#i want a fantasy story with these sorts of naming conventions

[twistedtummies2]

Meeting Aaron Dismuke & John Barrowman (ComicCon)

Okay, SO! I just got home from ComicCon. First of all, yes. I did, in fact, get a chance to meet Aaron Dismuke - Tamaki, Lucifer, Professor Moriarty, and more. First of all, MY GOD THE MAN IS TALL. O_O Second of all, he was absolutely darling. Even before I got to him, I learned how nice he was: two young ladies wanted a picture and autograph, but the card reader at his booth was malfunctioning. He told them, very sincerely, that if he couldn’t get the card reader working in a short time, he’d let them have their signatures and pics for free. (That did not happen; they got the device working again...oooonly for it to malfunction once more immediately after. Go figure. :P ) In fact, multiple times during my encounter with him, he pointed out that he felt the prices for the convention were MUCH too high.  Once I did meet him...it only got so much better. I asked him what his favorite part of playing William in MTP was...and he got so excited he SLAMMED the book I’d brought for him to sign shut before going into this spiel about everything he loved about the show. I may be paraphrasing slightly, but I think it went like this... “So, when I was a teenager, I actually had this fantasy - I used it for a school paper - about how, if someone were to kill the ten richest people in the world, and then keep doing that every month...what would happen? How would the world be better or worse? Would this eventually lead to a better place? William’s ‘Eat the Rich’ Philosophy isn’t EXACTLY the same, but it tapped into that old fantasy, and so it was actually more personal for me. Plus, I really love his attitude: anger is actually an emotion I don’t find easy in my repertoire - I don’t really get angry much in real life, I don’t think - and it was interesting to play a character who, no matter what happened, NEVER gets angry. Or, you know, never EXHIBITS how angry he is. He keeps everything level. Plus, it’s a classic character from some classic stories, so that was just cool!” After all this, he signed my book (”Catch Me If You Can, Mr. Holmes.” - A. Dismuke, Moriarty) and then I decided to be a bit more daring. I asked him if it would be allowed for me to take a video recording of him saying that same famous line. He responded that it was allowed, but he would have to charge me for it. “How much?” “I don’t know, the price is probably dumb...tell you what. For you? Thirty dollars.” I SLAPPED THOSE BILLS DOWN, BOI. He then asked for me to put my phone in selfie mode, and proceeded to record not only him saying the lines, but an almost two-minute spiel of him talking about the dialect and how he actually had to change his pronunciation of “Holmes” slightly during the show, because apparently someone joked that the way he said that name “sounded like a Minecraft character.” I sure as heck wasn’t gonna stop him.  THEN, we took the picture...and in the past, people I’ve taken photos with at the Con usually just sort of smile for the camera. There’s nothing wrong with that, naturally, I wouldn’t ask for otherwise. But he actually wanted to do something special, so he came up with us posing with him reading the manga, while myself - in costume and character as Holmes - peered at the book through my magnifying glass. He and the person taking the photo cracked up and we had to take the picture a second time because it came out all blurry the first time. XD TO TOP ALL THAT OFF...later, I passed by his booth, and he was still there. I called out to him: “Professor! We meet again!” He bowed. BOWED, I SAY! Naturally, I am elated by all of that. (Also, I still have more to share, but I’m putting a Keep Reading at this point because I think meeting Dismuke is the part you all want to know most about, and this is clearly going to be a long post. LOL)

SO...Aaron Dismuke wasn’t the only person I met today. I also got to meet John Barrowman - Jack Harkness from Doctor Who & Torchwood, Raoul from Phantom of the Opera, Merlyn from Arrow, etc. For him, I brought along a DVD collection of all the episodes for the 9th and 10th Doctors - those were the seasons Jack appeared in.  This encounter was much shorter, but it was still no less enjoyable. He was also amazing; he talked to everyone in line as if they were people he’d met before, and was well-acquainted with, no matter who they were, what they were dressed as, etc. When I got up to him and asked for his signature, I also asked him, “what’s a role you’ve always wanted to play that you haven’t yet?” He paused then responded: “To be honest, I don’t think about that. See, if it’s a role I’ve always wanted to play, then that would mean it’s a role that already exists, and that somebody else has already done before. And there’s nothing wrong with that, but what I REALLY love most is playing a character who is completely new, and being able to bring my own originality into the part.” An interesting philosophy I found both noble and unique. Then came the pictures...and yes, pictures, because he took four of them. We took one of us just smiling for the camera, then another of the same (”just to be safe”), then a “sassy” picture (I looked more...weird than sassy, ha ha), and finally a “silly and ugly” picture. All around awesome. <3 Beyond those meetings, lots of fun was otherwise had. Bought a lot of cool goodies from the shops (nothing anime-related, so not sure how much of it you guys would be interested in; might share more info there with friends in private), and I took a lot of photos of some really cool costumes. A lot of people really liked my Sherlock Holmes cosplay, I was surprised and happy to find! One encounter I MUST share before I close this message out: right after meeting both Dismuke and Barrowman, I ran into a cosplayer...of William!  “Professor!” I called out. “What are the odds?” I think they were even more happy to see Holmes than I was to see Moriarty! They were with a couple of non-costumed friends, who commented that they hadn’t expected to meet any other Moriarty fans there...and then asked to confirm if I was one. I responded by pulling out my copy of the manga from my bag. This only got them more excited, and they remarked, “You must be so ready to meet Aaron Dismuke!” I grinned and revealed I’d already gotten the autograph. I’m pretty sure the squeal they let out might have broken the sound barrier.  We took a photo with each other, each holding our copy of the manga’s first volume. Of all the people I took photos with/of that day - from comic book characters, to My Hero Academia cosplays, to the Addams Family, to Alice in Wonderland characters, to Scooby-Doo, to the 11th Doctor, AND STILL MANY MORE...that was by far the most joyous. “I mark this day with a white stone.”

#random life stuff #aaron dismuke #john barrowman #doctor who #moriarty the patriot #sherlock holmes #captain jack harkness #william james moriarty #professor moriarty #comiccon #cosplay

[sabrinahawthorne]

JUMP! Devlog February 5, 2024,

Structure of the Playbook

This week, I want to go over the current format for Playbooks in JUMP!. This outline is a sort of stencil; a "standard" that gives me a starting point, but that I can deviate from as needed, or as I please.

Stats

These work nearly identically to their prototype counterparts, with a couple small changes, including Willpower being renamed to Force. I maintain the option to rename all three stats, should cooler-sounding names make themselves known.

There are also some larger changes being made from the prototype. For one, I'm no longer keeping each Playbook to a limit of 4 total points split between the stats.

With the removal of Power Tags (and their replacement with something more interesting, to be discussed in another post) also comes a lack of built-in customization for a Fighter's stats. This is fine; each Playbook now gives the player between 1-3 points to allocate how they wish, on top of whatever they get standard. There's no need to innovate here - it's easy, simple, and gets out of the way.

2. Central Toy

I may not keep the idea of a central "Toy" around. I want to, but my gut tells me that it may lead me down paths I've already tried and not liked. For now, the idea is pretty simple - a central twist for each playbook - some way that they are allowed to break the rules and do things that no-one else can. Again, this isn't a revolutionary concept, but it opens up the possibility of a lot of fun playstyles.

3. Beats

In the JUMP! prototype, Fighters could spend a round of combat "resting," which would recharge their stat Pools by their respective values. This is no longer the case, as I don't want combat to be measured in rounds at all anymore. Instead, I want fights to be largely narrative affairs, driven by the table's desire to make their characters do cool things. Then, when something big and climactic happens, the Bidding begins, and we get to bring out the dice for a moment of heightened excitement.

This means that between Contests, Fighters need a way to Charge their Pools. Thus, Beats. When a Fighter meets the conditions of a Beat, they either gain or lose some Points from a single Pool, and something interesting happens in the story. It's as simple as that, for the most part. They're just a way to encourage players to lean into the tropes & conventions of their Fighter, as well as making sure they don't all end up with empty Pools by the end of the fight.

4. Bursts

When you win in anime, you win big. Bursts are hefty, tasty chunks of the power fantasy that get triggered when a Fighter wins a Contest. Like Beats, they carry some simple tie-in to the game state, but bigger and more exciting. And like Beats, their goal is to further play in to the central archetype of each Playbook.

The GM will also be getting their own list of generic Bursts - whether they can be activated by Fighters as well is still up in the air.

5. Final Form

Final Forms are so fun to write. There's something so satisfying about getting to put down a solid block of colorful, delicious text and treat it as very important.

They also give me a wonderful cornerstone to design the rest of the Playbook around; what is the thesis of this archetype? What is the entire thing building towards? What moments of drama are these characters built around?

Really, final forms are a chance for me to cut loose as a writer, and a chance for players to cut loose too. I'm having a lot of fun with them.

At the end of the month, I'm planning another playtest where I can hopefully stress-test a lot of this new design. Then, through March, it'll be time to prepare for the crowdfunding campaign and the open beta. It's exciting and nerve wracking, and I can't wait to show off the results of that work.

#indie ttrpg #ttrpg #jump! shonen battle roleplay #devlog

[gremlinaristocrat]

Outstanding Ambiguities in Almost Nowhere

I here use ‘outstanding’ both in the sense of ‘unresolved’ and ‘extremely good’; I sincerely hope we never get a definitive answer for these.

Was Hector Stein originally a human being?

I’ll lead with my favourite: we never nail down whether Hector was a person placed in a Chestromath-y crash by Anomalings, or an NPC they stitched together to play a part in someone else’s dream.

Obvious signs seem to point to ‘human’, but consider:

He’s preternaturally charismatic, compelling, larger-than-life, and yet thoroughly unimaginative; all his tricks are copied from elsewhere. Once you start seeing the parallels between him and the (other?) fictives, it’s hard to unsee.

IIRC we never hear about his pre-crash history from anyone, even though that would be an excellent potential source of slander and scuttlebutt; considering the partisanship of the authors, this silence is conspicuous, ergo suspect.

Every other character seems subject to the convention “living humans and Anomalings are referred to with a first name only; fictives get surnames (which we don’t bring up for fictives we like, unless we’re making a point of reminding you they’re fictives); Annes can have little pseudo-surnames, as a treat”. Hector is the sole (apparent?) exception.

If he was a real boy, this raises the question: what sort of person’s Shade-assigned fantasy life looks like being cast into the role of “the teacher all the schoolgirls get crushes on”? And if he wasn’t . . . has everyone on Earth spent the last few years constantly hearing about the daring revolution being headed by (a fanfic version of) (their equivalent of) Severus Snape?

(I love this one the best because literally everyone in-universe would know the answer, and the only reason it’s not clear to me is that none of the half-dozen narrators felt it was non-obvious enough to be worth mentioning. Terra Ignota vibes, amplified to and past the point of parody; 11/10, no notes.)

What exactly did Azad do to Anne Twenty-Seven? Under what circumstances?

Yes, he hurt her. Yes, he broke her heart, abandoned her, and chose her sisters over her, only to abandon them in turn. But Azad – in the chapter he spends spelling out his various crimes – is weirdly vague and reticent about the exact nature of his original sin, the snowball that started the avalanche: all we hear for sure is that ‘it involves trust’. Is he staying quiet for his sake, or for hers? Is he magnifying his evil, or minimizing it? Or is this all because it’s another thing everyone already knows, the part of the sordid story the Nowhere-to-Hides wrote across the stars, and Azad only feels the need to confirm the allegations and fill in the blanks?

We don’t know; we don’t get to know.

Was Azad actively tortured while in Twenty-Five’s custody, or ‘just’ given awful working conditions?

We see a man stooped over a desk, compelled to eternal labour and penance. We see him later, rescued and refusing to believe it, insisting this is one of Twenty-Five’s tricks. Is this paranoia born from guilt, or past experience? Grant asserts based on his condition that “Hector’s guys” must have been “doing some pretty crazy shit”, but this is never confirmed or denied.

Later still, we hear his screams as he processes what happened in the crashes. How many of these are driven by guilt from Michael’s crash, versus trauma from Twenty-Five’s? Did she really have him working full-time on translation, or did she take some time every now and then to remind him of how her wants are structured?

I think Azad (and his co-authors) left this one in on purpose. He knew this book would be read by his victims – the Annes would have been top of his mind, but literally all of his in-universe readers would be living in a world wrought by What Azad Did – and wanted to preserve ambiguity for their sake: everyone (save Twenty-Five herself) gets to read their preferred ratio of self-inflicted vs other-inflicted suffering into the monster.

What happened to Annabel?

This is so weird. Shades don’t kill. They don’t even kill animals. And during the fall of Advanced Containment, long after she was supposed to be dead, Sylvie describes her as “stable, contained”; the dead don’t need much containing. But the official story is that she was slaughtered by Anomalings when Hector first left the crashes.

I think the official story is wrong. I think she disagreed with Hector, defected from him, joined up with Sylvie’s side . . . and then her former allies rebased her, rewriting her story so she dies at the most convenient moment. But mnemopoesis preserved her contribution to the manuscript, in the form of some autobiographical chapters (written in first-person, unlike any of the Annes the authors knew better, with the jarring justification that they just had to try mimicking her unique voice and personality), a deep understanding of the games and codes used in Michael’s crash (would we really be able to learn as much as we were shown from Eleven’s wilfully neglected witchcraft, and secrets Cordelia stole from Twenty-Five?), and a pair of un-attributable comments from a [REDACTED] co-author.

. . . unless, of course, that’s exactly what Azad and his co-conspirators want me to think: another piece of anti-Stein propaganda, all the more effective because they made me put the pieces together myself. (If that’s the case, it’s the kind of trick I can feel proud about managing to fall for.)

Who was [REDACTED]?

I mean, you know my opinion. But if it wasn’t Annabel, who was it?

It wasn’t her . . . and wasn’t a fabrication . . . I like to think it was an Anne who actually managed to erase herself from the narrative. Someone who stepped from the stage, and just kept walking, refusing to re-inflict the wound, leaving the entire sorry mess behind them.

How much damage control was Hector’s faction doing behind the scenes?

For most of the story, the world and its’ population remain precariously preserved, balanced on a bed of knife-edges. But with uncanny regularity – especially when you remember this is technically a war story – nukes don’t fly, crashes don’t fail, and Named Characters don’t die.

Towards the end of the story, we find out that Hector has thrived as long as he has by – essentially – savescumming. A little after that, Anne Eleven dies tragically, nigh-simultaneously with a substantial fraction of humanity, as the dog-god of war lets himself slip. And immediately after that, Sylvie restabilizes, as he figures out how to make sure Hector’s trickery can never work again.

So . . . how many disasters was Hector quietly averting? How many of Sylvie’s more destructive tantrums did he (unwittingly?) head off? How many times did he find Advanced Containment, and then rebase away his knowledge of it to save the people trapped inside? Does he even know? Does anyone? What’s the expected lifespan of this too-brave new world now our heroes have successfully smashed the Undo button?

#almost nowhere

[darkfictionjude]

I just wanted to say the naming conventions of this IF are interesting and demanding. Like, most of the names are somewhat unusual for an English speaking community, but very memorable. But that demands me to think for a name that matches the energy of the other character. Since I normally try to use simple and down to earth names (most of my MCs are called Jack, John, Joe or something of the sort).

And, in this game, names seem to come from everywhere etymology wise. Which is fun, as someone who likes etymology. But terrible when it comes to choose a name for my MC. Do I go with something Arthurian like Percival (mixture of Welsh and Old French)? Something Italian like Salvatore? Something Irish like Orla? Or Hungarian like Imre?

Like, it's hard for me to not overthink this. Which is funny, even if a big worrying.

My first (and for now, only) MC ended up with a rather traditional but old fashioned name: Archibald (which is a fun mixture of germanic and Greek), with the nickname Archie (in a similar line to Sally and Percy). I think it fits the vibe somewhat, but probably I'm going to overthink this some more for other MCs I make in the future.

I hope my crazy ramblings are, at the very least, entertaining. Be sure, I do enjoy your IF, I'm just too fixated on making sure my MCs fit the setting they are living in. I have the same problem with some fantasy and Sci fi IFs where the naming conventions are completely unknown or, worse, random.

Although, I'm quite a big fan of the diversity of the names used. It does give some otherworldly character to the story and setting, which is one of the charms your work has.

Stop I’m blushing nonnie 🥰

Yeah I am a huge fan of diverse names and specifically ones that have meanings synonymous with the characters. In my real life many parents name their children for specific reasons whether that be tradition or because they like the meaning of the name. I like names to be memorable and uncommon enough in English settings since English is the primary language IF is written in (Salvatore is of course pretty usual in romance languages).

These characters are strange enough people living a strange place. A place that technically doesn’t exist. It makes sense for them to be named oddly. The only names that are common enough are Stephanie and Candace and that’s because it’s a way to speak about how female victims are so common in the world, they become statistics, forgettable compared to their killers.

I love your dedication! I had hoped some readers would think about what their mc’s are called and what it says about that mc. And like I’ve said, please ramble, I couldn’t ask for a better response.

#names #we wretched creatures

[autopotion]

I finished my first playthrough of Crimson Shroud and...

