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#i see the characters and i go or something
theothin · 2 days
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Copying over my comment from this post since the original now has reblogs turned off:
It's interesting to consider all of this in full context of how Toshiro is framed in the scene. The argument starts with Toshiro insisting that Marcille was wrong to revive Falin with black magic and that she should go back with him to face punishment from elvish society, then get their help in putting Falin to rest. Laios argues that they can actually help Falin, and that eating properly gives them the strength to pull it off, at which point Toshiro tries to shut Laios down by throwing his past frustrations in his face. When Laios eventually overpowers Toshiro, he attributes it to his party taking proper care of themselves, at which point Senshi shows up to offer Toshiro food. Meanwhile, Maizuru expresses frustration at Toshiro's behavior, and when Toshiro talks about his out-of-the-blue proposal to Falin, Mickbell questions why he would do something like that, while Chilchuck remarks that it's the kind of world he lives in. Every part of Toshiro's position here comes across as antithetical to the protagonists and the quest we're following them on. Even other characters present don't seem to think much of his behavior here. And, while playing that antagonistic role, we see him imposing those social standards on someone who finds them confusing and alienating. The result is that the primary lens through which the viewer is encouraged to see the scene is that of an autistic person being berated for not living up to a set of social standards, and in particular not meeting the standards of Japanese society. And while a Japanese audience might find it easier to understand why Toshiro thinks the way he does, the scene is very clear in sending the message that he is wrong and that, as previous comments noted, he's been stuck in a mindset that's hurting both him and Laios. The outcome of the fight suggests that Toshiro would benefit from learning to think more like Laios about food - and I think the audience is also meant to feel that Toshiro would benefit from learning to think more like Laios about people.
And the addition from @delvinanaris:
More than that, Toshiro’s last line of that scene—expressing his envy of Laios—suggests that he, too, feels that he would benefit from learning to think more like Laios about people.
Also here's the original tweet and a great comment on it:
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"Let's Have a Talk, First"- Stereotypes, pt 1
Come sit down. You and I, before we get into any of the things I'm sure you're impatient to know: we need to have a come to Jesus talk, first.
There are some things that I've been asked and seen that strengthens my belief that we need to have a reframing of the conversation on stereotypes in media away from something as simple as "how do I find the checklist of stereotypes to avoid". Because race- and therefore racial stereotypes- is a complex construct! Stands to reason then, that seeing, understanding, and avoiding it won't be that simple! I'm going to give you a couple pointers to (hopefully) help you rethink your approach to this topic, and therefore how to apply it when you're writing Black characters- and even when thinking about Black people!
Point #1: DEVELOP THE CHARACTER!! WRITE!!
Excuse my crude language, but let me be blunt: Black people- and therefore Black characters- will get angry at things, and occasionally make bad choices in the heat of the moment. Some of us like to fuck real nasty, some might be dominant in the bedroom, they may even be incredibly experienced! Others of us succumb to circumstance and make poor decisions that lead to crime.
None of those things inherently makes any of us angry Black women and threatening Black men, Jezebels and BBC Mandingos, and gangsters and thugs!
Black people are PEOPLE! Write us as such!
If all Black characters ever did was go outside, say "hi neighbor!" and walk back in the house, we'd be as boring as racist fans often accuse.
I say this because I feel I've seen advice that I feel makes people think writing a Black character that… Emotes negatively, or gets hurt by life and circumstance, or really enjoys hard sex, or really any scenario where they might "look bad" is the issue. I can tell many people think "well if I write that, then it's a stereotype" and to avoid the difficulty, they'll probably end up writing a flat Black character or not writing them at all. Or- and I've seen this too- they'll overcompensate in the other direction, which reveals that they 'wrote a different sort of Black person!' and it comes off just as awkwardly because it means you think that the Black people that do these things are 'bad'. And I hate that, because we're capable of depth, nuance, good, evil, adventure, world domination, all of it!
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My point is, if you write your character like the human being they are, while taking care to recognize that you as the writer are not buying into stereotypes with your OWN messaging, you're fine. We have emotions, we have motivations and goals, we make decisions, and we make mistakes, just like anybody else. Write that! Develop your character!
POINT #2: YOU CAN'T CONTROL THE READERS!!
Okay. You can write the GREATEST Black character ever, full of depth, love, nuance, emotional range, all those things…. And people are still going to be racist about them. Sorry. There is absolutely nothing you can do to control a reader coming from that place of bias you sought to avoid. If it's not there, TRUST AND BELIEVE, it'll be projected onto them.
That passionate young Black woman who told the MC to get her head out of her ass? Yeah she's an angry Black bitch now, and bully to the sweet white MC. Maybe a lesbian mommy figure if they like her enough to "redeem" her. That Black gay male lead that treats his partner like he worships the ground he walks on? Yeah he's an abusive thug that needs to die now because he disagreed One Time with his white partner. That Black trans woman who happened to be competing against the white MC, in a story where the white MC makes comparable choices? Ohhhh they're gonna be VILE about that poor woman.
It really hurts- most especially as a Black fan and writer- knowing that you have something amazing to offer (as a person and creative) and people are gonna spit on that and call it "preference". That they can project themselves onto white characters no matter what, but if you project your experiences onto black characters, it's "pandering", "self insert", "woke", "annoying", "boring", and other foul things we've all gotten comments of.
But expect that it's gonna happen when you write a Black character, again, especially if you're a Black writer. If you're not Black, it won't hurt as personally, but it will probably come as a shock when you put so much effort in to create a lovely character and people are just ass about them. Unfortunately, that is the climate of fandom we currently exist in.
My favorite example is of Louis De Pointe Du Lac from AMC's Interview With The Vampire. Louis is actually one of the best depictions of the existential horror that is being Black in a racist White world I have ever seen written by mostly nonblack people. It was timeless; I related to every single source of racist pain he experienced.
People were HORRIFIC about Louis.
It didn't matter that he was well written and what he symbolized; many white viewers did NOT LIKE this man. There's a level of empathy and understanding that Black characters in particular don't receive in comparison to white counterparts, and that's due to many of those stereotypes and systemic biases I'm going to talk about.
My point is, recognize that while yes, you as the author have a duty to write a character thoughtfully as you can, it's not going to stop the response of the ignorant. Writing seeking to get everyone to understand what you were trying to do… Sisyphean effort. It's better to focus on knowing that YOU wrote something good, that YOU did not write the stereotype that those people are determined to see.
POINT #3: WHY is something a stereotype?
While there are lists of stereotypes against Black people in media and life that can be found, I would appreciate if people stopped approaching it as just a list of things you can check off to avoid. You can know what the stereotypes are, sure, but if you don't understand WHY they're a problem and how they play into perception of us, you'll either end up writing a flat character trying to avoid that list, or you're going to write other things related to that stereotype because "oh its not item #1"... and it'll still be racist.
For example: if you wrote a "sassy Black woman" that does a z formation neck rotation just because a store manager asked her something… that's probably stereotype. If you thought of a character that needed to be "loudmouthed", "sassy", and "strong" and a dark-skinned black woman was automatically what fit the profile in your mind, ding ding ding! THAT'S where you need to catch your racist biases.
But a dark-skinned Black woman character cursing out a store manager because she's had a really bad, stressful day and their attitude towards her pushed her over the edge may be in the wrong, but she's not an "angry Black woman". She's a Black woman that's angry! And if you wrote the day she had to be as bad as would drive anyone to overstimulation and anxiety, the blow up will make sense! The development and writing behind her led to this logical point (which connects to point #1!)
I'm not going to provide a truly exhaustive list of Black stereotypes in media because that would ACTUALLY be worth a college credited class and I do this for free lmao. But I am going to provide some classic examples that can get y'all started on your own research.
POINT #4: WATCH BLACK NARRATIVES!
As always, I'm gonna push supporting Black creators, because that's the best way to see the range of what you'd like. You want to see Black villains? We got those! Black heroes? Black antiheroes? Assholes, lovers, comedians, depressed, criminals, kings, and more? They exist! You can get inspired by watching those movies and reading those books, see how WE depict us!
I've seen mixed reviews on it, BUT- I personally really enjoyed Swarm, because it was one of the first times I'd ever seen that "unhinged obsessed murderous Black fan girl" concept. Tumblr usually loves that shit lmao. Even the "bites you bites you bites you [thing I love]" thing was there. And she liked girls, too. Just saying. I thought it was a fun idea that I'd love to see more of. Y'all gotta give us a chance to be in these roles, to tell these tales. We can do it too, and you'd enjoy it if you tried to understand it!
POINT#5: You are NOT Black!
This is obvious lmao, but if you're not Black, there's no need to pretend. There's no need to think "oh well I have to get a 100% perfect depiction of the Black person's mind". That's… That's gonna look cringe, at its best. You don't have to do that in order to avoid stereotypes. You're not going to be able to catch every nuance because it's not your lived experience, nor is it the societally enforced culture. Just… Do what you can, and if you feel like it's coming off hokey… Maybe consider if you want to continue this way lol. If you know of any Black beta readers or sensitivity reviewers, that'd be a good time to check in!
For example, if your Black character is talking about "what's good my homie" and there's absolutely no reason for him to be speaking that way other than to indicate that he's Black… 😬 I can't stop you but… Are you sure?
An egregious example of a TERRIBLE way to write a Black character is the "What If: Miles Morales/Thor" comic. I want to emphasize the lack of good Black character design involved in some of these PROFESSIONAL art spaces, because that MARVEL comic PASSED QA!! That comic went past NUMEROUS sets of eyes and was APPROVED!! IT GOT RELEASED!! NO ONE STOPPED IT!!
