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#ice skating revue
the-golden-purple-box · 4 months
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jhsharman · 1 year
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Bikinis on Ice
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Those become really wide stair cases. The price of removing credits. Perspective gets tossed.
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I guess it is Veronica who is wearing yellow under-things, as everyone clamors for the camera in otherwise identical scant uniforms. Colorist flub, I guess.
I understand the show has them in skates, but in the preview for the boys -- Why are they wearing high heels?
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newyorkthegoldenage · 3 months
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The Hollywood Ice Revue at Madison Square Garden, 1948.
Photo: Gjon Mili via Life magazine Instagram
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tweedee · 1 year
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i can’t be your equal
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editrevue · 6 months
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Do that ask thing for Akira or Rui .
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and with this, I finally got all of those ask games out of our inbox!! [ask] i know this has been sitting here for over a month maybe two now how embarrassing but yes yes yes omg thank you for sending this when you did i've been so excited to get to it, i love you sooo much I hope you enjoy my totally not biased ramblings and opinions <3 I did both btw, Rui is under the cut!
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Sexuality Headcanon: Akira is either bisexual or just unlabeled sapphic to me, with an obvious femme-aligned preference because everyone in revue starlight does but I think lesbian for Akira is just too easy. she simply does not care since her standards are pretty solid and she's not super focused on romantic endeavors outside of roles. she can be a little aromantic spectrum as a treat, too!
Gender Headcanon: gosh i hate this question because it is like one of the things about akira i can never settle on in my mind. is she cisgender. is she gnc. is she transgender. is she masculine. is she feminine. is she both. neither. all. she's akira yukishiro. frau platin, king of the siegfeld institute of music. that's it
A ship I have with said character: I think the biggest one is definitely Akira and Michiru for me, but I have gained much appreciation for Akira and Hisame over the months as well................ i see the vision.
A BROTP I have with said character: Akira and any/all of the Edels, definitely! But that's a given, naturally. especially Shiori or Mei Fan, if we're not counting Michiru for shipping purposes. UM OH. Akira and Fumi!!!!! they're divorced (nudge nudge. your favorite) and they're both so goofy and gosh I love their dynamic so much. when they reconciled . oh my goddd. Akira and Seiran as a whole too, all three of them, but Koharu the most. again . if we're not counting Hisame for shipping purposes, but also in general I think the two of them [Koharu] can bond over so much, like Akira and Maya can, or how Maya and Koharu can. speaking of Maya, Akira and Maya!!! the ones from seisho I see the most bonding with Akira actually would be Maya, Karen and Junna. Junna because of the funny new york stuff in stage plays specifically but even then. ALSO ARURU. BECAUSE I THINK IT'S SWEET AND SILLY.
A NOTP I have with said character: UHHH as always anything not appropriate. juniors, etc. I don't really vibe with Akira and Yachiyo? as anything romantic. I don't think I really hate anything, most things I'm just indifferent towards. if anything, I mean I never understood Akira and Aruru romantically too much either, but I also think in a lot of ways it can be super cute? so idk! Akira and Shizuha maybe. shrug! I'll get back to you on that some other day
A random headcanon: Sun suggested one and I like it so I'll say it first, because Akira ice skates she'd probably be decent if not really good at roller skating, or alternatively she's really flat-out really bad at it for some reason. another one, because she loves horror media, she's really straight-faced watching horror movies and playing roles for plays that are meant to be scary or intimidating, and it makes people really nervous or freaks them out. she's really good at scaring, despite her secretly goofier nature. I'll throw in one more while I'm here, she's really good at flirting and making romantic gestures, but she rarely displays this behavior and it's a side of Akira virtually no one gets to see outside of roles, even future romantic partners.
General Opinion over said character: literally only good things!!! i said this in the rui part of this ask but i have so many comforts and favorites from the source i can't just choose my #1 favorite but akira is definitely up there in the characters of all time category. she has so many layers and i want to study each individual part under a microscope. she's so interesting. she's so silly and awkward. she's so serious and intimidating. she's so secretive. she's so heart on her sleeve. i love her puppy dog expressions in her live2d sprites i love every role she plays i love her singing voice. akira is just so cool!!! i know as mei fan and shiori i looked up to her a lot, i don't want this to be a mile long but she is just so everything, truly
RUI AKIKAZE
Sexuality Headcanon: canonical lesbian. sapphic. girl kisser. well, okay. the only technical 'canon lesbian' is mahiru tsuyuzaki according to the wikis but in my heart of hearts lesbian rui is canon. have you seen her crush on tamao. have you. you should. everyone has. even yuyuko calls it a crush i'm telling you bestie the walls are glass and it's the most wonderfulest thing in the world to me. peace and love on earth
Gender Headcanon: rui akikaze transgender girl icon.
A ship I have with said character: TAMAO AND RUI. FOREVER AND EVER. but also Rui and Yuyuko when it's Fumi and Tamao, I've seen Rui and Shiori and while I don't actively ship it myself because I have others with Shiori that are important to me, I find it to be extremely adorable and 100% can get behind this. love is love
A BROTP I have with said character: anyone from rinmeikan, and mostly yuyuko! I also super love love love the friendship she has with Shiori it makes me so stupidly happy, and all of her interactions with others in her bond stories too! I said this in the Mei Fan one ages ago but 100% I think Rui and Mei Fan would have lots to discuss and relate on, ie: their genderisms, their fighting abilities in acting and how they both reflect/differ, plus their intense admiration for their senpais and partners, etc! and of course, it goes without saying but definitely her relationships with the Chasing Sirius squad, that being Tamao/Kaoruko/Futaba, and especially Kaoruko and Futaba if we count Tamao as something romantic. we love you rui my friend rui
A NOTP I have with said character: same as always, nothing weird nothing gross. there are a lot of characters I don't see working out with Rui like Maya, Claudine, Akira, most of frontier and seiran, etc, but they're not like worth mentioning here. mostly Kaoruko/Futaba if anything, and Fumi too of course. these are all just personal though!
A random headcanon: she's the gentlest giant in the whole wide world but she unintentionally scares everyone in the dorms because she will silently just stand in the hallways or doorways especially because she's too nervous to speak up and get someone's attention until it's too late and they see her or her shadow and freak out. also also she helps tamao with the garden and is always accidentally crushing the flowers or is too gentle and doesn't pack enough dirt around them. tamao of course thinks it's sweet and is never upset but will fix them when rui isn't looking after praising her for a job well done anyway, rui will even tend to the garden when tamao can't and it's usually then that she doesn't 'mess up' -- likely because tamao. isn't there
General Opinion over said character: WAWHAWHAHWHAGHAHGHHGHGHJFGG. ONE OF MY FAVORIEST EVERS. I love everyone in revstar soooo so so so much everyone is a comfort character but if you held me at gunpoint to give you my top 3 characters I would probably have to say Yachiyo, Rui, and uhhhh uhhhh uhhhh um. um. never mind this is way too difficult . but uhhh!!! Rui Rui Rui I love Rui Akikaze so so much, I am so very endlessly proud of her and every development she's had since the beginning of starira's story especially arcana onwards. she's done so much for herself and for those around her, she's really grown into such a beautiful person. I hope she's proud of herself too, and loved herself each and every day
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zurich-snows · 3 years
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1958 Vienna Ice Revue Moscow Tour Figure Skating Russian Photo postcard
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dwellordream · 3 years
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“...Cautious young women came from all classes and backgrounds; so did those who proved most daring, experimenting, or free-spirited. Because young women of all classes had limited spending money, their most popular forms of public entertainment consisted of a variety of free, outdoor activities. For young women who lived in towns and cities, walking up and down shopping streets, looking at the window displays, evaluating the goods, discussing prices and styles, and occasionally making minor purchases while keeping an eye on other strolling shoppers provided a particularly popular form of entertainment. 
In many towns, local choirs, musical ensembles, and military bands gave free Sunday afternoon concerts in public squares and parks, attracting especially young men and women, but also many working-class and lower-middle-class families whose budgets did not afford them other, more expensive forms of leisure activities. Without provisions for seating, these concerts provided ample opportunity to parade one's Sunday best, mingle, meet old friends and new acquaintances, chat, and exchange flirtatious glances. 
Similarly, ice skating, another conventional pastime that attracted both young people and their parents, remained firmly within the boundaries of respectable behavior. Despite mixed-gender audiences, the participation of older adults in such activities contributed to their respectability, and even the most old-fashioned parents rarely objected to such outings. After all, shopping had long been a central component of middle-class women's leisure, and ice skating and military music hardly incited raucous behavior. 
Equally popular among young women were new forms of commercial leisure activities that catered particularly, if not exclusively, to a cross class and mixed-gender clientele of adolescents and young adults. Movie theaters, for instance, attracted swarms of working-class and middle-class youths. Although many older contemporaries remained uncomfortable with the inappropriate mingling across gender and class lines and with the cheap thrills and seemingly loose moral standards of Hollywood films, young moviegoers found that the darkened auditorium offered hours of exciting, inexpensive, and easily accessible entertainment as well as a convenient place for meeting with friends and possibly engaging in courtship.
