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timelesstimesgoneby · 2 years

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EPISODE VOLUME 1 DISC 1 BASEBALL BUGS RABBIT SEASONING LONG-HAIRED HARE HIGH DIVING HARE BULLY FOR BUGS WHATS UP DOC? RABBIT'S KIN "WATER WATER EVERY HARE H" BIG HOUSE BUNNY BIG TOP BUNNY My Bunny Lies Over the Sea WABBIT TWOUBLE BALLOT BOX BUNNY RABBIT OF SEVILLE DISC 2 DUCK AMUCK DOUGH FOR THE DO-DO DRIP- ALONG DAFFY SCAREDY CAT THE DUCKSTERS THE SCARLET PUMPERNICKEL YANKEE DOODLE DAFFY PORKY CHOPS WEARING OF THE GRIN DEDUCE YOU SAY BOOBS IN THE WOODS GOLDEN YEGGS RABBIT FIRE DUCK DODGERS IN THE 24½2TH CENTURY DISC 3 ELMER'S CANDID CAMERA BUGS BUNNY AND THE TREE BEARS Fast and Furry-ous HAIR-RAISING HARE Awful Orphan HAREDEVIL HARE FOR SCENT-IMENTAL REASONS FRIGID HARE THE HYPO-CHONDRI-CAT BATON BUNNY FEED THE KIMY DON'T GIVE UP THE SHEEP BUGS BUNNY GETS THE BOID TORTOISE WINS BY A HARE DISC 4 CANARY ROW BUNKER HILL BUNNY KIT FOR CAT Putty Tat Trouble BUGS AND THUGS Canned Feud Lumber Jerks Speedy Gonzales Tweety's S.O.S. The Foghorn Leghorn Daffy Duck Hunt Early to Bet A Broken Leghorn DEVIL MAY HARE VOLUME 2 DISC 1 THE BIG SNOOZE BROOMSTICK BUNNY BUGS BUNNY RIDES AGAIN BUNNY HUGGED FRENCH RAREBIT Gorilla My Dreams The Hare-Brained Hypnotist HARE CONDITIONED The Heckling Hare LITTLE RED RIDING RABBIT TORTOISE BEATS HARE RABBI TRANSIT Slick Hare BABY BUGGY BUNNY HYDE AND HARE DISC 2 BEEP, BEEP Going! Going! Gosh! ZIPPING ALONG STOP LOOK AND HASTEN READY SET, ZOOM! Guided Muscle Gee Whiz-z-z-z-z-z-z There They Go-Go-Go! Scrambled Aches ZOOM AND BORED WHOA BE GONE CHEESE CHASERS THE DOVER BOYS MOUSE WRECKERS A BEAR FOR PUNISHMENT DISC 3 Bad Ol' Putty Tat All a Bir-r-r-d ROOM AND BIRD "GIFT WRAPPED C" Ain't She Tweet A BIRD IN A GUILITY CAGE "SNOW BUSINESS C" Tweetie Pie KITTY KORNERED BABY BOTTLENECK OlD GIORY The Great Piggy Bank Robbery Duck Soup to Nuts PORKY IN WACKYLAND DISC 4 Back Alley Oproar Book Revue A Corny Concerto Have You Got Any Castles? HOLYWOOD STEPS OUT I LOVE TO SINGA Katnip Kollege The Hep Cat THE THREE LITTLEST BOPS ONE FROGGY EVENNING RIAPSODY RABBIT SHOW BIZ BUGS STAGE DOOR CARTOON What's Opera, Doc? YOU OUGHT TO BE IN PICTURES VOLUME 3 DISC 1 HARE FORCE HARE REMOVER HARE TONIC A HARE GROWS IN MANHATTAN EASTER YEGGS The Wabbit Who Came to Supper BOWERY BUGS HOMELESS HARE CASE OF THE MISSING HARE ACROBATTY BUNNY Wackiki Wabbit HARE DO REBEL RABBIT HILLBILLY HARE DUCK RABBIT, DUCK DISC 2 DAFFY DUCK IN HOLLYWOOD HOLLYWOOD CAPERS THE COOCOO NUT GROVE PORKY'S ROAD RACE THE WOODS ARE FULL OF CUCKOOS SHE WAS ANACROBAT'S DAUGHTER THE FILM FAN SPEAKING OF THE WEATHER THUGS WITH DIRTY MUGS GOOFY GROCERIES SWOONER CROONER WIDEO WABBIT THE HONEY MOUSERS THE LAST HUNGRY CAT THE MOUSE THAT JACK BUILT DISC 3 I HAVEN'T GOT A HAT PORKY'S ROMANCE PORKY'S PARTY PORKY IN EGYPT PORKY AND TEABISCUIT PIGS IS PIGS PIGS IN A POLKA PORKY PIG'S FEAT DAFFY DUCK SLEPT HERE BYE, BYE BLUEBEARD AN EGG SCRAMBLE ROBIN HOOD DAFFY THE WINDBLOWN HARE CLAWS FOR ALARM ROCKET SQUAD DISC 4 Daffy Duck and the Dinosaur SUPER-RABBIT DAFFY DUCK AND EGGHEAD A GRUESOME TWOSOME DRAFTEE DAFFY FALLING HARE STEAL WOOL BIRDS ANONYMOUS NO BARKING RABBIT PUNCH AN ITCH IN TIME Odor-Able Kitty WALKY TALKY HAWKY GONZALES' TAMALES TO BEEP OR NOT TO BEEP VOLUME 4 DISC 1 ROMAN LEGION-HARE THE GREY HOUNDED HARE RABBIT HOOD OPERATION: RABBIT KNIGHT-MARE HARE SOUTHERN FRIED RABBIT MISSISSIPPI HARE HURDY-GURDY HARE FORWARD MARCH HARE SAHARA HARE Barbary Coast Bunny 8 BALL BUNNY KNIGHTY KNIGHT BUGS RABBIT ROMEO DISC 2 THE CASE OF THE STUTTERING PIG LITTLE PANCHO VANILLA LITTLE BEAU PORKY NOW THAT SUMMER IS GONE A PORKY IN THE NORTH WOODS YOU'RE AN EDUCATION PORKY'S RAILROAD PLANE DAFFY PORKY THE FIREMAN "A CRACKED ICE C" PUSS N' BOOTY LI GOT PLENTY OF MUTTON BOOBY HATCHED 12 PORKY'S POULTRY PLANT THE STUPID CUPID DISC 3 CAT-TAILS FOR TWO TABASCO ROAD TORTILLA FLAPS Mexicali Shmoes HERE TODAY GONE TAMALE WEST OF THE PESOS CANNERY WOE THE PIED PIPER OF GUADALUPE MEXICAN BOARDERS CHILI WEATHER A MESSAGE TO GRACIAS NUTS AND VOLTS Pancho's Hideaway THE WILD CHASE "A-HAUNTING WE WALL GO H" DISC 4 THE NIGHT WATCHMAN CONRAD THE SAILOR THE SOUR PUSS THE ARISTO-CAT DOUGH RAY ME-OW PIZZICATO PUSSYCAT KISS ME CAT CAT FEUD THE UNEXPECTED PEST GO FLY A KIT KIDDIN' THE KITTEN A PECK O' TROUBLE MOUSE AND GARDEN PORKY'S POOR FISH SWALLOW THE LEADER VOLUME 5 DISC 1 CARROT RABBIT ALI BABA BUNNY BUCCANEER BUNNY BUGS' BONNETS A STAR IS BORED A Pest in the House "TRANSYLVANIA 6-5000 H" OILY HARE STUPOR DUCK THE STUPOR SALESMAN " The Abominable Snow Rabbit" The Super Snooper The Up-Standing Sitter Hollywood Daffy You Were Never Duckier DISC 2 BEWITCHED BUNNY PAYING THE PIPER THE BEAR'S TALE FONEY FABLES GOLDIMOUSE AND THE THREE CATS HOLIDAY FOR SHOESTRINGS LITTLE RED RODENT HOOD LTTLE RED WALKING HOOD RED RIDING HOODWINKED THE TRIAL OF MR, WOLF TURN-TALE WOLF TOM THUMB IN TROUBLE TWEETY AND THE BEANSTALK A GANDER AT MOTHER GOOSE SEÑORELLA AND THE GLASS HUARACHE DISC 3 BACALL TO ARMS BUCKAROO BUGS CRAZY CRUISE FARM FROLICS HARE RIBBIN' PATIENT PORKY PREHISTORIC PORKY THE BASHFUL BUZZARD THE OLD GREY HARE THE WACKY WABBIT THE WISH QUACKING DUCK WAGON HEELS THE DAFFY DOC A TALE OF TWO KITTIES PORKY'S POOCH DISC 4 ALPINE ANTICS EATIN' ON THE CUFF OR THE MOTH WHO CAME TO DINNER MILK AND MONEY I'VE GOT TO SING A TORCH SONG PORKY AT THE CROCADERO POLAR PALS SCRAP HAPPY DAFFY PORKY'S DOUBLE TROUBLE GOLD DIGGERS OF '49 "PILGRIM PORKY T" Wise Quackers porky's preview Porky's Poppa Wholly Smoke What Price Porky VOLUME 6 DISC 1 HARE TRIGGER TO DUCK. OR NOT TO DUCK BIRTH OF A NOTION MY LITTLE DUCKAROO CROWING PAINS Raw! Raw! Rooster! HEAVEN SCENT MY FAVORITE DUCK JUMPIN' JUPITER SATAN'S WAITIN HOOK, LINE AND STINKER BEAR FEAT DOG GONE SOUTH A HAM IN A ROLE OFTEN AN ORPHAN DISC 2 HERR MEETS HARE RUSSIAN RHAPSODY DAFFY - THE COMMANDO BOSKO THE DOUGHBOY ROOKIE REVUE THE DRAFT HORSE WACKY BLACKOUT THE DUCKTATORS THE WEAKLY REPORTER FIFTH COLUMN MOUSE MEET JOHN DOUGHBOY Hollywood Canine Canteen BY WORD OF MOUSE HEIR-CONDITIONED YANKEE DOOD IT DISC 3 CONGO JAZZ SMILE, DARN YA, SMILE! THE BOOZE HANGS HIGH ONE MORE TIME BOSKO'S PICTURE SHOW YOU'RE DOIN'T KNOW WHAT YOUR DOIN WERE IN THE MONEY RIDE HIM. BOSKO! SHUFFLE OFF TO BUFFALO BOSKO IN PERSON THE DISH RAN AWAY WITH THE SPOON BUDDY'S DAY OUT BUDDY'S BEER GARDEN BUDDY'S CIRCUS A CARTOONIST'S NIGHTMARE DISC 4 HORTON HATCHES THE EGG LIGHTS FANTASTIC FRESH AIREDALE CHOW HOUND THE OILY AMERICAN IT'S HUMMER TIME ROCKET-BYE BABY GOO GO0 GOLIATH WILD WIFE MUCH ADO ABOUT NUTTING THE HOLE IDEA NOW HEAR THIS MARTIAN THROUGH GEORGIA PAGE MISS GLORY NORMAN NORMAL

#episode guide #episode #tv series #tv series episode #classic #complete series #dvd #looney tunes #looney Tunes golden collection

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citizenscreen · 2 years

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Birthday remembrance - Sonja Henie, photographed in the Hollywood Ice Revue of 1940-1941 by Everett #botd

#sonja henie

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dwellordream · 3 years

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“...Cautious young women came from all classes and backgrounds; so did those who proved most daring, experimenting, or free-spirited. Because young women of all classes had limited spending money, their most popular forms of public entertainment consisted of a variety of free, outdoor activities. For young women who lived in towns and cities, walking up and down shopping streets, looking at the window displays, evaluating the goods, discussing prices and styles, and occasionally making minor purchases while keeping an eye on other strolling shoppers provided a particularly popular form of entertainment.

In many towns, local choirs, musical ensembles, and military bands gave free Sunday afternoon concerts in public squares and parks, attracting especially young men and women, but also many working-class and lower-middle-class families whose budgets did not afford them other, more expensive forms of leisure activities. Without provisions for seating, these concerts provided ample opportunity to parade one's Sunday best, mingle, meet old friends and new acquaintances, chat, and exchange flirtatious glances.

Similarly, ice skating, another conventional pastime that attracted both young people and their parents, remained firmly within the boundaries of respectable behavior. Despite mixed-gender audiences, the participation of older adults in such activities contributed to their respectability, and even the most old-fashioned parents rarely objected to such outings. After all, shopping had long been a central component of middle-class women's leisure, and ice skating and military music hardly incited raucous behavior.

Equally popular among young women were new forms of commercial leisure activities that catered particularly, if not exclusively, to a cross class and mixed-gender clientele of adolescents and young adults. Movie theaters, for instance, attracted swarms of working-class and middle-class youths. Although many older contemporaries remained uncomfortable with the inappropriate mingling across gender and class lines and with the cheap thrills and seemingly loose moral standards of Hollywood films, young moviegoers found that the darkened auditorium offered hours of exciting, inexpensive, and easily accessible entertainment as well as a convenient place for meeting with friends and possibly engaging in courtship.

