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#i think . i have enough characters to make a decent one
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FF14 Battle Portrait Tutorial
For the past few weeks I was trying to find a way to recreate the battle portrait from FF14 as there was a few characters that I want to see in that style but don't officially have one yet. I think I got it down more or less (see image below) so I thought it's a good time to share what I did.
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First of all, I made a few files that would help make life a little easier. They can be grabbed here .
Note: I did use Reshade to do a bit of work at the screenshot stage to help speed up the process but the same effect can be recreated in Photoshop with a vanilla screenshot. There are a lot of tutorials on how to do comic/cartoon effect in photoshop and those would make good bases to work off of.
Step 1: Take the screenshot with the PortraitBase Shader on. I usually take two screenshots. One with "Comic" on and one with it turned off. This is so that I have more to work with if needed.
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Step 2: Drag all the screenshots into photoshop and remove the background. In photoshop, arrange the layer so that the screenshot with the Comic lines visible is on top of the one with the effect off.
Step 3: Duplicate the the layer with the "comic" effect and apply Blur->Gaussian blur (radius 0.5)
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Step 4: Take a look at the hair. In Eric's case, It still doesn't look blur enough to me so I used the blur tool and blurred it a bit more
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Step 5: Create a new layer above the layer in the previous step and use the brush tool to start outlining the edges. Where to outline is up to you but the idea is to make edges defined so that it looks more like a drawing.
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Step 6: Duplicate the outline layer and then hide that layer. Step 7: Merge everything under the outline layer. Step 8: Drag and drop the "Texture.png" into the project and Clip it to your character layer. Set the blending of the texture to "soft light". Step 9: Drag and drop the "stroke Texture.png" into the project and Clip it to your character layer. Adjust the size till you are happy then set the blending to "overlay". Step 10: Adjust the opacity settings of both texture layers until it looks good to you.
Step 11: Click on your character layer and go to image->Adjustments->Hue/Saturation (note: you will see I dragged in the official Hades portrait as a point of reference to work off of). Adjust the saturation till you are happy.
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Step 12: Go to image->Adjustments->Color Balance and adjust the color till you are happy. In this example, since Eric is also wearing the Sophist robe, I tried to match that color to Hades' Sophist robe color.
Step 13: Once you are happy, drag the "Template.png" into the project and scale that to the size you want. Make sure it is completely covering the character. If it's not, you can just use paint more of it with the brush tool to extend it till it covers everything.
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Step 14: Hide the "template.png" layer and select your character layer. Use the magic wand tool to select the outside of the character.
Step 15: With the selection still selected, click on the "Template.png" layer and press delete on your keyboard. You should now be left with a blank in the shape of your character.
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Step 16: Drag the"Template.png" layer to be below your character layer. Then click on your character layer and clip it.
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Step 17: Click on the "Template.png" layer and add a 2px stroke and shadow to it.
Step 18: Drag "Back_Deco.png" into the project and place it behind your character. Scale it till you are happy with it.
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And that's it! Now you can recreate portraits for any NPCs that you want (in theory). A lot of it is also fine tuning to what you want but this should at least give you a decent base to work off of :)
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mysterycitrus · 23 hours
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THE NIGHTWING 93 FIC WITH AN OUTSIDER POV??????? i would trust no one but you
so sweet!! hehehehehe
ive spoken about it before but i have a bone to pick with a lot of fic regarding nightwing #93 — that a lot of them bend canon to insult other characters (roy, kory, babs) decenter dick from his own trauma to make other characters look better, can sometimes be insincere depictions of assault, etc — so this is like. kinda a response to that
the thesis for persephone and wolf king and all the other (eventual) fics in the series is a graysons nature is to perform, and is an examination of dick graysons legacy. this is gonna be yet another fic about assault as told from someone who isn’t dick, so how can dick remain centred in the story? how does it portray his particular struggles with autonomy and control? how can it be compared with the people in his life — kory and babs have also experienced a profound loss of control and autonomy, etc.
idk i think trying to incorporate the change from dick grayson being a serious monogamist to someone with more partners is also interesting. how would he handle being in a relationship with someone who knows what he was like before, and might be able to accurately deduce what inspired said change? i also think it’s interesting to think about what justice looks like in this context? dick doesn’t want anyone to hurt or kill her on his behalf. he doesn’t want to talk about it. im pretty sure the closest thing we got to an actual confrontation was dick telling bruce about blockbuster in the cave, and bruce dismissing his concerns because he values dick’s life more
like…. what would the actual aftermath be if u kept something buried so deeply for so long and someone knows u enough to find out anyway?
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heavenlymorals · 3 days
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Since my Lyle Morgan post is doing better as I thought, I want to give more details as to why I think he'd be a pretty dope protagonist for RDR3 if they stick to the pre established formula and if it ever comes out.
- A lot of people want to play as Dutch and Hosea when they were younger but that generally makes no sense given the formula of the Red Dead Redemption games. These games are about redemption and neither of them are able to achieve it. Dutch becomes a maniac and loses any shot at redemption prior to his suicide and Hosea gets shot and killed whilst still enabling the bad things that happen in the gang beforehand.
- A lot of people also want to play as the Callender boys but again, given the formula of these games, this doesn't fit well, especially when it concerns the epilogue. When the main character dies in the main game, the epilogue opens up with a character that has some sort of familial relationship with the protagonist that changes them in some way. In RDR1, it was Jack avenging John as he was his son. In RRR2, it was John avenging Arthur as he was his brother. Arthur likes the Callender boys but what do they add to him? Arthur is a founder of the VDL gang, one of the older active members, and finds redemption through himself rather than through other people. What do the Callender boys add to Arthur's story that will make him a decent epilogue protagonist? And not only that, but the Callender boys die after Blackwater and RDR2 starts right after that- there literally won't be any room for an epilogue with Arthur if they will continue the epilogue trend of having the previous main character be the playable character.
- There is already an established connection between Lyle and Arthur but it's vague enough to where it leaves a lot of room for a game to be created. That connection could also have people stop with the "why was x not mentioned in z" like how people were asking why Arthur wasn't mentioned in RDR1.
- Arthur could possibly be an unreliable narrator regarding Lyle Morgan. There seems to be a general consensus in the fandom that Arthur's harsh words for the man means he was a shitty, abusive father who wasn't worth the light of day, but there is room to doubt this. Arthur was picked up by Dutch and Hosea when he was 14 and prior to that, he was living on the streets for years alone after Lyle got hung. He literally could've been in the single digits when Lyle died. Him calling Lyle a no good bastard could be from the trauma of being a child and having to live an outlaw life because of his father's choices. Any reconciliation that Lyle could make with Arthur by living a new life and being a normal father could've been nipped at the bud as soon as he got killed. Arthur's opinions on his father could very well be biased because he was only a child when it all happened and he's basing his opinions on the emotions he felt back then. Think of Jack- Jack would've hated John if he wasn't able to grow up with him and only knew him as an outlaw.
- The people can still see what they want, a young Dutch, Hosea, and Arthur through an epilogue where a younger Arthur is the protagonist. We can see the beginning of the VDL gang, amongst other things, which is what people seem to really want.
- Just makes the most sense if R* wants to continue with the pre established formula of the games whilst connecting the games. Either that, or they can surprise us all with a brand new protagonist we never heard of.
- yapyapyapyapyap
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gasping-ghostzes · 2 days
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Back on my 9-1-1 grind! So here is my little info dump of what’s going on was of the most recent episode!!!
CW: for mentions and details of suicide
1- Bobby,
This man was literally plotting his suicide this episode, or more like acting on it? But first, when he handed in his resignation, I didn’t realise it until thinking about it after the episode finished, but that was his way of preparing the 118 of his absence. Him retiring and having the LAFD be able to replace him with another captain wouldn’t be seen as suspicious especially given his age (no shade to him ❤️) but also just what he’s been thru in recent years. Like the moments of him interacting with the characters one on one and giving them little bits of unjudgmental advice and praise really kind of confirmed it. Also the part where Buck thanks him, and he’s like “it’s been my pleasure kid”, just seemed so off to me, not that it’s outside of Bobby’s character to say that, but the scene of it playing out… u could tell shit was gonna get bad
2- Hen!
I clocked it the moment I saw the lady on screen and the moment Mara and Denny was like “oh yeah, our mums r gonna adopt Mara!” And I could just tell that this lady was gonna pull her strings to stop that from happening! But also, to me, the things that was used as evidence as to why Hem and Karen shouldn’t be allowed to adopt Mara was such blatant bias. Like I know that Hen hasn’t been known to always follow the rules, but she done it with the intent and knowledge that doing it will give her patients a fighting chance, more of a chance than letting them die because she was too strict on following the rules.