I think in many ways Crimson Shroud is the least insightful of Matsuno's games. A lot of tropes are played straight in this one, whereas I feel like his other games turn a lot of those on their heads. All of the games he's worked on are racist & orientalist in some way (the sexual violence of Rapha's plot in FFT; the viera in FFXII [he didn't invent them but all the same], and also the fact that FFXII is set in a place clearly inspired by Syria but most of the main cast from that area have very light skin; the cult in Lea Monde in Vagrant Story was started by a sexy belly-dancing priestess) but Crimson Shroud is the most egregious of the lot IMO. We've got standard racist tabletop conventions--like the sentient, evil, and very killable goblins, and the oppressed fantasy ethnic group (the Qish) that is also a source of Strange Magicks, sort of a stand-in for elves minus the pointy ears. We've got Frea, of the Qish, in yet another belly-dancer outfit. And it turns out the "reason" the Qish are oppressed perpetual wanderers is because one of them (the main villain of the game) made a deal with the devil and brought the first "gifts" (magical items) into the world, which sowed chaos in the region, so there are a number of racist ideas wrapped up in that.

Also, it's really quite misogynistic, more so than some of the other games (even FFT, which has... let me count... three? four? damsel in distress plots?). In addition to the intense sexualization of Frea, a young woman "in her late teens", the main villain of the game, Abigail, covets Frea's body so that she can use their "bond of blood" to possess it and cause the apocalypse. Why? Because, centuries ago, she was once a devoted servant of a king, and she desired him, but never acted on those desires--yet the people around her saw her lustful looks and had her tortured in a horrifically gruesome way. So she's the evil hysterical angry ex type of villainness (great), except, for all that trouble, she was never even in a relationship with the guy. The other "apostles" ganged up on her because she was a woman who wanted someone, and also I guess she was insane and evil all along I guess. Cool.

AND YET.... IN SPITE OF ALL OF THAT..... something about Crimson Shroud has completely hooked me. I don't know if I could name what yet, I have to mull it over (and play New Game+), but I was fairly moved by most of the story, even though the bad end is quite abrupt IMO. What did I like? Was I moved purely out of nostalgia for FFT & Vagrant Story, because they share more than a few plot points / character types / moods in common? Was it the party dynamic, which nails "found family" in a way most games with this premise struggle to achieve (three societal deviants who've teamed up because they have no one else)? Was it because I enjoyed the tight storytelling & amount of lore for the short playtime? Was it the tabletop aesthetic, and what relation that aesthetic has to the story and how it's told (a post for a different day)? Was it because, at the end of the day, I felt sympathy for Abigail, and wondered what her relationship with Frea, whose body she inhabits in the bad ending, will be like post-game? I have no clue. It's much easier for me to say what I don't like about something than what I do, so I'll have to think on it a bit longer.

Oh, also, the gameplay is exhausting and requires a lot of thought, but I think it worked for me. We'll see how I feel on NG+ though, which is harder, I've heard.

#crimson shrouding

[annarellix]

Hammer of Fate by G.N. Gudgion (The Rune Song Trilogy #1)

Book: Hammer of Fate Author: G.N. Gudgion Pub Day: June 1st 2023 Buy Link(s): https://geni.us/B0BT8BH85Dsocial

About the Book:

“No surrender. No retreat.” With twenty enemy swords at their backs and a broken bridge ahead, the last knights of an outlaw order turn to fight. A young woman with forbidden magic joins their final stand. And as blade meets blade, she starts to sing…

Adelais was raised in the far north, learning stories of the old gods and the skill of weaving runes into magic. Now, she is locked in a convent far from home, forced to kneel to a foreign god. When inquisitors arrive with plans to torture an innocent man, Adelais cannot stand by. She aids an attack to free the prisoner and joins the raiders as they flee into the night. Her new companions are the last of the Guardians—once a powerful holy order, now ragged fugitives, hunted almost to extinction. The knights carry a secret treasure, precious and powerful enough to shape kingdoms. Their pursuers, desperate to possess it, will crush any who stand in their way. Nowhere is safe—in city or chateau, on the road or in the wilds. And even disguised as a boy, Adelais draws attention wherever she goes. Is she angel or demon, priestess or witch? Adelais must summon all her courage and all her memories of the old gods’ magic as the noose tightens around her and a thunderous final reckoning approaches.

My Review: The fun fact with historical fantasy is that you can talk about historical facts and using them as you like as no one can raise their hand and say NOT-RIGHT as it's a fantasy and we are in an alternate world. This is a historical fantasy, the author did an excellent job in delivering a story that builds slowly as we are introduced to a world where The Guardian are being tortured and persecuted, we could call them Templar but someone could start looking for their treasures, and a corrupt king, who's not called Philippe, wants the Guardian gone and get all their riches. We have a group of intriguing and fascinating characters: Adelais the northern shaman who is forced to convert and support the rebels, the remains of the Guardian who are not defeated and are part of the resistance. The religion is a strong point in this story but, as the inspiration is Middle Age Europe, it would hard not involve an element that was at the core of everyday life and don't forget that the Templar were warrior monks. Adelais is a strong character, il like her will force and her strength, she slowly grew on me as I discovered her talents. The male characters were more like or dislike as soon as I met them. I think that there's an excellent villain, a sort of fantasy Bernard Gui, one of the most infamous inquisitor and a character of The Name of the Rose. Gudgion creates a fascinating world, I can think of a lot of possible inspiration, Guy Gavriel Kay and Andrzej Sapkowski amongst other. This story is a bit slow at the beginning as it introduces the different characters and introduce us to the political and religious factions. As soon as the action starts the pace gets faster and I can say that the battles were well described. One note: as it's a historical fantasy there's not a lot of magic even if it exists and some characters are gifted. I hope that the rest of this trilogy will be up to this novel as it kept me hooked and I had to stop from time to time. If you like heroic or historical fantasy this is you book. Many thanks to Second Sky for this arc, all opinions are mine

The Author G.N. Gudgion (‘Geoff’) grew up with his nose in a book, often one featuring knights in armour. A later search for stories where women didn’t have to be either beautiful damsels or witches led him to the fantasy genre and the works of Guy Gavriel Kay and Mark Lawrence.

After Geoff gave up a business career to write, it was natural to gravitate to historical fantasy, to stories with complex, conflicted characters that a reader can bleed with, cry for, and perhaps fall in love with. They live in worlds where you can smell the sweat and the sewers, as well as the roses. Geoff lives in a leafy corner of England, where he’s a keen amateur equestrian and a very bad pianist. He spends much of his time crafting words in a shed, fifty yards and five hundred years from his house.He is also the author, as Geoffrey Gudgion, of supernatural thrillers Saxon's Bane (Solaris, 2020) and Draca (Unbound, 2020)

Social Media Facebook: https://www.facebook.com/geoffrey.gudgion.author Twitter: https://twitter.com/GeoffreyGudgion Instagram: https://www.instagram.com/geoffreygudgion Website: https://geoffreygudgion.com Goodreads (Geoffrey Gudgion): https://www.goodreads.com/author/show/6542406.Geoffrey_Gudgion Second Sky email signup: www.secondskybooks.com/gn-gudgion

#Second Sky #Blog Tour #historical fantasy #epic fantasy #NetGalley #review

[nerdyydragon]

I’m gonna get absolutely ripped into by the Tumblr purity police for this, and I’ve been around the internet long enough (too damned long) to know that this isn’t a new thing at all whatsoever but… fandom does know that people can enjoy a good villain, right? They can enjoy the character and don’t have to make excuses for liking them and remind everyone that they, the fan and poster of this content, do not in any way condone their behaviour and actually wrestle with the morality of enjoying them with every other breath, as though it is some Herculean undertaking to enjoy a character written explicitly to be enticing?

I’m going to talk specifically about RoP here for a minute because it’s the most recent show I’ve seen (and thus most recent subfandom I’ve dived into), but going into the tags there is an absolutely overwhelming amount of fic that tries to take the moral high ground about liking a character that’s written to be… evil. Like that’s it. Halbrand’s the bad guy!! Technically he doesn’t even exist! Sauron made up the alias because he couldn’t just go around giving people any number of names associated with a guy who supposedly died over a thousand years ago and has committed multiple fantasy war crimes, probably. The reveal scene where the ruse drops (Halbrand you’re scaring the hoes) is gorgeous, and Charlie does an absolutely delicious job of portraying a human smith-king struggling with a murky past only to drop it the moment it’s no longer useful. You are allowed to enjoy that. You are allowed to find it alluring and, dare I say it, attractive. That’s the point. That’s Tolkien’s whole argument in the Silmarillion.

Nobody was immune to sexy Sauron propaganda because he was considered too hot to actually do anything other than watch his hair glitter in the sun. Everyone around him considered that man “no thoughts, head empty, just vibes”.

Halbrand | Sauron is, by definition, a lying liar who lies, and fans have known that from the get that Mairon was originally so beautiful that pretty much nobody noticed that he was getting into shady side-hustles, at least in the beginning. But this trend of reducing antagonistic or villainous characters to single traits and negating the other elements of their “identity”—I’m putting that in quotes because it’s fiction even though that tends to unfortunately also happen to real people—that indicate they have other thoughts besides corruption and murder and brooding in a tower they built to plot their world domination ignores the deliberate complexity of fiction. Good characters imitate life; they’re not like real people, but they’re a representation of qualities and archetypes rolled into a ball for narrative purpose that reflect ideologies, politics, social conventions, and cultural norms.

There was a millennia between when Sauron disappeared and when Halbrand showed up (allegedly), and a millennia in which he became someone who on the surface appeared totally content with working in a smithy in Númenor and living as a common man. Do I think that would have worked for him long-term? No, he absolutely would have tired of it eventually, and canonically at some point he has to go back to the Southlands in order for the forging of the rings and the story to proceed. He presents himself both as Halbrand and in his mind-manipulations as someone who wants to save Middle Earth. In his mind he’s the hero; he’s under the assumption that he’s the best person for the task of freeing the lands of men from themselves and healing the nation after Morgoth’s rule (he’s wrong, obviously, because he’s both traumatized himself and too ambitious for his own good). Yet every fic I see of him sounds so incredibly terrified of embracing any sort of darkness other than “he’s evil and murderous and wants to corrupt everyone”. I have no problem with dark themes in fiction; maybe it’s because I myself am an author working with darker themes right now, but the majority of, at the very least more vocal fic authors, wrestle with their attraction to it in a way that falls very far short of “he’s evil and I alone can fix it” because it’s too undercut with “he’s evil and I need to everyone to know I don’t excuse it” which doesn’t make for good character. It just means your fic is a mouthpiece for purity grandstanding and avoiding people coming at you for liking a problematic character.

There are obviously a plethora of other examples, not even getting into shipping and this apparent need to justify a ship—if you don’t agree with or like something, just… don’t read it—but my point is that you don’t have to excuse a character’s actions to enjoy the character. It’s fiction. Obviously you don’t condone mass murder and tyrannical dictatorships unless the guy doing it is hot. Obviously you don’t condone abusive relationships. But my god, if you’re going to write fic for the literal villain of a series that people have been arguing about for literal fucking decades, don’t try to excuse your enjoyment of it by saying in the writing that you don’t agree (unless it’s for wider characterization purposes). Saying what amounts to “[character A] is obviously so attractive but they’re evil so [character B] can’t love them even though they did up until this pivotal moment, but A is So Evil Nobody Could Love Them although lust is fine because I, the writer, am clearly not excusing their actions and am obviously morally in the clear and Better Than You” is disingenuous.

Anyway this sort of got off the rails but this is all to say that you can enjoy the bad guy. That’s… the whole point of a well-written villain. You can’t have one without the other; you can’t say “I like the bad guy but only when…” because then you don’t like the character. You like the idea of them. Good villains, even if they’re doing explicitly shitty things, often believe they’re justified. They possess “logic” that informs the decisions they made—decisions written by an author deliberately to add complexity. So liking the villain but only when they’re not doing villainous things means you don’t actually like the villain, and you need to stop pretending you do, because for some fans the general disdain is very obviously at war with some secret attraction they believe is itself morally bankrupt and frankly it’s gross.

#fiction #writing #fics #villains #writing villains #yes this is partly about RoP so I’m also tagging: #rings of power #rings of power spoilers #rop spoilers #lotr trop #fandom #fanfiction #anti purity culture #the silmarillion

[houseaeducan]

part of the reason the oc directory i was trying to make still hasn't happened is bc i feel the need to write down their whole life story AND bc i want to explain their role in their own worldstate and my canon worldstate. but here's an incredibly brief run down of what my different hawkes' roles are in my canon worldstate

caleb - he is hawke. self explanatory

cat - catherine amell in this worldstate, caleb's second cousin and rowan (my amell)'s first! former member of the denerim criminal underworld after losing her family in the blight, moves on to getting rich by scamming rich people. dating isabela who is also dating fenris but she is not dating fenris but she did get platonically married to him for tax reasons. its not that complicated

cassian - older amell brother. mage in the ostwick circle who honestly liked it pretty fine there before the rebellion where he has to sort his shit out. probably does not meet/date fenris in this worldstate but maybe he does I'm not sure on this front

calliope - brought to the ferelden circle young, had a very weird fwb situation for anders for years, blood mage who took part in uldred's rebellion and then took advantage of the confusion to slip out when they finally open the gates back up. by the time they'd rebuilt enough to realize she was missing she was fully in tevinter where she managed to get apprenticed a magister. decided to jump ship in dai era when everyone was getting really into corypheus and she thought that seemed like a bad idea. tried to head to skyhold bc she had vaguely known dorian and thought he could put in a word for her with the inquisition but stopped in kirkwall along the way, met merrill, and had a hallmark storyline abt the power in love except in a wartorn fantasy city actively under siege

camilla - daughter of circle mages she never met, raised by the chantry and ended up joining the templars. knight-captain in starkhaven who ends up serving as an advisor to Sebastian when he retakes the throne and attacks kirkwall, believes Sebastian was sent by andraste to help bring thedas into a new holy age and eventually becomes his queen consort in a chaste marriage. she gets to be a villain in a lot of the post da2 Adventures In My Head. she gets infected by red lyrium and starts wearing increasingly weird gloves and helmets in order to conceal it as it slowly spreads. a lot going on with her!

ava - maybe not her actual name. the c naming convention was an accident at first and then i decided to stick with it as a joke but its maybe not a sustainable one. i made this hawke to help beta test a mod but now i really like her. anyway esteemed member of the fenbela polycule. dating fenris and isabela and maybe cat too I'm not sure on that one. i need to flesh her out in this world but i think she might have been an antivan crow at some point

#writing this and realizing that cam and cal actually probably have met when seb was laying siege to kirkwall. this is great i could ask for #nothing more

[danadriel]

"Victoria is a semi synthetic woman, a unethical product of a bygone age of cruelty she can't even recall, built according to the exact specifications of a long dead magnate, as consequence of that her body carries such a unnatural beauty, even by the era of her creation her body proportions could be considered impossible and vulgar, and in the dead shattered world her visage is nothing short of divine,while her silhouette is already spectacular the inner workings of her body are wonders of technology that not even the most talented of sorcerers,thinkers and black fingers cant even dream about understanding it, her fur is short and glossy impossible to stain with even the nastiest of substances, her skin is almost impossible to cut with conventional steel blades, all her bones are made of a light and flexible alloy, allowing her limbs to be abused way beyond anything a regular person can endure, judging by these trait alone one could assume she was a perfect being, some sort of a long forgotten military prototype.But in reality this wondrous body is nothing short of a prison, like many of her kind she was built entirely to endure the sadistic desires of her master and survive, her mind is equipped with failsafes that prevent her from ending her life, her arms have only the bare minimal muscular mass to be functional, her legs don't give her any meaningful speed and she gets exausted after few dozen meters of running, she can't escape her fate running, hidding or even dying.

From the moment she became conscious in the factory she knew she would have a miserable servile existence, but when her fully sealed packaged was finally opened she found herself in a even worse situation, she was in the ruins of her owner's personal bunker and countless millennia have passed, and instead of posh inssuferable billionarie she found herself in the hands of a monstruous warrior and slaver called Gutstretcher, Victoria was taken as a spoil by the slaver, and for almost 3 years she had to endure the relentless sadism of Gutstretcher, while he was out raiding caravans she was trapped in his lair trying to convert the rotten carcases he brought every day in to edible food, every time she could hear his heavy steps approaching the rusty shipping container they called home her blood froze, she knew it was time to suffer, the sexual assaults she suffered daily were the least cruel parts of her routine, Gutstrecher had a morbid curiosity in taking her body to the limits of pain, countless times she was beaten , burned,had her joints dislodged and so on.

Trapped in this hell unable to escape in any form she convinced herself that there was no way out, she was a creature made to suffer and nothing would change it, but she was wrong, the wheel of fate spun in her favor for the first time, when Gutstretcher finnally dared crossed paths with a enraged nomad warrior named Danadriel…" (The Traveler)

This girl is obviously inspired by the wives of Immortan Joe. :U

my idea was to create a cartoonishly sexualized character but fitting to the current story, she looks like a product of pure sexual fantasy because she was created for that in canon! and I want her to stand out among the dirty scarred nomads of the Dawnstrider crew…I know Danadriel already does that but he is pure muscle and is more than capable to fend for himself, quite the contrary of her.