Enclosed swimming areas and public beaches also became increasingly important sites for fun, relaxation, and mixed-gender sociability in the 1910s and 1920s. While the immodesty and physical intimacy of "undressed, scantily dressed, and fully clothed people mixed together in one big confusion" often shocked traditional sensibilities, warm summer Sundays nonetheless brought such large crowds of young men and women to public beaches that popular wit soon dubbed them "flypapers." 
Other popular arenas for spending leisure time included cafes and restaurants. Because of their limited resources, young women typically sought out places that served coffee and dessert rather than full meals. Yet because they were generally inclined to spend more time than money in such places, young women were often made to feel unwelcome. "If you knew the waiter, he would sometimes let you sit over the same cup of coffee all night long," Inger-Marie Rasmussen recalled, "but most often that was not possible. When a haughty waiter came by and asked if 'there was anything else?' for the second or third time, you knew it was time to go."
Besides, the presence of men who might be willing to pay the bill in exchange for female companionship made such places more precarious arenas for young women concerned about their sexual reputations. While straining limited budgets, an afternoon or evening in an amusement park was often easier to negotiate. Having paid a small entrance fee, visitors were free to stroll around, look at the various booths and rides, and enjoy free musical and theater performances, occasional fireworks, and other attractions without additional expenses. 
Although some amusement parks were scorned by middle-class families because of their rowdy working-class clientele, others—such as the Tivoli Gardens in Copenhagen—were entirely respectable sites of entertainment for families as well as young, single people. Various forms of theatrical entertainment also appealed to young women. In community halls and neighborhood theaters, they enjoyed cheap slapstick comedies and amateur performances starring local talent and would-be actors. 
In addition, hotels and restaurants frequently sought to lure customers into their businesses by offering some kind of stage performance as the opening act to an evening of dancing. The most popular form of theatrical entertainment was presented by the revue and vaudeville theaters that flourished in the 1910s and 1920s. Featuring evening programs of comical sketches, singing, and dancing, replete with chorus girls, lavish costumes, and elaborate stage settings, vaudeville shows attracted both young men and women looking for a good time, an easy laugh, and a spectacle of glamour and luxury. 
Yet young women's participation was generally more limited than men's. Often the price of admission precluded them from attending, and sometimes the sexually suggestive character of songs and acts made them feel uncomfortable. Nonetheless, most young women managed to stay remarkably well-informed about the glamorous costumes, the musical hits, and new dance steps they generated. However, given the opportunity to choose freely among all available forms of fun and entertainment, most young women would probably not have opted for any of the amusements just mentioned. In the vast majority of cases, dancing topped their list of attractive recreational pursuits. 
When, for example, the popular women's magazine Vore Darner in 1925 queried its readers about their favorite leisure activities, fully 72 percent of the respondents listed dancing as their first choice. Similarly, of the fifty-nine women interviewed for this project, at least fifty-four mentioned dancing as the favorite leisure activity of their youth. It is hardly surprising, then, that the rapidly expanding numbers of restaurants, cafes, hotels, inns, night clubs, and other establishments that offered dancing attracted vast numbers of young women. Nevertheless, public dance places remained highly controversial public settings for young women throughout the 1910s and 1920s. 
Like other forms of entertainment that did not encourage community-based, intergenerational sociability, these settings were viewed with suspicion by older generations. The fact that crowded dance floors and lively music facilitated, even encouraged, easy and spontaneous physical intimacy between young men and women only heightened this suspicion. As a result, public dance places constituted an exciting, but also an especially dangerous and difficult terrain for modern young women eager to have fun without jeopardizing their reputations. 
The tension between excitement and respectability was not unique to public dance places. The mixed-gender clientele and unsupervised mingling of city streets, skating rinks, public beaches, movie theaters, amusement parks, and variety shows could also throw into question the respectability of female participants. Therefore, public dance places merely represented the end point on a spectrum of controversial arenas for female leisure activities, simply heightening the conflicts young women experienced individually and in groups whenever they entered public space. 
Although the companionship of female friends provided some measure of protection against potential dangers and missteps, it did not provide them with an inviolable safeguard. Even if young women trusted and depended on each other, there was always the nagging doubt that judgment calls of female friends might be wrong. As Meta Hansen poignantly remarked, "Having a girlfriend meant that you wouldn't get into trouble by yourself. It didn't mean you wouldn't get into trouble." Without female companionship, the likelihood of getting into trouble was simply too great for most young women to risk venturing out, but even the presence of female friends did not ensure safety. 
To avoid making mistakes and more permanently minimize the risk of getting into trouble, young women therefore eagerly sought to determine what constituted appropriate and inappropriate behavior and activities. Throughout the 1910s and 1920s, they continually struggled to define the difference between the two, hoping to establish a set of rules that would ensure protection from moral reproach without sacrificing newfound possibilities for fun and excitement. Determining what constituted acceptable public behavior and activities was complicated by the fact that only a few public places and activities were entirely off limits for respectable woman. 
Therefore, simply determining the respectable from the disreputable—and placing oneself on the right side of that line—was not an easy task. Going alone to a restaurant in the afternoon might be perfectly acceptable, for example, but enjoying a cup of coffee in the very same location at ten o'clock at night would be considered highly inappropriate. Waltzing with a young man on the skating rink was one thing; tangoing with him in a night club quite another. Similarly, if watching the latest movie release in a local theater or enjoying oneself in an amusement park in the company of girlfriends provoked only few raised eyebrows, going there alone or in the company of a man to whom one was not officially engaged was likely to generate both gossip and criticism. 
"It wasn't so much what you did," Gerda Nybrandt declared when asked to explain what constituted proper behavior in her youth in Aarhus in the 1920s. "It was whom you did it with, and where you did it, and when you did it." Offering an almost identical explanation, Anna Eriksen remarked that "as long as it was daytime, people seemed to think that nothing immoral could take place. Doing the exact same thing when it was dark—now that was a different matter." Agnete Andersen recalled the code of conduct to which she adhered in a very similar way. "Well, how should I explain it?" she mused. "It was just like—you couldn't do this, but you could do that. It all depended on circumstances, whom you were out with, where you were and so on."
While in retrospect these three women maintained that "you just sort of knew" the boundary between acceptable and inappropriate public behavior, other evidence suggests that many young women at the time found determining that line an exceedingly difficult task. The fact that reliable sources of guidance were hard to come by only compounded the problem. Certainly, given their already contentious relationship, most young women did not turn to their parents for advice, and those daughters who did seek their guidance often found the older generation as confused and uncertain as they were themselves. 
Since the vast majority of young women were already out of school, advice from teachers was rarely an option available to them, and adult leaders of youth clubs, concerned about their standing with parents, were generally cautious and restrictive in their counsel. Writers, intellectuals, and newspaper editors steeped in older traditions of female domesticity also seemed unqualified to guide their path. And especially in urban areas, where organized religion already had lost much of its grip on young people, the prospect of going to a minister for advice never seemed to enter their minds. 
In this void, young women tended instead to look to self-proclaimed etiquette experts and advice columnists for suggestions on how to negotiate public behavior and city life. The sheer quantity of letters to women's magazines and advice columns about proper behavior speaks both to the uncertainty women felt and to the significance they attributed to knowing the limits of their new freedoms. In letter after letter, young women consulted these self-proclaimed experts both about the appropriate nature of planned events and about the specific restrictions they ought to place on their escapades. 
Could a young woman go out alone at night, they wondered? If so, could she casually stroll city streets without being taken for a street walker? Could she smoke cigarettes in public? Could she wear makeup? What about high heels? Could she go to a movie theater? If so, how late? And how frequently? What about an amusement park? A restaurant? What if the restaurant featured live music and dancing? Could she go out alone if she returned home before a certain time? If so, at what time ought she be safely indoors? In response, editors of women's magazines and advice columnists generally offered very specific guidance, usually in the form of strict, inflexible directives.
"No, a young lady may not go to a restaurant alone at night," one columnist warned. "A nice girl should always be home by 11 P.M.," another enjoined her female readers. And no, a respectable young woman could "absolutely not under any circumstances" wear makeup in public—aside from "lipstick and perhaps a touch of rouge." Often, however, the logic that guided advice columnists' directives seemed incoherent, even arbitrary, and frequently their answers seemed to lack a systematic pattern. When, for instance, one advice columnist maintained that "it is perfectly acceptable for two young girls to go for an evening walk, but a group of girls strolling the streets after dark is an unfortunate phenomenon," she might very well have added to the confusion and uncertainty her readers already felt.
Moreover, while generally encouraging women to avoid being alone in public and being out too late, the advice columnists frequently differed among themselves in their assessment of what constituted proper behavior. When asked almost identical questions in 1928, Sondags B.T. declared that a young woman could absolutely not go to the theater alone, while Ugebladet found it perfectly admissible "as long as [she] makes sure to sit in the front of the theater and leaves immediately after the show." 
Such disparate pieces of advice in publications that did not otherwise represent different political and cultural perspectives underscore how confusing and unsettled the standards for women's public behavior remained throughout most of the 1920s and how difficult it was for young women to find the kind of guidance they were seeking. Paradoxically, the only rule constantly reiterated was the one young women already knew and worried about—namely, that there was a boundary between respectable and disreputable behavior and that stepping over that boundary would have consequences that even young women who insisted on being "modern" and leading "modern" lives were not willing to risk.”
