Tumgik
#i'm sorry it took me so long to answer
Note
Okay so if the whole wedding debacle hadn’t happened (which I’m still mad at Bonnie for because we deserved a Kai redemption arc and to see him finally have a chance to see what family could really be like and we could’ve had it if she hadn’t sent Kai back to a prison world) this is what I’d like to imagine uncle Kai would be like with baby Lizzie and Josie
https://www.tiktok.com/t/ZPRTUwT1C/
HOW did this ask escape for so long?? I'm so stale.
BUT YES, that is so much the relationship they'd have, I'm giggling!!
And same, I'm so bitter that we couldn't have a redemption arc. I feel like Kai wouldn't be bad with kids as long as he isn't competing against them for 1.) having importance to the family / coven, and 2.) literal survival. Someone who's the eldest of six other kids, I actually think would be quite good with them, given the chance. Ugh, I so wish they kept him around and we could have scenes like that. And Jo / Liv / Bonnie, etc. all terrified and waiting for him to lose patience / mess up, but every time, he proves them wrong. 😭
11 notes · View notes
craykaycee · 10 months
Note
*casually moves a pointy laser when Moon passed* 737 don't mind me, just checking if the gremlin have real cat senses
Tumblr media
I think he likes it
3K notes · View notes
nouverx · 21 days
Note
just imagine charlie being the only other character in the hotel to understand Alastor's sayings and gripes about the modern world. She's even older than he is, those two could have so much to talk about. I'm still fairly young but I have plenty of gripes about the modern world, I just know those two old ladies could find something to share lol.
I adore Charlie and Alastor as characters, and I adore your art! All of your art is damn cute to me, it's great! I need more of charlie and alastor interacting and being silly in my life, romantic or platonic doesn't matter to me lmao.
You are just like me for real 😭 when the pilot came out I was so intrigued with Alastor and Charlie they immediately clicked for me and became my favourite pair of the show (tho now that the first season is out all of Alastor's other relationships stole my heart lmao but I still love them a lot) the "big bad villain who initially wanted to manipulate the sunshine character ends up accidently getting attached to them" trope is like one of my favourite tropes ever and they have the potential to become just that so I'm really invested in what their storyline will be I'M SO EXCITED
AND YEAH the fact that the hotel was already so has-been looking before Alastor showed up makes me think Charlie is similar to him, she's more up to date than him regarding new technologies ofc but I just know my girl loves vintage stuff ahah
(Also I want them to have a duo song in the next seasons SO BAD no offense to Heaven 2 Hell I love this song but I need something new it's been 4 years lol)
72 notes · View notes
acetier · 7 months
Note
will you be drawing any more of torin and varre? no rush at all, but i am lowkey obsessed with them now 👀
Tumblr media Tumblr media
ask and you shall receive, anon :^)
156 notes · View notes
scrybe-of-tech-p03 · 9 months
Note
Hey P03!
*magic stuff to allow G0LLY to exists as a separate unit for 5 asks*
Hello G0LLY! (aaa if this isn't allowed then I'm sorry! I really adore your art style uwu, (previously known as that one british person))
166 notes · View notes
sammy8d257 · 8 months
Note
*snatches king’s eyebags and slaps them onto my own face*
i’m either up at 2am looking at your art or up at 2am turning off the air conditioning or both
Tumblr media Tumblr media
ALKSJDLGJSG
Fun fact - It's currently almost 2 am at the time that I'm drawing this
I'm glad you like my art Anon, but please sleep
Don't be like me and constantly go to bed at 3-4 am
It's not good for your health alskdjlgsdg
152 notes · View notes
theotterpenguin · 1 month
Note
what’s your take on zutara being “you’re the wind, i’m in the water”. i’ve heard k@t@@ngs saying it’s clearly about their ship bc their elements are air and water but isn’t that a very surface level of understanding of the lyrics?
anon, i adore you for this ask because i love chemtrails over the country club (and lana's music in general).
i'm not surprised that people would try to apply this song to katara and aang because yes, at a surface level it's relevant to them for obvious reasons (water vs. wind), but i agree that the lyrics have far more depth than this.
first, we have to look at the context of the lyrics within the song. "you're in the wind, i'm in the water" presents a romanticized view of the separation of two lovers, just as the two elements brush past each other but never become one. this theme of separation is seen throughout the rest of the song as lana contrasts the privileged bubble of suburbia with the harsh reality of society, the darkness lurking behind a beautiful front.