Enclosed swimming areas and public beaches also became increasingly important sites for fun, relaxation, and mixed-gender sociability in the 1910s and 1920s. While the immodesty and physical intimacy of "undressed, scantily dressed, and fully clothed people mixed together in one big confusion" often shocked traditional sensibilities, warm summer Sundays nonetheless brought such large crowds of young men and women to public beaches that popular wit soon dubbed them "flypapers."

Other popular arenas for spending leisure time included cafes and restaurants. Because of their limited resources, young women typically sought out places that served coffee and dessert rather than full meals. Yet because they were generally inclined to spend more time than money in such places, young women were often made to feel unwelcome. "If you knew the waiter, he would sometimes let you sit over the same cup of coffee all night long," Inger-Marie Rasmussen recalled, "but most often that was not possible. When a haughty waiter came by and asked if 'there was anything else?' for the second or third time, you knew it was time to go."

Besides, the presence of men who might be willing to pay the bill in exchange for female companionship made such places more precarious arenas for young women concerned about their sexual reputations. While straining limited budgets, an afternoon or evening in an amusement park was often easier to negotiate. Having paid a small entrance fee, visitors were free to stroll around, look at the various booths and rides, and enjoy free musical and theater performances, occasional fireworks, and other attractions without additional expenses.

Although some amusement parks were scorned by middle-class families because of their rowdy working-class clientele, others—such as the Tivoli Gardens in Copenhagen—were entirely respectable sites of entertainment for families as well as young, single people. Various forms of theatrical entertainment also appealed to young women. In community halls and neighborhood theaters, they enjoyed cheap slapstick comedies and amateur performances starring local talent and would-be actors.

In addition, hotels and restaurants frequently sought to lure customers into their businesses by offering some kind of stage performance as the opening act to an evening of dancing. The most popular form of theatrical entertainment was presented by the revue and vaudeville theaters that flourished in the 1910s and 1920s. Featuring evening programs of comical sketches, singing, and dancing, replete with chorus girls, lavish costumes, and elaborate stage settings, vaudeville shows attracted both young men and women looking for a good time, an easy laugh, and a spectacle of glamour and luxury.

Yet young women's participation was generally more limited than men's. Often the price of admission precluded them from attending, and sometimes the sexually suggestive character of songs and acts made them feel uncomfortable. Nonetheless, most young women managed to stay remarkably well-informed about the glamorous costumes, the musical hits, and new dance steps they generated. However, given the opportunity to choose freely among all available forms of fun and entertainment, most young women would probably not have opted for any of the amusements just mentioned. In the vast majority of cases, dancing topped their list of attractive recreational pursuits.

When, for example, the popular women's magazine Vore Darner in 1925 queried its readers about their favorite leisure activities, fully 72 percent of the respondents listed dancing as their first choice. Similarly, of the fifty-nine women interviewed for this project, at least fifty-four mentioned dancing as the favorite leisure activity of their youth. It is hardly surprising, then, that the rapidly expanding numbers of restaurants, cafes, hotels, inns, night clubs, and other establishments that offered dancing attracted vast numbers of young women. Nevertheless, public dance places remained highly controversial public settings for young women throughout the 1910s and 1920s.

Like other forms of entertainment that did not encourage community-based, intergenerational sociability, these settings were viewed with suspicion by older generations. The fact that crowded dance floors and lively music facilitated, even encouraged, easy and spontaneous physical intimacy between young men and women only heightened this suspicion. As a result, public dance places constituted an exciting, but also an especially dangerous and difficult terrain for modern young women eager to have fun without jeopardizing their reputations.

The tension between excitement and respectability was not unique to public dance places. The mixed-gender clientele and unsupervised mingling of city streets, skating rinks, public beaches, movie theaters, amusement parks, and variety shows could also throw into question the respectability of female participants. Therefore, public dance places merely represented the end point on a spectrum of controversial arenas for female leisure activities, simply heightening the conflicts young women experienced individually and in groups whenever they entered public space.

Although the companionship of female friends provided some measure of protection against potential dangers and missteps, it did not provide them with an inviolable safeguard. Even if young women trusted and depended on each other, there was always the nagging doubt that judgment calls of female friends might be wrong. As Meta Hansen poignantly remarked, "Having a girlfriend meant that you wouldn't get into trouble by yourself. It didn't mean you wouldn't get into trouble." Without female companionship, the likelihood of getting into trouble was simply too great for most young women to risk venturing out, but even the presence of female friends did not ensure safety.

To avoid making mistakes and more permanently minimize the risk of getting into trouble, young women therefore eagerly sought to determine what constituted appropriate and inappropriate behavior and activities. Throughout the 1910s and 1920s, they continually struggled to define the difference between the two, hoping to establish a set of rules that would ensure protection from moral reproach without sacrificing newfound possibilities for fun and excitement. Determining what constituted acceptable public behavior and activities was complicated by the fact that only a few public places and activities were entirely off limits for respectable woman.

Therefore, simply determining the respectable from the disreputable—and placing oneself on the right side of that line—was not an easy task. Going alone to a restaurant in the afternoon might be perfectly acceptable, for example, but enjoying a cup of coffee in the very same location at ten o'clock at night would be considered highly inappropriate. Waltzing with a young man on the skating rink was one thing; tangoing with him in a night club quite another. Similarly, if watching the latest movie release in a local theater or enjoying oneself in an amusement park in the company of girlfriends provoked only few raised eyebrows, going there alone or in the company of a man to whom one was not officially engaged was likely to generate both gossip and criticism.

"It wasn't so much what you did," Gerda Nybrandt declared when asked to explain what constituted proper behavior in her youth in Aarhus in the 1920s. "It was whom you did it with, and where you did it, and when you did it." Offering an almost identical explanation, Anna Eriksen remarked that "as long as it was daytime, people seemed to think that nothing immoral could take place. Doing the exact same thing when it was dark—now that was a different matter." Agnete Andersen recalled the code of conduct to which she adhered in a very similar way. "Well, how should I explain it?" she mused. "It was just like—you couldn't do this, but you could do that. It all depended on circumstances, whom you were out with, where you were and so on."

While in retrospect these three women maintained that "you just sort of knew" the boundary between acceptable and inappropriate public behavior, other evidence suggests that many young women at the time found determining that line an exceedingly difficult task. The fact that reliable sources of guidance were hard to come by only compounded the problem. Certainly, given their already contentious relationship, most young women did not turn to their parents for advice, and those daughters who did seek their guidance often found the older generation as confused and uncertain as they were themselves.

Since the vast majority of young women were already out of school, advice from teachers was rarely an option available to them, and adult leaders of youth clubs, concerned about their standing with parents, were generally cautious and restrictive in their counsel. Writers, intellectuals, and newspaper editors steeped in older traditions of female domesticity also seemed unqualified to guide their path. And especially in urban areas, where organized religion already had lost much of its grip on young people, the prospect of going to a minister for advice never seemed to enter their minds.

In this void, young women tended instead to look to self-proclaimed etiquette experts and advice columnists for suggestions on how to negotiate public behavior and city life. The sheer quantity of letters to women's magazines and advice columns about proper behavior speaks both to the uncertainty women felt and to the significance they attributed to knowing the limits of their new freedoms. In letter after letter, young women consulted these self-proclaimed experts both about the appropriate nature of planned events and about the specific restrictions they ought to place on their escapades.

Could a young woman go out alone at night, they wondered? If so, could she casually stroll city streets without being taken for a street walker? Could she smoke cigarettes in public? Could she wear makeup? What about high heels? Could she go to a movie theater? If so, how late? And how frequently? What about an amusement park? A restaurant? What if the restaurant featured live music and dancing? Could she go out alone if she returned home before a certain time? If so, at what time ought she be safely indoors? In response, editors of women's magazines and advice columnists generally offered very specific guidance, usually in the form of strict, inflexible directives.

"No, a young lady may not go to a restaurant alone at night," one columnist warned. "A nice girl should always be home by 11 P.M.," another enjoined her female readers. And no, a respectable young woman could "absolutely not under any circumstances" wear makeup in public—aside from "lipstick and perhaps a touch of rouge." Often, however, the logic that guided advice columnists' directives seemed incoherent, even arbitrary, and frequently their answers seemed to lack a systematic pattern. When, for instance, one advice columnist maintained that "it is perfectly acceptable for two young girls to go for an evening walk, but a group of girls strolling the streets after dark is an unfortunate phenomenon," she might very well have added to the confusion and uncertainty her readers already felt.

Moreover, while generally encouraging women to avoid being alone in public and being out too late, the advice columnists frequently differed among themselves in their assessment of what constituted proper behavior. When asked almost identical questions in 1928, Sondags B.T. declared that a young woman could absolutely not go to the theater alone, while Ugebladet found it perfectly admissible "as long as [she] makes sure to sit in the front of the theater and leaves immediately after the show."

Such disparate pieces of advice in publications that did not otherwise represent different political and cultural perspectives underscore how confusing and unsettled the standards for women's public behavior remained throughout most of the 1920s and how difficult it was for young women to find the kind of guidance they were seeking. Paradoxically, the only rule constantly reiterated was the one young women already knew and worried about—namely, that there was a boundary between respectable and disreputable behavior and that stepping over that boundary would have consequences that even young women who insisted on being "modern" and leading "modern" lives were not willing to risk.”

- Birgitte Soland, “Good Girls and Bad Girls.” from Becoming Modern: Young Women and the Reconstruction of Womanhood in the 1920s

#birgitte soland #1920s #history #danish #becoming modern

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warped-historian · 3 years

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Warped Tour, 1999

Dates:

June 25: San Antonio, TX

June 26: Houston, TX

June 27: Dallas, TX

June 29: Phoenix, AZ

June 30: Lakeside, CA

July 1-2: San Bernardino, CA

July 3: Oakland, CA

July 4: Soda Springs, CA

July 6: Portland, OR

July 7: Vancouver, BC

July 8: Seattle, WA

July 9: Boise, ID

July 10: Salt Lake City, UT

July 11: Denver, CO

July 13: St. Louis, MO

July 14: Chicago, IL

July 15: Cleveland, OH

July 16: New York, NY

July 17: Northampton, MA

July 18: Asbury Park, NJ

July 20: Pittsburg, PA

July 21: Philadelphia, PA

July 22: Buffalo, NY

July 23: Montreal, QC

July 24: Toronto, ON

July 25: Detroit, MI

July 27: Washington, DC

July 29: Atlanta, GA

July 30: Orlando, FL

July 31: Pompano Beach, FL

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Lineup:

7 Seconds (Played 7/14-7/31)

Black Eyed Peas

Blink-182

The Bouncing Souls

Eminem

Grinspoon

H2O (Played 7/14-7/31)

Ice T

Less Than Jake

Lit (Played 6/25-7/15)

The Living End

Lunachicks (Played 7/16-7/27)

Molotov

Pennywise

Royal Crown Revue (Played 7/14-7/31)

Sevendust

Suicidal Tendencies

The Vandals

40 Watt Domain

Agnostic Front (Played 7/16-7/21)

All Systems Go (Played 6/25-7/8)

Amazing Crowns (Played 6/25-7/17)

Atomic Fireballs (Played 7/25-7/31)

Avail (Played 7/9-7/17)

BR5-49 (Played 7/20-7/23)

Buck-O-Nine (Played 7/9-7/18)

Buzz Poets (Played 7/14-7/31)

Deviates

Dropkick Murphys

El Centro

Fenix TX

Frenzal Rhomb (Played 7/14-7/27)

Furious IV

Gob (Played 6/25-7/11)

H-BLOCKX

Hollywood Beach Brian (Played 7/30)

Jimmy Eat World

Leatherface

L.E.S. Stitches (Played 7/29-7/31)

My Superhero

Orange 9mm (Played 7/16-7/31)

Porkers (Played 6/25-7/8)

Reveille (Played 7/29-7/31)

Road Kings (Played 7/24)

Skarhead (Played 7/18-7/23)

Spring Heeled Jack (Played 7/25, 7/27, 7/30 and 7/31)

Straight Faced (Played 7/13 and 7/18)

Zebrahead (Played 6/25-7/13)

A Stream (Played 7/23-7/24)

Backhand (Played 7/18)

Bitter Dolores (Played 7/20)

The Black Halos (Played 7/7)

Blindsyde (Played 7/31)

The Budgets (Played 7/22)

Bumpin' Uglies (Played 7/25)

Clowns for Progress (Played 7/21)

Contents Under Pressure (Played 7/7)

Converge (Played 7/17)

Crime (Played 7/31)

D-76 (Played 7/20)

Day 19 (Played 7/18)

Dogfight (Played 7/13)

Downway (Played 7/7)

Engine 54 (Played 7/8)

The Fairlanes (Played 7/11)

Fall City Creepers (Played 7/18)

Finger Eleven (Played 7/30-7/31)

The Five Deadly Venoms (Played 7/13)

Flatus (Played 7/18)

Fuse 12 (Played 7/13)

Gina Go Faster (Played 7/11)

Gunhill (Played 7/31)

The Gramercy Riffs (Played 7/25)

The Hippos (Played 7/8)

The Imports (Played 7/22)

Innercourse (Played 7/25)

Jollymon (Played 7/6)

Jaya the Cat (Played 7/17)

The Kamikazeez (Played 7/10)

Midge (Played 7/7)

The Moon Family (Played 7/10)

Moxie (Played 7/31)

MT Minds (7/30)

NC 13's (Played 7/21)

Negative 13 (Played 7/20)

New Found Glory (Played 7/31)

Pave The (Played 7/13)

Playground King (Played 7/13)

Polecat (Played 7/7-7/8)

Reach the Sky (Played 7/17)

Reveille (Played 7/17)

Rocket Ajax (Played 7/11)

Side Swipe (Played 7/30)

Simon Says (Played 7/30)

Slo Poke (Played 7/25)

Stick Figure Suicide (Played 7/18)

Taste O' Flavor (Played 7/18)

Thoughts of Ionesco (Played 7/25)

Tin Can Jets (Played 7/30)

Undergirl (Played 7/21)

The Unspoken (Played 7/18)

The Varicoasters (Played 7/6)

Wade (Played 7/20)

Anxiety

Common Sense

The Inland Empire Orchestra

Slimer

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starlightinkwell · 3 years

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From website: Pittsburgh Music History.

