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#i totally understand your point and i am with you
dduane · 1 day
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Is there an alphabet or lexicon of the human version of The Speech? And if so, where can I find it?
No, there's not.
(And as I've been asked about this before, I'm just going to paste the answer in here—since though the original post is buried in the depths of Tumblr somewhere, I do have my saved draft.)
Per these, which came in very close to each other:
@melbetweenstars
This is something I’ve always wondered but never realized I could actually ask about until I read through that long meta response. (go me.) How much of the Speech do you have fleshed out? Do you create it as you go on more of a need-to-know basis, or do you have vocabulary and grammar structures ready to go? Basically I’d be really interested to hear any Speech-related meta if you have the chance because fictional languages are hella cool!
and:
@sansa–clegane
I just read your post on dark wizards and field terminologies, and am totally loving the Speech translations you provided! Now I’m wondering, though, how much of the language you actually have mapped out or established? I’m very curious as to what, for example, the standard “I - you - he/she/it/etc. - we - you plural - they” conjugation endings would be– or if there even are any in a language as complex as the Speech. I’M JUST REALLY INTERESTED IN FANTASY LINGUISTICS AAAHH
Linguistics is a big deal for me too, as people who read my stuff will have guessed. And needless to say, the Speech is on my mind a lot (along with other “magical languages” and their history/histories).
So let’s take a moment to first to make it clear what the Speech is not. It’s not what’s sometimes referred to as an Adamic language  (whether you take the meaning that God used it to talk to Adam, or that Adam invented it to name things.) It’s also nothing whatsoever to do with Enochian. It’s not an occultic language, or anything invented by human beings.
The basic concept is that the Speech is the language, or the very large body of descriptors, used to create the universe (and very likely others, but let’s leave that to one side for the moment). Such words are also assumed, having been used in the building of the universe, to be able to control the bits they’ve built. Every word, therefore, when used ought ideally to sound as if it contains some tremendous power. 
Writing something like that every time the Speech is used, even for a much better writer than I am, would be very, very hard.
(We need a cut here. Under the cut: Ursula Le Guin, C. S. Lewis, J.R.R. Tolkien, J. K. Rowling, and others. ...Also a fair number of beetles. And a bear.)
It’s worth mentioning as a matter of information that I met the concept of secret / divine magical languages in Le Guin’s Earthsea long before I ran into it in C. S. Lewis. (I came pretty late to Lewis’s non-Narnian work.) Yet here Lewis, as more than occasionally before, is my master, having been over this ground right back in the mid-1940s.
There’s a point in the final novel of the so-called “Planetary Trilogy”, that big fat (now endlessly problematic but still fun-in-the-right-moods) book That Hideous Strength, where Elwin Ransom—philologist, unwilling visitor to Mars and Venus, unnerved conscript into the wars in Heaven, and Lewis’s take on both the Pendragon and the wounded Fisher King—is instructing his friend and co-linguistics scholar Dimble on how to behave in a meeting with the newly awakened, and potentially quite dangerous, Merlin Ambrosius. (The POV in this passage is that of a lady named Jane who's just recently fallen into company with the group supporting Ransom.)
“You understand, Dimble? Your revolver in your hand, a prayer on your lips, your mind fixed on Maleldil [just think “Christ” for the moment: surprise surprise, that’s the parellel Lewis is using here]. Then, if he stands, conjure him.” “What shall I say in the Great Tongue?” “Say that you come in the name of God and all angels and in the power of the planets from one who sits today in the seat of the Pendragon, and command him to come with you. Say it now.” And Dimble, who had been sitting with his face drawn, and rather white, between the white faces of the two women, and his eyes on the table, raised his head, and great syllables of words that sounded like castles came out of his mouth. Jane felt her heart leap and quiver at them. Everything else in the room, seemed to have become intensely quiet: even the bird, and the bear***, and the cat, were still, staring at the speaker. The voice did not sound like Dimble’s own: it was as if the words spoke themselves through him from some strong place at a distance—or as if they were not words at all but present operations of God, the planets, and the Pendragon. For this was the language spoken before the Fall and beyond the Moon, and the meanings were not given to the syllables by chance, or skill, or long tradition, but truly inherent in them as the shape of the great Sun is inherent in the little waterdrop. This was Language herself, as she first sprang at Maleldil’s bidding out of the molten quicksilver of the star called Mercury on Earth, but Viritrilbia in Deep Heaven.
Now if that’s not like being hit over the head with a hammer, I don’t know what is.* That moment has been before the eyes-of-my-mind for a long time as I’ve worked with the Speech.
Note, however, that Lewis does a very wise thing here. He doesn’t actually spell out any of the words out for you. Because in the reader’s mind, there’s always the six-year-old saying, “Go on, say the word: see how it sounds, see what happens…!” And when you recite the magic spell, it doesn’t work. The words come out sounding, well, like any others. And maybe not your interior six-year-old, but your interior twelve- or fifteen-year-old—the ego-state that’s about keeping you from getting hurt or looking stupid in front of other people who aren’t privy to or supportive of your dreams—says, “See, it was just another word, just a bunch of nonsense. You got fooled. Dummy!” No wise writer, I think, willingly sets their readership up for such easy and constant disappointment. It's tough enough to weave, and hold in place, the spell that is prose. Handing the audience a potential spellbreaker, over and over again, is folly. 
And by rights the Speech ought to be like Lewis’s example above. If in reality you were to hear the words used to restructure matter or undo gravity, they ought to shake the air in your chest like a Saturn V launch, they should raise the hair on the back of your neck to hear them used; they should freak you out. But a long string of invented syllables isn’t going to do that. I’m stuck with using English to produce even the echo of such a result.
Which means I have to go Lewis’s route… mostly. Here and there I’ll add in a Speech-sourced word or phrase when it supports the narrative or makes it easier for characters to talk about what’s going on—as, when working with wizardry, you do sometimes have to call in precisionist-level language for words that have no casual English cognates: just as you would if you were working in particle physics or organic chemistry at the molecular level. But that’s all I’m going to do… because if you do too much linguistic work in this regard, you constantly run the risk of your readers being distracted from the real business at hand, which is the interactions between/among the characters.
The tech inherent to a work of fantastic fiction is always an issue in this regard. Ideally L. Sprague de Camp’s very useful definition of science fiction, tweaked here for fantasy, ought to be a guideline: “A fantasy story is a human story with a human problem and a human solution that could never have happened without its fantastic content.” Yet inside the definition, there’s still a lot of ways to go wrong. Too much merely human stuff, and a work of fantasy turns into a soap with some casual magical gimmickry—all too often these days labeled as “magic realism”, when it’s not publisher code for “We’d call this fantasy if we had the nerve and we didn’t think it was going to tag us as ‘genre’ and keep us off the best-seller lists”. Too little human-problem-and-human-solution, and it turns into a modern version of what James Blish (God rest him), when writing as the gently merciless science fiction critic William Atheling Jr., used to call “The 'Greater New York and New Jersey Municipal Zeppelin Gas Works’ school of speculative fiction”, where you tour your readership through the Wonderfulness Of Your Tech (magical or otherwise) until they expire of boredom while waiting for someone to fucking do something.
You have to find a centerline between the extremes—indeed pretty much a tightrope—and walk it with some care. I’d guess that J. K. Rowling ran into the need for this balancing act; while never having read the Potter books, I nonetheless get a sense that you get the occasional Wingardium leviosa without also being burdened with long strings of magical Latin. (Though I confess that the answer to the question “Where does the magic come from? And what’s it for?” as it applies to her universe could be of some interest. I have no idea whether this ever gets explicitly handled.**) 
Anyway, it’d be way too easy for the YW books to become long discourses on the Speech and its use. This aspect of the “tech”, I think, gets more than enough time onstage. Having once established that words are a tool, indeed the tool for a wizard, the ur-Tool, making every spell they build a resonance between what they do and the initial/ongoing work of Creation—my business is to stay focused on the challenge of driving plot forward by interactions between human beings (and all kinds of others) who have conflicting agendas.
…So much for the tl;dr. I do have some very basic grammatical structures tucked away, but they’re not in any fit state for other people to look at. The Speech, I think, is really best treated as an ongoing mystery that unfolds a little at a time, as required, and leaves everybody wanting more.
HTH!
*It also leads into one of numerous affectionate nods in this book toward Tolkien, as philologist, fellow novelist, and Lewis’s good friend. It's no accident that when Ransom meets up with Merlin himself, a little later in the narrative, the question of this language—the proper name of the Great Tongue is “Old Solar"—comes up again. When discussing what language they’ll speak with each other during their upcoming negotiations [they apparently start out in a rather beat-up and denatured medieval Latin], Ransom says to Merlin about the language he’d prefer to be working in, "It has been long since it was heard. Not even in Numinor was it heard in the streets.”
The Stranger gave no start … but he spoke with a new interest. “Your masters let you play with dangerous toys,” he said. “Tell me, slave, what is Numinor?” “The true West,” said Ransom. “Well,” said the other.
Yeah, “well.” Better scholars than I have dealt with the relationship between these two, as scholars and writers and friends, so enough of that for the moment. But it’s very sweet to see Lewis do something in his books that I’ve done with mine.
**It’s always possible, of course, that in the HP universe this issue is a surd: like asking “where physics comes from”. (Well, not a surd precisely, if your spiritual life tends a certain way. Mine tends toward “Whoever or whatever made the universe, that’s who made physics. And they must really like it, because they made a metric shit ton of it!” (This answer also works for beetles, though that's a slightly different issue.) :)
But if there’s a most-fundamental difference between my wizardly universe and Rowling’s, it might be best revealed in the third question that came up for me directly after “What if there was a user’s manual for human beings/the world/the universe?” and “If there was, where would it have come from?”: specifically, “And why?”