3- Eddie…
So, Edmundo? Yeah he needs to go get proper help…
However, ppl saying that his love of Shanon is out of character completely, aren’t thinking about what we know about Eddie hard enough. One, he only got married to Shanon because he got her pregnant and it was advised by his church that it’s the right thing to do… but it was the same with Shanon, she was pregnant and likely had been given thw same advice. But they were both decently young when Christopher was born, so the fact that they held their religion values so close, may have been the reason they never wanted a divorce even after having a more than clear dysfunctional life. But after Shanon died, Eddie never had that option Yknow? Like when Shanon left, there was likely always a part of him that knew she’d come back around eventually because she and him both felt slightly obligated to do so, but that didn’t mean they didn’t live each other, it was just more than dysfunctional. So her death, to him was a permanent state of her never being able to come back for him and Chris to have closure and never continue the attempts of having the average family experience.
Two, Him seeing Kim, a woman who looks like his previous first love, and wanting to have some sort of relationship with her is unhealthy, but it makes sense… he’s claimed to be a “nester” and that’s what he does, so seeing a woman who looks exactly like what he envisioned as who he would “nest” with since he was young, was more than likely triggering.
Three, him never gaining that closure from Shanon and instead wanting to find it in Kim now means he’s able to live a literal delusion. One where he doesn’t exactly acknowledge that what they had was dysfunctional (ignore the word, I can’t find another to describe them accurately) and one where he can “fix” his mistakes. I think the only reason he misses Shanon and speaks of her so highly is because she was as close to a normal life he could get…
Like from what we knew about his life growing up, it definitely wasn’t the best. So him getting to fix that aspects and making sure to give Christopher better childhood. So him having this average, perfect marriage would’ve definitely been apart of him fabricating this perfect life that He, Christopher and Shanon all had is his way of coping how the majority of his life has been uncontrollable. Like Kim coming back with a new hair cut and style only made that fantasy worse. To him that’s not Kim, that’s a Shanon with the dysfunction, cause more than likely, Eddie didn’t tell Kim exactly how him and Shanon worked…
So seeing Kim as Shanon, a version of Shanon who has no “memory” of who she and Eddie were both separate and together was basically his shot at getting a second chance… which I know he isn’t gonna exactly convince himself that Kim is literally Shanon, but that’s not gonna stop him from projecting this skewed and inaccurate version of Shanon he wanted and needed in Kim
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snow-and-saltea · 7 months
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i know that in media you're constrained with things like budget, time slots and stuff, but sometimes i'm just like. my god. the insane shortcuts people take to write "smart / intelligent" characters, especially in plot-heavy stories, always pisses me off. they write them like they're sherlock holmes (bbc version, derogatory) but they fail to realise that even sherlock holmes (arthur conan doyle) was written with a lot of thought, suffered his own subconscious prejudices and had to learn from mistakes.
i guess what i'm trying to get at is—"smart" people don't magically get good at things overnight, the only difference between them and others is how much they're willing to go through to hone their mental acuity. which means when they try something new, they're going to make obvious mistakes, not understand how things work beyond the surface level, and make mistakes in judgements (like when you don't understand something well enough, your analogies and metaphors aren't 100% accurate or concise).
but it feels like there's a assumption hanging over our heads that, as readers, we don't WANT to see the smart one go through the entire nitty gritty of the learning process. we just want to see them do cool things, piece the puzzle together with a flourish, and clap our hands at the end. and in some parts, yes! that is what i want to see! but i am also interested in how they pieced it together. the joy of mysteries is, to me, that everyone is exposed to the same pieces of information, and we're given the chance to try to piece it ourselves. but then the smart character comes along and interprets those pieces of information in a not-obvious way to us, and it's cool!! years of living with a mind that is primed to turn things over in their head, to make sense of things, reveals to us how differently we experience the same reality, and it's wonderful. i'm able to learn from someone who sees life differently than me, and interpret information differently than me!
but right now i'm often left out feeling flat and confused in the mystery-type plots i've seen. the smart person will have been exposed to information we didn't even get the chance to see and interpret, and then they piece things together and everyone in the story claps their hands at the artificial pedestal that's been propped up under that character's feet. explanations of in-setting magic that can be retconned in and out at any point in time, so there's no logical consistency for us to nitpick or understand, so there's no basis to stand on that the story should be taken seriously. plot twists that make no sense as a gotcha. so many things!!
like. this particular example just my beef with g*nshin, so ignore it if you don't agree or smth. but the use of red herrings in the stories piss me off. the red herrings are either too obvious or nonexistent. they always use some random guy acting suspiciously and have the other characters react to it, as if we can't understand it on our own? but like. these red herrings, in the real world, aren't even red herrings. sometimes people just "act suspiciously" just by virtue of being human, not because they're complicit in some bigger overarching plot. sometimes people just stutter because of their anxious disposition, not to hide a guilty conscience. sometimes people are just defensive and irritable because they're a defensive and irritable person, it doesn't mean they're the ""bad guy"" who you need to crack down on and interrogate even further, especially if there's literally nothing that indicates this character is guilty other than their outward appearances.
but like. the smart characters/protagonist almost never get proven wrong. the stutterer was guilty all along and they're just a bad liar. the defensive guy is selfish and obnoxious, they're defensive because they're hiding something, not because it's a natural reaction on having one's sense of privacy and personal space violated.
the game sure loves trying to do nuance with "not everyone is 100% good or bad, we're all Flawed" but they can't put their money where their mouth is. everyone who is not guilty acts in completely transparent and "good" ways. everyone who is guilty acts in completely opaque and "suspicious" / "bad" ways. end of story. how the hell am i supposed to think anyone in this game is smart when they don't even have to use their brain to sift through, critique, weigh and interpret information? what use is there to do so? just use your eyes and ears. the stutterer is nervous for hiding a secret. the anxious is guilty. the angry is scornful.
there's also another rant here about how g*nshin fucking sucks at writing unique and flawed characters, because they like to make everyone the Specialest Guy In The World, but that's for another day.
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mamoushiou28 · 9 months
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I was bored so I drew this
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slippery-minghus · 2 months
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hmm. had an actual conversation with nightmare coworker today that seemed mutually productive. she apologized for saying some bullshit that hurt my feelings and i clarified that my intentions are to help not to undermine her, and we both agreed that there's no competition against each other and that it's the lack of growth in our role that's the problem. it was...productive.
and further cementing for me that it is time to begin making my Exit. i will be sending out my resume to a few places this weekend.
i'm still processing the conversation, and am struggling to place myself in where i am responsible to better my behavior. because i genuinely don't want to be an ass, even though i really don't like this lady and will jump for joy the day i never have to see her again. she stated that she knows my intentions aren't to hurt her, and that she thinks i'm very kind. i apologized for if my behavior came off as undermining her, and said that my intentions are only to better my own growth—and that i know she's trying to succeed too. i validated her feelings, and complemented the effort she is putting in.
where i'm struggling with is: am i in the wrong/causing harm and needing to change if the issue is that her feelings are incongruent with what she knows of my intentions? her feelings are her responsibility (WOW i almost typed "her feelings are my responsibility". i feel like that's a freudian slip) and she states that she knows i don't mean to hurt her. i'm going to try to be more clear in wording my intentions with her (she feels like me trying to take work off her plate is to undermine her. when really, i'm caught up and see her getting overwhelmed, and i want to help and also have something to do since i'm bored).
but i'm really struggling to look at my role in this and pass judgement on myself. i can and want to do better, and i don't think i did anything wrong, but i'm always so hesitant to say it's not my fault or i didn't do something bad. like i can't trust my judgement on that. my intentions were good, her bad feelings are ones caused by her insecurities, which she more or less has expressed to be aware that they are not true—the hurtful thing she said to me, she acknowledged was said out of hurt and not what she actually thinks. so, is it fair to say i'm not the bad guy? i'm not in the wrong? i know good intentions that still result in harm don't absolve anyone, but when the things that are clashing are insufficient communication and reactive insecurities... i'm not a monster, am i?
