i have a strange feeling
that i’ve known you forever
that i’ve said your names
a trillion times
in different dialects,
in the different accents,
in the different universes…
either way it all comes out the same,
with the same rise of my lips
after the same breathy laughter
and the same soft gaze
i found out a long time ago
that we’re twin flames
i think that counts for something
cause you burn so bright, so warm,
and i’ll feel your gaze, your touch, your laugh send atoms ricocheting through my body
till i feel the warmth of your flame
all through my soul
and i have this strange feeling
you’ve touched my hand like that
in a trillion different lifetimes
and i think you’ve kissed me like i imagine, just like that, in a trillion more
is it too early to know? because i have this strange feeling, this strange bubbling that occurs
when i see your smile,
think of your eyes,
think of the way my names sounds on your lips,
so yes, i have a gut feeling you could say,
a feeling that i’ve seen you before
- to them
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the gorgug-porter conversation is interesting to me because like. yea for the overwhelming majority of the conversation porter’s being shitty & trying to fit gorgug into a box that gorgug just does not fit into by trying to make gorgug’s relationship with his rage more focused on the aggression aspect of it. but then there’s also this specific thing that brennan brought up again in the ap, which is that gorgug’s relationship with his rage is wholly “this is a tool i use to protect my friends.” which isn’t a bad thing! but that’s his Whole relationship with it, & gorgug seems to place next to no value on his rage in relationship to himself. which is problematic, because it’s first & foremost his rage.
being raised in a household with a sort of toxic positivity largely meant that, whether or not it was his parents’ intention, gorgug internalized the message that more traditionally “negative” emotions such as anger are the wrong response to something. part of the reason he prioritizes his artificing is probably because it’s “fixing” things. in comparison to being a barbarian, which gorgug associates with “breaking” things. good vs. bad behavior, in his eyes.
it’s a totally unacceptable bar to measure a 16 y/o by, but i do think part of porter’s reasoning for not letting gorgug multiclass is him recognizing that gorgug generally does not value anger as a valid emotional response to something, at the very least for himself. & that directly conflicts with what being a barbarian is, because whether you like it or not, that rage is what fuels you. but again, barring a kid from pursuing something they deeply care about in part (not entirely, porter has a lot of more bullshit reasons) because of their fundamental values & world outlook is crazy.
so yes, 98% of porter’s reasoning is pretty shitty, immature, rife with a toxic view that there’s only one proper way to access rage, & generally not a good thing to do as a teacher, but also within that reasoning is the 2% of ‘there is a fundamental part of yourself that you only value if you can use it to take care of other people & you need to accept that as something that can take care of you, too.’ but that’s something to discuss with a therapist or a guidance counselor, not something that should hugely impact gorgug’s academic future.
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Explaining the differences between FMA (2003) and FMAB cause why not
with no explicit spoilers for events, storylines, characters, etc.
Why are they different?
FMA 03 and the manga were coming out at the same time and FMA 03 was in danger of catching up to the manga. When this happens animes create filler to put some distance between the manga and anime but the FMA production team basically went Nah, imma do my own thing.
Which is exactly what they did bc instead of adding fillers they just straight up deviated from the manga.
This is why both animes while sharing the same cast and world, are so different.
How are they different?
To summarize these differences:
FMA 03 is a lot darker than FMAB
FMA 03 expanded on a lot of scenes, characters, arcs, and storylines
FMA 03 added characters, arcs, and storylines that weren’t in the manga
And FMA 03, you know, changed shit.
With the most notable being, the ending.
FMA 03's last episode isn't the conclusion. The 2005 movie Conqueror of Shamballa is
FMA 03 is DARK
I know I mentioned that FMA 03 is dark but holy fuck it’s a lot darker. To the point where if you asked someone the differences between FMA 03 and FMAB it’ll be the first thing they mention after the ending.
FMA 03 is a pretty dark anime don’t get me wrong but part of the reason why FMA 03 is seen as so dark is because in comparison FMAB is a lot more lighthearted. Now don’t get me wrong FMAB doesn’t shy away from its dark themes but FMA 03 not only embraces it but it delves deeper into them.
FMAB also has these comic relief moments to lighten the mood that FMA 03 just doesn’t have. FMAB is a surprisingly lighthearted anime, especially considering what it’s about.
How is FMAB's adaptation different?
FMAB, unlike FMA 03, stuck to the source material. It’s considered to be a completely faithful adaptation, which isn’t entirely correct.
FMAB was made with the thought that the viewers were fans of FMA 03, and were already familiar with the world and characters.
That’s why FMAB’s first episode feels like a recap and lore dump because that’s exactly what it is. Its purpose was to refresh the older fans' memories and reintroduce them to the world and characters.
This is also why FMAB feels so fast-paced for the first 15ish episodes. It’s bc they’re trying to get past the material they already adapted to get to the content that was never animated.
Though doing this means that FMAB just completely cut things out or trimmed them down.
For example, the Mining Town never got a proper adaptation in FMAB and they completely cut out the Train Battle but both of these were properly adapted in FMA 03.
That’s why FMAB tends to throw people off when Yoki appears later in the anime. The cast acts familiar with him but that part of the story just wasn’t adapted so viewers didn’t even know he existed until then.
So yeah, FMAB did stick to the manga, I just wouldn’t call it completely faithful.
I think that about sums up the differences without going too deep into it. If I forgot something or if you have any questions please let me know.
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Harry can be seen in the top left here, behind the white wall
On 17 May 2015 one direction, Taylor and Calvin Harris attended the Billboard Music Awards. Harry smiled when he first saw Taylor, who arrived with her squad of friends rather than Calvin. You can see Harry look up and smile and hear the press calling “Taylor” in this interview which harry cuts short so they can talk to Taylor.
Inside she was seated with Calvin and hugged, kissed and was overt when she won throughout the night in the front row. Harry looked incredibly uncomfortable and did not look forward or speak when 1D accepted awards.
Harry left early and returned to LA, the rest of the band was pictured at an after party with Ed, Taylor and Calvin. Austin Swift shared that photo of 1D with Calvin and Taylor, it's wild that Harris Reed liked it, I would love to know the timeline for that!
This night is referred to in Woman, Him and Exile.
Harry and Taylor were not pictured together for another 6 years!
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I don’t usually make posts like this, but I’ve been seeing a lot of anti-intellectual junk lately, and I really think we need to put the word “pretentious” up on a shelf until people learn what it actually means.
It doesn’t describe someone who likes artsy-fartsy deep meaning media. People who are pretentious are fake. They’re posers trying to be sophisticated and unique, not like other girls. They pretend to only like stuff they think will make them sound cool when they talk about it. They want to act like they know something you don’t, and they want attention for it.
By definition, if you genuinely enjoy something, you can’t be pretentious. If it resonates with you, and you analyze it, and you don’t care what people think, that’s the polar opposite, actually. If you love obscure experimental prog music, if you watch underground high concept indie films through English teacher eyes, if you spend hours in a modern art museum reading each piece as a vessel for storytelling, if your backpack’s full of poetry books that inspire you, if you play underrated games that were someone’s passion project, if you have an interest in studying the classics or the masters, you are not pretentious.
Of course, some people just don’t like some stuff, and that’s fine, but that’s not what this is about. Don’t let anti-intellectuals shame you for enjoying things just because your interests are inaccessible to them, because they refuse to be brave and put effort into critical thinking. You’re not stuck up for refusing to overlook the craft of artists.
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