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upthewitchypunx · 4 years

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A Dabbler’s week of DIY Witchery

All us witches are steamed about the nonsense article where the person tried to become a witch in a week and concluded that we were anti-vax science deniers. We can all be annoyed at the article, but @asksecularwitch had a better idea to suggest what we would have someone do to explore witchcraft for a week or to dabble in witchcraft. There’s no shame in dabbling! How are you ever going to know if you like something if you don’t dabble?

So, here’s mine. I preface it with saying that I am an agnostic secular witch and I call my practice DIY Witchery. So, here’s how to explore that if it’s a think you might like doing.

Day 1: Clean your fucking room!

I’m not going to say what day of the week you should start. My weekend is Wednesday/Thursday so start whenever you want. You know what, you don’t even have to do this one day after another day if something comes up, just the idea that you intend to do all of it is a good start.

What you need: Tea light, safety pin, a match or lighter, a notebook, a pen, and a lot of work.

The first day of any project is almost always the most exciting one and the one that you are more inclined to put effort into. So, we are going to go big!

Clean your room! I mean it. Wash and put away your clothes, change your sheets, sweep or vacuum your floor, wash your windows, dust, change that burnt out lightbulb, take all the dishes out of your room, take your trash out and I mean the trash literally and figuratively. While you are cleaning your room think about what you want to gain from a week of exploring witchcraft. What are your interests in witchcraft? Do you want to do spells? Do you want to feel more safe? Are you interested in self-care? Do you like plants/cooking/animals and think there is something more you can do with these interests in an esoteric or occult way? Do you just want to see what all this new age woo fuss is about? All of these are valid reasons so keep them in mind when we go on to the next step and also keep your mind open because all of these things could change and that’s okay too. Then, take a bath or shower and get all that cleaning grime off you. There’s a reason “shower thoughts” hit us the way they do. Our body is relaxed and processing things differently so keep thinking about those thoughts you’ve had all day and what you are going to do with them.

Do you have an altar? I’ll bet you do! It doesn’t have to be all candles, cauldrons, and goblets and shit. It could be a flat surface where you have trinket boxes you received as gifts or an area where you have photos of friends and loved ones, or maybe a desk with your computer which is like a link to the world. We all create these spaces because they are pleasing and they remind us of who we are. Sometimes these get cluttered with empty ice cream tubs, keys, receipts, random paper but that’s why you cleaned your room so you can keep this space clear for the week. For this week, we’ll call this space “your space”

It may have been a long day and you are probably tired but you are almost done. Look around your room and admire your work. Seriously, a deep clean is so much work but so fulfilling when it is done. Get yourself a snack (or order some food if your budget allows) and get something to drink and find a cozy place to sit with your notebook.

Okay, get your snack and your drink and get that tealight candle and with a safety pin or a knife or something and carve something into the candle like “witchcraft” or “witch week” or “let’s dabble”, basically something that states that this is something you want work on. Place that in your space and light it while you write in your notebook. Think about all that stuff you were thinking about while you were cleaning. What interests you in witchcraft? If there are any aspects of witchcraft that interest you, write that down. State that you are starting this DIY project in earnest and are actually interested in taking it on. Part of taking up this project is too look at the world in a new way. The world is full of tools that might be useful if you learned to look at them in a different way. This week if you feel the urge to pick up weird objects off the ground to be used later or things that catch you eye like an acorn cap, bottle cap, or a literal fork you find it the road, or even if you see an object you can afford to buy that you think might be useful, do it. These collected things will be used for a divination project at the end of the week. Collect them and place them in your space throughout the week and document where you find them. Keep in mind your commitment to this DIY project all week when you are making choices. Remember if you decide to change your goals that’s cool.

Day 2 - Energy, Grounding & Centering

Yesterday was a lot of work so today we are going to do a quick exercise called Gounding and Centering. A simple exercise that a lot of witchcraft books I started on always mentioned that seems to be out of fashion or just skipped these days. I find it is a good trick to keep in my pocket for when I’m am upset of scared or anxious and not just for casting spells or whatever.

The general idea is to feel energy moving or to at least visualize it or maybe understand it in a strange intellectual way. It’s good to keep you in the moment, for me at least. First, let’s talk about the body and energy and how weird it is that we are alive and how our body has all these electrical impulses shooting through our nerves and telling my fingers to type this right now, ya? Being alive is pretty neat. What does a process that happens without thought feel like? Put your hands/palms together less than an inch apart without touching and think about the feeling. is it warm? Is it prickly? Does it feel like magnets repelling each other? Move your hands back and forth with the same short distance between them. Do you feel anything? It’s okay if you don’t, just try it. Write down your thoughts in your notebook.

This is what is called a visualization and sometimes people aren’t really into it or are unable to do it and that’s okay but at least give it a try The traditional grounding and centering is to sit comfortably on the floor, in a chair, or on your bed in your beautifully clean room. Sit comfortably, relax your shoulders, unclench your jaw, and notice your breathing, count to whatever numbers in and out that makes sense to you, I like 3s but maybe 5s or 7s are more you jam?

Traditionally your are supposed to visualize yourself as a tree with a tap root from the base of your spine going deep into the earth and drawing energy up and into your body as you focus on your breathing. This would be a way to draw energy for spell work but we aren’t going to do that so just send that energy right back where it came from. I actually like to physically touch my hands to the ground to shed excess energy. Maybe that visualization doesn’t work for you. It’s not really my thing. I imagine a specific location that is a watershed and all the water that falls for many square miles heads to the river, trickles through rocks to a specific place. I gather that and hold what I need and let what I don’t need pass though like the spillway of a damn. It’s more of a receptacle kind of thing for me. Maybe you like the idea of fire filling a room with warmth or the air down a canyon or some sort of science thing like water cycles, heat transference, or osmosis. Write down your thoughts about this experiement, try it a few times in one way and maybe a few times throughout this week.

Day 3- Perception and Animism

What you need: a bus pass and the ability to go outside, and your notebook

Part of this whole witch exercise is look at the world differently so go outside, talk to a tree, watch patterns in nature including humans doing human things like riding the bus or grocery shopping. Don’t wear headphones. Interact with strangers that approach you. Pretend they are NPCs in a video game. Take your notebook with you. Write down any thoughts that come to you about the things you see or feel. Write something on a piece of paper you want to get rid of like a bad date, a habit you would like to quit, an intrusive thought, and throw it away in the garbage in a public place and don’t look back. That’s a small kind of spell. If you see some change on the ground pick it up. If you see anything of interest fallen on the ground and you feel comfortable picking it up take in home and put it in your space for later, do it. Maybe go to a thrift store and see if anything catches your eye. Does your space need a tealight candle holder? I like to say I go to thrift stores to see if anything ones to come home with me.

Animism is the idea that everything (plants, animals, houses, cars, pencils, etc) has a soul, maybe you don’t believe in souls, I’m a bit iffy on the topic myself. But I do believe things and places have unique essences that make them what they are. I like to call myself a “soft-animist”. Things are created with purpose like a spoon. How do you interact with the spoon doing a spoon thing? Why does a certain smell lift your spirit? Why do you even have a favorite color? This day what about interacting with the essences of things. Things move us without our thinking about it, how do you move things? How do you interact with the world? Write about it in your notebook.

Day 4 - Correspondences and Critical Thinking

What you need: the internet, critical thinking skills, and your notebook

This one might take some time and I kind of apologize but you do have a clean room and the internet so you don’t have to go find some shitty new age book in the bookstore. A lot of witchcraft and spellcraft is based on the use of correspondences for spell ingredients. You will see a lot of these lists that are like “rose quarts is for love” and “rosemary is for everything” or “the color blue is for tranquility and green is for prosperity but also fertility” You will just see lists of these things with no explanation and you are just supposed to memorize them I guess? If you get really detailed some will mention what astrological sign or planet they are associated with even the classical elements of Earth, Air, Fire, and Water. These elements show up in modern witchcraft a lot, they aren’t really my thing, but worth exploring even as a metaphor if you have the time. You’ll also see correspondences for days of the week and hours of the day or season of the year. These ingredients get put in jars, or sachets, or burned in spells. A Correspondence list is just stuff that is associated with a desired outcome of a of spell.

Some of these are based in astrological concepts or the movement of planets as observed through western mystery traditions. Some concepts of correspondences are filtered through folk magic and the idea that like attracts like, this is called Sympathetic magic. It’s like what you did if you wrote a bad date on paper and tossed it in the trash the other day. See, you did a spell! There is also the Doctrine of Signatures stating that plants that look like things like a plant that looks like a heart is good for your heart or a plant that grows aggressively is good for making a spell to make something move faster.

This is why there are endless lists of correspondences. You can go look up some endless lists of correspondences to see what I mean. Does this sort of historical context mean anything to you? Does timing mean anything to you? What if you made your own correspondences? What would that look like? What if you hate the color orange because it was your ex-husband’s favorite color? Then chuck it out of the rainbow mix! Plants and other things are often gendered, why?

Pick 3 herbs in your spice cabinet or a plant you found outside and look up the magical correspondence for it. Does it make sense to you? If not, what do you think would better represent a desired outcome? What colors, plants, flowers, sounds make you happy or sad, write that down.

Day 5 - Sigils

What you need: Pen and paper

I love sigils but the idea of what they are and how they work has been changing lately. I’m kind of old school with sigils. The idea is that you have a statement of something you want to achieve, but you write it in the present. Maybe you have decided you want to be a witch so you write “I AM A WITCH” now, drop the vowels, “M W T C H” now take those letters and turn them into a symbol, overlap the letters, make it look pleasing to you. There! You have a sigil. I like to keep these around for a few days until you forget what it was supposed to be. The idea is that you take in the idea of the symbol and it becomes part of you, then you burn it and the sigil is gone but still resides in you. There’s are lots of ways for sigils to operate these day it seems, some are charged through self pleasuring before being destroyed, some act like a sticker that you place on something and it stays there and is not destroyed, I just like to hang out with them subtly reminding myself of whatever the reason I crafted it. I highly suggest reading this article on Run Soup about sigils and images in general and how they affect humans.

Day 6 - Knot Spell

What you need: a length of swing or rope

This is a fairly simple folk charm. There’s a lot you can do with fiber art and magic but we’ll start here. Get a length of string, or dental floss or an old shoelace, whatever can be tied 9 times. If you wanna feel witchy, light the candle in your space in your clean room. Think of something you would like to manifest like waking up on time to get to work early or remembering to water your houseplants, do that grounding and centering thing from day 2, then tie the length of thread in order as outlined in this image while saying each line of the spell. Now you would let go of that energy and eat some food. Leave the knotted string in your space. Write down your thoughts on the experience.

Day 7 - Divination

What you need: A book, some way to listen to music digital and all the stuff you picked up off the ground

When people think of divination they think of tarot cards or reading tea leaves but there’s lots of different kinds of divination and there’s no reason to fork over money for a tarot deck when it just might not be your thing. I don’t know how it works or why it works but I’m more inclined to say that our brain is paying attention to everything and we fixate on symbols and archetypes because they remind of what our unconscious has been sorting out while we’ve been sleeping.