I'm sorry, it was just so racist-ly bad that it was hilarious. Like you couldn't make that shit up.
Anyway, unfortunately that's how some of y'all sound trying to write AAVE. I promise that we speak the Queen's English too lmao. If you're worried you won't get it right, just use the standard form of English. It's fine! Personally, I'd much rather you do that than try to 'decode AAVE' if you don't know how to use it.
My point is, if you're actively "forcing" yourself to "think Black"… maybe you need to stand down and reconsider your approach lmao. This is why understanding the stereotypes and social environment behind them will help you write better, because you can incorporate that Blackness- without having to verbally "emphasize how Black this is"- into their character, motivations, and actions.
Conclusion
We need to reconsider how we approach the concepts of stereotypes when writing our Black characters. The goal is not to cross off a checklist of things to avoid per se, but to understand WHY we have to develop our Black characters well enough to avoid incorporating them into our writing. Give your Black characters substance- we're human beings! We have motivations and fears and desires! We're not perfect, but we're not inherently flawed because of our race. That's what makes the difference!
And as always, and really in particular for this topic, it's the thought that counts, but the action that delivers!
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tofixtheshadows · 2 days
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You guys really need to stop and consider the ways you're talking about Kabru I am dead fucking serious. Like I know that flattening characters is just what fandom does to a certain extent, but Kabru's actual personality is getting lost to the fandom hivemind insisting that he's aggressive/cruel/sociopathic/hateful, and these are particularly concerning takes to see leveled at the only brown character in the main cast day after day. "My poor sweet golden child Laios needs to be protected from this scary brown man" is not a good look! Like, it's very telling that the bulk of the hate and bad faith readings are reserved for Toshiro and Kabru. Everyone else's flaws get to be discussed and validated and forgiven (or erased), meanwhile people are straight making up things to be mad about with Toshiro and Kabru but patting themselves on the back for being smart.
The worst part is how undeserved it all is. I'm trying to lay off anime-onlys because we're still kind of in the red herring stage of getting to know Kabru, but I would still like to gently suggest that even if you think Kabru is up to something, you don't gave to get in the tags of every fan creator's post and bring up how you hate him or You Can Tell he's totally evil. Sometimes I think Kabru's blue eyes give people license to say things about his appearance that they know would sound completely racist otherwise, but referring to his blue eyes acts as a get-out-of-racism free card. The jokes about the dog with brown contacts are getting old, by the way.
For people who have read the manga, it's disappointing. Kabru is one of the most complex and important characters in the story, and if you base your interpretation of him and all your fandom interactions on shallow first impressions you are completely missing out.
I know part of this is because Dungeon Meshi is a comedy, but the story also wants to be taken seriously. For example, it's admittedly really funny when Chilchuck calls Laios "sick in the head", but that doesn't change the fact that the way Chilchuck casually belittles Laios caused him to hide the fact that he was "hallucinating" from his friends for weeks. Those feelings matter.
Like, this
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is funny.
But this?
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Is not. This is just a very clear example of a brown boy with PTSD. As someone else with PTSD, just looking at this fucking sucks, man.
The only reason why Kabru thinks about killing Laios is because he is in the middle of a flashback. He's struggling through a panic attack. If he truly wanted to kill Laios because he's violent or because he finds Laios inherently annoying, he wouldn't otherwise talk with Laios normally. Notice how he doesn't act this way at any other point in the story- it's just because he's triggered by monsters. Even when he's thinking about his plans to "deal with" Laios later, he's reluctant to actually kill him and only considers it to prevent another tragedy. Despite his deadly skills, Kabru relies far more on "soft" power- insight, persuasion, diplomacy. He's a rare example of a character who absolutely is, or at least can be, manipulative, but seems to use his abilities for good. He's not a pathological liar, he isn't looking down on everyone behind a smile. He's someone who is extremely emotionally intelligent, and he's willing to put aside all his own basic wants and needs to stop the cycle of dungeons devouring humans.
I'm going to cut a potential thesis on his character short and just give some examples of things that fandom should consider about his personality more:
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Racism in fandom isn't just about whitewashing in fan art, or using racial slurs. The insidiousness of bad faith readings, reductions to racist tropes, lack of fan content for characters of color, and dismissal of a character's complexity are far more common. You can believe yourself to be completely neutral or even positive about a character and still churn out low-grade bile about them into fandom's collective unconscious. Fandom reflects real life.
And I have been around fandom long enough to see how these behaviors (mostly from my fellow white fans) affect fans of color, how it makes a fandom feel hostile and unwelcome to them. It's fun to make jokes and memes, I'm absolutely not saying that everything needs to be a deeply nuanced take, but we need to be careful that it doesn't veer into toxicity. Please think about how our contributions to fandom come across, and what sort of vibes they cultivate in this communal space.
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xenodile · 3 days
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"Shuro loves Falin for the same reasons he hates Laios" Completely and utterly wrong, could not be further off base.
I get the impression a lot of people watching Dungeon Meshi as it airs, or are a bit removed from its original manga run, have forgotten that Laios and Falin being monster freaks wasn't actually apparent until the events of the story. The only person that knew Falin loved monsters as much as Laios was Marcille because they were best friends at school.
Once Laios and Falin were in an adventuring party together, they both had public facing personas because they had both learned through their separate upbringings that being super interested in monsters and dungeons wasn't normal. Laios is the blunt but well meaning, outspoken and opinionated guy we all know, but Falin was way more withdrawn and soft-spoken, non-confrontational, easy to get along with. Everyone that interacted with Falin would say she's a sweet, gentle girl that everyone likes. Because she was, frankly, kind of a doormat.
The whole thing with Toshiro's infatuation with Falin is he doesn't actually know her. She is outwardly very polite and reserved, and that appeals to Toshiro because it meshes with his cultural sensibilities and how he was taught people are supposed to behave. Then he sees her marveling at a caterpillar in a private moment and decides on the spot that she's the ideal woman and proposes without actually talking to or getting to know her.
And his lack of understanding of Falin as a person is brought to the forefront in every action he takes after she gets eaten. He leaves the party and makes no attempt to contact the two people that Falin loves the most. Whether it's a matter of him just not knowing how much Falin cares about her brother and Marcille, or actively avoiding Laios to rescue Falin himself, he's demonstrating that he doesn't actually know what's important to her or understand how she feels.
Then when he meets Laios's party on the lower floors and they go over what happened, it's made even more blatant that Toshiro's affection is shallow and half-baked. He came into the dungeon a week too late and neglected his health the whole way down, so he was in no state to actually try and save Falin when he got there. When Laios talks about eating monsters, something Falin was thrilled about, Toshiro is disgusted. He threatens to kill Laios and turn Marcille in, which would never fly with Falin. His anger at the use of black magic is entirely based in his selfish idea of Falin being tainted and blaming Laios and Marcille for "ruining" his attempt to rescue her, as Kabru points out that Toshiro would have done the exact same thing in their shoes and that he's being a hypocrite. To say nothing of how he'd rather kill Falin after she's been transformed and "put her to rest" rather than put any effort into saving her, because that would require further involvement from Laios and Marcille and methods that Toshiro doesn't approve of.
And there's the fight he has with Laios, and Toshiro's subsequent confession that he had hoped to just take Falin home with him. He at no point gives consideration to what Falin feels or what she might want, only what he has decided about her based on the most surface level observation. Just like how his problem with Laios arises from his refusal to just talk to him about his boundaries, he has no actual connection with the woman he claims to love because he just wouldn't actually talk to her.
Like it's not a coincidence that every time his attraction to Falin is brought up, another character goes "yeah he's being weird about it".
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mareestoermers · 1 day
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i think we are all forgetting something when we talk about how toxic patrick, tashi, and art are — or when we decide one is “worse” than the other. they all have moments of seeing right through it, seeing each other’s toxic behavior for what it is, and STILL want and need each other in this possessive, envious, visceral way.
1. in the way beginning, tashi is clearly flirting more with art than patrick, and patrick is visibly annoyed. art sees right through it and even challenges him like “okay, let’s leave”, and has this little smirk on his face because he knows patrick won’t give up on tashi.
2. tashi immediately sees the visible tension and love between art and patrick, and literally orchestrates their first kiss. she sees right through their repression, and even calls herself a “home-wrecker” but still entangles herself with them, especially patrick because he’s clearly the better tennis player at that point and that is tash’s ONLY true love. tennis. that’s what she desires most in him, and patrick knows that. he even calls her out on it in the dorm room scene. but they have this mirroring fire in each other that neither of them can give up, not until patrick breaks the balance and bails — tashi’s injury is literally a metaphor for the balance shattering between all three of them when patrick leaves her.
3. before this, patrick sees right through art trying to break them up, and even admires that quality — maybe even feels smug and flattered because art is jealous and feels left out from both tashi and patrick. patrick has known this all along, we saw it in the “tick-serve” scene, where he even swears to tashi he won’t tell anyone but he still tells art, who is desperate to feel a part of them and patrick wants that, too — even keeps that close intimacy with art that we see in the churro scene (swoon swoon swoon).
4. haven’t you noticed that arts desire to be great is only ever tied up in patrick and tashi? how he needs to beat patrick to win tashis affection, how he needs to win in tennis so that tashi can live through him, how he lives up to his potential in the ending only because tashi and patrick push him to it, in their little fucked up ways? he knows this — he even admits that he’s playing for tashi, that he knows she’s living through him. he even admits he’s playing a fucked up little game with patrick when they’re in the sauna. yet he still does it. again, he knows what’s happening, sees right through them — still does it, still loves them.