***There's a bear in the Pendragon's kitchen. Thoth only knows what initially brought that on for Lewis, but it's a character insertion that pays off later, so (shrug) wtf.
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padfootagain · 18 hours
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Only an Almost (XVII)
Chapter 17: Looking for Help
Hi! Here comes a new chapter!
Chapter 18 will be the beginning of things really getting better!
I hope you’ll like this chapter! Please, tell me what you think!
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Pairing: Hozier x fem!reader, friends with benefits AU
Warning: No explicit smut or nsfw content, but there are sexual themes and heavy make-out sessions (it’s a friends with benefits AU, I can’t really escape it), so 18+ only!
Summary: Andrew has been in love with you for years, and yet he has never confessed his feelings. But a night out celebrating the engagement of his best friend changes everything. However, you don't seem ready to be with him just yet. You make him an offer that he can't refuse... but will certainly regret.
Word Count : 1855
Masterlist for the series – Hozier’s Masterlist – Main Masterlist
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“Well…. That… is a lot.”
“You can phrase it like that, yeah…”
“So… you’ve finally told her you loved her. At least you don’t have that to weight on your chest anymore.”
“The fact that I was still rejected after that confession kind of balances out the relief, though.”
“Yeah… you’ve got a point…”
Andrew heaved a sigh, closed his eyes as he let himself fall back fully in his chair. He hadn’t slept after that conversation with you. Or well, ‘conversation’ didn’t quite fit what had happened; it was rather a fight.
He had waited for an early but somewhat decent hour in the morning to call Sam, and ask if he could come buy. It was 8:13, and he was sipping on a black coffee, sitting at the table with him now. Daphne was taking a shower. Andrew had dropped by a bakery to get some pastries for breakfast, knowing he was depriving his friends from some well-deserved rest, but if Sam had already eaten, Andrew had not taken a single bite.
He nervously rubbed his palms, until the skin was painful and red, but he didn’t seem to notice.
“What are you going to do now?” Sam asked after a rather long silence.
But Andrew merely shrugged.
“What could I do? She doesn’t want me… All I can do is try to find a way to move on. Christ… how do you move on from that?”
“Getting awfully drunk sounds like a reasonable beginning,” Sam smiled.
“Well, perhaps, but not at 8 am,” Daphne chuckled, finally walking into the kitchen, her hair still wet from her shower.
She hugged Andrew tight.
“I’m sorry, Andy.”
“It’s alright.”
“I don’t have a clue what’s going on in her head…”
“Daphne… don’t. Please, don’t…”
She pulled away, got herself some coffee as well, before joining the two men around the wooden table.
“The way I see things… she’s freaking out. She’s freaking out and rejecting her feelings.”
“Daphne…”
“It makes no fucking sense!”
“It makes perfect sense. She doesn’t see me like that. It was just sex for her, and it wasn’t for me, and I was a damn fool. There’s nothing more to say about that.”
“There’s a lot more to say about that. The way she talked about it… she was just afraid…”
“Please…”
Andrew buried his face in his hands. He heard Sam gently shushing Daphne when she started speaking again.
“Come on, now! Tonight, we’re getting brilliantly drunk you and I!” Sam promised his friend.
“Good idea,” Andrew nodded.
A heavy silence followed.
“Andy… I know that this is not the time but… about the wedding…”
“Hmm?” Andrew finally looked up at his friends again.
“You… you’re still going to come, right?”
Andrew frowned hard.
“Of course, I’m coming. Why wouldn’t I?”
“Because Y/N is my maid of honour,” Daphne let out in a breath.
“Oh… I hadn’t thought about that,” Andrew admitted.
But he quickly shook himself.
“Of course, I’ll come. I’m the best man! Don’t worry about that.”
“I… I understand that you won’t want to see her, and we can totally avoid the two of you being in the same room while we’re planning the wedding, but during the ceremony and everything…”
“Guys, don’t worry. I’m an adult, I can handle seeing my ex for a day.”
Andrew blinked and frowned.
“Technically, she’s not even my ex, we weren’t together, as she enjoyed reminding me last night…”
“You promise you’ll come, right?”
“Sam, of course, I’ll come. Don’t worry. It’s your wedding, you don’t have to worry about me and my stupid broken heart. I’ll be there, and I’ll just… behave politely towards Y/N. Nothing more, nothing less. Anyway, the wedding is in seven weeks, she’ll probably bring someone…”
The doorbell rang, and Daphne got up to answer the door, while Sam was patting Andrew’s shoulder.
He was attempting to guide the conversation back to something a little more joyful when the sound of someone crying reached the kitchen. The two men looked at each other with a frown.
“Daphne? You’re alright?” Sam called, standing in a hurry, Andrew following suit.
But it wasn’t Daphne who was crying. Sobbing, actually.
She was holding you in her arms. You were shaking with sobs, you seemed about to fall, and crumble to the ground…
Andrew felt tears rising to his eyes at the sight, but he quickly blinked them away. It was about the only movement he could summon though. He was too stunned to move another muscle, remaining frozen in his friends’ hallway.
His first reaction was to want to run to you, hold you in his arms until you would stop crying. Were you hurt? Why…? What was going on?
But then he heard your whisper…
“I’ve fucked up… Daphne, I’ve fucked up so bad… I’ve fucked up everything with Andy…”
To hear his name acted like a punch in the guts, knocking all the air out of his lungs. His brain started to properly function again, and puzzlement slowly replaced worry.
You were crying about last night?
“Andy…” Sam called as Andrew stormed through the hall to grab his coat and shoes.
You finally noticed that he was there, and remained frozen, staring at him with your puffy red eyes and cheeks stained with tears. He didn’t look at you. He couldn’t.
“Andy… Wait!”
But despite Sam’s protest, Andrew was out in the blink of an eye, hurrying out of the house and out of your life…
He didn’t stop before he had reached his car, hearing Sam run after him.
“Wait, Andy… I didn’t know she was going to drop by.”
“I know… I know… It’s alright.”
“Andrew…”
“I just… I can’t see her right now.”
“I understand. I just…”
“It’s alright, Sam. We’ll see each other tonight at the pub, okay?”
Sam reluctantly nodded, and Andrew hurried inside his car.
All he could do for now was trying to move on, move forward, always forward. He drove aimlessly around the countryside for a while, before finally going home.
Was he moving forward, or just running away?
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On a scale from one to drunk, Andrew was hammered.
He reckoned that he hadn’t drunk that much since College… or no, scratch that. Since his first record. Yeah, he had had some nice party time during that period, a mix of testing his limits on the road and the buzzing excitement of a long list of first times.
Only, a few years had passed, and after that last whiskey, he wasn’t too sure if he could handle alcohol as well as he did back in the days…
Sam was laughing his arse off over something stupid, that Andrew had forgotten already, but he was giggling along anyway. The buzz of the liquor was making him dizzy, light-headed, with his cheeks on fire and his thoughts a mess.
God… it felt good to forget you for a moment.
The pub was full of life and laughter. A group had started drunkenly slurring through a few songs, but Andrew was hoping not to be recognized and asked to sing, he wasn’t in the mood. You were the only thing he could write about these days, singing reminded him of you…
It was fun, it was an easy and temporary fix to his heartbreak, but Andrew welcomed the momentary reprieve all the same.
That was until Sam became suddenly much paler than before, and pressed a hand over his mouth, choking on his laughter.
Andrew blinked, grabbed his friend’s arm and pulled him as quickly as his wobbly legs could carry him to the bathroom.
Sam had barely knelt down in an empty stall that he was throwing up.
Andrew patted his back a couple of times, waited for his friend to calm down. He sat behind him, against the wall of the tiny bathroom. He didn’t care that the ground was dirty and highly unhygienic… for now he was pressing his temple against the cool tiling on the wall to counter the spinning of his head and the growing pain in his skull.
“You’re alright in there?” he called for Sam, looking at his friend still bent over the toilet.
Sam didn’t answer, merely threw up again.
“I’ll take that as a ‘not dead yet’,” Andrew answered in a fit of stupid giggles, and closed his eyes.
A few minutes later, he heard Sam shifting near him, and he forced his eyes open again, despite his exhaustion and the pain piercing his head.
“You’re okay?”
Sam finally crawled on all fours to join Andrew next to the row of sinks.
“Yeah, better,” he nodded, stumbling to his feet to wash his mouth. “Thanks, mate.”
Andrew merely gave him a thumbs up, before closing his eyes again.
Sam sat down next to his friend then, ignoring a newcomer who had just come in.
“Damn… I don’t think I’ve been this hammered since College,” Sam mumbled, while Andrew merely hummed in agreement. “Do you remember that party by the beach? Alex was fucking out of it, and then the cops arrived! We ran so fucking fast! I thought Alex was going to piss his pants, he was in pure panic!”
Andrew laughed at the memory.
“You tripped on a root and fell like a fucking child. Hands and knees all scrapped,” Andrew added, making Sam double-over with laughter.
“And you banged your head in at least five branches! I thought you’d get a concussion!”
“The red marks on my forehead the next day!”
The two men were laughing hysterically, sitting there on the ground, ignoring anyone else who would come in and throw them amused looks.