Pittsburgh Dance Instructor becomes Oscar wining star of

"An American in Paris"

and "Singin' In the Rain"

Gene Kelly was the leading star in the classic Hollywood movie musicals from the mid 1940s through the late 1950s. Multi-talented he was a singer, dancer, choreographer actor, film director and producer. Audiences love his delightful singing, his athletic dancing, his charming good looks, and his likeable characters. He is credited for reviving movie musicals and redefining dance in films. Kelly was honored with lifetime achievement awards from the Academy Awards, the Kennedy Center Honors, the Screen Actions Guild, and the American Film Institute. The American Film institute ranks him 15th on their list of “Greatest Male Stars of All Time”. His most memorable performances include starring roles in Singin’ in the Rain, An American in Paris, On the Town, and Anchors Aweigh. Gene was the star and choreographer of the film ‘An American in Paris” which won 8 Oscar awards including best picture and a special Oscar for Gene recognizing his contributions to screen choreography. Singin’ in the Rain, called "a movie masterpiece" by Vincent Canby of the New York Times, has been voted the most popular movie musical of all time.

Growing Up in Highland Park

Born Eugene Curran Kelly in Pittsburgh on August 23, 1912, Gene Kelly grew up in on Mellon Street in Highland Park. He attended St. Raphael’s elementary school and was an altar boy at the church. His Canadian born father James Patrick Joseph Kelly was as sports lover and a sales executive for the Thomas Edison's Columbia Phonograph Company. Every winter James, who loved hockey, flooded the backyard to make an ice hockey rink for the family. Gene learned to skate at age 5.

Gene's mother Harriet, who as a hobby performed in local stock productions, made all five of her children take music and dance lessons. She enrolled the eight year old Gene in dance classes at Blinsky’s School of the Dance on 6th and Penn in downtown Pittsburgh. The Kelly kids Jay, Jim, Gene, Louise, and Fred began performing dance routines around 1921 as "The Five Kellys" at amateur vaudeville nights and charity events.

After getting in fist fights with neighborhood kids who called him a sissy, Gene quit dancing. He preferred sports. He played on a men's amateur hockey team age at 14 and dreamed of playing for the Pittsburgh Pirates.

The Kelly's moved from Highland Park to 7514 Kensington Street in the Point Breeze neighborhood near Frick Park in 1924. Gene attended his first year of high school at the Sacred Heart School.

At age 15 Gene thought dancing would be a good way to meet girls, so he began dancing again. He took dance lessons while also playing on his high school football, baseball and hockey teams. He also participated in gymnastics.

Graduating from Peabody High School in 1929 he enrolled at Penn State to study journalism. With the 1930 stock market crash hurting the Kelly family’s finances, Gene left Penn State planning to cut costs by living at home while studying at the University of Pittsburgh. He dug ditches, pumped gas, worked as a soda fountain jerk and carpenter's helper, and danced to earn tuition money. Gene and his younger brother Fred devised dance routines and found work dancing in local nightclubs as the “Kelly Brothers”.

Gene Kelly Studio of Dance

Gene’s mother took a job as a receptionist at Boulton's dance school in Pittsburgh’s Squirrel Hill neighborhood. When the owner Lou Boulton skipped town leaving behind a pile of unpaid bills, Harriet took over the dance school. She paid the bills and renamed it the "Kelly School of Dance". Gene at age 19 and his brother Fred became dance instructors. Gene worked as a dance instructor while he attended studies at Pitt. He taught tap, toe and ballet. To learn routines Gene went to night clubs, movie musicals and vaudeville shows. He'd teach them the next day in his classes. With Gene’s growing reputation as a teacher the studio was renamed The "Gene Kelly Studio" of the Dance in 1932. The Kelly’s opened a second dance school on the main street of Johnstown, Pennsylvania in 1933. Gene taught at the Johnstown school on weekends. He continued to teach dance for six years.

The dance school was a great success, but Gene was not content being a teacher. He want to be a choreography and director. Gene wanted to combine the styles of ballet and tap-dance into a new American dance for. To learn ballet he took classes from ballet masters in Chicago and New York during the summers. Gene attened classes at Chicago Association of Dancing Masters. Seeing his talent the school asked him to a few classes. Gene also read every book that he could find on ballet in English and French. He practiced constantly. Putting his skills into practice Gene danced in an choreographed musicals while attending at the University of Pittsburgh.

Pitt's Cap and Gown Musical Reviews

Gene enrolled at the University of Pittsburgh in 1931 studying economics. At Pitt he joined the Cap and Gown Club, which staged four times a year at the Stephen Foster Memorial Theater along with an an annual event at the Nixon Theater. Gene performed in the original musical comedy productions written by members of the Cap and Gown Club. Completing a Bachelor of Arts in Economics in 1933, Gene then enrolled in the University of Pittsburgh’s Law School. After two months of study groups and torts Gene decided that he wanted to be an entertainer and dance teacher. He dropped out of school to pursue his entertainment career full-time teaching at the dance studio and doing performances. Gene remained a member of Pitt’s Cap and Gown Club serving as its serving as its dance director from 1934 to 1938. He was the assistant director of their 1936 Nixon Theater show "Out for the Count". Gene first created his rolling skating dance routine in the Cap and Gown's production of "Tt's Always Fair Weather". Gene directed the club's 1937 production of "Trailer Ho" at the Nixon and then took the show on the road for performances in Johnstown, Bradford and Erie. In 1938 Gene Kelly choreographed and directed the Cap and Gown show "Pickets Please" at the Nixon.

In addition to his work with the Cap and Gown Club did choreography for vaudeville and other organizations. Vaudeville acts that passed through Pittsburgh during the 1930’s hired Gene to create dance routines. In 1931 the Rodef Shalom Synagogue hired Kelly to teach dance and stage the annual Kermess show. He kept that position for seven years. Gene continued to perform with his brother. The Kelly Brothers performed in a theater for children at the Chicago World's Fair in 1934.

Broadway Stardom

In 1937 at the age of 27 Gene moved to New York City to become a choreographer. Unable to find work on Broadway, he returned to Pittsburgh to be the choreographer of the musical revue “Hold Your Hats” at the Pittsburgh Playhouse in the spring 1938. He also danced in the production. At the Playhouse, Gene was seen by Broadway choreographed Robert Alton. Alton brought Gene to Broadway making him a star.

On August 5, 1938 just before his 26th birthday, Gene packed one small suitcase and returned to New York for his first role. Alton hired Gene for a Cole Porter musical giving him his first dancing role on Broadway in November of 1938 as a chorus boy in "Leave It to Me". Alton gave Gene a feature singing and dancing role in his next production “One for the Money”. In 1939 Gene choreographed and danced in in the Pulitzer Prize-winning "The Time of Your Life". Also in 1939 he choreographed Billy Rose's Diamond Horseshoe. He danced his way into the heart of cast member Betsy Blair, whom he married in 1941. Gene became a major star in 1940 with his leading role in Rodgers and Hart's Pal Joey choreographed by Robert Alton.

Movie Musical Superstar

With his rise to stardom, Hollywood called. His role in Pal Joey captured the interest of Louis B. Mayer and Judy Garland. Gene signed with MGM's David O’Selznick in 1941. He was cast as Garland's romantic lead in his first movie For Me and My Gal (1942), His breakout move role was in Anchors Aweigh in 1945.

After a long career as one of the world’s most beloved musical performers Gene Kelly died in 1996.

Singin' In The Rain

The Five Kelly's

The Kelly Brothers

Cap and Gown Club Production 1938

Pal Joey

All Music Guide

Gene Kelly Internet Movie Database

References

Pitt Cap and Gown Club In Annual Show at Nixon by Harold W. Cohen Pittsburgh Post Gazette April 23, 1936

Pitt Club Plans Show -The Pittsburgh Press April 7, 1936

Annual Pitt Show Satire on Dictators Pittsburgh Post Gazette April 2, 1938

The Kelly Kids -Harold W. Cohen Pittsburgh Post Gazette September 4, 1940

MR. KELLY, OR PAL JOEY; Portrait of a Dancer, From Pennsylvania To the Barrymore Theatre - Robert Van Gelder New York Times March 02, 1940

Gene Kelly Got to the Top Via a "Different" Route -Pittsburgh Post Gazette Dec 3, 1942

Gene Kelly Said He Never Wanted to be a Movie Star -Tom Shales Pitsburgh Press June 29. 1974

How Did Gene Start Dancing -Debra Gene GeneKellyFans.com Jul 20, 2011

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ao3feed-captiveprince · 4 years

Text

Hangout for all fandoms!!

read it on the AO3 at https://ift.tt/2VJy9YY

by Marvelous_Stark

Just a place for everyone of every random to hang out and talk about their ships and anything they'd like! :)

This is probably a complete waste of my time, to be honest. Facebook is a thing too lol.

You can comment links to works you've made, or ones you enjoy! Honestly post anything but hate.

Have fun, make friends, and please no arguing 😓

Words: 12, Chapters: 1/1, Language: English

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Rating: Not Rated

Warnings: No Archive Warnings Apply

Categories: F/F, F/M, Gen, M/M, Multi, Other

Characters: I'll add more soon - Character

Relationships: I'll add more soon

Additional Tags: I'll add more soon - Freeform

read it on the AO3 at https://ift.tt/2VJy9YY

#IFTTT #ao3feed #fanfic #captive prince

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ao3feed-saintseiya · 4 years

Text

Hangout for all fandoms!!

AO3: https://ift.tt/2VJy9YY

by Marvelous_Stark

Just a place for everyone of every random to hang out and talk about their ships and anything they'd like! :)

This is probably a complete waste of my time, to be honest. Facebook is a thing too lol.

You can comment links to works you've made, or ones you enjoy! Honestly post anything but hate.

Have fun, make friends, and please no arguing 😓

Words: 12, Chapters: 1/1, Language: English

Rating: Not Rated

Warnings: No Archive Warnings Apply

Categories: F/F, F/M, Gen, M/M, Multi, Other

Characters: I'll add more soon - Character

Relationships: I'll add more soon

Additional Tags: I'll add more soon - Freeform

AO3: https://ift.tt/2VJy9YY

#IFTTT #ao3feed #fanfic #saint seiya #los caballeros del zodiaco #Hangout for all fandoms!!

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ao3feed-themanfromunclemovie · 4 years

Text

Hangout for all fandoms!!

read it on the AO3 at https://ift.tt/3f1Io2o

by Marvelous_Stark

Just a place for everyone of every random to hang out and talk about their ships and anything they'd like! :)

This is probably a complete waste of my time, to be honest. Facebook is a thing too lol.

You can comment links to works you've made, or ones you enjoy! Honestly post anything but hate.