- Birgitte Soland, “Good Girls and Bad Girls.” from Becoming Modern: Young Women and the Reconstruction of Womanhood in the 1920s
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starlightinkwell · 3 years
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From website: Pittsburgh Music History.
Pittsburgh Dance Instructor becomes Oscar wining star of  
"An American in Paris"
and "Singin' In the Rain"
Gene Kelly was the leading star in the classic Hollywood movie musicals from the mid 1940s through the late 1950s.  Multi-talented he was a singer, dancer, choreographer actor, film director and producer.  Audiences love his delightful singing, his athletic dancing, his charming good looks, and his likeable characters.  He is credited for reviving movie musicals and redefining dance in films.  Kelly was honored with lifetime achievement awards from the Academy Awards, the Kennedy Center Honors, the Screen Actions Guild, and the American Film Institute. The American Film institute ranks him 15th on their list of “Greatest Male Stars of All Time”.  His most memorable performances include starring roles in Singin’ in the Rain, An American in Paris, On the Town, and Anchors Aweigh.  Gene was the star and choreographer of the film ‘An American in Paris” which won 8 Oscar awards including best picture and a special Oscar for Gene recognizing his contributions to screen choreography.  Singin’ in the Rain, called "a movie masterpiece" by Vincent Canby of the New York Times, has been voted the most popular movie musical of all time.  
Growing Up in Highland Park
Born Eugene Curran Kelly in Pittsburgh on August 23,  1912, Gene Kelly grew up in on Mellon Street in Highland Park. He attended St. Raphael’s elementary school and was an altar boy at the church.  His Canadian born father James Patrick Joseph Kelly was as sports lover and a sales executive for the Thomas Edison's Columbia Phonograph Company.  Every winter James, who loved hockey, flooded the backyard to make an ice hockey rink for the family. Gene learned to skate at age 5.
Gene's mother Harriet, who as a hobby performed in local stock productions, made all five of her children take music and dance lessons.  She enrolled the eight year old Gene in dance classes at Blinsky’s School of the Dance on 6th and Penn in downtown Pittsburgh. The Kelly kids Jay, Jim, Gene, Louise, and Fred began performing dance routines around 1921 as "The Five Kellys" at amateur vaudeville nights and charity events.
After getting in fist fights with neighborhood kids who called him a sissy, Gene quit dancing.  He preferred sports. He played on a men's amateur hockey team age at 14 and dreamed of playing for the Pittsburgh Pirates.
The Kelly's moved from Highland Park to 7514 Kensington Street in the Point Breeze neighborhood near Frick Park in 1924. Gene attended his first year of high school at the Sacred Heart School.
At age 15 Gene thought dancing would be a good way to meet girls, so he began dancing again. He took dance lessons while also playing on his high school football, baseball and hockey teams.  He also participated in gymnastics.  
Graduating from Peabody High School in 1929 he enrolled at Penn State to study journalism.  With the 1930 stock market crash hurting the Kelly family’s finances, Gene left Penn State planning to cut costs by living at home while studying at the University of Pittsburgh.  He dug ditches, pumped gas, worked as a soda fountain jerk and carpenter's helper, and danced to earn tuition money. Gene and his younger brother Fred devised dance routines and found work dancing in local nightclubs as the “Kelly Brothers”.
Gene Kelly Studio of Dance
Gene’s mother took a job as a receptionist at Boulton's dance school in Pittsburgh’s Squirrel Hill neighborhood. When the owner Lou Boulton skipped town leaving behind a pile of unpaid bills, Harriet took over the dance school.  She paid the bills and renamed it the "Kelly School of Dance".  Gene at age 19 and his brother Fred became dance instructors.  Gene worked as a dance instructor while he attended studies at Pitt.  He taught tap, toe and ballet.  To learn routines Gene went to night clubs, movie musicals and vaudeville shows. He'd teach them the next day in his classes. With Gene’s growing reputation as a teacher the studio was renamed The "Gene Kelly Studio" of the Dance in 1932.  The Kelly’s opened a second dance school on the main street of Johnstown, Pennsylvania in 1933.  Gene taught at the Johnstown school on weekends.  He continued to teach dance for six years.
The dance school was a great success, but Gene was not content being a teacher.  He want to be a choreography and director.  Gene wanted to combine the styles of ballet and tap-dance into a new American dance for.  To learn ballet he took classes from ballet masters in Chicago and New York during the summers.  Gene attened classes at Chicago Association of Dancing Masters.  Seeing his talent the school asked him to a few classes.  Gene also read every book that he could find on ballet in English and French.  He practiced constantly.  Putting his skills into practice Gene danced in an choreographed musicals while attending at the University of Pittsburgh.
Pitt's Cap and Gown Musical Reviews
Gene enrolled at the University of Pittsburgh in 1931 studying economics.  At Pitt he joined the Cap and Gown Club, which staged four times a year at the Stephen Foster Memorial Theater along with an an annual event at the Nixon Theater.  Gene performed in the original musical comedy productions written by members of the Cap and Gown Club.  Completing a Bachelor of Arts in Economics in 1933, Gene then enrolled in the University of Pittsburgh’s Law School.   After two months of study groups and torts Gene decided that he wanted to be an entertainer and dance teacher.  He dropped out of school to pursue his entertainment career full-time teaching at the dance studio and doing performances.  Gene remained a member of Pitt’s Cap and Gown Club serving as its serving as its dance director from 1934 to 1938.  He was the assistant director of their 1936 Nixon Theater show "Out for the Count".  Gene first created his rolling skating dance routine in the Cap and Gown's production of "Tt's Always Fair Weather".  Gene directed the club's 1937 production of "Trailer Ho" at the Nixon and then took the show on the road for performances in Johnstown, Bradford and Erie. In 1938 Gene Kelly choreographed and directed the Cap and Gown show "Pickets Please" at the Nixon.  
In addition to his work with the Cap and Gown Club did choreography for vaudeville and other organizations. Vaudeville acts that passed through Pittsburgh during the 1930’s hired Gene to create dance routines. In 1931 the Rodef Shalom Synagogue hired Kelly to teach dance and stage the annual Kermess show. He kept that position for seven years. Gene continued to perform with his brother. The Kelly Brothers performed in a theater for children at the Chicago World's Fair in 1934.
Broadway Stardom
In 1937 at the age of 27 Gene moved to New York City to become a choreographer. Unable to find work on Broadway, he returned to Pittsburgh to be the choreographer of the musical revue “Hold Your Hats” at the Pittsburgh Playhouse in the spring 1938. He also danced in the production.  At the Playhouse, Gene was seen by Broadway choreographed Robert Alton.  Alton brought Gene to Broadway making him a star.
On August 5, 1938 just before his 26th birthday, Gene packed one small suitcase and returned to New York for his first role.  Alton hired Gene for a Cole Porter musical giving him his first dancing role on Broadway in November of 1938 as a chorus boy in "Leave It to Me".  Alton gave Gene a feature singing and dancing role in his next production “One for the Money”.  In 1939 Gene choreographed and danced in in the Pulitzer Prize-winning "The Time of Your Life".  Also in 1939 he choreographed Billy Rose's Diamond Horseshoe. He danced his way into the heart of cast member Betsy Blair, whom he married in 1941.  Gene became a major star in 1940 with his leading role in Rodgers and Hart's Pal Joey choreographed by Robert Alton.
Movie Musical Superstar
With his rise to stardom, Hollywood called.  His role in Pal Joey captured the interest of Louis B. Mayer and Judy Garland. Gene signed with MGM's David O’Selznick in 1941.  He was cast as Garland's romantic lead in his first movie For Me and My Gal (1942),  His breakout move role was in Anchors Aweigh in 1945.
After a long career as one of the world’s most beloved musical performers Gene Kelly died in 1996.
Singin' In The Rain
The Five Kelly's
The Kelly Brothers
Cap and Gown Club Production 1938
Pal Joey
All Music Guide
Gene Kelly Internet Movie Database
References
Pitt Cap and Gown Club In Annual Show at Nixon by Harold W. Cohen Pittsburgh Post Gazette April 23, 1936
Pitt Club Plans Show -The Pittsburgh Press April 7, 1936
Annual Pitt Show Satire on Dictators Pittsburgh Post Gazette April 2, 1938
The Kelly Kids -Harold W. Cohen Pittsburgh Post Gazette September 4, 1940
MR. KELLY, OR PAL JOEY; Portrait of a Dancer, From Pennsylvania To the Barrymore Theatre - Robert Van Gelder New York Times March 02, 1940
Gene Kelly Got to the Top Via a "Different" Route -Pittsburgh Post Gazette Dec 3, 1942
Gene Kelly Said He Never Wanted to be a Movie Star -Tom Shales Pitsburgh Press June 29. 1974
How Did Gene Start Dancing -Debra Gene GeneKellyFans.com Jul 20, 2011
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ducktracy · 4 years
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57. i like mountain music (1933)
release date: june 10th, 1933
series: merrie melodies
director: rudolf ising
starring: sara berner (various), pinto colvig (yodeler/various), jack mercer (will rogers/various)
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though the cartoon titles share the name of the songs they showcase, they can make for some pretty intriguing titles, like here. this is another installment of the books come to life series, pertaining to magazines instead.
open to a drugstore after closing. there are some wonderfully beautiful backgrounds as we view the interior, settling onto a magazine rack. all is quiet and peaceful... until a cowboy from a magazine titled “WESTERN THRILLER” tears a hole in the cover page with a spray of bullets.