#well. i AM probably a monster for how much i dislike this lady#but i don't ACT on it#and i genuinely couldn't care less about her. i participate in decent human pleasantries because i am a decent human.#and at work we're stuck together#the thing that's irked me so much about this conversation is just.. her self centeredness#that she thinks everyone is out to get her. to undermine her. whatever.#bitch nobody cares about you enough one way or the other to put in that kind of effort. i sure don't#i empathize but i do not sympathize. to feel that pit that makes you feel like the worst kind of center of attention#i get it. but genuinely you are not the main character and no one is going to spend their limited time and energy to slowly attack you#you are not the cat with all the knives pointed at it#it's a terrible feeling to feel like you are! but when it influences your behavior to the point that you are making snide comments#to people who have no option not to interact with you then uh. then you're in the wrong buddy#and the people around you (who cannot easily leave! bc work!) should not have to bend over backwards to assure you#that they're not pointing knives at you. to protect themselves from your feelings making you say mean shit#like yes. i can be more clear with my intentions. i'm generally not the greatest at that. but my baseline that i want to#modify my behavior from is NOT one that a regular well adjusted person would take as anything but kind#and if a regular well adjusted person got a little offput by me volunteering to take work off their hands we would've had a very chill#3 sentence conversation about it MONTHS AGO.#i understand and respect (even if i find it annoying and overbearing) the need for me to announce my intentions like im working in a kitchen#and saying 'hot water' or 'knife' as i move around other people but we shouldn't have reached this conclusion this way#and frankly who's to fucking say me being more clear with my intentions will only feed the flames of her thinking i'm out to get her!#'i caught up on my stuff and your plate looks full. i'm bored. anything i can do to help?' could be a pointed knife for all i know!!#and if it is- and my actions still hurt her in that scenario- am i still responsible for the hurt caused??#like WHERE DOES IT FUCKING E N D ?#personal#*exhales* okay i feel better now#i just hate talking about my interactions with her bc i just want NOTHING to do with it. i want her out of my head!!#but until i process it i can't let go#and i'm still going to have to go over all of this with my shrink tomorrow#it just makes me mad how much of my time this bitch takes up. i'm not getting paid to think about work right now!!!!
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kashilascorner · 1 year
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just watched notting hill which is supposed to be like an epitome of a good romcom and... Well. Let's just say i highly disagree
#jab we met (2006) really fcked up my expectations of what a good romcom should be#also stuff like nothing serious (2021). it's not enough with the pretty cinematography the colorful#(pun intendes cause they're all white) cast of side characters and the chemistey between the lead actors#i need their background their baggage their context how they actually connect as human beings and change each other#otherwise you're just preaching a stupid idea of what love should be and making up a story where the main couple#go back and forth because PLOT but it's actually because there's practically nothing going on between them in terms of actual trust#you're selling infatuation as love and they're not the same#so in notting hill we know anna has all these troubles. we know she has been in an abusive relationship one after the other. we know she#has a bf by the time she meets the guy. we know that but we never EXPLORE that. we see she's deeply hurt that her intimate#photos were leaked and that her relationship with the guy (her only solace) was revealed to the press but we never really DEAL with the#consequences of that. we're TOLD the guy is a hopeless romantic and an pverall decent fellow. they let drop he dated bella at some point#and worst of all we know he got divorced recently. but we never see his ex wife we know nothing about her he doesn't seem to think#about her at all which is odd at best for someone who claims to both be very devoted to the one he's in love and also claims he's#only been in love twice (bella & his exwife) before anna. we don't see their baggage just hear it. we don't see them talk it out or work#through it and when anna reacts roughly surely because of stress and trauma the narrative ends up putting her in the wrong (though to be#fair he isn't protrayed as being in the right exactly). the film is supposedly all about illusion vs reality and anna's deakre to be seen#for what she is (just a girl standing in front of a boy asking him to love her thing) but actually the movie is about infatuation. a deep#one sure buy not about love. it's about solace but not nuance. it's fairy tale but fairy tales don't work in real life. we're supposed to#strive for the fairy tale which is literally completely impossible to achieve#effective romance movies and romcoms have that fantasy element for sure but they stay grounded. if not in plot surely in human connection#laura watches stuff
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arolesbianism · 2 days
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If I was more of a fanfic writer I would totally write like 50 oni timeloop ai fics and Id have to fight myself so hard to not make Olivia a significant part of all of them. Just like yeah Quinn timeloop au. They and Olivia regular at the same bar actually. Don't worry abt it.
#rat rambles#oni posting#I know in the past Ive said that jackie timeloop hypotheticals make me go crazy but if I were to hypothetically write a timeloop au itd be#an ellie one for sure shes just enough both in and out of the action and also enough of a bad person that it'd bring me great joy writing#her flounder and fuck everything up and become even worse of a person and not even feel guilty abt it#also Id totally have it not even be a satisfying loop ending condition itd be like a survival style timeloop but its just so she can#survive long enough for the world to end and die there instead#now for a less frustrating a depressing main character bubbles would be a decent option but I actively want a frustrating pov#I <3 povs that you wanna beat the shit out of so bad for their consistent fuck ups but you cant say its poor writing because in every#situation they fuck up in it Is what they would do and its what they would do every time#like watching a train crash except you get to watch the things that doomed the crash to happen as they happen#but yeah I think ellie would loose it so fast shed start emailing jackie hampster gifs out of frustration#I just dont rly see her as the type of person who would even for a second find the prospect of a timeloop exciting#like jackie would be absolutely ecstatic at first if she got trapped in a time loop she'd be so happy#not even because of the typical reasons its fully scientific curiosity#shed get disappointed pretty quick tho and probably rly confused due to it contradicting other theories of hers#but yeah maybe there'd be a part of ellie that had some scientific curiosity but I think itd be in more of a oh god damnit way#like oh fucking hell this just had to be possible didn't it I don't want to deal with the ramifications of this bullshit#because in universe time loops would probably impossible or at least would have to look very different#so a timeloop au would come with having to accept that contradiction and roll with it#which Im totally fine with I think its funny to have these scientists deal with blatantly impossible events#I thrive when fucking with characters I love
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acrobattack · 2 months
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sort of fascinated at how many fandom darlings had little to zero screentime
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caeca-iustitia · 8 months
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Should I post Marc's bingo card or should I just not bother?
This is why I am not paid to make decisions; it'd take too long and then it would be the wrong one anyway...
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mee-op · 9 months
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Facts about in-game Yuu (Twisted Wonderland):
NOTES:
This is an ongoing list and will be updated with new information. I'm not caught up w/ chap 6 and I'm not very perceptive. This list is so long because of all the people who commented/sent asks, so thank you Last but not least, some of these might be a stretch/be slightly incorrect so bare w/ me plz :] More Yuu facts [ ONE / TWO ] <- not mine
They've been good friends with Heartslabyul ever since Book 1.
They're forgiving/don't hold any bad blood with the people who've overblotted (at least on the outside).
According to the Harveston event, they can play the flute.
They don't like mentioning that they might return to their world (Deuce's Wishing Star vignette).
Many people consider them a "goody-two-shoes" (Leona, Ruggie).
A good listener.
Based on Malleus' interactions with them, Yuu talks to him a lot more off-screen as he states that he values their opinions.
Loves Grim to hell and back.
It's implied that Yuu invites Malleus over frequently enough that he visits unprompted.
They can be snarky and brutally honest when they're pushed into it.
Comes up with stupid plans that nobody believes will work but it somehow does.
They're insecure about not having any magic.
They want to be able to help their friends.
Has a sense of self-preservation.
Does not actively seek out danger (*cough* om mc *cough*).
They've cleaned up Ramshackle since living there, however, it still looks "abandoned & ancient" on the outside.
Crowley doesn't give them more money than "needed".
Silver states that Yuu is good with swords (PE Uniform).
Both Jamil and Silver seem to think that Yuu is somewhat weird/strange.
They don't know much about mushrooms (Floyd's Camp Vargas vignette).
They're very patient.
Used to be afraid of ghosts until they got to Twisted Wonderland.
They adapt to new/difficult situations quickly and calmly.
They don't complain much.
Very much so the silent type.
The audience doesn't really see anyone helping them out with their situation, so I assume they fix most of their problems themselves.
They don't have any memories of the Great Seven before coming to Twisted Wonderland.
Fluctuates between being observant and not noticing really basic stuff.
Doesn't hesitate to say cheesy things.
Keeps calm in harsh situations.
They know how to play a blowing horn (White Rabbit Event).
Good with instruments.
Not a very good singer (NRC Uniform).
It's implied that they have high stamina.
They're interested in horseback riding and wants to play soccer with Sebek (PE Uniform).
They recommend a few books to Sebek, implying that they read in their free time.
They're short in comparison to Floyd (he calls them Shrimpy).
Grim comments that they're shorter than Vil.
Crowley mumbles that Yuu looks effeminate.
They're a bit of a romantic since they seem to often ask about love stories/fairy tales (Epel & Jade chats).
They have a habit of poking, tugging, tickling and just touching people in general. This is proven through the Home Screen character interactions.
Their love language seems to be physical touch.
They get scared easily but is bad at scaring others (Halloween voice lines).
Vil notes that their uniform is baggy.
Malleus says that Yuu has gotten better at dancing (Masquerade Event).
It's implied that Yuu is good/decent at cooking since they have to make meals for both themself and Grim every day.
Yuu is decent at basketball (Ace Halloween).
Deuce remarks about a tiny piece of furniture in Ramshackle and asks if it's for Grim, meaning Yuu makes small furniture for him.