Have fun, make friends, and please no arguing 😓

Words: 12, Chapters: 1/1, Language: English

Fandoms: Once Upon a Time (TV), A Song of Ice and Fire - George R. R. Martin, A Song of Ice and Fire & Related Fandoms, ダイヤのA | Daiya no A | Ace of Diamond, Rogue One: A Star Wars Story (2016), InuYasha - A Feudal Fairy Tale, A Court of Thorns and Roses Series - Sarah J. Maas, Dream Daddy: A Dad Dating Simulator, Animorphs - Katherine A. Applegate, A Series of Unfortunate Events - Lemony Snicket, A Series of Unfortunate Events (TV), A.C.E (Beat Interactive Band), The A-Team (TV), The A-Team (2010), Solo: A Star Wars Story (2018), The A-Team - All Media Types, B.A.P, B1A4, Block B, B-PROJECT 鼓動＊アンビシャス | B-PROJECT: Kodou Ambitious, Weiß Side B (Manga), Don't Trust the B---- in Apartment 23, Понедельник начинается в субботу - Стругацкие | Monday Begins on Saturday - A. & B. Strugatsky, Team B (Band), Z-O-M-B-I-E-S (Disney Movies), B.I.G | Boys in Groove, Left Behind - Jerry B. Jenkins & Tim LaHaye, Grey's Anatomy: B-Team (Web Series), Charlotte's Web - E. B. White, B.I.Shadow, Plan B (2009), Battle B-Daman, Captive Prince - C. S. Pacat, Chronicles of Narnia - C. S. Lewis, Political RPF - US 21st c., Political RPF - UK 20th-21st c., Political RPF - France 21st c., Hornblower - C. S. Forester, Coldfire Trilogy - C. S. Friedman, Political RPF - US 20th c., C-Pop, The Big C (TV), Alliance-Union - C. J. Cherryh, Political RPF - Canadian 21st c., Political RPF - Russian 21st c., House of Night - P. C. Cast & Kristin Cast, Chronicles of the Kencyrath - P. C. Hodgell, Flowers in the Attic - V. C. Andrews, Les Petits Meurtres d'Agatha Christie (TV), Le fabuleux destin d'Amélie Poulain | Amélie (2001), Les Aventures Extraordinaires d'Adèle Blanc-Sec (2010), La Vie d'Adèle | Blue is the Warmest Color (2013), Reflets d'Acide (Podcast), Les nouvelles aventures d'Aladin | The New Adventures of Aladdin (2015), Les chansons d'amour | Love Songs (2007), Couple d'Ange, Starry - Dahan & D'Angelo, Llibre d'Amic e Amat | The Book of the Lover and the Beloved - Ramon Llull, L'elisir d'amore | The Elixir of Love - Donzietti/Romani, 愛聖女 | Sainte d'Amour - Takarazuka Revue, Anne with an E (TV), The Outsiders - S. E. Hinton, Formula E RPF, Raffles - E. W. Hornung, Shades of Magic - V. E. Schwab, WALL-E (2008), Maurice - E. M. Forster, ボ��ルルームへようこそ | Ballroom e Youkoso, Romeo e Giulietta - Ama e Cambia il Mondo, Villains Series - V. E. Schwab, Biggles Series - W. E. Johns, Nußknacker und Mausekönig | Nutcracker and the Mouse King - E. T. A. Hoffmann, Star Wars: Ahsoka - E. K. Johnston, Leagues and Legends - E. Jade Lomax, Seven Pillars of Wisdom - T. E. Lawrence, Oniisama E, f(x), F-Zero (Video Games), Great Gatsby - F. Scott Fitzgerald, Sue Thomas: F.B.Eye, F.E.A.R. (Video Games), F. T. Island, David Blaize - E. F. Benson, To Serve Them All My Days - R. F. Delderfield, Wild ARMs Altercode: F, The Poppy War - R. F. Kuang, F is for Family (Cartoon), F. COMPO, F/X: The Series, Logan's Run Series - William F. Nolan & George Clayton Johnson, China Mountain Zhang - Maureen F. McHugh, Enchanters Series - K. F. Bradshaw, Jeeves - P. G. Wodehouse, .hack//G.U., G.I. Joe - All Media Types, (여자)아이들 | (G)I-DLE, G.I. Joe (Cartoon), Psmith - P. G. Wodehouse, WODEHOUSE P. G. - Works, G.I. Joe: Rise of Cobra (2009), G Gundam, G.I. Joe: Retaliation (2013), The War of the Worlds - H. G. Wells, G.I. Joe: Renegades, 聖闘士星矢エピソード・ジー | Saint Seiya: Episode G, Splintered - A. G. Howard, The Invisible Man - H. G. Wells, Marabilia - Iria G. Parente & Selene M. Pascual, だから僕はHができない。| Dakara Boku wa H ga Dekinai. | So I Can't Play H! (Anime), Cthulhu Mythos - H. P. Lovecraft, LOVECRAFT H. P. - Works, H2O: Just Add Water, Machineries of Empire Series - Yoon Ha Lee, Triple H (Korea Band), Herbert West - Reanimator - H. P. Lovecraft, H.O.T. (Band), Dream Cycle - H. P. Lovecraft, Once and Future King Series - T. H. White, H.I.V.E. Series - Mark Walden, The Time Machine - H. G. Wells, The Tapestry Series - Henry H. Neff, She - H. Rider Haggard, 私がモテないのはどう考えてもお前らが悪い! | Watamote - No Matter How I Look At It It's You Guys' Fault I'm Unpopular!, I'm Sorry I'll Read That Again (Radio), I'll Sleep When I'm Dead (2003), How I Met Your Mother, Voyná i mir | War and Peace - Leo Tolstoy, To All the Boys I've Loved Before Series - Jenny Han, I Medici | Medici: Masters of Florence (TV), I Don't Know How But They Found Me (Band), Final Fantasy I, I.O.I (Band), Dark Souls I, I Love Yoo (Webcomic), 10 Things I Hate About You (1999), Withnail & I (1986), Suikoden I, Harry Potter - J. K. Rowling, The Lord of the Rings - J. R. R. Tolkien, The Silmarillion and other histories of Middle-Earth - J. R. R. Tolkien, The Hobbit - J. R. R. Tolkien, TOLKIEN J. R. R. - Works & Related Fandoms, Throne of Glass Series - Sarah J. Maas, Peter Pan - J. M. Barrie, Carmilla - J. Sheridan Le Fanu, The Vampire Diaries - L. J. Smith, Union J (Band), Black Dagger Brotherhood - J. R. Ward, Brave Police J-Decker, MAAS Sarah J. - Works, Night World - L. J. Smith, K-pop, K (Anime), Red Velvet (K-pop Band), Anita Blake: Vampire Hunter - Laurell K. Hamilton, OK K.O.! Let's Be Heroes, 斉木楠雄のΨ難 | Saiki Kusuo no Sai-nan | The Disastrous Life of Saiki K., K.A.R.D (Band), K-On!, Merry Gentry - Laurell K Hamilton, Earthsea - Ursula K. Le Guin, Everworld Series - K. A. Applegate, The Left Hand of Darkness - Ursula K. Le Guin, Society of Gentlemen - K. J. Charles, The Broken Earth Series - N. K. Jemisin, L'Arc~en~Ciel, Dracula: l'amour plus fort que la mort - Ouali, Sackett Series - Louis L'Amour, L'appart du 5e (TV), L'agneau carnivore - Agustín Gómez Arcos, L'amica geniale | The Neapolitan Novels - Elena Ferrante, L'amant | The Lover (1992), Dracula: l'amour plus fort que la mort - Ouali RPF, Dracula: Entre l'amour et la mort - Leclerc/Tabra/Ouzounian & Pelletier, Porgi l'altra guancia | Two Missionaries (1974), The Talon and Chantry Series - Louis L'Amour, Les Crimes de l'amour: Eugénie de Franval | The Crimes of Love: Eugenie de Franval - Marquis de Sade, Les Crimes de l'amour: Ernestine | The Crimes of Love: Ernestine - Marquis de Sade, L'apprenti sorcier | The Sorcerer's Apprentice - Paul Dukas (Song), L'art du crime | The Art of Crime (TV), M&M's Commercials, House M.D., Anne of Green Gables - L. M. Montgomery, Baby-Sitters Club - Ann M. Martin, Super Junior-M, Chalet School - Elinor M. Brent-Dyer, Mayans M.C. (TV), Marvel (House of M), Earth's Children - Jean M. Auel, The Culture - Iain M. Banks, Emily of New Moon - L. M. Montgomery, Peter and Wendy - J. M. Barrie, Blue Castle - L. M. Montgomery, Emberverse - S. M. Stirling, Ed Edd n Eddy, Guns N' Roses, N.Flying (Band), N.E.R.D.S. - Michael Buckley, Kid n Teenagers (Web Comic), The Inheritance Trilogy - N. K. Jemisin, On n'demande qu'à en rire RPF, Sleeping Beauty Series - A. N. Roquelaure, M A N I A - Fall Out Boy (Album), The Paper Magician Series - Charlie N. Holmberg, Effluent Engine - N. K. Jemisin, Boyz n the Hood (1991), November Rain - Guns N' Roses (Music Video), Happily N'Ever After (2006), Dreamblood Series - N. K. Jemisin, Aubrey-Maturin Series - Patrick O'Brian, The Rocky Horror Show - O'Brien, Seven O'Clock (Band), The Things They Carried - Tim O'Brien, Modesty Blaise - Peter O'Donnell, 10 O'Clock Live RPF, Mrs Frisby and the Rats of NIMH - Robert C. O'Brien, Twelve O'Clock High (TV), Twelve O'Clock High (1949), 네시 | 4 O'Clock - RM & V (Song), Hairspray - Shaiman/Wittman & Shaiman/O'Donnell & Meehan, Le Petit Poucet | Hop-o'-My-Thumb - Charles Perrault, Back Roads - Tawni O'Dell, Crossroads Series - Nick O'Donohoe, 12時の鐘が鳴る | 12-ji no Kane ga Naru | 12 O'Clock Bell Rings (Manga), Magnum P.I. (TV 2018), Mary Poppins - P. L. Travers, P.S. I Love You (2007), Blandings Castle - P. G. Wodehouse, Prinsessen paa Ærten | The Princess and the Pea - Hans Christian Andersen, Children of the Lamp - P. B. Kerr, Magnum P.I. (TV 1980), 古剑奇谭 | Gujian Qitan (Video Games), 诡秘之主 - 爱潜水的乌贼 | Guǐ Mì Zhī Zhǔ - Ài Qián Shuǐ De Wū Zéi, Persona Q: Shadow of the Labyrinth, 灵契 | Ling Qi | Spiritpact, 秦时明月 | Qín Shí Míngyuè | The Legend of Qin - All Media Types, 法医秦明 | Medical Examiner Dr. Qin (TV), Persona Q2: New Cinema Labyrinth, 庆余年 | Qing Yu Nian (TV), Tantei Gakuen Q | Detective Academy Q, Avenue Q - Lopez/Marx, 情定三生 | Qing Ding San Sheng (TV), 古剑奇谭 | Gujian Qitan (TV), 你却爱着一个傻逼 - 水千丞 | In Love with an Idiot - Shui Qian Cheng, 开封奇谈 | Kai Feng Qi Tan (TV), 大秦帝國 | Da Qin Di Guo | The Qin Empire (TV), Afdeling Q | Department Q (Movies), Power Rangers R.P.M., The Legend of Drizzt Series - R. A. Salvatore, Mary Russell - Laurie R. King, Nightside Series - Simon R. Green, R.O.D: Read or Die & Related Fandoms, E/R (1984), Wonder - R. J. Palacio, Smith of Wootton Major - J. R. R. Tolkien, Deathstalker Series - Simon R. Green, S.C.I.谜案集 | S.C.I. Mystery (TV), S.C.I.谜案集 | S.C.I. Mystery (TV) RPF, The Expanse Series - James S. A. Corey, The Last Unicorn - Peter S. Beagle, Old Possum's Book of Practical Cats - T. S. Eliot, The Daevabad Trilogy - S. A. Chakraborty, Star Wars: Phasma - Delilah S. Dawson, Draka Series - S. M. Stirling, s-CRY-ed, Wings of Fire - Tui T. Sutherland, Green Creek Series - T.J. Klune, T-Ara, Mad T Party Band, T.U.F.F. Puppy, The Tempest Series - T. D. Cloud, The Waste Land - T. S. Eliot, t.A.T.u. (Band), T. J. Hooker (TV), T.M.Revolution, Topp Dogg | Xeno-T (Band), The Man From U.N.C.L.E. (2015), The Man From U.N.C.L.E. (TV), U-KISS, Hollywood U: Rising Star, U2 (Band), The Girl from U.N.C.L.E., The Man From U.N.C.L.E. (2015) RPF, Here U Are (Webcomic), Without You - NCT U (Music Video), UC: Undercover, 1-800-WHERE-R-U Series - Meg Cabot, เพราะรักใช่ป่าว | Why R U?: The Series (TV) RPF, The Hate U Give - Angie Thomas, UC (Webcomic), Whitest Kids U' Know RPF, The Hate U Give (2018), Deux ans de vacances | Two Years' Vacation - Jules Verne, New Dangan Ronpa V3: Everyone's New Semester of Killing, Elder Scrolls V: Skyrim, Yu-Gi-Oh! ARC-V, Batman v Superman: Dawn of Justice, 第五人格 | Identity V (Video Game), Grand Theft Auto V, V for Vendetta (2005), Henry V - Shakespeare, 第五人格 | Identity V (Video Game) RPF, Final Fantasy V, Code Name: Sailor V, V (2009), V (1983), W.I.T.C.H., Hardy Boys - Franklin W. Dixon, Nancy Drew/Hardy Boys Super Mysteries - Franklin W. Dixon & Carolyn Keene, 君の名は。| Kimi no Na wa. | Your Name., 四月は君の嘘 | Shigatsu wa Kimi no Uso | Your lie in April, 田中くんはいつもけだるげ | Tanaka-kun wa Itsumo Kedaruge | Tanaka is Always Listless, 会長はメイド様! | Kaichou wa Maid-sama! | Maid Sama!, 囀る鳥は羽ばたかない | Saezuru Tori wa Habatakanai, كتاب ألف ليلة وليلة | Kitaab 'alf layla wa-layla | One Thousand and One Nights, 裏切りは僕の名前を知っている | Uragiri wa Boku no Namae wo Shitteiru | The Betrayal Knows My Name, 結城友奈は勇者である | Yuuki Yuuna wa Yuusha de aru | Yuki Yuna is a Hero, ふたりはプリキュア | Futari wa Pretty Cure, 今日から俺は!! | Kyou Kara Ore Wa!!, Koko wa Greenwood | Here is Greenwood, Bounen no Xam'd | Xam'd: Lost Memories, The X-Files, X-Men - All Media Types, Monsta X (Band), X-Men (Movieverse), Hunter X Hunter, X-Men (Comicverse), X-Men (Alternate Timeline Movies), X1 (Korea Band), X-Men Evolution, Pocket Monsters: X & Y | Pokemon X & Y Versions, Rockman X | Mega Man X, Star Wars Legends: X-Wing Series - Aaron Allston & Michael Stackpole, X -エックス- | X/1999, Hoshi no Kaabii | Kirby: Right Back at Ya!, やがて君になる | Yagate Kimi ni Naru | Bloom Into You (Manga), Y: The Last Man, かくりよの宿飯 | Kakuriyo no Yadomeshi | Kakuriyo: Bed & Breakfast for Spirits (Anime), Sarai-ya Goyou | House of Five Leaves, Pokemon + Nobunaga no Yabou | Pokemon Conquest, Y tu mamá también (2001), Ya-ya-yah (Band), Y Gwyll | Hinterland, 传说之主的夫人 - 尹琊 | The Legendary Master's Wife - Yin Ya, Libro de los ejemplos del conde Lucanor y de Patronio | Tales of Count Lucanor - Don Juan Manuel, Yes or No อยากรัก ก็รักเลย | Yes or No: Yaak Rak Gaw Rak Loey (Movies), Olmos y Robles (TV), Divine Secrets of the Ya-Ya Sisterhood (2002), Ya lyublyu tebya | You I Love (2004), Z for Zachariah (2015), Z Nation (TV), Z.Tao (Musician), The Chronicles of Vladimir Tod - Zac Brewer, A.B.C.-Z, World War Z - Max Brooks, Suite Life of Zack & Cody, Lost Souls - Poppy Z. Brite, Demashitaa! Powerpuff Girls Z, House of Leaves - Mark Z. Danielewski, World War Z (2013), Exquisite Corpse - Poppy Z. Brite, The Slayer Chronicles - Zac Brewer, Mazinger Z, Drawing Blood - Poppy Z. Brite, Sherlock (TV), Sherlock Holmes & Related Fandoms, Sherlock Holmes - Arthur Conan Doyle, Sherlock Holmes (Downey films), Sherlock Holmes (1984 TV), Sherlock (TV) RPF, Miss Sherlock (TV), Шерлок Холмс | Sherlock Holmes (TV 2013), Sherlock Holmes (Rathbone films), Adventures of Sherlock Holmes and Dr. Watson (TV Russia), シャーロック | Sherlock: Untold Stories (TV), Murder Rooms: The Dark Beginnings of Sherlock Holmes, The Private Life of Sherlock Holmes (1970), Sherlock Holmes in the 22nd Century (Cartoon), Sherlock Holmes (US TV 1954), Shall We Date?: Guard Me Sherlock!+, Marvel Cinematic Universe, The Avengers (Marvel Movies), Marvel, The Avengers (Marvel) - All Media Types, Marvel (Comics), Marvel 616, Marvel Cinematic Universe RPF, Captain Marvel (2019), The Defenders (Marvel TV), Marvel Ultimates, Marvel Adventures: Avengers, Marvel Noir, Marvel 3490, Captain Marvel (Marvel Comics), Star Wars (Marvel Comics), Shazam! | Captain Marvel (Comics), Currently adding more fandoms