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he hops out of the book and motions for his dozing cowboy buddies to wake up, yelling “c’mon, fellers!” no further cue is necessary as they grab some instruments and launch into an instrumental solo of the titular song “i like mountain music”. an interesting array of gags: the double fisting gun slinging cowboy leaps onto a counter top and dances to the music, spinning around. his spurs cut a hole in the counter top and he plummets into the glass display case below, spraying himself with perfume. elsewhere, one of the cowboy musicians rides his accordion like a horse, making for some intriguing visuals. standard as these gags may be, the animation has come quite a ways since the beginning of our journey, and are thusly more enjoyable.
after receiving warm applause, the lead cowboy and some backup singers sing the vocals to the song. catchy and beautiful as always! a variety of spot gags accompany the song, such as polish pianist and prime minister ignacy paderewski playing the piano and singing along.
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a caricature of eddie cantor (another looney tunes favorite, a whole cartoon dedicated to a chicken counterpart of himself with slap happy pappy) pops out of a magazine and pulls a violinists beard, shouting “look, jimmy! it’s rubinoff!” dave rubinoff was cantor’s violinist for one of his radio shows.
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our saunters will rogers, actor slash vaudeville performer slash cowboy slash comedian. he makes his way towards a magazine covered in cobwebs dated october 1929, detailing the catastrophic stock market crash. he gingerly places a “NO SALE” sign by the magazine and says “well folks, all i know is what i read in the paper!” a group of babies from a baby magazine (mtself included) cheer him on and applaud.
some lovely animation as a figure skater from “dance magazine” leaps onto a mirror, tilting it horizontally beneath her weight and skating on it.
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to top the gag off, a steady snowfall enhances her elegant routine... and it’s revealed to be a cowboy pouring talcum powder on her! highly predictable, but it got a good smile out of me regardless.
there are some babies waving jingle bells to the beat of the music... and members of an african tribe making clicking sounds to the music. not too fond of that one. otherwise a beautiful and amusing scene, but yeesh. as you can imagine, their depictions aren’t very savory.
the skater finishes her beautiful routine with a split, a group of toys applauding her (frequently reused from red-headed baby. i’ve noticed the amount of recycled animation has certainly dwindled within the past handful of shorts, which is always a refreshing sight to see!)
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freshly picked from pagan moon, a hula girl dances to “it’s time to sing ‘sweet adeline’ again”, a chorus of steel guitar players backing her up in vocals. my affinity for steel guitars prevails, recycled as this scene may be.
a yodeler from travel magazine (who is actually pinto colvig! i’ll talk more about my thankfulness that this is the first merrie melody with some voice credits FINALLY at the end) yodels as he hops from cliff to cliff, mountain to mountain, ashes to ashes, dust to dust.
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the yodeling yokel sings “i like mountain music” from a woman sourced from the “college rumor” magazine. look at the difference in designs here! i know it falls under the category of “look at the sexy woman... and this man is ‘normal’ (not in this case but)”, but i can’t help but love the contrast in design anyways. very funny and intriguing. a caricature of ed wynn also lends his out of tune voice to the song as magazine creatures applaud the spectacle.
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what’s a cartoon without a little nefarious doings, huh? a mobster ushers his cronies to follow him as he sneaks along the countertop. the screenshot doesn’t do it justice, but his toadies are actually walking at different intervals, but still synchronized! great animation as always. the musical synchronization is on par as always. sherlock and watson make an appearance, sherlock bending low and sniffing the ground like a dog for clues. words fail me in describing how much that amuses me.
the gangster’s plan becomes evident once he and his cronies make their way towards a cash register. the mobster pours some lighter fluid in a spray bottle, lighting it and using the makeshift blowtorch to weld a hole in the cashier and steal the contents inside.
edward robinson makes a cameo, grunting “they can dish it out, but they can’t take it” while the mobsters use a spoon to pour coins in a dish. good use of sound effects! robinson takes out a pair of guns and begins to shoot at the gangsters. one of the gangsters fires in retaliation, missing.
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a phonograph from “RADIO magazine” calls out all the cop cars to stop the theft. even mussolini sends his italian policemen after the gangsters (ironic that even mussolini takes the role of one of the good guys, seeing the events of wwii, huh?).
a barrage of artillery is used against the thieves, such as gumball bullets and pins shot through a pencil sharpener (i love those pencil sharpener machine gun gags so much).
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one of the gangsters (whose butt serves as a nice pin cushion) seeks refuge in a magazine with jean harlow on the front. quickly he learns to regret his decision, running from the pages as we get a ferocious shot of ping pong. not king kong, the star of the smash hit king kong released in march of 1933, heavens, no! ping pong!
ping pong barrels towards the camera and chases down the mobster. desperate for any source of shelter, the mobster dives into a glass. ping pong approaches a syrup tap and presses down on “razzberry”, the tap blowing an actual raspberry instead of any syrup. the gag is topped off as the mobster winced with each raspberry blown. the crowd celebrates his loss, and we get a rather interesting iris out—i’m not sure how to describe it. it’s like a double iris out. regardless, it’s pretty cool!
one of the more interesting merrie melodies for sure! i didn’t talk about the voice credits at the beginning—because i didn’t know they existed! halfway through this i consulted imdb for the soundtrack list, and saw that there were actually names available. sara berner would be one of the bigger voices behind looney tunes—almost like the female equivalent of mel blanc. bernice hansen would dominate the screen in the 30s with her wonderful baby voice (used to the best of its abilities in cartoons where she voices actual babies who turn out to be conniving little bastards, referring to porky’s naughty nephew and porky’s picnic. she’d also voice petunia, both tashlin’s “sexy” approach and clampett’s cute and childish approach!). pinto colvig is credited too, of course gaining notoriety for his role as the original goofy. jack mercer also voiced popeye and felix the cat. quite a list here!
anyway, enough about voices. this was a really entertaining cartoon! with the books come to life cartoons, you have a certain standard of what to expect (save for book revue LOL. that’s a trip and a half), so i was pleasantly surprised to see that this was about magazines instead. especially in a drugstore, there’s a lot more room to work with the setting. the animation was beautiful and the gags were on point, and the celebrity caricatures were drawn great. even if you don’t know who they are, you still get a good laugh. the only downfall would be the racist gag with the stereotypical african tribe members making clicking sounds... that speaks for itself. needs to be addressed (as all the blackface and stereotypical gags do), but doesn’t necessarily drain the short too much of its charm. overall, definitely worth a watch. paced nicely and very high energy and silly! just express caution at the clicking gag with the ice skating scene.
link!
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1975
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exploringatlanta · 5 years
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Holiday Fun in Atlanta
The holiday season has officially kicked off and your Ultimate Atlanta Holiday Guide is HERE! Stay tuned for posts about where to catch Santa, enjoy local holiday shopping and go ice skating around town.
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Garden Lights, Holiday Nights - Atlanta Botanical Gardens. 11/16- 1/11/2020 5-10pm. $19+ (non-members). Become a member and get access to the preview night event on 11/14 and also discounts on tickets! The best light display in town, over 1 million lights and 200 show-stopping color changing topiaries transform the garden into a must-do holiday event. New this year is the all-new music and motion for Atlanta’s favorite holiday spectacle, Nature’s Wonders, the largest curtain of synchronized light and sound in the world. Highly recommend buying tix in advance to secure family plans on premium nights/weekends.
Magical Night of Lights - Lake Lanier. 11/22- 1/5/20. $42+ per car. Holiday pricing 12/20-30. Enjoy 7 miles of lights, including the 12 Days of Christmas display! Visit Santa’s Elves at Work, the North Pole Express, Jack & The Beanstalk, scenes from The Wizard of Oz, the Poinsettia Candelabra, the stunning Icicle Tunnel, and the Carousel too. Don’t miss the Holiday Village with winter-themed carnival rides, fire pits, s’mores, specialty winter drinks, and more!
Fantasy in Lights - Callaway Gardens. 11/16-1/5/2020. $21+/$10.50+. Named “Top 10 Places to See Holiday Lights,” as named by National Geographic Traveler, experience an amazing light and sound show! 8 million lights, 15 scenes, Christmas Village with kids activities, Grinch Holiday Dinner Show, Character Breakfast, Story Time with Mrs. Claus, pictures with Santa, shopping, and train rides. Also check out the specialty nights like Fantasy & Fireworks on 12/31. 
Lights of Life - Marietta/Life University. 11/28- 12/31. $5-$10. One of the most affordable and always delightful light displays OTP, check out Life University’s iconic holiday scenes in lights. The 65 foot tall rendition of Santa and his sleigh is the tallest display in the Southeast!
Holiday Shows/Events for Adults:
Invasion: Christmas Carol - Dad’s Garage Theatre. 11/29 - 12/28. $25+. An Atlanta must, this show is the ultimate holiday improv experience. What happens when a new character gets introduced to a classic tale? With new characters added each night - each show is unique and will keep you laughing into 2020!
