#i think they might be focusing on story content the most this year

[cynical-cemeteries]

going on twt to try to get summaries of what happened during the livestream since i missed the first half:

new OST called "Remember the Days" by HARAM from Billlie will be uploaded today

story reinforcement seems to be a priority

upcoming sub / side story??

obelisk 50th floor boss story

extremely difficult labyrinth with allies (maybe alliance??)

artifact or relic encyclopedia

"collaboration with famous IP" in Q3 this year

"chief of NPCS" with the first being mu

information is supposedly coming in april; implications of a new contract system with this??

nightmare mode part 2 later this year

ondal's banner is getting a 7 day rerun

avillon's got style winners were announced and 2 costumes will be implemented

#lord of heroes #loh #anniversary stream woohoo!! #we also got a bunch of coupons #but for extra commentary / speculation: #i think they might be focusing on story content the most this year #like both parts of nightmare mode. the side story. the obelisk 50th floor boss story. perhaps the book of truth for WoT too #that's so much story content to expect #the artifact encyclopedia sounds like we could be getting more lore on each artifact and a unique way of having them organized #the picture they showed was a relic though. like the ones you get from summons. so i think they mean that #the collaboration is what i'm the most interested in!!! the tweet i linked said it's with a Famous IP in Q3 #so it could be someone or something pretty popular in quarter 3?? like a later time in the year?? idk what that Q3 means #i assumed it was another game but i'm not sure #OH AND ALSO. chief of NPCs??? like a new group of heroes?? #i think that's like. aries mu rouin aurea kartis & cesaire???? #those are the only distinct NPCs i can think of #I WANT THEM ALL....

[meanbossart]

Pin!

Hi, I'm RJ (Male, 27 years old) I'm a -usually- horror oriented artist and collaborator alongside my partner and better-half @barbatusart, though I'm currently on a Baldur's Gate 3/DnD streak with both my art and writing, specifically centered around the Dark Urge I created for my campaign and his antics, so that's most of what you will find here!

I want to leave a warning right here that I occasionally venture into delicate topics in regards to character lore and history - though none of it strays too far from what the game already delves into and I try to give a heads-up ahead of time whenever I feel like something might catch someone off-guard otherwise.

PATREON WHERE I POST WIPS, SKETCHES, UNRELEASED ART, NSFW CONTENT, ETC : patreon.com/meanbossart/

BLUESKY WHERE I PUT UP FULL VERSIONS OF THE SOME OF THE NSFW THAT I CAN'T POST HERE: bsky.app/profile/meanbossart.bsky.social

TWITCH WHERE I STREAM SOMETIMES: twitch.tv/meanboss14

PSA: I get a lot of asks and I'm slow to go through them, please don't take it personally :U

Anyway, here's the guy of the hour:

🚨FAQ BELOW🚨

Q: Does your Durge have a name? A: Nope! I named him "drow" when I played the game because I didn't feel like thinking up anything special. His lack of a name has become part of the character's lore and you will find him to always be tagged with "DU drow", or referred to as The Drow or just Drow.

Q: Where can I read your BG3 fan-fiction? And what is it about? A: Right here! The main plot follows DU Drow, Astarion, and Shadowheart on a new adventure that fractures into a couple of different directions, but mainly focuses on the aftermath of the spawn that Astarion has released and the personal development of the main cast, alongside a number of original characters that get involved in the narrative. My goal was to create a kind of "DLC" experience, so you can expect a lot of themes that parallel the main game.

Q: Can I draw one of your characters, a scene from your story, or any of your characters interacting with mine/other characters? And can it be NSFW in nature? A: YOU ABSOLUTELY CAN, AND I'LL BE DELIGHTED TO SEE IT IF YOU CARE TO SHARE. I'm equally fine with NSFW as long as everyone involved (in the art and otherwise) is an adult.

Q: What drawing software/tablet/brushes do you use? A: I draw on a Wacom Cintiq 22, using Clip Studio Pro. I switch around brushes quite often but most of what I use comes from the DAUB super-bundle by Paolo Limoncelli.

Q: Where can I find more of your work? A: You can find mine and my partner's comics here, but please bear in mind that most of it is highly violent stuff and you should read the content warnings on the store page carefully before making any purchases - if in doubt of whether or not any of it could be detrimental to your mental health, DON'T BUY IT. Stay safe!

Q: Do you take commissions? A: I am not currently taking any new commission inquiries, sorry!

#text #pin

[lalal-99]

of timeless love {h.j.} | track 1

©March 2023, February 2024 by lalal-99

Han Jisung x afab!reader | trope: slice of life, coming of age | word count: 2.6k

Synopsis: You and your annoyingly adorable boyfriend Jisung move off to university, to make new friends, find a calling and learn how to live on your own for the very first time in your lives.

Check Chapter Overview for complete list of warnings

Note: I first thought of this story about a year and a half ago. I didn't feel ready at the time, but as I got better over the years, I picked this story up again. Updates might be slow, so bear with me please

Tumblr works on a reblog system. Please consider reblogging this post so that it can reach more people. Thank you :)

Please don't flag as mature or repost this story - Thank You!

You, 6 years ago, wouldn’t have bought this romantic af, straight out of a fairy-tale storyline.

You going to University? With the love of your life? Like the picture-perfect couple, smiles glued to your face? Nuh-uh. Not you. Not in this lifetime and most likely not in the next dozen—if you ever were so unlucky.

Family, love, college. All of it was bullshit. Temporary.

Nothing good ever lasted. If anything, a dark twist was already lurking around the next corner at any given moment. You couldn’t imagine a dimension in which you were ever happy. Let alone content.

Your 14-year-old emo self would never grow out of the jet-black hair. Or the countless piercings decorating your face. Or those cole-coloured ripped skinny jeans you wore like a second skin. So much you knew. Past-you only ever wanted to gloom through life in a hazy blur. Depressed about My Chemical Romance breaking up and all the other hardships life had already put you through.

That girl would have despised who you had become. Hair grown back to its natural colour. Wearing shirts without some underground metal band’s logo printed on the front. That girl would have likely made fun of you for even thinking about grades. And your future? If you ever had one, your 14-year-old self knew it would include nothing but darkness and despair.

Every teenager around you went through that phase, though you were sure it was more than that. A phase. A short and survivable part of your story. You fully and whole-heartedly believed nothing would ever change about your attitude towards life. It couldn’t, not after everything that had happened.

Overcoming that horrible chapter of your life seemed unimaginable. That you even got the chance to reach out and grab your future by its horns only had one reason. One person who was to become the most meaningful part of your life. Of the same future, he was the reason you even considered having.

Han Jisung.

A boy of innocence and noisy introversion. A boy who, despite having lived through similar trauma as yourself, had a will for life toxic enough to capture you. A boy who you became sure was the closest thing to a soulmate you would ever find.

No one could have prepared you for how hard you’d fall for Jisung. You loved him at his best, worst, and everything between. And you had fallen in love with him despite his lousy sense of humour and silly persona. Or maybe, you had fallen for him because of it. Because he had a similar story to yours but an opposite look at it.

Your 14-year-old, always-depressed, doom-certain-self could have never imagined being with someone like him. Let alone being head-over.heels. All while doing what? Watching him do something so mediocre and none-life changing as buying toothbrushes?

“I don’t know. Which ones do you think?”

Jisung presented you two indistinguishable packs of toothbrushes, waking you from your daydream. Thus, the blurriness faded and your eyes focused on the tiny words on each cover.

“These,” you decided on the left option. “Those bristles are too hard for your gums.”

“Oh, we definitely can’t have that.” With a dramatically disgusted expression, he returned the wrong set to its place on the shelf. “I want to keep at least some of my teeth.”

“Thankfully,” you agreed with a snicker. His words cracked you up more than they should have.

No doubt, your 14-year-old self would have hated yourself six years later.

“Okay. What else is on that magic list of yours?”

“Microwave popcorn and some instant ramen. And we should get some notebooks and highlighters for tomorrow. That’s it.” You listed the remaining articles off the slip of paper while crossing out the products you had retrieved from the hygiene section. “Should we split up?”

“Nah. That’s how they die in horror movies. And I’m not going out in the food court of a 7/11.”

“Fair. How about the Back-to-School aisle then?”

Jisung pondered his reply as he wandered past toothpaste and mouthwash. “Too many pens for people to draw penises on my face. The cleaning section, however? That’s a whole other conversation.”

“How come?”

“Well, there’s bleach and mops already. Also, buckets. So they can simply wheel my corpse away.”

As you walked by the pasta and other canned foods, you picked up a tray of ramen each. For convenience, if anything. Had it not been for the thinness of your wallet, you would have gone for fresher produce. So much for independent living.

With an intensive focus on your absurd conversation—Jisung listing places he would most likely die in if he were a character in a horror movie—you didn’t notice a tray of stacked goods blocking the path. It wasn’t until you bumped your shin on the square-edged tower that you finally took notice.

As a wave of pain swallowed your leg, you left out a shriek. “Gosh freakin’ dang it!”

“You good, baby?” His concern was genuine, though he couldn’t help smiling at your desperate attempt not to swear. “Let me see.”

Jisung kneeled in front of you, noticing a reddening wound once he had dragged the jean fabric up your leg.

“Just a bruise.”

“Easy for you to say. You’re not the one feeling like your skin is being dragged off your flesh.”

“No. But I can make it better.”

He rose to his feet, arms hugging your frame as he picked you up without any effort. You giggled as he heaved you into the cart, careful not to squish the food.

“What are you doing?”

“No girlfriend of mine should have to walk when she’s in pain,” Jisung explained, helping you get settled. Pushing the crushable goods out of the way, you sat on the cans. Not the most comfortable seating, but it worked, nevertheless.

“Damn, those other girls are lu-cky.”

Jisung was pleased at how casually you had joined in on his joke. A smile formed on his lips as he pushed you along the shelves of seasonal produce.

You soon reached the Back-to-School aisle. There you took your sweet time deciding on notebook formats and highlighter colours. It kept surprising you how much fun it was to go grocery shopping when done with the right people. Everything was about 50 percent less boring because of Jisung. Jisung and his ability to find something ridiculous in anything and everything.

After you had made some other critical decisions—like which folders would make organising the year easiest, the ones with dogs or flowers in front—you finished up your school-supply-run.

When you reached the cash register, you noticed the strange looks the other customers gave you. Two young adults strolling through a supermarket, pushing each other in grocery carts? Definitely side-eye-worthy.

Maybe you would have cared more had you not been so enticed by Jisung’s mindless humming of Can’t Take My Eyes Off You.

“What?” Jisung questioned your glances as he started unloading the items from the cart.

“Nothing.” You joined him, unloading all the trays of food you had picked minutes earlier. “This feels weird. Going grocery shopping together. Feels grown-up somehow.”

“We go grocery shopping once a week,” he declared with a thoughtful pout.

“But that’s different.”

After you had emptied out your purchase, he wheeled you further down the band. The woman behind the cash register seemed equally interested in you as all the customers. Soon enough, she continued doing her job.

“You mean because we didn’t have to pay for it ourselves?” He held his hand to his heart as if heartbroken. “I miss your dad, too. Always so kind, paying for all our stuff.”

You chuckled at his playful sincerity.

“No, idiot.” As Jisung reloaded the cart, you payed for this week’s necessities. “Because we’re grocery shopping on our own, living off at uni. We have officially moved out of our home, living in the big city. It’s— new. That’s it.”

As soon as you had reached the exit, you picked reached for the strawberries, unable to abstain any longer. Strolling towards his car, you handed one over to your boyfriend while sucking on your own. Like the gentleman he was, Jisung helped you jump from the car and you packed everything into the trunk.

Once you had placed the cart back by the others, you finally headed home. Or rather, the dorm room you would be living in for the next four years.

You weren’t at that point of calling it your home yet.

A comfortable silence surrounded you throughout your drive. It remained while you stacked away your half of the food back at your place and lasted until you finished. This sort of silence wasn’t uncommon these many years into your relationship—you hardly noticed it anymore.

“Man, all this talk about horror movies makes me want to watch one.” That you hadn’t mentioned this topic for over 30 minutes seemed irrelevant.

“But you’re horrible with horror movies,” you pointed out.

“Not when you’re there to protect me.”

An hour later you were sprawled out on your bed, the last sweet strawberry long gone.

With your legs entangled, Jisung’s face rested on your chest as you massaged his scalp. After minutes of fruitless discussion, Spiderman was now webbing his way through your laptop screen. In the end, it really didn’t matter what movie was playing. It never did as long as you were with each other.

Not even 20 minutes into the movie, Jisung had fallen asleep on top of you. His faint snoring was now mere background noise as you followed the plot, ehich wasn’t as simple as it sounded. Your energy was more than drained from running around all day.

Only three days ago, you had still been back home. Packing for your upcoming move to a new city, two hours from every place you had grown up in. The one thing keeping you calm throughout the stress was your sweetheart-boyfriend. To no one’s surprise. He was the only person able to keep you sane when all you wanted was to scream and cry. Had you not had him by your side, you would have drowned in all the noise your brain usually produced.

His ability to calm your nerves when you needed him to—know when to make you laugh or when to distract you from your everyday stresses—surprised you to this day. You couldn’t begin to explain how you had been lucky enough to find someone like him. Someone you loved as much as you had seen your parents do when you were younger. Let alone how he loved you the same way, almost self-destructively so.

Your 14-year-old self would have called bs. But that girl was someone else—you, but in another lifetime. You but pre-Jisung.

When the door to your room rushed open, it pulled you from your quiet slumber. You had turned off the lights earlier to set the mood but still knew the intruder was your roommate. Besides you two, only Jisung knew the code to your dorm—a decision you had previously discussed with your new roomie, of course. Seeing as he was knocked out on top of you, you could cross him off your list of possible visitors at 8 pm on a Monday.

Adapting her eyes to the darkness, she checked her surroundings before tiptoeing into the room. The light remained off as she expected you to be asleep.

“Hey,” you greeted the dark-haired beauty, making her jump in surprise at the sudden noise.

“Fu—God! You scared me.” With one hand over her heart, your roomie calmed herself from your unexpected jump-scare. Once her heart rate had settled, she slipped out of her heels and left them by the end of her bed. “Is he asleep?”

“Yeah,” you confirmed, letting your finger run along his jaw to check. He didn’t move, so you knew he was most likely out for the night. “Long night?”

She gagged with an eye roll, pulling her jeans off her legs and exchanging them for grey sweatpants. “Don’t get me started. I haven’t even started writing my thesis, and it’s already kicking my ass.”

You watched her as she also changed out of her dress shirt and into an off-the-shoulder crop top. She slipped into a pair of sneakers while making her way to her dresser where she sprayed herself in a cloud of perfume.

“You’re leaving again?”

“Yup. I spent so much time at the library today, I apparently neglected,” she air-quoted with an eye roll, “my girlfriend. At least that’s what she said.”

“The things we do to keep our loved ones happy.”

“Exactly.” Unleashing her long curls from a tight ponytail, she ran her fingers through them for a few seconds. Her beach-waves veiled her face, so she pushed them behind her ears to instead frame her near-perfect features. “Anyway, I’m staying at hers tonight, so don’t wait up for me.”

“Okay,” you agreed with a yawn, your roommate replying with a deep chuckle.

The past few days, you had mainly spent in your new room, settling in and getting ready for the start of the semester. You liked planning ahead, knowing your life was organised to a T, so you could focus on the important stuff. Your studies, and your boyfriend.

Your roommate seemed to have most of the same priorities. She had gone out every night since you moved in, be it to study at the library or spend some time with her better half. However she managed to squeeze in all the partying? You had no clue. You could only hope some of her togetherness rubbed off on you. But then again, never judge a book.

“I’m going to take you out one of these days. You are not going to be sitting inside all year. Not on my watch.”

Spending the first two days inside, you must have looked like the biggest couch potato ever.

“Sounds good.”

As she waltzed towards the door, you grabbed her attention one last time. The hallway lights blinded you with their brightness, framing her curves in a halo.

“Oh, and Hwasa?” She turned to face you, looking like she had jumped straight off a Vogue cover. How she did that without trying was a mystery to you. “Can you not tell Wheein he’s sleeping over? I wouldn’t want my first warning on the third day already.”

“Babe, as long as you’re my roommate, my dorm-supervisor-girlfriend won’t dare write you up. Just don’t set anything on fire, and you’re solid.”

With that, she waved goodbye, leaving you and your boyfriend alone. Well, apart from the ever-so-handsome Tom Holland, who somehow made full-body suits look like a reasonable choice of clothing.

Not soon after, your eyes fell close, sending you off into a deep rest.

Next Chapter >>>

Masterlist Leave feedback!

#strawberries & pineapples #kpop smut #stray kids smut #skz smut #stray kids x reader #stray kids imagines #skz x reader #skz imagines #stray kids scenarios #kpop fanfic #skz scenarios #skz fanfic #han jisung smut #han jisung x reader #stray kids fanfic #stray kids angst #skz hard thoughts #stray kids hard hours #skz hard hours #stray kids hard thoughts #stray kids fanfiction #han smut

[reasonsforhope]

One of the things that I really appreciate about this blog is that now, every now and then, when I hear about some new awful thing in the world, it will be in the context of "and this is what people are doing to fight it". That's so much less paralyzing.

(If you have any sources to recommend for experiencing more of that, me and my mental health would be further indebted.)

Ahhh, I forgot about this message, sorry! Been a hectic couple of months.

I absolutely have more sources!

One of the biggest is the media collaboration The Solutions Journalism Network, which focuses on just that: closing the massive gap between people reporting on problems and people reporting solutions.

I have a giant bookmark list of sources for this blog, for good news stories and hope, so here's a bunch of links! Roughly in order of how good I think they are (in terms of size of stories, previously uncovered stories, good editorial standards, accuracy, detail, number of stories, etc. etc.)

We're gonna start with the ones that do good news ONLY, because sometimes you fucking need that, and then below I'll link some excellent sources that have a higher than average number of quality pieces on good news, even though they also publish other stuff too.

Good and hopeful news sources:

Future Crunch - If you only read one of these sites, read this one!!! It's a MASSIVE biweekly roundup of international good news stories with really high quality reporting--a lot of UN and WHO and major NGO reports as their sources. I cry from hope at LEAST 30% of the times I read this, and tbh it used to be like 100%, about a year ago when I started realizing that hope for the planet and for humanity was something that was REASONABLE TO HAVE.

Reasons to Be Cheerful - Fewer stories, but FANTASTIC quality of reporting, especially on fantastic local stories, many of them in international communities, that you've definitely never heard of before

Positive.News - Good coverage and especially roundups, mostly Europe-focused.

Good News Network - This one is awesome for the high number and approachability of its stories, but unfortunately also includes more "That's not news that's just a heartwarming anecdote" and "That's not good news it's actually dystopian" pieces than I'd like.

Jane Goodall's Good For All News - Really awesome focus on international issues, a lot of news from Africa, a lot of news about youth organizers and youth-led projects, and a lot of focus on how helping the environment and helping communities are inextricably connected. Yall Jane Goodall is doing SO MUCH amazing work out there even at her age, and most people also have no idea.

Good Black News - Mostly posts on music and entertainment, and doesn't post all that often, but they're great.

Good Good Good

The Good News Hub

Only Good News Daily

( ) for Tomorrow - Directory of grassroots solutions to all types of issues and "proof that no solution is too small to have an impact"

A Plus - Dedicated to uplifting stories in video form. I'm sure they're awesome, I just don't rly use them bc videos can set off my sensory issues

The Happy Broadcast - Illustrated good news tidbits! I haven't been using them much but it looks like they've (recently?) added more text and sources to each image, so I might change that. Illustrations are pretty cute tbh

Sources that publish a lot of good news, but also other not good stuff:

Euronews.Green - Environmental section of European news org

Yes! Magazine - Excellent solutions-focused journalism, excellent focus on BIPOC content and underrepresented communities

TheMayor.EU - EU-focused, discusses a lot of good projects and cool local developments/programs

Grist - Solutions journalism, fantastic corage especially on environmental issues

Mongabay - Billed as "News & Inspiration from Nature's Frontline," they are amazing and have some of the best goddamn reporting I've ever seen. They mean "frontline" very literally: there's a TON of pieces about and by and interviewing communities on the front lines of environmental conflict, especially developing nations and Indigenous communities world wide. That said there's also a lot of bad news on nature's frontline still, while they report a lot of amazing and powerful good news, make sure you're in a resilient mood when you visit this site, because some of the stories are also pretty upsetting.

Indian Country Today and Native News Online - two of the leading news orgs for Indigenous communities in the United States. Kind of like Mongabay in that they have a lot of good news stories from Indigenous communities that often no one else is reporting on, but also plenty of coverage of things that are definitely not good, so better to read when you're in a resilient mood.

If you have any good news sites/sources you'd like to add, please drop them in the replies or comments! I'm always looking for new good news sources (though I def don't always have time to use all of them, rip!). Plus, let's support these sites by giving them some traffic!

We could all use more ways to get some more good news.

#ask #good news #hope #conservation news #environmental news #human rights #activism

[faroreskiss]

Harp Lesson (+18)

MINORS DNI

Summary: You had enough of your instrument, and you wanted to try out his. How could you have said no when he offered?

AKA Link teaches you "techniques".

Pedal Harpist!Link x Fem!Reader (Sky x Reader)

Read the collection in Ao3

A/N: This is tagged as both LU and Skyward Sword Link, as I imagine them to have the same personality.

This story was born after a long inspirational chat with @pinkalmondcake about imagining the Chain in different roles in an orchestra! (From a piano technician to a pedal harpist...), which for now we are calling the LU Music/Musician AU, but who knows :D Stay tuned for more content!

Also big thanks to @beyondtheglowingstars for having a first look at it and the feedback!

Also tagging you guys because after seeing your content I think you'd enjoy this (hopefully) @chainsofgoldandash @chain-link-smut Duet mentioned: Saint-Saëns, Fantaisie for Violin & Harp, Op. 124 — Camerata Pacifica

You were in the practice wing of the conservatory, trying to play the latest piece that was prepared for the upcoming concert that was planned. The sounds were just not coming out as clean anymore as you were trying to keep yourself focused. 

Being the principal first violin, or the “concertmaster” as they called it, was absolutely making you feel the pressure. Not like the orchestra was that big, it was a chamber orchestra, a bit of an odd one perhaps due to its composition. You had both a harpist AND a concert pianist, for starters. And they all had the same name… Link.

Inner base of your left index finger started to hurt, did you start to hold the violin wrong all of a sudden? You sighed as you gave up and held your violin like a guitar, deciding to pizzicato the rest instead. It also counted as practice, right? As you plucked the strings according to the sheet of music in front of you, your mind wandered once again. Plucking… Each time you put your violin in that position and timidly pulled at the strings, you were reminded of him again. The quiet, kind boy with the full lips and calloused hands, sitting in front of the harp, carefully trailing his hands along the strings, like he was lost in a dream. You really wanted to try playing it some day. 

Link… You of course found out later that he was as gremlin-like as one could get, despite his calm and quiet appearance. You would have never thought he was the one that brought the whole chandelier down at the Lumpy Pumpkin years ago, because he “totally had to get that thing up top”. 

Well, neither of you were in Skyloft anymore, and not even on the surface you both were familiar with. And not even THAT long after he defeated Demise, he was ripped apart from all he knew, somehow trailing also you along. But that is a story for another time. 

“(Y/N)?” you heard a soft voice calling for you, jolting you away from your preoccupations. It was him, right outside the door. 

“Oh, hey,” you said absentmindedly. 

"Hey," Link replied, with the warmest smile that always seemed to put you at ease.

You couldn't help but admire how he had a knack for making even the most awkward situations feel comfortable. The atmosphere in the practice room seemed to shift as he walked in, a warm and pleasant energy filling the space.

He glanced at your violin and chuckled softly. "Having a bit of trouble?"

You nodded, still lost in thought. Of course, at this point he knew when and why you would switch to constant pizzicato. "Yeah, it's just not coming out the way I want it to. I can't seem to concentrate,”

Link took a seat nearby, his sky-blue eyes focused on your instrument. "Maybe you need a break,“ he seemed hesitant to continue to his next sentence, but regardless, he spoke up. “How about that duet we talked about a while ago? It might help you relax perhaps."

You perked up at the idea. "Oh, right! Yes, of course… Uhm… “ Your left hand was feeling quite tired at this point, since you pressed on the initial joint way too much. Probably you messed up the technique between the sea of distractions you had. His presence was not helping. 

He felt as if he said something wrong, from your reaction and suddenly his body language shifted to nervousness. 

“Uh, it’s okay if you don’t feel like it right now,” he said, slowly starting to rise from the seat he took. A sudden panic took over you, that’s not what you meant!

“No, no! I want to!” you said, your voice was a bit of a higher pitch than you expected. “I just had enough of my instrument right now,” you raised the violin, holding it with two hands upside down, pretending as if you are about to crush it on the floor, making a chuckle escape from Link. 

“But you know what, I've always wanted to try the harp a little, never had the chance," you said, but then bit your lip. You weren’t sure if he would let you touch it at all, since it was a gift from his precious Zelda. “But it’s okay if-”

A faint smile touched Link's lips as he interrupted you "Well, today's your lucky day. I can show you the basics if you'd like."

You felt a surge of excitement as you nodded eagerly. "I'd love that!"

He got up and led over to the harp in another practice room, its elegant strings shimmering in the soft light of the room. You joined him, your curiosity piqued as he explained the fundamentals, his hands gently guiding yours to pluck the strings, as he made you sit down in front of it. It was a beautiful pedal harp. He also pulled another stool near yours, though he would sometimes lift himself a bit up from it to show you the technique.

“There, I already set up the pedals for you.” 

He showed you how to slightly tilt it towards your right shoulder and there was a moment awkward yet sweet, where you panicked and thought the harp was just going to crush you. Though for some reason, when you heard you don’t need to use your pinky (which was pretty much your enemy while playing the violin), you seemed to have forgotten about the 35 kg instrument that was leaning on you as you screamed “Praise Farore!”

He was used to you being goofy one moment and panicky the next. The hearty laugh he let out made your heart melt. 

“You need to have straight shoulders and a straight back, okay?” he started instructing you.

“Like that?” Apparently you were still slouching a bit, letting the instrument actually almost crush you.

He cranked a little grin, seemingly innocent as he spoke. “Let me show you again…”

As you both leaned over the harp, you couldn't help but feel a growing closeness. The gentle touch of his fingers sometimes brushing on yours accidentally sent a pleasant shiver down your spine. It was as if the basic notes you were playing together was a reflection of the unspoken connection between you.

Link continued to guide you through the basics, his breath warm against your ear as he explained each step. The sensation of his presence, so close and comforting, made your heart race. You were entirely focused on the harp, the music, and Link. Just watching his fingers pluck on those strings, sliding between them as if it had been the most natural thing he had ever done in his life, producing divine tunes... It reminded you of your dream last night instead, the dream of the sounds that he coaxed out of you, as he played idly with the strings of your thong while he was on top of you, his tongue trailing your neck. A soft blush was creeping through your cheeks. You weren’t going to learn anything if this kept on.

“(Y/N)? You there? You gotta have your thumb up, okay?” you were once again jolted back to reality. You were glad he didn’t have a direct view of your face, but he must have still noticed how absentminded you looked. Shit, you didn’t want to be disrespectful, you were enjoying this. Though you couldn’t deny that your fingers were hurting…

“Y-yes, sorry, can you show me the last part again, please?” 

Unintentionally, as he leaned in to show you a particular technique, his chest brushed against your back, and his arms wrapped around you, cradling yours as his hands rested on the strings. There was a little pause. Your breath was stuck on your throat.

“You have to sit a little bit more upright, like this,” he broke the silence which felt like an eternity. He was still so close to your ear. His right hand pressed gently on your lower back and his left hand was pressed in the opposite direction on your bust, as he gently guided you back into the correct posture. It was a motion which should have just fixed your slouch, yet his hand was lingering a little bit too long on the front. 

“And relax your shoulders… It should only be your elbow that’s moving…”

You both froze for a moment, feeling the sudden closeness. His heart thudded against your back, mirroring the rhythm of yours.

"Sorry," he murmured, pulling back slightly. "I didn't mean to..."

Despite his innocent tone, you had a gut feeling that it was almost entirely deliberate.

You turned back to him, still close but within a respectable distance, and your gazes locked. You could see pink creeping up on his cheeks, if only slightly. You just wanted to make sure.

“It’s okay,” you softly spoke, your gaze lingering between his full lips and his cerulean eyes. 

That was most likely the sentence he needed to hear.

He noticed that you bit your lip as your eyes darted between one spot and the other. It almost felt as if he was holding back a smirk, yet he was still careful and polite with his reactions. Noticing the stray hair threatening to dangle in front of your face, he gently tucked it away behind your ear. As his fingers grazed your cheek, you marveled at the sheer willpower it took to stifle a gasp.

Was he sitting a bit closer now? And what was that look?

Now to think of it, did he ever need to sit right behind you like this to teach the instrument anyway?

His hand was still on your cheek, lingering a bit longer than necessary.

Witnessing his gradually fading ability to conceal his response, you suddenly felt bold.

You scooted even closer, he was almost pulling his hand back, but you put your hand on it decisively, feeling the warmth of his hand over your cheek. 

In the next moment, what parted was not the distance between, but your lips instead as the gap between you closed with a soft kiss. 

As your lips met, even though it was a gentle, feather-light touch, you could feel his lust through it, the sensation tender yet hungry. You instinctively moved your hands towards the nape of his neck, as he still held your cheek. 

But he stopped you, moved your hands away and held them on your lap, and grinning into the almost broken kiss the entire time. You were slightly taken aback. 

He was still staring at your lips while you were trying to still process what just happened. You were wondering how he was able to even break the kiss like that, second guessing your decision. Screaming and panicking inside.

He cleared his throat and composed himself, looking all serious suddenly once more. You could also see he was all red, and you could swear his heart was beating almost as fast as yours. Your almost trembling lips made an “O” shape to almost say something.

“Shall we continue?” He interrupted you, with a professional tone. He didn’t even wait for your reply, he stood up and pulled the older stool away. Instead, he got another chair, and moved it adjacent to your stool.

Directly behind. 

“Turn around?” He spoke in a tone that sent a warm feeling towards your center. 

Oh Gods. So that’s what we are doing? Okay…

“Let’s continue from this part here, can you try strumming again as I showed you?”

“Alright…” you were finally able to get a word out. He sat down on the chair, and his body was in direct contact with yours. So warm… You weren’t sure whether or not it was your heartbeat or his that you were feeling. You gulped.