Rating: Not Rated

Warnings: No Archive Warnings Apply

Categories: F/F, F/M, Gen, M/M, Multi, Other

Characters: I'll add more soon - Character

Relationships: I'll add more soon

Additional Tags: I'll add more soon - Freeform

read it on the AO3 at https://ift.tt/3f1Io2o

#IFTTT #ao3feed #fanfic #tmfu #the man from uncle

3 notes · View notes

ao3feed-sherlockfemslash · 4 years

Text

Hangout for all fandoms!!

read it on the AO3 at https://ift.tt/2VJy9YY

by Marvelous_Stark

Just a place for everyone of every random to hang out and talk about their ships and anything they'd like! :)

This is probably a complete waste of my time, to be honest. Facebook is a thing too lol.

You can comment links to works you've made, or ones you enjoy! Honestly post anything but hate.

Have fun, make friends, and please no arguing 😓

Words: 12, Chapters: 1/1, Language: English

Fandoms: Once Upon a Time (TV), A Song of Ice and Fire - George R. R. Martin, A Song of Ice and Fire & Related Fandoms, ダイヤのA | Daiya no A | Ace of Diamond, Rogue One: A Star Wars Story (2016), InuYasha - A Feudal Fairy Tale, A Court of Thorns and Roses Series - Sarah J. Maas, Dream Daddy: A Dad Dating Simulator, Animorphs - Katherine A. Applegate, A Series of Unfortunate Events - Lemony Snicket, A Series of Unfortunate Events (TV), A.C.E (Beat Interactive Band), The A-Team (TV), The A-Team (2010), Solo: A Star Wars Story (2018), The A-Team - All Media Types, B.A.P, B1A4, Block B, B-PROJECT 鼓動＊アンビシャス | B-PROJECT: Kodou Ambitious, Weiß Side B (Manga), Don't Trust the B---- in Apartment 23, Понедельник начинается в субботу - Стругацкие | Monday Begins on Saturday - A. & B. Strugatsky, Team B (Band), Z-O-M-B-I-E-S (Disney Movies), B.I.G | Boys in Groove, Left Behind - Jerry B. Jenkins & Tim LaHaye, Grey's Anatomy: B-Team (Web Series), Charlotte's Web - E. B. White, B.I.Shadow, Plan B (2009), Battle B-Daman, Captive Prince - C. S. Pacat, Chronicles of Narnia - C. S. Lewis, Political RPF - US 21st c., Political RPF - UK 20th-21st c., Political RPF - France 21st c., Hornblower - C. S. Forester, Coldfire Trilogy - C. S. Friedman, Political RPF - US 20th c., C-Pop, The Big C (TV), Alliance-Union - C. J. Cherryh, Political RPF - Canadian 21st c., Political RPF - Russian 21st c., House of Night - P. C. Cast & Kristin Cast, Chronicles of the Kencyrath - P. C. Hodgell, Flowers in the Attic - V. C. Andrews, Les Petits Meurtres d'Agatha Christie (TV), Le fabuleux destin d'Amélie Poulain | Amélie (2001), Les Aventures Extraordinaires d'Adèle Blanc-Sec (2010), La Vie d'Adèle | Blue is the Warmest Color (2013), Reflets d'Acide (Podcast), Les nouvelles aventures d'Aladin | The New Adventures of Aladdin (2015), Les chansons d'amour | Love Songs (2007), Couple d'Ange, Starry - Dahan & D'Angelo, Llibre d'Amic e Amat | The Book of the Lover and the Beloved - Ramon Llull, L'elisir d'amore | The Elixir of Love - Donzietti/Romani, 愛聖女 | Sainte d'Amour - Takarazuka Revue, Anne with an E (TV), The Outsiders - S. E. Hinton, Formula E RPF, Raffles - E. W. Hornung, Shades of Magic - V. E. Schwab, WALL-E (2008), Maurice - E. M. Forster, ボールルームへようこそ | Ballroom e Youkoso, Romeo e Giulietta - Ama e Cambia il Mondo, Villains Series - V. E. Schwab, Biggles Series - W. E. Johns, Nußknacker und Mausekönig | Nutcracker and the Mouse King - E. T. A. Hoffmann, Star Wars: Ahsoka - E. K. Johnston, Leagues and Legends - E. Jade Lomax, Seven Pillars of Wisdom - T. E. Lawrence, Oniisama E, f(x), F-Zero (Video Games), Great Gatsby - F. Scott Fitzgerald, Sue Thomas: F.B.Eye, F.E.A.R. (Video Games), F. T. Island, David Blaize - E. F. Benson, To Serve Them All My Days - R. F. Delderfield, Wild ARMs Altercode: F, The Poppy War - R. F. Kuang, F is for Family (Cartoon), F. COMPO, F/X: The Series, Logan's Run Series - William F. Nolan & George Clayton Johnson, China Mountain Zhang - Maureen F. McHugh, Enchanters Series - K. F. Bradshaw, Jeeves - P. G. Wodehouse, .hack//G.U., G.I. Joe - All Media Types, (여자)아이들 | (G)I-DLE, G.I. Joe (Cartoon), Psmith - P. G. Wodehouse, WODEHOUSE P. G. - Works, G.I. Joe: Rise of Cobra (2009), G Gundam, G.I. Joe: Retaliation (2013), The War of the Worlds - H. G. Wells, G.I. Joe: Renegades, 聖闘士星矢エピソード・ジー | Saint Seiya: Episode G, Splintered - A. G. Howard, The Invisible Man - H. G. Wells, Marabilia - Iria G. Parente & Selene M. Pascual, だから僕はHができない。| Dakara Boku wa H ga Dekinai. | So I Can't Play H! (Anime), Cthulhu Mythos - H. P. Lovecraft, LOVECRAFT H. P. - Works, H2O: Just Add Water, Machineries of Empire Series - Yoon Ha Lee, Triple H (Korea Band), Herbert West - Reanimator - H. P. Lovecraft, H.O.T. (Band), Dream Cycle - H. P. Lovecraft, Once and Future King Series - T. H. White, H.I.V.E. Series - Mark Walden, The Time Machine - H. G. Wells, The Tapestry Series - Henry H. Neff, She - H. Rider Haggard, 私がモテないのはどう考えてもお前らが悪い! | Watamote - No Matter How I Look At It It's You Guys' Fault I'm Unpopular!, I'm Sorry I'll Read That Again (Radio), I'll Sleep When I'm Dead (2003), How I Met Your Mother, Voyná i mir | War and Peace - Leo Tolstoy, To All the Boys I've Loved Before Series - Jenny Han, I Medici | Medici: Masters of Florence (TV), I Don't Know How But They Found Me (Band), Final Fantasy I, I.O.I (Band), Dark Souls I, I Love Yoo (Webcomic), 10 Things I Hate About You (1999), Withnail & I (1986), Suikoden I, Harry Potter - J. K. Rowling, The Lord of the Rings - J. R. R. Tolkien, The Silmarillion and other histories of Middle-Earth - J. R. R. Tolkien, The Hobbit - J. R. R. Tolkien, TOLKIEN J. R. R. - Works & Related Fandoms, Throne of Glass Series - Sarah J. Maas, Peter Pan - J. M. Barrie, Carmilla - J. Sheridan Le Fanu, The Vampire Diaries - L. J. Smith, Union J (Band), Black Dagger Brotherhood - J. R. Ward, Brave Police J-Decker, MAAS Sarah J. - Works, Night World - L. J. Smith, K-pop, K (Anime), Red Velvet (K-pop Band), Anita Blake: Vampire Hunter - Laurell K. Hamilton, OK K.O.! Let's Be Heroes, 斉木楠雄のΨ難 | Saiki Kusuo no Sai-nan | The Disastrous Life of Saiki K., K.A.R.D (Band), K-On!, Merry Gentry - Laurell K Hamilton, Earthsea - Ursula K. Le Guin, Everworld Series - K. A. Applegate, The Left Hand of Darkness - Ursula K. Le Guin, Society of Gentlemen - K. J. Charles, The Broken Earth Series - N. K. Jemisin, L'Arc~en~Ciel, Dracula: l'amour plus fort que la mort - Ouali, Sackett Series - Louis L'Amour, L'appart du 5e (TV), L'agneau carnivore - Agustín Gómez Arcos, L'amica geniale | The Neapolitan Novels - Elena Ferrante, L'amant | The Lover (1992), Dracula: l'amour plus fort que la mort - Ouali RPF, Dracula: Entre l'amour et la mort - Leclerc/Tabra/Ouzounian & Pelletier, Porgi l'altra guancia | Two Missionaries (1974), The Talon and Chantry Series - Louis L'Amour, Les Crimes de l'amour: Eugénie de Franval | The Crimes of Love: Eugenie de Franval - Marquis de Sade, Les Crimes de l'amour: Ernestine | The Crimes of Love: Ernestine - Marquis de Sade, L'apprenti sorcier | The Sorcerer's Apprentice - Paul Dukas (Song), L'art du crime | The Art of Crime (TV), M&M's Commercials, House M.D., Anne of Green Gables - L. M. Montgomery, Baby-Sitters Club - Ann M. Martin, Super Junior-M, Chalet School - Elinor M. Brent-Dyer, Mayans M.C. (TV), Marvel (House of M), Earth's Children - Jean M. Auel, The Culture - Iain M. Banks, Emily of New Moon - L. M. Montgomery, Peter and Wendy - J. M. Barrie, Blue Castle - L. M. Montgomery, Emberverse - S. M. Stirling, Ed Edd n Eddy, Guns N' Roses, N.Flying (Band), N.E.R.D.S. - Michael Buckley, Kid n Teenagers (Web Comic), The Inheritance Trilogy - N. K. Jemisin, On n'demande qu'à en rire RPF, Sleeping Beauty Series - A. N. Roquelaure, M A N I A - Fall Out Boy (Album), The Paper Magician Series - Charlie N. Holmberg, Effluent Engine - N. K. Jemisin, Boyz n the Hood (1991), November Rain - Guns N' Roses (Music Video), Happily N'Ever After (2006), Dreamblood Series - N. K. Jemisin, Aubrey-Maturin Series - Patrick O'Brian, The Rocky Horror Show - O'Brien, Seven O'Clock (Band), The Things They Carried - Tim O'Brien, Modesty Blaise - Peter O'Donnell, 10 O'Clock Live RPF, Mrs Frisby and the Rats of NIMH - Robert C. O'Brien, Twelve O'Clock High (TV), Twelve O'Clock High (1949), 네시 | 4 O'Clock - RM & V (Song), Hairspray - Shaiman/Wittman & Shaiman/O'Donnell & Meehan, Le Petit Poucet | Hop-o'-My-Thumb - Charles Perrault, Back Roads - Tawni O'Dell, Crossroads Series - Nick O'Donohoe, 12時の鐘が鳴る | 12-ji no Kane ga Naru | 12 O'Clock Bell Rings (Manga), Magnum P.I. (TV 2018), Mary Poppins - P. L. Travers, P.S. I Love You (2007), Blandings Castle - P. G. Wodehouse, Prinsessen paa Ærten | The Princess and the Pea - Hans Christian Andersen, Children of the Lamp - P. B. Kerr, Magnum P.I. 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Rating: Not Rated