Miracle on Monroe. 11/29-12/29. The extremely popular holiday themed pop-up bar is back at it’s original midtown location this year. Get there early for your spot immersed in all things Christmas, enjoying yummy sips and eats. The bar’s ‘halls’ are decked to the max and patrons can enjoy themed cocktails in custom Miracle glassware including Santa’s Pants mugs and reindeer Collins glasses.
Merry Funkin’ Christmas - Venkman’s. 12/6 9:30pm. $20+. Join Wren and the Wravens who perform an eclectic blend of retro soul, pop and R&B, to make sure your holiday season is cool and funky.
After Dark Holiday Party - Fernbank Museum.  Friday 12/13 7-11pm. $10+. Enjoy live music, drinks/eats and the Festivi-trees as you explore two floors of decorated trees showcasing celebrations around the globe in the holiday exhibit, Winter Wonderland. And take advantage of after-hours, kid-free access to all indoor exhibits, and the special exhibit, Traveling the Silk Road.
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Atlanta Santa Speedo Run - Midtown. 12/14 2pm. $30+. One of the most hilarious ways to raise $ for an amazing local charity. Proceeds benefit Bert’s Big Adventure! “Wear a little, give a lot!”
Winter Edition Atlanta BeltLine Pub Crawl. Sat 12/14 12-4pm. $30+. Bundle up and socialize with drinks at 5 bars along the beltline and yummy eats.
Puddles Pity Party & Friends Holiday Jubilee - Center Stage. 12/29 6:30p. $20+. Atlanta’s own, join the sad clown with the golden voice at this fun holiday themed show to remember!
Family-Friendly Shows/Events:
Stone Mountain Christmas - 11/16 - 1/5/20. $31+. At this holiday themed event, enjoy park attractions including Summit Skyride, Scenic Railroad, and more! Then, immerse yourself in holiday magic with evenings full of festive music, millions of dazzling lights, spectacular shows, and visits from some of your favorite holiday characters!
Rudolph The Red-Nosed Reindeer - Center for Puppetry Arts. 11/13 - 12/30. $15+. One of the hottest tickets in town for families, don’t wait to get yours as they will sell out. This year your ticket includes 3 activities: the performance of Rudolph the Red-Nosed Reindeer™, a Create-A-Puppet Workshop™ where you can build and perform with your very own Sam the Snowman Rod Puppet, and admission to the Worlds of Puppetry Museum. Discounts for members!
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Christmas Canteen - Aurora Theatre. 11/14-12/23. $20+. This original holiday classic show is at the Aurora! Brimming with songs, comic sketches, trips down memory lane and a sprinkle of Christmas magic, it’s the holiday show with something for everyone.
A Christmas Carol - The Alliance Theatre. 11/16 - 12/25. $17.50+. Celebrate the holidays with the beloved Dickens classic in this Broadway-scale production with beautiful live music and an all-star Atlanta cast.
Disney Junior Holiday Party - The Fox Theatre. 11/19 6pm. $25+. Fans can enjoy a greeting with Mickey Mouse and Minnie Mouse, Santa photo app, DJ hosted holiday games & music, holiday snacks and beverages.
Waffle Palace Christmas - Horizon Theatre. 11/22-12/29. $30+. A fun new holiday show in the heart of Little 5 with heartfelt southern humor scattered, smothered and covered in a spicy holiday sauce. The charming characters from the sell-out Waffle Palace show are back for a second holiday helping; full of fun, laughter and Christmas cheer.
Holiday Events - Georgia Aquarium. 11/23 - 12/31. Annual lighting of the tree (two dates) include hot chocolate and holiday treats, holiday carols, and a penguin waddle. Also set your date for breakfast with Santa and more. Celebrate the holidays at the worlds largest aquarium!
Mannheim Steamroller Christmas - The Fox Theatre. 11/24 2pm/7:30pm. $45+. This neoclassical new-age music group blends classical music with elements of new age and rock for a modern and exciting rendition of traditional Christmas music.
This Wonderful Life - Aurora Theatre. 11/29 - 12/23. $20. Innovative one-man show, this hilariously touching stage adaptation of one of the most popular and heartwarming films ever made will star Atlanta’s own Jeremy Aggers.
Old Fashioned Christmas - Historic Dahlonega. 11/29 - 12/31. This #FREE event features the picturesque town lighted up for the holidays, shopping and eating. Sleigh rides, musicals, annual tree lighting party, Santa and more! 
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Cirque Dreams Holidaze - The Fox Theatre. 11/30-12/1. $50+. With 3 unforgettable performances, this critically-acclaimed extravaganza is both a Broadway musical and new Cirque adventure wrapped into the ultimate holiday gift for the entire family.
Vinings Jubilee Tree Lighting - 12/5 6pm-8pm. FREE! Gather the whole family together to be merry and bright with live holiday music, cookie + ornament decorating, train rides, pictures with Santa, and more!
The Nightmare Before Christmas - Center for Puppetry Arts. Friday 12/6 & Sat 12/7 8pm Free movie screening for members/museum admission for non-members. Spooktacular stop-motion movie to get you into the holiday spirit!
A Christmas Carol - Aurora Theatre. 12/6 - 12/22. $30+. Anthony Rodriguez will guide audiences through the traditional tale of Mr. Scrooge and the troop of Dickens’ characters in a one-man presentation of A Christmas Carol with a twist in this limited, four-week engagement.
Madeline’s Christmas - Horizon Theatre. 12/7- 12/31. $12-$15. The little girl from Paris embarks on a holiday adventure! Family-friendly holiday favorite.
The Nutcracker by The Atlanta Ballet - The Fox Theatre. 12/7 -12/24. $40+. Classic holiday ballet that is a must-see every season! Stunning performance by Atlanta’s best dancers. Runs 2 hours with a 25 minute intermission.
Candlelight Nights at the Atlanta History Center. 12/13 & 12/20. $20+. Candlelight tour of 3 historic houses, visit Santa, shop a holiday market with local crafted items, food/drinks, and more! Great event to learn more about Atlanta and holiday traditions.
Victorian Holiday - Oakland Cemetery. Sat 12/14 10am-4pm. FREE to attend, Tour of Eternal Homes ($16). Shop the holiday market, purchase wreaths, visit with Santa, and more.
Yacht Rock Revue Holiday Spectacular - Coca-Cola Roxy. Sat 12/21 7pm. $35+. Rock the season with this amazing performance at the new Battery by Atlanta’s kings of smooth. Rock around the Christmas Tree at this awesome annual concert!  
The Elf on the Shelf Musical - Cobb Energy Center. 12/23 12pm/5pm. $33+. The beloved holiday tradition that continues to capture the hearts of children and their families everywhere, comes to the live stage for the first time ever! 
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hclib · 5 years
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Ice Follies
In 1936 Minnesotans Oscar Johnson and Roy and Eddie Shipstad founded the first professional traveling ice show, Ice Follies, an elaborate production featuring figure skating, ice dancing, acrobatics and comedic acts. Ice shows quickly became a popular form of entertainment. In 1940, 60,000-70,000 people attended Ice Follies shows over a one week period in Minneapolis alone, and San Francisco’s municipal auditorium kept the troupe performing for 17 weeks! Within the first 15 years of Ice Follies performances, 28 million people attended shows across the United States. Ice Follies merged with Holiday on Ice in 1980 and soon after, Disney On Ice was born.
Photos and programs from the Minneapolis History Collection in the Hennepin County Library Special Collections. Find more ice skating photos in the HCL Digital Collections.
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josephinebardot · 3 years
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Cruise Activities for Kids: What to Expect
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Yes! You will find the most kid-friendly options on family-oriented cruise such as pirate ship cruise in St. Pete Beach FL.
All mainstream lines, and some luxury ones, will have a kids club -- a kind of onboard camp for kids ages 3 to 17, where trained counselors organize age-appropriate activities throughout the day and into the night, in dedicated play areas that might include science labs, arts and crafts areas, theaters and electronic game areas.
These are typically drop-off programs, and adults are often not allowed to join their kids in the clubs. Some also have nurseries or play spaces for babies and toddlers.
Are there activities aimed at families having fun together?
Yes, many ships offer family-friendly cruise activities. Programming might include parades, deck parties, fireworks displays, water shows and breakfasts or meet-and-greets with favorite characters. Some lines have video game systems and host tournaments, and most have arcades.
Plus, you might find that your kids take an interest in typical cruise ship activities not specifically aimed at children, such as silly pool games, fancy afternoon tea, trivia contests, crafting sessions, dance lessons and art auctions.
Many cruise lines also show movies on indoor or poolside screens and on in-cabin TVs. Onboard libraries or card rooms might carry board games and kids' books. Some ships even have surprising amenities like zip-lines, roller and ice skating rinks, carousels, bungee trampolines and bumper cars or go-karts.
Very few activities specifically prohibit children; these usually focus on drinking, gambling or spa treatments. Older children can access the spa and fitness center but might require a parent's presence or permission.
What outdoor activities are available for my kid?
Cruise ships may have waterslides, pools and water play areas. In addition, mini-golf, rock climbing walls, sports courts, ping pong, foosball, giant chess and shuffleboard are typical onboard attractions. Royal Caribbean even has cruise ships with surf simulators and zip lines.