You tried to strum for dear life, but it didn’t even sound like you were able to get a proper sound out. His mouth was so near your ear as he was humming the basic rhythm you were supposed to practice in, his arms were now resting on your lap as he rounded them around your waist. How did you end up here? The nerves were going to be the end of you.

“Nuh-uh, not like that, just relax… okay?” he said as he snaked his fingers away and this time put them on each of your arms and gently caressed them as he kept speaking to your ear, making them come back to your lap.

“Relax your arms a little bit, I mean…” 

He then guided your hands once again to the harp, his fingers brushing against the back of your hand on it. 

“Like that?” you asked, looking for some feedback as your voice trembled a bit.

“Mm-hmm, keep playing” he whispered to the tip of your ear again, as he moved his hands back towards your waist, his fingers trailing down towards your thighs, making little circles on them as he went nearer and nearer towards your center. 

Though your initial reaction was to freeze, his words and actions were also helping you at least to relax your posture, though he wasn’t letting you break the form either, pressing himself onto your back each time you dared to slouch. 

“Like this?” You pressed back as you spoke like a whimper, feeling something growing, making contact with your bottom, feeling his, and perhaps your own heartbeat rising even more. A silent low groan escaped from his lips without him intending to, in which you had the honor of being the “first ear” audience. 

You really wanted to rub your legs together, because an itch that can only be scratched a particular way was also growing. You couldn’t, lest you break form.

His hand slowly lifted the hem of your tunic dress a bit further, since it was already a bit up from the way you were sitting. Your legs were already spread to accommodate a proper position with the big pedal harp, after all. 

You didn’t make a peep.

He put chin on your shoulder, right next to your head, as his hand snaked down under the dress a bit more, and he kept speaking with that low, almost growling tone.

“There is one more thing I want to show you, if that’s okay?” spoken so innocently like a whisper, with only a tinge of mischief in his tone. 

“Y-yeah?” you barely got out.

He spoke so virtuously, indeed. Almost as if his hand wasn’t exactly on your underwear, making light circles over it with his feather-like touch that sent all your nerves screaming. Screaming for more contact, more pressure.

He could absolutely feel how swollen you were under the cotton-fabric as his fingers traced over it. And you could feel his breath also quickening, becoming more uneven yet more and more in sync with yours. 

His lips were trailing your neck and his other hand found and grabbed one of your breasts, caressing it through your dress. Those full lips, oh Goddesses, they felt so good even on your neck as they moved from one sensitive spot to another. 

Especially when he pressed you to himself, as he held you from one breast with his left hand, and grabbed you from your throbbing center with his right. 

You were still holding back that moan, desperately trying to pluck on the strings, thinking this magical moment could end the moment you stopped.

Oh your fingers were going to totally blister later, you did have some calluses on your fingers, but there was no way you could have the ones that a harpist would have. 

But as he trailed his calloused hand slowly up to your stomach and then back down, this time sliding his hand into your underwear and directly on the bundle of nerves that you desperately needed contact on… There was almost no more fight left in you. The harp was pressing on to his hand and his hand was pressing on your clit.

You let out a relieved sigh. The way his fingers callused, it felt even better than you expected.

But his hand wasn’t moving. 

“Mmmm… Very good, keep going, pluck the G string, make sure your wrist is slightly bent in…” he urged you to still try to play the fucking harp with that sultry tone. Each time you tried to pluck the harp, you were feeling even the subtlest vibration from the big instrument. 

Your heart was in your ears, all your blood was rushing south, you were instinctively trying to move from where you are sitting, just to get more pressure, more movement. He was merciful for a moment, his middle and ring finger did a couple of circling motions exactly where and how  you needed it. That was it, you did let out that moan. You could hear him lightly chuckling. 

He continued his instructions however. “Now, spread your legs a little bit more… for me?” There was a tiny bit of hesitation on the last part, as if he wanted to make sure once again that it’s alright to continue. How could you deny his request, when he had you right where you wanted him to? You could of course only oblige. His soft yet almost demanding voice left you hypnotized. 

As you spread your legs a little bit more, he pulled the chair a bit more back, along with you, and created a bit of a distance between you two and the harp. You could feel his dick pressing on you even more with each movement. You were surprised at his self constraint. From your point of view, he should have just taken you. 

“Link…” you spoke his name almost as if you were begging. The way you said his name definitely had an effect on him. But he shushed you. Though you could hear him gulp. Gods… How did he end up with his hand on your wet sex?

“Sssh, we are here for a lesson, aren’t we?” he whispered to your ear again. He took his hand from inside your underwear and brought his middle finger near your mouth. 

“Lick it.” he said firmly this time, with no hesitation. He was focused on his goal. You took his finger between your lips as if it was some other body part of him, and you made sure to make him understand that with the way you licked the tip and sucked the whole finger in, you gave him the full show, as much as you could. 

“Very good,” he almost hissed to your ear, nibbling on your earlobe just a little bit. His now wet finger went back down to where it was, this time back of his hand raising your underwear like a tent.

“Now… Here is another technique…” he said with a dark tone. His middle finger slid down, feeling almost proud after noticing how wet you are, and dipped it inside you just briefly, and brushed it up and down all over your sex, especially focusing on your clit. You gasped. With his index and ring fingers, he pulled the skin over your clit only a tiny bit up, keeping the hood intact. As his fingers were holding your clit in a place he wanted, he plucked on the tip of your slippery clitoral hood with his middle finger, slick with your juices.

“Ah…” was the only sound you could get out. As you pressed and pushed yourself to him after each of his plucks, his other hand on your breast would sometimes pinch your nipple. His kisses on your neck would get momentarily rougher. He would gently bite your ear lobes. He would make sure to dip his finger into you (sometimes two or three), to make sure everything stayed perfectly wet. As moments passed, the plucks became teasing presses, and then finally became proper rubs.  

“You are doing so well for me…” he would whisper sometimes, as your breath hitched, chasing your high, trying to adjust yourself on his fingers.

You just drank the essence of his tone in, because at that point the only thing you knew was that he was determined to make you cream his fingers. He couldn’t know what you exactly liked, but he was sure able to ask for it in the perfect way.

“You like it here…” he would ask, moving his middle and index finger to spot, “...or there?” he would ask again, moving them into a bit more direct contact instead. As your orgasm built up, the way you wanted him to touch you also changed.

Once he made you jump because he touched it too directly. “Oops…” he said as he peppered your neck with kisses, as if each one said “sorry”. He kept massaging that one breast again, and you helped him move his hand into a position you liked before.

Your panties were already gone at that point.

“More…ah… pressure…” you moaned between your pants. 

He could only do as you said. 

Oh his touch was magic.

But the fact that he listened and obliged turned you on as much as the way he was able to pluck his way through your center. 

Your legs were shuddering and shaking as he kept rubbing your clit exactly as you wanted, sometimes his fingers dipping in and out between your slick folds. 

“Yes, Oh Gods, Link…” you were so close, SO close. 

“Mmm-hm…” you could hear he was also getting impatient. His breath was still on your neck, his other hand was under your tunic just kneading your breast roughly as he liked, he started whispering things to your ears that you would have never thought could come from that innocent looking Link. 

“Let go for me (Y/N)... Come for me.” he would keep whispering in repeat as you were on the last leg to your climax.

“Show me how you come… Come on you beautiful thing…” It felt like he would say anything to coax you into your release. Then you’ll be all ready for me.. He also thought but didn’t say out loud yet.

The tight feeling that had been building in your stomach, the one that made your legs and body tremble, was finally about to reach its crescendo. 

You were whimpering his name between the continuous mumbles and mewls of “Please” and “Keep going”. 

With the last flick of his finger on your clit, he pinched a nipple with the other and sucked on your earlobe with his plump and gorgeous lips, while trying to hold you back from falling down. You reached your limit.

“Good girl…” he purred into your ear. 

It all crashed as the sweet sweet embrace of the overstimulation and orgasm washed over you as your insides contracted, you felt like an arrow getting released from a tight strung bow. You saw white.

As he noticed your sensitivity, Link pulled his hand away from there. You turned and straddled him, as you were still panting from your post orgasm bliss, and pulled him into a deep, open mouthed kiss. Not letting him speak. 

Determined the devour the soft plump lips you always adored,

But Link? He wasn’t done yet.

#zelda fandom #linked universe #lu sky #link x reader #linked universe x reader #fanfic #smut #lu musician au #zelda fanfiction #zelda musician au #reader insert #linked universe au #skyward sword #minors dni #lemon #lime #lu music au

[idesofrevolution]

Let’s talk honestly

So I just wanna share where I’m at these days with Tumblr, the community, and some concerning developments as of late. Firstly, I want to thank all 5k of you for supporting me for almost a decade on this platform. It has been a wild ride with ups and downs but this community has really given me an overall positive impact on my self image, bettered my writing skills, and helped to come to terms with who I am as a person and as a kinkster. So above all, I have so much gratitude for y’all, thank you.

Over the last couple of months, I have taken notice to some difficulties on behalf of Tumblr and their censorship efforts against queer erotic writing. I have had to fight more flags and community labels than ever before, and it has really affected my desire and motivation to publish more stories. If only certain folks with their mature censor turned off can read my posts, that fuckin sucks. But I admittedly got rather stoned last night and thought about why Tumblr is cracking down so viciously on our content. I think I’ve come to my own conclusion there.

I am and have been extremely alarmed by a number of tropes that have become relatively commonplace in recently posted tf prose. As I have mentioned countless times before, underage people have no business being in your sexual fantasy fiction whatsoever. The amount of writers I’ve seen recently posting stories focusing on 12-16 year of children being erotically transformed is disturbing to put it delicately. Especially those which maintain the children’s psychological age intact, but even without that trope it is inappropriate, unacceptable, and should not be platformed on Tumblr.

In addition, I’d like to touch on another trope: homophobic tf. Now I have no issue whatsoever with Gay to straight, as being straight is a valid expression of sexual orientation. There is nothing wrong with featuring characters from a wide array of identities. That being said, this new content of lib to con, MAGA tf, gay bashing tf… it’s disgusting. In the current world we live in, these types of archetypical characters do exist in the real world and are causing real significant harm to queer folks. These groups of people are actively, in their own words, trying to eradicate the LGBT community in America. These types of people exist all over the world as well, and queer identifying people live in legitimate, actual fear for their lives. I question why we fetishize individuals who seek a literal genocide of an entire peoples, and whether it is acceptable to do so. I point to the fetishization of Nazism as an apt comparison: a hypermasculinized group of people who sought eradication of a group of people based solely on concrete identities which could not be changed. I believe we as a community have rightly deplatformed such content, and I cannot fathom why this current iteration is in such a Renaissance.

These are just two examples of obvious reasoning as to why Tumblr might righteously suppress tf erotica on their platform. Can I blame them? No. Frankly, I understand completely. If the community refuses to monitor and moderate its on content, then Tumblr as the platform most certainly will.

I’m unsure as to what the future looks like for Ides, as this current trajectory is not something I’d like to participate in. I’m hoping like minded writers will be a bit more critical in choosing the tropes and prompts for their stories, but in all honesty, I have significant doubts. Rest assured, I will touch base with y’all before I do anything drastic. But in my opinion, the writing is on the wall.

[mdhwrites]

Okay, don't you think you're being harsh to think Dana Terrace is incapable of creating anything good and dreading it when she creates something? Like, the idea Owl House never should have existed (based on what that one anon said) is way too harsh and insulting to Dana.

Like come on, Dana's a pretty nice person. Heck, a lot of the people and creators who work at Disney TVA like Alex Hirsch, Matt Braly, Frank Angones, Matt Youngberg, Daron Nefcy, Chris Houghton, and Shane Houghton have nothing but nice things to say about her. Ditto with the rest of the Owl House cast and crew (a ship is more than its captain after all) being saying nothing but nice things about Dana.

And it's not like Dana's the only Disney TVA creator who has caused people to go against Disney. Alex Hirsch has badmouthed Disney several times (even making a Twitter post on how much Disney meddled with Gravity Falls), Matt Braly was frustrated with the last minute True Colors delay and expressed frustration with them here ( https://twitter.com/Radrappy/status/1746706435080323397), and Bill Motz has made comments on how Disney treated Molly McGee that worsened the opinion of how Disney treats their animated shows.

So I had considered saying that the ask did go a bit far in how angry it was at Dana. I mentioned that being unprofessional does not make you a bad person. Some of the actions are frustrating to me but I am not trying to say Dana is wrong for having made a product in such a flawed way. I am at least trying not judging her as a person, just as a creative. I also don't think TOH simply shouldn't have existed. It had plenty of good ideas but at the end of the day, its captain should be the one who is in charge of those ideas and making sure that they're focused on telling the story and staying consistent. Dana wrote Reaching Out, one of the episodes of the show that most destroys both character potential and the believability of the world. It's also not by any means the only episode with a main writing credit for her like that, such as The First Day. As a writer, I genuinely just don't get the impression she has the attention span to be leading such a large project, especially if she is going to complain about not having full control over it while also lacking more concrete ideas to what it is. When I say I am not interested in the next work Dana is the director for, I just mean director because these flaws in her style make me think that unless it's an anthology series, anything she makes is going to have me get frustrated by the work over time.

NOW as for the stuff about her being unprofessional: Time and context is HUGE here. Matt getting upset about True Colors leaks? The COMPANY is also going to be upset by them and while it might berate Disney for lack of security, it is a genuine fuck up on their part to do with his show and him lambasting the leaks also pushes the audience not to spread them. There's nothing unprofessional about that nor that might harm the show. Alex Hirsch released that video about the censor board for Disney on Gravity Falls YEARS after the fact (this also goes for the tweet that you quote from Matt which is literally two weeks ago, well over a year past when Amphibia ended). The show was already a success and a video like that might make Disney look a little silly but it won't harm how people see the product or trying to get into it. In fact, with the current state of things, it might actually be seen as a PR bump.

Meanwhile, Dana was shit talking her own show and blaming it on the company she CHOSE to work with regarding literally half of the content that was out at the time. Worse yet, the first half. The half that theoretically needs to sell you on the show. What is a new viewer supposed to think of that if they haven't seen the show? "Well, even if it gets good, even the creator admits the first half is at least underwhelming. I don't want to have to put up with half a season of subpar work just to get to the good stuff."

And as I said with Hirsch: How people feel about Disney, and how clearly Disney actually does want the rep in TOH to be a selling point for them (they immediately were willing to do Lumity marathons or have them featured on Disney+ for Pride Month, as well as Lumity being the only t-shirt released by Disney that wasn't of just The Owl House members or the logo), means that Dana getting upset about them for the homophobic acts in Florida probably was seen as at worst neutral. Buuuuut that shifts when she starts trying to accuse the treatment of their programming onto their homophobic ideas because suddenly part of the company's selling point on the show is being actively damaged by the creator. Worse yet, she is doing it as speculation rather than sticking to the reasons given by Disney. Feeding into people's anger about the company while eschewing responsibility for why the show was shortened like it was. This is admittedly less of a strong argument, I do still support her lambasting their homophobic politics, but it's a moment that has stuck with me for something I'll get into later.

This is also without getting into the fact that one interview with her specifically mentions her first response to the shortening being to end S2 on a massive cliffhanger and then just GTFOing on them, a statement that is going to make ANY production company start sweating about you as a creative they want to work with. After all, the crew and other creatives may love Dana... But what do actually publishers and people she has to clear this stuff with think of her? You know, the people who decide funding on these matters because that is just a part of the majority of animated work currently unless you somehow manage to get enough patrons to be able to go independent like Vivziepop with Helluva Boss.

All of this also gives the impression of someone who would rather blame other forces than learn. Honestly, one of the best things I've heard her say is that the shortening did push her creatively. Force her to make decisions and try harder. That gives me hope... But she spent so much of TOH complaining about corporate oversight or riling up her fans against the company who shortened her that... I don't know if she'll take that to heart. If she's going to treat this as a learning experience or if she'll double down. Again, one of the biggest regrets she has is not getting to do more Raeda, despite their one episode already being almost entirely pointless.

Even if she is a wonderful person, from a publisher's standpoint, she seems like a high risk gamble for honestly that incredible of numbers. Someone who might turn on you if you ever force a decision she doesn't like or push her too hard. That's not something a big corporation is going to want. It makes it sound a lot more like she's someone who indeed should just go independent if she really found working for Disney so rough.

I would love to be wrong though. I would love for her next work to be a knock out of the park. I just know that I'm probably going to pick it up AFTER it's done and I know it actually knew where it was going instead of just scrambling to put the tracks in front of it.

======+++++======

I will probably try just not to talk more about Dana as a creative because I REALLY don't like talking about the creators themselves instead of just judging the quality of their work. I genuinely wish Dana the best but... Man, after I've had so many people dismiss everything I've ever said about this show because of the shortening, or because Disney was too restrictive on LGBTQIA+ elements or because they forced Hexside onto Dana, ruining her plans, excuses Dana has herself pushed for the fans to use by using them herself...

It made learning just how little of any sort of plan she ever had so exhausting and infuriating, amplified by just how much this fandom screeches about TOH's unfair treatment when I don't see any of them going to bat for Molly McGee right now the same way. Not in my corners at least. Edit: I have been corrected that people are pretty mad for Molly McGee which good. They should be.

#the owl house criticism #toh critical

[dee-is-for-lots-of-things]

An Unnecessarily Comprehensive Sandman Reading Order

Having now read EVERY comic that I could find based on, using characters from, or tying in with @neil-gaiman‘s Sandman series, I thought I should provide what is, as far as i can tell, the definitive list of everything Sandman, in roughly the order of publication, and also what I thought of them. Warning: there’s a lot of it (over 580 issues in two and a half months).

Sandman (1989) #1-28 [Neil Gaiman] (x) (x) (x) (x) (x) (x) (x)

Obviously we start at the beginning (I hear it’s a very good place to start) with the first 3 main arcs of Sandman plus some single issue stories. This is where the series really leans into the horror side of “dark fantasy,” and I for one love it. Idk, there’s not really much to say here. This is a Sandman blog, we all love this series here, or at least like it enough to talk about it. Go reread this stuff. It’s fuckin good.

The Books of Magic (1990) #1-4 [Neil Gaiman] (x)

The original Books of Magic series is essentially a guided tour of the DC universe’s magic side. Each issue focuses on a specific part of the universe, most of which are callbacks to comics that, I promise, you do not need to have read. The main three reasons to include this is: a) it’s fun, b) Tim as a character gets his own series which becomes part of the Sandman Universe relaunch, and c) it’s a nice place to learn a bunch of DC magic stuff which might show up later without having to drag yourself through the wiki and or read a thousand other comics. Then again this list is over 570 comics long, so maybe that second part’s not much of an issue here.

Sandman (1989) #29-31, Special #1, #32-50 [Neil Gaiman] (x) (x) (x) (x) (x)

This begins with the Distant Mirrors collection (rather than placing them in the Fables & Reflections TP) and runs all the way to the end of Brief Lives and the Ramadan issue (essentially the end of Distant Mirrors, albeit two years later). Brief Lives and A Game of You are still my favourite Sandman collections, the best examples of what I call “human Sandman,” focused on dreamers and their lives and all that, and “Endless Sandman,” focused on the affairs of Dream and his funky family.

Death: The High Cost of Living #1-3 [Neil Gaiman]

The first Death spinoff! It’s based on the one-day-as-a-human thing she does, it’s a lot of fun, and other side characters from Sandman make an appearance! Look, we all know these are good. I don’t have as much to say about them as I do about the obscure comics from the early 2000s that it feels like only I read.

The Children’s Crusade: The Children’s Crusade #1, Black Orchid Annual #1, Animal Man Annual #1, Swamp Thing Annual #7, Doom Patrol Annual #2, Arcana (The Books of Magic) Annual #1, The Children’s Crusade #2 [Neil Gaiman, Nick Foreman, Jamie Delano, Nancy A. Collins, Rachel Pollack, John Ney Rieber, Alisa Kwitney] (x)

This is a crossover between all the big Vertigo titles, focused on the children of each series. Don’t worry about what’s actually going on in the individual series the annuals are from, but the overall plot (by Neil Gaiman) focuses on what the Dead Boy Detectives (Charles and Edwin from Sandman #25) have been up to since escaping Death. They get more very good spinoff content later on, and apparently they’re getting a tv show soon which should be fun.

Death Talks About Life [Neil Gaiman] (x)

This is the short AIDS educational comic. John Constantine has a banana. I like it, I think it deserves a place in this list. Apparently Neil Gaiman almost got arrested for it which is some king shit honestly.

The Spectre (1992) #19-22 [John Ostrander]

This is a very meh arc of a Spectre series that I have not read anything else of. But Lucien is in it briefly so I did read this bit. And in my opinion? Completionism was not worth this boring comic.

Sandman (1989) #51-75 [Neil Gaiman] (x) (x) (x)

The big finale! Worlds’ End and The Wake bookend the massive 12 issue The Kindly Ones arc, so I think keeping all of them together makes a certain amount of sense.

The Books of Magic (1994) #1-20 [John Ney Rieber] (x)

The start of the proper Books of Magic ongoing series (this series being one of my favourite things I’ve read for this) expands nicely on what we know about Tim from the Neil Gaiman miniseries. A lot of plotlines also get picked up from the Children’s Crusade event, and stuff from there is explained and expanded upon. Look, I love this series so much and I think that, while what the Sandman Universe reboot did with it was entertaining, this is still much better.

Sandman: Midnight Theatre [Neil Gaiman, Matt Wagner]

This explores the golden age Sandman, Westley Dodds, and also gives a look at Dream in captivity. The actual Sandman content isn’t a huge part of it, mostly focusing on character that are presumably a part of Vertigo’s Sandman Mystery Theatre series of which this is technically a spinoff. Still, it’s enjoyable, the art is nice, and we get a nice look at the Order of Ancient Mysteries that we don’t really see in Sandman.

Death: The Time of Your Life #1-3 [Neil Gaiman]

Death spinoff 2! This one focuses completely on Hazel and Foxglove after A Game of You and The High Cost of Living, and is less about Death herself (although this isn’t the Death spinoff with the least Death in it. We’ll get there).

The Books of Magic (1994) #21-32, Annual #1, #33-38 [John Ney Rieber] (x)

More of a transitionary period in the series, Molly gets sent off on her own subplot while Tim wanders aimlessly around America for a bit. The America stuff can get confusing and disjointed and doesn’t quite fit into a compelling coherent narrative, but Molly’s plotline more than makes up for it

The Dreaming (1996) #1-16 [Terry LaBan, Peter Hogan, Alisa Kwitney, Bryan Talbot, Jeff Nicholson] (x)

While the best bits of this series are yet to come, there are some good stories in this first, more loosely connected section. That being said, the first 3-issue arc in particular isn’t exactly a perfect example of what the strengths of this series will be, and really it’s just treading water waiting for a writer to come along with a good overall vision for the series. Don’t worry, that’ll come.

The Books of Faerie #1-3 [Bronwyn Carlton]

This seems like a fairly standard telling of an origin story, but it actually ends up providing insights into Tim’s actual true parentage which was left entirely up in the air in the issue of Books of Magic that this picks up from. Which is nice, because I was kinda confused.

The Dreaming (1996) #17-25 [Caitlin R Kiernan, Al Davison, Peter Hogan]

This is really where this series starts to show what it’s gonna be good at. The arc that begins in #17 is the first to be written by Caitlin R. Kiernan, and introduces characters, concepts, and themes which will become very important when they eventually take over writing the series, as well as just being really fucking good.

Vertigo: Winter’s Edge #1 [Neil Gaiman, Caitlin R Kiernan, John Ney Rieber]

These winter specials are always something of a mixed bag. For what’s relevant here, Neil Gaiman offers a Desire-based story which is confusing and vague and has little to do with Sandman aside from featuring an Endless, the Books of Magic segment is just a short and inconsequential adventure for Tim, and Caitlin R Kiernan clealy shines when they provide a Cain and Abel short which is both a fair bit of fun and establishes concepts and themes which will become very relevant for some of their later writing.

The Books of Magic (1994) Annual #2, #39-50 [John Ney Rieber]

It’s time for a big ol’ finale for the John Ney Rieber run on this series! A whole bunch of characters return! Excitement! Action! Magic! Chocolate! A surprise twist involving a character from very early on in Sandman! What more could you want, really?

Destiny: A Chronicle of Deaths Foretold #1-3 [Alisa Kwitney]

This is essentially a series of historical stories that loosely connect to one character who is somewhat linked to Destiny. It’s good, even if the stuff about a huge plague in the 21st century is a weird read now, and the individual issues are also pretty long. Don’t go in expecting a spinoff starring Destiny or providing insights into how all his shit works. The story is rather built around him, like a lot of Sandman around Dream, or the next-but-one item on this list around Death, and if you take it with that in mind you’ll enjoy it more than if you expect something it’s not.

The Dreaming (1996) #26, Special #1, #27-34 [Caitlin R Kiernan, Len Wein, Peter Hogan]

The Many Mansions arc, beginning with #27, is the first section of The Dreaming that’s felt like it’s really shaken up the status quo, and has taken big risks with the characters in service of the story. One of the main strengths of the series, in my opinion, is the fact that it allows what were simple running jokes, exaggerated horror hosts, or side characters to Dream’s angst a time to shine, both in the sense that they get the spotlight, but also that they are allowed to change, grow, and don’t end up in the same role as the series continues.

The Girl Who Would Be Death #1-4 [Caitlin R Kiernan]

This is a spinoff of The Dreaming and ties in with characters that Caitlin R Kiernan has already established, as well as establishing a few more, rather than being a sequel to Gaiman’s previous Death series. As with much of their writing in this universe, it’s got a brilliant atmosphere and fascinating characters. Also, it’s now canon that Death was at least one lesbian’s gay awakening which I think is the most realistic thing that’s ever been shown in any Sandman comic.

Vertigo: Winter’s Edge #2 [Neil Gaiman, Peter Gross, Caitlin R Kiernan]

The Sandman segment in this one is much stronger in my opinion, pulling on threads that are hinted at and explaining things from Sandman to give a good look at Death as an actual character. The Books of Magic story is the same sort of thing as the previous years, just a nice inconsequential short story with Tim. Again, though, Kiernan’s The Dreaming story is the best of the ones that I bothered to read, setting up things for the future and also providing some down-time to acknowledge the way that the status quo has shifted.

Sandman Presents: Lucifer: The Morningstar Option #1-3 [Mike Carey]

The beginning of another major spinoff line! This one’s fun, and also the start of the Sandman Presents collection of miniseries that came out from 1999-2004. Its plot also sets up the events of Mike Carey’s subsequent Lucifer series, so read this is you want the start of that to make any sense at all.

The Books of Magic (1994) #51-56, Annual #3, #57-63 [Peter Gross, Peter Hogan] (x) (x)

Idrk what to say here, I’ve already talked at length about how much I love this series. The exploration of private school culture is interesting even if it doesn’t last, and the multiversal implications of the Other are also very fun. That being said, sometimes the Peter Gross run does feel like it’s repeating what happened earlier (awful things happen to Tim’s dad, Tim gives away his magic, an imposter Tim takes his place, idk).

Sandman Presents: Love Street #1-3 [Peter Hogan]

I have no idea if this miniseries contradicts any of John Constantine’s established backstory from Hellblazer but personally, I really enjoyed this one. It finds a way to involve itself in the Sandman universe that justifies its Sandman Presents title, even if the fact that it’s a Hellblazer book could have been more clear. It’s also good to see more of the dreaming during Dream’s absence, and show what the dreams themselves actually did then.

The Books of Faerie: Molly’s Story #1-4 [John Ney Rieber]

IF you can get past the fact that this series has the ugliest art out of any comic I’ve read, the story here is really neat and it’s always nice to see Molly back, and any exploration of Faerie is usually enjoyable. Just, give yourself a second to get used to the art. Molly really doesn’t look like herself.

The Dreaming (1996) #35-43 [Caitlin R Kiernan] (x)

The culmination of Echo’s story has a big ol’ pile of transgenderism, and despite what certain other sandman blogs will tell you, the ending of Fox and Hounds is not just a repeat of The Wake and really, I don’t know how one might come to that conclusion. For one thing, it’s not the end, nor is it as grand in scope, and for another, it scratches my brain in a particular way because, on a more meta level, the ending grapples with how the concept for The Dreaming differs from the concept of Sandman, and how that difference impacts the story and the characters.

The Books of Magic (1994) #64-67 [Peter Gross]

While I know that part of the whole point of this series is that Tim can’t really settle down anywhere for long, this little home he makes in these issues is by far my favourite and I wish it had lasted longer than the Peter Gross run on the series. Also, this is where I started my “hey Tim... you ain’t cis” crusade and I need everyone to know that this child is very very queer.

Vertigo: Winter’s Edge #3 [Neil Gaiman, Caitlin R Kiernan, Peter Gross]

Another weird Desire story that I’m not too fond of from Neil, and Kiernan’s Dreaming segment is nice enough, but my favourite is the absolute pure fluff of the Books of Magic part, which crosses over with Sandman again and also seems designed to make me ship Mary and Joh as hard as humanly possible and, believe me, I do.

The Books of Magic (1994) #68-75 [Peter Gross] (x) (x)

Another big finale, and this one actually represents more of an end of an era than #50 did. Gross ties it back in with the very beginning and resolves a bunch of loose plot threads, as well as giving cameos to a bunch of characters from the John Ney Rieber issues so that The Names of Magic can transition to a different sort of story. It’s just a shame that we have to ditch the entire recurring cast again. Ah well.

The Dreaming (1996) #44-49 [Caitlin R Kiernan]

This is just the Trinket arc which resolves, or at least brings back, most of the loose ends to do with faerie, with Cluracan and the Nemesis and Nuala returning, and also brings back everyone’s favourite transphobic witch.

Sandman Presents: Petrefax #1-4 [Mike Carey]

Look, word of warning, there are a lot of slurs used here by a writer who evidently does not know that’s a slur for romani people. Gritting my teeth and putting that aside, when this series actually gives Petrefax something to do that’s relevant to his skills it’s quite fun. But that only happens a couple of times in the whole series, a significant proportion of it is just fantasy worldbuilding I really don’t care about, and also did I mention they keep saying a slur? Because they do.

Lucifer (2000) #1-13 [Mike Carey]

I wasn’t immediately a fan of this series, but once it starts building out its recurring cast and gets into the characters a bit more, this is really fun. I was 100% sold by #4.

The Dreaming (1996) #50-60 [Caitlin R Kiernan, Bill Willingham] (x) (x)

Another series draws to a close, and while the last arc could have maybe done with another issue just to give it a little more time to flesh things out and provide a satisfying conclusion for every character, this series is so good, if you don’t mind it the fact that it all basically gets erased from contuniuty by the time of the Sandman Universe publishing line (I guess due to the New 52 or some other DC relaunch, or at least that’s the excuse that I expect they used) I would absolutely recommend it as a followup to Sandman, especially if you don’t want the shift to modern comic styles that the other option leaves you with.