They're a good photographer.
Takes part in photography competitions (Rook Port Fest).
It's implied that Yuu carries their ghost camera everywhere because Crowley constantly makes them record events.
It's said that the game cards are actual photos that Yuu took with the ghost camera. [I don't know if this is true but a lot of people have said so]
Most, if not all the characters tell Yuu to hurry up when choosing a class, which suggests that they're indecisive.
Ace, Deuce and Cater tell Yuu to relax during classes or else they'll run out of energy.
Jack says that he got tips from Yuu while he was working in Monstro Lounge, implying that Yuu might've worked in customer service before (Book 3).
According to Grim, they have a hard time saying no to people, but when they absolutely need to-- they're very serious and a bit intimidating. "You're a real sap sometimes, you know that? Then again, when you bare your teeth it's no joke."
While they won't say no to helping others, they prefer to keep to themselves and avoid drama.
Yuu is sometimes a bit distrustful of Ace and thinks he's tricking them if he offers to do anything nice (2024 Player Birthday Greetings).
It doesn't take much to make them happy. (Deuce & Idia 2024 Player Birthday Greetings).
They became nervous when Riddle invited them to a salon for their birthday. Riddle response saying "I'll be right there with you, and will instruct you in etiquette every step of the way."
They're competitive in class-- at least when it comes to Jack (2024 Player Birthday Greetings).
They took chess lessons to try and beat Leona in a match (2024 Player Birthday Greetings).
For their birthday, Yuu asks Azul to get something that's supposedly hard for an average collector to acquire.
They're surprised when Kalim gifts them a pop-up card for their birthday.
They own a pair of fingerless gloves (gifted by Epel).
They personally invited Vil over for their birthday party and made sure to have healthy food options for him.
Not very close with Idia.
Owns a glass tumbler that reads 'Happy Birthday!' (gifted by Ortho).
Lilia gives them a CD with his screamo performances.
They were gifted so many presents on their birthday that they had trouble carrying the gifts around. (Malleus 2024 Player Birthday Greetings).
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griffonsgrove · 4 months
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Hiiii!!! See your doing writing requests for Hazbin, Its my hyperfixation so I am in need of more content 👀 so I'd like to request maybe Vox general or NSFW headcanon ( either one is good lol-) with a afab reader maybe? This is my first time requesting something like this so sorry if I'm a little nervous or bad at requesting. I think this is how people are supposed to request? XD
General Dating Headcanons | Vox
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a/n: You're totally alright dear! You said everything just fine! As I've stated before, I got early access to the first two episodes, and it's been so interesting to analyze vox's character! I hope I can do him justice!! He's starting to grow on me now. I'm gonna stick with a gn!reader just because these are general headcanons and I want them to be suited for anyone!
fandom: Hazbin Hotel
wordcount: 1299
cw: SPOILERS FOR HAZBIN HOTEL, swearing, vulgar content, stalking, death and mentions of death/murder., toxic/absuive relationships.
(PLATONIC):
Vox’s got eyes EVERYWHERE in hell. There is no escaping his line of sight unless you go completely off the grid. Which is pretty difficult to do when the entirety of pentagram city is covered head to toe in VoxTech.
However, if you don't pose a threat to him, he really doesn't give a shit about you otherwise, and won’t pay that much attention to your life.
When you first fell into hell, you were mostly confused as to how you wound up here in the first place. That quickly subsided into fear as you noticed the large variety of demons and sinners casually walking down the sidewalk like it was an average tuesday. 
You’ll never forget the sight of seeing a demon gnaw off the arm of another and swallow it whole, like it was an all-you-can-eat buffet. 
You wander aimlessly down the streets, keeping to yourself and being very cautious of those around you. Your clothes were in tatters, and you didn't have any form of money whatsoever, what were you to do??
You had two options: Somehow find a job in this new horrific realm, or, die.
You didn't care too much for the latter.
This is how you stumble across one of the largest studios/clubs in hell, owned by probably the most feared overlords in pentagram city. The V’s. 
You get hired to be nothing more than a waiter/waitress, to serve the patrons of the club, mostly serving them their drinks.
You weren't too fond of the work uniform either. It left nothing to the imagination, and exposed alot of skin, far too much to your liking. The job actually paid somewhat decently though and it was enough to be able to sustain a living. You were quick to rent out the nearest apartment.
One day, while you’re out on the main floor, making your rounds, your eyes briefly lock with the TV demon across a sea of sinners. Call it cheesy, but it was almost like a spark went off the moment he laid eyes on you. Which is something that doesn't happen often with the tech-savvy overlord. Who were you??
He lazily beckons you over with a claw, to which you obediently follow, although it doesn't hide the sheer nervousness written all over your face, He gives you his drink order in that sultry, velvet voice of his, eyeing you up. You gulp slightly and are quick to bring him his order. He thought you were so cute trembling for him.
He begins to stalk observe you closer after that. If you have any electronic devices he’ll watch you through your screens, trying to get a glimpse into what your life was like outside of work. The things you enjoyed doing in your free time, favorite shows, foods etc.
He def goes through your search history.
He would start showing up more in the sections you worked at, oftentimes minding his business, but occasionally striking up a conversation with you.
You did have to admit he was quite the charmer, his smooth voice was hypnotic to you.
OBSESSIVE TENDENCIES. If he notices some creep won't leave you alone while you're working, he’ll take care of them personally, it’s never a pretty sight afterwards. He cant have anyone taking what's his.
You're oblivious to his stalking and possessiveness, you don't think much of it, maybe that's because he puts on a friendly face when you’re around him.
But after some time of getting to know you, He’s the one that eventually asks you out on a “date”. You’re skeptical at first, but decide to accept his offer. And also partially because you were afraid of what would happen if you said no.
(ROMANTIC):
Ngl it’s kind of a situationship in the beginning.
Vox is a busy man, it’s constant work maintaining the studios (especially valentinos temper) and managing the entirety of hell's technology. So, he may ghost you at first.
That being said, He will still keep an eye on you. He often watches through your phone while you sleep, just to make sure you’re safe. Hell is a dangerous place after all.
Speaking of, you’re now under the protection of the V’s, so that’s a plus! You never have to worry about another demon laying a finger on you. They usually never get close enough to anyways.
He very easily gets jealous. He won't show it on the outside because he has an image to uphold, but you can tell every time from that crazed look in his eyes.
Vox is a possessive lover; he wants to keep you all to himself. If he could, he’d keep you locked up by his side all day.
CONTROLLING. He HAS to know where you’re at, at all times, and who you’re going to be with (lest you face one of his tantrums). Also dictates what you wear, He likes to dress you up to his liking, like you’re his own personal doll.
Insecure much?
Say goodbye to privacy btw. He constantly has you in the back of his mind and a watchful eye on you. It can be kind of suffocating at times. The two of you have gotten into a few arguments because of this.
Valentino gets jealous of you too. How dare you take his boy-toy away from him? He’s often giving you the stink eye and will threaten you behind vox’s back. You’re too scared to tell Vox, because you don't want to face Val’s wrath.
You know briefly of his and Val’s “relationship” it all had seemed very one-sided and completely unhealthy.
You're often having to calm Vox down. The man has a very short temper and is easily provoked. 
Imagine you pressing little kisses to his screen after he found out about Alastor’s return. He remains stoic, but secretly enjoys your affection.
Some of the pet names he loves to call you include; Doll, Dear, Darling, Sweetheart, Babe.
Pretty old-fashioned ik, but he's a classy man alright?
He tends to be pretty touchy, always having a clawed hand on the small of your back, or an arm wrapped around your waist. It’s more of a possessive trait of his, to keep what's his close.
He loves having you sprawled on his lap while he’s in his screen room, you stay nuzzled into his side, often taking naps while he does broadcasts.
He TOTALLY spoils you btw. He’s one of the most powerful overlords in hell, ofc he has the money to show it. Whatever dingy apartment you had before, forget about it bc this man has you living in a penthouse suite in one of the most expensive apartment buildings. He sees you looking at something in a store or online?? Boom, it’s yours now.
He loves buying you clothes, as I’ve said before, you're his “doll” and he loves playing dress up with you.
And if you buy him something?? He’s taken by surprise at first, he’s never really been on the receiving end of that affection, so whatever it is you give him he’ll cherish it.
If you ever have someone bothering you, or want to get rid of, you just say the word babe. He’ll be feeding them to his sharks >:)
The man is emotionally constipated, ok?? All he’s ever known from relationships is what he shared with Val (and trust me that was a train wreck). He’s rough around the edges, short-tempered and isn't always easy to get along with, and he’s incredibly possessive which can be suffocating to deal with at times. This probably stems from him not wanting to actually be alone, He doesn't want you to slip out of his grasp, so he keeps a tight leash on you. But underneath all these flaws, he really does love you and care about you. At the end of the day, He just wants someone that will stay.