They remained there two more minutes without being disturbed. No one was coming in anymore. It seemed as though even the sound of conversations and music from the main room of the pub had quietened.
And there you were again, your picture against his closed eyelids. First the sight of you waking up by his side in the morning. Then the memory of your skin against his. Your voice. Your smile. You turning to look at him, and beaming with this grin of yours that was brighter than any star…
A tear rolled down his cheek and into his beard before he could notice.
“Christ… Sam… I love her so fucking much…”
He vaguely heard Sam shifting next to him, and he finally opened his eyes. A row of brown doors, on the opposite wall some sinks and some mirrors, and white cold tiling all over the walls. Urinals on the other side of the room.
Instead, he could see you lying in his bedsheets, your head thrown back against his pillow…
“I love her…”
That look of mischief in your eyes as you stole some fries from his plate…
“I’ve never loved anyone else the way I love her… so fucking much…”
Sam wrapped an arm around his friend’s shoulders, pulling him into a hug while Andrew’s silent tears were turning into proper cries.
“It’s going to be okay, Andy… It’s gonna be alright.”
And Andrew knew it was just some stupid fucking lie…
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ignylinn · 1 day
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RE: TLT and catholicism
You know those churches in the Netherlands who ertr sold and now are public buildings , faculties or shops and services ? If you entered them you might not notice their previous use at all but it's very easy to recognize it you're used to churches. There's the nav, the altar, the orientation and of course the shape and the places where the saints and images used to be .
The Locked Tomb Universe is kinda like this . Gaius, a former catholic, created his "religion" based on the rites and imagery he knew but devoid of all the substance of it ... or almost all since the resurrection for them is also a huge point even if it's not The Ressurection we know of .
He got his saints, and the prayers ,and the rites, and specially for the readers who see it from the perspective of the Ninth, even a Holy Mother , that for them is Alecto. In HtN John explicitly says in a way she's everyone's mother .
Lastly Harrowhark devotion for her church and the Body and said Mother resonates a lot with so many catholics including me. Specially by the end of Nona after she has learned the truth about Gaius and decided she was still a daughter of the Ninth and went in search of God by herself after letting the pretender behind .
So yeah, in summary, it's the imagery and Harrowhark devotion and faith that makes these books so Catholic at least for me.
Thank you!
So, the answer turend into some rambling, but anyway)
Yes, I totally agree that John just used imagery he knew to create whatever it was he created without any substance to it. I am not sure whether it is right to call this cultural appropriation, but I guess it is. John appropriated everything, so)
Anyway, I often see familiar Christian/Catholic symbols with wrong denotation in this day and age, so I just thought "aha, here we go again" and stopped thinking about it. I mean, there is an in-universe explanation for this, which I like a lot, but still.
Also, apart from the Ninth House and the Locked Tomb cult I do not remember any forms of organized religion, theology, I do not see genuine religious feeling in anyone but Harrowhark. And as far as I understand, Anastasia was the nun, so it seems fair that she was able to create a genuine religion in the Ninth House. (I mean, their memories were erased, but it looks like personalities, body memories, perhaps sunconscious remained).
And to summarize answers I received, Harrowhark is a Catholic character. I have read the arguments, and yes, I agree. I applied her worldview to my earlier experiences in the Church, and I see similarities.
Thank you again for sharing your personal feelings, I really appreciate that.
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Comfort
Request: Hello ! I Hope you’re fine and you’re doing well :) I saw a headcanon on @ficsandgiggles page about Natasha and Clint and I was wondering if you would be ok to write that ? The fact that Natasha, after the red room, felt so touch starved and afraid of light touch and Clint comforting her with tickles seems so cute to me ! But if you don’t feel comfortable doing that it’s totally fine In understand ! Have a good day :)
Note: Hi! I am doing well and I appreciate you for asking! Thank you for this cute request! I enjoy Natasha and Clint's bond as best friends <3 I apologize for the delay, but I hope you like it!!
Word Count: 684
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The Red Room was nothing but trauma for Natasha. All the years she was controlled and forced to do horrible things against her will. One of the major results from the Red Room was that Natasha no longer felt safe or comfortable with touch. It was very rare that she would allow someone to touch or even hug her. The only people she allowed to do that were Yelena, Wanda, and Clint at times.
Some days were more difficult than others. Sometimes she wouldn’t even think about her past trauma. Other days she couldn’t stop being reminded. Today was unfortunately one of those days. She was huddled in her room, tears slowly running down her face. She couldn’t help but think about all the time that was stolen from her childhood. Time that she couldn’t get back. 
Just then there was a soft knock at her door.
“Natasha? Can I come in?” 
Natasha got up slowly and opened the door for the unexpected visitor.
Clint was revealed at the door as he slowly stepped inside. The two of them sat on the bed, keeping quiet for a moment.
“Rough day on the mind?” Clint asked, encouraging her to speak about how she was feeling. 
“I just got triggered. It usually doesn’t overwhelm me to this point, but there’s always those days,” Natasha sighed.
“I know you’ve been through a rough childhood. It’s okay to mourn it and even feel jealous of those who were able to have a normal childhood,” Clint said. 
Natasha nodded to show she was listening.
“And I know it’s hard because you can’t change the past. However, you’re free now and you can change your future. You’ve already helped so many young girls not have to go through what you did. That alone is an accomplishment in life not many other people have,” Clint said, softly patting her back.
“Thank you, Clint. That was very sweet of you,” Natasha responded, wiping away her remaining tears.
“Hey, that’s what friends are for. I know Yelena is usually where you go for comfort, but I’m always gonna be here for you, I promise,” Clint said sincerely, opening his arms for a hug.
Natasha embraced him warmly, squeezing him tight. 
“You know, for someone so old you sure can put words together well,” Natasha said cheekily.
Clint rolled his eyes, as he was used to Natasha making fun of his age. However, this sparked an idea in his mind.
“You know what you need? Cheer up tickles,” Clint said, now asking for permission since he knew how traumatized she was from most touch. 
Natasha nodded, telling him to be gentle. Clint promised he would stop whenever she said so. 
He began to softly tickle her sides, making her giggle adorably. 
“Wow, so that hasn’t changed,” Clint remarked, tickling her stomach and ribs now as her laughter went up an octave. 
Clint then moved to tickle her feet, making her squeal with laughter.
“CLIHIHINT,” Natasha laughed hysterically.
“Hmm? What’s wrong? Does that tickle?” Clint said, loving the fact that he was able to make her laugh and smile. 
“YEHEHES,” Natasha giggled out, as Clint flipped her over and began gently tickling her back, making her giggle and squirm softly. He knew this wouldn’t overwhelm her, but was just enough to keep her giggling.
When Natasha had enough, he let her up and got her some water which she much appreciated.
The two of them chatted a bit more, talking about different topics to keep her mind off of her past. After a while, Natasha was starting to feel mischievous and reached out to pinch his side. Clint yelped in surprise and jumped away from her. 
“Natasha! Don’t get any ideas,” he warned her. 
“You know what would really cheer me up? If I got to wreck you with tickles,” Natasha said, now pinning Clint to the bed and tickling his armpits, sending the archer into a flurry of laughter. Natasha giggled along with him at his extreme reactions. Clint was willing to take a wrecking, as long as it made Natasha happy and smile. 
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dimdiamond · 11 months
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tbh I feel cynical as well about the Barbie movie because of the level of brand marketing that this has been able to do and present some watered down 'feminist' idea packaged in commercialism, enabling more films like this already being set up because of companies like Mattel. I feel weird, because these are two tentpole films that I feel just REALLY iffy about in different ways and I don't like it. but it's always like...being asked which one you would see. neither thanks. them and their popularity don't feel right. it's either pink brand feminist marketing film vs tortured white guy making a bomb that doesn't feature Jewish actors film made by a white guy. neither of them feel remotely appealing to me.
I completely understand your feelings on them. I do. They're feelings I have for years for Hollywood movies and shows etc. They want to sell hot topics in a marketable neat package following "aesthetic" moodboards instead of actually putting in the centre of the scene the real issue and make a decent criticism.
But I can't expect the perfect representation and the perfect movie that talks about an issue in a perfect way. Frankly, I want people to use market and trends to talk about things that matter. People MUST use any mean to show their truth. Even with the restrictions and exclusions and whatever limitations producers and companies apply on their media, people will still find a creative way to pass their message and I believe for these people it's worth watching them.
You feel weird supporting projects like that? Good. That doesn't mean you have to guilt rip yourself and you can watch them with a way of not giving them your money. You don't want to watch them? Great. You should not feel forced to do so. Honestly there are many other movies you can watch and support (indie productions for example but you probably know them better than me).
Regarding these two movies I feel more comfortable with watching and supporting Barbie than Oppenheimer. One reason is because the first looks fun but the biggest reason is that Barbie feels genuine, like an honest effort to talk about feminism and more, even if it's in a more marketable package baiting you with nostalgia of your childhood. But even the audience it targets it's not the usual, it's for girls and now women who played with them, who got through the girlhood and its struggles and what society demands on them. And that's why it can resonate with anyone, regardless gender and sex, because it talks about patriarchy from the perspective of the "victim". I have my doubts about Greta's view of feminism in general but I do think it's worth to be shown because, honestly, how many big budget movies will talk about this issue? And if more movies like them are made then that's good, we can talk about this issue more instead of ignoring it.
But Oppenheimer? For who is Oppenheimer? It talks about nuclear weapons and the danger of science and what is humanity from the perspective of whom? The one who caused it? And it's not like we should not tell stories from this perspective but what does it mean when it's in a big budget movie of Hollywood? We already see the message of "necessary evil" from the trailer and I honestly felt uncomfortable watching it , especially knowing that it wasn't even a necessary evil story in reality.