likewise, zuko and katara have similar character arcs that revolve around an awakening to the harsh truths of society. zuko learns that the beauty and the power of the fire nation is just a facade, hiding the extreme cruelty of its colonialism and imperalism that has hurt all people (which goes hand-in-hand with zuko unlearning the abuse from his father, the personification of the fire nation itself). katara's arc involves a similar type of awakening, as she unlearns some of the dichotomous thinking she's held around the fire nation. her experiences with jet, hama, the sexism of the northern water tribe, the fire nation village in the painted lady, and even zuko show her the complexities of the war and teach her that people aren't always as simple as "good" or "evil." essentially, both zuko and katara undergo parallel character arcs that fundamentally change their worldview, reflective of the theme of chemtrails over the country club.
additionally, the "wind" and "water" that symbolize the separation of the two lovers in the song is also reminiscent of zuko and katara's journey - the two characters that have been pitted against each other from the beginning of the show, their opposing goals of protecting the avatar vs. capturing the avatar, daughter of the chieftain of the southern water tribe vs. prince of the fire nation, and the two characters that end every season finale in an climactic fight scene (first on opposing sides, then on the same side). and if you want an even more bittersweet perspective, there's also the fact that they are doomed by the narrative, two lovers who never end up together in this lifetime, fated to be separated.
if we want to look further into the song, i've also seen the lyric "nobody's son, nobody's daughter" being superficially applied to aang and katara as they have both experienced loss, but again, in the context of the actual show, it's katara and zuko who are repeatedly paralleled with this connection of losing their mothers and being separated from their fathers. katara discusses her grief over losing kya with haru, jet, and aang, but it's only her and zuko's connection over this that carries actual narrative weight in the story. and katara is the only person that zuko discusses the loss of his mother with. so it only makes sense that all of these narrative parallels culminate in the southern raiders, an episode vital to katara's character arc in which zuko is a crucial supporting character. you could also argue this ties in with the overall theme of separation in the song - being separated from your parentage and having to forge your own path.
finally, as a fun little addition, one of the other lyrics in the song is "my moon's in leo, my cancer is sun." and hmm, who are the two characters we typically associate with the moon and sun? (hint: "you rise with the moon, i rise with the sun"). but wait - it goes even deeper than that. i am most definitely not an expert on zodiac signs, but according to some basic googling, leo (a fire element) is typically ruled by the sun, while cancer (a water element) is typically ruled by the moon. by switching up what elements we typically associate with the signs, lana is reflecting on the duality and the unpredictability of herself like how she reflects on the duality of society earlier in the song. and similarly, zuko and katara undergo dual character arcs bound by elemental symbolism. despite being a waterbender, katara also personifies the element of fire - the element of passion, power, and will - as she stands up against injustice and refuses to back down from a fight. and despite being a firebender, zuko's arc also personifies the element of water - the element of change and adaptability - as zuko's perception of himself, his father, and the fire nation changes over time. they are both water and fire, both moon and sun, both yin and yang.
50 notes · View notes
aibyoutachi · 8 months
Note
For the souyo doodle requests, how about Yosuke getting ambushed by Yu's (and his, I guess lmao) herd of cats because he grabbed a bag from the kitchen that they thought was treats
Tumblr media
i feel like souji would keep picking up cats by "accident" and promise yosuke that no, he really won't do anything but feed it until he finds it a new home and now yosuke is that stereotypical grumpy dad who pretends he didn't want any of them but secretly loves and spoils them
142 notes · View notes
i-am-the-oyster · 1 month
Note
Hi would you be able to tell me sweet/positive facts about the Beatles ? I’m always hearing about that darker side of them and just would like to know more positive facts like the fact that they refused to play for a segregated audience!
I love this ask! I would be so happy if people respond with more uplifting Beatles lore.
Let's start with your example. The Beatles were the first act to play to desegregated audiences in multiple venues in the US, because the refused to accept the venues' rules. They used their power (the threat of cancelling a show) to make a direct impact.
Sort of related: they insisted on crediting the Black artists that inspired them. There is a long history of erasure of Black musicians, but when the Beatles were asked who their musical influences were almost all of the names they gave were of Black artists.