I’m going to suggest three forms of divination: Biliomancy, Shufflemancy, and Cleromancy. Pick one or pick all three if you feel like it. If you guessed bibliomancy was about books, you would be correct! Originally it was to use the bible but any big book will do, especially if the books means something to you. I have this lovely edition of Lord of the Rings that’s fantastic for this. Close your eyes, you can do the grounding and centering thing if you would like, think of a question, open the book to a random page, point your finger and read the line. Did you get some sort of answer?

Shufflemancy would be putting your music on shuffle and asking a questions for and for the next track to give you some insight.

Cleromancy is divination through small objects. It often has to do with tossing the objects and observing where they land in relation to each other but we are just going to simplify it. Remember all that stuff you picked up off the street? You didn’t do it? That’s okay. Get a small bag or maybe a stock or something and gather some small object, the ones you found or some other objects that will fit in the bag. Ask a question, toss the bag around a bit and let one object fall out. What does that object mean to you? Was it something you found? Where did you find it and under what circumstances? Was it a gift from a friend or something that has special meaning? Write it down in your notebook.

And thus concludes your week of dabbling in DIY Witchery. Maybe you hated it, but at least you have a clean room.

#diy witchery #secular witchcraft #a week of witchcraft dabbling #dabbling in witchcraft #witchcraft #witchcraft*#witchblr

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ruminativerabbi · 6 years

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Learning to Listen

The Israeli-Palestinian dispute has many unique features, by which I mean qualities that it specifically does not share with similar geo-political disputes and which are features particularly of the parties to it. But there are other features that it does share with other disputes between nations or peoples, into which category I would put those aspects of the problem that are specifically not especially unique to the players involved. I suppose there are probably many different aspects to the endless sikhsukh between Arab and Jew in the Holy Land that could be included in that second category, but I think probably the most prominent of them all—and paradoxically both the most difficult to resolve and, in other ways, also the simplest—is the inability both sides show with remarkable regularity to see the people on the other side of the fence at all clearly. Or to hear them when they speak. Or to listen without prejudice to what they wish to say.

There are circles, as I am well aware, in which even the suggestion that the responsibility for the situation as it has evolved to date could or, worse, should be shared by the involved parties is anathema. I have fallen prey to that line of thinking myself. And although I find some scant comfort in the fact that I was in excellent (and famous) company in that regard, the reality of the situation no longer affords anyone who longs for peace in the region the luxury of listening only to his or her own voice. To describe those willing to listen to dissenting opinions as terminally gullible seems beyond childish at this point: it seems counterproductive and morally indefensible to imagine that peace can ever be made between people who are not prepared even formally, let alone intently, to listen to each other and to respond honestly and genuinely to what the other party has to say. It is certainly so that lots of what people say about the Middle East is nonsense, their arguments baseless blather and their positions intellectually and morally indefensible. The problem is that there’s no way to weigh the worth of other people’s opinions without listening to them carefully, and doing so generously and without prejudice. To do that, however, requires that you at least occasionally stop talking yourself. But that inability to fall silent with someone else speaks turns out, more than slightly paradoxically, to be one of the major things Israelis and Palestinians actually do have in common.

All this by way of introducing to you a very interesting book I finished reading earlier this week, Yossi Klein Halevi’s Letters to My Palestinian Neighbor. Published just last month by HarperCollins, the book is remarkable in several different ways and I would like to recommend it as serious, thoughtful summer reading for anyone who wants to understand—and on a particularly intelligent, reasonable plain—the underlying reasons that the Israeli-Palestinian dispute seems so intractable.

Halevi has framed his book as a series of letters to an unidentified neighbor living in Iswiya, the Arab town on the other side of the separation fence that blocks access to French Hill, the modern Israeli neighborhood adjacent to the Mount Scopus campus of the Hebrew University in which Halevi lives. For readers unfamiliar with the geography of Jerusalem, the basic principle is that, with certain famous exceptions, most Arab villages—including ones inside the municipal boundaries of Jerusalem—and the Jewish communities almost adjacent to them are sealed off from each other, if not precisely by law, then by custom: my own apartment in Arnona is not half a mile from the Arab village of Jabel Mukaber, but I’ve never been there and wouldn’t think of going there—it would be unsafe and unwise—and neither do I know anyone who has ever gone there. That’s just how it is. Yet I see Arab families all the time in the shopping malls in Talpiyot, the neighborhood directly to our west, and no one seems to notice or care. It’s all a little hard to explain, but Halevi’s idea—which I think he manages to carry through successfully—is both to notice and to care…and also to imagine that where people shop contiguously and eat at adjacent tables in restaurants, they could also speak to each other honestly and from the heart…if they felt that there was someone actually listening. A little bit, he’s tilting at windmills. But he’s also taken the remarkable step of having his entire book—this book that I’m writing to you about—translated into Arabic and posted for free download on a website that should be easily accessible to all Israeli and Palestinian Arabs.

The author writes frankly and from the heart. To the Palestinians, he offers the clear message that they are doing themselves a disservice and more or less guaranteeing that almost no Israelis will listen seriously (or even at all, really), when they speak as though the Jewish connection to the Land of Israel began in the nineteenth century and refuse on principle to take the preceding millennia into account, millennia which included centuries of Jewish autonomy in that place and of ongoing spiritual, emotional, and intellectual attachment to it. Indeed, when Palestinian leaders insist—passionately but ridiculously—that the entire Bible is a falsification of history, that there never was a Temple on the Temple Mount, that the Davidic kingdom never existed, that all the archeological evidence that ties the Jewish people to the Land of Israel is bogus and phony, they are more or less guaranteeing that no Israeli with any sense of pride in his or her nation will still be listening after the first sentence or two. But when Israelis, and particularly religious Israelis, wave away the Palestinians as mere interlopers because their ancestors only arrived on the scene a mere twelve centuries ago, they are guaranteeing no less surely that no thoughtful Palestinian born in that place and whose whole sense of identity is tied to his or her national sense of self is going to continue listening after the first few words either.

In other words, what both sides have accomplished magnificently is the discovery and honing of precisely the right kind of code words to use so as to be able to guarantee that no one will actually be listening when you finally do stand up to speak.

Halevi addresses painful, difficult topics in the course of his letters to his unidentified neighbor across the security fence. He talks openly—and passionately—about the way that terrorism has taken its toll not only on the specific individuals who have died as the result of Palestinian terror attacks, but on the national consciousness of Israelis as well. And he also writes, in my opinion remarkably openly, about the specific reasons so many Israelis do not feel themselves able to believe truly that their Palestinian neighbors wish to live in peace. Indeed, when he asks, not guilelessly but sharply and acidulously, why the Palestinians have turned down so many different offers of statehood—at Camp David and at Oslo, but also on other occasions as well—if they truly wish to negotiate a settlement and get on with the work of nation building, he is merely doing his part to hold up his end of the dialogue honestly and candidly.

One review I read suggested that the best way to read this book would be first to read an entirely different one: Hillel Halkin’s Letters to an American Jewish Friend, published in 1977 and still in print. I was in my final year at JTS when that book came out and I remember reading it and feeling both inspired by its argument, yet unjustly marginalized by its conclusions. The book angered me—which I’m sure was exactly the response the author hoped to provoke—but also challenged me to revisit my feelings about living in the diaspora and about my personal relationship to Israel. I recommend the book highly to all my readers, however: here is a truly passionate argument for aliyah that all who wish truly honestly to engage with the Zionist ideal should read.

For most, it will not be pleasant reading. But political writing at its best is not meant to soothe, but to irritate—somewhat in the way sand irritates oysters into producing pearls—and to allow readers to confront their complacency and address the logical flaws or moral sloppiness in the way they approach the philosophical or political issues that engage them the most passionately. I see that reviewer’s point and second the motion: to read those two books, one after the other, would truly to engage with the twin axes of Israel life: the x-axis of Jewishness which connects Israelis with Jews in all the lands of our dispersion, and the y-axis of rootedness in the land which ties Israelis, whether they like it or not, to the Palestinians who self-define in terms of their own rootedness in that same soil. And for those of us whose hearts beat with Israel, that kind of engagement with the grid can only produce insight into what we all understand is a very complicated situation. Anna Porter, who wrote a very intelligent review of Halevi’s book for the Toronto newspaper, The Globe and Mail (click here to read it), wraps up her appraisal by noting that “Israel is a very complicated country.” That, surely, we can all agree is true. But books like Halevi’s are attempts to shed more light than heat on the precise issues that make life in the Holy Land so complicated…and to inspire a dialogue, for once, that is rooted in reality rather than rhetoric.

Since I am not a Palestinian, I am presumably not the intended audience for a book entitled “Letters to My Palestinian Neighbor.” Nor will the large majority of people reading this be. Nonetheless, I recommend this to you all wholeheartedly as an opportunity to look out at the world, and the Middle East in particular, through Yossi Klein Halevi’s eyes. Particularly for young people eager to understand their parents’ deep commitment to Israel but unsure of where they personally stand, this book will be an eye-opening, inspiring read.

#Yossi Klein Halevi #Palestinians and Israelis #Hillel Halkin

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thebooksaidthat · 3 years

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20 Favorite Books of 2020 Recommendation List!

Phew, 2020 is about to end. What a year, isn’t it? It’s been a long, tiring and bad year all round for a lot of people in different aspects and reading is a way for all of us to escape our realities. I’ve never had a year like this at all, in terms of my reading habits. The lock downs and time off from school allowed me to read probably the number of books in my entire childhood in less than a year. I read 100+ books this year, varying in pages and formats but it still surprises me that I managed to read that much. This probably won’t happen again in the coming years because of college and etc but I had a good time reading. So, I thought I would share some of my favorite books/series’ that I’ve read this year and give a short description/opinion on it. Hope something catches your eye here!

side note:

most of these fall under the fantasy category but there are some other genre’s too like romance/contemporaries/non-fiction

the books are listed only based off their category and not in any specific preference order but if you’re interested to see a review/rating on it you can visit my Goodreads profile.