The Names of Magic #1-5 [Dylan Horrocks]

Since Books of Magic #75 ended with Tim proclaiming that he finally knew who he was, was free from his destiny, and wasn’t going to be looking for someone to lead him, and now he was meeting his future on his own terms, having his first move be “ask for help” and then have him shoved in the direction of school by a bunch of more established adult characters seems kinda antithetical the the whole point of that last series. Still, this sets up the next series neatly and isn’t too annoying to get through.

Sandman Presents: Merv Pumpkinhead, Agent of DREAM [Bill Willingham] (x)

This book is one long extended James Bond joke. I do not care about James Bond. What’s going on? Why should I care? Why did the woman have sex with a pumpkin man? Help.

Lucifer (2000) #14-32 [Mike Carey]

Ahhh, now we get to the good shit. The Lucifer series reaches its first Big Event Where A Bunch Of Shit Goes Down in the Paradiso, Purgatorio, and Inferno arcs. I don’t know enough theology to tell you if most of this comes from Jewish or Christian teachings but it’s interesting and probably at least slightly heretical so I’m down.

The Little Endless Storybook [Jill Thompson]

This is cute. No other reason needs to be provided. Read it, it’s cute. (Also if you can find a copy I imagine it is a much better experience if you have a physical copy)

Sandman Presents: Dead Boy Detectives #1-4 [Ed Brubaker]

If slightly frustrating with its actual detective side, this is a fun series that explores the boys and how their ghost powers actually work, and I look forward to what the next writer decides to do with them (and apparently they’re getting a show!! fuck yeah) (also uhhhh more like gayboy detectives amiright gamerz?)

Hunter: The Age of Magic #1-11 [Dylan Horrocks] (x)

It seems the little nosedive Tim’s story took in Names of Magic was only a short one, because right out of the gate Age of Magic is fantastic. The timeskip is slightly disconcerting, but it means we can skip all the “Tim learns magic” “Tim fucks another girl” “Tim discovers things” stages of his schooling and just have him finish and leave as quickly as possible, after using the setting to establish all that it needs to, and Tim can be free to do his own thing rather than being stuck in a “misadventures at the magic school“ style story.

Sandman Presents: The Corinthian #1-3 [Darko Macan]

This one’s mostly atmosphere, but it’s good atmosphere. It’s nice to see a little of the original Corinthian (rather than the rebooted version from The Dreaming) and how exactly he went bad, and what he was doing while Morpheus was imprisoned. Apparently elements of this (with the Corinthian’s experience in WW1) will be involved in the show, which is good because I can point at the screen and go “ooh! ooh! I know this one!” while my dad’s trying to watch, which is always fun.

Sandman Presents: The Thessaliad #1-4 [Bill Willingham]

I really wish I could like the Thessaly spinoffs. I love the character (despite her being claimed by TERFs apparently) and I wish we got more of her history, more of her being ruthless and cold and calculating, I’d especially love it if we explored how her normal life functions and how she does magic, but no, instead we get comedy hijinks with Fetch, the most annoying character to be introduced so far. Also the art is by Shawn McManus who is by far my least favourite Sandman artist and the only thing I actively dislike about A Game of You.

Lucifer: Nirvana [Mike Carey]

This is one of those fancy graphic novels with painted art and so on, but all that achieves is making it harder for me to focus on the story really. Tethys the Raven shows up which is neat. At least The Dreaming is still canon at this point.

Hunter: The Age of Magic #12-25 [Dylan Horrocks] (x) (x)

Big wrap-up of everything established from Names onwards, and a good end to the series, even if bringing back Molly again starts to get slightly tiresome (just let her live her life away from Tim. She’d be fine).

Sandman Presents: The Furies [Mike Carey]

Some of the Sandman Presents stories are spinoffs, or stories that happen to be set in the universe, but this really does feel like somewhere between a sequel and an epilogue to The Kindly Ones, giving Lyta more resolution than she got in the few pages she showed up in during The Wake. The “fancy graphic novel” problems I mentioned with Nirvana do make it a bit annoying to read, but it’s a good and interesting look at a character who got slightly left behind by the story once she’d succeeded in killing Dream off.

Hellblazer: Lady Constantine #1-4 [Andy Diggle]

I’m sure there’s parallels and references that I don’t get because I’ve only read the first few dozen Hellblazer comics, but this was really fun! Johanna is such a fun character and I loved her dynamic with her kid even if I knew they were gonna snuff it the minute they showed up.

Lucifer (2000) #33-40 [Mike Carey]

The Naglfar arc is my favourite sort of comic arc: every recurring character thrown together on a mission and forced to get along. Also, shit goes down with god and while I’m not gonna pretend to know what the precedent is for all this in the Tanakh or in the christian Bible, I’m enjoying whatever is happening immensely.

Sandman Presents: Bast #1-3 [Caitlin R Kiernan]

This is Caitlin R Kiernan’s last offering to Sandman, and it’s also one of their best. The exploration of Bast as a character and how the death of gods actually works is really good, honestly just read it, I’m not sure what else to say except it’s a shame this is the last comic of theirs in this universe.

Death: At Death’s Door [Jill Thompson] (x)

This one’s just a fun look behind the scenes of Season of Mists with Death, Delirium, and Despair dealing with all the dead that have just turned up. The style is so fun, I love the vibes, and also anything that gives Delirium a lot to do is an instant favourite.

Sandman: Endless Nights [Neil Gaiman]

The first of Neil’s followups, and while some of the more abstract or disconnected stories like Desire and Despair’s feel like they’re just there to fill space and give a chapter to every Endless, the (small) through-line of Delirium’s grief is really nicely done, and, again, this captures the consequences of and provides a followup to the ending of Sandman in more depth than The Wake did

Lucifer (2000) #41-49 [Mike Carey]

This part of the series splits its time, mostly focusing on Elaine and Mona’s fates, along with the rest of the supporting cast, while Lucifer does important overall plot things with the angels. I’m not complaining, though, this series has such a good cast of characters and I’d happily read a spinoff with any of them.

Sandman Presents: Thessaly: Witch For Hire #1-4 [Bill Willingham]

Reaching the end of the Sandman Presents series and this is how the original line of spinoffs ends. Not with a bang, but with an aimless and annoying whimper that really isn’t doing any of the things I want this character to be (except murderous. I do enjoy when she kills people). But I think Bill Willingham is somewhat allergic to writing a story with a dark tone that isn’t filled with constant jokes. Like, yes, having comic relief is important in every story lest it become grimdark edgy nonsense, but I would rather see Thessaly at her most fucked up and evil without a ghost trapped in a mirror doing a Funny Bit every other page. Maybe that’s just me, though.

Lucifer (2000) #50-61 [Mike Carey]

Reaching the endgame of the series, and almost every element that was set up gets involved in the last few dozen issues. Not sure what to say, this shit’s just really fucking good. Go read it!

Dead Boy Detectives (2005) [Jill Thompson]

If your detective story ends with the detectives putting together the clues to solve the mystery and publicly confronting the villain and then the villain explains that actually it was all innocent misunderstandings and they’re not guilty at all, I think maybe you shouldn’t be writing detective stories. Also all the crossdressing jokes got old very fast. This is by far the worst of all of these, and there’s some bad shit on this list at points.

Lucifer (2000) #62-75 [Mike Carey] (x)

The gert massive finale of this fantastic series really doesn’t disappoint. Characters get their arcs resolved in a mostly satisfactory manner, it does what DC did a few decades earlier in Crisis On Infinite Earths with resolving a multiverse in a much neater and less confusing way, and we learn that the god of the DC/Vertigo universe looks like the stereotype of a tory civil servant from the 1970s.

Madame Xanadu (2008) #6 [Matt Wagner]

The way Death is used in this is really interesting. For one thing, according to Death the whole “i give you a __” ritual is just set dressing for the intent which summons the Endless, so either Burgess did something really wrong or Death can tell when it’s a trap and tell when someone just wants a chat (and Dream is too stupid to tell and was also understandably destracted in 1916).

The Brave and the Bold (2007) #1-12 [Mark Waid]

The "Lords of Luck” arc, if kinda confusing, is interesting and brings in the Destiny elements in a cool way, even if the way they write Supergirl is sometimes uhhhhhhhhhhhhhhhhh gross. The “Book of Destiny” arc, by contrast, is just a series of tangentially linked stories and some of the most generic superhero comic stuff I’ve ever read, and the Book itself is only an afterthought in #12. Also, they gave Destiny the fancy Desire font instead of the harsh bold italics. Come on guys.

Action Comics (1938) #894 [Paul Cornell]

Another standalone Death issue within a broader series I have no interest in reading. She’s fun here too, and I always enjoy someone making Lex Luthor have a little bit of an existential crisis. This also seems to be the first significant appearance of Death outside Vertigo since the imprint began, as TBATB is for Destiny and Metal is for Dream.

Sandman: The Dream Hunters #1-4 [Neil Gaiman]

The story that Neil Gaiman accidentally trolled a bunch of academics in a tiny afterward to this story is very funny to me. I read the comic version rather than prose, I’m sure the prose is also very good because (shocking) Neil Gaiman happens to be a good writer.

House of Mystery Halloween Annual #1 [Bill Willingham, Mark Buckingham]

Not much here innit just a fun merv story. If I wasn’t going for 100% I would not have even brought this up.

Dead Boy Detectives (2014) #1-12 [Toby Litt, Mark Buckingham] (x)

This is THE Dead Boy Detectives series, it’s the best by far because, amazingly, if you let your detective characters do detective work, the story is more engaging! Also, the series introduces a fantastic supporting cast, and actually delves into Charles and Edwin’s characters and all their masses of trauma from, y’know, being murdered. Also got me excited about the tv show they’re apparently making. Please let it be like this series and not like the shitearse Jill Thompson one. Please.

Sandman: Overture #1-6 [Neil Gaiman]

I have no idea why the reading list on the back of my copy lists this before Preludes and Nocturnes. Like yeah it’s a prequel technically, but if you hadn’t read Sandman before, reading it first would be a very bad idea since it hinges on lore from the series and also spoils the ending if you didn’t know what happened. If you have actually read Sandman though, yeah it’s fucking good idk what to say. It slaps.

Lucifer (2016) #1-19 [Holly Black, Richard Kadrey]

Honestly, I would have enjoyed this regardless of the writing because it has my favourite artist from my favourite Marvel series, Loki: Agent of Asgard (go read it. do it.), but the writing is also fantastic. It’s the perfect example of a followup that on the whole respects the original series, the themes established, and where the characters were left, before bringing things back into the fold in a realistic way to do something new with them, instead of just resetting continuity so that you don’t have to deal with somebody else’s recurring cast, *ahem*, the entire Sandman Universe reboot you do good things but you could leave some of this in canon, *ahem*. (Speaking of The Dreaming, the inclusion of Matthew makes this the first concrete confirmation that the 1996 series isn’t canon any more, which did make me a bit sad). Well worth a read if you’re a fan of the original!

Dark Nights: Metal #1-6 [Scott Snyder] (x)

It’s your usual boring comic book crossover event. Dream shows up and it sort of sets up the Sandman Universe series, but mostly this is about the usual multiverse bollocks that DC always does. "Batmanium” did make me laugh, though.

Sandman Universe #1 [Neil Gaiman, Simon Spurrier, Kate Howard, Nalo Hopkinson, Dan Watters] (x)

Plenty of setup here, but since I have no idea where any of it’s going I think I’ll just... Let my reviews of the series themselves do the work here instead.

The Dreaming (2018) #1-12 [Simon Spurrier] (x)

The issues with the start of this series are a lot more complicated than just “bad writer” or “incorrect characterisation”. In some cases the old characters are spot on, and the new characters are all fantastic, but something about the way Merv and Lucien develop in the first few issues feels a little forced. This series could have absolutely benefited from what the original Dreaming had - short story arcs focusing on specific parts of or people in the Dreaming that slowly, slowly come together to form a larger whole - and just slowed down the breakdown of Lucien and whatever they were going for with Merv enough that we get a good sense of where it comes from. Instead (probably more due to editorial rushing and a need to get the Big Threat of the first arc in the picture by the end of #2 to appease convention in modern comic storytelling, than the intentions of the writer), the political commentary and character progressions end up a bit hurried and I’m left with a feeling of “Yes logically I get how we got here, but like... how did we get here?”.

All of that being said, once it manages to get into the swing of things, this series is honestly a worthy successor to the original, even if I’m still annoyed about it replacing the original continuity entirely. The way that other Sandman characters are slowly brought in is really nicely done, and the development of the central mystery is intriguing and develops at a perfect rate to give answers, but also keep my interest going.

House of Whispers #1-12 [Nalo Hopkinson, Dan Watters]

Now this feels like Sandman. I love the characters, both human and godly, and the Ananse storyline makes me fall victim to my greatest weakness once again: stories that are about stories, that acknowledge that they’re stories, that twist the narrative of the tale it’s spinning and in doing so acknowledge the consequences of the characters existing in a world defined by narrative conflict. That’s my shit! Also I think it’s really cool that a comic published by one of the big two comic companies has a nonbinary character that uses neopronouns who also defines zirself as queer. Ze are iconic.

Lucifer (2018) #1-13 [Dan Watters]

The style and tone of this is very different to the other two Lucifer comics, and it exists outside of the continuity established by them (hence Lucifer having no scar, Remiel and Duma still ruling hell, Mazikeen’s dialogue takes a while to get used to, etc). Instead of being about the end of the universe and Lucifer’s attempts to get out from Yahweh’s rule while also saving the world surrounded by a huge supporting cast of characters we sympathise with instead of him, this series makes Lucifer pathetic in the best way. It’s much more introspective, and focuses on Lucifer, his ex-lover Sycorax, and their son Caliban, and how their relationships evolve. Also, the art is by far the best out of any of these Sandman Unvierse comics.

Books of Magic (2018) #1-13  [Kat Howard]

Again, a very different take on the same character. I’m not sure I like this one as much as Lucifer though. The focus is on the Cold Flame and Rose from the original Neil Gaiman series, although some elements from the Rieber/Gross series make it through, in particular some interesting things are being done with Tim’s dad. This is fun enough, and I’m interested to see where it goes, but I still much prefer the style of the original.

The Sandman Universe Presents: Hellblazer [Simon Spurrier] 

This one-shot spins out of the 1990 Books of Magic miniseries, and explores what the fuck was actually going on in that potential future they showed. I’m sure it also ties into various bits of Hellblazer but, as already mentioned, I haven’t read more than a couple dozen issues of that series yet and it still made sense.

The Dreaming (2018) #13-20 [Simon Spurrier] (x)

The finale to this series is so good! Like I said earlier, the way that the mystery is slowly revealed works so well, and bringing all the threads together slowly is so satisfying when a writer can do it well. Also, the things it does with Lucien as the narrator in a meta sense is very fun.

House of Whispers #13-22 [Nalo Hopkinson, Dan Watters]

The way that this series builds its characters and worlds is so good, the balance between the human and godly characters especially. I’m also a big fan of how weird-looking the Corinthian is, I think some artists forget to draw him like a nightmare who’s slightly out of sync with reality in a “he looks creepy as fuck sometimes” kinda way.

Lucifer (2018) #14-24 [Dan Watters]

Word of warning: you will need to find the 3rd TPB collection if you want to read the actual conclusion of the Wild Hunt arc, because #19 was never published and the next collection was #20-24. I think it had something to do with covid, idk. Putting that aside, the art here is great and I love the way Lucifer works in this series. Probably the best of the initial four Sandman Universe lines.

Books of Magic (2018) #14-23 [Kat Howard, David Barnett]

The second half is much better than the first (as it seems is the case with a lot of these) , and the finale arc pulls in a few other Sandman related characters which are all fun (even if they don’t always make sense entirely). It’s still nowhere near as good as the original Rieber/Gross series, but it’s fun in its own way.

John Constantine: Hellblazer (2020) #1-12 [Simon Spurrier] (x)

I have not read enough Hellblazer to compare it to what came before, but this is an absolutely fantastic series. The tone is brilliantly managed, the supporting cast is endearing, John’s arc is engaging, and the series knows when to be funny, when to be brutal, when to be horrific, when to be tragic, when to be political, and when to force me to look at a drawing of Boris Fucking Johnson.

The Dreaming: Waking Hours #1-12 [G. Willow Wilson] (x)

This is the most Sandman-feeling SU series, and I mean that in a good way. We get a good amount of seeing Daniel in action, the cast of new characters are all fun, and it feels like a good followup to The Dreaming without stepping on its toes - it uses the new characters as a natural part of the universe, and utilises the plotlines left hanging in a good way. My only real problem with it is a problem I have with a lot of comic series that only run for a dozen issues - the wrapup is a bit rushed to fit it all into one issue, we don’t really get time for the characters to settle into their endings before it’s over.

Locke & Key/Sandman #1-2 [Joe Hill]

The first three-quarters of this are very fun, but it does get a bit boring once they go to hell. Lucifer feels out of character, and I do not have any idea what the normal Locke & Key series is about, so there’s no way for me to be invested in these characters. The stuff that actually takes place in the Dreaming itself is fun, though, and I like the look into Fawney Rig during Sandman #1. Also, it’s always very funny to see a series have to write itself around continuity and go “hey hang on, why don’t the various dreams go rescue Dream?” While we don’t get a satisfactory answer to that, it’s not really what they were focusing on anyway so I have no reason to get angry about it like some people might.

Nightmare Country #1-? [James Tynion IV]

This series is only four issues in at the moment so I can’t say anything conclusive, but it’s got some great creepy shit in it (some of it reminds me of Caitlin R Kiernan’s work with the Corinthian in the original Dreaming) and I was convinced enough by it to pre-order the next two issues, which I look forward to reading!

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I’m probably meant to put a conclusion paragraph here but my English teacher would probably agree when I say I’m kinda crap at them. The best long series to spring from Sandman are Lucifer and Books of Magic, Caitlin R Kiernan was the best writer on The Dreaming, and Waking Hours is probably the best of the Sandman Universe books but you’re absolutely in safe hands with any of them. The Sandman Presents comics are good for the most part, but the quality varies wildly. Every time there’s a non-Vertigo series which involves Sandman characters it’s probably not worth it. Don’t bother with the Dead Boy Detectives graphic novel, read the Litt/Buckingham series instead. And most importantly, don’t tell me that I forgot that one 2008 (?) House of Mystery series. I did indeed forget it, but to be fair I didn’t know it existed until I saw a copy in the library the other day and I cannot be bothered reading it now.

#sandman #the sandman #sandman netflix #comicc #books of magic #dead boy detectives #the dreaming #nightmare country #sandman universe #hellblazer #house of whispers #lucifer #lily liveblogs #dream of the endless #death of the endless #the dreaming waking hours #vertigo #dc #lily dot tee ex tee

[ordinaryschmuck]

Why I Love The Owl House: Part 3-The BEST Thing About The Owl House (I'm Not Kidding)

Prev Part

Salutations, random people on the internet who are already skimming past this! I am—The best thing is Lumity.

Yeah, might as well rip that bandaid off right now. I’ve done enough teasing last time, so the least I could do is jump right into it NOW.

If you were to ask a fan to pick five things that perfectly capture The Owl House, I’m willing to bet a good chunk of them would bring up Luz, Amity, and their adorable relationship. And for good reason, because Lumity is the one thing that Dana Terrace set out to do when making her show. The woman wanted to make the gayest show Disney could allow, and went about it by creating a bisexual main protagonist with a lesbian love interest. The reason WHY is because Dana is bisexual too and wanted to give kids who were just like her a character to identify with. So given how Luz and Amity are a couple who the fandom obsesses over the most, I like to think Dana rubbed her hands together like a cartoon villain, going, “Good, good…”

And BOY did the fans obsess. Even before the writers gave the TINIEST confirmation that Lumity would be canon, these two were EVERYWHERE. There was fan art, fan fiction, fan comics, and even an animatic that was SO popular that its creator deleted it because fans were being too annoying about it. A lot of fans LOVED Lumity…and a lot more grew to despise them.

Yes, like most things that grew intensely popular, showing up everywhere no matter WHERE you look, it grew tiring to those who didn’t get the hype. Some members of the fandom grew sick of Lumity’s popularity and said that there’s more to love about the show than the love between two teenagers. And then there were the fans who DID like Lumity but hate that they had to dig through MOUNTAINS of Lumity to get fan content of THEIR favorite characters and ships. As for me, an INTENSELY biased Lumity shipper, I definitely see where both kinds of fans are coming from and even sympathize with a few of them. But you CAN’T hate Lumity in the actual show just because the fandom blew them up. They’re the one aspect of the show that the writers put EVERYTHING into, crafting a love story that’s MOSTLY perfect. You might doubt that, but allow me to explain how well their relationship went throughout the series.

Now, I know what you might be thinking: “Shmuck, you handsome bastard, didn’t you already analyze their relationship last year?” And you’re right. I AM a handsome bastard…Oh, and I DID in fact write two posts that went through Lumity’s journey into becoming a canon couple, one focusing on Luz and the other on Amity. But that’s not…ENTIRELY what I’m doing here. I mean, yes, I WILL have to discuss how their relationship developed, but I’m also going to focus on how well it WORKS. The ups and downs, pros and cons, and overall quality of their relationship. I love these two with all my heart and will gush over every bit of cuteness, but I would be lying if I said there weren’t SOME criticisms that I have with their love story. Not a lot, mind you, but enough worth discussing. And let’s finally discuss it before this review turns into forty pages…

(It's actually thirty three, gosh dang it...)

“I Was a Teenage Abomination”: Ah, where it all TECHNICALLY started. In this episode, Luz and Amity were in the enemies phase of their relationship. Amity was a bully that needed to be taken down a peg and Luz was an annoyance that made Amity look bad. That’s how they saw each other, and, as a result, they didn’t care how poorly they treated one another. It was worth it to Luz to cheat because it helps Willow and annoys a bully who looked down at her. Just like how it’s worth it to Amity to almost get Luz dissected because it proves that Amity isn’t one to be messed with. This is the most these two have been directly against each other, neither willing to talk, hear the other out, or apologize. It works out in their favor, because if Luz and Amity spent most of the series wanting to kill each other before becoming friends, it would make their inevitable romance feel…inappropriate. Like, NO ONE should want to go out with a person that continuously wanted to kill them. The enemies portion of the enemies-to-lovers trope is best used briefly to better sell that the romance works despite the early hatred. It would also help if the attacks on each other aren’t too heinous, and Amity nearly getting Luz dissected…isn’t that, but I’m more than willing to say that Amity either wasn’t sure what Luz was or that she expected Willow to come clean the second Bump pulled out the knife. It’s not too much of a stretch to think, as it has enough believability to make it line up more with the Amity we know now, a version of the character that Luz would know better the next time they meet.

Covention: Another and FINAL moment where these two were at each other’s throats, this time much more directly. Luz starts off nice enough, willing to bury the hatchet instead of making an enemy. She’s not really looking for a friend, either, but you can tell in the way Luz holds her hand out for peace that she wants to squash out all animosity between them and start over. Amity, still reeling from the fact that a HUMAN tarnished her reputation, rejects Luz’s attempts at peace and further sells that she’s not to be messed with by treating Luz and King with disrespect. Luz, who is likely numb to people bullying her, doesn’t react too much to how Amity puts her down. But when it’s KING that Amity messes with, that’s when Luz takes a stand. She cares more about her friends and found family than she does about herself, willing to go above and beyond for them. Even if it means doing something incredibly stupid.

Challenging Amity to a witch’s duel was NOT the smartest thing Luz has ever done. What it IS, though, is a moment where Luz directly goes up against Amity. Helping Willow cheat caused Amity to be upset, but the main reason Luz did it all was to help Willow. Annoying Amity just came out as a happy accident. But for the witch’s duel, Luz does it for the sole fact that she’ll go against Amity and make her stop being mean. It’s partially influenced by The Good Witch Azura teaching her that to stop your enemies from being so negative, you must best them in combat. Only for the consequences to quickly meet her head-on when Amity forces Luz in an everlasting oath that could potentially stop her from learning magic forever. Because while Luz wants Amity to apologize to King, Amity just wants Luz out of her life as efficiently as possible, so she’s perfectly fine with messing with Luz’s life like this if it means never dealing with her again. It’s that unexpected consequence mixed with Luz realizing how more proficient Amity is with magic that she gains a bit of a reality check. Ironic, considering she ran away to the Boiling Isles to escape getting that exact same thing. 

Luz definitely learned to regret it during the fight, not because Amity was SEEMINGLY more powerful with a giant abomination, but due to Eda overcompensating Luz’s lack of skill with magical mines. Luz, the good person that she is, has major objections to this plan. First off, cheating goes against the whole point of the duel. Luz won’t prove that she’s the better witch if she has to cheat her way to victory. Like she said, “Even if I win, I still lose.” Then there’s the fact that Luz doesn’t want to really HURT Amity. Yes, it’s a fight and Amity’s out for blood, but Luz is still the one to stop Amity from stepping on a mine because she doesn’t want to MAIM the girl. Luz is on schoolyard fight rules where the worst that could happen is scraped knuckles and maybe a black eye. Not third degree burns and a potential impalement. So to prevent Amity from getting killed, Luz tries to stop her from taking a step too far. Only for Amity to get extra angry because Luz still cheated. To her, this is confirmation that all Luz is is a cheater who causes nothing but trouble. She’s about ready to leave, accepting that she’s the better witch…only for it to be revealed that Amity cheated too. Well, technically. She was unwillingly a tool for LILITH’S cheating because she expected Eda to cheat first. Didn’t matter to Amity, because just like Luz, Amity never wanted to cheat. What’s the point in proving that she’s the best if she didn’t earn it though cheating? Amity is as prideful as she is vengeful, being someone who worked so hard to prove everyday that she’s the best. So when it’s revealed to an entire stadium of her peers that Amity CHEATED…yeah, it breaks her a bit. Breaks her enough to run away crying and Luz, the kind person that she is, goes after her.

What follows is quite possibly the most pivotal moment in their relationship, one so good that I made a scene breakdown to it a few years back. To keep it brief, this moment is Luz once again trying to bury the hatchet, not wanting to have a relationship where she and Amity almost kill each other and one of them runs away crying. Seeing Amity in such a vulnerable state proves that it’s not good for EITHER of them, so Luz tries her best to apologize. Amity, of course, isn’t having any of it and chooses instead to yell at Luz for all the strife she caused her…and accidentally reveals some angst about Amity working so hard to be where she is now. It’s a taste of the real person behind the bully facade that Amity puts up to prove that she really is the greatest witch she worked hard to become. It’s why she’s DEMANDING that Luz admits to being the worst witch. Amity wants this brief moment of confirmation that all her work wasn’t for nothing and that she IS the best witch, the one that beat this scrappy human. And Luz caves, giving Amity what she wants…but a little something more: Perspective. Luz DOES admit that she’s not a real witch, but instead of leaving it at that, Luz performs a light glyph, explaining that while she isn’t a real witch like Amity, Luz still wants to be one. With that explanation comes this image:

THIS IMAGE! The beginnings of Luz and Amity’s relationship is perfectly surmised in this image of Amity being in the dark while Luz holds out the light. Of course, Amity recedes back into the dark at first, playing Luz’s efforts off as nothing special. But because of that moment of perspective and Luz doing what must have been this mind blowing thing with just a pen and paper, it’s enough to get Amity curious and point out that she’s never seen a spell cast the way Luz did before. Luz points out how she’s willing to work hard for her goals, not wanting to be the best but just to be a witch in general. After that, Amity unbounds the oath and walks away. And I really love how it’s up to interpretation for WHY she did it. Was it because Amity decided that because they both cheated that Amity decided that the oath was null and void? Or was it because Amity saw the passion in Luz’s desire to learn magic? There’s no direct answer, but either way you look at it, Amity unbounding the oath is still a moment of mercy. She didn’t NEED to do it and, knowing Odalia’s conditioning, it’s likely that Amity would have been encouraged to let Luz be unable to learn magic. Gets rid of even the POSSIBILITY of competition. But she unbounds the oath anyway, probably telling herself there’s a logical excuse for it when, in reality, it’s Amity doing something nice for someone.

“Covention” perfectly takes Luz and Amity’s relationship to a better direction. This is the last time they’ll actively go against each other as rivals, and for good reason. By the episode’s end, they gain new perspectives towards each other, Luz seeing a fragile side to Amity’s rough exterior and Amity seeing that there's a harmless desire in Luz wanting to learn magic. This perspective comes AFTER almost killing each other, but this is a work of fiction and you learn to accept an exaggerated reality. So the big fight doesn’t take away the sweet ending of these two making a sort of…LIGHT connection. They’re definitely not willing to be CLOSE, but they’re at least in a better place with each other. They’re not friends, not enemies. Just two young girls who acknowledge each other’s existence and are fine with it being just that.

Hooty’s Moving Hassle: Even though there was a BIT of back sliding. Amity all but directly called out Luz in a Penstagram post and Luz was more than willing to get back at her for it. It’s definitely a moment where they’re against each other, but it’s quick and comes across as two teens being bitter. We’ve all been there. Plus, I’m willing to bet that Amity was goaded by her peers into telling Luz to “bite it.” Knowing Boscha, she definitely wouldn’t stand someone in the group being showed up by a human and the last thing Amity wants is for Boscha to get suspicious of why Amity is soft on the human. OR it could be Gus pulling an illusion. Him and Willow were already dead set on showing up Amity and he just HAPPENS to find the Penstagram post that would convince Luz to join them? Even though Amity had no idea that Luz would see it because she has no way of knowing if Luz has Penstagram? I don’t know, I’m calling shenanigans on that.

Regardless, no matter what reason there is, this was clearly a blip in the relationship. The meat in the episode is mostly about WILLOW and Amity, not Luz and Amity. There wasn’t much of a need to develop their bond when it’s not a central focus. Still a LITTLE weird that they went back to old habits of being enemies despite the decent spot they were in last time, but I can wave it away. They got a GLIMPSE of who the other was, but nothing more to make them willing to commit to being friendly. But when they meet again…

Lost in Language: Things get more interesting.

Luz, recently swooning over the idea of befriending rivals, has the desire to befriend her own. I’ve heard some complain that it’s a weak excuse for Luz to reach out to Amity because she got inspired by a kids book. In fairness to Luz, not only does she CONSTANTLY use Azura as a source for inspiration towards EVERYTHING in the Isles (It’s the INITIAL motivation for why Luz wanted to stay), but with the way Luz said she wish she could befriend her rival, it almost sounds like she wanted to for a while. She got a glimpse of a complicated person at the Covention and likely saw someone worth being friends with. The problem is that Luz wasn’t willing to commit to that idea because all she got was a glimpse. And, yeah, being told to bite it wasn’t helpful either. Still, the way Luz swoons tells me that she isn’t AGAINST the idea. She just needs more of a reason to befriend Amity, and gets one pretty quick.