She will not be mere eyecandy…I have more complex ideas in mind.

#furry #thicc #art #furry art

[heckolve]

1, 8, 13, 14 AGT?

1.) how would you describe the world your story takes place in?

8.) what inspired your world building, if anything?

1 & 8 are pretty similar for agt... i usually describe agt as a mix between howl's moving castle and a tale of two cities for lack of a better easy description lol. howl's for the visual aesthetics and magic system and totc for the kind of extended cast and political commentary.

early on agt's visual aesthetic was very influenced by the russian monarchy, hence some of the character's naming conventions. now its more generally and vaguely inspired by a combination of 19th century southwestern european, middle eastern, and some far eastern sensibilities... though there's a heavy amount of fantasy filler and whatever-i-feel-like lol. the culture is something i have yet to flesh out though i dont think it'll be anything too unique or important to the story... esceynia is a melting pot country with a loose polytheistic & philosophical approach to religion and customs. the relationship between magic and technology through the industrial revolution is heavily inspired by hmc. i think that many stories with a magical setting tend to forego modern technology and technological advancements because of the use of magic but thinking about the two together is absolutely fascinating to me and i want to delve deeper into it <3

13.) how long have you been working on this project? what has changed from the outset?

im gonna say.... 8 years. though the current revamped version of it is only about 2 or so. so much has changed since then 😭 theres been sort of 4 versions of it so far... to be 100% frank it used to just be a harry potter rip off. not getting into it. yuck. the entire setting and plot has been overhauled since then. and the magic context has changed from like modern witchcraft to more of a high fantasy one. but anyways in terms of characters i scrapped the main character charlotte (though may bring him back as a side character...). yara ozerov was essentially the big bad but now they're just a minor villain. blaire was a one-off side character/villain and now he's one of the main protagonists lol. and arrakis was simply a shallow dead mother character and while she's still dead the current story practically entirely revolves around her past actions and choices...

14.) whats your favorite part of this story/project?

how many characters there are and how they're all deeply interconnected <3 it makes my head ache sometimes (the Timeline.......) but theres just so much to work with it makes me so happy and excited. its the reason i reference totc... and in some ways les mis. those books really reminded me of agt because of their dense cast list and how they all become interconnected through the events of the story. makes my brain happy :^]

#ask #anon #agt

[eiirisworkshop]

The Fanfic Author's Guide to Metatext

(As Used on Ao3) by Eiiri

Also available as a PDF here. This thing is 13,000 words.  The PDF is recommended.

Intro: What is Metatext?

Metatext is everything we fanfic authors post along with our story that is not the story itself: title, tags, summary, author's notes, even the rating.

It is how we communicate to potential readers what they're signing themselves up for if they choose to read our story, how we let them make informed decisions regarding which fics they want to read, how we get their interest and, frequently, how they find our story in the first place. A lot of metatext acts as a consent mechanism for readers, it's the informed part of informed consent.

Since most of us who write fanfic also read it, we understand how important this is! But, for the most part, no one ever teaches us how to use metatext; we have to pick it up by osmosis. That makes it hard to learn how to use it well, we all suck at it when we first start out, and some of us may go years without learning particular conventions that seem obvious to others in our community. This creates frustration for everybody.

Enter this guide!

This is meant to be a sort of handbook for fic writers, particularly those of us who post on Archive of Our Own, laying out and explaining the established metatext conventions already in use in our community so we (and our readers!) are all on the same page. It will also provide some best-practices tips.

The point is to give all of us the tools to communicate with our audience as clearly and effectively as possible, so the people who want to read a story like ours can find it and recognize it as what they're looking for, those who don't want to read a story like ours can easily tell it's not their cup of tea and avoid it, nobody gets hurt, and everybody has fun—including us!

Now that we know what we're talking about, let's get on with the guide! The following content sections appear in the order one is expected to provide each kind of metatext when posting a fic on Ao3, but first….

Warning!

This is a guide for all authors on Ao3. As such, it mentions subject matter and kinds of fic that you personally might hate or find disgusting, but which are allowed under the Archive's terms of use. There are no graphic descriptions or harsh language in the guide itself, but it does acknowledge the existence of fic you may find distasteful and explains how to approach metatext for such fics.

Some sexual terminology is used in an academic context.

A note from the author:

This guide reflects the conventions of the English-language fanfiction community circa 2021. Conventions may differ in other language communities, and although many of our conventions have been in place for decades (praise be to our Star Trek loving foremothers) fanfiction now exists primarily in the realm of internet fandom where things tend to change rather quickly, so some conventions in this guide may die out while other new conventions, not covered in this guide, arise.

This is not official or in any way produced by the Archive of Our Own (Ao3), and though some actual site rules are mentioned, it is not a rulebook. Primarily, it is a descriptivist take on how the userbase uses metatext to communicate amongst ourselves, provided in the interest of making that communication easier and more transparent for everyone, especially newer users.

Contents

How To Use This Guide Ratings Archive Warnings Fandom Tags Category Relationship Tags Character Tags Additional Tags Titles Summaries Author's Notes Series and Chapters Parting Thoughts

How To Use This Guide

Well, read it.  Or have it read to you.

This isn't a glossary, it's a handbook, and it's structured more like an academic paper or report, but there's lots and lots of examples in it!

Many of these examples are titles of real media and the names of characters from published media, or tags quoted directly from Ao3 complete with punctuation and formatting.

Some examples are more generic and use the names Alex, Max, Sam, Chris, Jamie, and Tori for demonstration purposes. In other generic examples, part of an example tag or phrase may be sectioned off with square brackets to show where in that tag or phrase you would put the appropriate information to complete it.  This will look something like “Top [Character A]” where you would fill in a character's name.

This guide presumes that you know the basics of how to use Ao3, at least from the perspective of reading fic. If you don't, much of this guide may be difficult to understand and will be much less helpful to you, though not entirely useless.

Ratings

Most fanfic hosting sites provide ratings systems that work a lot like the ratings on movies and videogames.

Ao3's system has four ratings:

General

Teen

Mature

Explicit

These seem like they should be pretty self-explanatory, and the site's own official info pop-up (accessible by clicking the question mark next to the section prompt) gives brief, straightforward descriptions for each of them.

Even so, many writers have found ourselves staring at that dropdown list, thinking about what we've written, and wondering what's the right freaking rating for this?  How do I know if it's appropriate for “general audiences” or if it needs to be teen and up? What's the difference between Mature and Explicit?

The best way to figure it out is often to think about your fic in comparison to mainstream media.

General is your average Disney or Dreamworks movie, Cartoon Network or Nickelodeon shows, video games like Mario, Kirby, and Pokemon.

There may be romance, but no sexual content or discussion. Scary things might happen and people might get hurt, but violence is non-graphic and usually mild. Adults may be shown drinking alcohol or smoking tobacco, and some degree of intoxication may be shown (usually played for laughs and not focused on), but hard drug use is generally not shown or discussed.  There is little to no foul language written out and what language there may be is mild, though harsher swears may be implied by narration. There are no explicit F-bombs or slurs.

Teen is more like a Marvel movie, most network television shows (things like The Office, Supernatural, or Grey's Anatomy), video games like Final Fantasy, Five Nights at Freddie's, and The Sims.

There might be some sex and sexual discussion, but nothing explicit is shown—things usually fade to black or are leftimplied. More intense danger, more severe injuries described in greater detail, and a higher level of violence may be present.  Substance use may be discussed and intoxication shown, but main characters are unlikely to be shown doing hard drugs. Some swearing and other harsh language may be present, possibly including an F-bomb or two.  In longer works, that might mean an F-bomb every few chapters.

Mature is, in American terms, an R-rated movie* like Deadpool, Fifty Shades of Grey, The Exorcist, and Schindler's List; certain shows from premium cable networks or streaming services like Game of Thrones, Shameless, Breaking Bad, and Black Sails; videogames like Bioshock, Assassin's Creed, Grand Theft Auto, and The Witcher.

Sex may be shown and it might be fairly explicit, but it's not as detailed or graphic or as much the focus of the work as it would be if it were porn. Violence, danger, and bodily harm may be significant and fairly graphic. Most drug use is fair game. Swearing and harsh language may be extensive.

Explicit is, well, extremely explicit. This is full on porn, the hardcore horror movies, and snuff films.

Sex is highly detailed and graphic. Violence and injury is highly detailed and graphic. Drug use and its effects may be highly detailed and graphic. Swearing and harsh language may be extreme, including extensive use of violent slurs.

Please note that both Mature and Explicit fics are intended for adult audiences only, but that does not mean a teenaged writer isn't going to produce fics that should be rated M or E.  Ratings should reflect the content of the fic, not the age of the author.

Strictly speaking, you don't have to choose any of these ratings; Ao3 has a “Not Rated” option, but for purposes of search results and some other functions, Not Rated fics are treated by the site as Explicit, just in case, which means they end up hidden from a significant portion of potential readers. It really is in your best interest as a writer who presumably wants people to see their stories, to select a rating. It helps readers judge if yours is the kind of story they want right now, too.

Rating a fic is a subjective decision, there is some grey area in between each level. If you're not quite sure where your fic falls, best practice is to go with the more restrictive rating.

*(Equivalent to an Australian M15+ or R18+, Canadian 14A, 18A or 18+, UK 15 or 18, German FSK 16 or FSK 18.)

Warnings

Ao3 uses a set of standard site-wide Archive Warnings to indicate that a work contains subject matter that falls into one or more of a few categories that some readers are likely to want to avoid.  Even when posting elsewhere, it's courteous to include warnings of this sort.

These warnings are:

Graphic Depictions Of Violence

Major Character Death

Rape/Non-Con

Underage

Just like with the ratings, the site provides an info-pop up that explains what each warning is for. They're really exactly what it says on the tin: detailed descriptions of violence, injury, and gore; the death of a character central to canon or tothe story being told; non-consensual sex i.e. rape; and depictions of underage sex, which the site defines as under the age of 18 for humans—Ao3 doesn't care if your local age of consent or majority is lower than that.

In addition to the four standard warnings above, the warnings section has two other choices:

No Archive Warnings Apply

Choose Not To Use Archive Warnings

These do not mean the same thing and cannot be used interchangeably. “No Archive Warnings Apply” means that absolutely nothing in your fic falls into any of the four standard warning categories. “Choose Not To Use Archive Warnings” means that you the author are opting out of the warning system; your fic could potentially contain things that fall into any and all of the four standard warning categories.

There's nothing wrong with selecting Choose Not To Use Archive Warnings! It may mean that some readers will avoid your fic because they're not sure it's safe for them, and you might need to use more courtesy tags than you otherwise would (we'll talk about courtesy tags later), but that's okay! Opting out of the warning system can be a way to avoid spoilers,* and is also good for when you're just not sure if what you've written deserves one of the Archive warnings. In that case, the best practice is to select either the warning it might deserve or Choose Not To Use Archive Warnings, then provide additional information in other tags, the summary, or an initial author's note.

Unless you're opting out of using the warning system, select all the warnings that apply to your fic, if any of them do. So if a sixteen year old main character has consensual sex then gets killed in an accident that you've written out in excruciating detail, that fic gets three out of the four standard warnings: Underage, Major Character Death, and Graphic Depictions Of Violence.

*(Fandom etiquette generally favors thorough tagging and warning over avoiding spoilers. It doesn't ruin the experience of a story to have a general sense of what's going to happen. If it did, we wouldn't all keep reading so many “there was only one bed” fics.)

Fandom Tags

What fandom or fandoms is your fic for?  You definitely know what you wrote it for, but that doesn't mean it's obvious what to tag it as.

Sometimes, it is obvious! You watched a movie that isn't based on anything, isn't part of a series, and doesn't have any spinoffs, tie-ins or anything else based on it. You wrote a fic set entirely within the world of this movie. You put this movie as the fandom for your fic. Or maybe you read a book and wrote a fic for it, and there is a movie based on the book, but the movie is really different and you definitely didn't use anything that's only in the movie. You put the book as the fandom for your fic.

All too often, though, it's not that clear.

What if you wrote a fic for something where there's a movie based on a book, but the movie's really different, and you've used both things that are only in the movie and things that are only in the book?  In that case you either tag your fic as both the movie and the book, or see if the fandom has an “all media types” tag and use that instead of the separate tags.  If the fandom doesn't have an “all media types” tag yet, you can make one! Just type it in.

“All media types” fandom tags are also useful for cases where there are lots of inter-related series, like Star Wars; there are several tellings of the story in different media but they're interchangeable or overlap significantly, like The Witcher; or the fandom has about a zillion different versions so it's very hard, even impossible, to say which ones your fic does and doesn't fit, like Batman. Use your best judgement as to whether you need to include a more specific fandom tag such as “Batman (Movies 1989-1997)” alongside the “all media types” fandom tag, but try to avoid including very many. The point of the “all media types” tag is to let you leave off the specific tags for every version.

In a situation where one piece of media has a spinoff, maybe several spinoffs, and you wrote a fic that includes things from more than one of them, you might want use the central work's “& related fandoms” tag. For example, the “Doctor Who & Related Fandoms” tag gets used for fics that include things from a combination of any era of Doctor Who, Torchwood, and The Sarah Jane Adventures.

And don't worry, from the reader-side of the site the broadest fandom tags are prioritized. The results page for an “all media types” or “& related fandoms” search includes works tagged with the more specific sub-tags for that fandom, the browse-by-fandom pages show the broadest tag for each fandom included, and putting a fandom into the search bar presumes the broadest tag for that fandom.  A search for “Star Wars - All Media Types” will pull up work that only has a subtag for that fandom, like “The Mandalorian (TV).” You don't have to put every specific fandom subtag for people to find your fic.

If you wrote a fic for something that's an adaptation of an older work—especially an older work that's been adapted a lot, like Sherlock Holmes or The Three Musketeers—it can be hard to know how you should tag it. The best choice is to put the adaptation as the fandom, for instance “Sherlock (TV),” then, if you're also using aspects of the older source work that aren't in the adaptation, also put a broad fandom tag such as “Sherlock Holmes & Related Fandoms.” Do not tag it as being fic for the source work—in our Sherlock example that would be tagging it “Sherlock Holmes - Arthur Conan Doyle”—unless you are crossing over the source work and the adaptation. Otherwise, the specific fandom subtag for the source work ends up clogged with fic for the adaptation, which really is a different thing.

By the same token, fic for the source work shouldn't be tagged as being for the adaptation, or the adaptation's subtag will get clogged.

The same principle applies to fandoms that have been rebooted. Don't tag fic for the reboot as being for the original, or fic for the original as being for the reboot. Don't tag a fic as being for both unless the reboot and original are actually interacting. Use an “& related fandoms” tag for the original if your fic for the reboot includes some aspects of the original that weren't carried over but you haven't quite written a crossover between the two. Good examples of these situations can be seen with “Star Trek: Alternate Original Series (Movies)” vs. “Star Trek: The Original Series,” and “She-Ra and the Princesses of Power (2018)” vs. “She-Ra: Princess Of Power (1985).”

Usually, this kind of mistagging as a related fandom happens when someone writes a fic for something that is or has a reboot, spinoff, or adaptation, but they're only familiar with one of the related pieces of media, and they mistakenly presume the fandoms are the same or interchangeable because they just don't know the difference.  It's an honest mistake and it doesn't make you a bad or fake fan to not know, but it can be frustrating for readers who want fic for one thing and find the fandom tag full of fic for something else.

In order to avoid those kinds of issues, best practice is to assume fandoms are not interchangeable no matter how closely related they are, and to default to using a tag pair of the most-specific-possible sub-fandom tag + the broadest possible fandom tag when posting a fic you're not entirely sure about, for instance “Star Trek” and “Star Trek: Enterprise.”

The Marvel megafandom has its own particular tagging hell going on. Really digging into and trying to make sense of that entire situation would require its own guide, but we can go through some general tips.

There is a general “Marvel” fandom tag and tags for both “The Avengers - Ambiguous Fandom” and “The Avengers (Marvel) - All Media Types.” Most of us who write Marvel fic are working with a cherry picked combination of canons from the MCU, various comics runs, both timelines of X-Men movies, and possibly several decades worth of cartoons. That's what these tags are for.

If your cherry picked Marvel fic is more X-Men than Avengers, go for the “X-Men - All Media Types” tag.

If you are primarily working with MCU canon, use the MCU specific tags rather than “all media types” and add specific tags for individual comics runs—like Earth 616 or the Fraction Hawkeye comics—if you know you're lifting particular details from the comics.  If you're just filling in gaps in MCU canon with things that are nebulously “from the comics” don't worry about tagging for that, it's accepted standard practice in the fandom at this point, use a broader tag along with your MCU-specific tag if you want to.

Same general idea for primarily movie-verse X-Men fics. Use the movie-specific tags.

If your fic mostly draws from the comics, use the comics tags. If you're focusing on an individual run, show, or movie series rather than an ensemble or large swath of the megafranchise, tag for that and leave off the broader fandom tags.