5. when tashi calls patrick to come pick her up he knows it’s not just to tell him to throw the match — and despite how she battles him about it, they still have sex in the car, because he already knows. he’s so fully aware of her and her game and he’s so willing to be caught up in it, the same as art.
just some examples of how they all have moments of clarity and agency and yet they still choose to be entangled in one another because they’re all fucked up in their own, individual ways, and they’re all living through each other for their own specific needs. arts is to be seen as worthy, as great, but only through their gaze. tashis is to have the career that was stolen from her. patricks is truly to be in love and in lust with both of them, because we even see that from the beginning that tashis love alone will never satiate him; it has to be arts love, too. that scene in the sauna when he thinks he’s lost it from art is the most sad and fucked up we ever even see patrick. on top of tashi asking him to throw the game — he’s so defensive of arts feelings.
in short this is an actual love triangle (and i would go as far as to see it as a polyship). you can’t erase one without the whole thing unraveling, and you can’t say one character was the “worst” without picking apart the motivations and pointing to the fact that their bad behavior was never a secret or left unchecked.
even at the end, patrick signals to art that he slept with tashi — art knows and they still have that intimate completion at the end, all three of them. art living up to his potential and embracing patrick fully (id argue this could even be a metaphor for embracing his bisexuality), patrick having both tashi and arts affection again, and tashi playing a phenomenal tennis match through her little white boys — in such a visceral, emotional way that she cries out like she did in the beginning and the last frame is her smiling.
in a fucked up way, they all get what they wanted out of each other.
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forlix · 18 hours
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𝐝𝐢𝐦𝐩𝐥𝐞・b.c.
— incurable playboy turned doting boyfriend was a character development arc nobody saw coming for christopher bang, including (especially) his frat brothers.
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words・2.8k pairing・frat president!chris x gn!reader genres・fluff, humor, hurt/comfort, college!au, fuckboy!chris, boys being boys, kissing, implied sex so mdni warnings・substance use, talk of past heartbreak
a/n・here is "nobody believes you're dating" w/chan, requested by none other than my @rachalixie for my 2k event !! anny, i hope u love this fic as much as i love u; thank you for allowing me to write something so self-indulgent <3
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In the deafening throes of one of Phi Mu Alpha’s spring kickbacks, Minho finds Jeongin and Seungmin standing in motionless silence by the kitchen counter. Both boys are gaping at something with an intensity that dips egregiously into the realm of creepy.
He moves to pour himself a shot. “What the fuck are you people looking at?”
Seungmin prods a pointer finger in the relevant direction. It takes a few seconds of scanning the scene for Minho to find what he’s referring to. He digs a knuckle into his eye, instantly confused by what he’s seeing. Maybe the gaping is justified.
The windows and doors have all been thrown open to invite the balmy April weather into the foyer of the frathouse. There’s a large crowd of people huddled around a long, foldable table stationed before the stairs; Jaehyun clutches a ping-pong ball between his fingers, singular eye squinted shut as he takes aim. The number of remaining solo cups dwindles rapidly, as does the players’ sobriety.
Something—someone—is missing.
Not to say “beer pong virtuoso” was one of the reasons Chris was elected frat president, but you’d think the guy had a career path in basketball with how he’s given the entire Greek life community alcohol poisoning by courtesy of two or three plastic balls alone. Minho has never known him to miss a shot, let alone miss out on a game.
Today, however, the reigning champion is only spectating, seated above the ongoing match on one of the steps of the main staircase.
A beautiful stranger is sitting beside him, cheek pressed to his shoulder as you peer at the match through the bannister.
You say something inaudible. The laugh it earns from Chris is bright enough to pick up from a few streets down. He leans in to murmur something in return, and you slide your hand over his nape to pull his mouth onto yours, light blush crawling up and over your ears. The way Chris melts into you can only be described as familiar, his eyes slowly fluttering shut, finger hooking delicately beneath your chin, grin going lopsided as your lips part—
“That’s enough,” Minho hisses, tearing his eyes away with considerable effort. “Aren’t you ashamed? Just fucking ogling.”
Jeongin shakes his head, grinning. “It’s dinner and a show. We’d be idiots not to.”
By dinner, he must mean the gallon of chocolate milk he’s been drinking from for the last hour. He now holds out said gallon with the intent to cheers. Seungmin picks up the entire handle and does the same.
Minho sighs, clinks his glass against theirs, and they throw back their respective refreshments in unison.
“Anywho.” Jeongin swipes the back of his hand over his mouth before going on. “You guys know who that is?”
Minho resurfaces with a wince, relishing in the bitter aftermath, then motions for Seungmin to give the bottle back straightaway. He arrived to the function late and he’s not nearly as drunk as he’d like to be.
Seungmin obliges Minho only after another heady swig. “No clue. Probably just another fling, no?”
“Mmm,” Jeongin hums in assent. “It’s Chris we’re talking about, after all.”
"Agreed. Case closed.”
There’s an air of finality in Seungmin’s voice—but Minho isn’t so sure.
Perhaps because he has never noticed that Chris had dimples until now; or because you fold so naturally into Chris' side after your kiss ends, head nuzzling against the crook of his neck and hand seeking out his to hold in your lap; or, most likely, because Chris' eyes seem to return to you when he looks at you, as if his gaze drifting anywhere else is but a momentary departure from where it really belongs. As if he comes home every time you come into his line of vision.
Whatever the reason, the idea coalesces in Minho’s mind, even as inebriation begins to fall over his cognitive faculties like a curtain, that the boys have got it wrong.
Jeongin utters his name, jolting him out of his trance. There’s another shot lifted halfway to Minho’s lips that hasn’t budged in minutes. “Whatcha thinking about?”
Minho looks at Jeongin first, Seungmin next, then back at Chris and his stunning companion. He’s not inclined to answer the question in full, but he can in truth. A coy smile crosses his face.
“Threesome?”
Jeongin laughs hard enough to collapse onto the kitchen island. Seungmin drags a hand down his face. “Come on, man.”
In the corner of his eye, you’ve gone back to kissing again, slow and sweet and secretive. Chris' gentle hold on your jaw shields you from view but fails to hide his lovesick smile. Dimly, Minho thinks that maybe his friend has met his match.
Then, he takes four shots in rapid succession—and stops thinking altogether.
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Christopher Bang’s love life is like a horror movie and romcom spliced together: a fiasco of a film to which his housemates have front row seats.
The frat’s upperclassmen live in sets of four-bed, two-bath suites comprising a small common space with a kitchen and a sitting area, sandwiched by bedrooms on either side. It is in that common space that Changbin, Hyunjin, and Jisung often see or hear Chris stumbling home after a night out, entangled with a different attractive stranger every time—so often, in fact, that they’ve come to believe that he’s deathly allergic to anything bigger than a one-and-done hookup.
They can’t judge. In part because they’d be throwing stones from glass houses, but also because the man’s penchant for empty physicality is far from unfounded. His past self gave pieces of his heart to the wrong people, contracted first-degree burns from the guileless warmth he sought out. Now, his version of “intimacy” is less a connotation of closeness than it is a self-contradiction, for it should be impossible for so much distance to remain between two people in a single bed.
Chris hasn’t vocalized any of this. Nor have his housemates discussed it with each other. The knowledge simply exists in the air between the four of them like something akin to taboo, dipping in and out of acknowledgement depending on the circumstance.
This might be the circumstance of all time.
At around 11:40 A.M. on a Saturday, three doors in the suite open at once. Hyunjin and Changbin aren’t coincidence—the latter is coercing the former to go to the gym again—but they lift their eyes to the opposite side of the living room, and the slice of milk bread dangling from Hyunjin’s lips very nearly takes a fatal fall. Changbin manages to snatch it up with an extended hand.
Chris has just emerged from his room as well. Your silhouette follows close behind, your mouth stretching into a yawn as you massage the sleep from your eyes. You’re sporting a mesh green sweater identical to one Chris owns. They find Chris' accessories more interesting than his clothes, though: two hickeys peeking out from beneath his jaw and the base of his neck.
Chris sees Hyunjin and Changbin right away, and his expression goes utterly blank, not unlike their faces as they watch you close his door meticulously. You turn around and gasp.
The four of you stare at each other for what feels like multiple business days. At least, Hyunjin, Changbin, and Chris stare at each other; your eyes dart between the men on the other side of the room and the man next to you, silently pleading for him to say something. He does not for a long while.
Then, he lunges for one of the throw pillows on the couch and flings it at Hyunjin like a shot put. It ricochets off his chest and lands on the floor rather anticlimactically.
“Distraction!” Chris yells anyways, grabbing your hand and tearing towards the exit, wild grin on his face. “Go, go, go!”
Your raucous laughter lingers even after you’ve been hauled away, accompanied by an unintelligible, breathless shout of something along the lines of my toothbrush—and then the front door clicks shut, and there are two.
Changbin and Hyunjin lock eyes, struggling to process what just happened. Hyunjin is the first to move, wandering hesitantly into the bathroom that Chris and Jisung share. Nothing about the place looks out of the ordinary.
“Oh, shit,” Hyunjin says out loud.
Aside from the two toothbrushes slotted in the holder on Chris' side of the counter, that is.
Something moves in the bathroom window, catching his attention. Hyunjin looks over just in time to spot you and Chris dart out onto the lawn two floors below. Chris has his arm draped over your shoulders, yours wrapped around his waist. Your smile is discernible all the way from here, and Hyunjin sees a perfect mirror of it on his friend’s face when Chris glances at the frathouse over his shoulder. 
Has he always had dimples?
Moments later, Changbin joins him in peering out the window. A high-pitched cackle erupts from the older boy’s lips. “Look at that idiot.”