Can children of any age use the pools, hot tubs and waterslides?
With few exceptions, children who are not toilet trained may not use shipboard pools or hot tubs. Swim diapers are not allowed in most pools. This is in accordance with the Center for Disease Control's Vessel Sanitation Program (VSP.)
In most cases, even splash pads and spray parks designed for small children share water recirculation systems with other pool areas, making them off limits for non-potty trained toddlers.
Cruise lines may apply for variances for splash parks with independent water systems. To date, only Royal Caribbean and Disney Cruise Line have the variances on select ships.
In addition, certain pools and hot tubs may be labeled adults-only. Water slides and water rides tend to have height minimums (often between 42 and 48 inches tall) and younger children might need parental permission.
Can my kids do activities alone, or do they always need to be with a parent?
Parents are not allowed to join in kids club activities, except for specific free play times or parent-kid events. Children old enough to sign themselves in and out of the kids club (usually 9 or 10 years old) can roam the ship on their own, though many lines set curfews on when kids cannot be in public areas without a parent present. Obviously, misbehaving unsupervised youngsters are frowned upon and will usually be dealt with by cruise officers.
What can my child do at night
At night, most kids clubs host drop-off parties, so kids can hang out with their friends while their parents enjoy leisurely dinners or hit the bars. The ship's main theater will offer family-friendly shows, such as song-and-dance revues, musical soloists or guest groups, magicians, comedians or local acts (think Polynesian dancers in Hawaii).
Any adults-only comedy shows or interactive games tend to take place much later at night. Evening movies or deck parties might be family-friendly or adults-only.
Is there baby-sitting?
Some cruise lines offer in-cabin baby-sitting, for an extra fee, only if crewmembers are available to take on the extra work. The minimum age for in-cabin sitting is usually 12 months.
Otherwise, most cruise lines offer group baby-sitting in their kids club; daytime activities are free, but late-night "parties" from about 10 p.m. to 1 a.m. often incur a per-hour, per-child, cost. When ships are in port, some kids clubs will entertain children while their parents are ashore; others require that at least one parent or guardian remain onboard.
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yoyoplisetsky · 7 years
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I was sick for like half of this week which probably explains why this list is so long? Unfortunately didn’t write much, bc a lot of what i’m doing is behind the scenes stuff with no visible results rn (working on my shitbang fic, working on a few things that I haven’t finished yet). However, I read like 20+ super amazing fics??? As always, pls rec me any you’ve written/enjoyed, because I want to read them so much!! 
What I Read This Week (7/9-7/16)
I Don’t Know ‘Bout Me but I Know About You - ouroboros - @ouroborosbites - Set at the GPF a year-ish pre-canon. JJ, having a sexuality crisis, propositions Victor, who, having not found his direction through Yuuri yet, is enough of a mess to accept. (My review: JJ/Viktor? And I enjoyed it? No, seriously, surprisingly good!!)
Let Me Sail Across the Sea for there is Never One Who Loved You More Than Me - tothebatcave53 - @tothebatcave53 - Victor has always loved the ocean, he is drawn to it's beauty and it's power. He sets out, a simple day in a simple boat with a simple desire to just exist in peace out in the ocean. When Victor wakes it is to the turmoil of the waves, desperate to sink him and his tiny boat into it's murky depths. It is only the most beautiful hallucination that keeps Victor sane in what he assumes are his last moments. (My review: AHHHH guys i always need mermaid aus i’m fricken screaming this one is so a+ everyone read it)
i’m someone you maybe might love - xylophones - @xyloophones -  Viktor sighs. “It’s nothing. It’s just––you never look at me like this.” / “How am I looking at you?” / “Like I’m someone special. Like I’m someone you might love.” / Yuuri frowns. “You are someone I love.” / Viktor shakes his head and laughs, just on this side of bitter. “Not like that, Yuuri.” / (Or: Viktor is not as observant as he thinks he is.) (My review: this is a super precious high school au that i would suggest to everyone because it’s so many amazing tropes wrapped up in one fic)
come with me and escape - La_Temperanza - @teekettle - Viktor meets a hypnotizing stranger dancing in the club and, well, things just naturally progress from there. (My review: hooooo boy nsfw viktuuri week is a Treat. yes. i love this. this is a good trope)
For Your Eyes Only - opalish - tumblr unknown (pls tell me if you know?) - Yuuri once told Victor that Phichit was the only foreign skater he considered a friend. Yuuri lied. He's been Seung-gil's dirty little secret for well over a year. (My review: O H MY GOD so that art of seunggil and yuuri being friends is one of my favorites so i’m ??? so glad someone acted on it)
black box (Ch. 1) - SKnight - @sephknight​ - The entire world is thrown into madness when all the best actors team up for a new TV show about... skating? Doesn't matter, all the fans know is that this means roughly 273.15% more ice cube jokes, the potential resurrection of some dead memes, and 9999% more Victuuri to scream about and die from. The fans have been thirsty for more Katsuki-Nikiforov co-starred content since 2011, and this oncoming show about ice could just be the thing to quench that thirst. ...Oh god, the bad jokes are already starting. (My review: look we all know i have a Thing for fics with fake social media and this one is ALL fake social media so i’m pumped to see more)
third time lucky - katsukiy - @yuriplisetsk​ - This year, for Tanabata, Viktor decided to wish for something a little different. (My review: not even double but Triple yuuri!!! oh god we all know here that i have a Thing for multiples, but this is so good)
Dinner For Two - Yuripaws - @yuripaws​  - Viktor dreams of two delicious bowls of katsudon only to find that he isn't invited to dinner. But he is invited to the show. (My review: MORE. DOUBLE. YUURI. guys i’ll never be sick of this trope and this one is so a+ with our desperate viktor mmm yes)
love’s not a competition (but i’m winning) (Ch. 1) - LittleLostStar, spookyfoot - @iwritevictuuri​, @katsukiyuuristrophyhusband​ - Victor Nikiforov is the leader of the best burlesque revue in the city, and well on his way to achieving his dream goal of a Upper-Level Lesser Kardashian-level stardom, complete with his own reality TV show. So when rival burlesque dancer Yuuri Katsuki scoops Victor's theme night and refuses to back down (or fire those hips that will not quit), it doesn't take long before war is declared—a tense and glittery battle featuring anarchic stagehands, orange light gels, fake eyelashes...and some occasional hate-sex that may not be hate-sex at all. (My review: give me more glitter or give me death! you can expect nothing else from spooky and star than just the absolute best and that’s this.)
Here Comes The Sun - henrywinter (bakkhant) - @bakkhanalia​ - Written for YOI Catfish Prompt Party 2017, for the prompt ‘apocalypse au with it being their last day on earth!’. This...probably isn't what you wanted. (My review: ahh such a cool au!! i love the take on the prompt they had and it was so well written :))
Partner, Let Me Upgrade You (Series - Parts 1-4, Ch. 1-6 (Part 1), Ch. 1-2 (Part 3) - cuttlemefish - @cuttlemefishwrites​ - Z’s Popstar AU (My review: z, i was going to rec all of these individually but then my rec list would hvae gone on for like 50 years. but asfkl; i finally got around to reading it and i’m dying for my Extra sons)
Baby, I’m Preying on You Tonight (Ch. 8) - cuttlemefish - @cuttlemefishwrites​ - Yuuri and Phichit registered and named the pet shop when they were drunk. They didn’t exactly expect it to become the most popular pet shop in Seattle. (It was only supposed to be a front to fund Phichit’s (undercover) animal rescue missions.) Enter Viktor Nikiforov, the man with the pink Cadillac and the giant brown poodle (that's stolen Yuuri's heart), and Yuuri might have lost his mind, because apparently he keeps flirting with a client – and he never even notices. (My review: the jjs will never cease to slay me. viktor and chris especially cute in this chapter)
patellofemoral pain syndrome (Ch. 3) - seventhstar - @pencilwalla​ - It’s just…does Viktor not get bored with doing it the same way every night? Doesn’t he want to spice things up? Is Yuuri being unreasonable? He’s pretty sure that if Viktor told him his performance in bed was unsatisfying his soul would flee his body for a more merciful plane of existence, but…Viktor is thicker-skinned than he is. And so here they are. Viktor’s bed is wide and soft, and Yuuri is lying there with wet hair and ratty boxers while Viktor absently trails kisses over his shoulder. It’s nice. It’s soft. It’s good. Viktor’s headboard is enormous and Yuuri keeps thinking about Viktor’s wrists bound to it, black rope over white skin. Fuck. He should say something. (My review: mmm arthritis porn except nuri didn’t give me porn this chapter)
conjecture - seventhstar - @pencilwalla​ - The first is that he and his new husband are now alone, and will continue to be alone until they reach Yu-topia. Yuuri has never been gregarious, and finds it difficult to make prolonged conversation with strangers at parties; he dreads having to speak to Viktor for so many hours. If his aunt’s description of him is accurate, the only thing they have in common is a love for money, and that is hardly wedding night conversation. The second is that when Yuuri finally looks at Viktor, rather than looking anywhere but directly at him as he has been, he realizes that Viktor is… (My review: have i mentioned that i love this series? i have, but.... it’s just,,, so good.)
