how to make your writing be remembered forever and possibly be well loved.
(incredibly stupid and silly fanfiction line at the end of this post)
I know that title is incredibly daunting but listen, its very simple.
you ready?
MAKE STRONG CHARACTERS
"but kat! surely its not that simple! "
nononono listen. bear with me.
I want you to think of your favorite thing.
Now ask: what do you remember the most about the thing you love?
I will go first:
I love team fortress 2.
and guess what: this game has been around since 2007, and was in development hell since before I was even born. The game has been around for 16 fucking years.
And guess what? in the strong year of 2023 team fortress 2 Is STILL getting memed about.
and do you want to know the crazy part?
the character designs to the naked eye are not special at all.
ok sure from a designer standpoint, these are very well designed characters made so that you can easily tell who they are based on their silhouette.
but from the average joe.... tf2 is iconic but overall it looks ok. it doesn't seem special to a stranger to tf2.
look at this completely random and arbitrary example of a game in the same genre:
I don't know shit about the characters in overwatch. Yeah i have a BASIC idea on what their personality is like based on voice lines and some videos i guess... but in-game they just exist.
these characters are brightly colored, they have beautiful unique designs, hell they have even more diversity such as robots and people from other cultures!
but i don't remember shit about these characters. Maybe I remember the ice lady and tracer, but nothing else.
and yeah part of overwatch struggling right now is incompetant development, BUT:
The characters in team fortress 2 are SO remember-able because the characters have such a vibrant personality. I am an orange box owner, its been a decade and a half and I am still remembering this game and enjoying art about it.
"but kat! that is a comedy game! Overwatch is a very serious game! are you saying comedy is needed to make a character more noticeable?"
no.
though I think allowing your characters to lighten up every now and then would humanize them. Not full on goofy, just give them something that makes them likeable.
and if you cant do that, you can STILL make a compelling character even though they are mostly seriousness.
I have an even more awfully thought out example:
kung fu panda is a masterclass in making a serious comedic movie somehow work.
Master Oogway.... he isn't a comedic character at all.
Yeah we made memes about him, but ignoring that, he is a wise and resourceful person. He is at calm and has faith in this intuition.
there are a lot of characters like this. What makes Oogway stand out is that he is also a little bit kooky and sassy.
this youtube clip sums up what I mean.
It is a funny line, it fits the character, and It doesn't ruin the seriousness of the moment.
Some of the most successful series in history have something about them that has appealed to people.
In my opinion: characters with strong personality and interesting traits is always a good way to ensure your writing is successful. The second most important is the characters bouncing off of each other in terms of their chemistry with each other.
There is a reason why I spent years playing the first Destiny game and all of the DLC, but I remember fuck all about the characters. I think I maybe remember the bootleg star lord robot guy.
A writing exercise
here is an exercise to get you in the spirit of character making.
step 1- get a random character from a random bit of media. In this case let me bring you master Oogway.
Step 2- Get a completely different character from a completely unrelated series. I am going to give you Scout from team fortress 2.
step 3- write a random ass thing about them interacting. Think about how the characters would react to each other and why. Think about each characters values in life and think about how they would bond and conflict with each other. Think about characters similar to the character they met in the past and how they reacted then, and if they have never interacted, make something interesting with it.
Step 4- keep experimenting. Once you get into the spirit you can apply this to any new character you could want to make
anyways thats it byeee-
"arent you going to do that ?"
do what?
"make a writing thing about oogway and scout. "
........
Scout: let's go turtle you got nothing on my speed-
Oogway: The one who first resorts to violence shows that he has no more arguments.
Scout: that sounds like chicken talk! come on tough guy let me have it-
Oogway then proceeds to make scout eat shit before vanishing in a cloud of cherry blossoms and dust from the desert.
If this post isn't popular I want you to know my dignity was lost for nothing.
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It's so interesting to me that Izzy's suicide attempt wound heals very slowly, and leaves a big visible scar, in a show where characters regularly shrug off much worse injuries. You can even see it under his drag makeup:
Injuries in OFMD seem to have a physical impact on the character more or less in proportion to their psychological impact, regardless of how serious the wound should realistically be. In S1E4, Stede spends one episode injured after getting stabbed and hanged due to his hubris and incompetence, but then he's fine after hanging out with Ed for a while and getting some validation. In S1E6, Stede spends an entire night impaled on a sword, but he doesn't even seem to be in pain and suffers no lasting damage because it's not a psychological wound. And of course, in S2E3, Ed comes back to life more or less physically intact after realizing that Stede is there waiting for him, even though he should have been very, very dead after what the crew did to him.