They pushed gender boundaries. (I'm certainly not going to claim any of the Beatles were perfect feminists lol, but) they sang girl-group songs, wore their hair long, wore colour and flowers.
They made beautiful music! Let's not forget that they went from "pop sensation" to epoch-defining album in 4 years.
They were really friends! We don't need to talk about 1970. They went through so much together, and even after everything, they all spoke about the deep love connection that remained between them.
They encouraged other bands to try writing songs for themselves.
The word is love!
34 notes · View notes
Note
hey hey peacekeeper, I saw the other multiverse bird and he as tall as you too! a harbinger or something. Do you know him???
Tumblr media
63 notes · View notes
marimayscarlett · 7 months
Note
Quick question, have we figured out why Richard is so damn ATTRACTIVE??? Like he was so fine during the Mutter and MiG Era but he's even better now??? Sir I have questions!!!! What is it about you that's so addictive??? And that belly??? A MASTERPIECE!!!! He needs to pay for my rehab I'm dying over him at this point lmao
Hi hello how did you get into my head and write down exactly what I think about daily?? Because I'm still so fascinated regarding how he changed over the years, while remaining so enticing and attractive, always reinventing himself a bit, experimenting with different looks and styles while maintaining his overall vibe and aesthetic 😌 This of course includes his physique and wonderful chunkiness, but I'll shamelessly use this ask to venture out in earlier decades, to appreciate this man in all his glory 😩 (I hope that's alright with you)
Let's take a tiny look at Mr. Richard Z. Kruspe over the years, just to process this delicious evolution of his:
Very early on we had a lean Richard with the dreads, for some a no-go, for others quite a charming look (i know exactly i'm not the only one who's down for dreadlock Richard 👀), picture from ca. 1993:
Tumblr media
In the beginning of Rammstein, we have some brown and blond haired, somewhat muscly Richard (ca. 1995/1996):
Tumblr media Tumblr media
Then of course the ethereal look of Live aus Berlin (recorded in 1998) and his general style during the Sehnsucht era (Viva interview from 1997):
Tumblr media Tumblr media
Moving on to the Mutter era, the first time his iconic spiky black hair was introduced to the world (picture from 2001 in Tallinn, gif from 2001 at the Velodrom Berlin):
Tumblr media Tumblr media
He maintained a similar style and physique (very much toned and gym-trained I guess) or a while, for example during Völkerball (recorded in 2005):
Tumblr media
or in various music videos, such as "Mein Teil" (2004) and "Benzin" (2005, albeit with some very much 2000s eyebrows):
Tumblr media Tumblr media
In 2009 while LIFAD was released and during the LIFAD tour, he shortly ventured into another hair style (I won't comment, it was.. something, picture of 2009), then again back to the spiky style and tried out the mohawk (picture from 2012 I think), while parts of his typical stage outfit were born plus he's rather muscly here too:
Tumblr media Tumblr media
During the festival tour 2016/2017 you can slowly see him becoming a bit broader/meatier in his physique, which I find just absolutely wonderful, plus some combacks like his spiky hair (gifs from an interview in 2018):
Tumblr media Tumblr media Tumblr media
And slowly but surely we arrive in the current time and Richard's current style and physique: vampire coat, chicken coat, meaty and chunky Richard in all his glory:
Tumblr media Tumblr media Tumblr media Tumblr media
All in all I have to say: It's so interesting to see how he changed and still stayed true to himself and his aesthetic, to his enthusiastic and genuine self while continously trying out new styles. And this includes his physique!! His appearance of course changed over the span of 30 years, that's aging for you. Of course he put on some weight - but that doesn't negate the fact that someone can be unbelievably attractive. And yes, I wholeheartedly agree, his belly now is a master piece, forged by the heavens, a gift from god, just perfection 💖
76 notes · View notes
boyfridged · 1 year
Note
You may have already mentioned this in some of your other metas, and I just missed it, so please ignore this if it's redundant.
Do you think Bruce is projecting onto Jason by pushing him as a Robin? Obviously, Jason wanted to be Robin and was excited about it, and Bruce let Jason do other things, but (if I'm not mistaken) before Tim came into play, solidifying the whole Batman needs a Robin/support to keep him upright, Bruce and Dick becoming Batman and Robin, in the beginning, was also sort of a coping mechanism.