Try your best to minimize the number of fandom tags on your Marvel work. Ideally, you can get it down to two or three. Even paring it down as much as you can you might still end up with about five.  If you're in the double digits, take another look to see if all the fandom tags you've included are really necessary, or if some of them are redundant or only there to represent characters who are in the fic but that the fic doesn't focus on. Many readers tend to search Marvel fics by character or pairing tags, it's more important that you're thorough there. For the fandom tags it's more important that you're clear.

If you write real person fiction, you need to tag it as an RPF fandom. Fic about actors who are in a show together does not belong on the fandom tag for that show. There are separate RPF fandom tags for most shows and film franchises. Much like the adaptation/source and reboot/original situations discussed earlier, a fic should really only be tagged with both a franchise's RPF tag and its main tag if something happens like the actors—or director or writer!—falling into the fictional world or meeting their characters.

Of course, not all RPF is about actors. Most sports have RPF tags, there are RPF tags for politics from around the world and for various historical settings, the fandom tags for bands are generally presumed to be RPF tags, and there is a general Real Person Fiction tag.

In order to simplify things for readers, it's best practice to use the general Real Person Fiction tag in addition to your fandom-specific tag. You may even want to put “RPF” as a courtesy tag in the Additional Tags section, too. This is because Ao3 isn't currently set up to recognize RPF as the special flavor of fic that it is in the same way that the site recognizes crossovers as special, so it can be very difficult to either seek out or avoid RPF since it's scattered across hundreds of different fandom tags.

On the subject of crossovers—they can make fandom tagging even more daunting. Even for a crossover with lots of fandoms involved, though, you just have to follow the same guidelines as to tag a single-fandom work for each fandom in the crossover. The tricky part is figuring out if what you wrote is really a crossover, or just an AU informed by another fandom—we'll talk about that later.

There are some cases where it's really hard to figure out what fandom something belongs to, like if you wrote a fanfic of someone else's fanfic, theirs is an AU and yours is about their OC, not any of the characters from canon. What do you do?! Well, you do not tag it as being a fanfic for the same thing theirs was. Put the title of their fic (or name of their series) as the fandom for your fic, attributed to their Ao3 handle just like any other fandom is attributed to its author. Explain the situation in either the summary or the initial author's note. Also, ask the author's permission before posting something like this.

What if you wrote a story about your totally original D&D character? The fandom is still D&D, you want the “Dungeons & Dragons (Roleplaying Game)” tag.

What if there's not a fandom tag on the Archive yet for what you wrote? Not a problem! You can type in a new one if you're the first person to post something for a particular fandom. Do make sure, though, that the fandom isn't just listed by a different name than you expect. Many works that aren't originally in English—including anime—are listed by their original language title or a direct translation first, and sometimes a franchise or series's official name might not be what you personally call it, for instance many people think of Phillip Pullman's His Dark Materials series as The Golden Compass series, so it's best to double check.

What if you wrote an entirely new original story that's not based on anything?  Excellent job, that takes a lot of work, but that probably doesn't belong on Ao3!  The Archive is primarily meant as a repository for fannish content, but in a few particular circumstances things we'd consider Original Work may be appropriate content for the Archive as well. Double check the Archive's Terms of Service FAQ and gauge if what you wrote falls under the scope of what is allowed. If what you wrote really doesn't fit here, post it somewhere else or try to get it published if you feel like giving it a shot.

Category

What Ao3 means by category is “does this fic focus on sex or romance, and if so what combination of genders are involved in that sex or romance?”

The category options are:

F/F

F/M

Gen

M/M

Multi

Other

The F/F, F/M, and M/M categories are for stories focused on pairings of two women, a woman and a man, and two men, respectively.  These refer to sexual and/or romantic pairings.

The Other category is for stories focused on (sexual and/or romantic) pairings where one or both partners are not strictly male or female, such as nonbinary individuals, people from cultures with gender systems that don't match to the Western man-woman system, and nonhuman characters for whom biological sex works differently or is nonexistent, including aliens, robots, and inanimate objects or abstract concepts. There are some problems with treating nonbinary humans, eldritch tentacle monsters, sexless androids, and wayward container ships as all the same category, but it's the system we currently have to work with. Use Additional Tags to clarify the situation.

Multi is for stories in which several (sexual and/or romantic) relationships are focused on or which focus on relationships with multiple partners, including cases of polyamory, serial monogamy, strings of hookups with different people, and orgies.  A fic will also show as “Multi” if you, the author, have selected more than one category for the fic, even if none of those are the Multi category. Realistically, the Archive needs separate “Multiple Categories” and “Poly” options, but for now we have to work with this system in which the two are combined.  Use Additional Tags to clarify the situation.

Gen is for stories that do not contain or are not focused on sex or romance. Romance may be present in a gen fic but it's going to be in the background.  While rare, there is such a thing as a sexually explicit gen fic—solo masturbation which does not feature fantasizing about another character is explicit gen fic; a doctor character seeing a series of patients with sex-related medical needs following an orgy may qualify if the orgy is not shown and the doctor is being strictly professional—but such fic needs to be rated, otherwise tagged, and explained carefully in the summary and/or author's note.

Much like the warnings section, category is a “select all that apply” situation. Use your best judgement. For a fic about a polyamorous relationship among a group of women, it's entirely appropriate to tag it as both F/F and Multi.  A poly fic with a combination of men and women in the relationship could be shown as both M/M and F/M, Multi, or all three. A fic that focuses equally on one brother and his husband and the other brother and his wife should be tagged both M/M and F/M, and could be tagged as Multi but you might decided not to just to be clear that there's no polyamory going on. If you wrote a fic about two characters who are both men in canon, but you wrote one of them as nonbinary, you could tag it M/M, Other, or both depending on what you feel is representative and respectful.

When dealing with trans characters, whether they're trans in canon or you're writing them as such, the category selection should match the character's gender.  If there's a character who is a cis woman in canon, but who you're writing as a trans man, you categorize the fic based on his being a man. If there's a character who is a cis man in canon, but whom you're writing as a trans man, he is still a man and the fic should be categorized accordingly. When dealing with nonbinary characters the fic should really be classed as Other though, by convention, fics about characters who are not nonbinary in canon may be classed based on the character's canon gender as well or instead. When dealing with gender swapped characters—i.e. a canonically cis male superhero who you're writing as a cis woman—class the fic using the gender you wrote her with, not the gender he is in canon.

Most of the time, gen fics should not be categorized jointly with anything else because a fic should only be categorized based on the ships it focuses on, and a gen fic should not be focusing on a ship in the first place.*

*(One of the few circumstances in which it might make sense to class a fic as both gen and something else is when writing about Queerplatonic Relationships, but that is a judgement call and depends on the fic.)

Relationship Tags

The thing about relationship tagging that people most frequently misunderstand or just don't know is the difference between “Character A/Character B” and “Character A & Character B.”

Use a “/” for romantic or sexual relationships, such as spouses, people who are dating, hookups, and friends with benefits. Use “&” for platonic or familial relationships, such as friends, siblings, parents with their kids, coworkers, and deeply connected mortal enemies who are not tragically in love.

This is where we get the phrase “slash fic.” Originally, that meant any fic focused on a romantic paring, but since so much of the romantic fic being produced was about pairs of men, “slash fic” came to mean same-sex pairings, especially male same-sex pairings. Back in earlier days of fandom, pre-Ao3 and even pre-internet, there was a convention that when writing out a different-sex pairing, you did so in man/woman order, while same-sex pairings were done top/bottom. Some authors, especially those who have been in the fic community a long time, may still do this, but the convention has not been in consistent, active use for many years, so you don't have to worry about putting the names in the “correct” order. Part of why that died out is we, as a community, have gotten less strict and more nuanced in our understandings of sex and relationships, we're writing non-penetrative sex more than we used to, and we're writing multi-partner relationships and sex more than we used to, so strictly delineating “tops” and “bottoms” has gotten less important and less useful.

The convention currently in use on Ao3 is that the names go in alphabetical order for both “/” and “&” relationships. In most cases, the Archive uses the character's full name instead of a nickname or just a given name, like James "Bucky" Barnes instead of just Bucky or James. We'll talk more about conventions for how to input character names in the Characters section. The Archive will give you suggestions as you type—if one of them fits what you mean but is slightly different from how you were typing it, for instance it's in a different order, please use the tag suggested! Consistency in tags across users helps the site work more smoothly for everybody.

This is really not the place for ship nicknames like Puckleberry, Wolfstar, or Ineffable Wives. Use the characters' names.

Now that you know how to format the relationship tag to say what you mean, you have to figure out what relationships in your fic to tag for.

The answer is you tag the relationships that are important to the story you're telling, the ones you spend time and attention following, building up, and maybe even breaking down. Tagging for a ship is not a promise of a happy ending for that pair; you don't have to limit yourself to tagging only the end-game ships if you're telling a story that's more complicated than “they get together and live happily ever after.” That said, you should generally list the main ship—the one you focus on the most—first on the list, and that will usually be the end-game ship. You should also use Additional Tags, the summary, and author's notes to make it clear to readers if your fic does not end happily for a ship you've tagged. Otherwise readers will assume that a fic tagged as being about a ship will end well for that ship, because that's what usually happens, and they'll end up disappointed and hurt, possibly feeling tricked or lied to, when your fic doesn't end well for that ship

You don't have to, and honestly shouldn't, tag for every single relationship that shows up in your fic at all. A character's brief side fling mentioned in passing, or a relationship between two background characters should not be listed under the Relationship tag section. You can list them in the format “minor Character A/Character C” or “Character C/Character D – mentions of” in the Additional Tags section if you want to, or just tag “Minor or Background Relationship(s)” under either the Relationship tag section or in the Additional Tags section.

There are two main reasons to not tag all those minor relationships. The first is to streamline your tags, which makes them clearer and more readable, and therefore more useful. The second reason is because certain ships are far more common as minor or background relationships than as the focus of a work, so tagging all your non-focus focus ships leads to the tags for these less popular ships getting clogged with stories they appear in, but that are not about them. That is, of course, very frustrating for readers who really want to read stories that focus on these ships.

If your fic contains a major relationship between a canon character and an OC, reader-insert, or self-insert, tag it as such. The archive already has /Original Character, /Reader, /You, and /Me tags for most characters in most fandoms. If such a relationship tag isn't already in use, type it in yourself. There are OC/OC tags, too, some of which specify gender, some of which do not.  All the relationship tags that include OCs stack the gender-specific versions of the tags under the nongendered ones. Use these tags as appropriate.

For group relationships, both polycules and multi-person friendships, you “/” or “&” all the names involved in alphabetical order, so Alex/Max/Sam are dating while Chris & Jamie & Tori are best friends. For a poly situation where not everyone is dating each other you should tag it something like “Alex/Max, Alex/Sam” because Alex is dating both Max and Sam, but Max and Sam are not romantically or sexually involved with each other. Use your judgement as to whether you still want to include the Alex/Max/Sam trio tag, and whether you should also use a “Sam & Max” friendship tag.

Generally, romantic “/” type relationships are emphasized over “&” type relationships in fic. It is more important that you tag your “/”s thoroughly and accurately than that you tag your “&”s at all. This is because readers are far more likely to either be looking for or be squicked by particular “/” relationships than they are “&” relationships. You can tag the same pair of characters as both / and & if both their romance and their friendship is important to the story, but a lot of people see this as redundant. If you're writing incest fic, use the / tag for the pair not the & tag and put a courtesy tag for “incest” in the Additional Tags section; this is how readers who do not want to see incestuous relationships avoid that material.

Queerplatonic Relationships, Ambiguous Relationships, Pre-Slash, and “Slash If You Squint” are all frequently listed with both the “/” and “&” forms of the pairing; use your best judgement as to whether one or the other or both is most appropriate for what you've written and clarify the nature of the relationship in your Additional Tags.

Overall, list your “/” tags first, then your “&” tags.

Character Tags

Tagging your characters is a lot like tagging your relationships. Who is your fic about? That's who you put in your character tags.

You don't have to and really should not tag every single background character who shows up for just a moment in the story, for pretty much the same reasons you shouldn't tag background relationships.  We don't want to clog less commonly focused on characters' tags with stories they don't feature prominently in.

You do need to tag the characters included in your Relationship tags.

A character study type of fic might only have one character you need to tag for. Romantic one shots frequently only have two. Longfics and fics with big ensemble casts can easily end up with a dozen characters or more who really do deserve to be tagged for.

Put them in order of importance. This doesn't have to be strict hierarchal ranking, you can just arrange them into groups of “main characters,” “major supporting characters,” and “minor supporting characters.” Nobody less than a minor supporting character should be tagged. Even minor supporting characters show up for more than one line.

If everyone in the fic is genuinely at the same level of importance (which does happen, especially with small cast fics), then order doesn't really matter. You can arrange them by order of appearance or alphabetically by name if you want to be particularly neat about it.

Do tag your OCs! Some people love reading about OCs and want to be able to find them; some people can't stand OCs and want to avoid them at all costs; most people are fine with OCs sometimes, but might have to be in the mood for an OC-centric story or only be comfortable with OCs in certain contexts. Regardless, though, Character tags are here to tell readers who the story is about, and that includes new faces. Original Characters are characters and if they're important to the story, they deserve to be tagged for just like canon characters do.

There are tags for “Original Character(s),” “Original Male Character(s),” and “Original Female Character(s).” Use these tags!  If you have OCs you're going to be using frequently in different stories, type up a character tag in the form “[OC's Name] – Original Character” and use that in addition to the generic OC tags.

Also tag “Reader,” “You,” or “Me” as a character if you've written a reader- or self-insert.

You can use the “Minor Characters” tag to wrap up everybody, both OC and canon, who doesn't warrant their own character tag. Remember, though, that this tag is also used to refer to minor canon characters who may not have their own official names.

Just like when tagging for relationships, the convention when tagging for characters is to use their full name. The suggestions the Archive gives you as you type will help you use the established way of referring to a given character.

Characters who go by more than one name usually have their two most used names listed together as one tag with the two names separated by a vertical bar like “Andy | Andromache of Scythia.” This also gets used sometimes for characters who have different names in an adaptation than in the source text, or a different name in the English-language localization of a work than in the original language. For character names from both real-world and fictional languages and cultures that put family or surname before the given name—like the real Japanese name Takeuchi Naoko or the made up Bajoran name Kira Nerys—that order is used when tagging, even if you wrote your fic putting the given name first.

Some characters' tags include the fandom they're from in parentheses after their name like “Connor (Detroit: Become Human).” This is mostly characters with ordinary given names like Connor and no canon surname, characters who have the same full name as a character in another fandom, such as Billy Flynn the lawyer from the musical Chicago and Billy Flynn the serial killer played by Tim Curry in Criminal Minds, and characters based on mythological, religious, or historical figures or named for common concepts such as Lucifer, Loki, Amethyst, Death, and Zero that make appearances in multiple fandoms.

Additional Tags

Additional Tags is one of the most complicated, and often the longest, section of metatext we find ourselves providing when we post fic. It's also the one that gives our readers the greatest volume of information.

That, of course, is what makes it so hard for us to do well.

It can help to break down Additional Tags into three main functions of tag: courtesy tags, descriptive tags, and personal tags.

Courtesy tags serve as extensions of the rating and warning systems. They can help clarify the rating, provide more information about the Archive Warnings you've used or chosen not to use, and give additional warnings to tell readers there are things in this fic that may be distasteful, upsetting, or triggering but that the Archive doesn't have a standard warning for.

Descriptive tags give the reader information about who's in this fic, what kind of things happen, what tropes are in play, and what the vibe is, as well as practical information about things like format and tense.

Personal tags tell the readers things about us, the author, our process, our relationship to our fic, and our thoughts at the time of posting.

It doesn't really matter what order you put these tags in, but it is best practice to try to clump them: courtesy tags all together so it's harder for a reader to miss an important one, ship-related info tags together, character-related info tags together, etc.

There are tons and tons of established tags on Ao3, and while it's totally fine, fun, and often necessary to make up your own tags, it's also important to use established tags that fit your fic.  For one thing, using established tags makes life easier for the tag wranglers behind the scenes. Using a new tag you just made up that means the same thing as an established tag makes more work for the tag wranglers. We like the tag wranglers, they're all volunteers, and they're largely responsible for the search and sorting features being functional. Be kind to the tag wranglers.

For basically the same reasons, using established tags makes it easier for readers to find your fic. If a reader either searches by a tag or uses filters on another search to “Include” that tag, and you didn't use that tag, your fic will not show up for them even if what you wrote is exactly what they're looking for.  Established tags can be searched by exactly the same way as you search by fandom or pairing, your off the cuff tags cannot.

Let's talk about some well-known established tags and common tag types, divvied up by main function.

Courtesy

A lot of courtesy tags are specific warnings like “Dubious Consent,” “Incest,” “Drug Use,” “Extremely Underage,” “Toxic Relationship,” and “Abuse.” Many of these have even more specific versions such as “Recreational Drug Use” and “Nonconsensual Drug Use,” or “Mildly Dubious Consent” and “Extremely Dubious Consent.”