1. Priory of the Orange Tree by Samantha Shannon

Do you enjoy reading fantasy books with powerful female protagonists? Do you like dragons? How about a queer F/F pairing as the main couple within the story? Priory of the Orange Tree was a book which I didn’t expect I would enjoy when I read the first few chapters. It’s a book that requires quite a bit of commitment considering the sheer page count of it (though if you read any Stormlight Archive it shouldn’t be a problem) but I grew on the plot line and characters after a bit. There’s classic tropes thrown in here and there but what made me enjoy it was that it focuses on female characters as the heroes rather than male ones. Don’t get me wrong though, I enjoy some books with male-centered characters too but it’s nice to see some good ol’ fantasy with protagonists I can identify with. 2. Beyond the Ruby Veil by Mara Fitzgerald

The first book of a series(unsure how many books atm), this debut was just a fun read. I love strong and rule-defying characters and this book gave us just that and more. Although I think the storyline might be a bit bumpy for me, I found that this book perfect for my reading slump and I really liked how it ends too. It might be worth waiting till 2021 to read this because the ending is pretty cliff-hangery in my opinion. I’m hopeful for the sequel to be even better because there are hints of a slow burn, enemies to lovers(F/F) pairing for this one! 3. Girls of Paper and Fire by Natasha Ngan

This was one of my earliest reads of 2020 and I really enjoyed it. The premise of the story is not one I’ve seen before in YA books and it should appeal to many readers. In a world where the ruling king ‘captures’ beautiful women from around the nation to be made his concubines, we follow Lei as she experiences all of that and her journey in going against everything. This is the 1st book out of 3 and its definitely a strong start to a series. There’s some great topics touched upon that is great for discussion like sexual-abuse and the aftermaths of it. Romance(F/F) also plays a big part in this book so if you’re into fantasy + romance that is done well, add this to your long TBR list! 4. Crier’s War by Nina Varela

Another debut book but this time make it sci-fi! Crier’s War is a fast-paced book set in an era where Automae(robots?) are the rulers and humans are their servants. It’s about how a female Automae, Crier, goes against her father’s opinions about the humans and basically overruling all the norms of Automae being prejudiced. It’s hard to describe the book much without spoiling but this is 1/2 of a duology and the second book picks up right where the 1st ends so make sure you read that too because it gets even better in its sequel! 5. The Weight of the Stars by K. Ankrum

Sometimes all I want is a quiet, character-driven book. This checked off those wants for me in the best ways. In a story where I believe focuses more on character relationships, I found that I enjoyed this more than I thought I would. It’s a comfort read packed with some occasional twists and the writing style is immaculate! The book is about how two misfits get entangled into each other’s business when an accident happens to one of them. It’s a slow burn(F/F) romance which I think was written very well and the characters had good chemistry. This includes their other friends in the circle too which is nice to see! 6. Gideon the Ninth by Tamsyn Muir

If you want to read a different kind of fantasy/sci-fi book, you’ll have to check GtN out! It’s a humor-filled necromancy book with great characters and such an interesting premise. The 1st out of 3 books from The Locked Tomb Trilogy, GtN follows a murder-mystery plot line, similar to And Then There Were None by Agatha Christie but much more fun of course. The main character is also a lesbian which is always nice to see more of in the crowded space of books. Make sure you check out Harrow the Ninth too after GtN because that picks up right after this one and is so different but still does an incredibly good job of hooking readers in. 7. The Poppy War Series by R.F. Kuang

The Poppy War series holds a special place in my heart. I binged all 3 books this year and let me tell you this: I usually find sequels in a series to become less interesting/loses its magic but this is definitely not the case for this. With a very different setting from what we usually see in the fantasy genre, TPW is set in ancient historical China and the books are heavily influenced by real events that happened before. It’s a grim-dark type of series for sure and the protagonist, Rin, is sort of morally-grey in many ways which made it a much more compelling read to me. The final book for me was and iis one of the best ways I’ve seen a writer end a series. If you’re looking for a fantasy series with a fascinating magic system with a grim-dark plot, you’re up for a treat here! 8. To Be Taught, If Fortunate by Becky Chambers

I rarely read novellas but when I do, they usually leave me fairly unsatisfied at the end because I find them to be hard to connect to because of its length. To Be Taught if Fortunate is another book which I would describe as ‘quiet’ and just overall a comforting read. It’s hopeful, filled with a diverse group of characters which is always welcomed in the books I read. I think one of the best parts of the book is the way its written which had a very soothing feel to it. It’s hard to describe but reading this made me really interested in reading other works by the author. The ending is also excellent too and leaves you thinking for a while. 9. A Memory Called Empire by Arkady Martine

Is political intrigue something you enjoy in your books? Do you like your characters interestingly named like Six Helicopter or Three Seagrass? How about analytical banters/discussions between characters about language? If that’s so, AMCE is a space-opera that will check all those boxes. Seriously, this is a well-built world with fun characters and I loved them so much! There will be a sequel coming out early next year but the book ends with a fairly satisfactory ending so you can jump into this without a commitment to the series (a duology if I remember correctly). 10. The Final Empire by Brandon Sanderson

The 1st book out of a currently 6 book series(with more to come), The Final Empire is an action-packed, female-lead book in a world where slavery still exists. The magic system here is one of the more interesting ones I’ve seen too. The thing about Sanderson books is that they are typically written in a straightforward, non-prosey, type of style. I appreciate that especially right after reading a book filled with purple-prose and I think this added to my enjoyment, for sure. In a fairly long first book, the world building here was done well and I think it does a good job of not pushing everything into your face all at once and instead, builds the world up slowly in different interactions between the characters. Although a tad bit cheesy, especially when it comes to the romance, I enjoyed this greatly and will probably continue with the rest of Era 1 in 2021. 11. We Are Okay by Nina LaCour

I’ve read a few of LaCour’s work but I still find myself enjoying this the most. When I read contemporaries, I like characters who I can identify with and drives the story well. In a fairly short novel, the book made me cry several times and I still think about the book once in a while nowadays. The story centers around Marin’s relationship with her grandfather and her best friend Mabel. There’s a mystery regarding her grandfather which is the main plot line of the book but its definitely a more character-driven type of book for sure. It’s a book where you’ll need to read it to understand the hype surrounding it so try this one out if you’re in a mood for an emotional contemporary with good mental health representation.

12. The Falling in Love Montage by Ciara Smyth

The Falling in Love Montage is hands down one of my favorite romance novels that I had read recently. It’s funny, romantic and also touching in all sorts of ways. The main character is a queer,sarcastic mess which frankly, I relate to a whole lot. It’s a book to read if you like your romance novels not entirely very light but also pulls on your emotional strings when you’re reading it. The writing style is also commendable for sure for a debut! I’m very much looking forward to future works from this author for sure. 13. The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid

I rarely read historical fiction but when I saw this recommended in a Goodreads article/list, I was intrigued! This is one that surprised me a lot just cause of how it all ties together at the end. Some things didn’t feel very relevant at first but once it was revealed, I couldn’t contain my surprise. Also, Evelyn Hugo as a protagonist was such a delight to read about! She’s an empowering woman who’s ambitious and did a lot of things to achieve her goals and she’s an amazing role model in that and many other regards. Besides that, I think this also had great representation on bisexuality too and Madam Evelyn will always remain as one of my favorite fictional bisexual queens!

14. Loveless by Alice Oseman

It’s rare to have a book which includes asexual characters in general and it is even rarer to find a book with the topic of asexuality as a whole be the main theme of it. Loveless was such a delightful and insightful read into a character who although I don’t identify with, I could understand her frustrations a lot. This is a book about self-discovery and accepting oneself and one another for their identity and I think the author did a great job tackling this topic. If you’re looking for a contemporary book to diversify the type of characters you read about, Loveless is a good choice.

15. You Should See Me in a Crown by Leah Johnson

If you liked books such as The Falling in Love Montage, You Should See Me in a Crown is another you should definitely try! This light and fun romance(F/F) follows Liz and her journey trying to win her school’s prom. It’s a great title to pick up if you’re in a middle of a reading slump because of it’s pacing and it’s overall just a book I enjoyed a lot.

16. Written in the Stars by Alexandria Bellefleur

Do you sense a pattern here? I love reading these light-hearted queer romances which doesn’t go through a series of stressful moments like coming out or homophobia etc. It’s important for books to have representation like that because it still exists and needs to be acknowledged but taking a break from that feels good too. Written in the Stars is an adult romance novel which I can see being a Hallmark-type of cheesy movie for sure and for good reasons! It has all those tropes that people love, enemies-to-lovers(sort of), fake-dating and the whole refusal of feelings for each other even though it’s obvious to the reads type of stuff. Hoping to see more adult romances like these in the future! 17. Who I Was with Her by Nita Tyndall

Who I Was with Her is an emotional roller coaster of a read, in a good way, of course. This book reminds me a lot of Hold Still by Nina LaCour mainly because of the way both the author’s dealt with the topics of death and grief. It’s a book that should be read when in a good mental-state as it might trigger some people as there are discussions on a character’s death. One of the main reasons I like this book is how the main character dealt with her attachment to her ex-girlfriend and her associating running with their relationship. It was a book that was difficult to get through but ended with a meaningful tone.

18. They Never Learn by Layne Fargo

I love empowering and strong female characters. Even when they’re kind of morally-ambiguous like Scarlett Clark. A woman who goes around killing men who sexually abuse others? Sign me up for that heroic Killing Eve shit! In all serious notes though, this was a great read and I loved the whole alternating viewpoints which seems unrelated at first but ties together well at the end. It’s not exactly super thriller-y like its advertised but its for sure a character-driven book with a bonus romance(F/F) plot too plus bisexuality rep! So if you want to read about a kick-ass lady and don’t mind some murder involved in your books, read this ASAP!

19. One Life by Megan Rapinoe

I’m not a soccer fan or anything like that but Megan Rapinoe’s advocacy for the LGBTQ+ community and racism intrigued me about her. I listened to this over a few days and I think anyone that wants to have an insight/experience with topics like sexism in the soccer industry, sexuality and racism, this is a must-read. I didn’t find her to be self-flattered or anything like that which I have encountered in some memoirs and I respect her humbleness a lot.

20. Becoming by Michelle Obama

Michelle Obama’s memoir, Becoming, was an incredibly fascinating read about her life from her childhood to becoming the First Lady of America. I found her writing to be pleasant and flows very well for a memoir too. It’s a fairly long read but I enjoyed learning about all these experiences she’s had such as her time being a lawyer and her life when Barack Obama, decided to run for president. It gave me a different perspective on her and I have new profound respect for her so much as a person.

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plastiquefruit · 7 years

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You're my body goals! I was wondering where to kinda start if I wanted to loose about 20-30 lbs?

Oh geeze. Okay, buckle up. I have intense opinions about this.

1. Start Small, but more importantly start something

A giant roadblock is analysis paralysis. There are THOUSANDS of websites and blog posts and books and viewpoints and about 85% of that is absolute bull designed to sell you something or so advanced and specific to be absolutely unhelpful if you’re just starting out.

So keep it simple, pick one thing and build off of that. Replace a high calorie snack with veggies(fresh or frozen, I eat a lot of frozen veggies, and pickles). Start doing more physical activity: Download a podcast and go for a walk, do youtube yoga, commit to building up your pushup skill.

Choose ONE thing and do it. Once you’re comfortable with that, choose something else. Maybe start jogging or keeping a food journal. Find a Youtube workout that’s a little more difficult. Go from Knee-push-ups to plank push ups.

Build on your choices. Reinforce your habits. And this next bit is probably the most important thing I will say:

2. BE KIND TO YOURSELF

Seriously, this was a turning point for me. You’re not gonna be perfect. AND THAT IS OKAY. You will miss a workout. You will eat an entire cake. You will get sick. Forgive yourself and move on. If you are focusing on your mistakes, you lose sight of what you’ve accomplished and what lies ahead. There’s a delicate balance to be struck here, because you also need to Hold yourself accountable. This isn’t forgive and forget, it’s forgive and remember.