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complete-clownery · 5 months
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Hahaha okay rant about this amazing fanfic (you probably heard of this one already but still)
So whenever it comes to explaining and writing under my posts I just get lazy but I need to push through this cuz I need to talk
So the fanarts were made for the lmk fanfiction sunbreak, that a lot of you (probably mostly shadowpeach shippers) had read, and it is amazing, I read trough it as fast as my brain let me and as you can see it has pleasantly scratched my brain so much so that I even (attempted) to make fanart for it
Ngl if I wasn't a major pussy I would try to illustrate the whole thing or make covers for each chapter but Im unable to work on something more than 2 hours and I would want those to look good, but good looking art (if I don't mess up) takes 6 hours ughh--- annoying much---
Anyways I'm not good with literature but man is this fix a masterpiece *chefs kiss* its everything its amazing, I was unable to put it down once I started it
Okay i dont think I have the brain capacity to explain how much I worship the writer of this masterpiece @ladygreenfrisbee , so i'm just going to talk about the drawings a tad
So first picture with Red Son and MK its sort of like an au in the fic where the whole lbd plot is somehow nonexistent and after Macaque gets to his sisters domain they settle down and raise the kids together without much of an issue aside from assassinations keep happening and trying not to get in trouble with the heavens
Id like to think that Gongzhu still wouldn't let the court tailors to put any form of red or gold on MKs outfits and only allowed the yellow after when MK was old enough to declare that yellow was his favorite color, but even now she would insist on some form of purple and shadow motives to let others know who the mother is
We also got baby MK and toddler Red Son and sassy LIF and Mac
Third pic with the lion: I don't know what it was or why but I just love general Song so much--- he's a major dickhead but sgvshshsevkdididhr (actually I kinda love all the original characters in this one, from the generals to the old lady in the beginning of the book, (gosh I also wanna draw some scenes from those chapters I loved how Mac and she interacted hshsjsj))
so chapter 34 was probably my favorite so far I re read it about two more times cuz it was amazing to see Macaque being the schemer he is and try to piss of Song lol
Last picture: its a sketch/a wip or whatever (probably not going to finish it but im still putting it there cuz its somewhat decent looking)
Its the part where Wukong remembered of Macaque finally finding him and asking for him to come back to flower fruit mountain.
I tried to make Macaque look more unhinged on this one but since I didn't finish it I dont think its that noticable so fuck that but I also gave him a halo like the saints to symbolise his suffering and what not (thought it looked cool and fitting think whatever you want about it lol)
And that all ((((hollly mother))))
If you read this trough, thank you and congrats👏👏
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inkskinned · 1 year
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i keep thinking about hobbies and how i often spill over myself to pick up new ones. i have adhd, i end up trying something for like a month and then just getting far enough in it that i move on, satisfied.
and that should be fine; but it's never fine.
i am a pretty decent artist; but i can't just make art for my dnd campaign, i should be selling dnd maps and character designs and scene setting pieces. i can't just make my friends matching earrings, i need to get an etsy and ship them internationally and take bulk orders. i make pretty good props and decorations and use them to throw my friends parties - but i should be running a party planning business and start taking paying clients and networking and putting my skills to actual use.
for some reason, i never figured out the specifics of pottery. it was a fun class and i enjoyed myself - and still, i'm embarrassed, years later, that i put in all that useless effort. everything i make has to be stunning. stellar. i should have applied myself more. maybe i'm too lazy. maybe i'm broken and selfish and needy. actually creative people would have kept going; they would be bettering themselves at every possible opportunity.
we find ourselves in this trap, even accidentally: we need to commodify our time, because it is a commodity. if we spend our efforts and our time not earning, isn't that the same thing as burning free money? and god forbid you ever take up a hobby that ends up being more expensive than you thought. you sit in your car and you look at the receipt and in your head you hear a conversation that isn't even happening - your mom or your friend or your partner all saying oh great. not this shit again. it's always something with you, and it never actually means anything.
i have realized this horrible thing, recently - i'll get excited to start a project, pick up a new hobby. and then i just... stop myself. i start thinking about the amount of time it will take, and how it'll look in my monthly budget. what if i can't even produce a good enough final product. sure, it's exciting to think about how i could make my friend her own custom dice. but i'm just polluting the earth if i don't get it right. better not bother. better not try.
restless, i get caught in the negative space. the feeling that oh god, i want to create. and that horrible sense - yeah, but i don't have the time to just put to waste.
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ravengards-rogue · 3 months
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WHAT SET YOU FREE, BROUGHT YOU TO ME BABY.
rdr2 men + short blurbs about their favorite sex positions.
ft. arthur morgan, john marston, javier escuella, and charles smith.
✧ tags : SPOILER HEAVY, fem + afab!reader, unprotected sex, light angst (in the horny post is crazy im sorry fdkjjkds), very gendered language, javier says one thing in spanish (thank u @nanamimizz), a little sprinkle of plot with each (and some canon divergency), john co-parents w abigail, otherwise just horny. 18+
✧ wc : about 1.4-8k each (6.3k total)
✧ a/n : sorry for making a multi character post for the cowboy game its cooking me to death. my john bias is showing rip. title is from rebel yell by billy idol but i listen to the bvb cover
sorry about charles and javiers but if i edit this anymore im going to level an entire city using hollow purple technique. please rb if you enjoyed i worked kind of hard on whatever this is.
sorry for . the THIRD repost of this i promise i wont after this. its just really bugging me. PLEASE
.𖥔 ݁ ˖˚☽˚。⋆ ARTHUR MORGAN + PRONE BONE ; 
It’s an odd feelin’ for Arthur. 
Wanting something, he means. Wanting anything as much as he wants you. He’s lived a less than quiet life up until now. And he ain’t the brightest, certainly, but living this kind of life teaches you many lessons. One of them being, it’s better not to covet anything. Coveting something you’re not entitled to, well—it’ll lead you places you wouldn’t want to go with a gun. 
Arthur has made the mistake of coveting love before, dreamed of a future so completely out of his reach he almost convinced himself it was possible. Dreamed of it so foolishly he’d even go visit a woman he very well ought to forget. It’s his problem, his burden to bear - always desiring outcomes unsuited to him. 
He’s just that sort of man he reckons. But he learned his lesson. He tries (tried?) to stay away from it after that. Tried not to pine too much for normalcy when such hopes had failed him twice. The loss of his child completely on his account and the loss of his love at the same fate. 
So, wanting you - well, he feels like the world's dullest fool. Really. How is it that Arthur had fallen in love with someone again? It had all just happened so quickly. You were another woman he’d saved from the O’Driscolls, though it wasn’t like you were no damsel. A lot of those men were dead by the time they arrived. That sort of perseverance would stick with you while you traveled together. Much like Sadie, you didn’t take well to housework - you liked to earn your keep. Though you’re not nearly so trigger happy. 
You’re quiet, thoughtful, well-read. Plus you’re good at making money. That’s why Dutch don't complain about you joining them, he figures. 
(Arthur tries not to pry into it too much at first, but he eventually learns that you’re gambling. Which is how you’re able to make such a fast turn around. A prim little lady like you makes for a fine poker player, and you love to play men out of their money. He thinks it’s one of the funniest and most interesting things about you. He can’t help but love you a little more for it. )
When the feelings in him start to stir, Arthur tries to overlook it. Arthur convinces himself, time and time again - that there’s no way he’ll grow more tender about you. Eventually, it’ll die down. You’re a decent woman is all, a kind one - who’s easy for him to love and even easier for him to confide in. In your time together, you often come to Arthur and you always seem to have some profound wisdom he is so sorely lacking. Someone easy to love, who does not expect much from Arthur at all. It’s only natural a lonely, covetous man like him would start to dream about you. He tells himself, it will pass eventually. Should he simply let it run by him, it will pass. But Arthurs a fool, you’ll remember. 
 Of course, by the time he understood all that - he already loved you enough that he couldn’t bear it. It was already too late and it wasn’t going to change any time soon. Especially not while everything changed around him. 
So, Arthur is undoubtedly a fool, but he’s lucky. He felt divinely blessed when you’d returned his feelings for him so politely. A coy little smile on your face, a laugh like you thought he was silly for being doubtful. Arthur tried to explain himself but you wouldn’t hear a word of it. Maybe that’s another thing he loves so much about you. There’s nothing he ever needs to explain. 
In any case, all Arthur seems to do lately is want you. Wants you when it’s inconvenient. Wants you before he wants liquor or a cigarette or some other vice. Any time anything goes wrong, you’re the first thing his mind can conjure up for relief. That pretty smile and that self-assured way of living. It’s hard to get time alone in camp. And Arthur is a man in love, so any touch could be enough to set him on fire. Last week you hugged his waist a little before giving him a kiss goodbye and he had to listen to you laugh yourself into a fit as he waited for…little Arthur to settle down. 
