i need to tag anything else for that 😭 #fanfic #ao3 #ryan shut the fuck up

[vvanessaives]

i feel like it needs to be said that one of the reasons why lae'zel isn't well liked by fandom isn't only bc she's a woman and whatever dumb reason they are pulling but because she's also a woman that doesn't fit in the standard of beauty we impose on women. we all know people strive harder to find reasons to dislike women rather than like them but it gets even more harder when that woman doesn't fit a specific beauty standards bc people are more prone to "forgive" a woman they want to fuck than one that they don't find attractive because women's worth is still disgustingly based on how hot she is

#rena.txt #this isn't even a talk on how lae'zel is or isn't beautiful (which 2 me she is..i love her..) bc it would fall into the same scheme of #hot=likable i'm trying to criticize here but it doesn't take a genius to see how she's different from a more 'conventional' look like #shadowheart for example. like idk if i made any sense in this rant but beside the already stupid reasons like she's mean or whatever u can't #make me believe that part of the reason ppl don't like her is bc of how she looks. a woman is never accepted if it's not a saint and the #next top model or whatever tf. sick of it all!!!!!

[hwanswerland]

seongsang @ idol radio for @woosansang  our boys aggressively saying some more sweet things to each other

#yeosang #seonghwa #ateez #ateezedit #atzsource #fio.gifs #the world ep 1 #tuserjazzy #when you made me your set i had to think of this immediately #but no time to make it #so a bit later than i intended to #beloveds continuing to be dorks <33 #anyway i know how you're stressed and all atm #so pls hopefully like this as a momentary distraction of like 2 mins from work or smth idk <33 #just like rb this whenever youve decided to me active on here again like no pressure #lol idek when you'll see this but when i post this it makes sense to wish you a relaxing sunday at least <33 #now to the me being me part of any given set that involves hwa #i would apologise for the length of this but im not even sorry #i would also try to like. stay focused here but #1) i cant and 2) you dont mind me going insane #even though this isnt even close to the point of this so i do feel kinda like i have a stupid lizard brain or smth #but like #this hwa omg #i had so many thoughts about him when i made this bruh #at least i could focus on yeo for the colouring because man #i would like to alternatively title this as 'how to be ys' #i know i say these things often but i like REALLY mean it this time #even though i'd have the same reaction as him lol cringe and laugh is such a mood #but still #BAJSDGAJZDHGHIUSDHAISDHS maybe its the hormones or smth

[savemygrades]

Less than a week till my formatives and I've never felt so unprepared. It's basically 3 semesters worth of content :/ I don't want to completely flop this cause then I'll be pulled into a meeting and like I dont wanna be sat there explaining why exactly I flopped so hard .

#pray for me #in times of academic stress i return to tumblr #hoping studyblr will kick me into actually studying #im at the point where i feel so hopeless that i dont even want to study cause i feel like im beyond hope #buuut like i know thats dumb #i mean yeah chances of me lassing the foramtives are pretty slim rn #buuuut #if i do study i can possibly lessen rhe amount i fail by #idk if that made any sense #im kinda losing it if you couldnt already tell #med #medblr #studyblr #exams #student #uni #college #med school #med student #stressed

[nouearth]

Hi! I don't mean to be rude but how come you do not write for female readers? I feel like alot of Tumblr blogs that focus on female writers do their best to write for males or gender neutral as well so I don't understand why you can't write for females too?

hello!

you're not being rude, but i feel like this type of question is asked for every male reader centric blog, so it feels extremely redundant at this point, tbh.

i started this account specifically for m!readers because i simply wanted to imagine myself in the stories.

while f!reader blogs do their best to include us in the form of the gn!reader tag; there's been way too many times where the reader has been called "baby girl," "princess," and other pet names. it works for some people, but for me personally, it takes me out of the story, especially in a smut fic (but i will always appreciate the writers who warn me ahead!).

and while we're on the topic of smut, i feel like we're always being written in that genre and nothing else? maybe i'm bad at searching, and don't get me wrong, i love smut as much as the next person, but in my personal observation, we're boxed into a certain genre by non m!reader blogs. we can have some fluff and angst too, guys!

so that's another reason to making this blog: to diversify the content of stories m!readers are being written in.

and currently, a big issue of mine is seeing a bunch of f!writers tagging their fics with m!reader tags to get more publicity, making it even more difficult to find stories for us.

there is an abundance of stories written for f!readers, blogs dedicated to them, especially for the fandoms i write for, and there will never be a shortage of them. it really isn't that difficult to find a fic dedicated to you all.

if you're annoyed with the amount of male readers popping up now, filter the tags out. i never tried it, but it should be a relatively easy feature to use.

#ask #male reader #female reader #oof #it just makes me annoyed #idk if i even made any sense #but it's just so tiring to see these type of asks pop up in a lot of male reader blogs #if you really have a problem with it #you could always create your own blog?? #write your own stories??? #request the 130219092309 blogs for f!readers #like yall even got tumblr blogs dedicated to reblogging fics for f!readers FOR SPECIFIC FANDOMS #yall got it good!!!!