You’re building mental signposts, signals, and warnings. Each time you fall, you learn a little bit more.

3. You are your only metric.

I’m HELLA guilty of violating this tenet. It’s easy to look online and measure yourself against what you see there, but you have no idea that person’s history. A person who has been athletically active since high school is always gonna have an advantage. Even if they “let themselves go” it’s always going to be easier to get back muscle and ability than it is to start from scratch.

I didn’t start working out til after college. I never participated in sports, and while I love musical theater, The only thing i got from that was a strong set of vocal cords.

but here’s the thing: Working out was MY CHOICE. I was (am) only competing against myself and my own expectations. I can look at others’ experiences, but my method is always going to be unique to me. It has to be.

So now I’m gonna get more specific.

Nutrition

No matter what, To lose weight you must be in a caloric deficit.

However, there are a billion ways to go about this. Such as:

Counting calories

Tracking Macros

Going Paleo/primal

Going Keto

Keeping your diet the same but exercising a lot more.

Now there’s a fitness adage: You can’t outrun a bad diet - This is actually incorrect. You can, it’s just hard.

But a good way to start is keeping a food journal. Not even calories. Just for a week, write down what you eat for meals, snacks, tea-times, elevensies. And write down EVERYTHING. There is no “it’s just a small cookie”

The point here is to be aware of what and when you’re eating. I’m a snacker and a grazer. I am quite literally the endless hunger (and one day i will devour the world). So if I’m not aware of what I’m eating it’s super easy to overeat. I get around that by eating a lot of frozen vegetables. They are inexpensive and mostly fiber. Also pickles.

Oh and when it comes to vegetables, I mostly stick to Broccoli, Cauliflower, Okra, Brussels Sprouts- Basically green(or white in cauliflower’s case) and fiberous. these veggies are what I consider “free”, meaning they don’t count toward my macros for the day. Also Lettuce and cucumbers(PICKLES) cause frankly they’re Basically water in solid form.

I consider potatoes(any type) a starch. Corn is a grain. Carrots are also a starch, though a lesser one. Tomatoes.. basically if it has sweetness, I count it as a carb. Pizza does not count as a vegetable, even in my wildest fantasy.

Here’s the thing, you gotta find the Nutritional choice that will work for your body and your situation. If that’s paleo, great, do that. If it’s weight watchers, awesome, do that. if it’s plant based/keto/FODMAP, fantastic, do it.

Don’t listen to anyone that tells you: _BLAHBLAH_ DIET IS THE ONLY WAY TO LOSE WEIGHT AND BE HEALTHY. It’s not true. Not everyone’s ancestor ate the same diet. Some people can have dairy just fine. Some people need to avoid cruciferous vegetables. some people are allergic to soy. Some people refuse to eat tofu (i.e. me).

And that’s not even Looking at the outside factors that might be affecting your nutrition: Food availability, Financial capability, chronic illnesses and mental Health. So I repeat: Find the Nutritional choice that will work for your body and your situation.

Exercise and Working Out - Have a goal/s

I started out with in home body weight exercises and running(couch to 5k). This was mainly because I could do it alone, and not have to worry about being the Fat Guy at the gym.

FYI, the only people who will give you grief at the gym are assholes in general. Most of us are just trying to get through the workout, just like you.

But i had goals. Run a 5k without stopping (except for crosswalks, i ain’t being so foolish as think i would win against a car). Learn How to do a proper push-up. And I built up from there. I wanted to be more flexible, so I started yoga. Took me a while to find a style and instructor I liked, but once i did, it clicked.

The advice for exercising is pretty much the same as for Nutrition: Find what works for you. The best training is the training you will do.

WILL not can. I can do a bunch of things. I only want to do some of them.

I may have put too much into this.

TL;DR Start Small, Be Kind, Do what works for you. Weight loss only occurs in a caloric deficit. Fuck anyone who tells you their way is the only way.

#fitblr

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rhetoricandlogic · 7 years

Text

WoK Reread (or ReadAlong) - Chapters 38 - End

Chapter 38-39

Chapter 40-41

Chapter 42-43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50-51

Interludes 7-9

Chapter 52

Chapter 53-54

Chapter 55

Chapter 56, 57, 58, 59

Chapter 60-61

Chapter 62-63

Chapter 64-65

Chapter 66-67

Chapter 68 and 69

Chapter 70-71

Chapter 72-73

Chapter 74-75

Epilogue

At this point, Brandon Sanderson answered questions. I’ll copy the complete section here, because it’s really interesting - I’ll put them under a cut, because this post is long enough as it is.

The most compelling question, tho: we have seen worldhoppers from Roshar on other shards? Seriously? Who? I completely missed out on that one.

1) From Michael Pye:

One thing I’ve noticed around the release of Words of Radiance was you pointing out that The Stormlight Archive is really two series of 5 books each. Was that something you wanted to make clear so as not to be daunting to perspective readers or just more about how the story has developed since you began?

It’s a mixture of both, honestly. I do want to be wary of not being too daunting to readers who are jumping into this thing and have been reading The Wheel of Time. They might think, “The Wheel of Time was ‘promised’ to be six books and it ended up at fourteen. If you promise six, how long is this one going to be?”

But it’s also because I want to start preparing readers for the break that’s going to happen at book five. I’m going to stop writing the series for a few years, and then the “back five” (as I’m calling it) will focus on some different characters than the front five. So I have a lot of good reasons to be preparing people for what’s going to happen there. Our expectations are a very big part of our enjoyment of all different kinds of entertainment mediums.

2) From JeremyG:

How is Kaladin able to consistently recognize Syl, even when she’s in different forms?

This has to do with their bond.

3) From Underbelly:

As a man of many projects, you seem very good about compartmentalizing your workload to be able to complete or advance a project independently while midway through even larger commitments. That being said, even authors such as Stephen King have viewed a certain project as their ‘life work’. Would you consider The Stormlight Archive to be this to you (or at least your early life’s work—being as young as you are) or rather does your ability to compartmentalize extend to your accomplishments as well as your workload in that you can view your achievements independently?

I consider the Cosmere sequence to be my life work—of which the Stormlight Archive is a major part, but it’s not the only part. Compartmentalizing projects is the nature of how I work, to keep myself fresh, but the interconnection of the Cosmere means it’s not entirely compartmentalized.

4) From cyddenid:

How well do Elhokar and Jasnah get on?

Fine, I would say. This is a bit of a spoiler for the end of Words of Radiance, but you will eventually see that they’re the sort of siblings who are both used to doing their own thing and getting their own way. They’ve both learned to stay out of one another’s business. That said, Elhokar is also used to being surrounded by domineering people of various sorts. So having a domineering sister is really nothing different to him.

5) From thanners:

Dalinar can’t hear his wife’s name (or at least it seems to be magically censored to him, anyway), nor can he recall anything about her. But what happens if another woman with the same name is mentioned. Can he not hear her name? Or will he instead be unable to retain the fact that that name is the same as his wife’s name?

It would be more the second.

6) From shdwfeather:

One of my favourite parts about Roshar is the diverse set of cultures that exist in the world. Could you talk about some of the inspirations for the complicated cultures such as the Alethi?

Building Roshar, I wanted to make sure that I was doing a little extra worldbuilding work. I don’t want to say that for something like Mistborn I’m not doing worldbuilding work, but my focus was in other areas. I wanted Mistborn to be accessible, so I made it an Earth analogue.

I consider Roshar my showpiece for worldbuilding, and as such I wanted everything about it to display some of the best of what science fiction and fantasy is capable of: new ecologies, new cultures, cultures that feel real but that at the same time are not just earth analogues. Because of that, I’ve done a lot of work to individualize and distinctify a lot of the various cultures on Roshar.

Now, that said, creativity is really the recombination of things you’ve seen before. We as human beings, by our very nature, can’t imagine something we’ve never seen. What we can do is take different things we’ve seen and combine them in new ways. That’s the soul of creativity. It’s the unicorn idea—we’ve seen things with horns, and we’ve seen horses. We put the two together and create something new, a unicorn.

Because of that, I don’t know if it’s possible to create a culture in a fantasy book that isn’t inspired in some way by various earth cultures. I’m trying not to be as overt about it as The Wheel of Time was, because one of the cool things about The Wheel of Time was its twisting and turning of Earth cultures into Randland cultures.

That’s a big preface. What are my inspirations for the Alethi, for all of the different cultures? There’s definitely some Korean in there. There’s some Semitic cultures in there. The magic system table, the double eye, is based on the idea of the Sefer and the Tree of Life from the Jewish Kabbalah. That’s where I can trace the original inspiration of that. I can trace the original inspiration of the safehand to Koreans not showing people the bottom of their feet because they felt that that is an insult—that’s not something you do. I can trace the Alethi apparel to various different clothing influences. I’m hoping that a lot of where I get the cultures is based off the interplay between the setting, the histories, the idea of the highstorms, and the metaphor of the desolations. My influences come from all over the place.

7) From MRC Halifax:

To what extent has the economy of the world been planned out? Obviously, there’s a refreshingly fair amount of economic activity happening in the novels, often times helping to move along the story. But to what extent do you have it planned out already vs. “I’ll come up with it when I need it.”

That is to say do you know that place A sells to place B, but place B has nothing to sell to place A and so sells to place C, which sells to place A, influencing the trade patterns of ships. And what the price of a horse is in A vs. B vs. C., or the price of an inn for the night, or the price of a pair of well made boots. Have you worked out how people are taxed and tithed, how the trade routes flow, how comparatively wealthy people are around the world, etc?

For a lot of these things I’ve done some of it, and for others I decide what to do when I need it. One trick in worldbuilding is to focus your attention on the things that are going to be a source of conflict or passion to the characters. It would be very easy to spend twenty years worldbuilding and never writing. So there is a fair bit of both, but most of what I focus my attention on is where is the conflict. Trade deals are a source of conflict, and so where it’s a source of conflict to the cultures I have spent more time dealing with it.

8) From Neuralnet:

The characters eat all of these crustaceans… do they have some sort of butter to dip into—even without cows, although maybe they have cows in shinovar? (I can’t be the only one who envisions himself on Roshar eating dinner every time I eat crab or lobster)

Their milk products are much lesser used, but they do get cream and whatnot from sow’s milk. The pigs on Roshar produce more milk from years of natural genetic modification—breeding and whatnot—in the same way that humans have bred cows over the centuries. So they do have milk products. Some of their curries will have different types of cream. Whether they’re dipping the crustaceans depends on the culture. For instance, Horneaters have teeth that break claws. Their back molars are different from standard human molars. To a lesser extent, the Herdazians have the same thing going for them. For those two cultures, they’ll chew the shells and eat them. For the Alethi, they’re probably dipping the meat in a curry, or just preparing the curry with the crustacean meat in it. There are other cultures where they’ll sauté it or have a sow’s milk dipping sauce or things like that.