Giving details about what, if any, drugs are used or mentioned, specifying what kinds of violence or bodily harm are discussed or depicted, details about age differences or power-imbalanced relationships between characters who date or have sex, discussion or depictions of suicide, severe or terminal illness, or mental health struggles is useful. It helps give readers a clear sense of what they'll encounter in your fic and decide if they're up for it.

One the most useful courtesy warning tags is “Dead Dove: Do Not Eat” which basically means “there are things in this fic which are really screwed up and may be disturbing, read at your own risk, steer clear if you're not sure.” This tag—like all courtesy warnings, really—is a show of good faith, by using it you are being a responsible, and thoughtful member of the fanfic community by giving readers the power and necessary information to make their own informed decisions about what they are and are not comfortable reading.

Saying to “Heed the tags” is quite self-explanatory and, if used, should be the last or second to last tag so it's easy to spot.  Remember, though, that “Heed the tags” isn't useful if your tags aren't thorough and clear.

“Additional Warnings In Author's Note” is one of only things that should ever go after “Heed the tags.”  If you use this, your additional warnings need to go in the author's note at the very beginning of the fic, not the one at the end of the first chapter.  If your additional warnings write up is going to be very long because it's highly detailed, then it can go at the bottom of the chapter with a note at the beginning indicating that the warnings are at the bottom. Some authors give an abbreviated or vague set of warnings in the initial note, then longer, highly detailed, spoilery warnings in the end note. It's best to make it as simple and straightforward as possible for readers to access warnings.

Tagging with “Dead Dove: Do Not Eat,” “Heed the tags,” or “Additional Warnings In Author's Note” is not a substitute for thorough and appropriate courtesy tagging. These are extra reminders to readers to look closely at the other warnings you've given.

While most courtesy tags are warnings, some are assurances like “No Lesbians Die” or “It's Not As Bad As It Sounds.”  A fic tagged for rape or dub-con may get a tag assuring that the consent issues are not between the characters in the main ship; or a fic with a premise that sounds likely to involve lack of consent but actually doesn't may get a tag that it's “NOT rape/non-con.” A tag like “Animal Death” may be immediately followed by a freeform tag assuring that the animal that dies is not the protagonist's beloved horse.

Descriptive

There are a few general kinds of descriptive tags including character-related, ship-related, temporal, relation-to-canon, trope-related, smut details, and technical specifications.

Many character- and ship-related tags simply expand on the Character and Relationship tags we've already talked about.  This is usually the place to specify details about OCs and inserts, such as how a reader-insert is gendered.

When it comes to character-related tags, one of the most common types in use on Ao3 and in fandom at large is the bang-path. This is things like werewolf!Alex, trans!Max, top!Sam, kid!Jamie, and captain!Tori. Basically, a bang-path is a way of specifying a version of a character. We've been using this format for decades; it comes from the very first email systems used by universities in the earliest days of internet before the World Wide Web existed. It's especially useful for quickly and concisely explaining the roles of characters in an AU. Nowadays this is also one of the primary conventions for indicating who's top and who's bottom in a ship if that's information you feel the need to establish.  The other current convention for indicating top/bottom is as non-bang-path character-related tags in the form “Top [Character A], Bottom [Character B].”

Other common sorts of character tags are things like “[Character A] Needs a Hug,” “Emotionally Constipated [Character B],” and “[Character C] is a Good Dad.”

Some character-related tags don't refer to a particular character by name, but tell readers something about what kinds of characters are in the fic. Usually, this indicates the minority status of characters and may indicate whether or not that minority status is canon, as in “Nonbinary Character,” “Canon Muslim Character,” “Deaf Character,” and “Canon Disabled Character.”

Down here in the tags is the place to put ship nicknames!  This is also where to say things like “They're idiots your honor” or indicate that they're “Idiots in Love,” maybe both since “Idiots in Love” is an established searchable tag but “They're idiots your honor” isn't yet. If your fandom has catchphrases related to your ship, put that here if you want to.

If relevant, specify some things about the nature of relationships in your fic such as “Ambiguous Relationship,” “Queerplatonic Relationships,” “Polyamory,” “Friends With Benefits,” “Teacher-Student Relationship,” and so on. Not all fics need tags like these. Use your best judgement whether your current fic does.

Temporal tags indicate when your fic takes place. That can be things like “Pre-Canon” and “Post-Canon,” “Pre-War,” “Post-Captain America: The Winter Soldier,” “1996-1997 NHL season,” “Future Fic,” and so on.  These tags may be in reference to temporal landmarks in canon, in the real world, or both depending on what's appropriate.

Some temporal tags do double duty by also being tags about the fic's relationship to canon. The Pre- and Post-Canon tags are like that.

Other relation-to-canon type tags are “Canon Compliant” for fics that fit completely inside the framework of canon without changing or contradicting anything, “Alternate Universe - Canon Divergence” for fics that are compliant up to a certain point in canon, then veer off (maybe because you started writing the fic when the show was on season two but now it's at season four and you're not incorporating everything from the newer seasons, maybe a character died and you refuse to acknowledge that, maybe you just want to explore what might have happened if a particular scene had gone differently), and the various other Alternate Universe tags for everything from coffee shop AUs and updates to modern settings, to realities where everyone is a dragon or no one has their canon superpowers.

The established format for these tags is “Alternate Universe – [type],” but a few have irregular names as well, such as “Wingfic” for AUs in which characters who don't ordinarily have wings are written as having wings.

If you have written an AU, please tag clearly what it is! Make things easy on both the readers who are in the mood to read twenty royalty AUs in a row, the readers who are in the middle of finals week and the thought of their favorite characters suffering through exams in a college AU would destroy the last shred of their sanity but would enjoy watching those characters teach high school, and the readers who really just want to stick to the world of canon right now.

Admittedly, it can get a little confusing what AU tag or tags you need to describe what you've written since most of us have never had a fandom elder sit us down and explain what the AU tags mean. One common mix up is tagging things “Alternate Universe - Modern Setting” when what's meant is “Alternate Universe - Canon Divergence.”  The misunderstanding here is usually reading “Alternate Universe - Modern Setting” and thinking it means an alternate version of the canon universe that is set at the same time as the canon universe, but is different in some way. That's not how the tag is meant to be used, though.

The Modern Setting AU tag is specifically for fic set now (at approximately the same time period it was written), for media that's canonically set somewhere that is very much not the present of the real world. This can mean things set in the past (like Jane Austen), the future (like Star Trek), or a fantasy world entirely different from our own (like Lord of the Rings or Avatar: the Last Airbender). Fic for a canon that's set more or less “now” doesn't need the Modern Setting AU tag, even if the world of canon is different from our own. If you're removing those differences by putting fantasy or superhero characters in a world without magic or supersoldier serum, you might want the “Alternate Universe - No Powers” tag instead.

Some of the most fun descriptive tags are trope tags. This includes things like “Mutual Pining,” “Bed Sharing” for when your OTP gets to their hotel room to find There Was Only One Bed, “Fake Dating,” “Angst,” Fluff,” “Hurt/Comfort” and all its variants.  Readers love tropes at least as much as we love writing them and want to be able to find their favorites. Everyone also has tropes they don't like and would rather avoid. Tagging them allows your fic to be filtered in and out by what major tropes you've used.

Explicit fics, and sometimes fics with less restrictive ratings, that contain sex usually have tags indicating details about the nature of the sexual encounter(s) portrayed and what sex acts are depicted. These are descriptive tags, but they also do double duty as courtesy tags. This is very much a situation in which tags are a consent mechanism; by thoroughly and clearly tagging your smut you are giving readers the chance to knowingly opt in or out of the experience you've written.

Most of the time, it's pretty easy to do basic tagging for sex acts—you know whether what you wrote shows Vaginal Sex, Anal Sex, or Non-penetrative Sex.  You probably know the names for different kinds of Oral Sex you may have included. You might not know what to call Frottage or Intercrural Sex, though, even if you understand the concept and included the act in your fic. Sometimes there are tags with rectangle-square type relationships (all Blow Jobs are Oral Sex, but not all Oral Sex is a Blow Job) and you're not sure if you should tag for both—you probably should. Sometimes there are tags for overlapping, closely related, or very similar acts or kinks and you're not sure which to tag—that one's more of judgement call; do your best to use the tags that most closely describe what you wrote.

Tag for the kinks at play, if any, so readers can find what they're into and avoid what they're not. Tag for what genitalia characters have if it's nonobvious, including if there's Non-Human Genitalia involved. Tag your A/B/O, your Pon Farr, and your Tentacles, including whether it's Consentacles or Tentacle Rape.

Technical specification tags give information about aspects of the fic other than its narrative content.  Most things on Ao3 are prose fiction so that's assumed to be the default, so anything else needs to be specified in tags. That includes Poetry, Podfics, things in Script Format, and Art. If it is a podfic, you should tag with the approximate length in minutes (or hours). If a fic is Illustrated (it has both words and visual art) tag for that.

Tag if your fic is a crossover or fusion.  The difference, if you're not sure, is that in a crossover, two (or more) entire worlds from different media meet, whereas in a fusion, some aspects of one world, like the cast of characters, are combined with aspects of another, like the setting or magic system.

If the team of paranormal investigators from one show get in contact with the cast of aliens from another show, that's a crossover and you need to have all the media you're drawing from up in the Fandom tags. If you've given the cast of Hamlet physical manifestations of their souls in the form of animal companions like the daemons from His Dark Materials but nothing else from His Dark Materials shows up, that's a fusion, the Fandom tag should be “Hamlet - Shakespeare,” and you need the “Alternate Universe - Daemons” tag. If you've given the members of a boy band elemental magic powers like in Avatar: the Last Airbender, that can be more of a judgement call depending how much from Avatar you've incorporated into your story. If absolutely no characters or specific settings from Avatar show up, it's probably a fusion.  Either way, if the boyband exists in real life, it needs to be tagged as RPF.

Tag if your fic is a Reader-Insert or Self-Insert.

You might want to tag for whether your fic is written with POV First, Second, or Third Person, and if it's Past Tense or Present Tense (or Future Tense, though that's extremely uncommon).  For POV First Person fics that are not self-inserts, or POV Third Person fics that are written in third person limited, you may want to tag which character's POV is being shown. Almost all POV Second Person fics are reader-insert, so if you've written one that isn't, you should tag for who the “you” is.

A fic is “POV Outsider” if the character through whom the story is being conveyed is outside the situation or not familiar with the characters and context a reader would generally know from canon. The waitress who doesn't know the guy who just sat down in her diner is a monster hunter, and the guy stuck in spaceport because some hotshot captain accidentally locked down the entire space station, are both potential narrators for POV Outsider stories.

Other technical specifications can be tags for things like OCtober and Kinktober or fic bingo games.  Tagging something as a Ficlet, One Shot, or Drabble is a technical specification (we're not going to argue right now over what counts as a drabble). Tagging for genre, like Horror or Fantasy, is too.

It's also good to tag accessibility considerations like “Sreenreader Friendly,” but make sure your fic definitely meets the needs of a given kind of accessibility before tagging it.

Personal

Even among personal tags there are established tags!  Things like “I'm Sorry,” “The Author Regrets Nothing,” “The Author Regrets Everything,” and “I Wrote This Instead of Sleeping” are common ones.  Tags about us and our relationship to the fic, such as “My First Work In This Fandom,” “Author is Not Religious,” and “Trans Porn By A Trans Author,” can help readers gauge what to expect from our fic. Of course, you are not at all obligated to disclose any personal information for any reason when posting your fic.

The “I'm Bad At Tagging” tag is common, but probably overused. Tagging is hard; very few of us have a natural feel for it even with lots of practice.  It's not a completely useless tag because it can indicate to readers that you've probably missed some things you should have tagged for, so they should be extra careful; but it can also turn into a crutch, an excuse to not try, and therefore a sign to readers they can't trust your tagging job. Just do your best, and leave off the self depreciation. If you're really concerned about the quality of your tagging, consider putting in an author's note asking readers to let you know if there are any tags you should add.

You might want to let readers know your fic is “Not Beta Read” or, if you're feeling a little cheekier than that, say “No Beta We Die Like Men” or its many fandom-specific variants like the “No Beta We Die Like Robins” frequently found among Batman fics and “No beta we die like Sunset Curve” among Julie and The Phantoms fic. Don't worry, the Archive recognizes all of these as meaning “Not Beta Read.”

The Archive can be inconsistent about whether it stacks specific variants of Additional Tags under the broadest version of the tag like it does with Fandom tags, so best practice is usually to use both.  You can double check by trying to search by a variant tag (or clicking on someone else's use of the variant); if the results page says the broader or more common form of the tag, those stack.

There's no such thing as the right number of tags. Some people prefer more tags and more detail, while other people prefer fewer more streamlined tags, and different fics have different things that need to be tagged for.  There is, however, such a thing as too many tags.  A tagblock that takes up the entire screen, or more, can be unreadable, at which point they are no longer useful. Focus on the main points and don't try to tag for absolutely everything.  Use the “Additional Warnings In Author's Note” strategy if your courtesy tags are what's getting out of hand.

Tag for as much as you feel is necessary for readers to find your fic and understand what they're getting into if they decide to open it up.

A little bit of redundancy in tags is not a sin.  In fact, slight redundancy is usually preferable to vagueness. Clear communication in tags is a cardinal virtue. Remember that tags serve a purpose, they're primarily a tool for sorting and filtering, and (unlike on some other sites like tumblr) they work, so it's best to keep them informative and try to limit rambling in the tags. Ramble at length in your author's notes instead!

Titles

Picking a title can be one of the most daunting and frustrating parts of posting a fic. Sometimes we just know what to call our fics and it's a beautiful moment. Other times we stare at that little input box for what feels like an eternity.

The good news is there's really no wrong way to select a title. Titles can be long or short, poetic or straight to the point. Song lyrics, idioms, quotes from literature or from the fic itself can be good ways to go.

Single words or phrases with meanings that are representative of the fic can be great. A lot of times these are well known terms or are easy enough to figure out like Midnight or Morning Glow, but if you find yourself using something that not a lot of people know what it means, like Chiaroscuro (an art style that uses heavy shadow and strong contrast between light and dark), Kintsukuroi (the Japanese art of repairing broken pottery with gold), or Clusivity (the grammatical term for differences in who is or isn't included in a group pronoun), you should define the term in either a subtitle, i.e. “Chiaroscuro: A Study In Contrast,” or at the beginning of the summary.

As a courtesy to other writers, especially in small fandoms, you may want to check to make sure there's not already another fic with the same title in the same fandom, but this is not required. In large fandoms, there's no point in even trying. After all, there are only so many puns to be made about the full moon and only so many verses to Hallelujah.

It may be common practice on other platforms to include information such as fandom or ship in the title of a fic, but on Ao3 nothing that is specified by tags belongs in the title unless your title happens to be the same as a tag because, for instance, you've straightforwardly titled your character study of Dean Winchester “Dean Winchester Character Study” and also responsibly tagged it as such.

Summaries

Yes, you really do need to put something down for the summary. It might only need to be a single sentence, but give the readers something to go off of.

The summary is there to serve two purposes: one, to catch the interest of potential readers, give them a taste of what's inside, and make them want to know more; and two, to give you a space to provide information or make comments that don't really fit in the tags but that you want readers to see before they open the fic.

We've already talked some about that second function. When you put an explanation of the title or clarification about tags in the summary, that's the purpose it's serving. You can also put notes to “Heed the tags” or instruct readers that there are additional warnings in the author's note here in the summary, rather than doing so in the tags.

The first function, the actual summarizing, can be very hard for some of us.  It's basically the movie trailer for your fic, butwhat are you even supposed to say?

There are two main strategies as to how to approach this: the blurb, and the excerpt. Blurbs are like the synopses you at least used to see on the backs of published books, or the “Storyline” section on an IMDb page. Writing one is a matter of telling your readers who does what, under what circumstances.

Depending on the fic, one sentence can capture the whole thing: “Sam and Alex have sex on a train.” “Tori tries to rob a bank.” “If anybody had mentioned Max's new house was haunted, Jamie wouldn't have agreed to help with the move.”

Sometimes a blurb can be a question! “What happens when you lock a nuclear engineer in a closet with a sewing kit, a tennis ball, and half a bottle of Sprite?”

Of course, plenty of blurbs are more than one sentence. Their length can vary pretty significantly depending on the type and length of fic you're working with and how much detail you're trying to convey, but it shouldn't get to be more than a few short paragraphs. You're not retelling the entire fic here.

An excerpt is a portion of the fic copied out to serve as the summary. This, too, can vary in length from a line or two to several paragraphs, but shouldn't get too long. It should not be an entire scene unless that scene happens to be uncommonly short. It's important to select a portion of the fic that both indicates the who, what, and under what circumstances of the fic and is representative of the overall tone. Excerpts that are nothing but dialogue with no indication of who's talking are almost never a good choice. Portions that are sexually explicit or extremely violent are never ever a good choice—if it deserves content warnings, it belongs inside the fic, not on the results page.

Counterintuitively, some of the best excerpts won't even look like an excerpt to the reader if they don't contain dialogue. They seem like particularly literary blurbs until the reader reaches that part in the fic and realizes they recognize a section of narration.