Standing off to the left is a tiny, astonished Han Jisung, his arms full of groceries, jaw sitting squarely the grass and whites of his eyes on full display as he watches you and Chris stroll away.
Hyunjin laughs with his whole fucking body. Changbin whips out his phone and takes a picture.
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When you finally breach the topic, it’s because you don’t think you can physically study for another minute—but also because, after multiple long months of fruitless sparring, your curiosity finally wins.
Your boyfriend is seated in your desk chair, feet kicked up onto your mattress with his laptop propped up on his thighs. His features have rearranged themselves into an expression of intense focus. You can hear the music blaring through his headphones from all the way here.
You uncross your legs from below you, scootch across your bed, and lift your hands to cradle his cheeks. He starts as if jolted out of a trance, then starts to smile when he reads the words hi, Channie off your lips.
His headphones fall around his neck. He sets his laptop down onto your desk with a dull thunk. The next thing to drop is you when Chris seizes you by the waist and tackles you into the mattress. The somber atmosphere of your study session is shattered by your muted laughter and Chris pressing his lips to every inch of your exposed skin he can. He saves your mouth for last.
“Hey, beautiful,” he answers after kissing the living daylights out of you, the syllables soft and silky with adoration. “Missed me?”
The room’s dim lightning sets your boyfriend aglow. You drag your eyes from his brown irises with blown pupils to his sloping nose, from his disheveled dark locks to his cordate lips, so plush and warm against your own that you swear you still feel them there. 
“Always,” you say, brushing a hand over the back of his neck, your head now spinning so badly you can barely remember what you wanted to ask him. “I was starting to feel jealous of your homework.”
He chuckles. “Shit, I’ll drop out of college right now, baby. Just say the word.”
“You’re perfect,” you hum, nudging the tip of your nose against his.
“Says you.”
Your lips find his again—needless to say, your study sessions aren’t known for their productivity—and a lot of time passes before you come up for air. Even afterwards, Chris doesn’t let you go far, pulling you into his chest by the curve of your waist, nuzzling his cheek into your hairline. You only need to murmur for him to hear your question.
“Can I ask you something?”
“'Course,” he returns, and you’re close enough to sense him tighten with apprehension. “Everything okay?”
“Yes. Don’t worry.” You print a kiss to the side of his neck for extra reassurance. “It’s just…I’ve been meaning to ask how your friends feel about me.”
He tightens with something else now: surprise, you’re guessing, hoping. You hadn’t seriously considered that the answer could be negative, but it’s dawning on you now that the possibility of that isn’t zero.
“Where’s this coming from?” Chris inquires, his tone opaque.
You hesitate, mentally reviewing your interactions with your boyfriend’s social circle. Hyunjin and Jisung can’t make eye contact with you when they speak to you. Minho does nothing but make eye contact with you whether he’s speaking to you or not. Jeongin and Seungmin can maintain small talk for about ten seconds before they start looking like they would rather be anywhere else. Changbin is the only one you’ve held a conversation with, and only because you were going up the same stairs at the same time and the alternative would have been mind-numbing silence.
What is the best way for you to say this?
“Well,” you begin, “I can’t help but notice that they act a little—when I’m around, they’re a bit, uh—”
“—crazy,” Chris offers. “Completely fucking bat-shit crazy.”
“Yes. Exactly that.”
Chris threads a hand through your hair, the comforting gesture doing nothing to assuage your worry. It seems there’s some truth behind your impressions. Your next words are tinged with a quiet sadness.
“I’m not imagining things, then?”
“No, angel,” he sighs. “But not for the reasons you think.”
A beat passes. Chris perceives your silence as a chance to backtrack, to opt out of this conversation if it’s one he’s not ready for. He would’ve leapt at the opportunity once.
But he realizes in that moment, with your voice gentle against his ears and your touch so doting upon his skin, how much has changed since he met you: from the color of the sky to the word home and everything in between, including his cynicism towards love and all the iterations of forever it holds. 
With that epiphany comes another, then another: he wants you to know why his friends are acting insane, wants you to know about him and his past and all the wounds of his you never know you healed, wants you to spend the rest of this forever with him.
His pointer finger dusts beneath your chin, a wordless request for you to look at him, and he nearly liquifies when you do and he finds entire constellations in your eyes. 
“It’s a lot,” he mumbles, though he suspects you know that already; he suspects you know about the other stuff, too. 
You bring your hand to the side of his face, bring your forehead to rest upon his. Your closeness washes over him like a low summer tide lapping over sandy shores, a soothing balm spreading over scorched flesh. 
“It’s you,” you whisper. “I will love it just the same.”
Chris' held breath comes out in shudders.
So this is warmth.
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Minho and Felix are watching anime on the couch when a knock comes at their door, unfortunately during a pivotal moment of a pivotal episode. 
Minho hits pause with a ghastly groan. Felix laughs and rises to his feet, dashing into his room to grab the two silver necklaces he’ll be loaning out for the evening. “Coming!”
Outside, Chris is standing alone, hips and thighs accentuated by a pair of tight-fitting dress pants, sculpted chest and collarbones framed by a thin, cream-colored shirt with the top three buttons undone. Most of his hair has been pushed off his forehead, leaving a few locks free to fall over his right eyebrow. He’s rolling up his sleeves when Felix opens the door, veined forearms flexing as a result of the effort.
“Well?” He asks. Minho cranes his neck to look past Felix.
Both boys start to holler and whistle like excited macaques.
“What in the Calvin Klein is this?” Felix shouts, spinning Chris around by the shoulders. “You look insane, bro. Holy fuck.”
“What’s the occasion, young man?” Minho inadvertently sounds like a gruff uncle. “Where are you going dressed like that, huh?”
Chris' laugh comes easier nowadays. What’s more, it comes in a way that reaches the rest of him, that ends in a tiny, high squeak that you really have to look for in order to hear. Felix and Minho can't help but replicate his smile. Those clothes look good on him, yes, but happiness looks even better.
“You guys are silly,” Chris giggles. Dimples indent his cheeks as he accepts the necklaces from Felix. “Thanks, man. I’ll give ‘em back tomorrow.”
“No rush,” Felix replies, grinning. “Have fun, yeah?”
“We will.” Chris starts to retreat down the hallway, hands moving to clasp the jewelry around his neck, but not before he blows the both of them a kiss.
“Be back before ten!” Minho hollers; Chris laughs again, turns a corner, and disappears.
Felix closes the door. His smile falters fast. Minho has brought his face mere centimeters away, his expression thoroughly humorless.
“Tell me only the truth, Lee Yongbok,” he deadpans.
“O-okay—”
“Is Chris in a relationship?”
“—oh.” Felix frowns. “Well, yeah.”
Minho blanches. “How—how long?”
“One year, give or take? Anniversary’s today.”
Minho is stunned. Felix is stunned that Minho is stunned.
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© 𝐟𝐨𝐫𝐥𝐢𝐱 (est. 090323) · liked this work? please consider reblogging, commenting, or sending me an ask to let me know; or, read my other writing here. thanks so much for the support ♡
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pucksandpower · 1 day
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Say My Name
Oscar Piastri x streamer!Reader
Summary: when fans mistake Oscar for your ex while he is hanging around in the background of your stream, you get introduced to a side of Oscar that you’ve never seen before
Warnings: 18+ content
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Your fingers fly across the keyboard as you narrate the intense battle unfolding on your stream. “Oh damn, that was close! I almost got sniped there.” You lean in, eyes narrowed at the screen. “Gotta be more careful or this round is over.”
The chat explodes with messages cheering you on. Being one of the top female gaming streamers has its perks, like an incredibly loyal fanbase that hangs on your every word.
You glance at the viewer count — over 50,000 watching live. Not too shabby.
“Okay team, let’s rush B, I’ll try to draw their fire.” You move your character into position, heart pounding with anticipation.
Suddenly, a quiet thump comes from the living room behind you. You start, whipping your head around, but see nothing amiss through the open doorway. Must have been your imagination.
You refocus on the game, calling out tactics to your teammates. Another muffled sound, like something soft hitting the floor, catches your attention. You turn off your video and hit mute on your mic. “Hello? Is someone there?”
No response. You’re just about to unmute when a very familiar face pops into view from the hallway. It’s your boyfriend of nearly two years.
Your face splits into a huge grin as you take in his messy hair and the rumpled clothes he slept in on the flight. “Oscar! You’re back early!”
He crosses to you, bending to press a kiss to the top of your head. “Missed you,” he mumbles against your hair.
You tilt your face up for a proper kiss, “I missed you too, ba-”
But you’re cut off as his lips crash into yours, insistent and heated. Heat blooms in your cheeks at the sudden, passionate embrace. Far too soon, Oscar pulls away, leaving you flustered and breathless.
“Sorry,” he says with a smirk that suggests he’s anything but. “Couldn’t help myself.”
You shake your head, laughing. “You’re ridiculous. I’m working, you know.”
“So I noticed.” Oscar settles onto the couch just off-camera, casual as can be. “Don’t mind me, keep going.”
“You sure?” You eye him skeptically. The stream has been on a short period without your commentary and the chat is getting restless. “I can take a break if you want.”
He waves a dismissive hand. “No, no, I’m just going to hang out here for a bit. Go ahead.”
Hesitating only a moment, you turn your video back on and unmute your mic. “Alright folks, sorry about that little pause. I, uh, got a surprise visitor.” You gesture vaguely toward where Oscar lounges behind you.
The chat instantly lights up with questions about who was there. Smiling to yourself, you ignore them for now, re-focusing on the game.