By Anointment Only - La_Temperanza - @teekettle​ - He starts with the feet.It makes the most sense. After all, a figure skater’s greatest commodity is often their feet, taking the brunt of the damage required to hone their craft. He knows whatever tender loving care he gives now isn't enough to erase years of self-inflicted abuse, not in a single session. But it doesn't mean he's not going to at least try.So, Viktor starts with the feet. But the thing is, he rarely gets much further than that. (My review: FOOT FETISH i hate feet and this story was still a+)
The Katsulanont Guide to Surviving College (Rice Cooker Required) - xylophones - @xyloophones - It’s Phichit’s fault. It’s always Phichit’s fault. (Or: A friendship told through three hamsters, a rice cooker, and the resurrected trade-and-barter system.) (My review: i think i laughed like 3/4 of this story it’s just,,, so in character for them and ridiculous)
Colored Pencils and Markers - RainyTea - @rainyteawrites - Viktor finds Yuuri’s poster collection, but there’s another surprise in there too. (My review: yuuri’s poster collection with a twist ;) ;) loved it)
Wanted: Skating Lessons - slightlied - @forovnix​ - Wanted: Skating Lessons / Hi. I am Victor and I need to learn how to skate before Saturday. My parents have been paying for me to get skating lessons every week for the last fifteen years but I never actually attended any of the lessons and I spent the money on marble busts instead. Now they want me to perform to ‘Stammi Vicino’ at their wedding anniversary on Saturday. / If you can teach me, be here at Ice Castle tomorrow at 7:27am with an extra pair of skates. I am a fast learner (well, at least my dog Makkachin is–it took me only two weeks to teach him how to roll over) so I am pretty sure I will pick it up quickly. In return, I can teach you how to say some pick-up lines in Russian or tell you some facts about my love life. Whichever you prefer. Not both, though. / Yours sincerely,  / Victor / PS. I’m a size 8 --- Or, Yuuri answers an ad he sees on Ice Castle's community board. (My review: THIS WAS PRECIOUS asdfjkl i loved it so much and i know it’s been around for a while but i just found it and like,,, i’m glad i did)
Meet Your Idol! - RoseusJaeger - @roseus-jaeger​ - Ryuugazaki Rei has been a fan of Katsuki Yuuri since he was in grade school, admiring his beauty and grace on the ice. It's Katsuki's last season on the ice before his marriage to Victor Nikiforov and Rei would do anything for an autograph before his official retirement... or at least he thought until his boyfriend, Nagisa Hazuki, actually plots to get him an autograph at the NHK Cup. (My review: what you probably sort of know about me is that i love free! so this was a great read and roseus did so well with all of the character and i loved it)
(Let’s Get Married) At First Sight - cuttlemefish - @cuttlemefishwrites​ - Yuuri is just your average medical resident trying to survive an emergency room rotation at a large, city hospital, when a perfectly gorgeous stranger interrupts his after-work coffee break with the assumption that Yuuri is his blind date. What’s Yuuri to do? – Pretend he’s definitely on a blind date, too! Or, the "I know you're on a blind date and I'm not the right guy, but it's been a while and now I don't know how to tell you that you sat at the wrong table. Call me?" AU. (My review: this is so super precious asfdsljlk i love that yuuri just went for it instead of correcting him)
He Just Up and Ran Away (So I’m Never Going Back) (Ch. 1-2) - cuttlemefish - @cuttlemefishwrites - The back of the silver card reads Fantasies by Lilia, and Viktor lets his thumb brush over it with intense scrutiny. The name on the front winks at him with the glint of danger: Alex. “Oh, Yuuri, are you cheating on me?” Viktor whispers to himself, crumbling on the bed with the onslaught of a panic attack. Yuuri is Viktor’s everything; the first boyfriend he’s had in almost a decade, after years spent too busy lost between circuitry and code. But then he notices that there’s a stack of similar looking cards that read Celeste, Adrian, Robert, Michael, and Yuuri. All of them read Fantasies by Lilia. Or, welcome to the story in which Viktor discovers his boyfriend Yuuri is a high-class escort who takes on different identities and lives for different clients, including Viktor, who thought he was saving a stripper by putting a ring on his finger. (My review: i hvae read like maybe 1 escort au in this fandom bc i’m always very,,, eh about it but i’ll try anything z does nad it’s??? so good)
Katsuki’s Pet Needs (Ch. 1) - nerdlife4eva - @n3rdlif343va - Yuuri Katsuki owns a small pet store in a little town on the coast. He loves running his own business, and especially loves Sundays when his best friend, Phichit, runs adoption events for his animal rescue organization in his store. Victor Nikiforov has always wanted a dog, excitedly attending the scheduled pet adoption hoping to find his first furever friend. Another universe where these two find each other, this time with a little help from the brown fluff of Makkachin herself. (My review: THIS IS VERY PRECIOUS. if you want shameless fluff, read this!!)
Hunter of Eros (Ch. 4-5) - LalodyBear - @lalody - Lord Eros is perhaps the oldest of all living vampires and a legend among hunters. For thousands of years no-one has been able to slay him and stop his evil reign. Victor Nikiforov is the greatest hunter to have ever lived. ~ After seemingly endless sightings of newborn vampires appearing across Japan, Yakov's hunters are sent to put a stop to it. During a hunt, Victor Nikiforov has his first ever innocent witness to a slaying - Yuuri Katsuki, an utterly adorable local. After being cornered into staying with the group of Russian hunters, Yuuri just prays Victor doesn't find out his secret and slay him in his sleep. (My review: ahh it’s been so long since this updated, and i’m so glad i’m patient because i love this au so much. i don’t even care it took so long like ?? take that long always if you’re gonna give me quality content like that (which i’m sure you will))
What I Wrote This Week (7/9-7/16) (nothing on ao3, only tumblr this week)
the latin fic (I’m a shameless classics major)
the headcanon posts (Cary’s excuse to write crack fics while disguising them as headcanons)
the gum fic (#MoreExtraThanExtra)
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I was tagged by @guns-n-zeppelin tack 😊 LASTS: Last drink: water Last phone call: my mom Last text message: my friend Last song listened to: Lucifer Sam by Pink Floyd Last time you cried: hmm probably tuesday HAVE YOU EVER: Dated someone twice? no Been cheated on? no Kissed someone and regretted it? no Lost someone special? yes Been depressed? yes Been drunk and thrown up? nah Talked to someone named Tom? Tomi yes but not Tom IN THE PAST YEAR HAVE YOU: Made a new friend? yes Fallen out of love? nah Laughed until you cried? many times Met someone who changed you? no Found out who your true friends were? yes Found out someone was talking about you? i think not GENERAL: How many people on Tumblr do you know in real life? 3 Do you have any pets? no Do you want to change your name? nah What time did you wake up this morning? 11:00 What were you doing last night? listening to music Name something you cannot wait for? that my open uni course would be over i have like zero motivation anymore at this point What getting on your nerves right now? idk Blood type: idk Nickname: lils i guess i don’t really have Relationship status: single
Zodiac sign: libra Prounouns: she/her Favorite tv show: hannibal, stranger things College major: nothing yet but i’d wanna go for marine biology Hair color: it’s supposed to be orange but i haven’t dyed my hair in ages so Long or short: short Do you have a crush on someone? nope What do you like about yourself? music taste lol FIRSTS: Surgery: haven’t had Piercing: ears Best friend: in primary school, her name was jutta Sport: ice skating but i didn’t do it long lol Vacation: greece Pair of sneakers: idk NOW: Eating: nothing Drinking: nothing I’m about to: write Listening: It Ain’t Me Babe by Bob Dylan (but from The Bootleg Series, Vol 5. - Bob Dylan Live 1975: The Rolling Thunder Revue -album) WANTS: Kids: hell no Get married: no but if my possible future partner wants i don’t have anything against it i guess idc Career: marine biologist WHICH IS BETTER: Lips or eyes? eyes Hugs or kisses? hugs Shorter or taller? idk idc Older or younger? older Romantic or spontaneous? spontaneous Sensitive or loud? sensitive Hook up or relationship? relationship Trouble maker or hesitant? idk HAVE YOU EVER: Kissed a stranger: no Drank hard liquor: i mean i have tasted it just a bit but otherwise no Lost glasses/contacts: no Sex on first date: no Broken someone’s heart: yes Been arrested: nope Turned someone down: yes Fallen for a friend: yes but it didn’t last long sso DO YOU BELIEVE: In yourself: hmm idk Miracles: i guess sometimes idk Love at first sight: not Heaven: idk Santa: no Witchcraft: no I tag @tracinyad @hipsteri-tintti @writes-of-winter @xntares @lilywaterblue idk anyone who wants ofc!
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laughtrout72-blog · 5 years
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Weekend Picks: Last Chance For Winter At Dilworth Park, Cinderella On Stage, NHL Stadium Series And More
It’s another can’t-miss weekend in Philadelphia full of great events, including the end of winter — sort of.
The winter attractions next to City Hall — collectively known as Winter at Dilworth Park — wrap up for the season on Sunday. Don’t miss one last chance to embrace the season at the ice rink, cabin and Wintergarden.