Some of us have very strong preferences as to whether we write blurbs or use excerpts for our summaries. Some readers have very strong preferences as to which they find useful. Ultimately, there's no accounting for taste, but there are things we can do to limit the frustration for readers who prefer summaries of the opposite kind than we prefer to write, without increasing our own frustration or work load very much. Part of that is understanding what readers dislike about each type so we know what to mitigate.

Blurbs can seem dry, academic, and overly simplified. They don't automatically give the reader a sense of your writing style the way an excerpt does. They can also seem redundant, like they're just rehashing information already given in the tags, so the reader feels like they're being denied any more information without opening the fic.

Excerpts can seem lazy, like you, the author, don't care enough to bother writing a blurb, or pushy like you're telling the reader “just read the fic; I'm not going to give you the information you need to decide if you want to read or not, I'm shoving it in front of you and you just have to read it.” That effect gets worse if your tags aren't very informative or clear about what the plot is, if the excerpt is obviously just the first few lines or paragraphs of the fic, if the except is particularly long, or, worst of all, if all three are true at once.

A lot of the potential problems with blurbs can be minimized by having fun writing them! Make it punchy, give it some character, treat it like part of the story, not just a book report. A fic for a serialized show or podcast, for instance, could have a blurb written in the style of the show's “previously on” or the podcast's intro.  Make sure the blurb gives the reader something they can't just get from the tags—like the personality of your writing, important context or characterization, or a sense of the shape of the story—but don't try to skimp on the tags to do it!

Really, the only way to minimize the potential problems with excerpts is to be very mindful in selecting them. Make sure the portion you've chosen conveys the who, what, and under what circumstances and isn't too long.  You know the story; what seems clear and obvious from the excerpt to you might not be apparent to someone who doesn't already know what happens, so you might need to ask a friend to double check you.

The absolute best way to provide a summary that works for everybody is to combine both methods. It really isn't that hard to stick a brief excerpt before your blurb, or tack a couple lines of blurb after your excerpt, but it can make a world of difference for how useful and inviting your summary is to a particular reader. The convention for summaries that use both is excerpt first, then blurb.

If you're struggling to figure out a summary, or have been in the habit of not providing one, try not to stress over it. Anything is better than nothing.  As long as you've written something for a summary, you've given the reader a little more to help them make their decision. What really isn't helpful, though, is saying “I'm bad at summaries” in your summary. It's a lot like the “I'm Bad At Tagging” tag in that it's unnecessarily self depreciating, frequently comes across as an excuse not to try, and sometimes really is just an excuse. Unlike the “I'm Bad At Tagging” tag, which has the tiny saving grace of warning readers you've probably missed something, saying you're bad at summaries has no utility at all, and may drive away a reader who thought your summary was quite good, but is uncomfortable with the negative attitude reflected by that statement. Summaries are hard. It's okay if you don't like your summary, but it's important for it to be there, and it's important to be kind to yourself about it. You're trying, that's what matters.

Author's Notes

Author's notes are the one place where we, the writers, directly address and initiate contact with our readers. We may also talk to them in the comments section, but that's different because they initiate that interaction while we reply, and comments are mostly one-on-one while in author's notes we're addressing everyone who ever reads our fic.

The very first note on a fic should contain any information, such as warnings or explanations, that a reader needs to see before they get to the body of the story, as well as anything like thanks to your beta, birthday wishes to a character, or general hellos and announcements you want readers to see before they get to the body of the story. On multi-chapter fics, notes at the beginning of chapters serve the same function for that chapter as the initial note on the fic does for the whole story, so you can do things like warn for Self-Harm on the two chapters out of thirty where it comes up, let everyone know your update schedule will be changing, or wish your readers a merry Christmas, if they celebrate it, on the chapter you posted on December 23rd but is set in mid-March.

Notes at the end of a fic or chapter are for things that don't need to be said or are not useful to a reader until after they've read the preceding content, such as translations for that handful of dialogue that's in Vulcan or Portuguese, or any parting greetings or announcements you want to give, like a thanks for reading or a reminder school is starting back so you won't be able to write as much. End notes are the best place to plug your social media to readers if you're inclined to do so, but remember that cannot include payment platforms like Patreon or Ko-fi.

As previously mentioned, warnings can go in end notes but that really should only be done when the warnings are particularly long, such that the length might cause a problem for readers who are already confident in their comfort level and would just want to scroll past the warning description. In that case, the additional warnings need to go in the note at the end of the first chapter, rather than at the end of the fic, if it's a multi-chapter fic; and you need to include an initial note telling readers that warnings/explanations of tags are at the bottom so they know to follow where the Archive tells them to see the end of the chapter/work for “more notes.”

When posting a new work, where the Preface section gives you the option to add notes “at the beginning” or “at the end” or both, if you check both boxes, it means notes at the beginning and end of the entire fic, not the beginning and end of the first chapter. For single-chapter fics this difference doesn't really matter, but for multi-chapter fics it matters a lot. In order to add notes to the beginning or end of the first chapter of a multi-chapter fic you have to first go through the entire process to post the new fic, then go in to Edit, Edit Chapter, and add the notes there.

Series and Chapters

Dealing with Series and Chapters is actually two different issues, but they're closely related and cause some of us mixups, especially when we're new to the site and its systems, so we're going to cover them together.

Series on Ao3 are for collecting up different stories that you've written that are associated with each other in some way. Chapters are for dividing up one story into parts, usually for pacing and to give yourself and your readers a chance to take breaks and breathe, rather than trying to get through the entire thing in a single marathon sitting (not that we won't still do that voluntarily, but it's nice to have rest points built in if we need them).

If your story would be one book if it was officially published, then it should be posted as a single fic—with multiple chapters if it's long or has more than one distinct part, like separate vignettes that all go together. If you later write a sequel to that fic, post it as a new fic and put them together in a series. It's exactly like chapters in a book and books in a series. Another way to think of this structure is like a TV show: different fics in the series are like different seasons of the show, with individual chapters being like episodes.

If you have several fics that all take place in the same AU but really aren't the same story those should go together as a series.  If you wrote a story about a superhero team re-cast as school teachers, then wrote another story about different characters in the same school, that's this situation.

Series are also the best way to handle things like prompt games, bingos, or Kinktober, or collect up one shots and drabbles especially if your various fills, entries, and drabbles are for more than one fandom. If you put everything for a prompt game or bingo, or all your drabbles, together as one fic with a different chapter for each story, what ends up happening is that fic gets recognized by the Archive as a crossover when it isn't, so it gets excluded from the results pages for everyone who told the filters to Exclude Crossovers even though one of the stories you wrote is exactly what they're looking for; and that fic ends up with tons and tons of wildly varying and self-contradictory tags because it's actually carrying the tags for several entirely different, possibly unrelated stories, which also means it ends up getting excluded from results pages because, for instance, one out of your thirty-one Kinktober entries is about someone's NoTP.

Dividing these kinds of things up into multiple fic in a series makes it so much easier for readers to find what of your work they actually want to read.

If you've previously posted such things as a single fic, don't worry, it's a really common misunderstanding and there is absolutely nothing stopping you from reposting them separately. You may see traffic on them go up if you do!

Parting Thoughts

Metatext is ultimately all about communication, and in this context effective communication is a matter of responsibility and balance.

Ao3 is our archive. It's designed for us, the writers, to have the freedom to write and share whatever stories we want without having to worry that we'll wake up one day and find our writing has been deleted overnight without warning.  That has happened too many times to so many in our community as other fanfic sites have died, been shut down, or caved to threats of legal action. Ao3 is dedicated to defending our legal right to create and share our stories. Part of the deal is that, in exchange for that freedom and protection, we take up the responsibility to communicate to readers what we're writing and who it's appropriate for.

We are each other's readers, and readers who don't write are still part of our community. We have a responsibility as members of this community to be respectful of others in our shared spaces.  Ao3 is a shared space. The best way we have to show each other respect is to give one another the information needed to decide if a given fic is something we want to engage with or not, and then, in turn, to not engage with fic that isn't our cup of tea. As long as our fellow writer has been clear about what their fic is, they've done their part of the job. If we decided to look at the fic despite the information given and didn't like what we found, then that's on us.

Because metatext is how we put that vital information about our fics out in the community, it's important that our metatext is clear and easy to parse. The key to that is balance. Striking the balance between putting enough tags to give a complete picture and not putting too many tags that become an unreadable wall; the balance between the urge to be thorough and tag every character and the need to be restrained so those looking for fics actually about a certain character can find them; the balance between using established tags for clarity and ease and making up our own tags for specificity and fun.

Do your best, act in good faith, remember you're communicating with other people behind those usernames and kudos, and, most importantly, have fun with your writing!

#THE GUIDE #metatext #fandom meta #fandom etiquette #Eiiri made this

[readwebcomicsgdi]

It’s that time again!

Are you ready for some more webcomic recs! you better be because they are ready for you

Curse of the Eel By Jorge Santiago Jr.

Introverted, goth Connie is bullied. One day, she summons up an eldritch-like creature and her life changes forever.

Very traditional black-and-white Japanese Horror comic, I bought the books from Jorge at a convention recently and they’re REALLY fun to read on paper, but the entire thing is also up for free online! Spooky and gory the way you’d expect a Junji Ito comic to be, so do keep that in mind before you click through.

https://curseoftheeel.tumblr.com/

Tourist Unknown By Gustav Carlson

Tourist Unknown follows the various adventures of the Tourist, a woman trapped in a machine known as The Projector. This device sends her consciousness anywhere across the whole of space time, and then constructs a body made of unused local matter for her to inhabit. And it’s broken. Or set to shuffle. The Tourist isn’t really sure. Suffice to say she has no control of where she is going, nor how long she’ll be there. It’s a big universe and she is seeing it all one trip at a time

I found this one pretty recently so there may be some news I’m unfamiliar with; I THINK it’s still running despite what the archive says? It’s also not as long as you’d expect given the dates it’s been running; none of the completed arcs run more than 40 pages so don’t let the abbreviated archive spook you. I just had to include this one because it reminds me so much of Doom Patrol; it’s very comfortably in that category of like, “doing exactly what it wants On Purpose” that I love so much. Check this one out if you’re looking for something different!

https://www.touristunknown.com/

Next Town Over By Erin Mehlos

Mysterious and mechanically-inclined, Vane Black will pursue wanted rogue John Henry Hunter to the ends of the frontier ... with explosive and unfortunate results for anyone in their path.

Frontier fantasy full of steam, sorcery and secrets!

Next Town Over was doing Steampunk before it was cool, but to be honest I feel like it’s grown beyond that and it’s sort of a disservice to view it as solidly A Western or any particular genre because it’s gotten so goddamn comfortable with itself, which is one of my favorite things about webcomics. It’s also nearly finished! Settle in on a rainy weekend and treat yourself to the whole archive, then follow Erin on twitter so you can hop on board the next thing they do.

https://nexttownover.net/

Nox Hill?

This one is getting an abbreviated mention because uh, I can’t find anything official about it lmao. The main website only links to a comic twitter, which doesn’t link anywhere else, and there’s no plot summary or even any indication of who makes it beyond the name “Zee”. That said! The art is good, it’s running on its own website the artist obviously designed themself with specific intentions, and it seems like a fun haunted house story that’s just getting started. After some digging I found a link tree for the artist, which you can look at here.

https://noxhillcomic.com/

I’d also like to mention Cheap Thrills and Rigsby, WI by SE Case, which you have almost certainly heard of before and doesn’t need any help from me BUT I reread them both again recently and it’s a wonderful example of someone making their own work on their own terms, which is kind of the entire point of what I’m doing here. Rigsby is a “reboot” of Cheap Thrills so you don’t need to read them both, but in my opinion my experience with the story is better for having seen where it originated so it doesn’t hurt to check them both out in that order! I like webcomics y’all.

And as always, mine is here too:

Kidd Commander by Aria Bell

It’s a world at the mercy of uncaring gods, and Phineas Kidd is a heretic with a chip on her shoulder and enough fury to outshine a supernova. Armed only with aggressive enthusiasm (and an explosive left hook), Phineas sets out to gather up a merry crew and travel to Kairos Crossing to catch the sun, an urban legend that has tempted countless dreamers to a bloody end.

Kidd Commander is a romantic comic that’s mostly concerned with ambitious characters doing cool anime stuff while being subjected to trauma and dealing with said trauma! Rated T for lots of (cartoon) violence and swearing, and a good deal of irreverence for topics some folks might prefer to leave revered. If any of that sounds like it might make you uncomfortable this comic may not be suitable for you!    

http://kiddcommander.com/

If you’d like a comic (yours or otherwise) to end up in one of these, send me an ask or whatever and I’ll add it to my list of stuff to check out! The only requirements I have are I’d prefer for it to be a bit lesser known and it needs to be accessible in places other than tapas or webtoon because I am physically and emotionally incapable of engaging with either of those sites. Happy reading!

#roundup posts #sweet recs

[foryoumyheroes]

Otaku

[Bakugou + Todoroki] are in love with the anime character [Name]. 

A/N:  Gender-neutral reader  Crackish?? 

Bakugou Katsuki: 

He’s sort of picky with the genre, be it fantasy, horror, shonen, but his favorite character has to be a super cool, super powerful one. No excuses. 

You know, the type of anime character that’s probably introduced through a silhouette of them posing dramatically with their notorious group whose image is teased throughout the first few episodes/seasons. 

He goes pretty hard for All Might, and he’s definitely the same for your character. 

Reads the manga (but he buys it super secretly, like in a hoodie at night and the cashier probably thinks that they’re being robbed until he brings the entire [Series] collection to the register). Watches the anime the moment it’s broadcasted, reads metas and watches youtube videos that talk about conspiracies/analyses of your character. 

NO ONE CAN KNOW THOUGH. 

He’s taking his anime phase to the grave. 

For some reason gets super aggressive when you’re being flirty or being shipped with another character?? He hates all the scenes that tease any potential romance between you and other characters. asdfgj He’s like, “No one is good enough for [Name]!!! Except for me.” 

He even tries to think up ways he can legitimately square up with them LMAO. Like he wonders how he could defeat your potential S/Os in a fight but y’all are like ,,, anime characters SO WHY DOES IT EVEN MATTER LOL 

“Three-sword style?? Tch, I’d fucking blow that bastard to bits.” 

“Who’s this Gaara of the Sand looking ass and why is the author getting so bold.” 

He even tries to think of how well your abilities match up with his own Quirk, this dork. 

THE LENGTHS HE WOULD GO FOR YOU.

If you were a real life person and your dislikes are lets say spicy food or loud, overbearing people, Bakugou would be like, “Tch I’m right, they’re wrong. Shut the fuck up!!!” But if his ultimate wifu/husbando has those dislikes he would be like, “Omg...😳😳 opposites attract...👉👈” 

He honestly tries to be a low-key fan (as in, not be a fan at all to outsiders), but if one day during class Kaminari ends up saying that in [Series], you’re the weakest character in your group/squad, Bakugou would get super angry. 

“Hey, Dunceface!! It’s so fucking obvious that you’re an anime-only fake fan, so don’t talk as if you know shit!” 

Bakugou is those “um actually” ;; fans 

Bakugou is a manga reader, so by the time your introduction scene or Ultimate Attack scene is being aired he becomes super OOC. He’s hyped for it for days, incredibly nervous at how the animators handle the scene. 

By the time he watches it?? 

THE ANIMATION!! THE VOICE ACTING!! YOUR COOLNESS!!! PLS ORA ORA HIM IN THE CHEST!! HE’S BEGGING YOU! IF YOU’RE GOING TO UNISON RAID WITH ANYONE PLS LET IT BE HIM!! 

He’s legitimately sweating buckets by the time the episode is over. A whole-ass fire hazard. 

Probably knows how to play your character theme on the drums. 

Omg but if your character dies/is hinted toward dying/or the most recent chapters ends with a cliffhanger where you’re fatally injured he will become legitimately depressed. 

Like holes himself in his dorm room for a whole day without contacting anyone and with the blinds drawn type of depressed. 

When he comes to class the next day with eye-bags and is slouching and his classmates think that something horrible has happened, it’s probably only Izuku who knows what’s going on. 

He’ll say, “You’re upset about the most recent chapter of [Series], right? I know it must be hard for you right now.” He’ll give Bakugou an officially licensed rubber strap of your character and Bakugou will just ;; cradle it in his hands softly. 

In complete seriousness, your character is probably someone who is strong physically, but publicly rallies for things like, “Failure is fine.” Your character arc would probably explore what it’s like being not good enough or feeling constantly disappointed, so he feels comfort in your character. 

Todoroki Shoto: 

In comparison to Bakugou, he’s probably a more low-key fan unintentionally, but goes just as hard. 

Buys all of the merch, limited-edition or not, has your picture set as his phone lockscreen and homescreen, has a little acrylic charm of you on his phone, follows several fanartists that draw your character on social media. He buys enough merch that his room looks like a glorified shrine. 

It’s canon that he reads manga, but I headcanon that he’s even less picky with his genres and willingly reads things like slice-of-life or shojo all the way to shonen or adult fantasy, so your anime could come from any possible story. 