While avoiding the hell that is babysitting demons, Luz spends her day being taken in by the magic of a magical library. Everything amazes Luz about it, but what stuns her the most is seeing Amity reading to kids and being so happy while doing it. There is true joy and delight in Amity’s eyes and smile as she treats these kids nicely when reading to them. THIS is what Luz needed. In this moment, Luz has visual proof that there’s a sweetness to Amity’s sour personality. Amity tries to play it off as her trying to get extra credit, but there was no putting the genie back in that bottle. Luz saw the kindness in Amity’s eyes and knew that it couldn’t be faked. So, she goes all in with Friendship Mode, being over enthusiastic about wanting to help Amity read to kids so it can be something that they could bond over. What Luz isn’t aware of is that the library is Amity’s safe space, a place for her to go to, without her family getting in her face. At least, most of the time. And then here comes this human who caused nothing but stress in Amity’s life, even if accidentally, who then shows up to suggest that she could ALWAYS invade Amity’s space. Needless to say, you can’t blame Amity for snapping at Luz. She’s fine with Luz existing as long as she stays far away from Amity. Luz, very quickly taking the hint, apologizes and heads off. She really doesn’t want to cause conflict anymore, and it at least shows that Luz learned that it’s better to squash issues with Amity than make things worse with confrontation. She literally almost died in “Covention” and “Hooty’s Moving Hassle” all because she HAD to show up Amity for being mean. In a way, it IS Luz just not wanting to tempt fate, but you CAN tell in the tone of Luz’s voice that she DOES regret pushing Amity. And even Amity regrets something too. We’ll later learn in this episode that Amity doesn’t WANT to come across as a cruel person. The scene even hints at that with the way Amity almost reached out to Luz after she apologized. Except Amity stopped herself because, thanks to the conditioning of her family, she believes that kindness is a weakness. So there’s no apologies for Luz unless Amity wants that softness getting to her mother. Which she very much does NOT. But on the topic of her family…

After Luz is about to give up on befriending Amity, Edric and Emira showed up to do two things in this episode. First off, they confirm Luz’s bisexuality, because while she was VERY attracted to Nevereth and his angsty muscular energy, Luz still blushes at both Edric AND Emira when they wink at her. And when you want to start a romance between two girls, it’s important to prove that both of them are attracted to, well, girls. Ed and Em accomplish that feat while also providing MORE perspective for Luz. Through them, Luz gets a peek at Amity's home life. Or, at least, an assumption of it. With the way Ed and Em stand up for Luz and humble Amity, it leaves the impression that they’re the nicer members of the family and are as fed up with Amity’s behavior as Luz once was. And that’s…partially true. Luz will learn the truth later, but at that point they were, to her, cool kids that were more than fine to hang out with Luz. They got along perfectly with her, having what were originally harmless pranks and goofing around where no one got hurt. Luz went along with it because she’s living the teen girl fantasy of having cooler, older kids liking her (Ten bucks say that she was mentally debating on who to go out with). On top of that, Luz thought that it would be a great way to befriend Amity, getting to know her better by dating—I mean, hanging out with her older siblings. And I do like that Luz doesn’t give up on befriending Amity despite her earlier outburst. She’s still all for the idea of hanging out with her, but wants to go at it from a different angle, believing that connecting with Amity’s family would present a connection between her and Luz. It’s a valid plan…that goes to pieces that night.

At first, when the Wailing Star flew across the library, it was still harmless fun between Luz, Edric, and Emira. But when Edric and Emira find out that crazy things happen when you vandalize a book, it’s the first red flag Edric and Emira present that night. I really adore how obvious the episode makes it that Luz is uncomfortable with making innocent book characters suffer disfigurement. It shows that while Luz is up for fun and games, there are lines she’s unwilling to cross. That will become more relevant later, after Ed and Em take Luz to Amity’s secret room. Before we get to what goes down, I find it interesting how Luz adores the clubhouse, saying how much it’s something SHE would want to have. She COULD be saying that to appease her crushes, but it sounds like she was genuinely delighted by it. To me, it feels like a subtle hint that Luz and Amity have similar mindsets of what makes them comfortable, hinting that they’re not so different after all. An idea that is strengthened by the reveal that Amity is just as big of a fan of The Good Witch Azura as Luz is, shown by the collection of books and the fan art of Amity as Azura on her diary’s cover. BUT I’m getting ahead of myself. While this secret room reveals so much about Amity, it indirectly reveals Ed and Em’s true nature as they want to leak Amity's diary pages. While Luz was more than willing to brush off how sickly entertained they were to mess with that poor cartoon duck, likely thinking it was a little thing, Luz is IMMEDIATELY against it. For one, she still wants to earn Amity’s friendship, and there’s nothing that could ruin that more than DIRECTLY ruining Amity’s life. It’s also because Luz’s good nature would prevent her from stooping so low. She doesn’t care how sour Amity can be, she doesn’t deserve to have her private thoughts revealed to everyone. Edric and Emira tries making excuses about how it’s tough love and that Amity DOES deserve it, all to justify their actions that Luz finally realizes are awful. It’s why Luz tries to get them to stop and try to hide the diary when finding it… but not without taking a peek. It was involuntary, yes, but Luz STILL lingers on the diary’s passage a little longer than she should have. She should have closed it the second she realizes it’s the diary, but still leaves it open as a tiny Amity admits that she doesn’t want to be cruel. To me, this is showing a bit of selfishness in Luz. She WANTS to know more about Amity and here’s the very thing that tells her more about Amity. So Luz listens a bit, but stops herself when coming to her senses. She shouldn’t be hearing ANY of this, and goes about making sure that NO ONE does. Even when pages fall, revealing more about Amity’s loneliness, awkwardness, and occasional frustration, all Luz thinks is to grab each page before more is revealed. And, of course, that’s the moment Amity finally shows up.

Amity didn’t hear Luz defending her privacy, so when she finds her grabbing at diary pages, it really DOES look like she’s stealing Amity’s secrets instead of protecting them. What’s most interesting is Amity’s reaction. At first, she’s furious, and rightly so. But when she simmers down, Amity sounds almost disappointed with Luz. Amity admits that she was struggling to figure Luz out, proving that “Covention” DID have an affect on her in that she was willing to except that Luz wasn’t a bad person. An annoyance, maybe, but that moment they shared after the duel proved that Luz isn’t one to be malicious. But after causing chaos with her siblings and trying to steal her diary, Amity feels as though she was wrong from the beginning and assumes Luz IS a bully for all the ways she messed with Amity’s life. So, feeling both embarrassed and little betrayed, Amity runs off…from her room hidden away in the “romance” section. Don’t TELL ME that wasn’t an intentional hint from the show to where these two were heading in their future. But enough about obvious symbolism about Amity running away from her inevitable future. Luz rightfully ditches the twins to go make things right with Amity. She doesn’t want to leave things on a bad note and if Luz could bring out peace once, surely she could do it again. Except that Luz doesn’t get the chance, not just because Amity isn’t having it this time, but also because a twisted children’s book character shows up to kill them.

Now, it WOULD be bad that a monster attack spoiled a heart-to-heart moment, but Otabin’s useful for the fact that he shows what Luz and Amity are willing to do for each other despite everything. If Luz really was a bully, she wouldn’t have tried all she could to save Amity’s life. Sure…she fails. But Luz still tries, and doesn’t stop trying as she keeps coming up with plans to try to get them out of this situation. And when she acts all goofy despite the danger they’re in, showing her true self, Amity laughs. For what might be the first time in years, she lets down her walls just long enough to appreciate this small moment and laugh at the madness. By the time it was LUZ who’s in danger, it’s Amity’s turn to do all she can to save her. Amity was free and could have left, but she’s not a monster or a bitter rival to leave the hero to her fate. Amity’s a good person who is willing to help this weirdo girl who may have brought chaos into Amity’s life, but doesn’t deserve to be in a book forever. This crazy moment of escaping death led to Luz and Amity realizing that neither of them are bad people and are willing to help despite how they treated each other in the past few days. Even when the danger has passed, Amity sticks around to help clean up the mess Luz made. Things seem to be going well…until Amity decides to pretend that nothing they went through happened and is more than willing to move on. It’s a moment where Luz has an out. Amity now knows Luz isn’t a bully and they can go about their lives as they did before. But after everything, Luz doesn’t want that. So she does the best thing she could think of: Give a peace offering. Through astute observation, Luz notices that Amity is missing the last Azura book in her collection. Luz offers hers as a way of apologizing further, and you can tell that Amity appreciates it dearly in the soft way she says “Thank you.” This is likely the nicest thing anyone has done for her in forever, and I think it’s that reason Amity’s willing to let her walls stay down a little longer to admit that she’ll consider friendlier things with Luz. Amity didn’t HAVE to say that, she could have just said thank you and left, but this one small act of kindness that meant the WORLD to Amity helped make her realize that this annoying human isn’t so bad after all. So she leaves Luz, this sense of hope in the air that things might be better between them.

This whole episode does wonders to jumpstart Luz and Amity’s relationship. It allows both characters to see the true versions of each other, past the antagonism and annoyances. And given how this episode takes place in a library, the “Don’t judge a book by its cover” metaphor practically writes itself. By the end, I’d say the enemies phase has faded. I wouldn’t say they’re FRIENDS yet (I don’t think even THEY would say they’re friends), but it ends with BOTH of them being more open to the possibility. It’s smart to have them at this stage by the THIRD big episode together. The sooner enemies make peace, the easier it is to accept the very possibility of a romance. “Lost in Language” does that well, while also perfectly giving us cute moments like Amity laughing WITH Luz and showing how they have things in common. The pieces were there for an eventual romance and fans couldn’t wait for Luz and Amity to meet again to strengthen their romance. And by the time they did…

Adventures in the Elements: it was in a lackluster episode. If you love it, love it. That’s fine. For me, I’ve explained well enough in separate reviews how I feel about this episode and how it’s pacing makes Luz feel unreasonably impatient and whiny. BUT one addendum I WOULD like to make is how this was the ONE episode where I agree with the complaint about how Lumity feels rushed. For the most part, I don’t think they're rushed at all. I think that complaint is from people who are too used to an endgame couple becoming official near the end of the series, especially for same sex couples. To me, Lumity isn’t really badly paced, but instead…differently paced. I think it’s great that we got a couple who grew closer together with every episode they shared, giving us EXACT phases of their relationship. At first, I thought that “Adventures in the Elements” was the only time things felt poorly paced, as Luz and Amity seemed too friendly with each other. Amity went from “I’ll think about it,” to waving at Luz as if they were already friends. But then I looked at some subtle touches that makes me realize this is less of an episode where they’re starting out as friends, but more like they’re testing out a friendship.

Luz acting friendly is a given. She’s friendly with almost everyone, so when she’s engaging with Amity about the book, it’s no different than if it was anyone else. There’s a bit of excitement, but that could be attributed to the fact that she’s finally interacting with another fan for the first time in her life. It’s pretty obvious that, for both Luz AND Amity, their love for Azura isn’t common among their peers and they’re the only teens they met who really enjoy the books. So Luz is noticeably excited to talk about Azura with Amity, and Amity is a BIT more closed off. She simply calls the fifth book fine and burns her self-insert fan art out of embarrassment and being unwilling to let her nerd flag fly. Amity’s grateful for the book, there’s no doubt about it, but she’s not comfortable with fully expressing that gratitude. But she’s still polite enough to engage in Luz’s conversation, Amity just holds back a lot more of her feelings. In fact, being polite is the best way to describe Amity in this episode, especially with what happens next. When Luz announces that she’s going to Hexside, Amity’s voice, face, and even the musical cue in the background makes it clear that she is NOT ecstatic about this news. At least, initially. Once the shock comes and goes, Amity calmly explains to Luz the requirements to be in Amity’s class and asks if Luz knows enough to register. There may be a part of Amity that doesn’t want to see Luz more than necessary, but her willingness to act politely proves that Amity still wants to give Luz a chance.

The politeness continues later when they’re on The Knee. The parts where I always felt like we skipped a step was when Amity confided in Luz about breaking Ed and Em’s record and waved at her during practice. To me, it seemed like Amity was being too comfortable and friendly with Luz at this stage of their relationship. But again, I looked at the subtleties of these moments. Amity admits that she’s trying to break her siblings’ record, but she never shared about feeling under pressure to beat them or even that she’s struggling. It’s Edric and Emira who share that Amity can’t perform a fire spell without a wand, a clear attempt to annoy Amity by hitting where it hurts: Her pride. But what also annoys Amity is that they revealed that to Luz when she didn’t really want to. Heck, when Amity was telling Luz, she wouldn’t even look at Luz’s face, almost as if she couldn’t admit something as basic as beating a record. It’s exactly how Amity acted when discussing the Azura book. She’s willing to engage with Luz but is still holding back a lot of her TRUE feelings because, simply put, they’re not there yet. The most Amity is willing to do is wave at Luz from across the way. That was another short, albeit adorable, moment that made me think that they speeded past things, but now I’m starting to see it as a showcase of Amity TRYING. She’s trying her best to be better, even if she’s not willing to fully commit to a full on friendship. Unfortunately, Luz isn’t appreciating any of it at the moment due to being hyper focused on learning a second spell. The last thing she wants is to be in a baby class and be seen as a loser by her peers. She tries to hide it from Amity because they’re not at a point where Luz can confidently confide in her about problems like she does with Gus and Willow. Plus, Ed and Em are always there and something tells me that Luz doesn’t want to come across as a loser to two cool teens she still has a baby crush on. Either that or Luz is worried about being a target to their teasing, and judging by what they would do to Amity (Despite the constant apologies), it’s a justified worry. Any of those possibilities are equally valid, making Luz’s desire to hide her lack of skills understandable. Still wish we spent time on Luz’s impatience with Eda’s teaching methods, just so it can better justify what Luz does next.

Luz stealing Amity’s wand makes sense narratively, at least for where they’re at. It’s more than Luz wanting to hide that she doesn’t know two spells. They’re at a point in the relationship where Luz can’t simply come up to Amity and ask to borrow the wand for a few minutes. After all the strife Luz accidentally caused, she’s in no position to ask for favors, especially when Amity would likely say no. And the thing is that Amity wouldn’t have said no due to a dislike towards Luz. It’s more like Amity’s wand was low on charge and she didn’t entirely trust Luz to be careful enough with it. She gets mad later, sure, but it’s because Luz, once more, lied and cheated for her benefit. When Amity catches Luz with the wand and spell book, her expression is that of betrayal. Amity was actually trying—And say what you about the pacing of this episode, but it actually shows that Amity was TRYING to be better towards Luz. There’s no denying that. She’s actually putting in the effort and being as polite as possible, and here Luz is doing the exact same thing that made Amity assume that Luz was a bully. Narratively, this all lines up. But the piss poor pacing doesn’t do Luz any favors as it makes her uncharacteristically selfish. She is quick to regret it, both because of the scolding and the monster attack she indirectly caused, and you can tell through Luz’s voice and body language that she couldn’t be more remorseful. Regardless, it doesn’t change how bad this makes Luz looks and justified Amity’s anger. Though, I do like what happens next.

While Amity yells at Luz for putting Eda, Edric, and Emira, and rightfully tells Luz to stay put instead of helping, what Amity says next speaks VOLUMES. Instead of telling Luz that she’ll only make things worse, she says, “You’ll only get hurt.” Amity has every right to tell Luz off further and rub extra salt in the wound, but she doesn’t. Amity understands that Luz doesn’t cause problems out of malice. She just doesn’t think things through and ACCIDENTALLY makes things difficult. It’s one of Luz’s biggest flaws and Amity saying Luz will only get hurt by helping proves that she finally gets who Luz is. And I love that while Amity COULD stop trying with Luz, she still keeps at it because the night in the library didn’t JUST make Amity rethink being friends with Luz. The night made her rethink being mean in general, trying not to see kindness as a weakness and trying to treat others a little nicer. Her holding back what she likely WANTED to say to Luz is a testament to that. Though, I don’t think she’s likely be friends with Luz at this rate. Thankfully, Luz proves that she’s not too bad…again.

Once Luz slows down and allows herself to concentrate, she finally learns a second spell and comes up with a plan to save everyone. A plan that puts LUZ in the most danger and proves that she has enough power to back herself up…sort of. Eda’s the one to finish the fight and Luz is there to do most of the work. Still, the whole thing is a gesture that shows Amity the true extent of Luz’s selflessness and capabilities. This was Luz’s mess and she wanted to do all she could to clean it up. It proves that while she may not be perfect, there’s nothing Luz won’t do for the ones she cares about. Seeing that in action miraculously makes Amity willing to forgive and forget about the whole wand thing. Luz can and likely always will mess up, but will always make up for it. And I think at that moment, Amity decides that being friends with Luz isn’t too bad of an idea. She sounds genuinely excited by the idea of Luz going to Hexside now, and is willing to indulge in Luz’s desire for an Azura book club, albeit on Amity’s terms of keeping it secret. She’s finally gave in and decided to give Luz a chance, now knowing that Luz is GOOD despite her faults. It’s the right decision to make and it’s great that the episode ends with them being friends…but it’s still a mess.

“Adventures in the Elements” does great in showing the subtleties of Luz and Amity trying the POSSIBILITY of friendship. Luz is all in, while acknowledging that they’re not too close yet, whereas Amity’s on the fence but willing to be polite before deciding to make the friendship official. The pieces are there for a decent picture but Luz’s actions and the episode’s pacing makes her unreasonable, making it a miracle that Amity was willing to become friends. Luz’s rescue plan saves things, though it doesn’t stop this idea that if Amity wasn’t willing to be nice, she would have distanced herself from Luz further. Luckily, for Luz, Amity WAS trying and is willing to give the benefit of the doubt in the end. It works ENOUGH, but the journey to get there still feels a little messy. Regardless, this is the ONLY time that the relationship feels this way, as it’s handled perfectly from here on out. If you accept that this is the start of the friendship phase for Lumity, then the progression of their relationship will feel natural from there. Especially when you look at Amity’s little blush at the end of this episode. Now, I personally don’t think that this is a subtle hint that Amity has a crush, as this could easily be explained away as her being embarrassed of her siblings overhearing her CONSIDERING a book club. So when I hear people saying that this is the moment Amity has a crush on Luz, I feel like they’re jumping the gun a bit…but that doesn’t mean she isn’t questioning things.

The First Day-Not many Lumity moments in this episode. In fact, if you squint, there’s two. That’s because the meat of this episode is having Luz finally becoming a student at Hexside and making new, easily betrayed friends. But with the two moments we DO get, we see how they are as friends and hints of what’s to come.

Things start out nice, with Amity welcoming Luz to Hexside and congratulating her for getting out of the baby class. It’s genuinely sweet seeing Amity act this way towards Luz, even out in the open. It shows that Amity doesn’t really care who sees her being nice with Luz, because Luz tried harder to be nice to Amity despite every outburst and despicable action. Luz is her friend now, and Amity is willing to be a better person to her than she was with Willow (We’ll get to that). There’s some awkwardness with Amity’s abomination slapping Luz’s face with goo as Amity went for a high five, but it’s still sweet that Amity’s trying and Luz isn’t bothered by it. If anything, Luz is ecstatic to have this new friend, already treating Amity the same as Gus and Willow. And Amity is just as happy…but she is questioning her feelings.

Once alone in the hall, Amity tells herself that her and Luz going to the same school doesn’t change anything. Many people point at this moment as Amity denying she has a crush on Luz. For me, this is more like Amity questioning her friendship with Luz. She isn’t against it, but the two of them going to the same school presents changes to Amity’s status quo. She’s still the top student of her class and has a reputation to keep up. This could potentially lead to a strained friendship of Amity being forced to choose between Luz and a false image to keep up. Except that Amity likes Luz. She isn’t entirely sure why or aware of how much she likes Luz, but the fact remains the same that Amity likes her and is willing to be friends. Now that they go to the same school, Amity is questioning how she should treat Luz further, continuing to be nice or keeping up a rough exterior for her image. And then we get to her saying “That doesn’t change anything.” One way of looking at that line could be Amity deciding that just because they go to the same school now, that doesn’t mean she should change how people see her for Luz’s friendship. She should still act all high and mighty without worrying about coming across as soft. Another is that, despite being in the same school and people seeing them together, Amity shouldn’t change how she currently acts with Luz. I like to believe it’s the latter because it lines up with how Amity acts in the school courtyard. Amity is willing to be BETTER for Luz, reminding herself that things shouldn’t change just because more people will see that they’re friends now. Amity wants to be a good friend this time and NOT mess things up like her last friendship…

Understanding Willow-This is an episode about the friendship between Amity and Willow more than anything that goes on between Luz and Amity. Regardless, some big developments happen here.

Things start off great with the reveal that Luz wants to make Amity and Willow friends again. This could partially be Luz wanting her two new friends to be friends to make the group bigger and stronger, but I prefer to think that this is Luz wanting to make peace now that she knows the kind of person that Amity is. Amity wasn’t the one-dimensional bully Luz was introduced to, as there’s reasons behind her behavior and evidence that proves that Amity wants to become better. Willow, understandably, doesn’t want to be friends with Amity yet, likely still feeling the pain of how they separated. Though, it is interesting that Willow has no objections to Luz and Amity’s relationship. Some would say that it’s a missed opportunity to not have Willow get upset, but this episode reveals that she has a very unhealthy motto of “Out of sight, out of mind.” Add that with Willow’s more passive attitude (At this point), and it’s easy to believe that Willow is accepting of Luz and Amity’s friendship just as long as she doesn’t see it. Just like how she doesn't want to be friends with Amity, thinking it's best not to even SEE her. Luz is a little blind to this knowledge, though, and is still persistent to cause shenanigans, believing that it’s worth it because she knows Amity isn’t a horrible person and is willing to be better. Only for Amity to prove that wrong by burning Willow’s memories.

Effectively causing Willow brain damage was NOT Amity’s intention. She only wanted hide her face from Willow’s memory, to keep people from learning about that part of their history. It’s selfish and the way Amity did it was stupid, but you will come to understand the reason WHY she did it. Amity only kept her reasons a secret from Luz, because A. They’re not there yet. Amity likes Luz, she’s happy to be her friend, but is a little unwilling to disclose heavy stuff. And B. Amity likely doesn’t want Luz to see that part of her. The memory Amity burned features Amity at her worst, something that she doesn’t want Luz to see. Here’s a girl that, by some miracle, was willing to see the good parts of Amity, and seeing Amity’s worst traits, being a part of her since she was seven, could ruin a lot of how Luz sees her. So Amity keeps it secret, no matter how much Luz pries. Though, it is worth noting that while Luz does keep asking why Amity did all this, she never really FORCES Amity to explain. She knows that there’s a reason WHY, but also knows that it’s too personal of a subject. So Luz keeps giving Amity a chance to explain, ALLOWING her to do so at any moment, and only puts her foot down when they have no choice BUT to face the past. Luz has every right to be angry and demanding. After all, Amity BROKE Willow, Luz’s best friend. Amity wouldn’t blame Luz for getting upset, but Luz, the queen of causing problems and fixing them later, understands that the last thing a person wants after accidentally making a mistake is to be yelled at. She does raise her voice to remind Amity that she set Willow’s brain ablaze, but that’s as far as things get. All things considered, Luz is incredibly patient with Amity, to the point where Amity pretty much has to scold HERSELF, admitting shame to cause this much damage. It’s mostly because of guilt, but it can be argued that Amity acts like she’s expecting to be yelled at. It’s made pretty clear that Amity’s parents, mostly Odalia, are ones to scold her for failure and screw-ups. And with how often Amity yelled at Luz for HER mistakes, she probably assumed Luz would have done the same to Amity here. It would only be right, but Luz never does. For the most part, she remains supportive and understanding towards Amity, saying that they can fix things together. And it's at this point that I’d say that Amity realizes she has a crush on Luz.

Before this episode, saying that Amity’s feelings towards Luz were complicated is an understatement. Luz was frustrating, endearing, caused chaos, solved problems, was powerless with magic but resourceful in intelligence. Everything about Luz annoyed Amity, but she grew to appreciate the best sides of her and accepted the worst. And in “Understanding Willow,” when it’s Amity’s worst qualities on display, Luz still acts with kindness and understanding. It’s something Amity never experienced before, all from a person SHE disrespected in the past. Yet here Luz is, proving that yelling doesn’t solve much and is still willing to back up Amity despite everything. It’s a level of kindness that Amity’s never experienced, and getting it all from Luz makes Amity admire her more. She was less than willing to give Luz a chance at first whereas Luz gave Amity all the chances in the world, even now. It’s enough to make Amity finally understand her feelings, starting to blush a little bit due to Luz’s support and sudden proximity. Though, just because she realized her crush, that doesn’t mean Amity knows how to act around Luz. She KNOWS her feelings, but when it comes to figuring out how to go about them, she stumbles. Amity acts as she always does towards Luz, but still wants to be close to her. When the whole adventure is over, you can tell through how resistant Amity is towards going out the door and giving a short, awkward wave that Amity doesn’t want to leave. She does it for Willow’s sake, expecting that she doesn’t want Amity around, despite everything. If not for taking Willow’s feelings into consideration, she might have stayed, talked more with Luz and Willow, and her crush would have grown stronger. But instead, Amity leaves and it’s for the best. She has a lot to think about.

“Understanding Willow” is a fantastic episode primarily for insight into Willow and Amity’s friendship and seeing them reconcile. The Lumity moments are just a little cherry on top to something already perfect, not being the focus but giving great scenes all the same. It’s part of what makes Lumity so perfect: You see Luz and Amity’s bond growing every episode that they interact in, even in episodes like this where it’s not THEIR relationship that needs attention. It causes their relationship to flow all the better and makes what happens NEXT episode feel like a natural conclusion.

“Enchanting Grom Fright”- Ooooooh, this episode…

The episode where the cast and crew kept telling fans that they weren’t ready for it. The episode where there was NO heterosexual explanation for anything. An episode where the writers pretty much looked at the audience and said, “Yeah. We’re doing THIS.” An episode that will likely forever be remembered for the leaps and bounds it did for LGBTQA+ representation! An episode…that I like less and less the more I rewatch it.

Yeah, I’m that jerk in the fandom who thinks “Enchanted Grom Fright” is a LITTLE overrated. That doesn’t mean I hate it. Heck, I loved this episode upon its premiere, and you can see why in my review. But every time I come back to this one, the more the cracks tend to show. King’s subplot is forced padding in an already poorly paced episode, the fact that a responsible principal like Bump allows children to fight a nightmare demon is all kinds of questionable, Eda chaperoning the dance makes LESS sense, the episode feels like it takes place in two days when it’s ONE, some jokes feel awkward to me, and some dialogue is unnatural. All in all, this episode is a mess, with two things that make it worth a watch: Luz’s regrets toward lying to Camila and, as you could imagine, the Lumity moments.

Every scene these two share are pretty much the writers confirming that Lumity is going to be canon. There’s the little stuff, oozing with romantic energy. Like...

How Luz consistently makes Amity laugh and smile, showing how much Amity has come to appreciate Luz’s oddball personality

The scene in the forest is cute with how romantic the lighting is, how close their faces got at one point.

How Luz sits in the mud to make Amity more comfortable after getting messy.

That scene outside the gym, with the playful banter, the genuine admiration in Amity’s eyes, and the little music in the background that’s practically SCREAMING at these two to just kiss already.

All the little scenes are great but the juiciest, meatiest stuff comes from THE NOTE

It doesn’t take a shipper’s mind to guess that Amity’s little pink, love-colored scrap of paper is a note Amity wants to give to Luz, putting ALL her feelings out there. If “Understanding Willow” was the episode where Amity realizes she has a crush on Luz, “Enchanted Grom Fright” is Amity struggling to figure out if she WANTS to date Luz, and for a number of reasons. Because being friends with Luz is one thing, DATING her is another. Amity can always play off their friendship as her pulling a long con on Luz or maybe even faking it to keep the human from being a personal hindrance. There’d be holes in her logic, but Amity can still commit to excuses where anyone can be convinced they’re true depending on how well she sells them. DATING Luz will be harder to sell, as there are a lot of things a person couldn’t fake for a relationship. So the second Amity asks Luz out and they become official, any ounce of Amity’s image that’s left will get torn to shreds. And while Amity is willing to risk it for a FRIENDSHIP, she struggles to think if it’s worth it for a girlfriend. We already know how Odalia reacts to Amity being FRIENDS with someone like Willow and how a so-called friend like Boscha treats people below their status. If word gets out that Amity is dating a HUMAN, life for her will be hell. It’s the main reason why Amity doesn’t want Grom to reveal her fear of Luz rejecting her. It’s a gamble that Grom could take a vague or clear form of someone’s fear, which you see in Luz’s fight with it. It’ll take Camila’s form no problem, but when trying to look like Eda, it’s a lot more like a shadow. And Amity doesn’t want to risk either, because while it’s embarrassing enough to reveal that the great Amity Blight is afraid of rejection, it’ll be worse to show that she’s afraid of getting rejected by the unpopular human. Needless to say, NO ONE would let Amity live this down. And while we’re on the topic of Amity’s greatest fear, it does make sense why she’s so afraid of asking Luz out.

Some fans give the episode flack for making Amity’s greatest fear be her getting rejected by a girl. And out of all the problems “Enchanted Grom Fright” has, this is one criticism I understand but respectfully disagree with. Luz is more than just a girl Amity has a crush on. Despite all the chaos, Luz is the best thing that happened to Amity. She helped patch things up with Willow, gave Amity the final book in a series she adores, and offered kindness and understanding during moments when Amity didn’t feel like she deserved it. Even now, Luz is taking a bullet for Amity by facing HER fears as Amity’s fearless champion. Luz is the bright light at the end of the tunnel that Amity calls life, and she values that. She values Luz’s life so much that losing it terrifies Amity. Asking Luz out is a risk that she’s not willing to take because it’s a miracle that Luz still wants to be friends despite everything Amity has done to her and others. She has NO idea if Luz could like Amity that way or even if she likes girls. If Amity asks Luz out, she risks the gamble of Luz saying no and their friendship being awkward at best and over at worst. Because how can things go back to normal when Luz knows that Amity has a crush on her. It’s why Amity yanks the note out of Luz’s hands instead of letting her keep it. Amity doesn’t want to give it to Luz until she’s one hundred percent sure that Luz could say yes, holding onto the note right up until Grom starts, a point where most would say it’s too late to ask someone to a dance. The grip that Amity’s fear has on her is strong, even if SLIGHTLY unjustified. Most people understand the fear of being rejected by a crush, especially if you’re a teenager and this is the first time you’re feeling the butterflies in your stomach. But Luz isn’t someone who would sever ties with Amity because of a crush. She may be surprised at first, but the worst case scenario would be that Luz would let Amity down gently and politely. As for the best case, Amity bears witness to it.