Now I don't want to be unfair for those that worked in these movies and whoever is eager to watch them or already likes them but maybe we should consider what it means talking about violence and other issues and from which side of the matter. Especially when we're talking about movies that will be marketed and distributed to most of the world. Especially when they are marketed in a certain way and in the end we have to ask if they were honest to that.
In the end I believe that if even one person watches a movie and makes them question and see a side they never considered then it worths it, even if one reason that was made was to advertise a doll company.
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dangaer · 5 months
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the inhernt feeling of being known during roleplay.
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widevibratobitch · 7 months
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my god. skinny people really just have like. No Idea huh just absolutely not a single clue lmao it's almost funny to watch fr but then id lie if i said i wouldn't fucking kill to be able to be that ignorant
#girl i am SO sorry people react with surprise when you say you're studying to be an opera singer because you're#*checks notes* skinny and attractive. so so sorry that must be literal hell for you huh how will you ever recover :((((#no no please keep talking about how equally bad that is to the brutal fucking fatshaming and ED glorifying#in the industry that me and the only other fat girl in the room were talking about before you interrupted us <3#anyway. we were talking about this one review of a quite famous professional music critic whose only comment about a fat mezzo in the cast#was 'miss xyz.... lose some weight'. not a single word about her singing/acting/whatever. but yeah no you're too sexy for an opera singer#and THAT is the real problem here girl i totally understand yeah <3 thoughts and prayers dearest.#earlier that same day this same girl was standing next to me in her bodycon dress and went#*pointing at her stomach that's so flat its almost concave* 'ughhhh what do i have to do to not look pregnant in this dress 😩😫'#and i said 'girl' and just looked at her and like the sudden horrified realisation on her face was lowkey hysterical#like omg you really did forget you're not talking to your other skinny friends with whom you can pat each other on the backs#and reassure each other that 'dw girl ur not fat at all ur so so sexy!' huh sjshsjshsjs#but yeah i dont like making people uncomfortable irl so i did reassure her she looks hot and pretty and skinny as all shit#let at least one of us have a nice evening and not feel Absolutely Fucking Disgusting ig <3#and the day before that after i saw our (last ever btw never photographing myself with them ever again <3) picture and had a mini break down#the other even skinnier and smaller and petite-er crouched down next to me with the most guilty fucking expression and quietly asked me#if im alright and do i want her to delete those pictures (that she posted on two separate social media pages) and like#the look of immense fucking pity on her was even worse than seeing those pictures#like i know she meant well and was trying to be nice but my god. this really is how you all see me huh#like looking like me would be fate worse than death for yall#not even gonna mention the thing i just learned this friday that the retired ballerina who leads our ballet classes said about me#trying to cheer up the other fat girl who happened to have a bit of an emotional breakdown in the middle of the class :)))))))#like i am sooooooo so glad and honoured to be an inspiration to you. really. always happy to help. the exemplary Fat Girl Who Fucking Sucks#But Doesnt Let It Bother Her <333333#like on one hand. yeah it really does make me wanna jump off a cliff. but on the other. its just hilarious sjdgsjsgsj#you sure are right miss ma'am. i sure don't let this bother me at all. i am famous for my uncanny ability to Not Be Bothered by all this <33#but shes new. its ok. how could she know about the last two years when i was getting panic attacks and sobbing myself to sleep every tuesday#but yeah no. [lauren cooper voice] am i bovvered? am i bovvered tho? i aint even bovvered!
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angelstrawbabie420 · 15 days
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WHY do i have dreams that feel more real than life and are also 5 million times cooler. just woke up from one that felt like it lasted 12 hours and in that time i had held a house party, got extremely crossfaded, went to an amusement park, wandered the streets and nearly got hit by a car, went to a restaurant that looked identical to that from dua lipa’s training season mv which morphed back into my house where i was making a salad bar for everyone at the party, then almost went to a devil themed nightclub with everyone but i couldn’t because i needed some sort of christian identification to get in???? then my mom came home and made me take a bunch of drug tests. also there were several black cats and random huge dogs wandering around the whole time. i literally felt every sensation like it was as if i had been transported to another real life timeline that was incredibly wacky yet SUPER familiar (the house/town looked exactly like irl but with random added places.)
i also NEVER realize that i’m dreaming per se, i’m just like, “oh so this is my life now cool” and when i say i feel everything i mean it. it was humid and i could feel the mist on my face. i could taste the food. i felt paper bills underneath my fingertips whenever i wld pay for something. funniest part was i was JUST as poor in this dream as i am irl i found $6 in my wallet and lost my ever-loving shit bc i could get a gas station monster. oh and i stole from the gas station too??
this is a 3-4 times a week occurrence and when i wake up i do not feel rested, i feel like i would had i just done everything in whatever dream i woke up from (BAD.) i sometimes will confuse things i’ve done in dreams with what i’ve done in waking life, it just feels THAT real. i’ll wake up and it will take me a few decent minutes to distinguish between whether that experience was a dream, or if it was real and i just went to bed at the end of it and am waking up from that.
absolutely fucking bizarre shit but tbh it’s pretty rad and i’ve actually been able to get over fears i had irl bc i had the experience in the dream, and it felt so real that it was almost like i gained that xp in waking/real life. like something i never thought i’d be able to do/was nervous abt but now i can do it fine bc i’ve “gone through it.”
obvs a lot less fun when these are nightmares, not dreams; the exhaustion sucks as sleep is not rejuvenating but that’s nearly offset by the fun i have in many dreams and the way that has opened me up to so much irl. some say when we dream we’re visiting a parallel timeline, and while i don’t completely agree i can 100% see why honestly
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mydemonsdrivealimo · 9 months
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love having those absolute stalker moments where two people that look as close to your characters as youve ever seen sit 10 ft away from you and then you have to pretend you're not staring like a fucking creep
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quil12 · 1 year
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My body is sometimes the most overdramatic thing in the whole world and like, while, you know, mood, I hate it so much
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redxriiot · 2 years
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If I had a nickel for every time Mirio unconventionally himself as incentive to get a villain to Cease, I'd have TWO nickels. Which isn't a lot, but it's fucken funny it happened twice-
#bnha manga spoilers#//First in the One's Justice game; he says something like how he'd totally accept Toga's attention IF she were his classmate#//Smooth operator; that lad#//Now shakes dat ass in front of Shiggy's face to get his attention#//AND IT ACTUALLY WORKS NDNFBRB#//Also what was the sfx there#//Did he get a giggle out of him?#//That'd be so fucken funny#//They shoulda sent in Mirio to the League sooner#//Bet he coulda charmed the shit outta all of them jdbfbf#//Lmao when I jokingly asked if Shiggy and Mirio were crack-shippable; this was NOT a possibility I could have predicted#//Wait maybe that doesn't work in this context#//Bc Shiggy and Mirio have like a what 2 year difference? so it's not bad#//But also AFO is knocking around in there so#//Eh; joking aside I am FLOORED by the humor of the Peach and ASTOUNDED that moment STILL HAD HELLA EMOTIONAL WEIGHT even still#//Fly high; Sir Nighteye; may you have seen this shitstorm and laughed your ass off; wherever you are#//be proud of yer boi#//Esp bc he damn near saw his besties fucken murdered bc Shiggy made it a point to ignore him#//Fascinating that Mirio is the one able to get such responses from Shiggy specifically#//Lashing out over his friends comment; talking to him when Mirio tried to understand; THIS#//Helps that Mirio is actually one of the people if not the ONLY person treating him with some intent to understand him#//Lad even APOLOGIZED to him and tried to hear his thoughts#//Shiggy even makes a remark to not bother 'fixing him' looks like#//Jdbrbr what did he think Mirio trying to stop him from slaughter tama.neji was the lad tryna y/n him?#//Lmao that's funny to me now to njdbdbrh#//I can almost hear it now#'Stop it; Tomura-kun! this isn't your heart!'#'You can stop me now...I'm yoo far gone-'#//Jdgrbr don't mind me; I'm clowning to cope with having to go into work rn
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cryptideye · 2 years
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love when people are like "im an atheist BUT everyone is valid and i respect everyones beliefs!!!" move aside i will disrespect them for you
#all the harm religion has caused i think people deserve to disrespect religious beliefs if they want to#ill say it i think theyre stupid and i will not pretend to NOT think theyre stupid#ill disrespect your appropriated patchwork belief system you call 'witchcraft' too idc#crystals do not have powers im not a bitch because im a pisces im a bitch because im a bitch#like no sorry im not gonna pretend to think christians have a point or that their beliefs are understandable#i will not make fun of cult victims but that is where i draw the line everyone else is fair game#like i dont start fights about it but im not gonna respect someones beliefs just because theyre religious like no your beliefs are stupid#as FUCK#god isnt real and that fact is comforting#religion exists as a distraction from the inevitable#'um you cant make fun of the mixed clothing rule of christianity because um its disrespectufl to people who carry out those beliefs'#BOOO WEAR A SHIRT WITH FIXED FABRIC AND GO TO HELL!!!#i cannot take this shit seriously im sorry#no i dont make exceptions for marginalized religions you dont deserve to be oppressed for your beliefs but im not gonna#pretend theyre totally valid i am equal opportunity#also no not thinking someone deserves to be murdered for their religion is not the same as respecting it#i do not think your belief SYSTEM is respectable but you as a person are#like 'oh you make fun of THIS religion but you wouldnt do the same to a christian god' i am Even Meaner to christians#because we have personal beef but rest assured i think no religion is good#well not 'no religion' because thats atheism but like. none of the religions.#lmao
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-.-//
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sophiamcdougall · 6 months
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You're a reasonably informed person on the internet. You've experienced things like no longer being able to get files off an old storage device, media you've downloaded suddenly going poof, sites and forums with troves full of people's thoughts and ideas vanishing forever. You've heard of cybercrime. You've read articles about lost media. You have at least a basic understanding that digital data is vulnerable, is what I'm saying. I'm guessing that you're also aware that history is, you know... important? And that it's an ongoing study, requiring ... data about how people live? And that it's not just about stanning celebrities that happen to be dead? Congratulations, you are significantly better-informed than the British government! So they're currently like "Oh hai can we destroy all these historical documents pls? To save money? Because we'll digitise them first so it's fine! That'll be easy, cheap and reliable -- right? These wills from the 1850s will totally be fine for another 170 years as a PNG or whatever, yeah? We didn't need to do an impact assesment about this because it's clearly win-win! We'd keep the physical wills of Famous People™ though because Famous People™ actually matter, unlike you plebs. We don't think there are any equalities implications about this, either! Also the only examples of Famous People™ we can think of are all white and rich, only one is a woman and she got famous because of the guy she married. Kisses!"