But all of Izzy's injuries have a realistic impact on his body, in a way that isn't the case for any other character. I think some of that can be attributed to his Only Human In A Muppet Movie status, but it's also because of his uniquely fucked up relationship with Ed.
Ed causes all of Izzy's injuries, and I think they affect Izzy so permanently because of how deeply invested and dependent Izzy is on his relationship with Ed; his whole sense of self is bound up in it. Those wounds represent the toxicity of their relationship and how much it's damaged Izzy.
In contrast, when Izzy shoots Ed in the arm, the wound doesn't seem to stick around; we never see any evidence of it after that moment. Ed's actions have a far deeper impact on Izzy than Izzy's actions have on Ed, because there's always been an inequality in their relationship; Izzy cares about Ed much more than Ed cares about him, and that's the fundamental problem for Izzy.
Izzy post S2E4 has made a deliberate decision to move on from what happened between him and Ed, because it was so big and so awful that it's not the kind of thing he could either just forgive or ignore. And I think his Ed-induced suicide attempt was kind of the final straw; it's after that that he goes on deck and shoots Ed, which David Jenkins has described as Izzy "breaking up" with him. I don't think Izzy's stopped being in love with Ed, but he's stopped trying to influence his behavior as much, or even spend much time with him at all, and he's spending time with other characters instead.
But for all his change in behavior, every time he's on screen, we get a visual reminder of what happened, in both his leg and the scar on his face. Both are emphatically visible in the above scene, when Izzy and Stede are talking about Ed. It's a reminder of the impetus for Izzy's character arc this season, his relationship with Ed, and I think it's an indication that he hasn't fully healed psychologically, and probably never will. All he can do is keep moving forward.
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Fluent Freshman - Part 14
PREVIOUS
When Andrew came out of his bedroom to grab a second Allen wrench (he’s working on the frame of the dresser while Neil builds the drawers) he finds quite a few things to irritate him.
1st was the sound of his brother and his cousin arguing loudly. Andrew had been pretty clear that they needed to be quiet that morning but following Andrew’s clearly given guidelines was NEVER either of their strong suits.
2nd was the fact that there was a smell in the air that Andrew was unsure of. It wasn’t a bad smell. It didn’t smell like Nicky had left some component of the breakfast FF had bought to burn. Andrew sniffed the air again and…..lavender? It wasn’t really a smell that existed in the house of three college student boys.
3rd and most irritating was the fact that FF was not where Andrew had left him four hours ago on the couch. Again, Andrew had been pretty clear to both Nicky and Aaron that FF was to be left ALONE. FF hadn’t been able to go to sleep until Andrew had promised that nothing would happen to him while he slept.
He moves towards the kitchen table where Nicky and Aaron are eating some of the sour patch kids that FF had brought back as they argued, “He can’t be serious that Kate and I gross him out more than Andrew and Neil! I’ve seen how fast he walks away when they start getting gross.” He hears Aaron say.
“Aaron I have watched Smithy climb out a second story window because you and Katelyn started making out and he’d have to walk closer to you to go out the door.” Nicky returns. “I think you made him mad when you implied he was grossed out by Andrew and Neil. This is why I get spoon privileges and maybe, if Smithy is feeling forgiving, you can swipe your finger around the bowl.” he points at Aaron.
Andrew hangs back just out of sight.
He knows that FF does not like to be subjected to seeing PDA. A part of him feels…better at the confirmation that it really isn’t because him and Neil are both men. FF has seen them hold hands, kiss chastely, and lean on one another and been unbothered by that it was only when it started getting a little heated that they’d realize that FF had left. FF never makes a scene about it, never scoffs in disgust or squeals in delight he just seems to see where it’s going and will leave if he doesn’t want to see it.
It’s nice.
“Well he’s probably mad at you for waking him up. Andrew said to leave him alone.” Aaron returns.
“He needs breakfast! He also has to take his ulcer meds at the same time so he had to wake up and eat something. He can go back to sleep after!” Nicky defends.
Andrew scowls. Ok. Nicky could live if that was the reason he woke FF up. Still, why the hell is FF in the kitchen and more importantly what bowl and spoon are Aaron and Nicky arguing over?