Once Grom becomes too much for Luz to handle, Amity finally steps in to fight her own battles. And it's great that Luz is worried for Amity facing her fear, showing that there was NO resentment on Luz’s part. She willingly chose to do this for Amity…and partially for the selfish reason of proving that she isn’t as fragile as Eda claimed. Regardless, helping Amity is a big part of why Luz is willing to do this, and it’s her overconfidence that leads to Amity having her fear forced upon her, with Luz sounding more scared than Amity. Because while it’s not LUZ who realizes she has a crush yet, she still cares about Amity like any other friend, wanting to take her place before anyone would call Luz soft. So failing her hurts Luz more than Grom ever could. As for Amity, she weirdly lucked out in this scene. Grom DID reveal Amity’s afraid of rejection, but in a vague shadowy form where Luz couldn’t even tell it was supposed to be her, which is for the best. Amity wasn’t ready to tell Luz and having Grom do it for her would have been a BIGGER nightmare. Hell, it likely already was. The way Amity cringed in anticipation of Luz’s rejection, already assuming Luz had enough information to figure out the truth. Except when Luz picks up half the note that Grom ripped up, all Luz gets is that Amity was afraid of getting rejected by SOMEONE. Not only does Luz act sympathetically, immediately understanding Amity’s plight, but Luz also surprises Amity by volunteering to be her date instead. It was to go as friends, but that’s besides the point. Luz’s gesture proves to Amity that Luz is just…kindness personified. No matter what her feelings were to Amity or how Amity asked her, Luz would have said yes. Maybe she could have misread the situation (somehow) or said yes just to be polite. The point is that Luz would have said yes either way, and while it wouldn’t entirely be what Amity wanted, it’s at least enough to tell her that she has nothing to worry about with Luz. Whether or not Luz would feel the same way, she will NEVER break Amity’s heart. And it’s that confirmation that tells Amity that liking Luz IS worth it. There could be conflicts and consequences from this crush, but Luz is the nicest, warmest person who gave Amity exactly what she wanted without knowing it. Any feelings Amity has for Luz were STRENGTHENED by these events…but doesn’t make her brave enough to admit that she wanted to ask out Luz.

While Amity does understand that Luz won’t break her heart, her strengthened feelings for Luz don’t make her braver. She may be willing to dance with Luz for a beautifully animated combo move to kill Grom, but showing her the rest of the note? Yeah, Amity tosses that thing away immediately. And before I move on, I DO want to say how much of an expectation subversion the writers give with this scene. Most shows fighting for LGBTQA+ representation would have kept out who Amity was willing to ask out. They would have strictly implied it and left it to interpretation to make the studio executives happy…But not The Owl House.

You see it up front, baby! WHOO!

I will ALWAYS gush about how impressive and important this single image is. This is the first big show where a gay character having a crush on the main protagonist is shown EXPLICITLY through visual confirmation. We could have picked up the pieces in past episodes and even in this one. But to have this clear bit of PROOF that it’s officially happening between these two THIS EARLY in the series is all kinds of special. And it is the reason why I still don’t hate this episode despite its problems.

“Enchanted Grom Night” might be a mess, but the Lumity moments will always carry it. Everything that happens between these two in this episode is adorable, endearing, and groundbreaking enough to always make watching the episode worth it. If this was the last bit of Lumity fun we would have gotten this season, I would have been happy…but the writers snuck in one more episode.

Wing It Like Witches-There’s not a lot I could talk about here because a lot of it is pretty self-explanatory. Due to a magical night that proved once more that Luz is perfect, Amity became even more smitten and unable to be near Luz without blushing up a storm. Some fans grew to resent this episode because of how it ruined Luz and Amity’s reputation in the fandom, due to everyone latching onto this idea that Amity is a lesbian disaster and Luz is oblivious to it. As for me personally…I still love it.

The second Amity started nervously stammering in front of Luz, it blew my frickin’ mind. It IS a little weird that this is the only time Amity acts like this, but I can take it as the writers further confirming that this is in fact happening and we should get ready for it. And every moment that shows Amity being a blushing mess was hilarious and adorable to see. As for how Luz, the shipping queen, couldn’t see the obvious signs of a crush, there are two plausible explanations. There’s the boring one where Dana Terrace said that Luz just has a lot on her mind at the moment to notice. Then there’s the interesting explanation, where this is the first time that Luz has ever had someone act this way towards her. It’s pretty obvious that Luz isn’t used to the idea of people caring about her, whether as a friend or something more. This episode alone proves how inexperienced Luz is to friendship itself, making things more stressful for Willow when trying to help her. Before Hexside, Luz was unfortunately a social outcast, with Gus, Willow, and now Amity being the only kids her age who actually like her. So when Amity starts acting a little silly, Luz’s first thought isn’t, “Oh, she’s crushing on me.” It’s, “Gee, Amity sure is acting weird today.” While it’s INCREDIBLY obvious to everyone else, it’s a foreign concept to Luz because it’s not something that she’s used to experiencing for herself. It hurts to think about and is a lot more interesting, to me, than saying Luz has a lot on her mind.

While the fandom definitely went to far with the joke of Amity crushing hard and Luz being oblivious to all of it, the Lumity moments here are still cute. As for any development, this is the episode that cements Amity as part of the group, finally deciding that being with Luz (And, to a greater extent, Willow) is worth any consequence, not caring what someone like Boscha thinks. It’s great and it IS unfortunate that people don’t point that out as frequently as Amity being a blushing mess. But I kind of get it. It’s not as prevalent and you don’t realize it until the episode’s over with Amity sitting with everyone for tea. In a way, this development is more of a footnote in an episode that hammers in the idea that Amity has a crush on Luz, but it doesn’t make it any less important.

And that’s all for Season One. Due to a broken leg, Amity had to sit it out on the sidelines while some big, dramatic stuff happened in the finale. That’s really for the best because with how much Luz and Amity’s romance develops with every episode they’re in together, it makes sense to leave Amity out. Any growth they could have had would have hurt the finale in the long run as it would have been remembered as the episode where Lumity did X instead of…anything else that happened. Regardless, after three episodes in a row where Lumity got closer and closer together, it left fans demanding MORE and hating that they’d have to wait LONGER due to the show going on a nearly year long hiatus. But when that hiatus ended, they were given a good treat.

Escaping Expulsion-Oh, how this one ends beautifully…

But before we get to that, it’s worth noting that this episode is Amity’s last test of loyalty. Once Odalia finally learns about Luz and the others, she wastes no time in trying to cut them out of her life as much as possible. It’s living up to the threat Odalia gave Amity years ago about her friendship with Willow, only this time Amity doesn’t get the illusion of choice to break things off herself. Odalia uses her status and privilege to kick Luz, Gus, and Willow out of Hexside, with Luz begging, screaming, even getting down on her knees (Well, ONE knee—Hey, that’s an image for ya!) as she tries to convince Amity to help them. And you can tell that Amity wants to. She REALLY wants to. The look in her eyes and the way her body goes stiff as if she has to FORCE herself to do nothing shows that it’s tearing Amity apart to not help. Amity wants to be there for Luz like Luz was there for her, but doing so means going against Amity’s mom. Amity’s been allowing herself small rebellions, getting braver for Luz who brought out the best side of Amity. But when the consequences finally caught up to her as Odalia enacted a punishment no one deserved, it made Amity realize that no matter what she’d do, her mom will find out and make her life miserable. So Amity says no and is only brave enough to say sorry. It’s tearing her up inside to let Luz down like that, but she does it anyway. At least Luz eventually gave some motivation for Amity to fight…in an irresponsible manner on Luz’s part.

While Amity is too scared to face Odalia, Luz isn’t afraid of much of anything (Aside from facing her own mom, funnily enough). So Luz isn’t worried too much about going up to Odalia and willing to work things out. Luz goes in peacefully, hoping to set things right where no one gets hurt. Except that Odalia’s out for blood and decides to use Luz as target practice for all of her deadly weapons. Luz takes it all, hoping for it to be for the best until Odalia busts out the literal killing machine. Because earlier, Luz made the valid point that even though they don’t go to the same school together, Luz and the others will still be friends with Amity. Odalia very much disapproves of that fact and decides to take things to the next extreme by trying to kill Luz. Luz fights for her life, but it’s clear how outmatched she is with it taking a miracle to save her. Fortunately, one did.

It’s one thing to separate Amity from Luz or to use Amity as a test dummy, but putting Luz in danger is where Amity draws the line. And it really is amazing that Amity doesn’t waste a second to rebel and get the gang together once she knows Luz put herself in the line of fire (Read: Confronting Odalia). After everything that Luz has done for Amity, it’s great that she’s willing to step up when Luz finds herself in real danger. Getting expelled is one thing, but facing Blight Industries tech and mechs is another. And when the Abomiton 2.0 comes out, Amity rushes to get to a high enough vantage point to come to Luz’s rescue. Perhaps a little enthusiastically with the way she screams, “Stay away from MY Luz!” But she still swoops down like a hero from a fantasy story, standing between her maiden and a literal killing machine. Amity has saved Luz before, but this is the moment that has the most at stake for her as it risks Amity dealing with more hell from her mom. But if the choice is losing Luz forever or dealing with Odalia being MORE unbearable, it doesn’t matter to Amity. Luz has done everything for Amity out of the goodness of her heart, and Amity’s more than willing to do more than anything for her. It’s more than fair to her and she’d do it again no matter the cost. What Amity doesn’t know is that her actions rewarded her in a way she didn’t intend.

Luz liked Amity, there’s no doubt about that. She cares enough to help put out the fires in Willow’s brain and fight Grom for her. It was never a question for whether or not Luz liked Amity…but fans did debate HOW MUCH she liked her. Did Luz have a crush lingering above the surface but never quite knew THAT’S how she felt? I…don’t think so. I know fans like to say that she did (I used to be among them), but it’s clear that Luz’s feelings towards Amity were equal to any other friend. Anything Luz did for Amity isn’t different than how she would act for Gus or Willow. Case in point: The main reason Luz was in this mess was because she wanted to help her friends get back into Hexside. To Luz, Amity is just another friend…But then Amity saved Luz’s life and acted like the coolest witch that ever lived. Luz isn’t a stranger to getting her butt saved, especially when she was too close to death like in that moment. What makes things different here is that Luz is trying her hardest to survive, barely keeping ahead, and is out of luck when she reaches her limit. Just when things seem hopeless, Amity comes out of nowhere as a knight in shining armor, saving Luz in an incredible feat of magic and looking good doing it. In every other dangerous situation Luz found herself in, she either got herself out of it or expected someone to come to her rescue when things got dire. But because Luz didn’t tell anyone about what she was doing, she was all on her own with no one to help her with the Abomiton that she couldn’t keep up with. Then in comes Amity, swinging in holding down the thing that was seconds away from killing Luz in an impressive display of her magical prowess. And with the cape, the way Amity speaks, and how her magic leaves this intense glow in her eyes, it’s all enough to leave Luz a little star struck. This girl, close to her age, is standing between Luz and certain death for the sake of her own protection. It is like every crush fantasy that Luz must have had rolled into one, and it’s Amity doing it all for her. Luz, the fantasy nerd that is, likely DREAMED of a moment like this happening to her. Heck, remember that angsty teen warrior who was used as bait to lure Luz into a trap? He’s proof that Luz has a type and Amity is checking off every box at the moment, finally leading Luz to see Amity in a new light. And, really, can you blame her.

“Escaping Expulsion” is good for seeing Amity standing up to her parents, but Luz gaining a crush on Amity makes the whole thing a little sweeter. And I really do love that Luz gets her crush after Amity gets hers. It goes against the cliche of the nerd trying to win over the popular girl by having that popular girl already falling for her. It provides a decent twist on the concept while showing that Luz doesn’t have to do anything to earn Amity’s affections as that task has been done weeks ago. The problem is that Luz doesn’t know that as we’re now in the phase where the crush is mutual but neither is aware of it. This fact led fans to be excited about what happens next as we’re now super close to Lumity being canon and hoped they’d get closer sooner than later. Thankfully, we didn’t have to wait too long.

Through the Looking Glass-This episode gets a bit of flack due to people focusing more on the Lumity subplot other than the main story of Gus being insecure and looking for a confidence boost. This is definitely part of a bigger problem of fandoms and their obsession with ships over other characters, and it IS worth discussing…But this Lumity discussion post, so we’re just going to save that problem for another day.

Luz and Amity’s subplot in this episode is everything I could have asked for and more. Due to their mutual crush, Luz and Amity spend most of their shared screen time as flustered, blushing messes who can’t pick up on the painfully obvious signs because they’re too busy looking away due to their equal nervousness. It’s adorable and I love how it’s STILL obvious to everyone else. Gus is straight up annoyed by Luz’s cowardly BS of constantly asking for his library card to see Amity but never asking her out, and Edric and Emira are willing to give the lovebirds alone time and support Amity for her crush. Everyone gets it, but never forces Luz and Amity together as it’s equally obvious that they need to work this out themselves…At least in this episode. We’ll get to what Hooty does later.

I will say that if “Through the Looking Glass Ruins" was just the cute antics of Luz and Amity being complete messes, it would be an easy 10/10 episode for me. Unfortunately for them, some angst got sprinkled in as Amity lost her job to help Luz find an old book. What’s interesting about this is that both parties have different ideas for who’s to blame. Luz, of course, blames herself. She’s the reason they got caught despite the many warnings Amity gave to be careful. It was her screwup, but Amity blames herself more. She could have just asked Malphus for the book or turned back when Luz first suggested it. Instead, Amity was so focused on helping Luz that logic went out the window. Look back at how Amity reacts to Luz suggesting to show Amity around the human realm. The second she puts it together that it could lead to a date, she yanks Luz further into the library just to get it faster. So when they get caught, Amity believes that she’s to blame because being around Luz makes her do stupid things and act without thinking things through. But when Amity vents her frustrations over it, it only makes Luz feel worse because it made her think that Amity’s upset about LUZ and not what she does to her. Amity was more upset about herself and her actions than she is with Luz, but Luz, already believing that everything is her fault, can’t help but take the message the wrong way. Amity’s quick to pick that up when she sees Luz tearing up, and that makes HER feel worse as she believes she accidentally made Luz think everything is on her. Except that Luz is crying is because SHE believes that Amity is finally tired of Luz getting them in trouble because Luz makes her do stupid things. It’s an entire moment of miscommunication and misunderstandings that’s a heck of a lot more believable than most romantic drama in fiction. Neither is mad at the other or gives up without a fight. Amity just goes home to think about her feelings and Luz instantly sets out to make things right, telling herself, in Spanish, that things won’t work unless she makes it work.

What gets to me is that despite going through hell to get Amity her job back, Luz is already accepting that Amity will never want to see Luz again. It speaks volumes of how accustomed Luz is to rejection that she already assumes that Amity will be the same like every other crush in the past and would want nothing to do with Luz after this. And yet, despite that mindset, Luz still goes through on getting Amity back her job to make things right. Because even though Luz believes that she no chance with Amity anymore, she’s the kindest person in the world and, after everything they went through together, Luz doesn’t want to end things with Amity without fixing her mistake. So Luz goes through a whole ton of trials for Amity’s job and comes up to her door with an apology already prepared. Only for her words to die in her throat upon seeing Amity’s new haircut.

You see, while Luz was busy facing her guilt, Amity was facing her feelings. Through a wonderfully adorable interaction between her and Emira, Em makes the great argument that it doesn’t matter how Amity acts now because of Luz because she’s never been this happy before. It’s a sweet moment that I always think about when it comes to Amity’s relationship with EMIRA, but the meat of it brings up exactly what I’ve been saying most of this review. Luz is the best thing that has happened to Amity, bringing out her best qualities and being brave enough to go against her parents. Remembering that gives Amity confidence to do something that makes HER happy, this time without Luz motivating it. I mean, Luz would have likely encouraged it anyway, but it is smart that it’s a decision that Amity makes without Luz’s input. After feeling frustrated by Luz making her do stupid, risky decisions, I like how we see Amity deciding to dye her hair as something SHE wants without the supposed source of Luz influencing it. It’s a risk that could cause Odalia to be upset about, but it’s worth it for Amity’s happiness…and the effect it has on Luz. But that last part is just a bonus.

Speaking of Luz, she once again proves why she’s so amazing to Amity. She didn’t HAVE to go through so much to get Amity her job back. Amity already blames herself for the incident and was willing to accept the consequences. Then here comes Luz, fixing Amity’s problem without her having to ask for it. It was done out of guilt, but it doesn’t change how Luz, despite any consequence, will always make things better for Amity. It’s a good deed that proves to Amity that any stupid mistake is worth it because she'll always be happy when she’s with Luz.

…And then Amity kisses Luz on the cheek. A moment that surprised everyone, including the audience, Luz, and even Amity. Seeing Luz and the hell she went through to get Amity her job back filled Amity’s heart with so much admiration that she was thinking on impulse. Only for her to immediately regret it because she just kissed her crush BEFORE admitting her feelings. It’s definitely a leap too far and revealed Amity’s crush to Luz before she was ready. And while WE can see the look of awe in Luz’s eyes, Amity’s more focused on the general shock in Luz’s expression and chooses to run away instead of explaining herself. A shame, too, because…look at this face.

That is the face of a girl who finally realizes that she has a chance with her crush. While Amity is too busy panicking about messing up HER chances, Luz numbly falls to her knees, overwhelmed by the most magical thing that’s ever happened to her. And that’s saying a lot.

Like I said, everything between Luz and Amity in this episode is perfect, with the adorable antics mixed evenly with some light angst. I love it a lot and I adore how the next episode quickly addresses the kiss. The writers KNEW that they couldn’t move on to other antics and adventures with new characters without at least ADDRESSING the kiss. All they had to do is have Willow say that Amity missed a school day and that’s enough to tell us all we need to know: Amity’s too embarrassed about the kiss and is avoiding Luz because of it. And Luz understands that. It took a kiss on the cheek to do it, but she finally understands that Amity has feelings for her. She also understands that the ball is very much in her court. If Luz wants to go out with Amity, SHE has to ask Amity out because Amity is too much of a nervous wreck to do it. The problem is that Luz has a different fear of her own, regarding the matter. A fear that a certain someone helped her out with…

Knock, Knock, Knockin’ on Hooty’s Door-Ooooooooooh, NOW we’re onto the good stuff…

“Knock, Knock, Knockin’ on Hooty’s Door” is the best episode of the show. Or second best. Honestly, it’s always a toss-up between this and “Thanks to Them.” Both are very good episodes of television for different reasons, with “Knock, Knock, Knockin’ on Hooty’s Door” being great for solely focusing on the members of the Owl House and what makes the show so damn good. You get some great comedy from King trying to figure out who he is, well-done drama and tragedy with Eda’s backstory and curse, and some cute, gay fluff with Lumity.

Luz’s vignette begins perfectly by showing how her feelings for Amity are distracting her from figuring out a way home. Luz KNOWS she has to ask Amity out, but due to being rejected one too many times, she isn’t sure how. Amity is the first crush Luz has had to ever show feelings for her and she doesn’t want to mess that up. Unfortunately, her anxiety has left Luz distracted and unable to focus on figuring out how to get the echo mouse to do what Luz needs and help her learn how to build a portal home. She could ask Amity about it, but how can she get Amity’s help without addressing the kiss and how they BOTH want something more from it. Luz can’t ask Amity for anything without revealing her feelings and asking Amity out, and she can’t do THAT until she plans out the perfect way to ask Amity out. It creates this never ending loop in Luz’s mind, adding in an extra bit of stress that makes her life hell. Thankfully, Hooty is there!

Hooty, like everyone else, picks up that Luz is head over heels in love with Amity and needs a push in the right direction. The good news is that Hooty’s there to offer his assistance. The bad news is that he’s there to offer his assistance. His idea to kidnap Amity and lock her in the basement is more than questionable. It’s downright disturbing with and without context, but Hooty DOES have the right idea. Luz and Amity were NOT going to talk to each other unless SOMEONE forced them into a room and finally see one another face to face. Although, things don’t start off well with Amity IMMEDIATELY suggesting that they pretend that the kiss never happened. Luz panics because that’s the LAST thing she wants. Amity may be willing to forget something beautiful and perfect for the sake of keeping Luz in her life, but Luz doesn’t want to move backwards in their relationship. She’s terrified of taking that next step, but Luz still won’t allow Amity to entertain the idea of forgetting the kiss, distracting her with the goal of getting out of the basement, deciding to talk about the kiss later. Unfortunately for Luz, Hooty literally drops her and Amity into the last thing Luz wanted.

Under different circumstances, Luz might’ve loved the tunnel of love. For all we know, she might’ve fantasized about doing something as cheesy as a tunnel of love. The issue is that cheesiness is something that Luz is trying to stay away from. Due to still having this image of this heroic, aloof badass who will save Luz’s life like a knight in shining armor, Luz thinks that something corny and cheesy will make Amity think that Luz is a loser. Except that Amity has not only seen Luz at her most loseresque and fell for her anyways, Amity is also a loser herself. She drew fan art of herself with characters from her favorite book series and acts as a blushing mess around Luz. Amity’s not the super cool witch Luz keeps remembering fondly and is just as much into cheese as Luz would be. The proof is in HER reaction to the tunnel of love. While Luz is cringing her butt off, Amity is…confused. She has no idea what they’re in or what this whole thing is about. It’s not until Amity starts looking around that she picks up SOME idea of what is happening. Upon looking at the messages on the walls, realizing that they’re describing her, Amity comes to the assumption that this whole thing is some elaborate grand gesture for Luz to ask out Amity. It’s HALF right, that’s the whole point behind the tunnel of love. But instead of knowing that it’s Hooty’s idea, Amity believes it’s Luz’s, which you can’t blame her for. Luz’s whole thing is making grand gestures for people she cares about. It’s the very reason why Amity kissed her on the cheek. So when looking at the tunnel of love and think Luz is doing it for Amity, it shifts Amity’s reaction away from...

Confusion

To realization

To elation

To nervous excitement. Finally, at long last, Amity has what she thinks is definitive proof that Luz likes her. The moment is awkward and she probably prefers NOT to being dragged into a basement, but Amity’s willing to sit through all of it now knowing it might end perfectly between her and Luz. Only for Luz to start tearing the place apart and tearing Amity’s heart to shreds in the process. WE know why she’s doing it. Luz is trying to save face and avoid embarrassment, not letting the chance for a perfect romantic confession be ruined by all this cheese. But to Amity, what Luz does is the very reason why Amity was too scared to ask Luz out. When Amity finally allowed herself to hope that Luz might feel the same way as her, Luz destroys what Amity took as a sweet love confession, burning it all to the ground in a savage display all to make one message clear: Luz doesn’t want any of this. She even makes it clearer later that the whole thing was Hooty’s stupid idea. Again, WE know that Luz meant the tunnel of love, but Amity is focused less on actual tunnel and more on its meaning. The whole thing was meant to convey that Luz wants to go out with Amity, and Luz just called it stupid. Amity was already shattered when Luz was wrecking the place, but hearing Luz calling the idea of them dating stupid just about brought Amity to tears. It’s not what Luz meant, but it doesn’t stop Amity from misinterpreting the words and, worst of all, accepting them. Amity wants MORE than friendship, but she also wants to have Luz be close to her so she tries to live past the pain and laugh it off with Luz. Only for a single tear to betray that, making Luz realize her mistake…And causing chaos to start.

After Hooty thinks that he failed his friends, with Luz being the last straw, Hooty proceeds to have an emotional breakdown that nearly destroys the Owl House. Despite King and Eda trying to explain that he indirectly helped them, Hooty still clings to the fact that he failed Luz, who might be the only person who was currently left worse off after Hooty’s “assistance.” Most of it’s on her, but that doesn’t stop Luz from being backed into a corner where if she DOESN’T ask Amity out, Hooty would only get worse. When Luz explains her situation to Eda, she doesn’t waste a second to give Luz support. She offers great advice that if Luz wants to ask out Amity, she should ask her out. Perfection is NOT something to strive for in a relationship, otherwise you’ll be driving yourself crazy with every little decision. And if you’re too scared to ask a big question, putting it off until the perfect moment, you’ll end up losing your chance, something that ALMOST happened to Luz this episode. Eda gets that idea across in just a few little words, being the exact motivation Luz needs to finally go for it. Though, not before Eda yanks Hooty away to give them a more calm, PRIVATE environment. Because while Eda’s advice rings true, she understands that asking a girl out while a house demon is crying wouldn’t be the most romantic moment.

So, Luz and Amity get their privacy, Luz FINALLY explains herself, and…says something that requires me to go on a quick tangent. You see, a buddy of mine has this sort of nitpick where he doesn’t like that Eda and King got cool, new power-ups where Luz…didn’t. It’s part of this bigger problem where Luz isn’t really shown to be as capable in Season Two as she was in Season One. I get where he’s coming from and I PARTIALLY understand what he’s saying here. It does feel a little weird that Eda and King got new powers where Luz got nothing, but…that’s not entirely the point of this episode. The main trio are all looking for SOMETHING. King’s looking for knowledge of what he is, Eda’s looking for control through the chaos in her life, and both get rewarded by confronting what’s REALLY bothering them. King gets a booming voice when he vents his frustrations about feeling abandoned by his father and Eda gets a new harpy form when she asks for a compromise with the beast inside that went through as much chaos as her. As for Luz, what she’s looking for is certainty. Two episodes prior, Luz comes to the realization that she isn’t sure what she wants anymore. By believing that her adventures in the Isles will lead to her being a witch, she forgot to consider what kind of witch she wants to be or if she wants to be a witch at all. And two episodes later, Luz will be given ANOTHER uncertainty on whether or not she’ll return to the Isles. Might even explain why she isn’t as capable this season, as so much uncertainty has bogged Luz down to the point where she’s distracted and unable to focus on anything other than what’s in front of her. She’s also desperate for some kind certainty in her life, something that‘s easy enough to grasp and obtain. And the only thing that Luz is certain about at this point in time…is that she wants to be with Amity. It’s not as big as her wanting to go home or being strong enough, but that’s the point. It’s small, it’s manageable. Plus, for a teenager, going out with a crush is bigger than anything in your life. There’s a lot of reasons why Luz hyper-focuses on Amity, as it all boils down to the idea that no matter what happens, all Luz wants is Amity to be there with her. All she has to do is ask a single question. A question that could change everything if Luz has the courage. And she almost does, the words were coming out of her throat. Except that Amity beat her to the punch.

I’m fine with that for two reasons. Firstly, Luz was NOT going to ask Amity out with all the tension surrounding the importance of a single question. Amity blurting the question out first takes away the stress and allows Luz to finally ask Amity out with confidence that the answer will already be yes. Plus, this is a good character moment for Amity. Her biggest fear was asking out Luz due to a fear of rejection. A fear she was basically living through back in the tunnel of love. And here Amity is, met with more evidence that Luz really DOES like her. Hell, she’s pretty much saying it to Amity’s face. There’s no reason to be afraid anymore and just have to wait for Luz to ask the question that Amity’s been DREAMING to hear. Except that Luz is taking too long and, either due to the anticipation was killing Amity or because she fears that Luz will change her mind, Amity blurts out the question first. She finally pushed her own fear aside and went for it, with the results being very fruitful. I mean, look at their faces.

Every time I watch this scene, I want to bottle and sell the pure joy radiating from both their bright, smiling faces. After all that pining and hoping, these two are, at long last, together. Things are awkward and these two are mutually scared of dating each other, but that’s to be expected. They’re both each other’s first girlfriend and are a little nervous about what that could mean for the future. One thing for sure is that Hooty’s right. They’re adorable and deserve all the happiness.

It’s a bit of a shame that “Knock, Knock, Knockin’ on Hooty’s Door” is primarily remembered as the episode where Lumity became canon as there are equally great moments with Eda and King that make it the best episode of the show. But…you can’t blame people. This is the first time that a bisexual main character and her lesbian love interest became canon HALFWAY through the series. In previous media, this kind of thing could be done through implications, side-characters who appear once or twice a season, or waiting until the series finale. Luz and Amity getting together is not only a huge step in LGBTQA+ representation, but it also gives us more than enough time to see these two act as a couple. And the writers didn’t waste time on doing just that by quickly jumping in and giving fans little moments and episodes about Luz and Amity growing closer and stronger as a couple. How quickly?

Eclipse Lake-The very next episode.

In no time flat, The Owl House delivers cute couple nonsense, giving us the perfect glimpse of what a canon Lumity would be like. From the get go, they both seem so excited to be dating each other. Luz is grinning from ear to ear about calling Amity pretty and Amity is calling herself Luz’s awesome girlfriend at any available opportunity. I also love that most of the awkwardness is fading. Amity still blushes over Luz hugging her and calling Amity an awesome girlfriend, but that’s as far as things go. At least in this episode. So much of their interactions show how happy they are to FINALLY be dating, and you’re right there with them. As someone who’s been hoping these two get together since the damn near beginning, seeing them just slip into this pure, fluffy relationship with equal love.

But as adorable as things are—And they ARE adorable—this episode shows us the first problem in this relationship, particularly with Amity. Throughout “Eclipse Lake,” Amity’s dealing with the idea that she has to EARN Luz’s love. It’s not true, we know it’s not true, and even Amity didn’t think it’s true at first. But due to some meddling from Hunter, it gets into Amity’s head that if she ever fails Luz, they’re done. And the reason it gets to Amity so easily is because that’s how she functioned her whole life. With her parents, mostly Odalia, Amity grew up thinking that love comes with conditions and that if you don’t do what you’re supposed to then you don’t deserve love. Of course, it’s complete nonsense. Still, look at Amity in the beginning of the episode. Her treating Luz’s cold as this big crisis is the type of adorable overreaction that we would come to expect, but it’s more than Amity caring deeply for Luz. It’s Amity stepping up proving that she can be an awesome girlfriend to Luz. And looking back, with every time Amity keeps calling herself an "awesome girlfriend," it CAN come across as her going, “Yes. This is real. It isn’t a dream, it’s a reality.” With each “Awesome girlfriend,” Amity is reminding herself that she and Luz ARE dating and that they won’t break up as long as she keeps proving herself. Thankfully, near the end, Amity remembers that this is Luz they’re talking about. Luz loves grand gestures. After all, it was a grand gesture that made her fall for Amity. But Luz took an interest in being Amity’s friend due to warmth and nerdy fun that only Luz got to see, feeling attraction by seeing Amity’s strength, bravery, and just how cool she looks. Luz loves Amity for who she is and not what she does, and she proves that by hugging Amity the second she gets back. Amity doesn’t have to earn anything. She already has Luz’s heart and it’ll take more than a partially failed mission to change that. Her love is condition-free and I am so glad that “Eclipse Lake” immediately addresses this issue as Luz and Amity start their relationship. Us fans are ready for all the cute moments. Like Luz, in the next episode, immediately thinks of seeing Amity. She’s in the middle of a mission, and all she can think of is her girlfriend. The writers are quick to confirm that we’d get tons of the cute moments we were hoping to see, but an episode like “Eclipse Lake” proves that things won’t be perfect and that there are SLIGHT issues that these two have to work through. I honestly love that more than just giving us constant Lumity fluff. I wouldn’t mind it, but it’s sweet that we get to see them navigate being in a relationship. Instead of doing this on again/off again nonsense or holding off becoming canon until the series finale, we finally get to see a couple BE a couple as they persevere through every obstacle. Even in episodes that you wouldn’t expect.