I think there are a few examples of Bruce enabling this kind of mindset. Like in Gotham Knights #43–44 (sorry), every time Barbara brings up Jason's inner turmoil, Bruce refocuses on his ability as a Robin; similarly, when Jason finds out about Two-Face and his dad, he is hurt, and Bruce acknowledges that but then does the same thing, zeroing in on reassuring Jason that he made a mistake but is still a good Robin.
Like, Jason got it from Bruce, but he unintentionally encouraged that kind of thinking.
oh, i definitely think that bruce is projecting on jason and that it profoundly affected jay. and, while every single one of your observations is apt, i would add that what truly made it so tragic is that he projected his own worst traits on jason while being blind to the fact that jay already shared his best qualities.
tldr: bruce projects himself on jason in terms of grief (saying that jason needs vigilantism to work his grief through) and sees his own worst traits in jason (anger) but doesn't see his own best traits in jay (compassion, love, and sensitivity). ironically, jason does end up developing all of the (projected) worst characteristics of bruce (obsessiveness, and relentlessness in pursuit of the respective perceived idea of justice). this happens even though they were barely present in his early storylines, and only ever manifested when jason was scared or lost. later, they truly came to be because of his trauma relating to vigilantism.
and the long, long version, coming with panels and quotes: under the cut.
first i want to say that the following analysis focuses very specifically on bruce's mistakes, but i don't view the overall of jay's upbringing by bruce solely in these terms. from text it is also clear that bruce deeply loves and cares about jay, and that jay enjoys being robin. now that this is clear, let's get to particularities, and start with jay's origin story.
i truly never stop thinking about the significance of bruce meeting jay in the crime alley, the place of his parents' death. there's a lot to be said about it, but here the focus is, of course, on the fact that he sees a little boy, very much similar to himself, angry and hurt, in the same scenery that brought him so much grief. and jay in some ways does appear to be a mirror of bruce's own agonies, as well as a mirror of his own inclination for seeking justice; and somehow, bruce fixates on the first one, while almost completely dismissing the latter.
bruce looks at him and assumes that the remedy to jason's pain and anger is being robin; and he doesn't stop to think about it. (it has to be noted that there's also classism at play, classism that is mostly a result of writers' own beliefs – collins did state in a couple of interviews that that the motivation behind jason's background was to make his introduction into vigilantism seem less offensive, as jason has already been exposed to crime...)
i think, in this context, it's interesting to look at the two-face storyline even closer, and from the start too. in the beginning, bruce talks of jason's 'street' roots and assumes jay would go "down the same criminal road that took his father [willis] to an early death." he also talks of jason making a lot of progress. later, in batman #411, after jason learns that willis has been killed by two-face, bruce comments that jay "has never been like this...listless...almost pouting--"
Tumblr media
this all, along with jay's cheerful and diligent behaviour from the previous issue builds an interesting picture for us: because we essentially learn that jay has been overall an unproblematic child. bruce, of course, attributes this "progress" to the training. however, for anyone else, the logical conclusion would be that jay's quick adjustment was simply a matter of finding himself in a safe and stable environment and receiving continuous support and attention from a parental figure. i find it rather questionable that jason's personality softened down because he had something to punch in the cave–– the more intuitive explanation is of course that he was angry and quick to fight when they first met because he couldn't afford anything else and because he was scared. but months later, in a loving home, he can allow himself to drop his guard; and his cocky attitude disappears until much later.
so the rather unsettling picture that we derive is that bruce is training jay to become a vigilante in order to "channel" his (nonvisible at this point) anger into something useful and just. and he clearly links this to his own trauma in batman #416 (that’s already starlin btw), in his conversation with dick, explaining why he took jay in: “he’s so full of anger and frustration… he reminds me of myself, just after my parents were killed.” bruce also mentions that soon after their first meeting, jason helped him and "handled himself well" in the fight, but he doesn't mention that jay has ran away from a crime "school" and intended to stop injustice on his own only because he was ignored.