Warnings: No Archive Warnings Apply

Categories: F/F, F/M, Gen, M/M, Multi, Other

Characters: I'll add more soon - Character

Relationships: I'll add more soon

Additional Tags: I'll add more soon - Freeform

read it on the AO3 at https://ift.tt/2VJy9YY

#IFTTT #ao3feed #fanfic #sherlock

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paralleljulieverse · 5 years

Photo

Oh! I do like to be beside the seaside!

70th anniversary of Julie Andrews’ three-month run in “Coconut Grove” at the Blackpool Hippodrome (26 June - 1 October 1949)

When discussing her long and varied career, Julie Andrews is fond of representing it as a series of fortuitous “stepping stones,” “great, wonderful bursts of good fortune [that] I would race to be worthy of" (Brockes 2004).

The first of these auspicious breaks was Starlight Roof, the up-scale London variety revue that marked Julie’s professional debut in late-1947. At the end of her one year run in the show –– limited to a strict twelve month maximum by council laws governing theatrical employment of minors –– Julie recounts that she was awash with tears. “I honestly thought that was the end of my career, the end of all the fun, and that I would never work again” (Andrews, 2008: 88).

Such was the impact of Starlight Roof, however –– and such the ambitious management of those around her, perhaps –– that the pint-sized soprano was quickly launched into a series of follow-up engagements that further advanced her budding celebrity. From singing on the radio to appearing in big London pantos and even performing for royalty, the young Julie Andrews carved out a solid career as post-war Britain’s singing child wonder, a virtuosic “prima donna in pigtails” (Pearce: 3).

Most of these early performances were patterned more or less directly on the Starlight Roof novelty theme with Julie appearing as the unassuming little girl from Walton-on-Thames –– complete with white smock dress, ankle socks and Dolly shoes –– who would gaily skip onto the stage and let forth with this phenomenal coloratura singing voice. Touring the British variety circuit, often on the same bill as her parents, Julie typically stole the show...and the notices! “Julie Andrews...provides the highlight of the evening,” enthused one review of an appearance at the Hackney Empire in May 1949. Her “[o]peratic selections and ballad numbers, with excellent pianoforte accompaniment, are enjoyed in an all-too-brief appearance” (’Round the Halls’: 5).

Before long, Julie emerged as the star in the family with theatrical billing shifting from ‘Ted and Barbara Andrews with Julie’ to ‘Julie Andrews with Ted and Barbara’. “That was not a very happy state of affairs,” Julie later recalled, “certainly not for my stepfather who had an ego to think about” (Moir: 17). The growing disparity of professional fortunes became plainly apparent in the summer of 1949 when Julie and her parents were contracted to perform in the northern English town of Blackpool.

The largest seaside resort in the UK, Blackpool has been a longstanding epicentre for domestic British tourism and, with it, summertime entertainment (Brodie and Whitfield, 2014). Widely lampooned today as down-market and a little seedy, the Blackpool entertainment industry in its heyday was hugely vibrant. Theatres, opera houses, ballrooms, winter gardens and a whole multiform “infrastructure of fun” sprang up to service the town’s massive seasonal market of family holidaymakers with something for everyone from grandparents to children (ibid: 51ff).

By the 1940s, Blackpool was at its peak as the British capital of summertime entertainment. Boasting fourteen live theatres and eighteen picture theatres, it was reputed to offer “the biggest show biz in the world for the size of the town” (Regensberg: 52). These venues provided “a flow of entertainment comprising revue, vaudeville, ice and water spectacles and circus to millions of visitors and locals,” offering lucrative opportunities for performing talent “with the season absorbing some of the biggest radio and vaude[ville] names” (ibid.).

It was in this context that, in the summer of 1949, the Andrews family was placed under three-month contract by Tom Arnold and Jack Taylor, a pair of seasoned theatre producers who had recently set up as independents after years of supplying shows for the Blackpool Tower Company (Regensberg: 52). Following initial success in the 1948 season, Arnold and Taylor went all out in 1949 mounting three big shows: Water Follies, an aquatic spectacular housed at the Derby Baths with Johnny ‘Tarzan’ Weissmuller flown in from Hollywood as star attraction; Coconut Grove, a lavish Hollywood-style revue at the Blackpool Hippodrome, a 2500-seat theatre in the heart of town; and Orchid Room, a slightly more modest variety show at the smaller Central Pier Pavilion on the seafront (Band, 2018).

Barbara and Ted Andrews were placed on the bill of the Orchid Room, playing support to the comedian Frankie Howerd as headliner, while Julie appeared as part of the Coconut Grove line-up. The latter owed more than a passing nod to Starlight Roof. Alongside Julie, it featured several other Starlight alumni including balloon-man Wally Boag and singer Jean Carson. A glowing report in the British show biz paper, The Stage gives a sense of the revue’s opulence:

“The whole theatre is converted into a lavish auditorium, with bands on either side of the stage and another playing in the vestibule. Silver decorations seem to dominate the scene, and some of the spectacular ensembles are beautiful. One, in which the whole stage is starlit, is extended to the theatre itself, with the chorus coming out into the auditorium carrying lighted trees, and is particularly effective (”Summer Entertainment”: 5).

The Yorkshire Post was equally rhapsodic, describing how “the unstinted lavishness of costumes, scenery and effects give the show an overwhelming appearance of magnificence” (“Blackpool’s Square Mile”: 6). Coconut Grove even garnered international attention with US entertainment bible, Variety running an extended profile on Blackpool’s bumper season, noting that “Julie Andrews, a kid protegee, whams ‘em” (Regensburg: 52).

Behind the glitter, though, the summer was not a happy one for the Andrews clan with problems in Ted and Barbara’s relationship coming to the fore. As early as her 1958 serialised memoir for Woman magazine, written barely nine years after the fact, Julie admitted that the “summer season in Blackpool...should have been lovely, but there was some strange atmosphere at home which I kept trying not to notice––and couldn’t help noticing more each day” (Andrews 1958: 45). In keeping with the era’s culture of circumspection about such matters, the 1958 Julie gingerly glossed the familial unease as a case of marital tensions due to financial stress. But fifty years later in her 2008 autobiography, she would be much more forthright with details about Ted’s chronic problem drinking, her mother’s own developing co-dependent alcoholism, and a domestic environment of sporadic violence (Andrews 2008: 104-106). With a degree of melancholic irony, she writes:

“There was a publicity photo taken during this period of the family walking together along the front at Blackpool, looking very happy. These days, my brothers and I marvel at how far removed that photograph was from the reality of what was actually going on” (ibid: 106).

A painful time for all, no doubt, but the summer at Blackpool was an important one in the professional and, one suspects, personal life of Julie Andrews. It consolidated her breakout performance in Starlight Roof, bringing her to the attention of an expanded audience, as well as further cultivating professional networks that would prove valuable in coming years. By Julie’s own reckoning, it also firmed her renowned sense of personal discipline and dutiful resolve as she recognised the need to step to the fore and fill the void as the family’s main emotional support and breadwinner. “I felt extremely responsible,” she recalls,

“felt that I had to take care of the whole family, that it was only me being an adult around the place. So I [tried] to preserve what was good, being cheerful, and saying, ‘Things aren't so bad. We'll manage.’ And, of course, we did” (Meryman: 87).

Sources:

Andrews, Julie. “So Much to Sing About, Part 3.” Woman. 17 May, 1958: 17-18, 41-46.

_____________. Home: A Memoir of My Early Years. London: Weidenfeld & Nicolson, 2008.

Arntz, James and Wilson, Thomas S. Julie Andrews. Chicago: Contemporary Books, 1995.

Band, Barry. “Showbiz spat led to a great summer line-up.” The Gazette. <www.blackpoolgazette.com> 23 August 2018.

“Blackpool’s Square Mile of Stars Thrives on Banter.” The Yorkshire Post. 26 July 1949: 6.

Brockes, Emma. “Thoroughly Modern Julie.” The Guardian. 13 October 2004.

Brodie, Alan and Whitfield, Matthew. Blackpool's Seaside Heritage. Swindon : English Heritage, 2014.

Fleming, Craig. “Raising the Curtain on the Blackpool Hippodrome’s History.” The Gazette. <www.blackpoolgazette.com> 7 January 2014.

Meryman, Richard. “Mint Julie.” Lear’s. September 1992: 82-87.

Moir, Jan. “An Overdose of Sugar.” The Guardian. 5: 7, 30 September 1992: 17.

Pearce, Emery. “Command Singer in Pigtails.” Daily Herald. 1 November 1949: 3.

Pearson, Lynn F. The People's Palaces: The Story of the Seaside Pleasure Buildings of 1870-1914. Buckingham : Barracuda, 1991.

Regensburg, Harry. “Blackpool, Britain’s Atlantic City Still Boff Show Town, U.S. Acts Score.” Variety. 10 August 1949: 52,60.

“Round the Halls.” The Stage. 19 May 1949: 5.

“Summer Entertainment 1949.” The Stage. 14 July 1949: 5.

#julie andrews #coconut grove #Blackpool #hippodrome #music hall #variety #theatre #british #Child Star #1949 #ted and barbara andrews

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decophotolove · 6 years

Photo

Gjon milli. Hollywood Ice Revue at Madison Square Gardens, NYC, 1948.