Andrew tunes his family’s argument out and heads to the kitchen to find FF putting a baking dish into their oven while incense burned on the counter (Andrew now realizes that was the thin box that had been in with the rest of the candy)
He sees the bowl and spoon that Nicky had mentioned and more importantly he can see the chocolate brownie batter on them. Andrew walks over to the bowl and picks it up. He wipes his finger along the inside and…
He closes his eyes for a moment to savor the flavor of the batter. He leans against the counter and his hand brushes against….a five hour energy bottle. Andrew knows he had thrown out the two he had found in FF’s bags before (Ulcer + exhaustion + FF = bad he didn’t need to be a math major like Neil to understand that math.)
Andrew shoves the bottle in his sweatshirt pocket as FF turns around and stares at him passively. FF’s eyebrow’s raise slightly but there’s no other reaction. Andrew considers that, perhaps, FF had wanted to lick the bowl.
He offers the spoon instead knowing it is the better prize but FF is the one who bought the ingredients and mixed together this amazing batter, so he gets first dibs.
“That wouldn’t be good for my stomach.” He declines and Andrew wonders if FF had taken his meds yet or, in his tired state, he’s forgotten to.
“When did you wake up?” Andrew asks.
“Hour ago.”
He should go back to sleep after he takes his meds but also knows that FF probably won’t go to sleep until the brownies are done.
“I’ll make the pie tomorrow.” FF says and Andrew blinks out of his thoughts.
Andrew decides to go get FF’s meds for him. He’ll make it clear to FF later that the guy doesn’t HAVE to keep making amazing desserts as a thanks for being invited to Columbia. If FF just so happens to WANT to keep making amazing desserts then Andrew isn’t going to be the person that stops him.
He shoves the spoon in his mouth and heads out to go find Smith’s bag and his meds.
Aaron and Nicky see him and both let out outraged noises as their quarry had been stolen.
Andrew ignores them and gets to the bag by the couch.
Who the fuck just has 14 bottles of five hour energy sitting in their bag??
***
When Andrew handed FF his ulcer meds he could admit to feeling grateful even if Andrew had obviously gone through his bag to grab it. He swallows it dry because Andrew is standing by the sink and he knows that until Andrew eats a brownie he is not in a position to ask for favors big or small.
(He learned his lesson from that one time with Captain Neil. If he wants to do anything related to Russian he has to be in the safety of his lofted bed under the cover of night and the cover of his…covers while he reads via flashlight. He will not be caught so flat footed again! These are all necessary precautions!)
Andrew seems to very much want for FF to be in prime condition for the hunt. Part of him wonders if he’ll be released amongst other game animals and FF had never felt more jealous of the turkey who got pardoned by the president the day before. Why does that stupid bird get all the luck? Where’s his presidential pardon?
That grateful feeling evaporates into a dust cloud as Andrew lifts a plastic bag, “Stop drinking these.” Andrew hisses, “They’re going to make your ulcer worse.” He points at FF.
“I need them.” He says.
“For what?”
“Five hours of energy at a time.”
“Pull out the brownies and go back to sleep Smith.”
“They still have 10 minutes.”
“Then I’ll pull them out in 10 minutes.”
“There’s a final step that I have to do once they’re fresh out of the oven.”
“What is it.”
“Smith Family Baking secret. I don’t make the rules.” FF gestures towards where the incense continues to burn, “Great Gran’s recipe and methods cannot be shared with non-blood relatives. My mom wasn’t even let in on the secret.”
Thank god
Andrew glowers at him.
Oh God
“It’ll be just 20 more minutes.”
Andrew’s eyes narrow at him.
“They’ll be worth it.” He pleads.
Andrew rolls his eyes.
“Go to sleep when they’re done. Take Nicky’s room.” Andrew commands.
“Take Nicky’s what?” Nicky leans into the kitchen.
“Smith is going to go back to sleep on your bed.”
“Yeah you look like shit Smithy. Don’t worry, unlike Neil and Andrew’s bed mine is all safe.”
Nicky zips out of the kitchen with Andrew hot on his heels. Nicky really is a good friend.
He performs the sacred rites necessary upon the brownies when they come out of the oven and takes a small corner piece to taste test and -
He closes his eyes and clasps his hands together in prayer.
‘Thank you Great Gran.’ He prays earnestly.
‘Remember to wash behind your ears’ he thinks he hears a whisper of grandmotherly advice in return.
That was probably normal.
He extinguishes the incense.