the theme of bruce comparing jay to himself appears again in detective comics #574 (barr), where it is approached with a much more... critical look, thanks to leslie's presence and her skepticism of bruce's actions. after jason has suffered nearly fatal injuries at the hand of the mad hatter, bruce reminisces on his own trauma and motives. he tells leslie: "i didn't choose jason for my work. he was chosen by it...as i was chosen." leslie replies: "stop that! (...) you do this for yourself... you're still that little boy (...)" then, the conversation steers to the familiar ground and the topic of anger. in bruce's words, again: “i wanted to give jason an outlet for his rage…wanted him to expunge his anger and get on with his life…” and finishes "and instead, i may have killed him."
the recognition that bruce's projection on jason and involving him with his work might have fatal consequences is, as always, fast forgotten once jay wakes up and proclaims that he wants to continue his work as robin.
but to circle back, i think there's something else worth our attention, something deeply ironic, that is showcased in that issue: that bruce has no evidence for jay's "rage." when leslie talks of bruce's past, she recalls his tendencies to get into brutal fights at perceived injustice as early as in school; when bruce talks of jason, two pictures that are juxtaposed, are that of jason fighting as robin and jason... smiling, playing baseball.
Tumblr media Tumblr media
so, in the early days of jason's training and work in the field, we see bruce talking of jason's anger a lot; but we barely see it.
that being said, jay is angry sometimes– and i think your observation about how bruce deals with it is incredibly interesting and accurate.
we first see jay truly and devastatingly angry in the two-face storyline. bruce focuses on jay's reaction as robin, which is, in fact, aggressive. but something that he barely addresses is that jason's first reaction is sleeping all day, and not beating anyone to a pulp; in fact, this vengeful instinct seems to arise only when he is put right in front of two-face. and his third instinct, once the rage (very quickly) dies down after the altercation with two-face, is crying, because bruce hid the truth about willis' death from him. jay, while crying, asks bruce: "you have taken me out into combat-- but you spare me this?" in response, bruce lectures jason about how grief inspires revenge, which is, again, deeply ironic, given that jay seeking out revenge seemed to be prompted and enabled solely by the role of robin. moreover, his question suggests that at this point he saw grief ("you spare me this") and fighting as two different things.
the final is, as you said, bruce focusing on making it into a lesson on vigilantism, or, in his own words, "tempering revenge into justice." personally, i think in this way bruce directs jason to bring his grief into the field as a powering force, something that he didn't necessarily have an own incentive to do. the flash of compartmentalisation between his ordinary life and being a sidekick that jay has shown by questioning bruce's decision is lost. emotions are now a robin thing, and they have an (informal) protocol, a moral code. and when jay is confronted with an emotionally exhausting case next – the garzonas case, i believe that the focus on "tempering revenge into justice" is exactly the problem– we don't see jay crying, we see him frantic about finding the solution. this, right there, is bruce's obsessiveness, that in my opinion, was developed in jay specifically as a result of how his engagement with vigilantism combines with his deep sensitivity.
and, needless to say, his sensitivity is all the same as that of bruce – they both can't stand looking at other people hurting, they both wear their hearts on their sleeve, caring way too much – the thing is, bruce never quite acknowledges how they are similar in this matter. instead, he focuses on his sparse bursts of anger, wanting to bring jason closure in his grief the only way he knows it – in a fight for a better world. so, as you said, he focuses on jason's ability as robin.
which just doesn't work for jason. at all. we know it from how his robin run comes to an end: in the first issue of a death in the family (batman #426) alfred informs: “i’ve come upon him, several times, looking at that battered old photograph of his mother and father, crying.”  to that, bruce contends: “in other words, i may have started jason as robin before he had a chance to come to grips with his parents deaths.” he also tells jay that the field is not a place for someone who is hurting; a message that is the opposite of what he's been saying for years now, and something that i imagine was difficult for bruce to conceptualise, because then he would have to question his own unhealthy tendencies. it's a bit late to come to this realisation; bruce's self-projection that caused him to worry so much about jay's anger has already turned into a self-fulfilling prophecy that will fully manifest itself in utrh, when jason does the only thing he was taught to do with grief: try to channel it into justice.
198 notes · View notes
Hello my son why didn’t you tell me…………. You hade a daughter yells happily IM A GRANDPA
"Wait.... GOD!!???"
Tumblr media
25 notes · View notes
stellaluna33 · 18 days
Note
Watching Bracebridge Dinner, I noticed that Jess is sat directly across from Paris. We even see his reaction to Paris's anachronism rant. Given all the lamenting in the fandom that we don't get to see more of those two interacting, I'm surprised I haven't heard that mentioned before. Do you think the two chatted at all then?