Speaking of wintry things, the Coors Light NHL Stadium Series welcomes the “Battle for Pennsylvania” on Saturday for a very special game outdoors at Lincoln Financial Field as the Philadelphia Flyers try to defeat the intrastate rival Pittsburgh Penguins.
On the arts scene, Broadway Philadelphia puts a modern twist on Cinderella at the Academy of Music, local acts celebrate the 20th anniversary of the iconic Things Fall Apart album by The Roots at World Cafe Live, the Barnes Foundation opens an exhibit of early photography and The African American Museum in Philadelphia closes its exhibition about cotton and slavery.
Select concerts this weekend — including James Blake, Flogging Molly and Scott Bradlee’s Modern Jukebox — are part of the Visit Philly Live Nation Hotel Package, a stellar hotel package that includes up to $230 in show-enhancing perks, including free hotel and concert parking, complimentary food and drinks during the show and other bonuses.
And lastly, don’t miss a chance to turn a fun weekend into a sleepover. Book the Visit Philly Overnight Hotel Package for a winter weekend getaway featuring up to $218 in free perks.
Follow Uwishunu on Twitter and Instagram for updates throughout the weekend.
Read on for our guide to this weekend in Philadelphia.
Attractions | Center City
Last Chance: Winter at Dilworth Park
It's the final weekend for this popular winter destination near City Hall, where visitors can ice skate, warm up in the cabin and stroll through the wintergarden...
Attractions | Avenue of the Arts
Swing @ the Kimmel at the Kimmel Center
The interactive (and free!) virtual-reality swing temporarily installed inside the Kimmel Center sparks nostalgia for childhood and playground memories...
Opening: Into the Mural at Meg Saligman Studio
Visitors get a closer look at mural making in this self-guided immersive experience that includes a scavenger hunt and hands-on adventures...
Visit Philly Overnight Hotel Package Winter Getaway
Book a Philly getaway for stays this winter and get up to $218 in free perks, including free hotel parking...
Blue Cross RiverRink Winterfest
Skate on the Olympic-sized ice rink, warm up in the cozy lodge, enjoy boardwalk eats and play arcade games at this open-all-winter waterfront attraction...
Orchid Extravaganza at Longwood Gardens
Delicate orchids drape windows, spill from planters and float overhead in this stunning display, on view all winter...
Black History Month in Philadelphia
This weekend's celebrations include a Stevie Wonder and Smokey Robinson tribute (Friday), an Underground Railroad discussion (Saturday) and a focus on enslaved cooks' influence on food (Sunday)...
Philadelphia Fishing Show at the Greater Philadelphia Expo Center
Catch a fish in the trout pond, check out the latest rod and reed designs and stop by seminars about specific species of fish...
Live Music, Comedy, Theater and Dance
Theater | Avenue of the Arts
Rodgers + Hammerstein's Cinderella at the Academy of Music
This weekend only, enjoy Broadway Philadelphia's modern take on this classic fairy tale, complete with elaborate costumes and sets...
74 Seconds...to Judgment at the Arden Theatre Company
Philly playwright and director Kash Goins (Creed, Split) wrote and stars in this story of six deadlocked jurors struggling to define "justifiable homicide"...
Shen Yun at the Kimmel Center
Classical Chinese dance and live orchestra music bring 5,000 years of ancient performance traditions to life on stage...
Last Chance: Broads at Plays & Players Theatre
Comedy theater company 1812 Productions honors the funniest females of the '40s, '50s and '60s in this three-person revue that ends Sunday...
Renaissance in the Belly of a Killer Whale at Theatre Horizon
Three women tell the story of gentrification in Harlem in this funny and emotional one-weekend-only show...
Ongoing Exhibitions
Last Chance: Cotton at The African American Museum in Philadelphia
Philadelphia artist John E. Dowell explores the relationship between cotton and slavery through photographs and installations in this exhibit closing Sunday...
Exhibitions | Center City
#TrackTakeover at Walnut-Locust Station
Works by local artists replace 110 ad spots in the subway at SEPTA's Walnut-Locust Station in this installment meant to spark civic and public art awareness...
Fabulous Fashion: From Dior's New Look to Now at the Philadelphia Museum of Art
Museum exhibit meets runway fashion in an exploration of color, materials and evolving trends that includes pieces from iconic designers from around the world...
America to Zanzibar: Muslim Cultures Near and Far at the Please Touch Museum
Kids and their caregivers can see mosques, explore global markets and learn about local and global Muslim traditions at this hands-on exhibit...
More Must-See Exhibitions in Philadelphia
Philadelphia's museums and galleries showcase can't-miss art and objects from around the globe and around the city...
Rodgers and Hammerstein's Cinderella is on stage at the Academy of Music for five performances this weekend. (Rodgers and Hammerstein's Cinderella | Photo by Carol Rosegg)
Final Fridays: Celestial Bodies at the Philadelphia Museum of Art
An evening dedicated to the cosmos includes ink painting lessons, dance performances and a tour of the museum's recently reopened Chinese Galleries...
Events | Northern Liberties
The Spruce Foundation's Cabaret: Snowball Revue at the Ruba Club
Philly burlesque performers Honeytree Evileye, Kyla Ren and more perform, and New Liberty Distillery provides signature cocktails at this LGBTQIA* fundraiser...
Live Music, Comedy, Theater and Dance
James Blake at The Fillmore Philly
The soulful singer is touring behind his first album in almost three years, Assume Form, at this show that's also part of the Visit Philly Live Nation Hotel Package...
An Evening of Stand Up Comedy: Seth Meyers at Keswick Theatre
The Emmy Award-winning Late Night with Seth Meyers host and Saturday Night Live alum performs two shows in Montgomery County ...
The Philadelphia Flyers take on the Pittsburgh Penguins in the outdoor Coors Light NHL Stadium Series at Lincoln Financial Field on Saturday. (Photo courtesy Philadelphia Flyers)
Sports | South Philadelphia
2019 Coors Light NHL Stadium Series at Lincoln Financial Field
The Philadelphia Flyers face the Pittsburgh Penguins in round two of this Pennsylvania hockey battle, which takes place at the home of the Philadelphia Eagles...
Food and Drink | University City
15th Annual Beer Fest at World Cafe Live
More than 30 brewers, including many local independent makers, share three-ounce samples of their beers with a backdrop of live entertainment, prizes and giveaways...
Opening: Ancient Egypt at the Penn Museum
A special exhibit and the reopening of the Artifacts Lab offer a behind-the-scenes glimpse of objects in the under-renovation Lower Egypt Gallery...
Kennett Winterfest in Kennett Square
Bundle up for this seventh annual beer, food and music festival, featuring pours from 60 breweries and tunes from Chester County-based band AfroBear...
Bouts on Broad at The Met Philadelphia
Boxing returns to North Philadelphia inside the newly renovated historic opera house with fighters Gadwin Rosa, Branden Pizarro, Malik Hawkins, Jeremy Cuevas and Samuel Teah on the bill...
Live Music, Comedy, Theater and Dance
Things Fall Apart: 20 Year Celebration at World Cafe Live
Chill Moody, Zeek Burse and more local acts celebrate the 20th anniversary of the release of the iconic Things Fall Apart album from The Roots...
Theater | Avenue of the Arts
The Life and Legacy of Marian Anderson at the Kimmel Center
The world premiere of the film about Anderson's life showcases the songstress' Philadelphia roots and her role in breaking down racial barriers...
Flogging Molly at The Fillmore Philadelphia
The punk rock group with Irish influences is on tour behind its new album due in June at this show that's also part of the Visit Philly Live Nation Hotel Package...
Silent Disco at XFINITY Live!
Experience an immersive kind of concert in a noiseless space where everyone rocking out can only hear the music in their headphones...
See the new photography exhibit, From Today, Painting is Dead, opening Sunday at the Barnes Foundation. (Photo courtesy Barnes Foundation)
Exhibitions | Logan Square
Opening: From Today, Painting is Dead at the Barnes Foundation
A new look at old photography explores the beginning of the art form through nearly 250 never-before-seen photos taken between the 1840s and 1880s...
Food and Drink | Chestnut Hill
Chestnut Hill Restaurant Week
A dozen restaurants offer fixed-price dinners between $30 and $64, plus BYOB options and free parking after 6 p.m....
Oscars Party & Screening at the Philadelphia Film Center
Movie lovers dress up and spend Hollywood's biggest night in Philly with food, drinks, a silent auction and the Academy Awards playing on the big screen...
Live Music, Comedy, Theater and Dance
Music | South Philadelphia
Michael Bublé at the Wells Fargo Center
The crooner is on tour fresh off the release of his 10th studio album, Love, and ready to perform top hits like Everything and Haven't Met You Yet...
Music | North Philadelphia
Philadelphia Orchestra Free Concert at Teatro Esperanza
The Philadelphia Orchestra continues efforts to bring its music to nontraditional venues with a free (registration encouraged) afternoon performance...
Scott Bradlee's Postmodern Jukebox at The Met Philadelphia
The group's Welcome to the Twenties 2.0 Tour adds 1920s jazz influences to current pop hits to help prepare the audience for the 2020s at this show that's also part of the Visit Philly Live Nation Hotel Package...
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Source: https://www.uwishunu.com/2019/02/things-to-do-in-philadelphia-this-weekend-february-22-24-2019/
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