Your character is probably someone who is sweet and kind but has a traumatic character backstory. 

He probably ends up thinking stuff like, “If [Name] was with me, I would never let them get treated like that.” asdhj he’s a dork too. 

Unironically dramatically quotes you during battle and thinks that it’s still badass because he’s a teenage boy in his anime phase. 

Doesn’t get into debates with people who don’t like your character. He’s like, “Everyone is entitled to their own opinion :)) even though they’re wrong. >:(.” 

If you’re from a sports/competition anime he’ll try to learn all of the rules, and even try it out for himself (if it’s not fighting) but he finds out that he’s... not very good at it. That doesn’t make him any less amazed though! 

If your character is from a different culture with different customs and traditions, he’ll even learn more about them outside of your anime! 

Forces his siblings to watch the anime with him. They don’t necessarily have to, but the Todoroki household has one big TV and he hogs it all the time watching your anime over and over. 

Natsuo is begging him to watch something else and Shoto will just pout angrily from the other side of the couch.( ￣＾￣)

It’s so jarring because he doesn't look or appear like a hardcore anime fan, but sometimes he’ll just butt into conversations randomly and talk about you. 

Like you know those tumblr Naruto posts that talk about it as if it’s some sort of Renaissance literature. That’s Todoroki. 

[”Man, they’re so hot--!” 

“You want to see someone hot?” Todoroki asks with a perfectly straight face, and he’ll just... turn his phone around and show them a picture of an anime character.] 

When his dad tries to set him up with someone else: “You think they’re my type? Do they watch [Series]? Do they know what true friendship is?? Do they understand pining and love the way [Name] does?” 

Endeavor: who the FUCK is [Name]. 

Gets into fanfiction because of your character and series. He’ll just be reading on his phone during break times at school and everyone thinks that he’s being so well-read but he’s just reading pure smut with a straight face. 

Doesn’t mind when you’re shipped with other characters necessarily but he is super picky. If your character is hinted toward a potential romance with another character that’s pretty crass and doesn’t necessarily treat you well but you’re sticking together through the power of friendship, he won’t ship it. 

He’s just like “[Name] would be so much happier with someone else like me.” ://// 

And if your character goes through something traumatic or terrible during the series he’ll be so sad, like soooo sad. :((( Deku would probably be comforting him on the couch in the common room and everyone is concerned because he looks like he’s mourning a lost pet, but it turns out to be over some anime character pshhhsdfh. 

Deku would just be patting his shoulder trying to console him and Todoroki’s just sitting there with a big frown on his face going, [“But they’ve been through so much throughout the anime already...” 

“I know, Todoroki-kun, I know...” 

“The author can’t do that to them... It’s just not fair.”

“I get it,” Midoriya says mournfully.]  

Plot twist: They like the same anime character 

They’ll probably find out when they have to retake the license exam together. 

Todoroki will just take his phone out during off times and Bakugou’s eyes looks over because it’s drawn by the noise but then his head just snaps to the side when he realizes its a little charm of you, like, he’s going to get whiplash from that. 

“What the -- is that [Surname] [Name]?!” 

Like they have never really hung out together before this, so when they both first realize that their favorite character of all time is [Name] they’re left ,, just standing there ,,, pointing at each other like the spiderman meme.

At first they’re both inwardly excited because FINALLY someone cultured and with taste. They spend the entire time talking about your stats, your attacks, your post-timeskip character design, and your personality, and then they delve a little bit deeper and then they realize ,,, oh. 

Bakugou says that you don’t belong with the dumb protagonist, you should be shipped with someone strong, confident and loud, but Todoroki is like noooooo they deserve to be with someone that treats them gently. 

They connect the dots. 

[“Bakugou, you aren’t compatible with [Name]. It says so in their trivia page.” 

“Says you! They won’t want some bland-ass pretty boy! They would want a real man!”] 

They’re such fanboys ;;; they do realize that you aren’t real, right asdfghj?

One day Kaminari and Sero separately invite them to an anime convention, but they both say no and that they have plans or “something better to do” that day. 

Then Bakugou and Todoroki both turn up to the convention at the same place because they both reach for the last limited edition [Name] figure and they just stare at each other wide-eyed (ʘoʘ╬) like that. 

They start verbally fighting each other over the last figure and then physically fighting each other andddd then they get kicked out of the convention. 

Izuku ends up swooping in and getting the last box. 

#todoroki headcanons #bakugou headcanons #todoroki x reader #bakugou x reader #mha #mha headcanons #BNHA Headcanons #my hero academia #bnha #boku no hero academia #boku no hero academia headcanons #my hero academia headcanons #todoroki shouto #bakugou katsuki #midoriya izuku #midoriya headcanons #todoroki x you #bakugou x you #todoroki imagines #bakugou imagines #bnha imagines #mha imagines #bnha todoroki #bnha bakugou #mha todoroki #mha bakugou #i understand that otaku might have negative connotations in japanese culture #but please understand that this is purely for fun

[ailuronymy]

Thoughts on the new discourse? Warrior cats naming conventions and rank names being straight up stolen from native American people? So many people seem to be... Straight up leaving the Fandom or changing all of their fan content and it feels very performative and, people not actually thinking critically and just being scared of getting "cancelled"? I feel like your opinions on these matters are very informed and well written so I wanted to ask given that this blog main theme is, well, warrior cat naming system and that seems to be the main issue of the new discourse.

This is probably going to get long, since there's sort of a lot to say about it in order to talk about this whole thing fairly and constructively, because from what I’ve seen there’s a lot of hyperbole happening, and panicking, and disavowing this series and fandom, and so on, like you say, and also some people genuinely trying to have complex meaningful conversations about racism in xenofiction, and also probably some bad faith actors in the mix--as well as some just... stupid actors. Kind of inevitably what happens when two equally bad platforms for having nuanced discussions--i.e., twitter and tumblr--run headlong into each other, in a fandom space with a majority demographic of basically kids and highly anxious, pretty online teens. I don’t mean that as a criticism of fans or their desire to be liked by peers and “correct” about opinions, it’s just the social landscape of Warriors and I think it’s worth pointing out from the start.  

If I’m totally honest with you, if not for this ask, I wouldn’t actually be commenting on it at all, because none of this is going to impact this blog or change how I run it in any way. But since you’ve asked and frankly I do feel some responsibility to try to disentangle things a little for everyone stressed and confused at the moment, because I know a lot of people look to this blog for guidance of all sorts, I’m going to talk about what I think has happened here, and how to navigate the situation in a reasonable way. 

Quick recap for anyone blissfully unaware: from what I understand, this post (migrated over from a presumably bigger twitter thread) has got a lot of people very worried about Warriors being a racist and appropriative series, and now are trying to figure out what ethically to do about this revelation. The thing I found most interesting about this screenshotted conversation is that it makes a lot of bold claims, but misses some pretty surprising details (in my opinion). If you do look critically at what is being said, here’s a few things to notice--crucially, there are two people talking. 

Person 1 says that a lot of animal fantasy fiction + xenofiction (fiction about non-human/”other” beings, such as animals) is frequently built upon stereotypes of First Nations and Indigenous people, and/or appropriates elements of Indigenous culture and tradition as basically set dressing for “strange” and “alien” races/species etc., and this is a racist, deeply othering, and inappropriate practice. This person is right. 

I’ve spent years researching in this field specifically, so I feel pretty confident in vouching (for whatever that’s worth) that this person is absolutely right in making this point. Not only is it frequently in animal fiction/xenofiction, but it’s insidious, which means often it’s hard to notice when it’s happening--unless you know what you’re looking for, or you are personally familiar with the details or tropes that are being appropriated. Because of the nature of racism, white and other non-First Nations people don’t always recognise this trend within texts--even texts they’re creating--but it’s important for us all, and especially white people, to be more aware, because it’s not actually First Nations’ people’s responsibility to be the sole critics of this tradition of theft and misuse. Appropriation by non-Indigenous people is in fact the problem, which means non-Indigenous people learning and changing is the solution. 

Person 1 offers Warriors as a popular example of a work that has this problem. Notably, this person hasn’t given an example of how Warriors is culpable (at least in this screenshot and I haven’t found the thread itself, because the screenshot is what’s causing this conversation), only that it’s an example of a work that has these problems. And once again, this person is correct. We’ll look at that more in a moment.

Person 2 (three tweets below the first) offers, by comparison, several more specious insights. Firstly, it’s really, really not the only time anyone’s ever talked about this, academically + creatively or in the Warriors fandom specifically, and so that reveals somewhat this person’s previous engagement in the space they’re talking into re: this topic. In other words, this person doesn’t know what has already been said or what is being talked about. Secondly, this person explicitly states that they “[don’t know] much about warrior cats specifically but from what I see it just screams appropriation,” which as a statement I think says something crucial re: the critical lens this person has applied + the amount of forethought and depth of analysis of their criticism of this particular series. 

I’m not saying that using twitter to talk about your personal feelings requires you to research everything you talk about before you shoot your mouth off. However, I personally don’t go into a conversation about a topic I don’t know anything about except a cursory glance to offer bold and scathing criticisms based on what it “just screams” to me. By their own admission, this person isn’t really offering good faith, thoughtful criticism of the series, in line with Person 1′s tweet. Instead, Person 2 is talking pretty condescendingly and emphatically about--as the kids say--the vibes they get from the series, and I’m afraid that just doesn’t hold up well in this court. 

So now that there’s Person 1 (i.e., very reasonable, important, interesting criticism) and Person 2 (i.e., impassioned but completely vibes-based opinion from someone who hasn’t read the books) separated, we can see there’s actually several things happening in this brief snapshot, and some of them aren’t super congruent with each other. 

Person 1 didn’t say “don’t read bad books,” or that you’re a bad person for being a fan of stories that are guilty of this. They suggested people should recognise the ways xenofiction uses Indigenous people and their culture inappropriately and often for profit. My understanding of this tweet is someone offering an insight that might not have occurred to many people, but that is valuable and important to consider going forward in how they view, engage with, and create xenofiction media.

Person 2 uses high modality, evocative language that appeals to the emotions. That’s not a criticism of this person: they’re allowed to talk in whatever tone they want, and to express their personal feelings and opinions. However, rhetorically, this person is using this specific language--consciously or subconsciously--to incense their audience--i.e., you. Are you feeling called to action? What action do you feel called to when you rea their words, despite the fact their claims are not based in their own actual analysis of or engagement with the text? It’s, by their own admission, not analysis at all. Everything they evoke is purely in the name of “not good” vibes. 

Earlier I mentioned that Person 1 is correct that Warriors is absolutely guilty of appropriation of First Nations and Indigenous people and culture. I also mentioned that they didn’t specify how. That’s because I think the most egregious example is in fact the tribe, which in many ways plays into the exact kind of stereotyping and appropriation of First Nations Americans that Person 1 mentions, and not the clans, contrary to Person 2′s suggestion. For instance, in addition to the very loaded name of “tribe”, there’s a lot of racist tropes present in how that group of cats is introduced and how the clan cats interact with them, as well as the more North American-inspired scenery of their home. It’s very blatant as far as racism in this series. 

When it comes to the clans themselves, though, I think it’s muddier and harder to draw clear distinctions of what is directly appropriative, what is coincidentally and superficially reminiscent, and what is not related at all. Part of this difficulty in drawing hard lines comes from the fact that, on a personal level, it actually doesn’t matter: if a First Nations person reads a story and feel it is appropriative or inappropriate, it’s not actually anyone’s place to “correct” them on their reading of the text. Our experiences are unique and informed by our perspectives and values, and no group of people are a monolith, which means within community, there will always be disagreement and differenting points of view. There is no one single truth or opinion, which means that First Nations people even in the same family might have very different feelings about the same text and very different perspectives on how respectful, or not, it might be. 

I’m saying this because something that gets said very often when conversations of racism and similar oppressive systems present/perpetuated in texts comes up, people frequently say: “listen to x voices.” It is excellent advice. However, the less pithy but equally valuable follow-up advice is: “listen to the voices of many people of x group, gather information and perspective, and then ultimately use your own judgement to make an informed opinion for yourself.” It means that you are responsible for you. The insight you can gain by listening to people who know topics and experiences far better than you do is truly invaluable, but if your approach to the world is simply to parrot the first voice, or loudest voice, or angriest voice you come across, you will not really learn anything or be able to develop your own understanding and you certainly won’t be making well-informed judgements. 

In other words, one incomplete tweet thread from two people who are each bringing quite different topics and modes of conversation (or perhaps gripes, in Person 2′s case) to the table is not really enough to go off re: making a decision to leave a fandom, in my opinion. In fact, I think in responding to anything difficult, complex, or problematic (which doesn’t mean what popular adage bandies it about to mean) by trying to distance yourself, or cleanse of it, will ultimately harm you and will not do you any good as a person. It is better, in my opinion, to enter into complex relationships with the world and media and other people in an informed, aware way and with a willingness to learn and sometimes to make mistakes and be wrong, rather than shy away from potential conflict or fear that interacting with a text will somehow taint you or define your morality in absolutes. 

So. Does Warriors have racist and appropriative elements, tropes, and issues in the series? Yes, of course it does, it’s a book-packaged series produced by corporation HarperCollins and written by a handful of white British women and their myriad ghostwriters. Racism is just one part of the picture. The books are frequently also ableist, sexist, and homophobic (or heteronormative, depending how you want to slice it, I guess), just to name some of the most evident problems. 

But does the presence of these issues mean it’s contaminated and shouldn’t be touched? Personally, I don’t think so. Given the nature of existing the world, it’s not possible to find perfect media that is free of any kind of bias, prejudice, or even just ideas or topics or concepts that are challenging or uncomfortable. I think it’s more meaningful to choose to engage with these elements, discuss them, criticise them, learn from them, and acknowledge also that imperfection is the ultimate destiny of all of us, especially creators.

I’m not saying that as a pass, like, “oh enjoy your media willy-nilly, nothing matters, do what you want, think about no-one else ever because we’re all flawed beings,” but rather that it’s important not to look away from the problems in the things we enjoy, rather than cut off all contact and enjoyment when we realise the problems. That doesn’t mean you have to only criticise and always be talking about how bad a thing you like is either, publicly admonishing yourself or the text, because that’s also not a constructive way to engage with media. 

As I said, there’s a lot to say here, and believe it or not, this is honestly the shortest version I could manage. There’s always more to say and plenty I haven’t talked about, but pretty much tl;dr: 

I don’t find Person 2′s commentary particularly compelling, personally, because I think it’s a little broad and a little specious in its conclusions and evidence, and I also suspect that this person is speaking more from their feelings than from a genuine desire to educate or meaningfully criticise, unlike Person 1. That’s not to say Warriors isn’t frequently racist and guilty of the issues Person 1 is discussing, because it is, but I don’t think this tweet thread is a great source of insight into the ongoing history of this problem in xenofiction, or Warriors specifically, on its own. I would recommend exploring further afield to learn more from a variety of sources and form your own opinions. I hope this helps. 

#just in case anyone sees this post and gets the wrong idea: i'm not inviting debate on this. #i am saying that first nations people are allowed to have ANY relationship with texts because that's how subjectivity works. #they are allowed to have negative neutral or positive experiences of texts--even 'bad' ones that have a lot of problems. #the people in this tweet are just talking about their thoughts and it's their bad luck the world's a public forum and it's spiralled. #the other thing i am saying is that if your approach to media is exclusively to cut out any problematic text like it's a cancer #that's not a great strategy. just straight up. you're better off developing critical insight and your own opinions and confidence. #by most parameters i can think of warriors as a series pretty much sucks really bad and i've been saying that for nearly ten years. #despite being so phenomenally flawed it can still have value--and much of its value in my opinion is IN these conversations about it. #so yeah tl;dr 2: i'm not here to slap-fight with teens which is what much discourse devolves to after 5 mins on tumblr so don't try it.

[worldviewcast]

The Origin of Worldview

So this is going to be a semi-personal, but also a semi-explanation post about alot of the background info regarding Worldview.  Yes it’ll be a long somewhat boring wall of text for many of you, but to ME it’s words I feel need to be said and it would mean the absolute world to me if people would take the time to hear me out.  Even if its only gonna be the five of you that continue on after this. Anyway...