9) From Jasuni:

When Szeth walked through an area he had lashed in Interlude-9, could he have decided to let himself be affected by his own full lashing? How does this extend to other surgebinders?

Using a full lashing to stick yourself to something is inherently inferior to changing the gravitational pull and being able to move on that plane instead. So I see very rare instances where you would want to. But it is within the scope of the powers to be affected by it if he wanted to be. It will still affect other Surgebinders, and they will not be able to not be affected, unless there is a specific ability or item that is preventing it.

10) From Phantrosity:

In The Way of Kings, we see a lot of worldhoppers on Roshar. Have you already seeded worldhoppers FROM Roshar in your other works?

Yes. You’ve met several.

11) From EMTrevor:

Would an Awakener be able to awaken a corpse that was soulcast into stone more easily because it used to be living, thereby being able to create lifeless similar to Kalad’s Phantoms without having bones in the framework?

Yes. That would definitely work.

12) ESSH and Isilel both wanted to know:

What are the mechanics of rising or falling in dahn/nahn rank? Isilel provided these examples:

Let’s say somebody from a very low nahn, who is basically a serf, right? I mean, they don’t have the freedom of movement. So, what if a man like that rises to a sergeant and serves 25 years with distinction, does he go back to being a serf when/if he retires from the military? Would he be required to return to his village/town of origin? Can something like this be properly controlled, even? I mean, do they check travelling people’s papers?

There’s a lot of parts to this. Rising within nahns and dahns happens more easily in Roshar than rising in social status did in most societies that had similar things in our world—for instance India, or even England. To an extent, it is very easy to buy yourself up a rank. What you’ve got to remember is the very high ranks are harder to attain. By nature, the children of someone of a very high rank sometimes are shuffled down to a lower rank—until they hit a stable rank. There are certain ranks that are stable in that the children born to parents of that rank always have that rank at as well. Your example of the soldier who serves with distinction could very easily be granted a rank up. In fact, it would be very rare for a soldier to not get a level of promotion if they were a very low rank—to not be ranked up immediately. The social structure pushes people toward these stable ranks. For the serf level, if you’re able to escape your life of serfdom and go to a city, often getting a job and that sort of thing does require some measure of paperwork listing where you’re from and the like. But if you were a serf who was educated, that would be pretty easy to fake. What’s keeping most people as serfs is the fact that breaking out of it is hard, and there are much fewer of those ranks than you might assume. The right of travel is kind of an assumed thing. To be lower ranked than that, something has to have gone wrong for your ancestors and that sort of thing. There are many fewer people of that rank than there are of the slightly higher ranks that have the right of travel. It’s a natural check and balance against the nobility built into the system. There are a lot of things going on here. Movement between ranks is not as hard as you might expect.

Ditto with the lighteyes—does exemplary service raise one’s dahn?

It’s much harder for a lighteyes, but the king and the highprinces can raise someone’s dahn if they want to. But it is much harder. In the lower dahns, you can buy yourself up in rank. Or you can be appointed. For instance, if you’re appointed as a citylord, that is going to convey a certain dahn, and you could jump two or three dahns just by getting that appointment. Now, if you serve poorly, if a lot of the people who have the right of travel leave—which this doesn’t happen very often—if your town gets smaller and you’re left with this struggling city, you would be demoted a dahn, most likely. If a lot of the citizens got up and left, that would be a sign. They could take away your set status by leaving. That’s something that’s built into the right of travel. So these things happen.

If parents have different nahns/dahn’s, how is child’s position calculated? For instance, if Shallan had married 10-dahner Kabsal, what dahn would their children belong to?

The highest dahn determines the dahn of the child, though that may not match the dahn of the highest parent. For instance, there are certain dahns that aren’t conveyed to anyone except for your direct heir. The other children are a rank below. I believe that third dahn is one of the stable ranks. If you’re the king, you’re first dahn. Your kid inherits. If you have another kid who doesn’t marry a highprince, and is not a highprince, then they’re going to be third dahn, not second, because that’s the stable rank that they would slip down to, along with highlords and the children of highprinces.

Or, and another thing—what happens if a lighteyed child is born to darkeyes or even slaves? Which should happen often enough, given that male nobles seem rather promiscous. Anyway, are such people automatically of tenth dahn?

The situation is very much taken into account in these sorts of cases. Normally—if there is such a thing as normal with this—one question that’s going to come up is are they heterochromatic. Because you can end up with one eye of each color, both eyes light, or both eyes dark. That’s going to influence it a lot, what happens here. Do you have any heirs? Was your child born lighteyed? This sort of thing is treated the same way that a lot of societies treated illegitimate children. The question of, do I need this person as an heir? Are they born darkeyed? Can I shuffle them off somewhere? Set them up, declare them to be this certain rank. Are you high enough rank to do that? Are you tenth dahn yourself? What happens with all of these things? There’s no single answer to that. The most common thing that’s probably going to happen is that they are born heterochromatic. Then you’re in this weird place where you’re probably declared to be tenth dahn, but you may have way more power and authority than that if one parent is of a very high dahn, just as a bastard child in a royal line would be treated in our world.

#Stormlight Archive #Brandon Sanderson #sa

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j-watched-something · 7 years

Text

J Watched Netflix’s Death Note 2017 [SPOILERS]

Introduction

When it comes to adaptations, viewers for the most part fall into two groups: fans of the original source material who want to see the adaptation do the original justice and viewers who have either no or some passing knowledge of the source material and are there to enjoy a movie. With Netflix's Death Note, the recent American film adaptation of the Japanese manga of the same name, I find myself in the second group.

Now, I'm not a complete Death Note virgin. I've been in fandom circles for the past 12 years now and with a series as iconic as Death Note, you can't not know at least a little about it. Personally, I've seen the first two episodes of the anime and the first Japanese live action film that came out. I saw these probably when I was fourteen or fifteen which dates my exposure to this series by about nine or ten years (I feel old...). The rest of what I know comes from the billions of internet memes, listening to one of my mega-fan friends talk about the series (these conversations also taking place nine or ten years ago), and whatever I happened to come across on my dashboard while scrolling through Tumblr.

I'm writing this introduction part out before I watch the movie. I wanted to jot down what I knew about the series and my position in relation to it so that everyone could know where I was coming from when I gave my review. So to establish a starting point for myself, here's what I (think I) know about the Death Note series (potentially inaccurate spoilers up ahead):

Death Note is about a genius high school student named Light Yagami who comes across a book, the titular Death Note, that has the power to kill a person if you write their name down in it. The book will even allow you to specify the time and details of the person's death and you can plot out their actions for quite some time leading up to their demise. Light sees the Death Note as a way to become a god and starts using it to rid the world of those he deems evil. Multiple deaths start occurring and somehow people come to the conclusion that a person is behind it and this person becomes known as “Kira.” A task force is organized with the purpose of bringing in Kira and Light's father is one of the people on this task force. Enter L, a detective who is very reminiscent of Sherlock Holmes. His mental abilities far surpass the people around him, he displays strange quirks (a love of sweets and the strange manner in which he holds his body and how he sits), and his social skills are lacking and perhaps unimportant to him. L and Light are equally matched intellectually and a cat and mouse game begins to take place as they try to outsmart one another. Light's ego and increasing paranoia from being pursued by the police leads him to sometimes stray from his original intentions with the Death Note as he tries to destroy the people in his way.

Other characters I know about are Misa Amane and Ryuk. Misa has feelings for Light and has a Death Note of her own. She has an ability linked to the Death Note that Light finds useful and he treats her as a pawn in his bigger plan, keeping her around only because of this ability and not because he returns her feelings. Ryuk is a Shinigami, or Death God, and is connected to the Death Note. Only people who've touched the Death Note can see him and he spends a lot of his time snarking at Light and his plans. Also he really likes apples.

There's a scene in which L manages to trick Light into revealing his general location by limiting a news broadcast to a specific area and another scene where Light uses a potato chip to throw off the police and that's about all I know for plot points.

As you can see, I know probably about as much as one would get by reading a summary slapped on the back cover of a book, and I'm not even sure if some parts of my information is accurate. I'm pretty removed from the source material as I head into this movie. I've noticed that a lot of the fans of the original are very unhappy with the movie (to put it lightly) and I'm curious as a non-fan if I'll enjoy it. Are the problems with this film strictly as an adaptation or does it fall flat as a standalone as well? My review will look at the film first and foremost as a movie, but I will set aside some time at the end to reflect on it as an adaptation as well (though I'm not sure how much I can contribute to that conversation).

I'll see you all on the other side!

Review [Spoilers Ahead!]

There is so much to talk about.

This movie is bad. The lead is atrocious, the leaps in logic are ridiculous, and the movie can't for the life of it figure out what tone it's going for, but damn if I did not enjoy every minute of this movie.

I watched it with my dad, who knew absolutely nothing about Death Note going in, and we laughed our asses off. I'm reminded of the first time I watched Maximum Overdrive, and how the over the top ridiculousness of it just made it even more fun. It felt as though at every moment where they should have taken things seriously, someone in production tripped and dropped cheese onto the project.

There is a part in this film where, during what's supposed to be a serious and tragic moment, everything goes into slow-mo and “I Don't Wanna Live Without Your Love” by Chicago starts playing in the background. That is all I need to tell you for you to understand what kind of movie you're getting yourself into.

Let's start getting into the specifics of this beautiful disaster.

Everything about this film is over the top. A lot of the deaths are super gory in the film. Everyone's head has to explode, or their body has to explode. Human beings in this universe are one hard push away from gooey destruction. One guy in the film has a heart attack, but he couldn't just have a heart attack, he also had to fall down a flight of stairs. Mia's death at the end of the film wasn't gross, but it was still over the top. Homegirl fell down onto a display from a flower shop, petals erupting from her crash site in slow motion as an 80s love ballad played on in the background. Good lord.

Speaking of slow motion, there's a lot of it in this film, or at least it feels like there is. I wouldn't say that they use slow motion more in this movie than what is typically normal these days, but it's how they're using it. There aren't any complex choreographed action scenes in this film, the only times they use slow motion is to enhance a serious moment or to show off the aforementioned gore, and in the case of the former, it really doesn't work out. The use of slow motion to make things more dramatic reminds me of slow motion in 90s movies where I'm sure everyone at the time thought it was really enhancing the impact of the serious moment but in hindsight it's unintentionally funny.

The over the top nature of the film really hurts it. Everything is taken a step too far and because of that, what's supposed to be taken seriously becomes comical. Yes, I'll say that it's because of this that I really enjoyed the film, but that wasn't the intention here. This film wasn't supposed to entertain me in the way it did.