Follies At the Coven Day Parade-Given the episode’s description and every single expectation going into the second half of Season Two, I was surprised to see that we’d get some more Lumity moments and an entire subplot about their relationship. Things start off cute enough with pet names, Amity getting flustered by Luz’s proximity, and Luz giving Amity a cheek kiss, completely shutting down Amity’s brain in the process. Things are adorable, but they don’t last when Amity notices Luz acting strangely.

Previously, Luz faced a fear of her own by finally telling Camila the truth about Luz’s summer. Things didn’t go well and it resulted in Luz feeling unsure about a lot of things. Will she return to Isles? Will she see her friends again? Could she and Amity be together? All these questions bounce around in Luz’s head and leave her anxious and trying not to show it. The only people she feels comfortable talking about her problems with are King and Eda, and that’s because as close of a connection that Luz has with someone like Amity, it’s nothing compared to what she has with King and Eda. They’re family to her and she trusts them with anything. With Amity…she and Luz have JUST started dating. Luz trusts her, but there’s more of a limit to it, all due to some issues that become MUCH clearer in another episode. While Luz feels she can say SOME things to Amity or share some secrets, Luz isn’t sure what would be too much baggage to drop on someone you’ve dated for a few days. Nor does Luz want Amity to worry. Being new to a relationship, Luz is too focused on keeping Amity nice and happy, not wanting to bring personal drama or conflict when things are going so perfectly between them. Except that Amity wants things to go differently.

Because Amity picked up that Luz was going through something, she wanted to figure out what. This time, it’s not out of wanting to prove herself worthy of love but instead wanting to just…help. To Amity, that’s what couples do: Help each other through mutual love and understanding. And with all the times Luz helped her, Amity only feels like it’s fair to return every single favor. But she can’t do it without knowing what’s wrong with Luz and it’s with this conundrum that the universe decides to give Amity a test. You see, Luz forgot her phone at school. A phone that has a video that can tell Amity exactly what she needs to know. Amity COULD play the video and figure out how she can help Luz…but that would be an invasion of Luz’s privacy. And given how Amity freaked out over her siblings and Luz nearly getting Amity’s diary, I’d say that the last thing Amity wants to do. Yet she still wants to. A small, selfish part of her wants to just play that video and finally help Luz. But if she does, she’ll breach Luz’s privacy and potentially risk losing some of Luz’s trust. It’s a situation where Amity knows the right answer, but it frustrates her so much that she’s desperate for any justification to act a little selfishly. Ultimately, she sticks with the right decision, and I’m glad that she does. All on her own too. Amity DID go to Willow for advice, but Willow basically gave a non answer, leaving it to Amity to figure out what to do. It’s for the best, because if Amity was told what to do, even though she already knew the answer, it would take the punch out of her final decision. But by far, the best thing about this, is how Amity reacts when she asks Luz what’s wrong.

When Luz saw that Amity holds out Luz’s phone and fears the worst, Amity’s quick to act. She doesn’t yell, act confrontational, or feel betrayed like most love interests in bad romantic dramas. Instead, Amity voices her worries, carefully asks Luz what’s wrong, and speaks with understanding when Luz makes her case. THIS is how a couple SHOULD act in a story. Not get into big fights and force a breakup to milk that drama, but actually TALK to each other for the sake of figuring out this problem together. Though, things aren’t perfect. Primarily on Luz’s end. In this scene, we see how Luz handles telling the truth about something uncomfortable. She looks away to hide how upset she is and forces a smile to give the illusion that everything is fine. It’s unfortunately something Luz does a lot around Amity, acting out of this “Keep things peaceful” mindset that does more harm than good. Avoiding the problem doesn’t get rid of it, nor does it stop Amity from worrying. The only way to fix things is by facing what makes you uncomfortable head on. Otherwise, it’ll fester and get worse. Luz was lucky this time, both for Amity catching on early and for being understanding enough to why Luz would want to be secretive. But if Luz remained tight-lipped longer, telling Amity the truth way later, Amity could have felt a little more betrayed by Luz keeping this secret from herand they would have LESS time to process it and figure out what to do. And I will admit that it IS a little strange that they never talked about what COULD happen if Luz couldn’t return to the Isles. They just kind of ignore it and go about things as normally as they could, almost as if they were expecting things to be fine between them. To be fair, the episode ends with them agreeing to take things one step at a time, but they don’t really go past more than one step. Despite that, I still love this interaction between these two. 

I expected Luz to tell Amity the truth eventually, but I didn’t expect it to happen so soon and so well. The writers found the perfect time for them to discuss Luz’s promise to Camila, nixing unnecessary drama for the sake of showing how healthy Luz and Amity are as a couple. EVERYONE appreciates that decision, because while couples CAN fight and argue, it doesn’t mean we want to see them do that. You root for a couple to get together and be mostly happy. Some angst can seep in, but don’t forget the good stuff. While Luz and Amity met with their first real obstacle, it’s nice seeing them work through it without an argument breaking out. It’s a good mix of fluff and angst that shows just what makes Lumity so good.

Although, not every story these two have together is perfect.

Any Sport in a Storm-I am NOT a fan of the Lumity subplot in this episode, which is CRAZY for me to admit. I love seeing these two together and seeing how perfect they are for each other. But this episode was NOT doing it for me.

I get the intention that the writers were going for. Luz and Amity spouting theories about who Azura’s author could be is meant to show that they’re both of the same mind, coming up with equally crazy theories together. On paper, I love this idea. It SOUNDS like a cute idea. But in execution, it makes Luz and Amity seem a little TOO dumb. They fully believe everything they come up with is plausible and it doesn’t sit right. I can KIND OF buy it with Luz, she’s said weirder stuff with conviction. For Amity, I don’t think any of it lines up. Again, I get that the intent is to prove that Amity can be just as weird as Luz, but there can be better ways of showing Amity’s weird side that doesn’t involve degrading her or Luz’s intelligence. Plus…did we really NEED this subplot? Did we really need Luz and Amity figuring out the mystery behind their being Azura books in the Isles? Just an off-hand comment about how Amity found her books in a box that washed up onto shore would have been more than enough. Over complicating it with having it be this big scam from Tibbles of all characters makes the whole thing weird and leaves me wishing that Luz and Amity went off to do anything else. There’s some good stuff like Luz calling Amity “beautiful” in Spanish, Boscha being jealous of their relationship, and Luz and Amity deciding to start a writing club after realizing they’re equally creative. I love this, but I’d much prefer it happening in a better written story.

But while we’re on the subject of better written stories…

Reaching Out-This…might be the best episode between these two.

Things start…not great. Not for Luz. We catch on quick that Luz is missing something big and is throwing herself into anything and everything just so she won’t think about it. Nothing that she’s doing is healthy and everybody, from the characters to the audience, can pick up on it. Still, Luz refuses to acknowledge her problem and hopes for SOME kind of distraction. And here comes Amity, having problems connecting with her dad and providing Luz with the distraction she wants.

It’s worth noting that Luz would have helped Amity any other day with no objections. That day, though? Luz’s main reason for helping Amity was so SHE wouldn’t think about her own problems. Luz still cares enough about what Amity is going through and offers nothing but support throughout the entire Bonesborough Brawl. The issue is that Luz’s heart and mind isn’t in the right place, leaving her both distracted and a little reckless. Er, well, more so than usual. And, of course, Amity picks up on it. After all the things that they went through together, Amity knows Luz enough to figure out that she’s a little off. Plus, Eda telling Amity that today’s a bad day for Luz definitely helps Amity figure out that something is wrong. And Luz…does the exact same thing she did in “Follies At the Coven Day Parade.” She brushes off the very notion that there’s a problem and pretends to be happy despite the emotional weight adding pressure to her heart. Now, there ARE a few reasons for this. Luz still isn’t sure if her and Amity are close enough for this emotional of a discussion, she doesn’t want to worry Amity while she needs help, and Luz is trying her best to avoid THINKING about the topic altogether. She doesn’t even go into the details with King and Eda, being vague with why it’s a rough day for her. If Luz can’t divulge the details to the people she considers family, then it’s not really anything against Amity. This is just a touchy subject that makes Luz uncomfortable to talk about it with anyone. But that doesn’t change how things would have gone smoother if Luz wasn’t so tight lipped.

If Amity knew what was going on with Luz, she would not have gone to her for help. Amity’s problem is more than winning the Bonesborough Brawl. It’s all about her trying to form SOME kind of connection with Alador, her father who was always too busy to notice Amity being in the same room as him. This is personal to her, and she wouldn’t want to burden Luz with more problems when she’s already going through something. But since Luz doesn’t offer the exact details, Amity allows Luz to help, only if she’s sure she’ll be okay. Except that Luz isn’t okay, she’s practically bursting at the seams and is making risky decisions with riskier moves. Amity notices all of it and CONTINUOUSLY asks Luz if she’s STILL sure everything’s fine. Luz lies and digs herself deeper into a hole when covering a mistake by attacking an Abomiton that Alador sent to watch Amity. Luz was acting out of anger, and didn’t tell that to Amity because then she’d have to explain WHY. So, she kept it a secret, hoping that Amity would win the brawl before any consequences came up. A decision that would quickly bite Luz in the rear as Alador showed up, called off the fight, and revealed to Amity that Luz lied. Again. Lying once in “Follies of the Coven Day Parade” was one thing. Amity figured quick that Luz was going through something and that there were no personal stakes to her at the time to make it an issue. Here, Amity has no idea what’s wrong with Luz. This was supposed to be a day to help AMITY, and Luz did nothing but lie all day. Doing it once is understandable. By doing it twice, Luz presents a pattern. It tells Amity that Luz would sooner lie to her instead of letting Amity know that something is wrong. It’s that realization, added with Alador’s pestering, that causes Amity to run away from BOTH of them. Alador is understandable enough, but for Amity to run away from Luz, a person that made her feel safe and comforted, just tells you how badly Luz screwed up. As for what happens next…Do you remember how I said in part one that Eda’s talk with her dad was my second favorite interaction in the show? Well, what happens next is my ABSOLUTE favorite.

We find Amity sitting at the tree she and Luz made, a symbol of their mutual trust and teamwork. And now its leaves are falling, making the tree look like it’s wilting away just like the trust Amity feels for Luz. Once Luz shows up, asking to take a seat, Amity doesn’t verbally respond. She gives a small, barely noticeable nod, but doesn’t speak. She doesn’t even look at Luz because of how betrayed she feels. Once more, I cannot emphasize enough how badly Luz messed up with all the secrets and lying, and she knows it too. She tries to apologize, but Amity wants more than that. She doesn’t want this to become a pattern and makes it clear she wants the truth now, no matter what it is. With Luz now backed in a corner, she finally comes clean about what’s been bothering her: Today was the anniversary of her dad’s death.

That truth is already sad enough, but the way Luz explains it is almost sadder. She forces a smile, acting like this isn’t a big deal and prefaces it in a way that’s almost rehearsed. Luz saying it happened a long time ago and how it’s no excuse for how she acts tells me she was scolded for acting up with people telling her those same things. Luz says it to Amity because she expects to get the same treatment from her, anticipating that exact same reaction. But when Luz looks at Amity…

All Luz gets is empathy, shock, and horror. On a day when Amity is dealing with a strained relationship she has with her father, she dragged Luz in to help when she's trying not to think about HERS. Not only that, but it’s a day when Luz WISHES she could be with her dad again, that they could just talk or do anything. And on that day, she spends it helping Amity and failing to do just that. It’s not like Luz can do anything else. She can’t go to the human realm, she can’t be with her mom, she can’t pick FLOWERS. It’s all these thoughts, realizations, and feelings that Luz has been trying to avoid all day, and it’s all coming out at once, breaking her. As for Amity, she gains an even better understanding of Luz than she ever had before. Luz is more than a nice person. She is someone who would push aside her own issues for the sake of helping someone through theirs. In this case, it’s partially for selfish reasons, but it’s no less true. Luz has a great amount of care for all of her friends, caring less about herself when they need her. Just look at all the times that Luz threw herself into danger for someone she loved. This episode is sort of the one time Luz thinks of herself first, using Amity’s problem as a distraction to hers, but every decision she makes is to help Amity, even if her focus isn’t a hundred percent on Amity’s problem. And when a new problem arises and Luz is too emotionally distraught to stand, let alone follow Amity, Luz makes a joke, fakes another smile, and says she’ll catch up later as if she’s not going to spend the next few minutes crying alone. All of it proves to Amity that there’s a tragedy behind the kindness that is Luz, as she would pick helping people over helping herself. 

So Amity decides that she won’t let this stand anymore. If Luz won’t help herself, then Amity will help her, pushing aside her previous betrayal and says that when everything’s over they will pick flowers together and do as much as they can while Luz is stuck in the Isles. Because Amity understands Luz now, and realizes that even the helpful can feel a little helpless at times, wanting to be there for Luz like Luz was there for her. It’s a beautiful sentiment, and you see in the astonishment in Luz’s eyes, mixed with the blush, that she finally realizes how much Amity really cares about her. Amity’s ALL IN with this relationship. No matter if it’s uncomfortable or is about something difficult to talk about, Amity will be there when Luz needs her. That realization astonishes Luz, and leaves her realizing she shouldn’t take Amity for granted.

“Reaching Out” didn’t really need to go as hard as it did. If it was just an episode about Luz helping Amity with a problem, it would have been fine enough. Instead, it gave us AND Amity insight about the sadness Luz hides away so no one would be brought down by it. And on top of that, we STILL got cute moments. Luz spinning around Amity while calling her pretty, Luz blowing Amity kisses, Amity being flustered by Luz’s awesome entrance. It’s all adorable, WITHOUT having these two kiss like it was originally planned. Speaking of which, as mind blowing as it would have been to see these two kiss, I’m glad they didn’t. It would have been too much and fans would have remembered this episode more as the one where Lumity kissed instead of the one where Luz opened up about her dad. Not to mention that it would have been a bit inappropriate for Luz to kiss Amity after opening up about her father. Luz saying, “Thank you,” and admitting that she can’t wait to pick flowers with Amity is more than enough to show how grateful she is. We don’t need a kiss to top off what’s already perfect.

And…that’s about it when it comes to Lumity episodes. Due to the show’s shortening, everything was coming to a close and we had no time to have an entire episode dedicated to their growing relationship anymore. We still got cute moments, though. Stuff like Luz and Amity sending messages with a ton of love hearts between episodes is always adorable to see and it shows that these two don’t need to be the center of attention to have an endearing relationship. It’s just that there’s no time to focus on JUST Luz and Amity anymore, so the writers have to squeeze them in at any opportunity they can…But still knew when to throw in the important stuff.

Clouds on the Horizon-People would call this a Lumity episode, but I wouldn’t. There’s so much focus on setting up the season finale and stuff going on with Amity’s family that the Lumity stuff, while incredible, isn’t what the episode is about. With that said, we still got ONE big moment that’s worth discussing. And we’re gonna break it down…

We start with Luz being nervously excited to see Amity again. They’ve been a week apart from each other and the first thing Luz does is climb up to Amity’s balcony as if she’s the Romeo to her Juliet. Luz is probably quoting the play in her head right now as she fusses with her hair to make it look better before seeing Amity. That is, until Luz overhears Amity’s little breakdown.

Amity’s whole life is crumbling down before her eyes. Her parents are helping the emperor do something terrible, she has NO idea where Luz is, and Amity is locked away in her room, unable to do anything about all of it. She’s trapped with nothing to do, and all she can do is think about Luz and what SHE’S going through. With the thought of Luz being in MORE trouble making Amity feel worse.

Funnily enough, it’s thinking about Luz that also makes Amity feel better. It’s just that she focuses on what Luz would say in this moment instead of what bad things COULD be happening to her. And Amity has an accurate understanding of what Luz would do and say, with the very idea of Luz’s warmth and kindness being enough to make Amity smile again, getting enough determination once more to fight to stop everything because she’s not letting a genocidal madman destroy everything before she has her first date with Luz.

Unbeknownst to Amity, Luz was hearing the whole thing, and agreeing with every word with gusto. In fact, I’m willing to bet that Amity said the exact speech Luz had planned to say, word for word. That just tells you how well Amity knows her girlfriend to take the words right out of Luz’s mouth.

And I love that the second they see each other, they both immediately run to each other, with Luz calling Amity "Sweet Potato,” keeping that nickname alive, and Amity jumping into Luz’s arms. It’s already adorable, making the Lumity fans happy with this incredibly cute moment. There’s only one thing to make it more perfect…and the show does just that.

BOOM! On screen kiss! And one with the smoothest animation possible, too! I like to think that’s an extra middle finger Dana gave to Disney, using so much of the budget all for a kiss. A progressive kiss between two girls, but a kiss nonetheless. And I can’t help but appreciate Luz’s facial expressions throughout all of it.

“Heh, my girlfriend is so pretty…”

“Wait what’s happening—“

“OH, we’re kissing!”

“Oh, we’re kissing…”

“Oh, wow…”

It is everything I could have asked for. And a little bit more.

Luz and Amity’s awkward reactions to the kiss is just a little cherry on top that I didn’t know I needed. Amity is embarrassed and astonished that she was brave enough to kiss Luz. The girl keeps making first moves and somehow STILL ends up being surprised that she made them. As for Luz, she’s embarrassed over the fact that she reacted to the kiss by going “Crikey.” Of all the things she could have said in this moment, it’s one random word that nobody would have expected. It’s perfectly Luz and helps sell this scene as a teenager’s first kiss. It’s ALMOST perfect, but the awkwardness and inexperience makes it a moment Luz and Amity will both cherish and regret. It’s the exact type of normalization that the LGBTQA+ community has been BEGGING to see, with The Owl House expertly delivering it.

And that’s…really the last big moment in this series. Don’t get me wrong, we still got cute bits afterwards. Like Amity defending Luz’s honor and Luz being amazed by Amity’s strength. Or in the very next episode where all Amity can think about is saving Luz or how it’s Amity tearfully begging Luz to run that temporarily convinces Luz to leave behind the Boiling Isles. You get the sense that their relationship is still going strong, but there’s rarely a sense of progression or focus, especially when we get to—

Season Three-Yeah, might as well lump the whole “season” together. Because with the writers only having three specials to wrap up the rest of the story, we have no time to build off of Luz and Amity’s relationship more than we’ve had. There were SOME cute moments, like…

Luz’s little video that she used to come out to her mom. The fact that Luz calls them Lumity in universe is perfect.

Their little dance in the rain was precious and everything fans expected.

All the little touches and kisses these two shared proved how comfortable they’ve gotten with each other over time. They’re past the awkward stages of their relationship and finally accepting that this IS their reality.

Their couple costumes are the best and it’s kind of funny that they become their default outfit for most of the season.

Luz knowing she’s in a nightmare because Amity misquoted Azura is how it should be done. Luz knows Amity enough to know that would NEVER happen.

And their last on-screen kisses just feels like a final middle finger to the network that screwed the show over.

I couldn’t get enough of these moments, and I appreciate all of them. But it doesn’t change how Lumity is never something that takes the focus in an episode. Instead, it’s something that just simply exists, which is honestly good for a different reason. It allows Luz and Amity to just…be. To prove that their relationship doesn’t have to be the center of attention to be a good couple. They’re in a comfortable enough state and have already gone through so much that there’s not much to do that wouldn’t be repeating what we’ve seen already. Besides, we do get SOMETHING beyond cute moments.

Due to there being three specials left with the series, a lot of characters got the short end of the stick, even for fan favorites like Amity. And while Luz’s role this season is to go through a goth phase, Amity’s is there to…just be Luz’s girlfriend. I explained in part one how fans didn’t appreciate this decision, but I learned to accept it. I see it less of a downgrade and more of a character progression. And it can be best explained through ONE image:

Luz is in a dark time in her life and Amity brings her attention back into the light. That’s Amity’s real role this season: Being to Luz what Luz was toher. With Luz shrouded in guilt about Belos and The Collector, Amity is there to do as much as she can to help cheer Luz up. Planning a way back home in the hope of surprising Luz with a win, coming up couple costumes, reassuring Luz that life is better with her in it, giving advice about the egg, and motivating Luz to save the world one last time. Luz was the person who helped Amity through the darkest part of her life and Amity’s trying to do the same. It’s a culmination of her character development, showing her being the same supportive person Luz was and proving that she can give as much as she takes. The best part is that it…ALMOST works on Luz. Everything Amity does is effective enough to temporarily take Luz out of this funk she’s in, to the point where most of Luz’s genuine smiles came from Amity’s mere existence. But it wasn’t enough to completely help Luz get out of her depressed state. It worked in spades, don’t get me wrong. Whenever Luz was at her lowest, Amity was there to cheer her up a LITTLE. It’s just that Luz was too deep in her guilt that it would take more than Amity being her wonderful self to snap Luz out of it. Still, it was better than nothing, especially considering how Amity was the closest source that left Luz indecisive about leaving the Isles forever.

Eda and King would have likely driven Luz to stay…but they’re not there at the moment. They’re separated from Luz, with any knowledge of their fates left unknown to her. As for Luz’s friends, she’ll miss them dearly but she can always tell herself that they’d be better off without her. And with Willow and Gus already getting along great with Hunter, it just makes Luz’s argument easier to convince herself with. But with Amity, things are different. Dating her was an act of Luz trying to gain some sense of certainty in her life after all the crazy things that left her unsure of even who she wants to be. Being with Amity is something Luz fought for and, if she wanted to give it up, she had two chances to break things off if having a girlfriend wasn’t an option. She could have confessed that they should break up after telling Amity about her promise or take the L in “Reaching Out” after screwing up Amity’s moment to shine. But She didn’t. Because Luz wants to be with Amity, more than anything. And Luz knows that if she stays in the Human Realm, then that’s the end of their relationship. With that being the LAST THING Luz ever wants, it makes her decision weigh heavier on her heart, making Luz feel even more guilt with each soft moment she has with Amity. Because Luz KNOWS she has to confess about staying eventually and actually plans on doing it this time. There’s no ignoring the problem and solving it on her own or lying about things being perfectly fine. Luz planned to have one last happy memory with the people she loves before bringing down the mood about her staying in the human realm. Then Belos happened, but instead of putting it off for a better moment, Luz still decides that she HAS to tell the truth. The only reason she doesn’t is that Camila stalls things by saying that they’re BOTH going to the demon realm to fix things. Luz agrees with that for now, but is still convinced that she has to stay home. She’s even ready to say that to Amity later, only to get interrupted by Kikimora’s insane plan to rule over teenagers. And by the time THAT’S resolved, Camila managed to help Luz get through her angst and help her understand that leaving the Isles isn’t an option. Which means that there’s really no reason to tell Amity or anyone else about the whole thing anymore. She could, but it’s not so big of a deal that she HAS to. Not anytime soon, at least.

To me, Luz wanting to come out and say that she’s staying in the Human Realm is done well enough to make it where she SORT OF learned her lesson in “Reaching Out.” I used to think the opposite and…yeah, it’s not perfect, but it’s good enough. Luz might still stall from saying the truth, and never does, but she still wants to. Luz was just struggling to find the right words or stalled for the right time. As for Amity, she knew that something was wrong but respectfully didn’t pry. Amity offered support when needed, but understood at this point that if Luz was hiding something, it was likely for a good reason. She’ll say it in time and Amity’s willing to trust Luz to do so. And while Luz never does, again, there’s no real reason or urgency to. Plus, trust me when I say that the last thing I want in the final season of The Owl House is more Lumity angst. I am perfectly content with there being primarily fluff between these two with just the SLIGHTEST angst sprinkled in.

I’m also content with the series ending with Luz and Amity STILL being together. They don’t break up, they’re not forced to separate, and neither die.

…Well, not permanently, anyways. The show ends with them together and still dating up to three or four years if the time skip is anything to go on. They got a chance to go on more dates, say “I love you” to each other constantly, hold hands and share soft kisses, go to Grom WITHOUT the drama, have disagreements they can work through, and…likely do adult things in the future when they’re ready for it. They get to go through it all together, likely for forever. I know that there’s this opinion about how it’s unrealistic for teen couples to stay together, especially ones who only ever dated each other, but…I don’t really care. For one, it’s a work of fiction. In a work of fiction, I WANT to see the cute couple get together, stay together, and ALWAYS be together. No sane person should want Luz and Amity to break up unless their reasons are “I don’t ship it.” These two are cute and have a healthy relationship that communicates well and learns WITH each other. These reasons make Luz and Amity one of my favorite fictional couples in animation, as well as the best thing in the show.

Lumity being the best thing in The Owl House goes beyond them being a cute couple. It’s ONE reason, but there are still others. Luz and Amity’s relationship normalizes LGBTQA+ romance, trading spectacle for sweet, awkward teen love that was a joy to see every time. It was also a joy to watch their bond grow stronger every episode, seeing the natural progression of rivals to friends to now girlfriends. There’s no forced drama or stretching out the romance. The writers figured that fans would want a cute couple to be a GOOD couple, so they prioritized as much as they could to make it as appealing as possible. It’s why Lumity works so well. It’s a part of the show that the writers knew they needed to get right, so they tried their best to do so. With it came an impressive romantic subplot that I, and others, couldn’t get enough of, for the adorable moments, showing us how far these two grew, and giving them both a happy ending they deserve. For me, I couldn’t have asked for anything better from a show I love.

Now, a normal person would stop their big, six part long review after talking about what they call the best thing about their favorite show. Save the best for last, and all that. But I…am an idiot who didn’t think this through. And there’s two more things I want to get out of the way before the conclusion. So tune in next time as we discuss the STORIES within The Owl House.

#the owl house #luz noceda #amity blight #lumity #what i thought about #the owl house reviews #long post #really long post #again #sorry #my bad

[steel-peony]

🌻Brassius headcanons🌻 (companion post to this one, now with added imagery (a single screenshot but so worth it))

-In his mid-40s but refuses to accept it, which manifests in ways such as: pulling all-nighters like a young student, skipping/forgetting meals, continuing to make an impression on gym challengers by leaping from the tops of windmills, roofs, whatever's convenient. Any of these habits could break his fragile body. Speaking of which...

-He started doing the wild leaps in school as a cool stunt and way to show off and be memorable, but he has a private reason also — it's his way of defying death and mocking his illness. By gods he's going to live and not only that, he's going to do it in the most avant-garde way.

-tbh I haven't pinpointed exactly what is his chronic illness. Asthma? Hey wouldn't it be ironic if he has a severe pollen allergy while loving and being surrounded by plant pokemon? (just like me fr) Also I'm still on the idea a friend told me of him describing his symptoms as thorny vines in his lungs (which could be his creative way of describing a common asthma attack, and of course he styles his hair in the same manner because he's just Like That).

-Nature and the turns of seasons are his religion. He dabbled in paganism in his younger days. Found the modern practices too commercialized, but keeps it in his heart, in private.†

-Super pretty when he was younger. Wore his hair long, and with it being so thick and wavy, it cascaded about his (fuller, more lively) face and slender neck, even when he had it pulled into a ponytail. Stormy grey eyes always in deep contemplation of Art. Elegant ways of moving and speaking, radiating beauty with every step and word... honey what happened.

-(Nothing, it's all still there if you know what to look for and Hassel sure does, he is an expert on beauty, after all!)

-Hassel 💗💗 What a long, complex history he has with Hassel. They were good friends as students long ago, both being in arts & music classes. Brassius looked up to the multi-talented Hass from day one, always inspired by him and his bravery. Of course he fell in love with his muse, but for one reason or another, they never could quite be together, at least for very long. It might take Hassel until the present to reconcile his feelings, but will it be too late? (please I have a whole fic I want to write about this, of course I love them being Extremely Married but consider this: 20 years' worth of Mutual Gay Pining and the angst what follows)

-Just like born musician Hassel has some art in him, natural artist Brassius has some form of musical talent. After all, he's the Verdant Virtuoso — a term that skews toward musicians. I like to think he's got a good singing voice.* Belts out tunes while he's in the Art Zone. In perfect Spanish Paldean because he's bilingual.

-Whenever the mood strikes him (rarely, anymore), this guy can get a little kinky. He may carry a rope to help him climb high for tall sculptures (I guess???), but it also comes in handy for tying up unruly dragons~

-He's had many more partners in the past than Hassel has, and therefore a lot of practice. Not so much these days, however. His art, gym, and health come first.

-The Surrendering Sunflora Story: it's easy to tell that Brassius, at the beginning of his art career, let his personal vision suffer because he was focused on being more of a content creator, gaming that algorithm in endless pursuit of fame, fans, and money. The stress got to him, making his illness flare up to near-fatal levels. Was there anything else stressing him out at the time? Was he battling debilitating depression as well? Because he was prepared to die from it all — whether or not his debut work succeeded. And then Hassel appeared. "It was then I met Hass." So they must have become friends a little later in their student lives? Out of nowhere comes Hassel to remind Brassius of the meaning of Art, and that saves his life. Where's that meme picture of the creature holding onto a wall and going i think i need a moment wait

-It's p much universally accepted that Brassius gave Hassel the Applin that would evolve into the latter's Flapple. I think Brassie did so after the Surrendering Sunflora exhibition was complete to express his feelings. Unfortunately, Hassel, not being from this part of the world and unfamiliar with nearby Galar's customs, thinks it's simply a friendly gesture of appreciation. Hang in there, Brassie ❤️‍🩹

-Maybe once Hass figures it out he'll give Brassius a Dipplin in return. "There are two bodies sharing one sweet home! It's more symbolic than the Applin, right? Surely they know this in Galar...?" "No, Hass, Dipplin's apple is only found in a region that's very far away, so it doesn't have that kind of meaning..." "🥺🥺😭 B-BUT IT'S USSSS"

†Meta: isn't the Pokemon world inherently pagan? I know we like to throw around the name of Arceus and/or Mew as though they are God, but... they're not really? Do not let me get theological on this post about my grass blorbo hfhfhsh

*Look, his deep, deep Japanese voice did things to me, and learning that seiyuu Nakai Kazuya voiced Mugen of all people (and some other guys I guess, Zoro if you go there) amuses me to no end hhhn

#gym leader brassius #brassius #ephemeralartshipping #hassius #pokemon sv #pokemon scarlet and violet #please enjoy my brainrot #rotating them in my head 24/7 in between other paldeans haha

[strawberryfairi]

Synopsis✨: The story of how you catch heavy feelings for the hot photography student, Shuji Hanma…even though you already have the perfect (fake) boyfriend.