Worldview technically started forming in my mind when I was probably about fifteen. (For reference, at the time of writing this, I’m about half a year to thirty-one) I was really into doing comics, I had done probably a hundred pages of a really dumb fantasy comic I came up with when I was TWELVE, a Sonic fancomic, and every morning on Monday, Wednesday, and Friday, I would upload my micron inked and colored pencil story about some DnD characters into the school scanner to post on Drunkduck which is probably all still there today. Adventure’s Guild is missed in my heart, for sure.  But in between looking for my first job, the constant writing and doodling I was doing, and my schoolwork I was tossing another idea around in my head. A really DUMB idea, cuz ya know I was FIFTEEN. And I wanted to call it ‘My Big Brother the Ninja’. At the time I was influence by all the dumb anime I was watching and my best friend at the time who always wore black and stood about two feet over me. I don’t know if he’ll ever read this, but trust me if he knew I was talking about this he would recognize this story right away.  Well. My first job came around, along with my post secondary college work, and then a tech school I paid for, and.....life really started to get in the way of development. I was more focused on drawing Adventures Guild and other doodles for a long time, and soon enough taking care of my daughter took precedence over everything, and then I started sewing, and doing conventions....and the idea of ‘My Big Brother the Ninja’ was just stuck in the back of my head. Sitting. Waiting. Forming slowly as it waited for its existence - its time in the sun.  And at some point I decided I wanted Android/Robotic like characters too...some of my FAVORITE series are Kikaider : The Animation and Chobits (the books, not the infants show they try to pass a a fully written anime) - things like that. So I KNEW long before Worldview had a proper name I would be writing robot characters with a twist. But I couldn’t figure out what that twist was, what would make it work. The whole idea was still....building. It needed a push.  Right around the time My Hero Academia came around everyone with a creative mind seemed to be suddenly struck with a similar idea - what if unique powers WEREN’T so unique in a world?  This is fairly common now, but at the start of MHA I remember finding it weird that suddenly every half the new shows out had a whole population of super powered badasses in a world where living daily life with it was more the norm than the exception.  And I remember finding it REALLY weird this all came out the same time I evolving a similar idea for my own thing.... I wish I could prove I was evolving this ideas before I saw em but I can’t. I have a much deeper theory about the evolution of cultural art and how influences drive creative minds to similar conclusions but that’s a LONG mental dive for another day.  ANYHOW.

So my original idea in ‘My Big Brother the Ninja’ was the Ninja would be the weird super power in the normal world.  NOW I wanted the NINJA to be the ‘normal’ one...and the younger sister would be the WEIRD one because she DIDN’T have some sort of power or ability.  I fell in love with this new dynamic and now things were REALLY starting to come together in my mind, what kind of powers were people gonna have, just HOW mundane was it gonna be, how many fantasy elements did I want to have?  Because I already KNEW another element I really wanted to include was modern day Paladins - and YES I WILL be covering modern-day style Paladins in Worldview proper, but this meant the universe needed a Deity system, a hierarchy or pantheon.  And the world just started to grow....but something was still MISSING, the binding, the elements of what all I wanted to do -  Aaaaaaaaaand then came UNDERTALE.  And yes this ENTIRE long post is just me mini ranting about how WV came to be so people can TRULY understand just HOW much is inside MY universe so we can stop tagging it as part of the UT Multiverse please and thank you - it’s not that I don’t UNDERSTAND the confusion, but here is your ultimate ‘for the record’ post regarding mine and @little-noko ‘s personal frustrations. Undertale was obviously a HUGE part of pop culture, personal experiences, my life, MANY of my readers lives, I GET why the emotional connection is there and why its the first thing that comes to mind - but the ONLY part I truly was fascinated by with Undertale was the way the Souls were.  PHYSICAL Souls - an actual magical entity that represented a person - THIS idea.  This was my missing piece.  To say artists get inspiration from other artists is beyond an understatement - even Sans and Papyrus are references to Helvetica, right? If not references, inspired by, or ‘great minds think alike’, whatever your argument there....its not uncommon.  And Souls being PHYSICAL was the element I wanted to play with - the idea I wanted to expand on, and so much more I want to go into detail about but don’t want to go into spoilers yet so I’m not going to - and the absolute CRUX of my frustrations when dealing with ‘WV is just UT with different characters’.  Worldview has.....humans. Only humans, divided into four race. Mechanoid. Masic. Skeleton. Metazoan. (The last one exclusively because I wanted an excuse to draw cute cat girls, so sue me)  A pantheon of Gods. It’s own world map. Special BIOLOGY that I have developed to work specifically with the races I have built. Ability trees (diagram to come, don’t worry, we’re just still working out the kinks).  It’s own countries, nationalities, and even it’s own tangible form of afterlife which I blame watching WAY too much Supernatural on but HEY Reapers are freaking COOL man.  It’s absolutely gut wrenching painful to have people argue with me over a world that I have nurtured and slowly tended to for a good fifteen years...now that it finally, FINALLY gets a chance to exist and be worked on....I feel like the one binding element I finally found and played with and tried to expand on is the ONLY element that people care about. As if absolutely EVERY other element that I want to show just - doesn’t EXIST. We started with Finch because its a good transition from the old projects to the new and it’s the earliest event in the timeline - nothing more than that. But I’m almost starting to feel like that was a mistake because it’s TOO familiar.  There’s no going back now, and thats fine. But it does make me anxious to move on to the next ‘chapter’ we’ll be delving into.  MAN.  I hope that helps clarify a few things.  I love answering questions (those that I can) about  WV...so my ask box is always open.  For those that made it, thanks for listening. :) 

#alainatalks #worldview #worldview origins #long post #semi-rant #mostly annoyances I just wanted to get off my chest but I didn't want to be mean about it #its just REALLY frustrating on my end #XD #thank you #!!

[ggukkieland]

📕CURRENT READS (2020 October)

🌹 Fics I’ve enjoyed reading this October, with some few unread ones (still have 4 to 5 days to finish!). Waah I have read a lot 😲 I can’t believe I’m almost complete with this list 🥳. Usually when I post and organize the list, half of it are still on #toread status. I thought of curating Halloween-themed fics 🎃 but I ended up reading any genre anyway😁.

Again, credit goes to these awesome writers! Sending them lots of love and virtual hugs 🥰🤗💜🥰🤗💜🥰🤗 .

✅ -  done reading   | S (smut) F (fluff) A (angst) 

🥕[Ongoing Series - to check weekly] 

Still reading the ongoing series from last month’s reading list, whenever there is an update 😊

I Feel You in my Heart by @purpletaecup - MYG |  exes au, second chances, some chapters have smau elements | A, S, F (really good story development 😭)

[7/?] nearly 2 months after their divorce, yoongi and y/n wade through the aftermath of the fallout by themselves. yoongi is moving on with someone else while y/n finds herself stuck in waves of anxiety and depression. soon enough, they are brought together again by an unfortunate accident

If it Harms None, Do What You Will by purpletaecup - JJK | smau, comedy, supernatural au, fantasy au, witch!reader, demon!jungkook | F, S  🎃

[6/?] it’s the beginning of October and green witch y/n has been preparing for all of the spooky activities she needs to do for all hallow’s eve. one of her older friends gives her a ritual candle for protection. a couple of drops of blood and a wonky magic circle later, there is a high level demon sitting on the floor of her living room.

We Live with a Ghost by @smaubts - JJK | smau, comedy, ghost au, roommates au | F  🎃

[6/13] when jungkook convinces his roommate, y/n, that their house is haunted by an evil ghost, they decide their best option is to contact with it and make it leave but end up summoning an actual ghost by accident.

Swan Black by CharWrites [AO3] - JJK | fantasy, supernatural, enemies to lovers, dark fantasy, apocalypse, Fae!Jungkook, Fae!Yoongi, Fae!Taehyung,  LOTR/Mortal Instruments/Labyrinth vibes | A, S (I love this! It’s like watching LOTR 😍)  🎃

[10/?] So's twin brother, Jimin, has been kissed by darkness: an evil that has spread across the land and has claimed many souls. They only have weeks until the darkness consumes him. Once consumed, he will be governed by the unsullied: a powerful race of Dark Fae that has overtaken the world.

So seeks out a rogue Fae Prince, Kook, who is her only hope, if she can survive his deadly charms and irresistible lure especially when he is much more interested in possessing her, mind body and soul.

Third Wheeling by @taetaewonderland - MYG |  strangers to lovers au, ceo!yoongi | A, F, S 🥰

[1/?] Min Yoongi is a strict man. Time is money to the CEO of Kisung Connected. He isn’t interested in conventional things or wastes of time. He’s an asshole. But, you didn’t realize until it was too late. Until you met him at the club and it changed your life forever.  

Bad Friends by @hollyxqx- MYG | friends to lovers, enemies to lovers, neighbor au, college au, fwb au | A, S, F (what a good angst 😥)

[1/3] hooking up with your childhood best friend was never your plan, but neither was falling in love with him either. he’s troubled but his heart is gold. when you move away for college, things start to take a turn.

House of Lilies by @suqakoo​ - JJK | mafia au, arranged marriage au | A, F, S

[3/?] Jeon Jungkook is the only heir to Dal Gurimja. He is the poster child for mafia bosses. He’s a feared hit-man among the underground world, and a successful CEO among the socialites of Seoul. Pair him with a castaway girl who’s been out of society for twelve years, and… what do you get?

Your Eyes Tell  by @njkbangtan - JJK | soulmate au, enemies to lovers au, roommates au, sugar baby (but not really), slow burn | A, F

[5/?] You live in a world where people see in black and white. The solution to finally see the colors? It’s simple. You need to meet your soulmate and look at him in the eyes, but what if the person bound to you is already contented with the monochromatic world? What if…Jeongguk, your soulmate, is already in love with someone else?  

I hate u, I love u by @bbangpanmen - JJK | fwb au, friends to lovers au, smau | A

[17/23] he uses you to forget her; you let him because you love him.

Puzzle by @kimvvantae - JJK | fwb au, friends to lovers au, college au | A, S, F (I’ve read this before, around 2018-19 and I thought it was discontinued. Glad there’s an update ^_^)

[7/?] the line between friendship and something more has never been crossed  - but that changes after a break up and a drunken night, when you not-so-accidentally cross this line to something much more. what happens when after this accident your non-matching puzzle pieces seem to match in a way you’ve never imagined?

The Lesson/Min Boy by @adventuresinwonderlust - MYG | bad boy!yoongi, dom-sub elements, enemies to lovers, brat!reader | S, A, F

[6/8] No summary provided but it’s the twisted story between bad boy Yoongi with angsty backstory and this brat/rich kid. I really liked how it was written though.  I made a mistake of reading part 4:  Two Months Too Long, which should’ve been the 6th story to read if you follow the author’s sequence. 

Popular-ish by @hansolmates - JJK | popular!jungkook, college au, fwb to lovers, shy!oc | F, S, A

[9/?] drabble series: you are way out of jungkook’s league. Or is it the other way around?

Date Me by @latetaektalk - JJK | enemies to lovers, fake dating au, rich kid au | A, F,

[prologue + 1/?] when obnoxiously rich and spoiled frat boy jeon jungkook comes up to you one day and asks you to fake date him for money, you definitely should have said no. because before you knew it, you were going on insta dates with him and having lunch with his equally obnoxiously rich and spoiled friends.

All Over You by @zibermuda - JJK | enemies to lovers, nerd!jk, fuckgirl!reader | S, F 

[2/?] you don’t usually go for the quiet, nerdy type, but Jungkook’s by far the best looking guy in your year. You just can’t help yourself. You have to have him. Small hiccup; he hates you

Effortlessly by @gyukult - JJK | friends to lovers, neighbors au, 

[8/?] “Reciprocate feelings?” Jungkook crosses his arms before he continues, “They should know that you’re the only girl in my life.“ Jungkook has been your best friend and neighbor since you could remember, but what you can’t recall is when your feelings began develop for him. 

HEI$T: A JJK Fic by lucidly [AO3] - JJK | heist au, action, bangtan are thieves, vigilante au | A, S

[3/?] Six years after being thrown into the world of forgery, espionage, and heists, Mona and her team face competition like never before: The Bulletproof Boy Scouts, a fabled Korean gang of thieves that everybody seems to know, but no one has seen. When she comes face to face with all 7 of them, Mona knows: they're real, and this job won't be like the others. For years she has followed the money, but could it be time that she follow her heart instead?

🥕[Completed AUs/Series-  to read]

✅  - done reading (also there seems to be a lot of JJK fics)

Creep @xjoonchildx - MYG | S, pwp, yandere ✅

Guilty @xjoonchildx - KNJ | A, S, mafia au, second part of Guarded AU (an awesome JHS series) 

Chapter One: How Odd  Chapter Two: Incheon Mall Tube Tops  Final Chapter: Is Something Burning?  Epilogue: Better Than Okay

Paddle with Me @yoongs-jeontae - JJK | A, S, enemies to lovers, camp counselor au, pwp   ✅

Hate Me @themfchase - JJK | S, collegel!au, enemies to lovers au, fuckboy!jk, pwp  ✅

Devil in a Blue Suit @yeojaa - JJK | F, S, idiots to lovers, established au, good boy!jungkook  

main story  ✅ + drabbles  ✅

Sweetest Crush @minjoonalist - JHS | F, S, brother’s best friend au 

Fake Love @aquaminwrites - JHS | F, S, A, fake dating au, enemies to lovers  ✅

Faded Love @jamaisjoons - PJM | A, S, marriage au, infidelity ✅

Brown-Eyed Baby @vinterjeon - JJK | A, S, F, exes to lovers, single dad!jk 

01 02  ✅

Why We Got Married @ktheist - KTH | F, S, arranged marriage au, slow burn ✅

Lonely Hearts Club @dovechim - JJK | S, F, enemies to lovers, wedding au  ✅

Come to Me @jeonsweetpea - JJK | S, A, F ,friends to lovers, college au  ✅

Satan on the Strip @noir0neko - JJK | S, A, demon!jungkook  ✅  🎃

No Face @seokoloqy - MYG | A, S, F, demon au, supernatural au  ✅  🎃

Take a Chance @crystaljins - JJK | A, Hanahaki au, co-workers, very angsty but Seokjin provides comic relief

01 02 03 04 05 06 07  ✅

The Lottery Offering @skswriting - JJK | A, F, S, werewolf au, sort-of arranged marriage au  ✅

A Beautiful Epiphany @onherwings - JJK | A, S, F, friends to lovers, unrequited love, artist!jungkook  ✅

Au Naturel (sequel) - drabble, established au  ✅

Broken Dreams @ddaenysus - JJK | A, soulmate au, unrequited  ✅

And Mended Hearts (sequel) - A, S, soulmate au, college au   ✅

Coin Toss @yoondoze - JJK | A, mafia au, detective au, exes au, plot twist 👀  ✅

I Knew It Was You @hoseokmylovesworld - JJK | S, F, werewolf au, college au  ✅ 🎃

Little Blue @pars-ley - JJK | F, S, friends to lovers, college au, with TW   ✅

Little Blue Pill @dreamescapeswriting  - JJK | S, pwp, friends to lovers ✅ 

Smitten @megahwn - JJK | F, S, arranged marriage au, strangers to lovers au   ✅

Hit Me with Your Best Shot @namfine - JJK | S, pwp, martial arts, friends to lovers  ✅

Slow and Steady @yoonia - JJK | S, A, artist!jungkook, infidelity, established au   ✅

Cockblocked @mercurygguk - JJK | A, S, F, friends to lovers, roommates au  ✅

 everything I ever wanted (drabble) - morning after  ✅

What are you Afraid Of? @cupofteaguk - JJK | F, avatar the last bender au 

Part 2 (prompt: if you keep looking at me like that we won’t make it to a bed) - avatar au, F, S

demon-etized @jungkxook - KNJ | S, youtube au, ghost hunter au  🎃

Spellbound @jeonseok - JJK |  F, slight S, demon au, crack, romcom  ✅ 🎃

Raising Demons (sequel) - fluffy, smut, established au, crack  ✅ 🎃

What’s in a Name? @minsimagines - JJK | A, F, demon au, soul selling scenario, romance  

01 02 03 ✅  🎃

The Big Yellow School Bus  [15k] fringesofsanity [AO3] - JJK | S, A, F, noona, fwb au  ✅

once bitten, twice shy [5.6k] obiwrites [AO3] - JJK | A, F, implied S, exes au, parents au   ✅

Lose Somebody [26k] @kooala - JJK | A, F, slight S, exes au, camping au  ✅

Oh What a World [100k] @taestybae - PJM | A, S, F, fake marriage au, fallen idol au (been wanting to read this since July (!), will finally get to reading this 🥰)

series masterlist [18 chapters + epilogue]

🥕[Drabbles]

okay I just realized they’re all JJK drabbles 😅

Incandesce @eunoiabliss - 544 words | JJK | fantasy au, fluff  ✅

Forgetful Confession  @suhdays - 991 words | JJK |  fluff, slight angst, college au, friends to ???  ✅

Club @taleasnewastime - 2k | JJK | fluff, bestfriends  ✅

JJK Reincarnation drabble @ktheist - 571 words | JJK | F, reincarnation (?) | love love this 🥰  ✅

Pup @whipped-for-kpop-fics​ - 1.5k | JJK | F, humour, werewolf au, established au | this is cute and funny 🤣  ✅

A Line Crossed @underthejoon - 723 words | JJK | A, bodyguard au ✅

Rousing Rendezvous @rookiegukie - 1.5k | JJK |  smut, frenemies with benefits, modern royalty au  ✅

#ggukkiereadinglist #bts fic #bts fanfic #bts fluff #bts smut #bts angst #bts drabbles #bts reading list #namjoon fanfic #yoongi fanfic #hoseok fanfic #jimin fanfic #taehyung fanfic #jungkook fanfic #bts imagines #bts scenarios #bts smau #bts x reader #jungkook x reader #yoongi x reader #namjoon x reader #taehyung x reader #jimin x reader