There were some good ideas in this film that never went all the way through. The soundtrack has a lot of 80s soft rock in it and even the score seems 80s inspired with its use of synthesizers. A lot of the important conversations and confrontations between characters take place with the actors lit up by a nearby neon sign. The chase scene towards the end of the movie where the characters are running through alleys and across construction sites, through a diner, also features a lot of neon lighting. It felt like the film was trying for an homage to 80s detective thrillers but they never fully committed to it. While I'm not sure an homage to 80s detective thrillers would have worked out, they shouldn't have just stopped halfway through the concept. Another good idea that went nowhere was the possible moral dilemma that naturally comes along with the nature of something like the Death Note. Being presented with the power to kill anyone with a low chance of getting caught is an Ethics professor's wet dream. We get some talk here and there of whether or not Kira has the right to do what they do, but it's in passing conversations that never go anywhere important.

There are certain things that I will say were genuinely good in this movie aside from a couple of the actors. I thought there was a lot of well shot scenes in this film, I thought the lighting at certain moments was good and as a fan of 80s music, I liked the soundtrack and score.

On to the characters. The ones I'll be focusing on are Light Turner, the person who receives the Death Note at the beginning of the film, Mia Sutton, Light Turner's crush, then girlfriend and partner-in-crime as the serial killer Kira, Ryuk, the Death God who gave Light Turner the Death Note, and L, the FBI detective determined to bring Kira in to answer for their crimes.

Light Turner. Dear God. First of all, besides Ryuk and L, all of the other characters from the series that I'm aware of got westernized names and honestly they should have done that for Light, because “Light Turner” is way too ridiculous for me to deal with right now and I'm probably going to say it as many times as I can in this review just because it makes me laugh. I guess the creative team thought that the fans might be mad if they changed Light's name, but man that is probably the last thing they should have been worried about and I'll get to that later.

I honestly have no idea what they were going for with Light Turner, because nothing they try sticks its landing. I haven't seen the actor, Nat Wolff, in anything before this, so I can't speak about his talents as an actor in general, but this didn't seem to be the right role for him. Most of his line delivery fell flat, there were times when Light Turner was supposed to say something sarcastic and he never got the timing or the tone right, and it seemed to me that every time he had to say a swear word, he'd fumble over it like he wasn't comfortable with saying it. It doesn't help when he has to act alongside established actors like Willem Dafoe and in general, a lot of his costars outperform him.

There wasn't any charisma or intensity to Light Turner. There's a part at the beginning where he's trying to defend his crush from a bully and his “threat” to this bully is telling him that because he was held back in school and is 18, if he hit Light Turner, it would technically be child abuse and he could get in tr-*punch* And yes, it was funny, but it was also kind of lame and it doesn't help Light Turner's character when added to what I have to believe is the now infamous “screaming scene” where he spends a full minute screaming like a goat and hiding under desks after seeing Ryuk for the first time. He's never able to shed that image of him during the rest of the film, making his more serious moments hard to take seriously.

Throughout the film, there are times when other characters will speak about how smart Light Turner is, but we're never really shown anything to suggest that he's smarter than the people around him, in fact, he does things that are very, very stupid. I'm not kidding when I say that this guy is probably the worst serial killer I've ever seen, and it's kind of troubling that I know I'd be able to pull it off better than he does. Right off the bat, he shows the Death Note to Mia the day after he kills his first two victims and goes as far as to kill another person to prove it to her that it actually works. This is stupid for many obvious reasons and he doesn't stop there. He and Mia decide to use the Death Note to rid the world of evil, he chooses the name “Kira” then acknowledges that in some languages Kira means “Light.” When Mia smartly points out that that would make it easier for people to connect to the killings to him should they look hard enough, he tells her that it's okay because Kira also “kind of means 'killer' in Japanese,” and then uses that point to throw people off but even that is seen through eventually (by L, but the fact remains that he saw through it). His father, James, is investigating Kira, and Light Turner is cartoonishly suspicious whenever he tries to get information on how the investigation's coming along from his dad. At the end of the film, Light Turner pulls off some genius plan using the Death Note, but let me tell you, nothing in the movie leading up to that point led me to believe that he was smart enough to do that. This point actually brings me to Mia.

Mia Sutton starts out as Light Turner's love interest but then becomes, in my opinion, the head of the operation when it comes to their activity as Kira. She's more cold and calculating than Light Turner, and enjoys the god aspect of being Kira more than he does, referring to the people of the world as sheep. Mia would go as far as she needed to go to keep Kira a secret, which is something Light Turner wouldn't do. She's so ruthless that I honestly found her a more interesting character than Light Turner, she definitely made a smarter killer than he did and sometimes I felt as though L should have been pursuing her rather than Light Turner as the person behind Kira. At the very least, L, as smart as he's supposed to be, should have been able to deduce that Kira was not one person, but two. The script pushed so hard for it to be between Light and L (probably because they had to, but that's a point for later) that even though Mia's doing a lot of the driving as Kira, her involvement is basically ignored by the plot at certain points. I will say that as much as I enjoy her character, this is still Netflix's Death Note, and she doesn't escape the fate the other characters suffer. She doesn't do anything ground breaking, and really, it's hard not to outshine Light Turner in this movie. She also falls victim to the idiocy that plagues most of the characters in this film, like using the testimony of random people on the internet as good enough evidence that a person deserves to die (though honestly I'm not sure if she particularly cares about the guilt of the people she kills, but we're not allowed to learn anything about who she is and what drives her), and eventually getting outsmarted by Light Turner, which is super embarrassing.

Ryuk is...fine? I mean he's just sort of there. Willem Dafoe does a good job with his voice work here but the character honestly isn't given much to do. I liked how they presented Ryuk in the film, always keeping him partially in the shadows. His glowing eyes peeking out of the darkness was really cool, and judging by the effects on him that I could see when he moved a little further in the light, I do think the shadows help make up for the limitations of what they could do. He looks more real this way, and yeah it's bad that the CGI's quality requires this sort of trick, but honestly it's better than parading poor effects around in the light.

L was pretty interesting in the first half of his screen time. Lakeith Stanfield is a good actor and he played his part well. His obsession with candy, how he carried himself, and his weird way of sitting in chairs fit well into the movie, but I'm not sure if this was a good thing. It was definitely ridiculous to watch and at times it was hard to take him seriously, but when I think about it, Light Turner was hard to take seriously so it kind of works out fine in this ridiculous movie. One thing that bothered me about his character is the insane leaps in logic he had. He jumped to conclusions quite a bit in this film and he doesn't really explain himself very well if at all. Yes, most of his deductions turned out to be right, but that doesn't excuse the writers for cutting corners. There's a point in this movie where L's associate and father figure, Watari, is in danger and is ultimately killed, and after that L's character goes off the rails. He becomes angry and reckless. He ends up getting his hands on a gun and the final confrontation between him and Light Turner is a chase scene. I'm honestly very split on the shift in L's character. It's obvious from Lakeith Stanfield's performance earlier in the film that he did some homework and tried to stay true to the L from the anime. He nailed his idiosyncrasies to the point where it's hard to view his performance without thinking about the anime. With everyone else so divorced from the characters that they're supposedly playing, he was the one character that was still pretty faithful and it's hard not to take note of that. So then comes the character shift. From what I know about the anime I don't think L would act like this, but just looking at the L that appears in this film who's under the control of a different creative mind, maybe he would. It's also hard to deny that there are moments when Lakeith Stanfield does a good job of getting across the anguish, anger, and grief his character is experiencing. I guess ultimately what disappoints me about the turn L takes in this film is that I wanted more of an intellectual confrontation between him and Light Turner, and then what follows that is the deeper disappointment of realizing that Light Turner doesn't seem smart enough for that kind of confrontation. Maybe they had to make L into a last minute action character to make the confrontation with his adversary work.

One scene I just have to talk about in full is the chase scene which has to be my favorite scene in the movie as well as a perfect example of everything wrong with the film. The chase starts off with L in a police car armed with a gun and driving like a maniac through the streets trying to catch Light Turner, who's currently escaping on foot. At several points, L nearly runs down pedestrians and at one point crashes through an ironic sign about safe driving because this movie can't help itself. Eventually, L leaves his car and begins to pursue Light Turner on foot and I swear to God these two run through specific places just so that they have people to push out of the way and stuff to knock over. The movie is so convinced that watching them push people over is super cool and action-y and wow that at one point they show Light Turner running through a back alley that just happens to have a group of twenty people standing there and positioned so that they block the entire way through and Light Turner has to push them aside. The boys take a turn into a stereotypical action diner, entering through the back so they have to run through the kitchen and then they go out to the seating area and through the front door. Again, because this movie just can't help itself, as L runs through the seating area of the diner, he bumps into one of the patrons and accidentally shoves the man's face into his bowl of soup. The whole way through this, L is shouting after Light Turner and Light Turner is letting out little high pitched yelps. It's so dumb, so cheesy, and so beautiful. I love this scene.

For the most part, I've tried to avoid talking about this film in comparison to the original source material, but the rest that I have to say about it only makes sense if I talk about it as an adaptation so I'm going to head into that now.

Light Turner's character is a really dramatic departure from his anime counterpart, and in some respects I feel like this is kind of insulting to the western audience this adaptation was made for. Light from the source material was a mastermind, a megalomaniac, a genius. Light Turner is a stereotypical high school loser edgelord with a crush on the popular girl. The only thing the two Lights really have in common is that they're high school students and their fathers are in law enforcement. None of the original Light's character traits were carried over. It makes me think that the creative team or the marketing team didn't think we could be invested in a story with a complex character like Light Yagami, that our dumb western minds weren't ready for the intense intellectual cat and mouse game of the source material and that's why we got the lazy Hollywood trope for our lead and ended the movie with a chase and a sequence on a collapsing ferris wheel. Not to mention the changes they made for Light Turner really reminded me of how they adjusted Goku for an American audience in Dragon Ball Evolution. It's just about as lazy as you can get when westernizing a concept. The westernization is so predictable that they jammed a school dance into this. Really.

Mia, from what I can gather, is supposed to be the American version of Misa Amane, and the difference is even greater in this case than it was for the two Lights. It's funny how in this adaptation, the relationship dynamic between Light and Misa seems to have completely flipped. By the end of the film, Mia seemed more like the Light from the original than Light Turner did.

One of the thoughts that I came out of this movie with was that this might have been better off as a spin-off of Death Note rather than an adaptation of the original story, and my reasoning all comes down to the nature of Kira. Light as Kira in the original was an egotistical, calculating killer, taking careful steps to not get caught. Light Turner and Mia as Kira in the adaptation was more reminiscent of teenage couple spree killers. They make reckless mistakes, killing people too close to home, they seem to make a date night out of choosing their next victims, and the killings fuel their romance, especially from Mia's side. These different types of killers with different motivations will naturally make for different types of stories, and it feels like the creators in the adaptation's case really didn't want to make it. With how dramatically they changed Light and Misa, it seems to me that they liked the concept of the Death Note, not the story, but the book itself.

This movie focuses on the “what if” scenario of two dumb, jaded, pretentious kids suddenly having the power to kill whoever they want and what happens afterwards. That's not what the original Death Note was about, true, but it's still a story that could have been interesting. It's just that it wasn't the story the adaptation was supposed to tell, and I don't think it was right to try to tell that story with characters that weren't theirs. Even with original characters, this film still doesn't work, but it's not as insulting.