Over the next hour, it becomes increasingly difficult to concentrate. Oscar keeps distracting you, making silly faces and gestures whenever you glance his way. More than once you have to stifle a laugh after catching sight of him. Your fans seem to find your giggly mood delightful, though they remain oblivious to the cause.
Finally, in a rare break between matches, you swivel in your chair to face him. “You’re being so disruptive,” you stage-whisper. “Don’t you have better things to do than pester me?”
Oscar feigns innocence. “Who, me? I’m just sitting here, love.”
Rolling your eyes, you stretch your arms overhead with a groan, back popping from sitting so long. Oscar’s gaze shamelessly rakes over you, darkening.
“Stop looking at me like that,” you mutter, fighting a smile.
“Like what?” His eyes glint with mischief.
You open your mouth to respond, but a new donation notification pops up on your stream, cutting you off. “Oh, wow, thanks for the ten thousand bits, Legend27!” The expensive donation isn’t that unusual, but the comment attached gives you pause.
I’m so happy you and Eric made up! You two are couple goals for real.
Frowning, you scan the new barrage of messages flooding the chat … and find dozens echoing similar sentiments.
Your stomach drops as you finally realize what your viewers think is happening. They assume Oscar is actually your ex, the one you briefly dated and had an awful breakup with over two years ago. Apparently his surprise appearance has led them to believe you two have reconciled.
Heat floods your face at the misunderstanding. Objecting seems pointless though — you’ve learned it’s better not to discuss your private romantic life on stream. “Ah, thanks guys, you’re too kind,” you finally say, aiming for a neutral tone.
Beside you, Oscar stiffens, catching the implications of the messages. His jaw clenches and you watch as his face cycles through a series of micro-expressions — first surprise, then confusion, quickly followed by displeasure and … jealousy?
Uh oh. This could get messy fast if he gets worked up. You try to subtly shake your head at him in a silent plea to ignore the chat.
No such luck. His brow furrows deeper and you can practically see the tension ratcheting up in his shoulders.
Suddenly, Oscar surges to his feet with a muttered curse. Before you can react, he’s stalking around the side of your chair until he’s directly in view of the camera’s frame.
“Oscar, what are you-”
But he cuts you off by cupping your face in his hands and kissing you hard. Your startled squeak is smothered by his fierce, possessive mouth moving over yours.
Powerless to resist the onslaught of sensations, you melt bonelessly against him as the kiss stretches on and on. Only the escalating number of notifications showing the shock and exclamations from your viewers finally breaks through the heady fog.
With extreme reluctance, Oscar ends the kiss, both of you panting. He keeps his face buried in the crook of your neck, lips brushing your flushed skin as he growls, “She’s mine.”
Then, before you can respond, he reaches past you and slams his palm into the power button of your streaming setup, shutting everything down.
The simultaneous howl of outrage from tens of thousands of confused fans cuts off abruptly as the screen goes black. Only the two of you are left in the ringing silence that follows.
“Oscar!” You finally manage. “What was that?”
He pulls away enough to meet your wide-eyed gaze, his brown eyes blazing with an intensity that steals your breath.
“I got … jealous,” he admits, seeming almost surprised at his own vehement reaction. “When they thought I was your ex. I didn’t like that at all.”
Your expression softens at his uncharacteristic show of vulnerability. Reaching out, you trace his sharp cheekbone with gentle fingers. “You have no reason to be jealous, silly man. It’s only ever been you.”
Some of the blazing heat in his stare banks into smoldering embers at your reassurance. “Yeah?” A smile tugs at the corners of his mouth. “Good.”
He leans in again until his lips are a hairsbreadth from yours. “Because you’re mine, okay? And I’m yours.”
“Yeah,” you breathe out, dizzy with wanting him. “I’m all yours, Oscar.”
The possessive words seem to flip a switch in him. With a low, rumbling sound of approval, his mouth slants over yours once more in a searing, demanding kiss that makes your toes curl.
The abrupt ending to your stream is already causing a social media firestorm of epic proportions. But surrounded by the circle of Oscar’s arms, his familiar warmth and love, you can’t find it in yourself to care even a little bit.
After all, you think dizzily as he deepens the kiss, your fans should have recognized that you two were a couple from the very start — because Oscar Piastri is most definitely not your ex.
He’s your everything.
***
Oscar’s hands are everywhere, seemingly unable to get enough of you as his kisses grow more and more fervent. Your back hits the wall with a gentle thump as he crowds closer, caging you in with the solid warmth of his body.
“Missed you so much, love,” he rasps against the heated skin of your neck. “Couldn’t stop thinking about you.”
A whimper escapes your lips at the scorching path his mouth blazes over your pulse point. “I m-missed you too, Oscar.”
His name falls from your lips like a prayer and he rewards you by sucking a mark into the sensitive spot just below your ear. Pleasure zings along your nerves at the hint of delicious possession in the act.
When he finally pulls back to gaze at you with dark, hooded eyes, his lips are reddened from enthusiastic use. The sight sends a molten flare of desire arrowing straight to your core.
“Say it again,” he commands roughly, voice gone low and gritty in that way that never fails to make you melt.
You blink up at him, momentarily lost in a lust-fueled haze. “W-What?”
“My name.” His large hands skim over the curve of your waist, bunching the fabric of your shirt. “Say my name again.”
“Oscar,” you breathe without hesitation, watching raptly as his pupils blow wider at the sound. “Oscar, Oscar, Oscar ...”
Each breathy iteration seems to stoke his hunger hotter. His fingers flex against your sides like he’s holding himself back from something.
On a daring whim, you slant your mouth near his ear, letting your lips brush the shell with every word. “Oscar Piastri,” you practically purr. “My Oscar.”
A broken groan is your only warning before he’s on you again, mouths crashing together in a heated crash of lips, teeth, and tangling tongues. His hand comes up to cup the nape of your neck, angling your face for deeper exploration.
When you finally manage to tear your lips away, you’re both panting harshly, chests heaving. “What’s … gotten into you?” You pant.
Rather than answer, Oscar just shakes his head and dives back in for more fervent kisses, like a man dying of thirst and you’re the most delicious drink he’s ever tasted.
It’s not until he suddenly grips your waist and spins the two of you around, depositing you on the desk with a surprising lack of finesse, that you realize just how wildly affected he is.
Oscar licks into the seam of your lips like he’s staking a claim and something within you shatters at the stark, naked wanting in his eyes when he pulls back the tiniest bit.
He just stares at you, chest heaving, gaze roving hungrily over your features like he’s memorizing you all over again. His pupils are blown wide, just thin rings of molten brown remaining around the black.
When he speaks, his voice is low and gravelly in a way that vibrates through you. “Say. My. Name.”
“Oscar,” you respond immediately, not even having to think. His hungry gaze burns over you and you feel stripped bare and vulnerable under the weight of it.
But rather than make you want to cover up, it has the opposite effect — you’re reeling him in, hands fisted in his shirt to pull him closer. You never want this delirious, frantic sense of possession and desire to end.
“Again,” he grinds out, sounding utterly wrecked already.
“Oscar.” You bare your neck for him as you say it, like presenting an offering. He groans low and deep, instantly ducking to mouth along the column of your throat.
His hands are everywhere, pushing up the hem of your top, kneading along your sides and ribs as he nips and sucks bruising paths across your collarbones and chest.
“Don’t stop saying it,” he orders, more plea than demand.
So you let his name become a breathless prayer falling from your lips, over and over between gasps and keening whimpers. You lose yourself in a heady feedback loop — the more you speak his name with naked wanting, the wilder it seems to drive him until his touch grows scattered and devouring.
At some point his hands finally succeed in tugging your shirt up and off. Your name doesn’t even register when his scorching mouth closes over one peaked bud, your back bowing at the shuddering bolt of sensation that lances through you.
All you can seem to process is the feel of his calloused palms mapping every inch of newly-exposed skin and the desperate mumble of “Oscar, Oscar, Oscar ...” spilling shameless and endless from your lips.
Eventually, the heated exploration of his mouth and hands becomes too much to simply lay there and take. With a low, guttural sound you haul Oscar upright and swing your legs around his hips, relishing his full body shudder.
“Not enough,” you accuse roughly, rolling your core against his in clear invitation. “Need you closer, Oscar.”
His heated groan at your wanton demand is music to your ears. Strong hands grasp your thighs to hitch your legs higher around his waist as he surges against you.
“So impatient, my darling girl,” he teases. This close, you can make out the faintest brush of freckles scattered over the bridge of his nose and cheekbones that you’ve mapped and memorized with lips and fingertips a hundred times before.
You can’t help but reach out to graze them with your thumb, gazing up at him with naked adoration. “My Oscar,” you murmur reverently.
His eyes slip shut for a beat, jaw ticking as if your words have an unexpectedly profound effect on him. When he opens them again, his gaze is fierce and intent.
“Yours,” he vows simply, leaning in to seal the promise against the plush of your lips.
The kiss is somehow softer and headier than before. You get lost in the lush glide of his mouth, every sliding brush of lip and tongue shorting out whatever rational thoughts remain until all you know is his name — the shape and taste and weight of it against your own.
It’s the only thing that seems real, vital, until at some point Oscar’s mouth leaves yours to trail hot, openmouthed kisses down your chest and stomach and lower still.
Your back bows as you squirm incoherently against the press of his lips and tongue. His restraint seems to have finally snapped, movements growing hungry and rough as he works you steadily higher.
“Oscar,” you sob out his name like you’re breaking apart, pleading for something you can’t quite name. He answers with a rumbling sound of satisfaction that vibrates hotly against your sensitized flesh.
More, is all you can think as he redoubles his efforts.
At some point, you must have arched helplessly off the desk because suddenly his hands are at the small of your back, fingertips digging in hard as he holds you arched for his questing mouth.