Yes, this is the same Government that's like "Oh no removing a statue of slave trader is erasing history :(" You have, however, until 23 February 2024 to politely inquire of them what the fuck they are smoking. And they will have to publish a summary of the responses they receive. And it will look kind of bad if the feedback is well-argued, informative and overwhelmingly negative and they go ahead and do it anyway. I currently edit documents including responses to consultations like (but significantly less insane) than this one. Responses do actually matter. I would particularly encourage British people/people based in the UK to do this, but as far as I can see it doesn't say you have to be either. If you are, say, a historian or an archivist, or someone who specialises in digital data do say so and draw on your expertise in your answers. This isn't a question of filling out a form. You have to manually compose an email answering the 12 questions in the consultation paper at the link above. I'll put my own answers under the fold. Note -- I never know if I'm being too rude in these sorts of things. You probably shouldn't be ruder than I have been.
Please do not copy and paste any of this: that would defeat the purpose. This isn't a petition, they need to see a range of individual responses. But it may give you a jumping-off point.
Question 1: Should the current law providing for the inspection of wills be preserved?
Yes. Our ability to understand our shared past is a fundamental aspect of our heritage. It is not possible for any authority to know in advance what future insights they are supporting or impeding by their treatment of material evidence. Safeguarding the historical record for future generations should be considered an extremely important duty.
Question 2: Are there any reforms you would suggest to the current law enabling wills to be inspected?
No.
Question 3: Are there any reasons why the High Court should store original paper will documents on a permanent basis, as opposed to just retaining a digitised copy of that material?
Yes. I am amazed that the recent cyber attack on the British Library, which has effectively paralysed it completely, not been sufficient to answer this question for you.  I also refer you to the fate of the Domesday Project. Digital storage is useful and can help more people access information; however, it is also inherently fragile. Malice, accident, or eventual inevitable obsolescence not merely might occur, but absolutely should be expected. It is ludicrously naive and reflects a truly unpardonable ignorance to assume that information preserved only in digital form is somehow inviolable and safe, or that a physical document once digitised, never need be digitised again..At absolute minimum, it should be understood as certain that at least some of any digital-only archive will eventually be permanently lost. It is not remotely implausible that all of it would be. Preserving the physical documents provides a crucial failsafe. It also allows any errors in reproduction -- also inevitable-- to be, eventually, seen and corrected. Note that maintaining, upgrading and replacing digital infrastructure is not free, easy or reliable. Over the long term, risks to the data concerned can only accumulate.
"Unlike the methods for preserving analog documents that have been honed over millennia, there is no deep precedence to look to regarding the management of digital records. As such, the processing, long-term storage, and distribution potential of archival digital data are highly unresolved issues. [..] the more digital data is migrated, translated, and re-compressed into new formats, the more room there is for information to be lost, be it at the microbit-level of preservation. Any failure to contend with the instability of digital storage mediums, hardware obsolescence, and software obsolescence thus meets a terminal end—the definitive loss of information. The common belief that digital data is safe so long as it is backed up according to the 3-2-1 rule (3 copies on 2 different formats with 1 copy saved off site) belies the fact that it is fundamentally unclear how long digital information can or will remain intact. What is certain is that its unique vulnerabilities do become more pertinent with age."  -- James Boyda, On Loss in the 21st Century: Digital Decay and the Archive, Introduction.
Question 4: Do you agree that after a certain time original paper documents (from 1858 onwards) may be destroyed (other than for famous individuals)? Are there any alternatives, involving the public or private sector, you can suggest to their being destroyed?
Absolutely not. And I would have hoped we were past the "great man" theory of history. Firstly, you do not know which figures will still be considered "famous" in the future and which currently obscure individuals may deserve and eventually receive greater attention. I note that of the three figures you mention here as notable enough to have their wills preserved, all are white, the majority are male (the one woman having achieved fame through marriage) and all were wealthy at the time of their death. Any such approach will certainly cull evidence of the lives of women, people of colour and the poor from the historical record, and send a clear message about whose lives you consider worth remembering.
Secondly, the famous and successsful are only a small part of our history. Understanding the realities that shaped our past and continue to mould our present requires evidence of the lives of so-called "ordinary people"!
Did you even speak to any historians before coming up with this idea?
Entrusting the documents to the private sector would be similarly disastrous. What happens when a private company goes bust or decides that preserving this material is no longer profitable? What reasonable person, confronted with our crumbling privatised water infrastructure, would willingly consign any part of our heritage to a similar fate?
Question 5: Do you agree that there is equivalence between paper and digital copies of wills so that the ECA 2000 can be used?
No. And it raises serious questions about the skill and knowledge base within HMCTS and the government that the very basic concepts of data loss and the digital dark age appear to be unknown to you. I also refer you to the Domesday Project.
Question 6: Are there any other matters directly related to the retention of digital or paper wills that are not covered by the proposed exercise of the powers in the ECA 2000 that you consider are necessary?
Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.
Question 7: If the Government pursues preserving permanently only a digital copy of a will document, should it seek to reform the primary legislation by introducing a Bill or do so under the ECA 2000?
Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.
Question 8: If the Government moves to digital only copies of original will documents, what do you think the retention period for the original paper wills should be? Please give reasons and state what you believe the minimum retention period should be and whether you consider the Government’s suggestion of 25 years to be reasonable.
There is no good version of this plan. The physical documents should be preserved.
Question 9: Do you agree with the principle that wills of famous people should be preserved in the original paper form for historic interest?
This question betrays deep ignorance of what "historic interest" actually is. The study of history is not simply glorified celebrity gossip. If anything, the physical wills of currently famous people could be considered more expendable as it is likely that their contents are so widely diffused as to be relatively "safe", whereas the wills of so-called "ordinary people" will, especially in aggregate, provide insights that have not yet been explored.
Question 10: Do you have any initial suggestions on the criteria which should be adopted for identifying famous/historic figures whose original paper will document should be preserved permanently?
Abandon this entire lamentable plan. As previously discussed, you do not and cannot know who will be considered "famous" in the future, and fame is a profoundly flawed criterion of historical significance.
Question 11: Do you agree that the Probate Registries should only permanently retain wills and codicils from the documents submitted in support of a probate application? Please explain, if setting out the case for retention of any other documents.
No, all the documents should be preserved indefinitely.
Question 12: Do you agree that we have correctly identified the range and extent of the equalities impacts under each of these proposals set out in this consultation? Please give reasons and supply evidence of further equalities impacts as appropriate.
No. You appear to have neglected equalities impacts entirely. As discussed, in your drive to prioritise "famous people", your plan will certainly prioritise the white, wealthy and mostly the male, as your "Charles Dickens, Charles Darwin and Princess Diana" examples amply indicate. This plan will create a two-tier system where evidence of the lives of the privileged is carefully preserved while information regarding people of colour, women, the working class and other disadvantaged groups is disproportionately abandoned to digital decay and eventual loss. Current and future historians from, or specialising in the history of minority groups will be especially impoverished by this.  
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lymtw · 8 days
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Toji invites you over with a simple text of:
You busy tonight, doll?
To which you respond:
I don't think so... Not that I know of. Why?
Toji laughs through his nose when he reads your message. Even the way you text him has your timidness imbued into it. It's precious.
Come spend the night at my place. You told me you're off tomorrow, right?
I am, but are you sure? Driving home is not a problem for me. I can hang out and go home after.
You're staying. I wanna try something with you and it requires you to stay the night. You can't go home.
Oh okay! I'll be there in 10.
Drive safe.
Toji likes that you're very precise about the time you'll be arriving somewhere, and if you're ever late when it comes to spending time with him, you apologize profusely, nonstop. You won't stop blubbering about why you're late and how sorry you are for making him wait, even after Toji's expressed that he's more than understanding. He's the king of showing up late to plans, so he can't be a hypocrite and scold you when you don't do it often at all.
You're so sorry, though, and you don't shut up about it until he makes you shut up with a kiss. You're helpless, and you can't for the life of you figure out where to put your hands when you're so focused on the grip he had on your waist to pull you up against him.