Final Thoughts

In the end this is a really bad adaptation, and possibly an entertainingly bad movie so long as you don't have any strong feelings for the source material. I feel kind of bad for enjoying this film as much as I did, especially when I think back on all the horrible comic book adaptations I've seen in my life, but I can't help but recommend this movie to the So Bad, It's Good crowd, so long as you don't know anything about Death Note. To all the Death Note fans, I'm so sorry.

(And a final tidbit I couldn't find anywhere else to bring up: The calculus book that plays a crucial role in this film is the same textbook my dad used in college back in 1972, and he got very excited about it. This book has been out of print for a long time, so I have no idea why Mia has it.)

#netflix's death note #death note 2017 #american death note #nat wolff #lakeith stanfield #margaret qualley #willem dafoe #adam wingard #j watched something #spoilers #j's reviews #death note 2017 review

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homestuckhomestuckhomestuck · 7 years

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hussie formspring trivia 7/?

So... Is Nepeta actually scratching him or is Gamzee slashing his face on purpose just to be fucked up?

He is slashing his face on purpose. Because I didn't think the erotic submissive asphyxiation fetish death was fucked up enough, I thought a little bit of self mutilation was in order. I hope at this point people realize that when you punched your Homestuck ticket, or really anything I've worked on, you were signing up for something that runs the risk of getting pretty fucked up. Practically everything I've done outside the confines of MSPA has been considerably more bizarre. I'm capable of containing the impulse to do bizarre shit when I want to. If you look at some big stretches of Homestuck, you will observe something that is quite tame, often cutesy, and even at times bordering on accessible. But then, to create a well manicured and widely palatable product was never the mission here. It was about exploration, high diversity of concepts and execution and all that, and I guess above all, fun for me personally. (and YOU!) So there are vehicles built into it to support my more usual fare. The primary vehicle for that was Hivebent, and the entire troll presence in the story in general. It began with a pretty messed up premise. The establishment of a colorful cast of kids from a violent race of psychopaths whose entire civilization centers around brutality and murder, and watching how kids from such a culture relate to each other and come of age. Hivebent began with dark notes relative to Homestuck, and only got darker. The scene with Vriska and Tavros in her quest cocoon was an example of the escalation in fucked up shit. Present events are even further escalation. It was always going to get much worse before it got better. If you got into this story more recently without knowing anything about me or what I've done before, and feel the story would be better suited without the inclusion of the more bizarre elements, or the downright NASTYTIMES, all I can say is that's not who I am or what you signed up for. Do you know about Humanimals? Probably most of you do. It's a comic I did years ago. I still think it's hilarious, personally. If you do too, then I would bet there aren't many ways in which our senses of humor differ. But to many it was disturbing, hideous rubbish. In truth, these comics are probably about as unsettling as you can possibly get without resorting to violent or sexual content. (if it appears sexual in nature, that is only your imagination at work, trust me) http://www.teamspecialolympics.com/comic.php?sec=archive&auth=Blurbs&cid=blurbs/00085-h.gif&blurb=h (Edward was on Equius's wall in the latest Flash) [here's where this answer probably gets a bit too long] I'm constantly mining content from my older work to incorporate into Homestuck. The instances of this are hard to quantify. Let's talk about Equius again. Lot's of people thought he had depth beyond his gags, and that's definitely true. But that wasn't what was relevant about him, to me personally. He was always the troll personification of everything like Humanimals I ever did and put on the internet. (Hence is lusus is basically a Humanimal.) I used to do all sorts of weird stuff, reviewing obscene furry pornography, making weird collages involving horses, and just a whole lot of bizarre shit that didn't make much sense, but I thought was funny. The whole span of these endeavors was quite trollish in nature, and you will agree if you peruse Humanimals. The fact that it puts some people off is part of what makes it funny. So Equius was that entire arena of trollish content, rolled into a character. That's why I was STRONGLY committed to maintaining the integrity of his arc, as I defined it. It was more important by far for me to adhere to his role as the fucked up dude who embodies all that stuff than have him blow it by doing something heroic. He believed he died a death of supreme integrity. And so do I. Don't get me wrong, he was still a gag character. But this was the precise nature of the gag, an homage to an entire vein of humor I used to deal in copiously. He, like some others, trolled you in life, and then trolled you in death. What happened in between, you ask? Well, that was just you falling in love. Whistles was a graphic novel I did years ago. It's another thing I've mined ideas from, which have specifically begun to show themselves lately with Gamzee's turn. And oddly, there's some of Whistles rolled into Equius too. If Equius seemed to accelerate to a point of depth faster than others, maybe it's because he was built on quite a payload of founding concepts, all revolving around perversity. Whistles was about a clown in a circus who was as sweet as could be. He loved his ringmaster, in spite of the fact that the master was a cannibal and a tyrant who attempted to kill him. When the circus rebelled against the master and beat him, Whistles flipped out, killed a lot of people, and absconded with the master into the desert. (nice clown going murderous is obviously what Gamzee imported from this) The recurring theme throughout the whole comic is that every time Whistles has a chance to do the right thing and rebel against his evil master, he can't overcome his loyalty to him. To the point where he offers his starving master his own severed arm to eat. The whole thing is darkly humorous and pretty messed up. Equius imported this insane reverence for the hierarchy at the expense of his own well being. Though with Whistles, it wasn't quite as perverse and didn't have the creepy sexual connotations. (However, at one point Whistles did dabble in prostitution. But when he did it, it was cute!) I get asked sometimes if I will make book 2, the conclusion of Whistles. The answer is, probably not. It's incredibly time consuming making a graphic novel, and I don't know where I'll find the time. It also probably just gathered too much dust for me to get into it again. But unlike Equius, I did plan on giving Whistles a heroic end. I always intended for him to overcome his obsession with his master. For what it's worth, I did finish a draft of book 2's first chapter. It introduces a new villain named Sugarshoe who is, get this, another insane clown! If you read through this and recent HS events, it may seem like I'm obsessed with this kind of thing. Not really. Like I said, I just borrow heavily from myself. http://www.andrewhussie.com/comic.php?sec=archive&auth=Andrew&cid=whistles2_draft/whistles2_001.jpg Just to wrap up this trivia binge, some other examples of old stuff I've rolled into Homestuck are.......... SBaHJ. I did a few strips on a whim, satirizing someone's comics, about one month before I started HS. I folded it into HS as it's primary source of original memes to be referenced ad nauseum. The whole Bro puppet obsession was largely sparked by this series of ridiculous muppet comics I did in the forum years ago. One of the comics actually made it in HS, pinned on Bro's door for Dave to find. File this under More Fucked Up Shit I did. http://www.mspaforums.com/showthread.php?24118-Cheerfulbear-PLAY-ME All the wizard stuff in Rose's house, and her wizardfic writing in general, was mostly imported from my own absurd wizardfic I wrote some years ago, a pretty healthy sized book I never quite finished. It was called Wizardy Herbert, and was a very flippantly satirical story about kids and magic, starting out as what seemed like an unapologetic Harry Potter spoof revolving around a magical summer camp instead of a school, and then quickly launching off the plot deep end into some very convoluted stuff of Homestuckian proportions. In fact, there are many ideas mined from this story and injected into Homestuck. Any time you read anything about magic being stupid or not being real or anything like that, that's Wizardy Herbert talking. Zazzerpan and his full Complacency were minor characters in WH. WH is actually extremely similar to HS, in terms of the nature of the dialogue, the blend of utter silliness and dramatic seriousness, and complexity. It feels like such a similar thing to me, this might be the main reason why I'll never quite finish it. Characters from WH are on Rose's wall here. http://www.mspaintadventures.com/?s=6&p=002121 Herbert is the guy with the eye patch. He had a magic gun. But he could never figure out how to use magic, so he primarily just went around shooting things. Anyway I guess that's enough about all that.

#huss archive #homestuck

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babygirljulianbashir · 7 years

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College Advice from a Nursing Student

The new semester is coming up fast, and I thought that I would tell you guys about things that helped me succeed in college (with depression and anxiety and a very very hard major).

GO TO CLASS I’m dead serious here. Go. To. Class. It’s super easy to skip one day and then skip another, and another, and another, and another, until you’ve skipped three out of the five classes you take during the week. Going to class and paying attention brings you up at least one letter grade, and you don’t even need to study. Make a deal with yourself and try to keep it. My deal was that I wasn’t allowed to skip class unless I was so sick I couldn’t go, or if there was an emergency. In the end, I went to every single class last semester (I was actually so anxious about missing class and failing that I forced myself to go. Not a good thing, guys).

Don’t party on a weeknight. This may sound?? I don’t know. Lame (do we even call things lame anymore?) or something, but really, it works. If you limit partying to Fridays and Saturdays only, you won’t ever have to skip a class because you’re hungover.

Be in bed by 11:30 on weeknights. You don’t need to be asleep, but just being in bed, not working, not going out, just chilling on your laptop or phone or reading a book will help with your exhaustion in the morning.

DO NOT WORK/STUDY ON YOUR BED!!! You have a desk for a reason and libraries and cafes exist for a reason. It’s so you don’t study on your bed. If you do that, your brain associates stress and work with your bed, which will make it much, much harder for you to fall asleep. Which makes you very very tired in the morning.

Sit in the front. I do this for two reasons. If you sit in the front, then the professor can see when you’re not paying attention. I do that on purpose. I feel guilty if the professor sees me on my phone, so I don’t use my phone so I’m forced to pay attention. Also, if you’re in a huge lecture hall (I was in three last semester), then you won’t be able to see all the people in the class, which makes the professor and the class feel much less intimidating.

Use a notebook, if you can. I call this studying without studying. If you write your notes, then you’re more likely to remember what you learned in class, you’re less likely to get distracted by the internet, and you won’t need to study as much later because you’ll remember more. Also older professors love shit like that. They think technology is satan or whatever, I don’t know.

Give yourself time to get to class. Running to class and being late is a) disruptive b) exhausting and c) super stressful. It may be tempting to cut it close, but I’m telling you, it’s really not worth it.

Start studying exactly seven days before an exam. Of course, adjust this period if you want, but for me? I do exactly seven days for a very specific reason: it’s less stress. I’m a victim of the Fuck It Point™️ where around 24 hours before an exam, I say, “if I don’t know it I never will, fuck it I’m going in with what I have.” A week gives enough time to study, but not study too much. I’m a flashcard maker. I make flashcards for literally everything. So what I do is on day one to three I say to myself, “go through the cards at least once a day.” Does it always happen? No. But it gives me enough time to not finish going through the cards but at least start and not feel guilty that I’m doing nothing with my life and that I’m going to fail. After day three really start to crack down. Go through them at least twice and at most five times. By the end of the week you’ll know every card, I swear.

Take Naps. I know some people can’t sleep during the day, but I want to tell you this: if you can’t fall asleep during the day, just take twenty minutes, lay down, and close your eyes. I promise you will feel so much more rested than you were before.

Join a club with low commitment. I joined the fencing team because I fenced in high school. It gives me something to do outside of work and if I really can’t, or don’t want, to go, I just don’t. No consequences, no stress, just something I do in my off time.