The intimate angle of his positioning has your jaw dropping open on a silent scream of overwhelmed pleasure. All that escapes is a strangled gasp of, “Oscar!”
He growls something incoherent against you that might be praise, might be reassurance, might just be your name groaned out roughly in shared bliss. But you honestly can’t tell anymore — you’ve transcended far past coherent speech and rational thought.
Everything has devolved into just sensation and feeling and the endless loop of his name spilling over and over from your lips like a benediction.
Oscar, Oscar, Oscar ...
Just when you think you might actually shatter into pieces from the intensity he’s wringing out of you, strong hands are abruptly hauling you up and off the desk in one smooth motion.
You cling to him with heavy limbs, burying your face in the crook of his neck as he staggers the few steps to your shared bedroom. At some point his shirt has vanished, allowing your hands free rein to roam over flexing muscle and heated skin.
When the backs of his legs hit the edge of the mattress, he pauses to claim your mouth in another searing, shattering kiss. He whispers something fervent and intense against your lips, your name perhaps intertwined with endearments or promises.
You can’t be sure. All you know is the shape of his name against your tongue, the only word your mind seems capable of holding onto as he lowers you reverently to the sheets and stretches out over you.
When he finally sinks into you with a harsh groan of relief, your back bows and you let out a broken, high keen — his name once more torn from your lips in breathless ecstasy.
“There you are, that’s it love,” he growls hoarsely as he begins to move, words interspersed between drugging, thorough thrusts. “Let me hear you, let me hear my name on those pretty lips.”
So you do, shamelessly loud and incoherent now as he gradually unravels you from the inside out. His name and gasped pleas and frantic praise all blur together in a continuous stream of blissful delirium.
At some point, his own control seems to splinter apart, hips snapping hard and deep as his pace turns utterly unrestrained. Still, you chase that shattering edge, crying out for Oscar as your whole world narrows to the merciless intensity of his driving thrusts and demanding hands kneading your flesh with staking ownership.
When you finally go soaring over that dizzying peak with his name torn hoarse from your throat, he follows you over almost violently with a ragged shout. Oscar’s arms shake dangerously as he holds his weight off of you, pupils swallowing up the copper of his eyes entirely in onyx pools of spent lust.
As you slowly float back down from that searing high, limbs heavy and sated, you reach up to trace the sharp line of his cheekbone. He turns his face into your palm with a shuddering exhale as if grounding himself.
For several long breaths, all that can be heard is your shaky inhales mingling together while your racing heartbeats gradually return to normal.
Finally, Oscar presses a warm, lingering kiss to the center of your palm before shifting to stretch out beside you, his weight dipping the mattress.
You immediately curl into the reassuring heat of him, despite the sweat still cooling along your skin. One of his arms bands around your waist, holding you flush against his side while his other hand comes up to card soothingly through your hair.
Nestling your face into the curve where his shoulder meets his neck, you press a gentle kiss to the hollow of his throat and whisper, “Hi.”
“Hi yourself,” he murmurs back, low and slightly scratchy in the aftermath. You can hear the smile in his voice as his fingers keep carding idly through your hair.
Silence falls again, comfortable and peaceful in the aftermath of your frantic passion, both of you simply basking in the warmth of shared nearness.
Eventually though, the question you’ve been avoiding asking slips out in a hazy murmur. “What brought all … that … on, Oscar?”
He’s quiet for so long, you begin to wonder if he fell asleep. Just when you’re about to shift to look at him though, he speaks up.
“When your fans assumed I was your ex … the way they were celebrating that the two of you got back together ...” His fingers stroke almost absentmindedly through your hair as he pauses. “I dunno, something in me just .. .snapped a little. Seeing them say over and over how perfect he was for you ...”
He trails off with a low chuckle, and you can’t resist craning your neck to glance up at him curiously. When your eyes meet his, his expression is rueful.
“I couldn’t stand the thought of any other name on your lips, love. Even your own.” His fingertips trace the line of your jaw with unbearable tenderness. “All I wanted was for you to say my name like that — like it’s the only word that matters in the entire world.”
Just like that, a fresh ember of want rekindles low in your belly at the slightly awed honesty in his voice. You exhale a shaky breath, searching his stormy gaze for … what? Evidence of how crazily affected you are by such a simple revelation?
Whatever he finds reflected in your stare seems to give him pause as well because his eyes almost immediately darken with renewed hunger.
“Say it again then,” he husks, rolling until he’s leaned over you, hands planted on either side of your head. There’s no demand in the words, just low, thrumming need thrilling between you both.
So you reach up to cup his face in your palms, rubbing your thumbs over the sandpapery stubble along his strong jawline as you gaze adoringly up at him.
“Oscar ...” you breathe out his name like a sacred invocation. “My Oscar.”
His eyes slip shut and he makes a low, ragged sound of pure satisfaction on an exhale that ghosts across your lips.
“Yeah,” he rasps, bending lower until his forehead rests against yours. “That’s it, love … that’s all I ever want to hear.”
You pull him back down to you then, unable and unwilling to resist sealing the promise of those words against his lips with your own.
And as everything inevitably dissolves into heat and need and formless ecstasy once more, you lose yourself to the endless chant of his name on your lips — your entire world whittled down to just that one exalted word, over and over and over.
Because really, what other name could ever matter when Oscar Piastri is the only name you’ll ever need?
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nightwolf14292 · 3 days
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What I think the Batfam's love languages would be:
This is not necessarily canon, you can take this as the love languages of my personal versions of the characters if ya want-
Bruce Wayne -
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How does he show his love?: I think that if you two were casually going out, seeing each other on occasion for a date but not actually officially dating or anything, he would show his love through giving gifts. I mean, it's the billionaire thing to do—just dump a bunch of money on you and let you buy stuff. Then when you started officially dating he would continue to give you gifts, but I also think he would use acts of service.. Whether that be dressing up as Batman and beating up someone who threatened you, or being Bruce Wayne and making your boss give you a promotion. Then if your relationship got extra serious, like you were moving into Wayne Manor serious, I think he would finally start to warm up to physical touch and would slowly get more touchy with you over time.
What type of love does he respond best to?: Quality time. Just having you around while he's doing mundane things, you sitting with him in the Batcave while he's working a case, going grocery shopping together. Depending on his mood he'll also respond well to words of affirmation, but if you catch him in the wrong mood he'll get annoyed and upset by them because he'll feel patronized.
Dick Grayson -
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How does he show his love?: No matter what stage of the relationship, his biggest love language is always going to be acts of service. He's a people pleaser at heart, he loves doing things for others even if it's detrimental to him. If the two of you were casually going out I think that he'd use a lot of words of affirmation on you, just being really sweet to you in general. When you started officially dating he'd make an effort to spend as much quality time with you as possible and get a little more touchy, starting to get used to hugs, cuddling, sleeping in the same bed, etc. If you got extra serious he'd become much more comfortable with physical touch, and start to lay more heavily into his acts of service.
What type of love does he respond best to?: Words of affirmation—but only if you do it right. Dick, being the people pleaser that he is, lives for praise and being told that he's helpful and good. Words of affirmation in the sense of 'I'm proud of you', or 'You did great out there tonight,' work wonders for him. However, words of affirmation in the form of compliments about his physical appearance have an adverse affect if you're still early on in the relationship. After all, Dick gets his looks complimented a lot and most of the time it makes him uncomfortable. He'll feel like you're only looking at his body and not who he is as a person. However, he's more accepting to physical compliments when you get into a more serious relationship.
Jason Todd -
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How does he show his love?: Well to be honest if you're casually going out, he.. Doesn't- I mean that early on, he has no real reason to believe that he should. After all, he's never had any experience with this sort of thing, and why would you ever want to date a literal crime boss/murderer? He thinks that you're totally a spy and that you're going to betray him or something. If you manage to progress to the officially dating stage, he'll start to open up just a tiny bit. He'll become a little more protective of you, making sure his goons won't attack you if you're out in Gotham late and 'taking care of' anyone who gives you trouble. He might get you a gift here and there, pay for dinner, but he'll still stay somewhat distant. And if you eventually manage to get to the serious stage, he will become incredibly attached, lots of quality time, lots of gifts, lots of acts of service, and SO much praise over any little thing you do.
What type of love does he respond best to?: Physical touch, but only if it's serious. To get through the first part of your relationship you pretty much just have to stick around and not be an ass, because he'll be absolutely flabbergasted that you want anything to do with him, but he'll eventually get used to it and become attached because you're the only person(that isn't the Batfam) who's been with him this long. But if it gets serious, he'll love physical touch. Hugs, cuddles, sleeping in the same bed, putting an arm around your shoulder, massaging your thighs.. Just touching you whenever he can.
Tim Drake -
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How does he he show his love?: Quality time, and by quality time, I mean he stalks you. You won't know it, at least not until much later into the relationship, but if he actually likes you he'll stalk you from the beginning. Stalking your social medias, tracking your phone's location, watching you in the Batcave on the Gotham security footage. Maybe hacking into your security cams and watching you in your house/apartment if he's particularly lonely. Aside from that, early on he'll pay for dinner, buy you flowers, maybe get you some little trinkets that he finds cool.. As you start dating he'll start to help you with school/work, putting his smarts and skills to the test to help you out with things. He always seems to know when you need help, somehow? (It's the stalking). When you get serious he'll warm up to you fully and start just being his weird lil' self, no longer masking his odd behavior around you.