#Gjon milli

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oldshowbiz · 6 years

Photo

Hollywood Ice Revue of Chicago

#hollywood #chicago

4 notes · View notes

thesmithsfiend · 6 years

Text

GOLDEN AGE OF LOONEY TUNES REFERENCE GUIDE

Golden AGE Of Looney Tunes Volume 1 Disc #1 Side 1: • Smile, Darn Ya, Smile! (1931) • Shuffle Off to Buffalo (1933) • Page Miss Glory (1936) • I Love to Singa (1936) • Have You Got Any Castles? (1938) • Speaking of the Weather (1937) • Katnip Kollege (1938) Disc #1 Side 2: • The Wild Hare (1940) • Daffy Duck and Egghead (1938) • Odor-Able Kitty (1945) • A Tale of Two Kitties (1942) • I Haven't Got a Hat (1935) • Life with Feathers (1945) • Walky Talky Hawky (1946) Disc #2 Side 1: • Cinderella Meets Fella (1938) • Hamateur Night (1939) • Thugs With Dirty Mugs (1939) • Cross Country Detours (1940) • Dangerous Dan McFoo (1939) • The Bear’s Tale (1940) • The Crackpot Quail (1941) Disc #2 Side 2: • Wabbit Twouble (1941) • Horton Hatches the Egg (1942) • The Hep Cat (1942) • A Corny Concerto (1943) • Kitty Kornered (1946) • The Great Piggy Bank Robbery (1946) • The Big Snooze (1946) Disc #3 Side 1: • The Night Watchman (1938) • Old Glory (1939) • Sniffles Takes a Trip (1940) • The Dover Boys (At Pimento University) (1942) • My Favorite Duck (1942) • The Aristo-Cat (1943) • Inki at the Circus (1947) Disc #3 Side 2: • Rhapsody in Rivets (1941) • Pigs in a Polka (1942) • Little Red Riding Rabbit (1944) • Duck Soup to Nuts (1944) • Hare Trigger (1945) • Back Alley Oproar (1948) • Tweetie Pie (1947) Disc #4 Side 1: • The Heckling Hare (1941) • Hare Tonic (1945) • Hare Ribbin? (1944) • Bugs Bunny Nips the Nips (1944) • A Hare Grows in Manhattan (1947) • The Unruly Hare (1945) • Gorilla My Dreams (1948) Disc #4 Side 2: • Nasty Quacks (1945) • Hair-Raising Hare (1946) • The Bashful Buzzard (1945) • Daffy Doodles (1946) • Little Orphan Airedale (1947) • Baby Bottleneck (1946) • Book Revue (1946) Disc #5 Side 1: • The Coo Coo Nut Grove (1936) • Daffy Duck in Hollywood (1938) • Hollywood Steps Out (1941) • What's Cookin' Doc? (1944) • Hollywood Daffy (1946) • Swooner Crooner (1944) • Slick Hare (1947) Disc #5 Side 2: • Tortoise Beats Hare (1941) • Tortoise Wins by a Hare (1943) • Rabbit Transit (1947) • Bugs Bunny Gets the Boid (1942) • The Old Grey Hare (1944) • Bugs Bunny Rides Again (1948) • Haredevil Hare (1948)

GOLDEN AGE OF LOONEY TUNES VOLUME 2

Disc #1 Side 1 - Musical Madness:

You Don't Know What You're Doin'! (1931) * Goopy Geer (1932) * Three's a Crowd (1932) * We're in the Money (1933) Honeymoon Hotel (1934) The Lady in Red (1935) The Penguin Parade (1938)

Disc #1 Side 2 - Early Wabbits:

Prest-O Change-O (1939) Hare-um Scare-um (1939) Elmer's Candid Camera (1940) Elmer's Pet Rabbit (1941) Hiawatha's Rabbit Hunt (1941) Hold the Lion, Please (1942) Fresh Hare (1942)

Disc #2 Side 1 - Frank Tashlin:

The Major Lied 'Til Dawn (1938) Cracked Ice (1938) Brother Brat (1944) Plane Daffy (1944) A Tale of Two Mice (1945) Behind the Meat-Ball (1945) Hare Remover (1946)

Disc #2 Side 2 - Chuck Jones:

The Little Lion Hunter (1939) The Draft Horse (1942) Flop Goes the Weasel (1943) Lost and Foundling (1944) Fair and Worm-er (1946) What's Brewin', Bruin? (1948) Rabbit Punch (1948)

Disc #3 Side 1 - Bob Clampett:

Goofy Groceries (1941) The Wacky Wabbit (1942) * Buckaroo Bugs (1944) * An Itch in Time (1943) * The Gruesome Twosome (1967) * Draftee Daffy (1945) * Bacall to Arms (1946) *

Disc #3 Side 2 - McKimson & Davis:

Acrobatty Bunny (1946) * Hollywood Canine Canteen (1946) * The Mouse-Merized Cat (1946) * One Meat Brawl (1947) * Mexican Joyride (1947) * Mouse Menace (1946) * Catch as Cats Can (1947) *

Disc #4 Side 1 - Fables & Fairy Tales:

Beauty and the Beast (1934) * Little Red Walking Hood (1937) * A-Lad-In Bagdad (1938) * Robin Hood Makes Good (1939) * Tom Thumb in Trouble (1940) * A Gander at Mother Goose (1940) * Jack-Wabbit and the Beanstalk (1943) *

Disc #4 Side 2 - The Art of Daffy:

Yankee Doodle Daffy (1943) * The Wise Quacking Duck (1943) * Daffy - The Commando (1943) * The Stupid Cupid (1944) * Birth of a Notion (1947) * To Duck....or not To Duck (1943) * What Makes Daffy Duck (1948) *

Disc #5 Side 1 - Best Supporting Players:

The Hardship of Miles Standish (1940) * Hop, Look, and Listen (1948) * Roughly Squeaking (1946) * The Goofy Gophers (1947) * Scent-imental Over You (1947) * Crowing Pains (1947) * Of Fox and Hounds (1940) *

Disc #5 Side 2 - Variations on a Theme:

Tick Tock Tuckered (1944) * Good Night Elmer (1940) * Bedtime for Sniffles (1940) * A Pest in the House (1947) * Trap Happy Porky (1945) * The Unbearable Bear (1943) * Daffy Duck Slept Here (1948) *

GOLDEN AGE OF LOONEY TUNES VOLUME 3

Disc #1 Side 1 - Harman-Ising:

One More Time Red-Headed Baby Pagen Moon A Great Big Bunch of You The Shanty Where Santy Claus Lives One Step Ahead of My Shadow The Dish Ran Away With the Spoon

Disc #1 Side 2 - Bugs Bunny:

Wackiki Wabbit Hare Force Super-Rabbit Herr Meets Hare Bugs Bunny and the Three Bears Stage Door Cartoon Easter Yeggs

Disc #2 Side 1 - Chuck Jones:

The Squawkin' Hawk Inki and the Mynah Bird From Hand to Mouse Fin N' Catty Fresh Airedale The Eager Beaver House-Hunting Mice

Disc #2 Side 2 - Fritz Freleng:

Pigs is Pigs The Cat's Tale Lights Fantastic Ding Dog Daddy The Wacky Worm Peck Up Your Troubles Racketeer Rabbit

Disc #3 Side 1 - Early Avery:

I Wanna Be a Sailor Circus Today Aviation Vacation Aloha Hooey Holiday Highlights Crazy Cruise The Cagey Canary

Disc #3 Side 2 - Tashlin/Clampett:

Little Pancho Vanilla Booby Hatched I Got Plenty of Mutton Farm Frolics Falling Hare Birdy and the Beast Russian Rhapsody

Disc #4 Side 1 - Sports:

Freddy the Freshman Boulevardier From the Bronx Along Flirtation Walk Sport Chumpions Greetings Bait Screwball Football Baseball Bugs

Disc #4 Side 2 - The Evolution of Egghead:

Egghead Rides Again Count Me Out Johnny Smith and Poker Hontas A Day at the Zoo Believe It, or Else A Feud There Was Confederate Honey

Disc #5 Side 1 - Porky and Daffy:

Daffy Duck and the Dinosaur Slightly Daffy Ain't That Ducky Wagon Heels Along Came Daffy Nothing But the Tooth The Up-Standing Sitter

Disc #5 Side 2 - Politically Incorrect:

Wake Up the Gypsy in Me He Was Her Man Sioux Me The Mighty Hunters A Feather in His Hare The Early Worm Gets the Bird Inki and the Lion

GOLDEN AGE OF LOONEY TUNES VOLUME 4

Disc #1 Side 1 - Bugs Bunny:

The Wabbit Who Came to Supper The Hare-Brained Hypnotist The Case of the Missing Hare Hare Conditioned Buccaneer Bunny Rhapsody Rabbit Any Bonds Today? A Wild Hare - original version

Disc #1 Side 2 - Early Chuck Jones:

The Good Egg Ghost Wanted Snow Time For Comedy The Bird Came C.O.D. Dog Tired Fox Pop The Weakly Reporter

Disc #2 Side 1 - Friz Freleng:

The Trial of Mr. Wolf Double Chaser The Sheepish Wolf Hiss and Make Up Holiday for Shoestrings The Gay Anties Of Thee I Sting

Disc #2 Side 2 - Cartoon All-Stars:

Tom Turk and Daffy I Taw a Putty Tat Two Gophers From Texas Conrad the Sailor Doggone Cats A Horsefly Fleas Hobo Bobo

Disc #3 Side 2 - Radio Daze:

Crosby, Columbo, and Vallee The Woods are Full of Cuckoos Let It Be Me Little Blabbermouse Malibu Beach Party Quentin Quail Hush My Mouse

Disc #3 Side 2 - Frantic Forties:

Hop, Skip, and a Chump A Hick, a Slick, and a Chick Meatless Flyday The Foxy Duckling Bone Sweet Bone The Rattled Rooster The Shell-Shocked Egg

Disc #4 Side 1 - Wacky Blackouts:

Land of the Midnight Fun Wacky Wildlife Ceiling Hero Fresh Fish Saddle Silly Foney Fables Bug Parade

Disc #4 Side 2 - Ben Hardaway & Cal Dalton (and Private Snafu):

Love and Curses Gold Rush Daze Bars and Stripes Forever Hobo Gadget Band Fagin's Freshman Busy Bakers Snafuperman Spies

Disc #5 Side 1 - Sniffles:

Naughty But Mice Little Brother Rat Sniffles and the Bookworm The Egg Collector Sniffles Bells the Cat Toy Trouble Brave Little Bat

Disc #5 Side 2 - Merrie Melodies:

The Queen Was in the Parlor I Love a Parade The Organ Grinder Billboard Frolics Flowers For Madame September in the Rain You're an Education

GOLDEN AGE OF LOONEY TUNES VOLUME 5

Disc #1 Side 1 - Black & White Classics:

It's Got Me Again! (1932) Moonlight for Two (1932) A Great Big Bunch of You (1932) You're Too Careless with Your Kisses (1932) I Wish I Had Wings (1932) Young and Healthy (1933) I Like Mountain Music (1933)

Disc #1 Side 2 - Early Avery:

don't look now i only have eyes for you ain't we got fun a sunbonnet blue the sneezing weasel the mice will play detouring america

Disc #2 Side 1 - Freleng Follies:

she was an acrobat's daughter sweet sioux the lyin' mouse my little buckeroo the fighting 69 1/2th rookie revue fifth column mouse

Disc #2 Side 2 - Musical Madness:

the merry old soul mr. and mrs. is the name into your dance country mouse bingo crosbyana the fella with a fiddle now that summer is gone

Disc #3 Side 2 - Pesky Pets:

the cat came back country boy dog daze dog gone modern the curious puppy stage fright snowman's land

Disc #3 Side 2 - Objects d'art:

those beautiful dames little dutch plate i'd love to take orders from you toy town hall my green fedora streamlined greta green shop, look & listen

Disc #4 Side 1 - Animal Antics:

pop goes your heart i wanna play house i'm a big shot now when i yoo hoo at your service madame a star is hatched plenty of money and you

Disc #4 Side 2 - Supplemental material (CAV):

hare ribbin' (director's cut) the return of mr. hook (U.S. Navy) the good egg ( U.S. Navy) tokyo woes (U.S. Navy) my dream is yours (excerpt from film) two guys from texas (excerpt from film)

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thefederalistfreestyle · 7 years

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Now ‘Spamilton’ Really Can’t Miss Its Shot to Tease ‘Hamilton’ (NYT):

[. . .] “Spamilton,” the uproarious Off Broadway spoof of the blockbuster Broadway musical, has become an increasingly popular ticket for people who can’t afford or can’t get seats for “Hamilton” (top ticket price: $849). “Spamilton” skirts right up to the line, mimicking music from “Hamilton,” satirizing its characters and scenes, using a similar logo and channeling the hip-hop vibe that has invigorated the colossal “Hamilton” fan base. But the top price for premium “Spamilton” tickets is $113.

And on Friday, “Spamilton” will even begin performances in the backyard of “Hamilton,” moving from an Upper West Side theater to the 47th Street Theater, a block away from where “Hamilton” is running.

If “Hamilton” executives have a problem with “Spamilton,” they aren’t saying: They declined to comment for this article. The spoof’s creator, Gerard Alessandrini, said his show is paying homage to “Hamilton” by mocking it — and doing so within the legal bounds for parodies.