Pairings: Photography Student! Shuji Hanma X Dance Major! Black Fem 🤎 Reader (ANYONE CAN READ🧚🏾‍♀️) Content: Drama, lots of denial, angst, sneaky link, lots of cheating, mutual pining, unserious Shuji, controlling parents, forced relationships, romance, fighting, porn with a good plot vibes, intense sexual tension, etc (just find out the rest lol)

(A/N🧚🏾‍♀️: First chapter might be a lil boring, but the tea begins in chapter 2)

w.c: 4.4k💠 Released: Jan 5, 2024

Next Chapter Chapters Masterlist

1; HOMECOMING 返校

It's homecoming today. One of the most stressful but most exciting days in the entire school year. It serves as a debut of both the cheerleading and dance teams, and of course the football team. In your case, today will be your first homecoming as dance team captain and choreographer.

Your freshman year was grueling, but you dedicated almost all of your time and energy into forming a proper dance team with high respect and credibility with the help of your good friend from senior year in high school, Emma Sano. Now, in your sophomore year, the grind absolutely did not stop. You have a team full of twenty girls (including yourself and Emma) to lead, and today will prove to be the hardest list of tasks you've ever checked through so far in your life.

"Mornin' baby." Your boyfriend Ken murmurs groggily, leaning over you to gently kiss your warm cheek. You're both snuggled up together in his dorm suite bed, as you had stayed the night in his room per his request. You smile tiredly, turning over to face him. "Morning."

The two of you have been together for quite some time now, a good two years and eight months. Though those years may seem significant or like a milestone, the relationship has always been stagnant. A boring, straight line. You're boyfriend is sweet, kind, mostly all of the above, yet he's just...never really been right for you. Why not break up?

Well, your parents are the ones keeping you both from leaving each other. Your mom, a part of the administration of the university, and Ken's father, the football coach, famous for cultivating champion players that later move on to the NFL in the states by senior year came together with the plan for you two to date.

Why not just do your own thing and date who you want? Your mom had made it clear that if you don't keep up the charade of the perfect college girl with great grades and a boyfriend with a great future, you'd be out of the school in a heartbeat, and out of dance for good. She says you need to be perfect in every way in order to gain success, especially as a dancer, and being already in a relationship will keep you from getting distracted by other guys during your four years.

Same goes with Ken and what his dad told him. In their pursuit of star students they went and 'hooked you two up', completely ruining what could have been a good friendship and maybe even relationship had they not rushed it. But honestly, it's not the utter worst being with Ken, though you wish you had a say in the kind of guy you wanted for yourself. It's hard having to force out a genuine sounding 'I love you' every day, and especially, have sex with someone you don't even feel anything for. Nevertheless, the two of you equally sucked it up and learned to 'love' each other.

"Big day today. You ready?" Ken grins, looking down at you with an excited smile.

"Nooooo." You groan, pulling the blankets over your head and snuggling up close to Ken's chest.

"Nah, don't say that! This is our big moment; been workin' hard for this." He shakes his head, tugging the sheets off of your head.

"I'm so nervous, and it's gonna be so hard trynna get the girls focused. You know all people think about is sex and the afterparties on homecoming." You frown.

"You're a leader, babe, they'll listen to you. It's just as important for them as it is for you. They'll tighten up when it's game time." Ken assures, stroking your bare shoulders comfortingly. You sigh, trying to bask in this moment of peace before the chaos inevitably ensues.

"Did you know I was approach by those school newspaper folks you always rant about yesterday? Allegedly, I'll be interviewed today since this is such a 'pivotal moment for the university, as the first ever dance team will be involved in the homecoming night experience'." You chuckle, doing a faux reporter voice.

"Oohh shit, they got you too, huh?" He lets out a breathy chuckle, flipping over onto his back, taking you along with him to rest on his chest.

"They sure did. At least I know what I'm getting into thanks to you, Mr. Quarterback. Maybe I'll see you at the interview room?"

"Maybe, depending on what time they want us there. We got interviews at ten a.m." He shrugs.

You pout with a light huff. "Awww, ours isn't till one."

"We'll see each other tonight, baby. We'll have the whole night actually." He purrs suggestively, sliding both hands down your back and giving your ass a firm squeeze.

"Hey hey hey! None of that till later!" You giggle, pushing away form him to try and get out of his tight grip.

"Can't wait..." He grins.

💎

Interviewer: "Can you discuss your vision for the team's performance at homecoming? What elements or themes do you plan to incorporate?"

"Considering it's the first year, how do you plan to make the performance memorable and reflective of the team's identity?"