He releases your lips, cracking a grin at the look of wonder on your face. He can't deny the pride that swells in his chest at his ability to disarm you and prevent you from having a total meltdown over a three minute delay.
Toji has gotten so much better at handling situations like these with you. It's only fair for him to gain satisfaction out of making you feel better. After all, you are a first for him. You're emotionally fragile, you're a nervous wreck, and your voice competes with the wind just to be heard. Toji doesn't set aside the fact that you're also beautiful, warmhearted, and you try for him. He sees your attempts to be affectionate. You'll slowly reach your hand out to hold his and then bail the second he catches you. He ends up having to interlock his fingers with yours because your embarrassment doesn't allow you to try again. He still appreciates that you leave your comfort zone for him and allow him to guide you towards new experiences.
"Stop with the guilty feelings, ma. We have all night and all day tomorrow. What's a couple minutes to ensure you get to me in one piece?" He says, comforting your droopy self. You look like a sad, abandoned puppy, now sporting rosy cheeks from his surprising gesture.
"Okay," you say, feeling a little more at ease. "What did you have in mind for tonight?"
"Follow me," he says, leading you through his living room to his kitchen. He pulls out a stool for you and points at it. "Sit." You want to laugh at the way he says it like he's teaching commands to a dog, but you know he doesn't mean it that way, so you obediently sit down like one anyway.
"Have you eaten anything?" He asks, silently hoping you have because he doesn't have anything to make you dinner. He would have to order in or pick something up.
"I ate a couple hours ago. Still pretty full," you respond, watching him reach up for something in his cabinets. There's now a tall glass bottle with a red label and matching cap sitting on the counter.
"How 'bout it?" He says, a large hand wrapped around the neck of the bottle. "We could go to the couch and watch a movie or something."
He's never seen you under the influence of anything, but based on your reaction, maybe he'll get a show tonight. He's always wanted to know what you would be like if you were more extroverted and outspoken. There's nothing wrong with the way you are, but if things keep going the way they're going between you and Toji, he's bound to meet your chatty alter ego at some point in the future. What better way to have this experience than in a secure place with someone who can handle their alcohol and take care of you if it turns out that you can't.
"Okay, sure." You giggle, excitedly.
You're a lightweight. Even the fruitiest, sweetest alcoholic beverage will quickly take a toll on you while you're sipping on it. Wine is a step up, so you'll have to try your best to keep it together for the sake of not looking sloppy in front of Toji.
Toji brings down two glasses, and pours out the deep red liquid into them. One for you, one for him. He hands the glass to you, and nods at your quiet "thank you".
Toji watches as you immediately take a sip. He sees the way your nose scrunches at what you consider to be a funny taste, but the second you put the glass down, you smile like nothing. You don't like it at all. You hate the bitterness, and the fact that it's made with fermented grapes lives in the back of your head.
"How is it?" He asks, holding back a chuckle. You're too sweet for your own good, pretending to enjoy this for him.
"I like it," you say, pressing your lips together.
"Yeah? I think it's kinda gross. Guess I was expecting more from a fancy ass bottle, but brands are gonna brand, huh?"
You giggle, almost involuntarily. You're one gulp in, and already you're starting to feel the effects.
One of your worst habits includes chugging drinks that don't taste good, just so you can get them over with. You even do this when your drink is messed up at coffee shop. You're too nice to ask the barista to remake it, so you suck it up and drink the incorrect beverage solely for the caffeine you hope it has in it. This time is no different. You hate the taste of alcohol. You don't do plain shots, you can't stand hard ciders, and wine is no exception, but you're doing this for Toji. He cracked open the bottle to share with you, so you're going to drink every ounce of the liquid in the glass, whether you like the taste or not.
You bring the glass to your lips again, taking a much larger sip. The glass is a little less than halfway now, and your eyelids are starting to feel a little heavy. Not in a sleepy manner, but you can't seem to hold your eyes open as wide anymore.
You exhale through your nose, shut your eyes, and then blink them back open to take note of your altered state.
"That was a lot. How are you feeling?" Toji asks, noticing a shift in your demeanor. You seem a little more sluggish now. You turn your attention to him, your eyes rolling when they turn to meet his.
"I'm good, how are you?" You ask, like it was the start of a conversation rather than an ongoing one. Your eyes almost shut completely when you smile at him.
"You're tipsy already, aren't you?" He asks, with a grin on his face.
"Pshh, what? No, i'm not," you say, contradicting yourself with a giggle. "Answer the question, baby. How are you?"
"Fine," he responds, lingering on the pet name. You've got loose lips, now. In any other circumstance, you would address him by his name. Most of the time Toji is the one giving you pet names, for the sake of flustering you. He loves the way you look at him when he calls you doll or sweetheart, somewhat shocked every time the words leave his mouth.
"Yeah? That's good." You pick up the glass one more time, sighing before you mutter, "'scuse me. Gotta finish this."
With that last sip, the glass was now empty. Even Toji thinks you drank that too fast, but he still has the courtesy to ask you if you want more.
"Mhm, I'll have a little bit more. Just a tiny bit." Toji pours as much as he did the first time, chuckling when you nod in approval of the quantity. "That's perfect. Absolutely, perfect. You're a genius, my love." You flash him a smile before starting on the next glass.
Toji was considering having another glass, but that was before you called him "my love" in a tone so warm that he felt like he just had a bowl of hot soup that was now settling in his stomach. That was before you smiled at him in such a free spirited manner. It was too late for him to see you in this state while completely sober, but he sure as hell wouldn't be adding anymore alcohol to his system. He can't miss something like this, so instead he leans forward on the counter, and intently watches your every move.
"I got something on my face?" You ask, dragging your sleeves all over your face. You examine your sleeves and they're clean. "You liar. You're looking at me like that for nothing." You squint at him, a slight scrunch in your nose to define your defensiveness.
Toji laughs, his focus now on the small pinch in your brows. "Don't go picking fights over nothing. It's not a crime to look at my pretty baby."
Your faux tough exterior immediately crumbles, the irked expression on your face dropping to the ground, at the sugary words he uses on you. Your face feels very warm, and now there's an indefinite blush on it. You can't stop smiling at the look on Toji's face. He's so focused that he's gone speechless, and you eventually break into a laughing fit because of it.
"Hey... i'm usually the quiet one. Why aren't you talking, pretty boy? Need me to shut up?"
The pet name has Toji glancing at your glass, noticing that it was full for less than five minutes. This was new— you being flirtatious towards him. He didn't have any complaints about it whatsoever.
Once again, the quantity of the wine in your glass was below the halfway mark. "Nah, baby. Talk to me. You must really like the wine, huh?"
"Mmm..." you lean forward towards him, with your elbow on the counter and your chin in your palm. "What makes you say that?"
He actually snickers this time, earning a sly grin from you. "You're chugging it like it's water. It's either you love it or it tastes like ass and you're dying to spit it out."
You pick up the glass again, one last time. "Let's find out if I like it," you say as if you're not on your second serving. You let the liquid hit your tongue, and you are instantly repulsed by the flavor. The glass is tilted all the way up, signaling that you've finished two cups of wine in less than fifteen minutes. Your cheeks are filled with the drink, blown up like a puffer fish, which makes Toji smile softly with anticipation for your reaction. Your tongue stays on the roof of your mouth, keeping the wine in your cheeks separate, to give you a break for a few seconds. You release the bubbles of your cheeks and your mouth is flooded with the bittersweet liquid. You swallow the burgundy mouthful and smile with your lips pressed together once it's all gone. The mouth drying effect of wine is your least favorite thing about it.
"So?" Toji prompts.
"It's-" you gag, clasping a hand over your mouth with wide, slightly teary eyes.
Toji's chest and shoulders shake as he contains his laughter, his lips pressed together tightly to stifle the smile threatening to show itself, but his eyes tell you everything.
"Wooo, sorry about that," you say, chuckling through the embarrassment. "It's good," you repeat, still muffled by your palm.
"Yeah? Want more?" Toji asks, holding up the bottle with a teasing grin on his face.
You almost gag again but manage to control yourself. "No, thank you. Any more and I'll doze off, and we both know that's not what i'm here for." There was a hint of sultriness in your tone, something Toji was not sufficiently familiar with. It was a completely welcome shift from your normally tentative way of speaking to him.
"I know why you're here, but I wanna know what you think you're here for."
You stand from your stool and lean more of your body onto the counter. Your hand reaches for his, and for the first time, you don't pull back before making contact with his skin. "To love on you, of course," you say, with those pretty rosy cheeks. Your eyes remained glossy and your nose was still red from trying not to bring the wine back up earlier, but Toji thought you looked so cute.
"Is that right?" His thumb brushes over your knuckles, feeling the softness against his rough fingertip.
"Let's go watch that movie you were talking about and you'll see what I mean."
Toji was loving this. Your confidence, your lack of holding back anything you had to say, it was truly baffling how you could be someone else entirely with just a couple glasses of wine.
You keep his hand in yours, and as if it were your house, you say, "come on," and drag him along to the living room.
This time you say "sit" and point at the couch. This time he's the obedient dog and does as you say, sitting on the exact cushion you were pointing at with a smirk on his face. He moves the couch pillow aside to make room for you, but you had another seat in mind. You take two steps towards him before slowly dropping yourself into his lap, straddling him.
"I see you're finally taking your seat on the throne, hm?" He grins, resting his hands on your waist. This is the closest Toji's been allowed to watch you giggle without you burying your face into his neck and it's a trip. He can see the details of the creases around your eyes and the lift in your cheeks as you smile. He feels fuzzy, and he didn't even finish his glass of wine, so he knows it's not that.