“I chose to make it just about ‘Hamilton,’ but not because we’re going to make more money,” said Mr. Alessandrini, who has had enormous success for decades with “Forbidden Broadway,” his series of theater parodies. “But because it’s a better idea.”

“Hamilton” regularly grosses between $2.5 million and $3 million a week, while “Spamilton” makes a fraction of that, although Mr. Alessandrini and his colleagues declined to say exactly how much. The 47th Street Theater seats 182.

“We’re on the coattails of ‘Hamilton,’” Mr. Alessandrini continued, in an interview at the theater while the cast was rehearsing. “But in a good way, a loving way. The way a little child would be on the coattails of their parents. Or a puppy dog.”

[. . .]

Make no mistake: Mr. Alessandrini, 63, skewers Broadway because he loves Broadway. He has been satirizing shows with pinpoint precision dating back to 1982, when “Forbidden Broadway” first opened, the parody musical revue that left none of theater’s most popular shows untouched. (“Annie” has been mocked repeatedly, even in “Spamilton.”)

In 2009, Mr. Alessandrini briefly put “Forbidden Broadway” on ice because he felt that shows on Broadway weren’t good enough to parody. As “Hamilton” box-office grosses piled up, the equation changed. He felt duty-bound as Broadway’s premier satirist to knock it down a peg.

At the same time, the caricature has not so subtly attached itself to its originator, by using a similar tagline, “An American Parody” (but not exactly the same as “An American Musical”). The “Spamilton” logo is a star with its top point cut off. The “Hamilton” logo happens to be a star with its top point cut off. The difference is that the sendup illustrates a silhouette thumbing its nose at the top, while the “Hamilton” emblem shows one pointing an arm toward the sky.

“Spamilton” reimagines Lin-Manuel Miranda, the creator of “Hamilton,” and his quest to reshape Broadway with rap — a Broadway revolution of sorts.

“I just felt, ‘Oh, thank god,’ when it came on,” Mr. Alessandrini said. “A new way of doing a musical. For so many years, musicals were rehashes.”

[. . .]

The teams behind “Hamilton” and “Spamilton” would not comment as to whether the parody was compensating its source material. Most parodies are protected under “fair use,” which allows for limited uses of unlicensed copyrighted material. In terms of trademark infringement, according to Domenic Romano, a New York City-based entertainment lawyer, “Spamilton” is probably on solid ground.

“If you compare them side by side, there are obviously similarities, but no one in commerce would confuse these two products,” Mr. Romano said. “‘Hamilton’ would have a case against ‘Spamilton’ if you could show, ‘You’re taking our audience away because people went to ‘Spamilton’ thinking it was ‘Hamilton.’”

Mr. Alessandrini, who has already picked his next target (a sendup of Hollywood called “Blah Blah Land”), batted away suggestions that his show’s sole aim was to piggyback on an iconic show’s brand.

“‘Hamilton’ is the biggest hit since I’ve been alive,” he said. “I had to spoof it.”

#hamilton #spamilton #gerard alessandrini #forbidden broadway #broadway #nytimes #parody isn't so much my thing anymore but i totally grew up on forbidden broadway

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laughtrout72-blog · 5 years

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Weekend Picks: Last Chance For Winter At Dilworth Park, Cinderella On Stage, NHL Stadium Series And More

It’s another can’t-miss weekend in Philadelphia full of great events, including the end of winter — sort of.

The winter attractions next to City Hall — collectively known as Winter at Dilworth Park — wrap up for the season on Sunday. Don’t miss one last chance to embrace the season at the ice rink, cabin and Wintergarden.

Speaking of wintry things, the Coors Light NHL Stadium Series welcomes the “Battle for Pennsylvania” on Saturday for a very special game outdoors at Lincoln Financial Field as the Philadelphia Flyers try to defeat the intrastate rival Pittsburgh Penguins.

On the arts scene, Broadway Philadelphia puts a modern twist on Cinderella at the Academy of Music, local acts celebrate the 20th anniversary of the iconic Things Fall Apart album by The Roots at World Cafe Live, the Barnes Foundation opens an exhibit of early photography and The African American Museum in Philadelphia closes its exhibition about cotton and slavery.

Select concerts this weekend — including James Blake, Flogging Molly and Scott Bradlee’s Modern Jukebox — are part of the Visit Philly Live Nation Hotel Package, a stellar hotel package that includes up to $230 in show-enhancing perks, including free hotel and concert parking, complimentary food and drinks during the show and other bonuses.

And lastly, don’t miss a chance to turn a fun weekend into a sleepover. Book the Visit Philly Overnight Hotel Package for a winter weekend getaway featuring up to $218 in free perks.

Follow Uwishunu on Twitter and Instagram for updates throughout the weekend.

Read on for our guide to this weekend in Philadelphia.

Attractions | Center City

Last Chance: Winter at Dilworth Park

It's the final weekend for this popular winter destination near City Hall, where visitors can ice skate, warm up in the cabin and stroll through the wintergarden...

Attractions | Avenue of the Arts

Swing @ the Kimmel at the Kimmel Center

The interactive (and free!) virtual-reality swing temporarily installed inside the Kimmel Center sparks nostalgia for childhood and playground memories...

Opening: Into the Mural at Meg Saligman Studio

Visitors get a closer look at mural making in this self-guided immersive experience that includes a scavenger hunt and hands-on adventures...

Visit Philly Overnight Hotel Package Winter Getaway

Book a Philly getaway for stays this winter and get up to $218 in free perks, including free hotel parking...

Blue Cross RiverRink Winterfest

Skate on the Olympic-sized ice rink, warm up in the cozy lodge, enjoy boardwalk eats and play arcade games at this open-all-winter waterfront attraction...

Orchid Extravaganza at Longwood Gardens

Delicate orchids drape windows, spill from planters and float overhead in this stunning display, on view all winter...

Black History Month in Philadelphia

This weekend's celebrations include a Stevie Wonder and Smokey Robinson tribute (Friday), an Underground Railroad discussion (Saturday) and a focus on enslaved cooks' influence on food (Sunday)...

Philadelphia Fishing Show at the Greater Philadelphia Expo Center

Catch a fish in the trout pond, check out the latest rod and reed designs and stop by seminars about specific species of fish...

Live Music, Comedy, Theater and Dance

Theater | Avenue of the Arts

Rodgers + Hammerstein's Cinderella at the Academy of Music

This weekend only, enjoy Broadway Philadelphia's modern take on this classic fairy tale, complete with elaborate costumes and sets...

74 Seconds...to Judgment at the Arden Theatre Company

Philly playwright and director Kash Goins (Creed, Split) wrote and stars in this story of six deadlocked jurors struggling to define "justifiable homicide"...

Shen Yun at the Kimmel Center

Classical Chinese dance and live orchestra music bring 5,000 years of ancient performance traditions to life on stage...

Last Chance: Broads at Plays & Players Theatre

Comedy theater company 1812 Productions honors the funniest females of the '40s, '50s and '60s in this three-person revue that ends Sunday...

Renaissance in the Belly of a Killer Whale at Theatre Horizon

Three women tell the story of gentrification in Harlem in this funny and emotional one-weekend-only show...

Ongoing Exhibitions

Last Chance: Cotton at The African American Museum in Philadelphia

Philadelphia artist John E. Dowell explores the relationship between cotton and slavery through photographs and installations in this exhibit closing Sunday...

Exhibitions | Center City

#TrackTakeover at Walnut-Locust Station

Works by local artists replace 110 ad spots in the subway at SEPTA's Walnut-Locust Station in this installment meant to spark civic and public art awareness...

Fabulous Fashion: From Dior's New Look to Now at the Philadelphia Museum of Art

Museum exhibit meets runway fashion in an exploration of color, materials and evolving trends that includes pieces from iconic designers from around the world...

America to Zanzibar: Muslim Cultures Near and Far at the Please Touch Museum

Kids and their caregivers can see mosques, explore global markets and learn about local and global Muslim traditions at this hands-on exhibit...

More Must-See Exhibitions in Philadelphia

Philadelphia's museums and galleries showcase can't-miss art and objects from around the globe and around the city...

Rodgers and Hammerstein's Cinderella is on stage at the Academy of Music for five performances this weekend. (Rodgers and Hammerstein's Cinderella | Photo by Carol Rosegg)

Final Fridays: Celestial Bodies at the Philadelphia Museum of Art

An evening dedicated to the cosmos includes ink painting lessons, dance performances and a tour of the museum's recently reopened Chinese Galleries...

Events | Northern Liberties

The Spruce Foundation's Cabaret: Snowball Revue at the Ruba Club

Philly burlesque performers Honeytree Evileye, Kyla Ren and more perform, and New Liberty Distillery provides signature cocktails at this LGBTQIA* fundraiser...

Live Music, Comedy, Theater and Dance

James Blake at The Fillmore Philly

The soulful singer is touring behind his first album in almost three years, Assume Form, at this show that's also part of the Visit Philly Live Nation Hotel Package...

An Evening of Stand Up Comedy: Seth Meyers at Keswick Theatre

The Emmy Award-winning Late Night with Seth Meyers host and Saturday Night Live alum performs two shows in Montgomery County ...

The Philadelphia Flyers take on the Pittsburgh Penguins in the outdoor Coors Light NHL Stadium Series at Lincoln Financial Field on Saturday. (Photo courtesy Philadelphia Flyers)

Sports | South Philadelphia

2019 Coors Light NHL Stadium Series at Lincoln Financial Field

The Philadelphia Flyers face the Pittsburgh Penguins in round two of this Pennsylvania hockey battle, which takes place at the home of the Philadelphia Eagles...

Food and Drink | University City

15th Annual Beer Fest at World Cafe Live

More than 30 brewers, including many local independent makers, share three-ounce samples of their beers with a backdrop of live entertainment, prizes and giveaways...

Opening: Ancient Egypt at the Penn Museum

A special exhibit and the reopening of the Artifacts Lab offer a behind-the-scenes glimpse of objects in the under-renovation Lower Egypt Gallery...

Kennett Winterfest in Kennett Square

Bundle up for this seventh annual beer, food and music festival, featuring pours from 60 breweries and tunes from Chester County-based band AfroBear...

Bouts on Broad at The Met Philadelphia

Boxing returns to North Philadelphia inside the newly renovated historic opera house with fighters Gadwin Rosa, Branden Pizarro, Malik Hawkins, Jeremy Cuevas and Samuel Teah on the bill...

Live Music, Comedy, Theater and Dance

Things Fall Apart: 20 Year Celebration at World Cafe Live

Chill Moody, Zeek Burse and more local acts celebrate the 20th anniversary of the release of the iconic Things Fall Apart album from The Roots...

Theater | Avenue of the Arts

The Life and Legacy of Marian Anderson at the Kimmel Center

The world premiere of the film about Anderson's life showcases the songstress' Philadelphia roots and her role in breaking down racial barriers...

Flogging Molly at The Fillmore Philadelphia

The punk rock group with Irish influences is on tour behind its new album due in June at this show that's also part of the Visit Philly Live Nation Hotel Package...

Silent Disco at XFINITY Live!

Experience an immersive kind of concert in a noiseless space where everyone rocking out can only hear the music in their headphones...

See the new photography exhibit, From Today, Painting is Dead, opening Sunday at the Barnes Foundation. (Photo courtesy Barnes Foundation)

Exhibitions | Logan Square

Opening: From Today, Painting is Dead at the Barnes Foundation

A new look at old photography explores the beginning of the art form through nearly 250 never-before-seen photos taken between the 1840s and 1880s...

Food and Drink | Chestnut Hill

Chestnut Hill Restaurant Week

A dozen restaurants offer fixed-price dinners between $30 and $64, plus BYOB options and free parking after 6 p.m....

Oscars Party & Screening at the Philadelphia Film Center

Movie lovers dress up and spend Hollywood's biggest night in Philly with food, drinks, a silent auction and the Academy Awards playing on the big screen...

Live Music, Comedy, Theater and Dance

Music | South Philadelphia

Michael Bublé at the Wells Fargo Center

The crooner is on tour fresh off the release of his 10th studio album, Love, and ready to perform top hits like Everything and Haven't Met You Yet...

Music | North Philadelphia

Philadelphia Orchestra Free Concert at Teatro Esperanza

The Philadelphia Orchestra continues efforts to bring its music to nontraditional venues with a free (registration encouraged) afternoon performance...

Scott Bradlee's Postmodern Jukebox at The Met Philadelphia

The group's Welcome to the Twenties 2.0 Tour adds 1920s jazz influences to current pop hits to help prepare the audience for the 2020s at this show that's also part of the Visit Philly Live Nation Hotel Package...

Source: https://www.uwishunu.com/2019/02/things-to-do-in-philadelphia-this-weekend-february-22-24-2019/

#read more #see more #check it out #interesting #learn more

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