"As a new dance team captain, how will you inspire and motivate your teammates, especially considering the excitement and nerves associated with a debut performance?"

~~~~~~~~~~~~~~~~~~~

"They threw out all kinds of questions I wasn't ready to answer!" You rant into the phone, plopping down onto the chair outside of the interview room.

"I told you. It's intense ain't it?" Ken chuckles on the other side.

"Yeah! I feel like they should've at least done like a pre-interview or a practice run. It was so hard trynna answer those questions right on the spot like that!" You whine, facepalming. You take a deep breath then exhale, calming yourself down so you wouldn't annoy Ken with a bunch of ranting.

"Ugh, sorry, I don't mean to throw you off. I know you're getting ready too. How's everything going?"

"I'm all good, babe. I just wanna get on the field already." He murmurs.

"Facts. That's exactly how I'm feeling. It's gonna feel amazing once it's all over." You nod, fiddling with your top unconsciously. You hear the coach yell out to Ken from in the background, urging him back.

"Hang on, I gotta go. I'll talk to you later, alright? Love you." He says abruptly.

"Oh ok. Love you!" You hang up with a little sigh, getting ready to go over into the next section of the day. Just a few more hours now until the game starts.

4 Hours Later

"GUYS!" One of your freshman girls, Himari hollered, bursting through the doors to the dance team dressing room. You and all the others who heard her paused your conversations, looking at her with the same confused expression.

"What's going on now, Himari?" You huffed with an exasperated sigh. You loved her, you really did, but damn she's always got something going on.

"My body glitter just broke and spilled all over the bathroom floor! I hate my life!" She wailed, slumping against the door behind her, sliding down dramatically.

"Oh shit..." You murmur with a heavy facepalm. The girls all gasp, rambling about how they'd be so pissed if that happened to them. You'd be pissed too not gonna lie, if your expensive ass Fenty Glow broke like that...oof, you'd be seething.

"Just like..lay some paper towels down over it or something until we can find someone to clean it." Emma tells her, putting her focus back on the final touches of her makeup. You didn't have time to solve not another issue, thankfully that was easily solved as one of the girls Reina just let her use some of her body glitter.

You're only half dressed right now and still need to do your makeup and hair with only forty five minutes left. Nude tights with your elastic ankle braces was all you had on, you're not eve sure if that could really count as half dressed. Hurriedly you strip out of your school hoodie, chest completely bare as you grab your costume tagged with your name from the long clothing rack.

The costume this year was ten thousand times better than last years, as this time you were able to utilize design student Takashi Mitsuya from the university across the way from yours. He absolutely slayed the outfits, bringing out exactly what you were imagining. Your school colors are black, white, and silver, so the main color of the costume is a shiny black with accents of silver. It's a bodysuit, long sleeved with the silver as sequins on the cuffs of the arms, neck, and around the legs. A large cut out on the left side of the stomach area is also outlined with the silver sequins. Simple, yet such an effective, sexy design.

When you finished changing you quickly got to work doing your makeup, sprawling your products out on the table next to Emma and plopping down into a seat, whipping out your beauty blender and brushes.

"Easy girl. We still have some time. You know you move fast." She says softly, checking out her makeup in the vanity. "I know, I know. I'll just feel better once I'm ready." You huff, priming your face before pumping some drops of foundation on your beauty blender.

For makeup everyone has a silver lid eyeshadow look with black winged eyeliner and small jewels lined across the liner, topped off with a nude pink lip. Your hair was simple, an afro that you picked out nice and big, your bangs slicked down like a headband so you could see while you dance.

After a bit over half an hour you along with all the girls were finally ready.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

"Alright y'all, when we get out there, it's complete focus. Lock the fuck in." You warn, tone dead serious. You and your team are huddled in a large circle near the entrance to the wide football field. It was almost time for your performance.

"Freshmen, bring your absolute A-game, y'all hear me?"

"Yes ma'am!" The answer back instantly.

"Now, it's time to stunt on those cheerleaders, okaaaay!" You beam, smiling wide enough to show off your single dimple on your left cheek. The girls cheered, laughing and making their little jokes and jabs at the cheerleaders.

The dance team vs. cheerleader rivalry had been going on ever since you started this program. Of course, the cheerleaders were always the number one attraction during homecoming and all other sports games, but now that you all came along, it's actually some competition for them. It boosts you up every time seeing them get flustered and annoyed when your girls and you steal the show. It's especially bad when the boys get involved.

"Let's line up!" You command, beginning the line while watching all the girls get into position behind you.

The announcer finally acknowledges the dance team, giving the queue for the lights to turn off throughout the stadium. The crowd hoots and hollers as the field goes black, save for the phone lights and moon shining down brightly.

You take a deep breath, steeling yourself and rapid heartbeat, strutting out onto the field already in 'character'. The girls follow behind you, all getting into your practiced formation, waiting for the music and lights to come on.

After the thirty second time frame is up, the music begins, starting with the newest hit by Nicki Minaj: Everybody. Lights come on right when you all strike the first pose, making the crowd go wild.

~Aint' gang if you let shit slide Ain't bad if you gotta dick-ride Big guns and a lotta zip ties Said she look like me, quit lyin'~

You begin dancing, a little solo moment during the intro as the girls hold their pose. When the beat drops the girls join in, all of you going full out. The energy is so high all throughout the stadium, just how you want it. Some folks in the stands along with the football players on your side were dancing along excitedly. So far it's a hit.

3rd Person POV

Shuji's canon camera snapped shot after shot, taking skillful, clear pictures of the dancers in front of him. This was a pretty big opportunity, seeing as only the top students are allowed to photograph for events like homecoming and school newspaper posts, important things like that.

He didn't necessarily consider himself a 'good student', he honestly wasn't, yet the faculty couldn't help but acknowledge his talent as a photographer, so they gave him this chance.

He'd deliver though, and turn up with better pictures than the three other students out here snapping away half-assed, hoping for a couple nice shots out of nearly a hundred. They don't know how to wait, but Shuji does. He has a natural talent for patience when it comes to finding the right moment. It's like he can see it coming, then he freezes time, capturing it in perfect quality and light.

Looking through the viewfinder, he adjusts the lens, preparing for a shot right on the soloist. Waiting a few seconds he watches her dance, capturing the exact moment he was waiting for. She spins then stops in the perfect pose, one hand on her hip while the other arm is extended outward, her hand in an elegant gesture. Her leg is extended a bit with her arm, the ball of her foot on the ground giving her leg a slight bend.

His brows raise slightly as he looks up from the camera.

Her solo continues for just a bit longer before the other girls join, but for some reason, Shuji's eyes are still stuck on that one girl. He takes a moment trying to figure out what exactly about her made him react like that. She's a great dancer for sure, her movements fluid, exact, and graceful; sexy. But that's to be expected of an aspiring professional. Maybe it's her overall look, deep brown skin, big hair, and a gorgeous toned body. She's a sight, something interesting enough to catch his attention.

He goes back and forth, watching then snapping, watching then snapping. Then the girl spins once again, this time bringing her left leg into the air. It felt like slow motion what happened to him. Her anklet, looking as if it practically slid off her small ankle, flies right towards him just a few feet away from her. Instinctively he catches it with one hand, the other steadily holding the camera.

It's a gold anklet, real gold it seems. A chain with little designs carved into it. A light smirk makes it's way onto his lips as he places the piece of jewelry into his pocket.

Reader's POV

The dance routine lasted a grand total of twenty minutes, full halftime, and by the end you all were rushing with adrenaline. There wasn't a single mistake, and the stands were hyped. You couldn't help but smile as you all gracefully walked off the field and onto your designated spot on the bleachers, the section to the left of the cheerleaders.

The main event for the dance team was over, and it felt like a huge weight had come off your shoulders. You inwardly thank God that everything went better than you'd imagined from morning to now. All that's left is your short routines throughout the game, similar to what cheerleaders do, just without all the pep and bows.

Now you could officially pay attention to the game, and your boyfriend as the night went on. Apparently, your school the Jaguars had started out losing to the Kings, at a four point deficit until they started catching up. They'd officially surpassed the Kings just minutes before your performance.

There's a clean cut negativity that wafts over to your side of the bleachers whenever you and the girls do your routine coming right from the cheerleader side.

They have a captain as well, an upperclassman named Cho. She's a junior, and a bitch. You remember spending your first semester trying to become her friend for a while, but for some reason that you no longer care to worry about, she just never liked you. Her attitude whenever you spoke to her was ridiculous, so after a while you just stopped.

It was childish to you, the whole dance team vs. cheerleader rivalry, but it's how it just has to be apparently. There's no option of peace and being friends, so if they want to start shit you and your girls will be the ones to shut it down with poise. You knew why Cho was so mad right now, giving you her best side eye as you danced.

The cheerleaders didn't get as big of a spotlight this year seeing as the halftime show was dedicated to your choreography. Cameras and eyes were all pointed to the dancers, only occasionally turning to snap some pictures of the girls routines.

Did you feel bad? Hell no. You worked way too hard to be pressed about some hatin' ass girls in the back.

The game lasted another hour and about a half until it was finally over, a win for the Jaguars! The crowd was going insane, all the players huddled on top of each other in a pile, smiles everywhere. You felt like you were in a movie. The day was finally over, for both you and Ken. When the huddle broke up you hopped over the bleachers and past folks cheering, Ken unsuspecting as his back was towards you.

"Aaaaahhh!" You squeal excitedly, jumping up and wrapping your arms around him from behind. Ken makes a noise of shock before he realizes it's you, turning around and hoisting you up in his arms. Without a word the two of you kiss, completely blocking out the rest of the world.

Your hands cup his sweaty face as you continue, putting all your energy into it to show how proud you were. It's moments like these where your relationship actually feels real. Sharing a large accomplishment together, kissing publicly as a means of showing each other just how happy you both were.

Ken pulls away, setting you back down on the ground with a wide, beaming smile. "We did it babe!"

One of Kenny's teammates rather obnoxiously breaks your little moment up before you could even speak. "We gotta celebrate, man! Let's get to that party!"

Ohhh yes, the party...

Honestly, you weren't really in the mood for any parties, not after all the work you had to do today. If you could have it your way, you'd be chilling out in either yours or Ken's dorm room, having a special, intimate night with just each other. But he really wasn't that kind of guy. When the people need him, he shows up, and after something a huge as homecoming, he'd for sure be getting wasted tonight.

"Imma go and get changed and stuff now, K? I'll meet you out here unless you're gonna head to the party with the boys?" You tilt your head to the side.

"Nah, I'll wait for you." He shakes his head, giving you a peck on the forehead before you run off into the changing room.

As you make your way down the hall towards the dressing rooms for cheerleaders and dancers, it's nothing but hollering and cheers same as outside. You shake your head with a grin, pushing open the doors to the dressing room.

"WOOOOOOOO!"

A good seven of your girls cheer as you walk inside. You all do a little celebratory dance together, posting on each of your instagram stories as well as the dance teams insta page that you run.

"I just wanted to say on behalf of all of us that we're so proud of you and all the work you've been putting in since last year. We wouldn't have been able to pull off such an amazing performance without you and your creativity." Emma says with a proud smile. Your heartstrings pull and tighten at her sweet, heartfelt words.

"Ugh, stooop!" You whine, pouting your bottom lip out.

"No it's true! We love you so much, and we're so glad to have you as captain. You're so hardworking and always want the best for us; you're the best." Himari chimes in, placing a hand on her chest as she starts to tear up.

"Y'all...I don't even know what to say. That is just so sweet. I love y'all so much. I wouldn't even have my dance team dream come true without y'all joining and supporting me in the first place. So really I should be thankin' y'all." You sniffle, vision blurring from the tears pooling in your eyes.

"Wait! We absolute cannot cry this makeup off!" Emma outbursts, making you all laugh in response. She was right though, not only was our makeup bomb, but it also took forever and a lot of work to do. No crying tonight!

You all break up the sappy moment, going and getting semi changed for the afterparty. It was a frat party, so it was gonna be huge. Not only would the football players be there, but the basketball and soccer boys would pull up too. As you grab your sweatpants, you freeze just before you could step in with your left leg.

Something was wrong, your gold anklet was missing.

You distinctly remember putting it on before the show. This anklet was special to you, it being  something that your mom gave you as a fourteenth birthday gift. It's real gold with intricate designs in the chain, simple but elegant, and beautiful. You wear it for every performance, almost like a good luck charm even though jewelry isn't advised.

You gasp, searching all over your little area, the clothing rack, and even Emma's stuff which is sat next to yours.

"Guys!" You call out. Everyone turns to you, confusion on their faces.

"Have you seen a gold anklet around? It's just a simple gold chain." You add, your tone worried as you frantically start searching through everyone's things.

"An anklet? I haven't seen anything." Is all that goes around as the girls help you search in confusion.

"No no no." You repeat to yourself, feeling tears start to prickle in your eyes all over again. It couldn't be gone, it just couldn't.

"Don't worry, just try to backtrack, ok? When did you last see it?" Emma asks, coming over to your side and helping you look.

"I remember puttin' it on before the game. I know for a fact I was wearing it." You shake your head, still rummaging around.

"It might've come off at some point during the game..." She says.

"No, not on that big ass field, it could be anywhere! What if someone stepped on it?!" You ramble, getting all worked up and upset all over again. Emma gives you an apologetic look, unsure herself really of what to say or do to make you feel better about this. You both knew it was highly likely lost in the sauce, trying to find that thing out there is like searching for a needle in a haystack.

"I'm sorry girl." She says softly, placing a hand on your arm comfortingly. You let out a frustrated sigh, going back to putting your sweatpants on. Now you really weren't in the mood for this stupid afterparty.

You finish changing, packing all of your things into your Nike duffel bag lazily. "I'm heading out to the party with Ken, I'll see y'all." You call out to the girls still in the changing room. You all share quick goodbyes as you head out.

Standing in the hallway you take a second, looking out at the opening to the field one more time. You really loved that anklet, and hoped maybe it just came off while you were at the bleachers. If it fell off there, it may be a good chance it's still in the same spot..?

You purse your lips, brows furrowed as you decide to go and search. Deep down you had a feeling it wasn't going to be there, but you were hopeful that maybe that feeling was wrong. You run out passed the people still left chatting on the field and some of the bleachers. It had quieted down faster than you'd thought it would, everyone probably already heading home or to the afterparty. You make it over to the bleachers you'd been sitting at, placing your duffel bag down as you search the entire row along with the ones above and below it.

Nothing. No sign of your anklet at all.

With a defeated sigh you plop down on the bleachers, facepalming as you take in the loss of your special piece of jewelry. Now that you were still, you finally noticed your phone buzzing over and over in your sweatpants pocket.

It was like every app was screaming at you for attention at the same time. Instagram, Imessage, Snapchat, Twitter, the list went on. Opting for Imessage first, you look at all the texts you have.

Best Friend #1👩🏾‍🤝‍👨🏻 GET UR AZZ TO THIS PARTY LIL GIRL😤!! I need somebody to get sturdy wit

Y/N💜 I AIN'T NO LIL GIRL LIL BOY😤 Imma be there soon

Best Friend #1👩🏾‍🤝‍👨🏻 U trynna pick me up some fireballs👀🫦🙏🏼??

Y/N💜 🙄Bye Kei...

You loved Keisuke, he's like an annoying older brother to you, and always finds a way to make you smile, though you two don't talk too often.

Emmy's🩵 Hey so my brothers are actually taking me out to dinner tonight so I won't be at the party🥺. Have fun with Ryugujiiiiii😈

Aw damn, Emma won't even be at the party?! You frown a bit but understand. Her brothers love her like crazy so it made sense they'd wanna take her out to celebrate. You send a quick "Awww that's so sweet! I'll see you later girl" and exit out of the chat with her, finally looking at everything Ken sent.

Big K💖 Wya? Been waitin for a while

Big K💖 U comin?

Big K💖 The guys are pressing me

Big K💖 We're leavin now

Your jaw drops as you reread the last text. He just left without you?! Is he serious?! He was supposed to be your ride! Emma and the other girls had already left, and Emma's not even going to the party anymore. Immediately you open up your chat with Keisuke again.

Y/N💜 Bro... Why Kenny leave me😐

You didn't expect him to respond since he's at the party but you went and sent the texts anyways. Now you'd have to go and put your duffel bag back in your dorm then Uber all the way to the frat part. Ridiculous...

A/N 🧚🏾‍♀️: Y'all don't understand how excited I am about this story! Also, having Keisuke Baji as your best friend is just chef's kiss in my opinion, like, I did my big one with that! But yes anyways, so excited about this, definitely put my whole coochie in this story y'all so like eat it up! Like, comment, reblog for sure. See you in the next chapter💖✨

P.S.: I'll have the next chapter soon (I don't really have a schedule yet for updates but if you guys really like it then I'll prioritize)

#shuji hanma #hanma shuji #shuji hanma x reader #shuji #hanma #draken x reader #draken x black reader #shuji hanma x black fem reader #shuji hanma x black reader #a mile away㊙️ #strawberryfairi #black fem reader #shuji hanma x you #its complicated #shuji x reader

[kakita-shisumo]

In which I sound off for much too long about PF2 (and why I like it better than D&D 5E)

So, let me begin with a disclaimer here. I don’t hate 5E and I deeply despise edition warring. I like 5E, I enjoy playing it, and more, I think it’s an incredibly well-designed game, given what its design mandates were. This probably goes without saying but I wanted it on the record. While I will be comparing PF2 to D&D 5E in what follows and I’ve pretty much already spoiled the ending by the post title (that is, PF2 is going to come out ahead in these comparisons most of the time), I don’t want there to be any misunderstanding about my position or intention. My opinions do not constitute an attack on anybody. For that matter, things I might list as weaknesses in 5E or strengths of PF2 might be the exact opposite for other people, depending on what they want from their RPG experience.

As I said before, 5E is an exceedingly well-designed game that does an exceptional job of meeting its design goals. It just so happens that those design goals aren’t quite to my taste.

# A Brief History of the d20 RPG Universe #

I’m going to indulge myself in a little history for a second; some of it might even be relevant later, but for the most part, I just want to cover a little ground about how we got here. By the time the late ‘90s rolled around TSR and its flagship product, Dungeons and Dragons, were in trouble. D&D was well over two decades old by that point and showing its age. New ideas about what RPGs could and even should be had taken over the industry; TSR had finally lost its spot as best-selling RPG publisher to comparative upstart White Wolf and their World of Darkness games; the company even declared bankruptcy in 1997. Times were grim.

That, however, was when another comparative newcomer, Wizards of the Coast, popped up and bought TSR outright. Flush with MtG and Pokemon cash, they were excited to try to revitalize the D&D brand and began development on a new edition of D&D: third edition, releasing in August 2000.

Third edition was an almost literal revolution in D&D’s design, throwing a lot of “sacred cows” out and streamlining everywhere: getting rid of THAC0 and standardizing three kinds of base attack bonus progressions instead; cutting down to three, much more intuitive kinds of saving throws and standardizing them into two kinds of progression; integrating skills and feats into the core rules; creating the concept of prestige classes and expanding the core class selection. And of course, just making it so rolls were standardized as well, using a d20 for basically everything and making it so higher numbers are basically always better.

At the same time, WotC also developed the concept of the Open Gaming License (OGL), based on Open Source coding philosophies. The idea was that the core rules elements of the game could be offered with a free, open license to allow third-parties develop more content for the game than WotC would have the resources to do on their own. That would encourage more sales of the base game and other materials WotC released as well, creating a virtuous cycle of development and growing the industry for everyone.

Well, long story short (too late!), it worked like fucking gangbusters. 3E was explosive. It sold beyond anyone’s expectations, and the OGL fostered a massive cottage industry of third-party developers throwing out adventures, rules material, and even entire new game lines on the backs of the d20 system. A couple years later, 3.5 edition released, updating and streamlining further, and it was even more of a success than 3rd ed was.

At this point, we need turn for a moment to a small magazine publishing company called Paizo Publishing, staffed almost exclusively by former WotC writers and developers who had formed their own company to publish Dungeon and Dragon, the two officially-licensed monthly magazines (remember those?) for D&D. Dungeon focused on rules content, deep dives into new sourcebooks, etc., while Dragon was basically a monthly adventure drop. Both sold well and Paizo was a reasonably profitable company. Everything seemed to be going swimmingly.

Except. In 1999, WotC themselves were bought by board game heavyweight Hasbro, who wanted all that sweet, sweet Magic: the Gathering and Pokemon money. D&D was a tiny part of WotC at the time and the brand was moribund, so Hasbro’s execs hadn’t really cared if the weirdos in the RPG division wanted to mess around with Open Source licensing. It wasn’t like D&D was actually making money anyway… until it was. A lot of money. And suddenly Hasbro saw “their” money walking out the door to other publishers. So in 2007, WotC announced D&D 4th Ed, and unlike 3rd, it would not be released under an open license. Instead, it would be released under a much more restrictive, much more isolationist Gaming System License, which, among other things, prevented any licensee from publishing under the OGL and the GSL at the same time. They also canceled the licenses for Dungeon and Dragon, leaving Paizo Publishing without anything to, well, publish.

At first, Paizo opted to just pivot to adventure publishing under the OGL. Dungeon Magazine had found great success with a series of adventures over several issues that took PCs from 1st all the way to 20th level, something they were calling “Adventure Paths,” so Paizo said, “Well, we can just start publishing those! We’re good at it, the market’s there, it will be great!” And then, roughly four months after Paizo debuted its “Pathfinder Adventure Paths” line, WotC announced 4th Ed and the switch to the GSL. Paizo suddenly had a problem.

4th Ed wasn’t as big a change from 3rd Ed as 3rd Ed had been from AD&D, but it was still a major change, and a lot of 3rd Ed fans were decidedly unimpressed. Paizo’s own developers weren’t too keen on it either. So they made a fateful decision: they were going to use the OGL to essentially rewrite and update D&D 3.5 into an RPG line they owned: the Pathfinder Roleplaying Game. It was unprecedented. It was a huge freaking gamble. And it paid off more than anybody ever expected. Within two years Paizo was the second-largest RPG publisher in the industry, only behind WotC itself, and for one quarter late in 4E’s life, even managed to outsell D&D, however briefly. Ten years of gangbuster sales and rules releases followed, including 6 different monster books and something over 30 base classes when it was all said and done. It was good stuff and I played it loyally the whole time.

Eventually, though, time moves on and things have to change. The first thing that changed was 4E was replaced by D&D 5E in 2014, which was deliberately designed to walk back many of the changes in 4E that were so poorly received, keep a few of the better ones that weren’t, and in general make the game much more accessible to new players. It was a phenomenal success, buoyed by a resurgence of D&D in pop culture generally (Stranger Things and Critical Role both having large parts to play), and its dominance in the RPG arena hasn’t been meaningfully challenged since. It also returned to the use of the OGL, and a second boom of third-party publishers appeared and thrived for most of a decade.

The second thing was that PF1 was, itself, showing its age. RPGs have a pretty typical life cycle of editions and Pathfinder was reaching the end of one. It wasn’t much of a surprise, then, when, in 2018, Paizo announced Pathfinder 2nd Ed, which released in 2019 and will serve as the focus of the remainder of this post (yes, it’s taken me 1300 words to actually start doing the thing the post is supposed to be about, sue me).

There’s a coda to all of this in the form of the OGL debacle but I don’t intend to rehash any of it here - it was just like six months ago, come on - beyond what it specifically means for the future of PF2. That will come back up at the very end.

# Pathfinder 2E Basics #

So what, exactly, makes PF2 different from what has come before? There are, in my opinion, four fundamental answers to that question.

First: Unified math and proficiency progression. This piece is likely the part most familiar to 5E players, because 5E proficiency and PF2 proficiency both serve the same purpose, which is to tighten up the math of the game and make it so broken accumulations of bonuses aren’t really a thing. In contrast to 5E’s very limited proficiency, though, which just runs from +2 to +6 over the entire 20 levels of the game, Pathfinder’s scales from +0 to +28. Proficiency isn’t a binary yes/no, the way it is in 5E. PF2’s proficiency comes in five varieties: Untrained, Trained, Expert, Master, and Legendary. Your proficiency bonus is either +0 (Untrained) or your level + 2(Trained), +4 (Expert), +6 (Master) or +8 (Legendary). So if you were level five and Expert at something, your proficiency bonus would be level (5) plus Expert bonus (4) = +9.

Proficiency applies to everything in PF2, really - even more than 5E, if you can believe it, because it also goes into your Armor Class calculation. You can be Untrained, Trained, Expert, Master, or Legendary in various types of armor (or unarmored defense, especially relevant for many casters and monks), and your AC is calculated by your proficiency bonus + your Dex modifier + the armor’s own AC bonus, so AC scales just as attack rolls do. Once you get a handle on PF2 proficiency, you’ve grasped 95% of how any game statistic is calculated, including attacks, saves, skill checks, and AC.

Second: Three-Action Economy. Previous editions of D&D, including 5E, have used a “tiered” action system in combat, like 5E’s division between actions, moves, and bonus actions. PF2 has largely done away with that. At the start of your turn, you get three actions and a reaction, period (barring haste or slow or similar temporary effects). It takes one action to do one basic thing. “Attack” is an action. “Move your speed” is an action. “Ready a weapon” is an action. Searching for a hidden enemy is an action. Taking a guarded step is an action. Etc. The point being, you can do any of those as often as you have the actions for them. You can move three times, attack three times, move twice and attack once, whatever. Yes, this does mean you can attack three times in one turn at 1st level if you really want to (though there are reasons why you might not want to).

Some special abilities and most spells take more than one action to accomplish, so it’s not completely one-to-one, but it’s extremely easy to grasp and quite flexible at the same time. It’s probably my favorite of the innovations PF2 brought to the table.

Third: Deep Character Customization. So here’s where I am going to legitimately complain just a bit about 5E. I struggle with how little mechanical control I, as a player, have over how my character advances in 5E.

Consider an example. It’s common in a lot of 5E games to begin play at 3rd level, since you have a subclass by then, as well as a decent amount of hit points and access to 2nd level spells if you’re a caster. Let’s say you’re playing a fighter in a campaign that begins at 3rd level and is expected to run to 11th. That’s 8+ levels of play, a decent-length campaign by just about anyone’s standards. During that entire stretch of play, which would be a year or more depending on how often your group meets, your fighter will make exactly two (2) meaningful mechanical choices as part of their level-up process: the two points at 4th and 8th levels where you can boost a couple stats or get a feat. That’s it. Everything else is on rails, decided for you the moment you picked your subclass.

Contrast that with PF2. In that same level range, you would get to select: 4 class feats, 4 skill feats, two ancestry feats, two general feats, and four skill increases. At every level, a PF2 player gets to choose at least two things, in addition to whatever automatic bonuses they get from their class. These allow me to tailor my build quite tightly to whatever my idea for my character is and give me cool new things to play with every time I level up. This is true across character classes, casters and martials alike.

PF2 also handles multiclassing and the space that used to be occupied by prestige classes with its “pile o’ feats” approach. You can spend class feats from class A to get some features of class B, but it’s impossible for a multiclass build to just “steal” everything that makes a single class cool. A wizard/fighter will never be as good a fighter as a regular fighter is, and a fighter/wizard will never be the wizard’s match with magic.

Fourth: Four Degrees of Success. 5E applies its nat 20, nat 1, critical hits, etc. rules in a very haphazard fashion. PF2 standardizes this as well, in a way that makes your actual skill with whatever you’re doing matter for how well you do it. Any check in PF2 can produce one of four results: a critical success, a regular success, a regular failure, or a critical failure. In order to get a critical success on a roll, you have to exceed your target DC by 10 or more; in order to get a critical failure, you have to roll 10 or more less than the DC. Where do nat 20s and nat 1s come in? They respectively increase or decrease the level of success you rolled by one step. In practice, it works out a lot like you’re used to with a 5E game, but, for instance, if you have a +30 modifier and are rolling against a DC 18, rolling a nat 1 nets you a total of 31, exceeding the DC by more than 10 and earning you a critical success, which is then reduced to just a normal success by the fact of it being a nat 1. Conversely, rolling against a DC 40 with a +9 modifier can never succeed, because even a nat 20 only earns a 29, more than 10 below the DC and normally a crit failure, only increased to a regular failure by the nat 20.

Now, not every roll will make use of critical successes and critical failures. Attack rolls, for instance, don’t make any inherent distinction between failure and critical failure. (Though there are special abilities that do - try not to critically fail a melee attack against a swashbuckler. The results may be painful.) Skill rolls, however, often do, as do many spells with saving throws. Most spells that allow saves are only completely resisted if the target rolls a critical success. Even on a regular success, there is usually some effect, even on non-damaging rolls. That means that casters very rarely waste their turn on spells that get resisted and accomplish nothing at all. It also doubles the effect of any mechanical bonuses or penalties to a roll, because now there are two spots on a die per +1 or -1 that affect the outcome; a +1 might not only convert a failure to a success but might also convert a success to a crit success, or a crit fail to a regular fail.

# What About Everything Else? #

There is a lot more to it, of course. As a GM I find PF2 incredibly easy to run, even at the highest levels of game play, as compared to other d20 systems. The challenge level calculations work, meaning you can have a solo boss without having to resort to special boss monster rules to provide good challenges. I find the shift from “races” to “ancestries” much less problematic. PF2 has rules for how to handle non-combat time in the dungeon in ways that standardize common rules problems like “Well, you didn’t say you were looking for traps!” Everything using one proficiency calculation lets the game do weird things like having skill checks that target saves, or saves that target skill-based DCs. Inter-class balance, with some very specific exceptions, is beautifully tailored. Perception, always the uber-skill, isn’t a skill at all anymore: everyone is at least Trained in it, and every class reaches at least Expert in it by early double-digit levels. Opportunity Attacks (PF2 still uses the 3rd Ed “Attack of Opportunity” - but will soon be switching over to "Reactive Strike") isn’t an inherent ability of every character and monster, encouraging mobility during combats, and skill actions in combat can lower ACs, saves, attacks, and more, so there are more things to do for more kinds of characters. And so on.

Experiencing all of that is easiest just by playing the game, of course, but suffice it to say PF2 has a lot of QoL improvements for players and GMs alike in addition to the bigger, core-level mechanical differences.

# The OGL Thing #

Last thing, then. In the wake of the OGL shit in January, Paizo announced that it would no longer be releasing Pathfinder material under the OGL, opting instead to work with an intellectual property law firm to develop the Open RPG Creative (ORC) License that would do what the OGL could no longer be trusted to do: remain perpetually free and untouchable for anyone who wanted to publish under it. The ORC isn’t limited specifically to Paizo or to Pathfinder 2E or even to d20 games; any company can release any ruleset under it and allow third-party companies to develop and publish content for it.

Shifting away from the OGL, though, required making some changes to scrub out legacy material. A lot of the basic work was done when they shifted to 2E, but there are still a lot of concepts, terminologies, and potentially infringing ideas seeded throughout the system. These had to go.

Since this meant having to rewrite a lot of their core rules anyway, Paizo opted to not fight destiny and announced “Pathfinder 2nd Edition Remastered” in April. This is a kind of “2.25” edition, with a lot of small changes around the edges and a couple of larger ones to incorporate what they’ve learned since the game first launched four years ago. A couple classes are getting major updates, a ton of spells are either getting renamed or swapped out for non-OGL equivalents, and a couple big things: no more alignment and no more schools of magic.

The first book of the Remaster, Player Core 1, comes out in November, along with the GM Core. Next spring will see Monster Core and next summer will give us Player Core 2. That will complete the Remaster books; everything else is, according to Paizo, going to be compatible enough it won’t need but a few minor tweaks that can be handled via errata. So if you’re thinking about getting into PF2, I’d give serious thought to waiting until November at least, and maybe next summer if you want the whole Remastered package.

And that’s it. That’s my essay on PF2 and what I think makes it cool. The floor is open for questions and I am both very grateful and deeply apologetic to anyone who made it this far.

#RPGs #roleplaying games #d20 #d20 history #pathfinder #pathfinder 2e #pf2 #pf2e #dungeons and dragons #D&D #d&d 5e

[grimgrazia]

Doors and Denji:

Doors are a common motif in CSM and hold many meanings. They act as a gateway to Hell, a metaphor for repressing trauma, and a symbol of the unknown. I believe they have some other meanings as well, but I’ll touch on those later. This is just the beginning of my analysis for now, and it focuses on Denji’s dream. This isn’t really an analysis on Denji’s character, I plan to do one for him later on. Also let me know if there are other parts of CSM I should analyze. I make plans for an analysis and then school gets in the way so I’ll forget about whatever I wanted to do.

The door in Denji’s dream is one of the most notable parts of the series. Behind the door are suppressed memories from Denji’s traumatic childhood. Each time he has this dream, a voice tells him not to open the door, and he doesn’t. I think it’s important to note that Denji shut those memories away himself. Denji doesn’t need permission to open that door because it’s his door. That being said, suppressing memories is a common response to trauma, so Denji is never aware of the fact he can choose to confront his past or not, because he forced himself to forget. After the Darkness Devil arc, Denji decides he is better off not opening the door, and he’s learned that knowledge isn’t always a great thing.

The door isn’t just locking trauma away, it’s also a symbol for the unknown. There is no foreshadowing or hints as to what could be behind that door in the manga, all we know is that it’s probably not good. We find out at the same time Denji does, when Makima forces that door open. Why would Denji want to open a door that most likely has something bad behind it? Why would anyone want to do that? Even in real life, no one can be 100% sure of what is behind a door (unless it’s transparent but that doesn’t apply here.) It’s kind of like putting a cat in a box and leaving it there for a long time. The cat could be dead, alive, or missing but it’s uncertain until you open the box again. Does the cat even exist still if you can’t see it anymore? (Plz tell someone knows this story I’m talking about). The closed door, like the unknown, leaves room for POSSIBILITY. Denji can’t know for certain what is behind that door until he opens it and sees for himself. To Denji, Aki might not be a fiend until he opens the door, just like the cat might not be dead until you open the box, if that makes sense.

Also, this room for possibility can make finding out the truth even more harmful. In Oedipus Rex, Oedipus was so sure of himself and his life. To be fair, he had no reason to believe that he was unsuccessful in avoiding his fate. His entire life was a lie. Denji remembers his father’s death as a suicide, instead of killing him in self defense. Like Oedipus, Denji had come to terms with a lie. Accepted it and moved on. It only makes sense for Oedipus and Denji to react with pure horror when learning or remembering years later. For so long, they believed they knew what happened. They were sure, so there was no need to think about it anymore. Everything in their lives were not as they appear, both Oedipus’ skepticism and Denji’s tendency to trust easily did more harm than good because of it. Neither of them did anything wrong, they simply responded to their respective situations. Responding to the circumstances is really the only control anyone truly has.

Unlike Oedipus, Denji is okay with not knowing what is behind that door. Denji can accept that he does not know everything, doesn’t need to know everything, and never will know everything. It’s impossible and attempting to do so can cause more trouble than it’s worth, like in Oedipus’ case. Learning about something that happened in the past won’t change anything, what’s done is done.

Denji’s decision to not open it can be interpreted in a few ways. You could see it as healthy and as Denji moving forward. He has a great bond with Aki and Power, he’s content with his life, why jeopardize it? Even so, this could also be seen as Denji avoiding the door. The door would have opened eventually, it was inevitable. The question was if Denji would do it himself. Denji wasn’t ready to open it yet. It’d be healthy if Denji confronts his trauma on his own terms, but that’s not what happens. Makima forces that door open on purpose. She’s well aware Denji isn’t ready, so she sees this as the perfect opportunity to ensure he can’t bounce back. That he can never live a normal life, thus breaking his contract with Pochita. Confronting trauma and healing from it is a slow process, but people can still move forward and live normal lives. However, it becomes extremely difficult when you’re overwhelmed by all of it in the matter of seconds.

Even though Denji CHOSE not not open the door after the Darkness Devil Arc, it opens anyways later on. The door was always going to open, it’s something Denji never would have been able to avoid. What he can do, is control how he reacts to it, but he doesn’t realize this immediately. Makima is counting on the fact that after what happened to Aki and Power, on top of forcing the door open, Denji won’t be able to move forward. If she is confident in Denji’s reaction, she has control. She orchestrated everything so she could be certain that Denji will be totally hopeless, and never live normally. She understands it’s difficult to control how people respond to things, especially when someone has lived a life like Denji’s.

“Time eases all things,” is a famous line from Oedipus Rex. By this, Creon means that over time, people move on or at least find ways to cope so that they can go about their daily lives. Makima realizes that after Himeno’s death, Denji does not get attached nor is he fazed easily. I think this is when she realizes she can’t just throw him into horrific situations, but must build his ideal life, let him be happy, and then rip it all away. The deaths of Aki and Power being so close to one another was crucial to this too, because Makima didn’t want to give Denji time to process what happened, or “ease the wounds.”

Makima becoming a mother figure for Denji contributed a lot as well. Fujimoto stated in an interview that their relationship is based off abuse from documentaries he watched. Unhealthy family dynamics cause conflicting feelings, especially if they are all you have. If Kishibe did not get to Denji in time, Makima’s plan definitely would have worked. Makima made Denji believe that he had no where else to go, he had no choice but to die. It’s in the safe room with Kishibe and Kobeni that Denji realizes he has not reached a dead end, or rather, reaching a dead end on one path doesn’t mean the same will happen on another path. He does what the mouse in Kafka’s “A Little Fable” couldn’t do: change his direction.

I hope this makes sense, I feel like I got off topic. Anyways, this doesn’t even scratch the surface of CSM, but this is all I have energy for right now sorry.

Also, I posted this on my tik tok too but it kept getting taken down. My TT is grimmjowstoenail for anyone who cares 🤷🏻‍♀️

#chainsaw man #makima #denji #jjk #jujutsu kaisen #csm analysis #gojo satoru #writing #anime and manga

[vixendoesstuff]

Part 1 | Part 2 | Part 3

ALRIGHT, SO-

World Tour, where (please excuse my language) shit hits the fan, for real. My notes on this saga is hectic and convoluted, so I'll try to make some sense of it for this post. If you have any questions, feel free to ask in the askbox or my DM's, whichever you prefer.

I wanted to do bullet points for this, but maybe most Tumblr users prefer to read long paragraphs than bullet points, since my posts not having bullet points do better? IDK, I've only been on Tumblr for like, a year at best so forgive this soul for her cluelessness lol.

And also, depending on how much I've typed, I might have to split this saga into three parts, 'cause I know y'all don't actually want to read a really long post that took up three scrolls wide lol.

Anyway--let's start this crazy train.

So, the story begins the same way as it is in the movie--opening shot with Cloud Guy giving a quick recap about the first movie, and then the next shot panning towards the Techno Trolls (ay, Branch's tribe, let's go!). Unfortunately, the amount of screentime (or appearance in this case) they got here minimal, since we're focusing on Branch and co.

But anyway, same thing happened, King Trollex hosting the rave, Barb barges in demanding his string and destroyed Techno Reef to get him to comply, same old. Poor guy, honestly, he just wanted to vibe.

Next shot pans to Pop Village, same thing there. Everyone is smiling and singing and dancing (with Techno!Branch joining in, look at that! Since he can't extend his hair like everyone else, he relies on acrobatics and just generally hang onto someone ((mostly Poppy)) whenever they swing on the trees with their hair). Branch tries to confess his love to Poppy, but got friendzoned unintentionally by her (ouch). Then Barb's bat pet thing comes in, and King Peppy's history lesson.

They're not the only ones here in this world. There are other trolls out there; Pop, Hard Rock, Classical, Country, Funk, and Techno.

This is where it gets interesting. At this point in time, Branch has all but accepted that he's possibly the only Troll in the village that looks the way he does. That he's the only one that ever existed in the world. It's why he and Cooper has a sort of closer bond with eachother in this AU : different Troll (tribe, but not that they knew this yet) solidarity. Sure, he was curious once, like how come is egg was in the Troll Tree, why does he look different, ect. But now he's more than content with his current predicament. He has friends now, something to look foward to; he was happy, after so long.

But now with the news that there are other Trolls out there, different from the rest, his past yearning came back to life. And while King Peppy hadn't said it outright, his lack of words all but confirmed Branch's suspicions. That he's not the only one out there. And from what he saw in the scrapbook, he can pinpoint which one of the tribes he supposedly belongs to; Techno.

Then we cut to when Poppy packs up to leave and got caught by Branch. The same argument happens, with the addition of Poppy saying that because there are different Trolls out there, then shouldn't Branch be curious about them? Who knows, maybe there's a tribe that looks exactly like him! Branch refuted by saying that, even if there was a tribe just for him, how would he connect to them? He's been living as a "Pop Troll" his whole life, what connection can he form with these hypothetical Trolls (identity issues go brrr)? What if they found out that he's gone Grey for almost all his life? If the Pop Trolls, who has known him since he was born, didn't react well to his whole Grey-ness; what are the chances his own kind would react badly to the news? Or worse, reject him outright.

Before he could go on, boom! Cooper appears from the shadows and said something like, "That's not how you really think, ain't it Branch?". They were surprised he's there, and then they exchange some more dialouge sort of expressing Branch's concern about not fitting in with his hypothetical tribe out there, and shed some light on Coopers concern as well about wanting to find you who you really, and even if you don't fit in atleast you know the truth now, that sort of stuff. IDK, I'm not great at writing angst, lol.

Anyway, after some convincing from Poppy, Branch relented and decides to accompany her (even if he denies it, he wants to know if his people is out there). Cooper also wants to come along, and while Branch refuses for his own safety, Poppy allows it in the condition that he sticks with them at all times. So, the three sets of to explore the entire Troll Kingdom, to "reunite" all the tribes and make one big party at Queen Barb's World Tour.

Little did they know just what kinds of trouble they'll encounter on their journey.

Woah, plot twist, Cooper actually comes along instead of going on a solo journey this time around! He replaces Biggie in this! What a shocker! Shocked emoji!

Admitedly, while it's funny the first time, Cooper's solo adventure is... I don't wanna be too rude about it, but it's sort of unnecessary in the big run? I mean, not entirely unnecessary, but like, if you remove that and just have him go along with Poppy and co., nothing major would change. He'd still be reunited with his family in Vibe City, except this time he'll have a first time reaction to the history of the Strings and see the truth of it, y'know what I mean?

But anyway, Poppy, Branch and Cooper's gonna explore the world of other genres. I don't think much will change with his inclusion, but the reactions will be far more varied, me thinks. Stay tuned for the next part, 'cause wow did not expect this part of the series to be so convoluted lol.

Also I had wanted to include some scene redraws from the movie with new implemented elements for this AU, but artblock is gripping me tight and college is starting soon, so I won't have much time to draw than I do write. So, yeah, hope y'all don't mind lol. I'll definitely do some artwork for this AU in the future though, believe it!

Until next time!

#reason why biggie isnt here #its cause cooper noticed the cotton candy pile is noticably diminished #so he went to check it out #and lo and behold #biggie was there #he was easily conviced to not comr along with them #not that he wanted to in the first place #by the condition that he tells peppy whats going on and not to worry #and in the meantime set up some defences to defend the village from a possible attack #he wouldnt be wrong to do so later on #winky face #branch trolls #trolls #techno!branch au #trolls world tour #trolls poppy #trolls cooper #trolls king peppy #trolls barb #trolls king trollex

[astarionslittlejuicebox]

The Promise of Eternity (Part 10)

Author: @astarionslittlejuicebox

Imagine: The reader helped Astarion ascend and became his spawn. After saving the world from the Elder brain and it’s destruction, the reader and Astarion set out to take on the world together. While he promised to never forget the gifts the reader has given him, Astarion has seemed to have changed his attitude towards the reader in the last century…. After someone breaks one of  Astarion’s rules, how will this affect the reader’s fate?

Pairing: Astarion x F!Reader

Trigger warnings: potential for minor spoilers, suggestive themes, language, mentions of death, mentions of blood, abusive relationship, mention of slavery

Word Count: 1881

Imagine Series

Side Notes: 

This imagine series takes place 200 years after the events of Baldur’s Gate 3.  Everything you read in here is a story from my mind outside of the original BG3 character Astarion.

In this imagine series, Astarion is a bit more unemotionally unavailable, and this series will follow the decisions and consequences of that change. This is not canonically accepted and it is just an idea I’ve had in my head! (I do believe Astarion might truly care for the reader after Ascension, but that is open to individual interpretation.)

In this series, TAV is mildly based on my first character I played in BG3; she is a drow and I will make references to her in her background and knowledge as well. I do apologize that it is not 100% your own imagine, but the name for TAV is up to you as well as anything else that I can think of leaving to you, the reader, to decide.

I appreciate everyone who reads the imagines and this series, and I hope you enjoy the story!

TAV POV

I didn’t drop the comfort of the invisibility spell until I was in the comfort and seclusion of the rock cave. After setting the backpack and satchel carefully on the slate gray rock floor, I took a few minutes to cast Leomund’s tiny hut to make the small cave a bit more comfortable in the cooler evening hours of the autumn season. I lit most of the candles in the cave and proceeded to set out all the supplies from my satchel and backpack. As I grabbed the vial of blood from the satchel, I felt a familiar hunger pain start in the pit of my stomach, and I mentally cursed as I had been so occupied all day and had forgotten to feed. Taking a focusing breath, I finished setting up the alchemy kit to test the contents of both flasks I had poured from the chef’s wine bottles. Pouring the liquid from the first flask into the testing tube, the amber light flickering from the burning candles gave away to my keen drow eyes that the liquid has a slight shimmer to it.

Be always weary of the surface dwellers, and even those that reside in the Underdark with us. You never know if you were to run into a fae, but you’ll know by the shimmering dust those mischievous creatures leave behind. Mother’s tough-love lessons found their way into my thoughts once more as I proceeded to test the liquid in various ways. After running a series of tests on the liquid, my eyes widened as I came to a stunning conclusion: the wine was mixed with dust from a fae, and a single drop of blood from Astarion. Further testing revealed that the wine could enable the fae creature to easily charm whoever’s blood was mixed into the wine.

Clever. I thought. Make a wine to charm a usually hard to charm elf. If I had been living in the Underdark, the effort to charm the ascended vampire might have been commended, but I was far more upset about it at the current moment. Luckily for Astarion I was  trained when I was a young drow to make antidotes for such things, so I set to work making a specific antidote to the charming wine. Fortunately for me, I was able to make one charm antidote from a single drop of blood in the half-full vial; however, it did take me a few hours to correctly make it. Once it was complete, I glanced outside the cave entrance to find the moon rising slowly in the dark black sky before it disappeared behind several clouds. I sighed heavily as I begun to test the contents of the second flask. The tiefling had mentioned that it was to be a more potent and longer lasting charming potion, but as I tested and studied the second flask, I made a grave discovery: the second bottle was not a charming potion but a potent poison.

He doesn’t want to use the vampire for nefarious means, he wants to avenge his daughter. The realization hit me like a ton of bricks. I hurried to pack up the antidote for the charming wine and all of my evidence against the traitors living in the castle. Astarion was in terrible danger, and I had to protect him. 

My unfortunate victory on the discovery was undermined, however, by the familiar ache of my fangs wanting to sink themselves into a vein. I groaned as I regretted not sneaking something for me to feed on before coming down to my hole. Ignoring the growing hunger pains, I packed my satchel with all of my evidence against the tiefling and the chef then left the cave. Checking to make sure the coast was clear, I snuck my way back up to the castle’s back door.

“Wiap (fly).” I whispered as I touched my shoulder. I felt light as a feather as my feet hovered off of the ground. I held my breath as I quietly flew up to the balcony outside of Astarion’s bedchambers. Peering through a window offset of the balcony, I noticed the tension in the shoulders of the vampire lord as he listened to the tiefling say something to him.

“Leave me. I shall seek you when I need you.” He angrily said to her as he turned away from her, but he missed the eye roll she gave him before turning on her heels and exiting the room. Those sharp crimson eyes didn’t notice me as he stepped onto the balcony and into the cool autumn night.

Astarion POV

“What have I done? Why did she leave me?” I let out in a somber voice to the night sky. Zeyis had just informed me that it appeared (TAV’s name) had abandoned the castle—abandoned me—and I felt as if my heart weighed heavy like a ton of bricks in my chest.

The one person I thought would never leave me has left. I thought to myself.

“I did not abandon you, my love.” (TAV’s name)’s hushed voice came from the darkness beside me. Startled, I turned to peer into the darkness. There, perched on the balcony railing, was the gorgeous drow I had fallen in love with many centuries ago. Her (TAV’s hair color) had small stray hairs that had fallen out of the braid her hair was done in, and her ruby-colored eyes took in my face with a bittersweet expression on her lips. The jade dress she wore was crinkled with how she was sitting, and particles of a fine white substance settled on the stone flooring beneath her feet, which were still missing their shoes. I opened my mouth to ask her what she was up to, but her slender finger pressed to her lips told me to hush. “Hiedra told you I had left the castle, didn’t she?” (TAV’s name) asked in a hushed tone, and I felt confusion spread itself on my face at the mention of the unfamiliar name.

“Zeyis told me you had left.” I replied in the same hushed tone, and I watched her eyes as she, no doubt, studied every emotion passing through my eyes. There was no use in hiding it—the drow could read me like one of her favorite books. I swear to all the stars and gods above that she was the only person in the entire realm who could see the person underneath it all, even if I tried my damnest to hide it from everyone. But the look in her eyes right now, the emotion they held, took me back to every moment that I saw the same look in her eyes: when I saw Sebastian at Cazador’s palace, the first time she heard about the carving of my scars, and every time I spoke about life as Cazador’s slave.

“Come here to me, Astarion. I have something you need to see. I know who stole your blood, but I need you to actually see what I saw.” She held out a delicately small hand to me and waited patiently for me to step towards her. “Before you ask, I fear you will understand why I can’t just tell you.” I laid my hand inside of hers, and she gave me a sorrowful smile before she spoke in Draconic. “Drex ekess wer ir geouir gipren wer irthir si sweekmon ekess kaoj (show to the one willing to receive the knowledge I seek to share).”

As (TAV’s name) spoke the last word, the world around me went black as a heavy sadness and heartbreak overcame me. Zeyis’ mischievous smirk and endless taunts echoed through my head as a multitude of flashes of myself pushing the spectator out of the way or blatantly ignoring the spectator’s words played in front of my eyes. All of the dirty insults the tiefling had ever said to the spectator continued to echo in the background until I could see myself standing in front of the spectator. I recognized the robes I had been wearing the day before, and my face bore an expression of…anger? I heard my words replay in my head, “I need you to find whomever has disgraced me in such a manner, but I do not want the entire castle to know what has transpired. You must conduct your investigation in secrecy.”

Flashes and blurs of a library filled with books and a golden dragonborn giving the spectator three specific books passed in a whirlwind before I felt the spectator’s frustration build within me as the spectator struggled to successfully complete a ritual. In a blur, I felt the familiar shifting of warm sand under the weight of the spectator’s barefeet. Brief moments of sitting in front of a large mirror with a drow staring back at me flashed before me as (TAV’s name)’s voice echoed in my mind, “Now, you need to figure out what she actually is, and how she is managing to control our little star. If you figure that out, we may be able to get him back.”

Next, I watched as a beautiful woman with pointy ears spoke with our chef, Ahriman, while standing in the rain outside of the castle before the woman shapeshifted into Zeyis. I heard Ahriman call her name, Hiedra. The visions of that night swirled and melted into Zeyis walking into a room with the chef before they discussed the creation of a potion using a vial of my blood. I felt my hands dig in a chest with a false bottom as the spectator pulled out a half-full vial of a dark crimson liquid. My nostrils were filled with the scent of a finely aged brandy, rosemary, and bergamot--a scent the spectator knew belonged to me. An empty bottle was filled with a similar liquid before the scenery blended to the spectator hastily packing a bag of some kind, but Ahriman’s voice spoke in the background, “Astarion, you will soon pay for taking my daughter from me, and you will know what it is to have lost everything.” After watching the chef leave, the spectator read the words of a letter written to the chef about his missing daughter, and my name had been mentioned in it. 

Soon the spectator was testing flasks of wine and learned the tiefling was a fae in disguise. I watched as the spectator took her time creating an antidote to the charming wine the chef created, and the shock as the spectator realized the second flask wasn’t a charming potion, but a poison. I felt the familiar sting of hunger overcome my senses before I found the spectator standing in front of me, hoping I would take her hand. With a blink of my eyes, I stared at the woman in front of me who was now avoiding direct eye contact. Her throat moved as she forcefully swallowed as I made the connections to what I had just seen--she was the spectator, and she had shown me what she had seen and felt for the last hundred years along with what she learned in the last couple of days.

For the first time in a century, I could truly see her again, and I felt horrible for all of the shit I had put her through.

#astarion imagine #astarion x reader #baldursgate3 #baldursgate3imagine #ascended astarion #the promise of eternity

[vendetta-if]

December 2022 Progress Update

For the past two weeks, I've been working really, really hard on Chapter 4 (one of the reasons I've not been too active on Tumblr lately, and I probably still wouldn't until Chapter 4 is done 😅). As of the time writing this update post, the word count is 23.6K words.

The talk with Yvette took quite a long time to write and it is indeed pretty long. Almost 12K of 23.6K words are dedicated to the talk with her. It's not only long, it also has a lot—and I mean a lot—of variations in responses depending on what your MC feels about her.

The last time MC decided on their feelings on Yvette, it was ten years ago during the comic book store incident. Now, your MC will be given an option to change what they think about her ten years later, before their very first conversation with her in their entire life so far.

The four different feelings MC can have on her are:

Hate Hate is straightforward; your MC still hates and is bitter about what she did and her neglect (not visiting MC for a decade).

Love-hate This is a more complicated feeling and I think it's a pretty good addition that makes MC feels a bit more unstable and add a bit more layers of complexity. Your MC still kinda hates her, but also yearns for her affection and mourns for the missing connection and relationship with her, and these feelings in turn feed into MC's hatred, anger, and bitterness against her.

Apathy/Indifference Pretty straightforward as well; your MC just doesn't really care about her and considers her a stranger.

Pity MC feels bad and pity for her and can sympathize with her plights. This might be the most positive feeling MC can have regarding Yvette, the second one being love-hate.

I spent a lot of time writing four different reactions and inner thoughts for MC based on these feelings they have about her. I hope I'll be able to showcase one of the variations in the Sneak Peek of the talk I'm planning to release tomorrow 😄

Also, in this chapter, you'll finally be meeting Skylar and Santana for the first time. Right now, I'm in the middle of writing the talk between MC and Skylar. After that, it'll be time to focus on Santana's talk instead.

These talks also take a long of time to write because I have foolishly decided to give six different options of responses every time MC talks with any of the ROs, half for different romantic responses and half for non-romantic ones 😭

I also did a lot of tweaking on the previous chapters (grammar & typo fixes, coding fixes, and adding some stuff).

First, by popular demand, MC can now choose their clothing style to be the same with Uncle Luka's style. The style is called "all-black".

Second, I tweaked and added some stuff with the Police Commissioner because it seems I missed the mark in trying to portray him as a grey character. Now, his involvement with the Nemesis Project will be more explicitly pointed out in the narrative than just implied subtly previously. Also, his other bad qualities, such as nepotism and hypocrisy.

Third, I tweaked MC's reactions when executing the commissioner—I think it's either your MC turns away and not wanting to witness the execution or your MC and Ash looking at the execution together in awe 😆 Now, instead of Merciful MC looking away and Ruthless MC spectating the execution, it'll depend more on your MC's choice in Chapter 2 regarding the mission (Ready to kill, reluctant to kill innocent, or don't want to kill).

Well, that's all I have to report for the month. As always, I just want to say thank you for all your support and enthusiasm for my story 🥰. I might not be able to answer a lot of asks in the coming days because I'll be hyper-focused on finishing Chapter 4 as quick as possible 😅

If you guys are interested in supporting me, getting some extra side contents on the side, including an early access for this upcoming chapter, please check out my Patreon!

[Patreon Link]

#writing updates #if: vendetta #vendetta if #chapter 4 #if game #if wip #dashingdon #choicescript #cyoa #hosted games #choice of games #interactive fiction #interactive novel #interactive story #interactive games #interactive side story