He cuts up the brownies, finds a decently sized plate, and sets the brownies out on the counter before he starts to work on doing the dishes. Yeah Yeah he could have been cleaning while he waited for the brownies to cook! That’s what you always do right? Clean as you go?
Well have you ever been baking brownies that might be the difference between life and death? No? Well then FF is just going to have to stop you right there because he had the oven light on and his eyes GLUED to these fudgey squares.
Who knows what the cousins’ oven would do? He doesn’t know this oven. He and this oven are taking their first whirl together and it could decide to turn on him at any time. They don’t have the brotherhood that he and the oven at his Gran’s house have built over the years! This oven could be one of those ones that maintain their temperature by turning on the broiler! He felt like he could never again recklessly trust an oven after he tried to make crescent rolls in the Viking Oven at his step father’s house and had gotten them back blackened by the broiler.
That oven had been the SINGLE thing he had been excited about during the kitchen remodel which means naturally it was the thing that had betrayed him.
He lets himself think of all the ways he hates the Viking brand as he finishes the dishes and puts everything back to where they belong.
He walks out of the kitchen with the platter of brownies and sets them down on the table where Aaron and Nicky are sat. “Oh my god they smell amazing.” Nicky says and immediately his hand is shooting towards the plate and picking up a corner piece.
FF valiantly resists the urge to slap his and Aaron’s hands away. He needs these to compel Andrew into letting him live.
“Oh wow, those do smell good.” He hears Captain Neil’s voice and when FF turns around Captain Neil and Andrew are both there. It is only in that moment that he realizes that he should have bought some vanilla ice cream to go with these.
Andrew’s love of ice cream was not unknown, probably even infamous. He was the man who, during the summer training, had been so possessive over the soft serve machine in the cafeteria that anyone who wanted any had to ask Captain Neil to get them a bowl or risk being threatened.
He starts towards the door. At this point Target probably isn’t even that bad, probably just some irate people who didn’t come with the rush and are mad they missed out, maybe some officers talking to witnesses on who threw cast the first Wii remote, and workers who will hate him marginally less (unless he gets the same check out person and they remember him (unlikely))
His progress is arrested by a hand grabbing his hoodie.
“Where are you going?”
“I forgot Ice Cream.” And he could get a five hour energy to slam on the way back home.
He then finds himself being pulled down an unfamiliar hallway.
Ah, the anticipation had been killing him more than the fear of his demise. His brownies had not contained the requisite amount of grandmotherly love to save him he had been relying on extract (Great Gran’s spirit guiding his hands) instead of organic (he does not have grandchildren or children for that matter)
Maybe ice cream would have been the deciding factor? He’ll never know.
He closes his eyes and lets himself be dragged. He’s too tired to fight.
A door opens, and he finds himself sat on a bed.
Weird.
“You are falling asleep standing up. Go back to sleep. I’ll leave you at Eden’s if you fall asleep in the booth.” Andrew threatens.
What.
FF knows about Eden’s.
He has heard about it from Nicky trying to get him to agree to go but he’s pretty sure it’d be like introducing an Amazon rainforest frog to the Sahara desert in terms of survivability for him.
“We’re going to Eden’s tonight?” He manages to ask.
Andrew raises an eyebrow at him but answers, “Yes.”
“I’m not really interested in clubs. I don’t drink out in public or dance.”
“Neither does Neil. I just drink. We can stay in the booth.”
“I don’t want to interrupt your time with Captain Neil.”
“It’s fine, neither of us hate spending time with you.”
“I don’t have clothes for a place like that.”
“Nicky grabbed some for you. You’re coming tonight. Go to sleep.”
With that Andrew pulls Nicky’s curtains close, shuts off the light, and closes the door.
FF, always very much like a bird when placed into a suddenly dark environment, starts to feel some of the exceptional sleepiness that he’d been pushing off through sheer manic desperation to earn another day of life.
He lays down in Nicky’s bed and is tired enough that he can ignore the sheer amount of body glitter on the sheets (does Nicky excrete it like sweat??) and starts to let himself drift off to sleep.
Eden’s might be something completely out of his wheelhouse but-
A conversation with Nicky from when he’d been trying to get FF to go comes into his mind and he sits straight up in bed as Nicky’s words roll around in his head like stale hotdogs at a gas station.
“Eden’s is cool, even though there’s some sick shit in the basement.”
Eden’s is a Secondary Location with a BASEMENT.
MASTERPOST FOR ALL PARTS OF FLUENT FRESHMAN AU
NEXT
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