Ooh, interesting! My personal feeling is that I don't THINK so... Jess seemed to be in more of a quiet observational mood that night... and he seems like he would be less likely to strike up a conversation in a large group where people could overhear? Other people- who may or may not be trustworthy- might know that he has Thoughts and Feelings about things! He was more at ease at Rory's house where it was just the three of them. And when Paris saw him at the diner ("Where'd HE come from? You got yourself a little cathouse up there?" 😂) I got the vibe that they weren't really acquainted with each other. But that's just my two cents. It's certainly an interesting possibility to think about!
21 notes · View notes
intheorangebedroom · 10 months
Note
What kind of kinks do we think Frankie has? 🤔
Hey Nonnie! Again, I'm glad you asked!
But first thing first: 
🧡HAPPY ❤️‍🔥FRANKIE❤️‍🔥 FRIDAY🧡
Tumblr media
@frannyzooey and I actually discuss this on a regular basis, and if you haven't yet, you should run over to her blog and read her entire Frankie masterlist (especially Taste, very relevant in this context). Because it’s all there, and it’s so much better than anything I could ever dream of achieving. 
This said, please do stay here a little longer 😬
Explicit thoughts below the cut 🔞
​I know it’s a general fandom consensus that Frankie is an avid and thorough pussy eater, and yes, I’m sure he is. But’s there is so much more to him.
Frankie’s a confident man. Quietly so, but definitely assertive. 
Discreet, calm, collected, he can be commanding, even threatening when he needs to. 
Possessive, but not jealous, he strives above all to protect, provide and care for you. Because this man loves you with everything he’s got, and because Frankie’s ultimate kink is… you. 
Anything and everything, from the fire in your eyes when you discuss something you’re passionate about, to the needy tuck of your body into his side when you get mean Sunday scaries. From the scent of your hair lingering on his pillow to the tangy taste of your skin at the end of the day. From your out-of-tune singing when a song you love comes up on the truck's radio, to the low thrumming and soft quiver of your pulse between his lips.
He loves you self-confident or vulnerable. He loves you standing tall or feeling small.
So I think what truly gets Frankie off, more than anything, is when his love has fostered enough sense of safety in you that you'll ask him for what it is that you truly want. Or better yet, when you take it from him. 
When you want it slow, silent and breathy, locked eyes and a press of your sweat-damp foreheads, calloused hands surprisingly soft in their span of your skin. 
When you want to be crushed underneath him and have him set the pace. 
When you need it rough, relentless, unforgiving. When you want him to curl his thick fingers around your nape and sink your mouth down on his hard length. When you want him to lick the makeup-stained tears off your cheekbone. When you need his grip on the swell of your ass to turn painful. When you want his teeth on your neck, his spit in your mouth, his come on your face.
When you ride his face without shame with a sharp tug of his hair until he bands his arms around your thighs hard enough to bruise. 
When you straddle him, your gorgeous tits bouncing in your frantic sway over him, for a while, at least, before he cups them to knead and pinch, when you writhe and whine because “it’s too much.” 
Just like Frankie knows his worth, he knows his size. And that too is a kink, it’s all about what it can do to you, for you.
He likes to thicken between your fingers, your eyes growing wide because you’re not sure, even after all this time, if you’ll be able to take it. 
Loves to rub his cock onto your stomach to show you just how deep he’s gonna reach. 
Loves to inch into you slowly and see sweat beading over your pinched brow with the effort, loves the sound of your tight cunt parting around him, he knows how it tastes too, eyes strained on your entrance catching along the girth of him, the music of your strained moans, loves to talk you through it, alright baby, come on now, you know you can take it.
When you’re burning with want and with need, when you’re pliant under his hands or rigid around his hips, chasing your release, sweat and slick and sticky, when you’re liquid inside, a rope pulled taut between your core and your heart that rips your inside out, when you’re blooming in shades of orange, when you plant your hands on his chest and demand "Make me come Francisco," that's his greatest kink.
123 notes · View notes
onefey · 1 month
Note
Could you maybe draw zsasha and cricket?
Tumblr media
don't judge him, he found that gem lying on the ground! in someone else's house. after he knocked it off the table.
25 notes · View notes