He don’t get many chances to be with you. Lay with you in that way that grown folk in love do. Though, if the two of you book it somewhere for a few days - the camp knows better not to ask where you’ve been. But it’s not often you get to really be together, where it’s peaceful to do that. Someone’s always hounding one of you to do something. 
Arthur is a lucky man though, like he said. Today he had time. Today he’s alone with you in a beat up little saloon and today he gets to do as he likes. He gets to be greedy. And it’s an odd feeling for him, really, to want something so bad he disregards everything else in the world for a little while. 
Feeling you, though - absolves the guilt for wanting. He’d be stupid to want you any less desperately. 
Arthur’s favorite way to have you is on your stomach. Laid flat, just barely pushed up against him as he fucks you deep. You’ll fuck like rabbits for a little while and Arthur will wear you out just like this, maneuvering you until you’re pinned all underneath his weight. You lose any fight you might have, too exhausted to worry yourself with pleasing him - and when you’re like that, you let Arthur take care of you. 
(He really ain’t talented at much, but he’s good with his hands. Being dexterous is part of being a talented shot. When Arthur has the time to spread you sweet in his lap and make you cum all over his fingers, he does so for as long as he can. At least until you beg him so sweetly otherwise. The same hands, soiled with gunsmoke, look so good so deep in you. At least in his eyes.)
Wet and pliable and helpless. Arthur loves you like that. He knows, he knows you’re anything but - but he’d be damned to pretend this don’t feel best. Tight, wet cunt so welcoming from all the pleasure he’s ripped out of you. Your bodies pressed together, your heartbeat pulsing through your skin. All sticky, honeyed need and animal desire as Arthur lets all of him sink on top of you. His heavy, lumbering form crushing you in - trapping you somewhere you can’t run from him. The curve of your spine pushed against his chest, ticklish. 
Every inch of his body that so wholly wants for you, Arthur aches to make you feel. Burn it in you lest anything happens that risks your forgetting. 
He can feel his hips meet your ass, backside squished against him - desperate for deeper friction. Whining. You’re whining to him so pretty, a pillow pushed underneath you to give friction to needy clit. 
Arthur can feel how much you want more. Maybe Arthur is greedy, but he likes that look much better on you. Your pussy is sucking him in so tight, silken walls pulsing with every shallow little measured thrust. Arthur lets his arm wrap around your neck, your face pressing into his bicep. You moan again and he laughs. 
“Arthur,” Your words come out in a messy slur. He lets his scruffy face press against your neck, a kiss behind your ear. He wants to kiss you all over. There’s not enough hours in the day. “Oh, god, Arthur,” 
“Still feels good, then, I’m guessin’,” 
“Shut up,” You huff and press your cheek into his arm. He doesn’t bother stifling his laugh. “Still feels…big. Stretchin’ me out—hicc—so much,” 
You really don’t try to rile him up - but you do a damn good job of it anyway. He groans, grunts as he pulls back and pistons himself in you. A gesture half-way between a kiss and the warning shot of a gun. The sound of skin hitting skin echoes, noisy and vulgar. Arthur don’t pay it much mind. He laughs against your shoulder.
“One of these days, that moutha’ yours is gonna get me in real trouble.” 
You giggle back at him 
“What kinda trouble is that now?” 
Even from your side glance, you’ve got that lovely little smile on you. Fuckdrunk and ingratiating, like you know he’s wrapped so tight around your fingers. And he is, like nothing else in the world could have him. A wave of possession curls up over Arthur, makes him press more of himself into you. Onto you. Another deep push of his cock, sliding against the tenderest parts of you. Staking some silent desire in you. He wants and wants and wants, and hopes that whatevers above him can forgive him for making the same mistake thrice. 
“Dunno,” Arthur comments, teeth grazing your shoulder and kissing the indentations “Got our whole lives together to find out, I reckon.” 
“I’ll hold you to it, Mister.” 
Arthur laughs. “Hope you do, Miss.” 
.𖥔 ݁ ˖˚☽˚。⋆ JOHN MARSTON + COWGIRL ;
John doesn’t say that he loves you lightly. 
Hardly a thing he says can be said that way. Could never afford too. In an alternate universe where nothing goes wrong in his life, maybe - but he has a hard time picturing what the hell that’d look like. A version of himself so untainted, without all of the violence and blood and gunsmoke? Foreign. John can’t picture it worth a damn. 
Who John is without a deadbeat father and a dead Ma is somewhere far beyond his reach. Ain’t nothing about his life, at any point, lighthearted. 
On top of all that mess, he’s got a boy at age four with a woman he ain’t married too. And that relationship is always on rocky waters, even though John’s decided to do right by his own flesh and blood sometime ago. Most things in the world he should feel good about he doesn’t, and most things he should understand render him clueless. He’s a mess on multiple accounts, and he still doesn’t know how exactly he’s meant to approach this life of his. He knows what he should do, but nothing about how to do it. 
John doesn’t come to love you easily ‘cause he wouldn’t know easy love if it hit him in his face. Quickly and painfully, but not easily. 
Your return to the gang was an odd one. You were an old presence and your disappearance was an even older story. John thought he’d never gonna see you again for sure. You’d been a part of the gang back long before all of the nonsense that took place in Blackwater and you left about the time Arthur’s boy died. John don’t remember why you left exactly. He thinks it was a fight with Hosea, of all things.
 Dutch weren't too happy about it neither, but Dutch back then didn’t make a show. 
So you left, and John buried every feeling he ever harbored. You found all them again up in Colter, where you’d been living out your days lately. According to you, in the middle of riding, you thought you’d heard Arthur. So, somewhat recklessly, you went chasing him. Didn’t matter if he was just something your mind conjured. According to you, if it was him, it was at least worth checking to make sure. You’d reunited with Arthur and after some tears, he rode with you back to camp. 
Upon your return, the gang welcomed you with open arms. 
You’d done a lot in your time alone.You spent most of that time just like that, a ghost wanderin’ the planes. You weren’t gonna stay with ‘em, but Arthur insisted and Hosea did too. That wasn’t enough to compel, so John was last to chip in. You should stay, at least until Valentine. 
(Silently he thought, you should stay so John can trace memories of you. It was so long ago, he should’ve forgotten all of it. You were a year older than John and always on his ass but easy for him to talk to. Didn’t fuss over his failures. You just barely grew into your womanhood when you set your sights on running away. You wanted more than this life, and John never really forgave you for it. His first heartbreak, maybe - but it’s all too blurry for that. 
You understood him though better than anyone, and one day you were gone. Nothing’s really the same.) 
You changed tremendously and not at all. He missed you. God, did he ever. Missed you a long time. Didn’t realize how much until you came back and everything in him felt right again. Your return stirred up old feelings and everyone noticed. He wasn’t trying to keep it a secret, but he really wasn’t trying to fall back into anything with you. Not how he did. 
Just like you did back then, you read John like an open book. And just like he did back then, he loved you all too helplessly for it.  It was just all too easy again, to be with you. 
You stayed out of the way at first, for the sake of his family. 
But, John ain’t a half-decent man even when he’s trying to be. So he set himself on being with you. It wasn’t easy - most things with him aren’t as you’ll see.  Having you around again straightened what was left of his common sense, at least. He told Abigail before telling you. He figured you wouldn’t even reply unless that was all out of the way. That turned out as well as you’d expect.
 It was settled between the two of you thereafter. He’s lucky she didn’t toss him into the street. 
Everything works out in a way. As best they can between broken people. You make peace with each other. His boy loves you like a third parent (you’re better with him than John is). Abigail commends you for straightening out such a worthless man though she’s a little melancholy.  John just tries to stay out of the way. You’ll be together in the end. There’s a plan with the five of you. 
But until it all falls apart, he doesn’t get all that much time with you. 
There’s moments like tonight, though. Rare ones. Together out robbin’, cooped out some place in the woods where no one is around. A place so shaded by nightfall that John can absolve himself of every sin he’s ever committed in his life and pray at the altar between your hips. John is convinced he might find worship like he’s always hearing about there whenever he touches you, the marred skin of his hands and knuckles reading the scripture of your body with careful precision. 
You might turn him into a literate man yet. 
John glances up at you. Only the light of the fire and the moonlight there to accompany as he watches you over him. You’re beautiful. John couldn’t picture a single thing more perfect in his life. 
Your hands against his bare chest, nails digging into the flesh as you lean forward. Your palm dug into the dirt, John finds his own hands rested at your hips. John looks at you awe-struck, cock twitching at the mere sight. His heart settles in his throat, but he’s calm all at the same time. With you, he forgets. All of it. The worst of himself. 