Pick a day to get your shit together. Every. Week. My day is Sundays. On Sundays, I clean, I do laundry, I go grocery shopping, and I relax. No work. No studying. No going out and being crazy. I just get my shit together and recharge. That way on Monday, I feel at least like I can pretend that I have my life together. Tell people about it. Let them know. They’ll a) think you’re more put together than you actually are and b) be impressed (I also do this so that I actually do it. If I tell people, then they know, and if I don’t do it, then I lied to them. Healthy? Not sure. Effective? Totally.)

Go see the school’s therapist. They’re real therapists and it’s usually included in your tuition. My guy is Mark. He’s pretty chill (he takes me too seriously sometimes). Everyone does it at some point, I promise (nursing majors are well known in the psych department because we very often have breakdowns). I don’t go every week, but he’s always there when I need someone who is the Real Deal to talk to and get help from.

Let yourself break down. I call them Days™️. I let myself have them and I try not to beat myself up about it. We all have moments of insecurity and “holy shit what am I doing here?”. It’s alright. A lot of people do. I had coffee and had a panic attack in the middle of me lecture hall. It was kind of embarrassing. I then proceeded to go home (aka my room) and lay down for the rest of the day. The next morning I woke up, only wanted to die a little bit, and went to class.

Talk to people. You don’t need friends, and you definitely don’t need best friends, if you don’t want them. Im not a friend kind of gal. I find people draining and stressful. I have like, two good friends that don’t even go to my university. But I still talk to people, and I still engage in conversations with my neighbors and whatever. It’s good knowing people because honestly, it helps me feel more human. I then hole away again. It’s good for people to know you and to have people to talk to. Mental health and all that.

Join a community. My school has a community for all the POC (I go to an extremely white school, so MCSC is like a safe space). Every employee in the program is POC, we have dinners and there’s a living room to just sit and hang. There are advisors that help you with racial/cultural stuff and we have workshops that help you feel out your identity and how to deal with, well, dicks, basically. We also have a Women’s Center, an LGBT+ center, and so much more. They’re just places to relax and find people like you. Your school probably has them, too.

Wash your face in the morning. It’ll help you feel more awake, less like shit, and it’ll do something about the stress acne. Also wash your face at night. Dorms and campuses are gross. You’ll feel much cleaner, I promise.

Find your routine, and stick to it. It’s easier to do things when you’re just doing them on autopilot. It feels like less effort. If you keep with a routine you’ll have less stress and feel more accomplished, I swear.

Learn to be alone. I spend like 95% of my time outside of class alone nowadays, and it’s really not a bad thing. Some people will never rest, and some people will tell you you’re wasting college. You’re not. If you enjoy your alone time, and don’t have anywhere to be, don’t sweat it. It’s okay.

Shower. I know the showers are gross, and I know how easy it is to forget and push it to the side, but just getting in the shower and feeling clean really helps brighten the day up. Self care is hard, and sometimes just doing the shit you don’t want to do but have to is the best way to take care of yourself.

Eat. This sounds a bit like, duh yeah, but dining hall food is fucking nasty. I’m guilty of not eating just because the food is gross and just, no (I’m the queen of forgetting to eat, too - set reminders on your phone and carry snacks). But food is, literally, food for your brain! You’ll feel more awake, less sluggish, less faint and dizzy, and less like you’re falling apart at the seams. The freshmen 15 doesn’t fucking matter okay. Your health is important and who gives a fuck if you gain a bit. Love yourself.

Ofc, everyone is different, but maybe this can help you guys keep your head above water. And it may seem obscure, but all of these things contribute to me doing well in university. But let me leave you with one last bit:

You’re the most important person in your life. Treat yourself with care; it’ll translate into everything you do, I promise.

#college #university #mental health #study #advice #you guys got this #you can do it!

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sheraan · 7 years

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Startup Q&A with Fin24

I recently did a wide ranging Q&A with Fin24 on startups, my personal journey, and some advice for budding entrepreneurs.

The article was titled “Tech start-up space not for the faint hearted”.

Here is the full text:

The technology start-up space is a major drawcard for many of the world’s brightest and most ambitious young minds.

Lured by the prospect of developing the next Facebook, Google or Instagram, these techno-whizzkids constantly create and launch new apps, platforms and other tech-based product offerings, in the hope that one of them will fly, be sold for a billion dollars and they can retire to their island paradise and sip margaritas all day.

In truth, the harsh reality is that the odds of such runaway success in the tech space are probably about the same as a budding actress from Benoni making it as an A-list star in Hollywood. Oh wait … Charlize aside, for every moderately successful tech-based start-up, there are literally thousands of ideas, apps, products and services – many of which burnt through millions of dollars in investor funding – that never made any money.

The reasons for this litany of failed products and dashed dreams are numerous, and more often than not linked to the cash runway ending before the plane can take off. Simply put, it costs big money to get a tech-based offering off the ground, and this is compounded by the fact that many tech products do not generate any income until they are far down the road, and can take years to achieve profitability or economies of scale. By way of example, Hubspot generated $186.4m in revenue last year, and still lost money.

One entrepreneur who has experienced first-hand the rollercoaster ride that is the tech start-up space, is Cape Town-based Sheraan Amod. A veritable veteran of the tech industry at the relatively young age of 30, Amod has spearheaded the development of three major tech-based start-ups over the past decade or so, both in the US and here in South Africa.

He understands first-hand the unique challenges and opportunities presented by the ever-growing reliance on technology to make our lives easier, improve business processes, create access to markets and resources and even manage our health. He shares some of these insights with us below:

1. You have been operating in the tech start-up space since 2008. What made you choose this industry specifically, or did it choose you?

I’ve been passionate about technology my entire life— I was one of those kids who spent hours every day tinkering with computers. It made sense that many of my role models were leaders in the tech industry. Building start-ups is the ultimate challenge because it’s so difficult; but I relish the underdog mentality and “small team trying to change the world” underlying theme of it all. I suppose one could say that the start-up industry and I chose each other…

2. You have founded three businesses over the past 7 years (Personera, Springlab and RecoMed). Which of these has been the most valuable in terms of lessons learned, and why is that?

Founding start-ups is a lot like falling in love. They begin with passion and energy, but sure enough great heartache is also part of the journey. Everybody knows that their first great love and subsequent heartbreak change them the most... so if I am to relate this to my career I’d have to say that Personera was my most valuable experience.

I was young and foolish enough to dare to go global with a world-first concept, and while we did eventually commercialise and sell the company in the US, it was only after some incredibly draining and difficult periods that I don’t wish to repeat.

While other companies I’ve started have had their own special challenges to conquer, it was pretty smooth sailing in comparison to Personera. The simple lessons I took away from Personera were three-fold, viz. (1) innovation is useless unless it delivers value (and customers will thus pay for it), (2) never give up, and (3) never ever give up!

3. You describe yourself as a Renaissance Man. Does your love for learning and culture influence your approach to business, and if so, how?

I sometimes describe myself as an “aspiring” Renaissance Man, but I don’t take this moniker too seriously. Mostly, I’m just a very curious person, and enjoy all forms of learning and expressing myself in different ways — be that in running a start-up, writing essays, or participating in boxing matches.

I believe that having a broad field of vision, while being able to develop laser focus on key aspects and connect them together, does create an advantage in business. It’s well known that the greatest innovations usually occur at the intersection of different disciplines and cultures.

4. What are the three most important things an aspiring tech entrepreneur should know?

- Fortune favours the bold. It’s impossible to build a great company, or get investors excited about an opportunity, without having a bold and challenging vision of where the company is going. You cannot start a fire with a wet match…

- Cash flow is more important than your mother. I borrowed this one from the legendary Ken Morse of the MIT Enterprise Forum, but it’s too good not to share. Cash is the oxygen that keeps start-ups alive. Founders need to understand how much they need and what rate to use it, but at the end of the day even the most promising companies can be destroyed quickly by a cash flow crisis.

- Luck favours the persistent. Start-ups almost never “succeed” early and grow sustainably — regardless of what investors may wish for. Most encounter several torrid periods that threaten the company’s existence. Push through these periods and just keep surviving. Eventually things will grow again, or a game-changing opportunity will arise that the company can capitalise on. A lot of observers like to call this phenomenon “luck”!

So in summary I would say be bold, watch your cash flow, and don’t give up!

5. Collectively, your business ventures have managed to raise impressive amounts from investors, including venture capital, angel investment, equity finance and other financial instruments. Is there any preferred source of finance for a tech start-up, and what do potential financial partners look for above all else?

There is no preferred source of funding, because the sources change depending on the stage that the company is at. I favour friends, family and angel investors at the seed stages, then venture capital once the company is clearly on a growth trajectory. In all of my experience, I notice financial partners asking the same three questions, in this order: (1) Is the founding team bankable? (2) Is the business opportunity big enough? and (3) Is the risk worth it?

A “bankable" founding team usually carries a combination of smarts, domain expertise, experience, reputation and commitment to the start-up. A "big enough" business opportunity usually means a company that can generate at minimum R100m in annual revenue at high net margins. “Risk” is a tricky one, but most commonly refers to the price of the deal, i.e. does the investor feel that they are receiving sufficient equity in the business to produce a valuable return?

6. You were quite well established in the US, but made a decision to move your operations back to SA. What prompted that return home?

I returned because I could see large economic opportunities that nobody was going after properly. South Africa combines many elements of developed and emerging markets, and can be a great place to build a sustainable business base from which to expand to other similar emerging markets. There’s a lot of negative stuff going on in the media these days, but long-term I believe things will get better and well-prepared entrepreneurs will succeed.

7. Finally, tell us a bit about RecoMed, and why it seems to be making some waves in the healthcare space?

Every month, more than one million doctor-related Google searches are made in South Africa alone. I can’t even guess how many phone calls are made by patients and call centres to organise healthcare bookings nationally — probably hundreds of millions. I saw an opportunity to make this process simpler, quicker and more seamless, and to close the loop between searching, calling and booking, by developing a platform that allows people to do both.

In essence, RecoMed is an online platform listing healthcare practitioners that also offers a real-time booking facility for patients wishing to make an appointment — which they can do in seconds using their phone or tablet. It also integrates with any existing practice management software that doctors may be using, as well as with call centres that manage bookings on behalf of patients.

RecoMed’s platform is also being applied to large scale healthcare solutions, such as use in wellness screening days, chronic disease management programmes, and coordinating insurance medicals. It is still quite early days, but the response has been overwhelmingly positive and we have the support of many of the really big players in the healthcare space, so I am thoroughly enjoying the ride in what is a new industry for me.

* Amod is passionate about sharing the lessons he has learned via his blog (http://sheraan.com/ ). He can be contacted at [email protected] or visit www.recomed.co.za to learn more about his latest tech-based venture.

* Anton Ressel, a regular Fin24 small business columnist and expert answering user questions, is a mentor and business development specialist.

#startups #entrepreneurship #tech #fundraising

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