"Stop making me laugh and pick a movie, will you? I'm here for that, too."
He picks up the remote for the TV and turns it on. "How are you gonna watch the movie while facing me?"
"Actually,.. can I tell you a secret, baby?" You ask, wrapping your arms around his neck. Your fingers play with the hair that reaches towards the nape of his neck, combing through it gently.
"What's that, princess?" Toji asks, vert eyes flitting between your eyes and that sweet smile of yours.
"I don't wanna watch a movie. I... wanna look at you... and that's it." Your nails gently scratch the back of his head, eliciting a tingly sensation that makes chills run down his spine.
"That's cool, too," Toji says, turning the TV off again, not caring that it was on for less than a minute before you changed your mind. He sighs, adjusting his position beneath you. Your thighs are secured around his hips, your knees touching the backrest of the couch.
"You're so handsome, my baby. God, look at those eyes," you whisper in awe, before giggling and bringing your hands to his face. You trace the bags under his eyes with your thumbs while admiring the haunting shade of green that scopes on you. Toji's hand comes up to loosely wrap around your wrist. He's not there to stop you, he just wants to move along with you as you observe his face.
"I know I don't say this to you enough, but I find you..." you sigh, blinking slowly, "enchanting..." You lean in and kiss the left corner of his lips—his right, and feel the smooth, tattered skin beneath your warm lips. "and I love you," you mumble into the cicatrix. "So fucking much, baby. And i'm sorry that you'll never know exactly how much because you aren't me." You're looking at him with so much adoration and touching him with a delicacy that can't be put into words. It's a deadly combination, one that has Toji in a chokehold and forces him to soften up even more for you.
He tightens the hold he has on your waist, pulling you closer until your stomach is pressed to his, as a result. You being so affectionate towards him is making him feel really good, and you have no idea because you're too focused on appreciating him. He's subconsciously leaning into your touch, his softened gaze meeting your lovestruck one.
"Fuck. I love you, too, princess," he murmurs, squeezing your wrist in his hand. He pulls your hand down to his chest. "Want you to aim for my lips, this time."
"Okay," you say, smiling before closing the distance between your lips and Toji's. He can still taste the remnants of the wine you inhaled minutes ago, but it tastes much better and a lot sweeter on you. Toji can hear your high pitched little hums as you kiss him, happiness pouring into your kisses. You're trying so hard not to laugh in his face, and trying is the best you can do, right now. You never were good at hiding your smile from Toji. He can't see it, but he can feel the way your lips widen, and he's occasionally kissing your teeth when your sluggishness keeps you from matching his pace. With little pants leaving you, you drag your lips away.
He sighs, frustrated by the loss of your softness against him. "Baby..." he groans, the sound almost whine-like to your ears. He wants more, so much more of you, and you're ignoring him. You're too busy kissing his chin, and his cheeks, and the tip of his nose.
You drag your other hand down to his chest and keep your hands splayed out on it as you let your lips trail his jaw, lightly sucking on the skin. Toji can't help but think about how this version of you will be gone in the morning. You won't be as outwardly affectionate, you'll go back to second guessing every move you make with him and shrinking every time he steals kisses from you, instead of confidently kissing him back like you did a minute ago.
You make your way down his neck, pressing kiss after kiss on him before you move towards his ear. "I love you, Toji," you whisper, kissing the shell of his ear after. "Love you, love you, love you soooo much," you barrage, before throwing him off with a bite to his earlobe. You giggle like a menace into his ear, the warmth of your breath luring goosebumps out onto his skin.
He chuckles, repeatedly squeezing the soft skin of your waist between his hands. "Yeah? Tell me again," he murmurs snaking his hands beneath the back of your shirt. Your skin is very warm, and there's nothing to blame but Toji and that shitty wine for making your body react this way.
With uninterrupted hands, you course your fingers through his hair and lean in to bite him again, this time on his neck. Toji chuckles at how you instantly rush to soothe him with your tongue and a warm kiss, even when you inflicted zero pain on him.
"I love you, Toji," you repeat into the wet indentations you left behind. "My love... my handsome man... I cherish you, you know?"
Toji is practically purring at all the affection you're showering him with. The slurring of your words is blocked out and they remain clear as day to him. He manages to hum a deep little "mhm" to your last statement.
"It's just so hard to talk to you sometimes. You... you're so intimidating, sometimes. I don't expect you to understand..." you divert your gaze to his shoulder, not able to look him in the eyes as vulnerability takes sudden control of your emotions. "It seems like I don't appreciate you sometimes—all the time, but I do, Toji. I do appreciate you, and I can't ever say I love you enough to show it. Words aren't always enough."
Toji catches the waver in your voice and his eyes dart to yours. You're tearing up, and you're trying to still your quivering lips by pressing them together.
"Shit," Toji mutters under his breath. You have the saddest expression he's ever seen and it's messing with his heart. He pulls his hands out of your shirt so that he can swiftly pull you into his warm embrace. "Hey," he coos. You're shaking against him, holding your breath to avoid sobbing. Your lungs burn, but you'd rather feel that than make a scene of your tears. "Don't be sad, mama. What's with the tears, hm?" he murmurs. He can feel your tears dampening his shoulder, but the fact that you haven't made a sound is concerning. "Breathe or you'll die," he says, only half joking. He rubs a soothing palm against your back, his other arm around your waist.
You let out what sounds like a mixture between a choked laugh and a sob, slowly but surely regulating your breathing. You don't even feel like saying anything anymore because you know your voice will give way to even more pity.
"You're more than enough for me," Toji says, his chin resting on your head. "I know how you feel, you know how I feel. We're complete." He can feel the way you scrunch his shirt up into your fists. As if he would go anywhere without you. "I get you and you're stuck with me. Got it?" You silently nod against his shoulder in response. "Sit up and let me look at you."
You really don't want him to see you this way. Your eyes feel swollen and you don't feel presentable.
"I can't..." you say, barely audible. You release his shirt and let your hands go limp behind him.
"Why not?"
"I'm not pretty right now. Don't look at me."
"I'm gonna look at you," he challenges with a teasing grin.
"Toji, don't look at me."
"Too late, it's happening. Plan's already in motion," he says, sliding his arms onto your shoulders.
"Toji, don't-" He effortlessly pushes you off his shoulder and gives you a once over. You look defeated and you're unable to look him in the eyes, but at least he can see you now.
"Don't know what you were so worried about. You look the same but more blush-y." You finally give him your slightly reddened eyes, a soft smile appearing on your face. You look like your sober self. "Yeah, you look the same."
"Are you lying?" You ask, still not regaining the full strength of your voice yet.
"I wouldn't tell you if I was, but no, i'm not lying. You're so pretty." Toji wiped away tears that were stuck beneath your eyes, and you giggled. He washed away your sadness within a couple minutes. Toji always did this for you in exchange for your love and affection. He lifted your spirits when you didn't feel deserving of him, and with time, he got much better at recognizing the signs that came with this ridiculous idea you planted in your head.
"You're done loving on me? Already?" He asks in playful disbelief.
"You're not done with me? Do you actually want more?" You ask, hesitantly.
"Don't want more, I need more," he corrects, returning his hands to their rightful place on your waist. "Get all up on me, princess."
You giggle, leaning closer towards him to peck a kiss onto his cheek.
"Mhm, like that," he says, contently, when you pick up the pace and start smothering him. "Yeah, baby, there you go." His forearms go beneath your shirt, encircling around your bare waist and pulling you close to him like before. "Who's getting spoiled like me?" He says through a grin. You're holding back laughs as he continues to praise you for your affection.
"S-Stop," you say through a wheeze, not able to contain the sound any longer when you looked at him.
"What are you laughing at, huh?" He chases you this time, pressing his nose into your cheek before planting a light kiss into your jaw.
"You're so unserious," you say, turning your head as he keeps going with the kisses.
"Mmm... I'm serious about you," he says, feeling the vibration of your laughter against his grin. "So serious."
Your cheeks feel incredibly hot from how much you've been smiling. In this little drunken haze, things are so good. You're so happy, you're so affectionate, and you talk so much. This isn't like you at all, but it's not hurting anyone, especially not Toji. There was one minor slip, but you moved past it so quickly like the words never left your head to begin with. You're just so simple... so easy to take care of.
Toji notices the way your eyes are starting to lid with tiredness, and while he would love for you to doze off in his arms right then and there, you'd probably prefer waking up in a bed.
"Let's go to bed, yeah?" He suggests.
"What? No! I just got here... We can still talk, and kiss and- I'm not even tired."
Toji grins at the way you fight him on this, and he has half a mind to indulge you when you look so adorable, but he has to stand his ground. He's right.
"But, you are. You can't even hold your eyes open, anymore."
You feel sad again because the rest of the night would be going to waste if you both go to sleep early. You're there to spend time with Toji, and yet you feel like it's your fault your time is being cut short. You're thinking you shouldn't have drank the wine so quickly, if at all.
"Listen, doll," Toji says. He doesn't like the sadness that resurfaces on your pretty face. He doesn't think you should look that way because of him. "We're just gonna go lay in bed. We don't have to go to sleep. We can stay up as long as you want. Light on or light off, whatever you wanna do, let's just move it to the room."
You sigh, still not completely convinced that the night isn't over, but Toji managed to persuade you. "Will you carry me, please? My legs feel like jelly."
"Of course. What kind of person would I be if I let you stumble into the room on your own?"