Bare naked and so close, he watches your face as you strain. You feel soft. Every inch of you in comparison to him is. A bead of sweat slides down the valley of your breasts. John cranes his neck up to catch it with his tongue, licking a stripe up to your neck - letting his teeth sink into the space between your jaw and neck. You want to make it last and John doesn’t blame you. It’s so rare you get to have each other so unrestrained. John can feel all the ways you want him, can see it in your face - all pinched with need. You’re holding yourself back, trying to get it to last as long as the night will allow. It’s cute in a way.
It’s different than how he’s used to seein’ you, all cocky or otherwise. You’re needy like this. Just needy. His stomach turns with lust, jolting through him like a strike of lightning. His cock twitches against your folds, sliding against them. Pure admiration watching the sticky mess of his pre-cum and your own arousal mix together and smear on your mound. You make a soft noise in the back of your throat, faint and tender as you fall forward just a little. John laughs against your neck. 
“Darlin’,” He says with a huff. Not malice. Something akin to bliss, where he can rarely afford it “Have I done something to piss you off today?” 
You pick yourself up and look down at him and frown. John kisses the corner of your mouth, resisting some crude desire to fuck up into you. 
“Just,” You grunt as the tip of his cock passes over your throbbing clit, your whole body wracking to a shiver. John looks awed. “Pent up. Goddamn it,” 
John figures it out quickly after that. It’s this part of it he likes. The proximity. The closeness. Feeling the tremble in your hands as they struggle to keep up right, muscles strained in your forearms. Being able to hold you, to keep the pace or let you take the lead. The clear view of your face as pleasure travels up through your spine and melts into you. He grabs your hips, the fat dimpling underneath his fingers as he moves you along. He can’t wait. You don’t bother to protest seeing John can’t seem to bear it anymore. You collapse into his chest, your tits pushed flat against his pecs.
His cock throbs near painfully, sliding against your soft cunt before finding himself lined with you. He thinks to himself that it’s this he was looking for, as he tucks your face against his neck and lets his tip stretch you out slowly. Such a vice like grip, stretching - resisting him like your whole body can’t anticipate the sensation of fullness. You gasp against his throat. 
“John,”  
What a sweet sound from your mouth, even sweeter as he bucks himself up. Keeps you steady and lets his cock stretch you full, feel you deep. “That’s right, my angel. Didn’t think you’d remember my name when you’re all worked up like this.” 
“You’re,” You gasp and John thrusts, thrusts hard until he’s buried to the hilt. You shudder, walls pulsing around him as he bottoms out and John laughs like the terrible man he is. He fucks you again, over and over - a wicked little smile watching “Awful. Just awful, John Marston,” 
“Ain’t that the truth,” He hums against your mouth as his hand snakes between your bodies, thumb rubbing against your clit. “Wonder what kinda woman that makes you,” 
“A foolish one,” 
John laughs. 
“I sure do love you for it,”
.𖥔 ݁ ˖˚☽˚。⋆JAVIER ESCUELLA + SIDEWAYS ;
Javier hasn’t thought about much other than surviving. 
It’s been like that. Been like that for a while, probably much longer than he cares to admit. He’s sure any sane man would suffer the same plight if they lead the same life. Anything but survival is little more than a pipe-dream, so Javier tries not to go for anything too strongly. In that aspect he’s like many of the members of the gang he’s in, perhaps that’s why he sticks to them. There’s that phrase Hosea’s always saying - that misery loves company. Javier will take any decent company he can get.  He’s desperate for it just like he’s desperate for most things - inwardly, silently. 
Some of that desperation may be symptomatic of who he is. After he killed a man in a crime of passion for a woman he loved and ran from a government who would sooner exile him than change, Javier decided to not dream anymore. Every revolutionary who dreams too hopefully pays the price in blood.
(Javier thinks there’s probably nothing in the world as true as this. A form of gospel. He remembers the first dream he ever had after his uncle passed. Not a nightmare but a dream. He remembers the exact feeling of waking up, cold and confused. What is a dream, except a memento of survivor's guilt that loyal people cling onto fruitlessly. When hope starts to feel like a debt he’s going to waste his life paying back, Javier loses sight of everything. The beginning of the end in some way.) 
His mind doesn’t occupy itself with anything bigger than that. Since Dutch found him starving, there was never a desire to try and live off aspirations. He pays his penance with loyalty and honor. Practices some form of humility and tries, not too desperately, to carve a place for him to fit. All without drawing too much attention or caring too much. If you ignore the bleeding in his fingers, his penchant for knives over guns, and his refusal to talk too long about the place he comes from - it’s nearly believable that none of it matters. 
Except loyalty. All Javier honors is that. It’s the only thing he has some part in choosing, so he choses it every time. Living like that didn’t make any difference to him. He was surrounded by mostly decent people. He didn’t hate the life he was living. 
It wasn’t important. It didn’t matter. His directionless-ness, his floating. Hadn’t since he joined the gang. At least not to anyone but him. He didn’t know what he’s meant to do or if he was meant to proceed with this forever. He was (is)  loyal to Dutch. To the gang. 
He hadn’t thought much about what comes after. 
And it didn’t matter until he met you
He’d sworn off love after seeing where it got him, at least until he could love more dispassionately. When the women bring you back from their outing from Valentine and beg Dutch to let you stay, Javier doesn’t think much of it all. He thinks you’re pretty, if it counts for anything. But he doesn’t let himself linger on you too long. 
But that’s the sequence with you two, really. The whole time.  He doesn’t linger until he does. It doesn't matter until it does. He doesn’t think about you until it’s all he can think about. 
You go for him first. And it’s in little, unimportant ways that might not mean shit to you but mean a whole lot to him. You have some kind of tenderness about you that you wear deep, runs through your blood like love ran through his once long ago. Some softness he can’t really measure with his own. It’s not that that gets him. It’s that sometimes you look at Javier like he's … someone you want to see. He forgot what that was like all together. It felt foreign to him the first time it happened. Seeing how you light up when Javier is around. 
You wanted to see him. You noticed that he’s gone. If he sang by the campfire - you’d sit by him and listen.  If he was out in the trees keeping guard, he’d hear the soft call of your voice to Grimshaw ask Where’s Javier? And sometimes the girls will make fun of you - but you wouldn’t deny anything they said. It’s so small and ordinary. He would’ve never considered himself simple before meeting you. Nothing is simple. Nothing. 
(But then, Javier thinks of the kinds of songs he sings and the way he takes care of himself and the clothes he wears and maybe Javier has some kind of affinity for preciousness that explains all of it.) 
When Javier confesses his feelings for you - he finds the affair to be like most things between you. Ordinary love, not really between outlaws but people. It’s up against a tree while you share a drink and he’s looking at the curve of your mouth and the plum color Karen’s so kindly put on you. And his head fills with kissing you so he does. A breathless confession between alcohol stains and the feeling of your hands curled in the lapels of his suit. 
From there, Javier is your lover. He’s not interested in the business of secrets, but he tries not to let it show too much. Not that he doesn’t want to. He wants to show you off more than anything - at least some part of him does. But the other part wants to keep you away from prying eyes, keep his love for you only where the both of you can see. If he could keep that pretty lovestruck face you make all to himself forever he would. 
When he gets a chance to whisk you away from everything, Javier jumps at the chance. Not often, but Javier makes time for you. Makes time to indulge in love he thought he’d  never find again. 
That’s why he’s here with you in the middle of nowhere, a ghost town where no one knows you.. A reserved room with a bed and lowlights all to yourselves. 
Javier can’t keep his hands to himself and he doubts you expect him too. 
For Javier, this sense of proximity is what intoxicates him most. The warmth of your bare skin in the slivers of yourself exposed. Javier is fond of finding you like this after a long day of horse riding. Of sneaking touches to your waist as you push back against him to sleep, only to find his desire for you - laid clearly. He likes hearing you whimper feeling his length poke against your back, the embarrassment when it dawns on you that he wants you after all. Always surprised, even though Javier tells you it so often. Whispers it along your neck and shoulders whenever you’re at camp together.
You like the feeling of his hands so Javier always starts with them. He squeezes your hips. Planes his palms over your chest before squeezing your chest, pushing the fat between his fingers. You like the way  they look when they grope you, his chin resting against your shoulder as you spoon. In the lowlights of a cheap hotel - Javier gets the perfect view of your silhouette. Your body is sensitive over the fabric of your gown, heat prickling through you. 
Javier who is always so gentle with you, rouses so deep listening to your whining as he explores your body. The suffocating closeness of a single bed intoxicates him. 