What type of love does he respond best to?: Physical touch(but usually only when he's sleepy), and words of affirmation. He doesn't mind physical touch usually, but it won't always do much for him except for when he's feeling sleep deprived, in which case he craves your warmth and touch. He especially needs the words of affirmation, because he's sort of lacking that in his life right now (Though, his family[-Damian lol] are trying hard to make up for that, they're working on it), and it makes him feel useful and wanted. And like his own person for once.
Damian Wayne -
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How does he show his love?: In the first two stages of the relationship he won't really show that he cares, he might be a bit less aggressive to you then everyone else, but he's still not exactly the nicest. However, if you manage to get to a serious relationship, you'll have proved that you're actually there for him, and you'll notice a more dramatic change. He'll become much more open, start smiling more often, get a little more touchy, shower you with beautiful art he painted of you.. You were the one who helped him learn to be less violent, so by extension he's willing to rely on you.
What type of love does he respond best to?: Words of affirmation, because he has an ego that needs to be stroked. Even when you get serious and he becomes more open, Damian is still at his core a pretty narcissistic and arrogant guy, and he still acts on impulse thinking that he's better and smarter then any of his enemies. So, if you want him to be all flattered.. Just compliment his fighting skills.. Or, y'know, tell him how much better then Tim he is.
Y'all can add the others if you want, I don't know enough about the other characters to do them yet :]
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lale-txt · 20 hours
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❥ falling asleep besides you for the first time ↳ w/ Toji, Naoya, Gojo, Geto, Nanami, Higuruma, Sukuna & Choso
a/n: this came over me like a fever dream during another episode of insomnia. some of those drabbles are a little sad, i apologize. it's what you get with all those tragics characters. reader is gn!
word count: 1.4k
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𝐓𝐎𝐉𝐈 doesn’t even want to fall asleep; it’s not like he had a good night of rest ever since… well. He tells himself he’s just gonna close his eyes for a bit, stretched out on the couch next to you, his weary head in your lap. There’s still blood on his hands and on the side of his face, he’s gonna get cleaned up in just a bit, he mumbles, but the words come out heavy and drowsy, and your fingers are tangled in his hair now and your voice is this sweet whisper, baby, I love you anyway, and Toji–Toji just gives in. For the first time, sleep doesn’t come over him as a heavy veil, as if he’s drowning; for once it’s something peaceful, something quiet. Something he welcomes. Next to you, you with your fingers woven between his, you who loves even the broken parts of him, you with quiet love and reassurance that you’re still gonna be there when he wakes up again.
𝐇𝐈𝐆𝐔𝐑𝐔𝐌𝐀 hasn’t had another warm body next to him under the covers in a long time. He doesn’t realize how much he missed this until your body melts into his, one leg swung over his thighs, your arm sneaking around his waist and your head finding its spot in the crook of his neck. His cheek falls softly against your forehead when he pulls you closer, breathing in the scent of you that’s the closest to home he ever felt, pressing kisses on the crown of your head. It’s not just lust–oh, he wants to devour you, but there’ll be time in the morning–it’s the absence of loneliness and unspoken confessions. Higuruma can tell when he’s falling in love and in this moment he’s wading deep, deeper through his feelings for you, biting his tongue so they don’t spill out all over the pillows and into you. You already know anyway, and when the sun comes up again, you’ll lick them from the cave of his mouth like a prayer.
𝐍𝐀𝐎𝐘𝐀 can’t fall asleep, not on his wedding night, not when your mouth is whispering all those words he’s demanding from you. His cheek is pressed against your palm while he’s pinning you down, almost nuzzling into it like a touch-starved stray, golden eyes lingering on you. Say you’re mine. Again. Say who you belong to. Mine. Mine. All mine. He isn’t aware how pleading he sounds, how raspy his voice gets the more you obey, every time you sigh his name so softly into his open mouth. Naoya doesn’t care if you’re lying, as long as you wear your wedding band on your ring finger for everyone to see. You’re his to keep now, and if he could have it his way, you would be forbidden to leave this bed forever; he wasn’t aware just how much he had craved the presence of another being by his side at night, one who doesn’t leave once he had his share of pleasure. No, you’re his now, and before sleep eventually finds him, he’ll make sure to sink his teeth into you till his name rolls off your tongue like a lullaby. 
𝐍𝐀𝐍𝐀𝐌𝐈 doesn’t let go of your hand; he’s afraid it’ll go cold if he allows himself to let his guard down even for one second. This isn’t how he had imagined spending the first night with you. Not under the fluorescent lights of the infirmary, not with your body wrapped in gauze and machinery monitoring your heart rate. It dawns on him as he’s sitting on your bedside–how attached he’s gotten to you, then: How he had almost lost you today. He squeezes your hand tighter and sighs, his weary head sinking down on the mattress. Your fingers twitch and find their way into his hair, combing through it weakly. As if they say, it’s okay, I’m alive, you’re not to blame. So please don’t leave and take all your love with you. And Nanami takes your hand once again and kisses your fingertips, pressing promises against your skin, promises of a future where you and him can just be, one where he can finally put all of these feelings down, down in your open and gentle palms for you to keep.
𝐂𝐇𝐎𝐒𝐎 is clingy throughout the day, but even more so at night. He doesn’t like the eerie quiet that settles in once the sun has sunken, not when he can listen to your steady breathing next to him instead, so naturally he feels a rush of joy when you push your futons together for the first time. His heart is beating way too fast to find sleep now, his eyes taking in everything about your sleeping figure, from the way your chest rises and falls to how your nose scrunches slightly for a moment. Choso wants to know what you’re dreaming about, what colors your dreams are, and if he’s ever in them. He wants to engrave himself into your being, wants to keep you wrapped in his arms forever. His kisses feel light against your skin, careful not to wake you but enough to fill his desire. Choso loves you with his entire being, and sleep is merely an obstacle, cutting away from your time spent together–though he must admit, his eyes flutter shut quite easily in your embrace.
𝐆𝐎𝐉𝐎 realizes that his idea of ‘sweets in bed’ now has a double meaning, seeing you sprawled out in his sheets with candy wrapping paper clenched between your fist and more of it lying on the floor. Cute, he can’t help but murmur as he lays down next to you on his side, mustering you with an amused smile on his lips. When he told you to knock yourself out on the sweet souvenirs he brought, he didn’t assume you would take it that literally. His thumb brushes over the corner of your mouth, collecting some of the powdered sugar that’s still stuck there, and Gojo could swear he never tasted anything sweeter than this when he brings it to his tongue. He gently replaces the trash you hold onto in your sleep with his fingers, woven between yours, and pulls you close to him, his tall figure embracing you; and for the first time in a long time, Gojo feels a wave of calm wash over him, allowing him to exhale and sink into a dream almost as sweet as you.
𝐒𝐔𝐊𝐔𝐍𝐀 doesn’t know why he keeps entertaining your antics. Sharing a bed, sleeping together side by side? How utterly foolish, but as to be expected from a mere human; they’ve always been like this, seeking comfort and warmth when they’re the most vulnerable. Of course a predator like Sukuna wouldn’t have to worry about sleeping safe and sound. Yet still; he can’t help but let his gaze linger on you, wrapped up in his embrace, four arms holding you in place on top of him. Everyone else would freeze in fear, but you? You snore quietly without a single worry in the world, knowing you have a king watching over you in your slumber. Sukuna huffs but still brushes a strand of hair out of your face. Maybe he’ll tell Uraume that you’re off the menu, for now. As long as you know your place–in his embrace, wearing his marks with pride, providing a sense of comfort Sukuna had never known before. Fool, he mutters and rests his chin on top of your head, not sure if those words were for him or you. 
𝐆𝐄𝐓𝐎 doesn’t question when you knock on the door of his dorm room, asking for shelter after a particular nightmare. He hasn’t found any sleep yet anyway. When he lifts up the covers for you to slip under, he’s surprised that you don’t even hesitate to do so, wrapping yourself around his body as if it was molded for that only. Geto can tell that you’re trying not to tremble, but the nightmare still lingers. He knows it all too well. His fingers brush through your hair when he pulls you closer to his chest, as if this could prevent you from falling apart–though deep down he’s aware that he might be the one on the verge of breaking. You know it too, don’t you? Geto is tired, oh, so tired. The kind of tired sleep can’t fix, and he can’t help but wonder if this would also be the last time that you’re in his arms, clinging onto someone who is long gone; a version of him that he shed together with his dream of letting himself love you.
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egophiliac · 2 days
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Hi there! I really love your comics and how expressive they are. How do you go about making the characters in your comic so expressive?
thank you! 💚💜💚 I am REALLY bad at explaining things, so my apologies if this doesn't make a lot of sense, but maybe there's something helpful in here somewhere. :')
1. warm up! drawing is a physical activity, after all! so if I'm planning on sitting down and drawing for a while, I usually start off by taking a couple of minutes to doodle a bunch of circles and lines and random shapes, just to get my drawing arm goin' again and get back into the physical groove. just stuff like this:
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and just do that for however long you feel like! you can kind of feel when your arm starts to loosen up and your strokes get more confident. it makes it a lot easier to get those swoopy big lines and gestures!
2. play around with how you use your lines! paying attention to the shapes that they're making will change a lot about how much force and life your drawing feels like it has. (no way is better than another, it just depends on what effect you're going for and how it looks as part of the larger whole.)
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and you can also use lines against each other to get different vibes:
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it's not really a matter of "you need to make sure all your lines are always doing this all the time", it's more like...being aware of it, and getting that into the general thrust of a pose, if that makes sense? like a lot of smaller lines of action, beyond the big one that goes through the spine.
(just gonna use my own art as examples, apologies)
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if you have a good foundation of tension, then all of the little bumps and contours of a character's details won't get in the way of it, and it'll still come through.
and don't forget about negative space either! the spaces between things have their own interesting shapes too!