You sigh, wrapping your arms around his neck and your legs around his waist, your face buried into the crook of his neck. "You'd still be my favorite person, but i'd be a little upset..."
Toji stands from the couch, humming in response to your quiet mumbles.
"...but not really upset. Just a little bummed. Not for too long, though, 'cause I love you, but I would expect an apology from you if I fell down," you draw out.
Toji cracks at your little ramblings. It's a ten second walk from the couch to the bedroom, and the whole time you were working through a hypothetical conflict.
"Yeah? You'd want me to say sorry?" He asks, setting you down on the bed.
"Mhm, and then I wouldn't be upset or bummed anymore," you mutter to yourself as you roll onto your back.
"That's fair. Want the light on or off?"
"Off," you blurt. "Let's tell scary stories," you trill, enthusiastically. You pull the blanket over your lower body until it reaches just below your chest.
Toji makes his way to the bed after turning off the light. He takes his shirt off, and out of habit lets it fall to the floor. "We're not telling scary stories this late at night," he says, joining you beneath the blanket.
"But, they're funny," you say, turning to face him. "I don't get scared, either."
"Depends on who's telling the story. I'm sure as hell not gonna feed you a nightmare, doll."
"Boo," you say, lowly. "Whatever, i'm over it already," you mutter, rolling your eyes.
Toji watches you grow more and more tired as you throw random, nonsensical topics at him. You're taking longer to respond by the minute, and you're dozing off while humming in thought. You shake awake each time it happens and try to keep the conversation going, but Toji just shushes you and tells you to go back to sleep.
"I can see the moon through the window," you mumble, looking past him.
"I know, shh..." he hushes you, again.
"There's only like... one star," you whisper, in awe.
"Baby, come here," Toji says, like he's about to lecture you about the rules of sleep, but really he's just thinking that if his body heat doesn't put you down, he's gonna have to stay up with you until you fall asleep on your own.
You scoot closer towards Toji, tucking your arms into your chest when he reaches out to pull you into him the rest of the way. His body exudes so much warmth, you feel like you don't need the blanket at all.
There was nothing left for you to say when you couldn't see or feel anything but him. It was as if you were gone the second he enveloped you in his arms. You were small to the brink of nonexistence, no longer there to tell him what your surroundings were, or to ask him thoughtless, silly questions. You were no longer there to fight off the sleep he only seemed to bring closer towards you. Feeling his warm skin against you made you change your mind about this invisible fiend that was pulling your eyelids down. You now welcomed the calls to rest from your steady heartbeats.
Your silence gave him the answer he needed, but for good measure, he poked at you with a whisper of, "Ma?" and waited a few seconds for your response. Nothing. He sighed and coiled around you tighter. Thoughts of the night ran through his head. Your soft, yet, occasionally bruising kisses and the imprints of your teeth on his skin, your unapologetic laughter, your certainty in using the pet names that claimed him as yours. He was weak for the amount of times you openly told him you loved him. It was a psychedelic dream, to say the least. One he hoped would continue once he followed you into slumber.
You woke up hours later, completely smothered by your bear of a man. All you could do was stare up at the ceiling, while you waited for Toji to wake up because he was literally breathing down your neck. His arm rested over your chest, his legs were tangled with yours, and his face was right beside your face. You weren't feeling the effects of the wine anymore, and luckily, you didn't have a headache or any signs of a hangover. You were back, which meant...
"What are you staring at?" A deep, raspy voice jolts you out of your thoughts.
You look at the handsome face next to you, and as if your heart can hear and see, it wakes up. "Nothing. Just woke up," you lie.
"Mm... you were staring hard at the roof. I thought it came to life or something," Toji chuckles. You smile, briefly, before looking at the ceiling again.
Toji releases you and flips onto his back, wanting to know what's so fascinating about the space you're looking at. "What are you thinking?" He asks, when he discovers nothing but blank space.
You take your time, not wanting to stumble over your words. Your heart skips a beat when he turns his head to look at you. In the time it takes for you to respond, you both could have gone back to sleep again.
"A penny for your thoughts?" he finally says, following the idiom with a question. "Did I even use that correctly?"
You can't help but laugh, nodding your head to answer his question. "I'm thinking about last night. Sorry if I said anything stupid."
Toji turns his body towards you again, thinking the only thing that's stupid is that he's still staring at the roof instead of staring at you. "You didn't. You were calm, from what I got to see, at least."
"So... boring."
"Not boring," he instantly catches. "You were perfect. You didn't have me running around chasing you, you weren't a brat—it couldn't have gone better, ma." He purposely missed something in his less than brief recount of the night to you. He can think back to the emotions that seeped through your little daze, and your insecurity about outwardly showing him love, all he wants, but there's no way in hell he's bringing that up to you, now. "You ramble a lot," he adds, a soft smile emerging on his face.
You can feel your cheeks warming up. "Oh god," you groan in embarrassment. "That's not- Sorry, that sounds... not so fun. Annoying of me, actually."
"Stop, it was cute," he assures, adding more fury to the blush creeping on your face. "Then you wouldn't go to sleep 'cause you kept seeing stuff outside the window."
You wanted to drown yourself in the blanket. Shame and embarrassment were winning their battle against you, as always.
"That was also cute," he says, watching the way your lips twitch as you bite back a smile. "You know my favorite part, though?" He says, grinning as he leans towards your ear.
"N-No, what?" You ask, trying so hard not to giggle.
"When you kissed me and told me you loved me," he murmurs into your ear like it's a dirty secret.
You snicker, the short sound of amusement evolving into laughter within seconds. You throw the blanket over your face and partially over Toji's face. The sight of your veiled body shaking with laughter lured out a couple chuckles of his own.
"That's funny?" He asks, pulling the blanket down, allowing you to see the sly grin he's sporting.
"A little bit," you respond, smiling— a remainder of your laughter.
"Silly girl. Come here," he says, dragging you back into his arms. There's no reason you should be awake at six in the morning on your day off. "Let's go back to sleep," he murmurs into the crown of your head. "We can go out for breakfast, later."
"Okay," you mumble, eyes shut already as you embrace the natural warmth of his body.
"One more thing," he murmurs. You don't raise your gaze, but your ears are open and you're listening closely. "Tell me you love me."
You didn't expect that, but you weren't going to deny him of such a simple thing. The words were easy to recite because you meant them with every fiber of your being. "I love you, Toji," you comply, immediately.
He sighs, contently, almost like hearing those words revitalized him. "Love you, too, mama."
That went out to every version of you.
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wolfiesmoon · 5 months
Text
When you wear their clothes
genshin men x gn!reader
characters featured: xiao, neuvillette, wriothesley, zhongli and itto
i've been dreaming about genshin a lot lately idk this game has possesed me or smth so i feel like i'm required to write this? Also DAMN im rusty with genshin characters so i apologise profusely for any ooc-ness
(also wrio's is kinda suggestive!!)
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XIAO is confused. Why on earth are you wearing his clothes? He isn't opposed to it specifically, but doesn't understand the appeal or the reason why you do it. "My clothes don't fit you properly. What's the point?" he asks, completely straight faced. You smile. "It reminds me of you when you're not with me!" He just scoffs and says he doesn't get your strange habits before moving on with his day. Somehow though, the image of you in his clothes won't leave his mind for the rest of the day. "Dammit..." he mumbles under his breath, barely audible when nobody's around. Don't bring up his pink cheeks in the evening when he comes back to see you, he will not elaborate.
Similarly, NEUVILLETTE is also confused. This must be another human thing that he isn't familiar with. What does wearing their lover's clothes mean to humans? "Oh, I just missed you... your clothes remind me of you, you know?" You explained when he questioned you on the matter. "Oh, I suppose that makes sense. Do you want more items related to myself for when I am absent?" He asks. While you do want to know what items he would bring you, you turn him down. "I like your shirts the most, because they smell like you and feel like your hugs." He doesn't know why exactly, but he has the urge to kiss you all of a sudden.
WRIOTHESLEY feels distracted when he sees you in his clothes from time to time. He gets busy a lot, so the moments he gets to spend with you feel extra special. But, what is he to do when you look so positively yummy in his shirt? "Hey, mind taking my shirt off? It's... sort of distracting." he admits, taking a sip of his tea. "But, wouldn't it be even more distracting if I took it off now?" you asked, feigning an innocent look. He almost spit out his tea. "I did not mean it like that...! Surely you're just teasing me." You just smiled mischeviously in response, taking a sip out of your own cup. "That's what I thought. I know that look."
ZHONGLI thinks you look odd in his clothes. Odd, but not bad by any means. You actually look quite endearing. "I'll make sure to commit this to memory." he says calmly, sitting down next to you on the bed. "You say that every time you're with me." you poke his shoulder gently, smiling up at him. "That's because everything about you is worth remembering, I suppose." Still, he thinks this specific memory is one he will treasure for a long, long time. "Oh my..." you felt heat rushing to your cheeks at his words, hugging his arm. Actually, he changed his mind, you're positively adorable in his clothes.
You're basically asking to get attacked with a flurry of kisses if you wear ITTO'S clothes in front of him. That's like, a show of affection! That you're totally his and no one else's! And that also means it's a cause for celebration! "Agh, Itto- Stop!" you try and fail to push his face away. "Hehehe..." he gives you a bright smile and places a big ol' kiss on your lips. "You should wear my clothes more often!!!" he felt proud of himself, puffing out his chest. "Ummm, whatever you say..." you're kind of worried that if you do that, your face will never escape his lips.
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