“Javier,” Your voice is sweet and thin. Plays in Javier’s head like music and makes his mouth curl up into a catlike grin as you push back on him.  You look slightly over your shoulder, lips pushed into a pout. “Please,” 
He tugs at the fabric of your nightgown. The top half pulls haphazard underneath your tits, nipples perky and sensitive to touch while the skirt pools at your waist. What gets Javier like this is the desperation. Wanting so much but not being able to look too long. A way for you to mirror him, it’s a matter of possession. In some stupid way. Bunching your clothes up, pushing the fabric of your panties to one side, letting his arm wrap around your waist to touch and tease.  All of these are imprints of his longing, tucked faithful into your side as he whispers sweet nothings into your skin.
His cock twitches as it pushes past your folds with finality, your hands curling up at your sides.  You whimper softly, let your cheek rest against the sheets as Javier takes you on your side. Terribly close, you fuss as you feel him slide every inch into you slow, your hands reaching back for purchase. It’s the fit of you against him so perfect, the silent strokes of intimacy, the hush-hush giggles between the sheets that Javier loves most about fucking you like this. Too enamored with you to look too closely, he lets his eyes flutter closed. He could get drunk just being in your space. 
He carves out space for himself inside of you, feels your cunt accommodate for him like it loves him. A feverishness breaks out as his forehead rests on the space between your shoulders, an uncharacteristic whiny quality in his words. 
“Ser mío,” Javier says - as a reflection of what he really wants, to belong only to you. “Belong to me.” 
Darling as you always are, you nod softly. 
“All yours, Javier,” You whimper, finding his hand. “Forever,”
.𖥔 ݁ ˖˚☽˚。⋆ CHARLES SMITH + MATING PRESS ; 
Wandering. 
He’s been doing it his whole life. Not something he’s proud of. Or ashamed of either, really. Just how things have gone for him until now. Charles doesn’t think his life has been any better or any worse than anyone else's. At least not when he weighs it with the same kind of pragmatism he does most things. It’s been a hard life, and a miserable one in so many ways. Still, it’s not something Charles is too keen to dwell on. 
There’s just something thematic about loss in Charles' life in a way he finds completely unpleasant. It’s more constant than anything. Loss of his home, loss of his mother, loss of his father in an attempt to find what’s best for him. It’s some overarching message that hangs over his head like a shadow. Everywhere he goes, trying to rectify his own solitude seems to come back to him. It doesn’t help that it’s an unfair world to start with, and would’ve been if he had just been black or just been native. But Charles is both, and has lived a life that reflects that specific injustice thoroughly. 
There’s not really anything Charles can do about it, at its baseline. When he left his father, the name of the game had simply been survival. He was well-equipped enough for that at least. But after survival comes trying to live and trying to live isn’t something so simple. Jumping in and out of gangs who thought they could get away with slighting him or generally being surrounded by unpleasant people. Trying to find something in pages of book and scripture, or in the way water ripples when it rains. 
He’s never felt any one way towards the gang. Even when he joined them all the way back in the Grizzlies. Lost in the cold, they’d crossed paths as Charles was out hunting. A lot of it feels like a blur. Of all the folks he’s met in his travels though, Dutch treats him fair and the rest of them (or most of them) are decent, honest folk. Charles stays in the Van Der Linde gang for such simple reasons as trying to stay alive and be somewhere that isn’t actively hostile towards him. He’s a good gunman, and a better fighter. The inner workings of gang politics and forging connection isn’t at the forefront of his mind, with the exception of the kindest few. 
The Van Der Linde gang is just a place where he can figure out what his purpose is meant to be, even if he doesn’t find it there. He’s never expecting anything to come out from his loyalties to it. 
Of all the things Charles expects of his life in the Van Der Linde gang, love is at the very bottom of the list. 
Maybe it’s about time he stops being surprised by these things happening to him one or way another.
 You were a member of the gang far before him, and someone Charles took to quickly. You’d joined the gang not too long after John from what Arthur tells him. Though the brunette speaks about you more fondly than he does his brother. A problem child at the start, according to Arthur - always getting into all sorts of trouble. Something you seemingly feel embarrassed about now and refuse to bring up. Charles has a hard time picturing it having only known you as you are. 
The woman you’ve grown into is someone else completely, and Charles sees that in you all the time. Compassionate like Hosea but charismatic like Dutch, and clever. And you’re beautiful, too, though Charles feels a little shallow admitting that’s part of what drew you into him. 
It wasn’t Charles that approached you first. You were the one who spoke to him, as often as you thought necessary but never in a way he found invasive. He doesn’t know what it is exactly about you that charms him near instantly. You’re enigmatic to a fault. It’s like you always know exactly what to say and exactly when to say it. Even more than that, you’re a terribly pleasant person to be around. Subtly warm and free of assumptions. When Charles talks to you about anything, you listen without making him feel like it’s any sort of burden to you. You don’t pry, don’t make missteps. Treat him fair, and then some. 
It’s unbearably simple, just how quickly and how easily he comes to adore you.  And, in some ways, Charles knows better than to believe that his purpose is loving someone. There’s more to it than that, surely - after everything. 
But then, he’ll watch you do something. Watch you do some kind of menial work that he could do for you instead. Thinks of skinning animals for new clothes and chopping wood and rubbing the soap off of you and all of a sudden it makes him feel anchored. Everything he could do for you. You anchor Charles easily, with a wispy smile. Make him want to find purpose in life with you. He never wants to be somewhere you’re not. 
He confesses it to you just like that, and like you do with most things - you accept and reciprocate without making too much of a fuss. 
For Charles, making love is an extension of wanting to ground himself in you. A distant siren song - the intersection of lust and bone deep adoration. Like most things, you’re the one to approach first every time. A soft hand on his forearm, a whisper that you want him. It’s with ease that he draws you away. Drags from you camp during nightfall with his horse and blankets and picks a spot with the perfect view of the stars. 
Charles watches you under the glow of moonlight, his vision adjusting to you easily. Naked underneath him, laid on your back with your legs folded at your knees - heaving deep breaths. He can see the sweat beading down your skin, your chest rising and falling - and the perfect view of your pussy. His hands and mouth are wet as you breathe out. He finds himself smiling at you, his own erection pressed against your thigh, pre-cum leaking out in a mesmerized haze. 
You lift your hands up and he leans down, surprised as you wrap them around his neck and pull him closer to you. Your mouths meet like that, and Charles laughs against your lips as you kiss him so eagerly. You blink at him, pretty. You’re always prettier than he remembers you being the last time he looks. 
“Charles,” You frown at him. “It’s impolite to keep a lady waiting,” 
He kisses the corner of your mouth. “Sorry, my love. I don’t want to hurt you,” 
“Well, I’m fine with it,” You repeat, almost petulant. Charles frowns. “‘Sides, it ain’t my first time taking you, you know?” 
“Well, I’m not fine with it.” 
You pout, looking at him all endeared. Charles couldn’t help but love you even if he tried. “You ain’t gonna hurt me. C’mon. Please?” 
“Please, what?” 
You look at him aghast before breaking out into a faux-scandalized giggle. “Now you—please fuck me. Pretty, please.” 
Charles feels something tickling against his spine hearing you say it. He couldn’t imagine getting sick of you in his whole life.  “Yeah, that’s good to hear.” 
You make an indignant noise but it’s silenced quickly as Charles positions himself against your entrance. He has plenty of discipline when it comes to matters like these, but right now - he feels like he’s going to lose his mind. Not nearly enough patience to wait. He lets his hands go up underneath your knees just to have something to hold onto. 
You make a little gasp as the tip of his cock pushes into you. Your walls are so soft, likely after all the orgasms he’d given you prior. You stop him in a shocked gasp, and Charles immediately readies himself to pull out. As if sensing his hesitance, you shake your head. 
“Charles,” You gasp, the words caught in your throat and hoarse “Deep. Want it deep,” 
His abdomen tightens, cocking twitching hard at your words. He agrees silently to your desires. 
When it comes to sex, there’s very little Charles dislikes.
But this is his favorite. He’s simple but no other position lets him see you so close. He likes the way your eyes widen as he pushes up underneath your knees and folds you underneath his weight. How you look pinned down under him, the perfect view of your eyes rolling back into your head and the proximity from your face to his. He lets his cock stretch you out slowly, throbbing each time your nails dig desperately into arms trying to keep your composure. Fuck you feel so tight like that. Soft pussy, dripping and sticky. You suck him in relentlessly, and Charles groans as he bottoms out. You take every inch of him so well. So perfect like the rest of you. 
Your eyes flutter open as he stays there, buried in you in complete bliss. You’re dazed. 
“Kiss?” 
Surprise followed by adoration, he abides by your request easily. Overwhelmed with it as he presses a chaste peck to your mouth, he laughs. “As many as you want.”
Anything you want, Charles thinks, he would give to you. 
.𖥔 ݁ ˖˚☽˚。⋆
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