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I don't mean this to come off as, like, all these extra things that you need to be constantly thinking about and stressing over. more like...just try different stuff and then see how it works and how it changes the feeling! if you find a good shape, see if you can exaggerate it and make it more interesting, and how that affects things! angles and shapes are a LOT of fun to experiment and mess around with, especially when you're going more cartoony. :D
3. acting!
just...spending a little time to think about what the characters are actually doing! (aka the "figuring out what everyone is doing with their hands" bit.) this is more a personal preference, but especially in multi-panel comics, I like to have them be in the middle of doing stuff. not just big actions, but smaller things -- like even just how they're sitting or standing -- so that it feels like we're looking in on the middle of a scene, instead of a couple of characters just standing around neutrally and staring straight ahead while talking at each other.
this probably sounds really obvious, but it is one of the most fun parts for me! I love trying to find some little action or something that they can be involved in, especially if it's relevant to their character or adds an extra joke. (for some reason this usually involves me being mean to Sebek) (I'm sorry)
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it doesn't need to be everyone Always! Doing! Something! all the time, especially if starts becoming distracting (sometimes they do actually need to just be standing around neutrally and staring straight ahead, especially if there's a bigger action going on that you want the audience to focus on instead). but even just figuring out some kind of non-neutral pose for them to be in can add a lot and make it feel less generic!
3. thumbnailing!
this is, again, very much a personal preference; unfortunately, every artist really is different, and we all have different processes that work better for us. so I can only speak to my personal experience! but I find what helps is to start REALLY rough -- not so much as in messy, as in not trying to start right into actually drawing everything out. like, literally just starting with stick figures and :O faces.
it probably doesn't sound relevant when talking about Drawing Expressively, but I find it's really, really helpful to have already figured out what everyone should be doing (acting!) and what the overall general layout and flow of things should be, before getting into the actual meat of drawing the characters. like having a sketch for the sketch!
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(good compositional flow is something I struggle with, and text layout especially, so this stage also helps a LOT with making sure things are fitting where I want them and staying consistent/not breaking screen direction/etc.)
then after that, I can go ahead and focus on getting those Shapes and Lines and Angles and all that, without having to think too much about the layout or where things should go!
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(of course, the downside of that is that my thumbnails are usually way better than my actual drawings, alas alas.)
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4. this is more philosophical, but...give yourself some slack. the stress of Making Things Look Good is, ironically, often the biggest problem. (see: thumbnails looking better than the actual drawings.) so...let yourself draw shittier and without regards to accuracy. make things just for yourself without thinking about posting or showing them to anyone else. draw stupid faces and wrong proportions because they feel better that way. focus on what's fun and not on getting a perfect end result. "draw expressively, not well", as they say -- you can always tighten up things like proportions and details later, if you really want to.
that's all WAY easier said than done -- god knows I haven't really managed it -- but even just aiming for that attitude really, REALLY helps. if your lines are confident, they'll look a lot more alive and expressive than lines that are exactly technically precise but have no rhythm in them. (this is why tracing photographs tends to look so weirdly stiff and unrealistic, by the way -- even if you're drawing realistically, you usually need to exaggerate and stylize a little bit so it doesn't look lifeless.) it's a balance between caring about what you draw, but also being willing to let things go a little bit.
↑ I hope some of this helps! I don't know if any of this was actually what you had in mind, let alone much of it actually made sense outside of my head. :') but hopefully you (or other people) will be able to get something out of it!
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thankskenpenders · 3 days
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The Knuckles show
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The announcement of a live action Knuckles streaming miniseries was surprising, to say the least. I mean, what would such a show even be about in a version of the Sonic universe with no Angel Island and barely any characters from the games around? Is he gonna go treasure hunting with the gang from Montana or something? Would a streaming miniseries have the CGI budget to squeeze in any new game characters, even briefly? Rouge? Amy? At least one member of Team Chaotix? Anyone?
Now the show is finally out, and it turns out what they actually made was a comedy show about bumbling deputy sheriff Wade Whipple, the minor comic relief character played by Adam Pally who you might not even remember all that well from the first two movies, with Knuckles as his sidekick. While, yes, Knuckles does get a decent amount of screentime and opportunities to punch bad guys and do cool moves from the games, large stretches of this show focus on Wade's personal life, to the point that a couple times I almost forgot I was watching a Sonic-related show. If you're judging it purely by the metric of how well it adapts and engages with its source material, this surely must be one of the worst adaptations the Sonic franchise has ever seen.
So then, despite some huge complaints... why do I kinda like it?
(This will contain full spoilers for the Knuckles show.)
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A brief summary of what the show is actually about because I know half of you aren't going to watch it
The show picks up not too long after the end of the second movie. Knuckles is now living in Montana with Sonic, Tails, and the Wachowskis out of a sense of debt to them, though he doesn't really see it as his home. He doesn't feel like he belongs on Earth, and his life currently lacks direction. After communing with the ghost of Pachacamac, though, Knuckles is instructed to keep his culture alive by teaching "the ways of the echidna warrior" to a new apprentice: deputy sheriff Wade Whipple, who's currently more concerned about winning a bowling tournament in Reno than anything else.
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Things are complicated by the interference of two rogue GUN agents - Agent Willoughby, played by Ellie Taylor in a bad wig, and Agent Mason, played by Kid Cudi. (Yes, the artist behind the second movie's credits song is one of the bad guys in this.) They want to steal Knuckles' power and sell it to a former associate of Robotnik's played by Rory McCann (The Hound from Game of Thrones), who now works as a black market arms dealer. Yes, they're still doing the thing where Sonic and friends' quills radiate some kind of super-energy that the bad guys all want. No, I don't particularly love this element of the Paramount Sonic continuity. Anyway, they go after Knuckles and Wade, complicating their straightforward road trip to Reno. Antics ensue.
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The Wade show
So here's the thing. While the first episode focuses largely on Knuckles, the entire rest of the show is very much the story of Wade, and by extension the other original human characters invented for this miniseries.
Episode 2 is about Wade having to rescue Knuckles from captivity after the GUN agents get him. Knuckles spends most of the episode in a cage.
Episode 3 is about introducing Wade's Jewish family, including his slightly overbearing mother and weird sister, so that Knuckles can learn about their family traditions and have Shabbat dinner with them (and then save them from bounty hunters that the GUN agents hired).
Episode 4 only features Knuckles at the very beginning and very end of the episode, probably for less than a minute total. Wade is captured by a bounty hunter he personally knows, and Knuckles decides to let that be a trial for Wade to overcome on his own.
The last two episodes feature the climactic showdowns with the GUN agents and their arms-dealing ally, who comes in with a mech for the obligatory final boss fight. You'd think this would be Knuckles' time to shine, but really, these episodes are mostly about the bowling tournament in Reno where Wade encounters his estranged father, wrapping up his own personal arc. While Knuckles does get some fights, a lot of the finale is spent on lengthy bowling scenes where Knuckles isn't in the room or even mentioned. It frequently feels more like a spiritual successor to '00s sports comedy movies like Dodgeball, Talladega Nights, or Blades of Glory than it does a part of the Sonic franchise, and the presence of ESPN 8: The Ocho commentary in the finale only drives those Dodgeball comparisons home. They get so immersed in the bowling stuff that it's genuinely hilarious when the show suddenly pivots and remembers "oh shit we still need to do the final boss fight"
Throughout all this, Wade is the protagonist. He's the character we spend more time with, he's the character who drives most of the major events, he's the character who gets more of an arc. The emotional core is Wade's journey. Knuckles is still present - sometimes, at least - but he's there as Wade's wingman, and also just as the excuse for there to be some fight scenes.
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How much Sonic stuff is actually in this show?
Honestly? Not much.
Sonic and Tails are only in the first episode. Sonic gets some good scenes, but Tails gets a grand total of five lines. I counted. Unsurprisingly, Jim Carrey is absent as Robotnik, though he does get mentioned a fair bit. (For that matter, basically the entire established human cast beyond Wade is absent, even including Tom, though Maddie is there in episode one.)
GUN is involved in the story, which helps it feel slightly more connected to Sonic, but it kind of feels like it's GUN in name only. They don't use any recognizable GUN tech, and they don't call in the military. It's just two agents in suits. They might as well be the Men in Black.
The Master Emerald is mentioned as something Knuckles has to guard, but it's never seen. Angel Island is pictured as a drawing during the show's intro, appearing exactly how it does in Sonic 3, but it's never referenced at all beyond that.
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I guess the climax taking place in and around a Reno casino is a reference to Sonic's many casino-themed levels. That's something. I'll give them that.
Oh, and if you're wondering if this is the point where we finally start to get actual music from the games: no, it's not. The soundtrack consists of a lot of '80s needle drops, many of which are generic Hollywood picks like "Holding Out for a Hero" for the billionth time, thought it at least has some slightly less obvious picks than the Mario movie. The theme song is '80s rock song "The Warrior" by Scandal. You'll hear it many times. You'll hear the Adventure era Knuckles raps zero times in this. You'll briefly hear classic A Tribe Called Quest song "Can I Kick It?" before Knuckles takes the question too literally and breaks the radio in Wade's car.
Beyond a handful of surface level references for nerds (one of which is admittedly wild - we'll get to that), this is probably the least an officially licensed adaptation of Sonic the Hedgehog has ever tried to actually engage with its source material. I struggle to think of another Sonic adaptation that has less to do with Sonic. For as much shit as I and countless others have given Penders for seemingly ignoring the content of the games in favor of building his own convoluted mythos, his Knuckles comics honestly included way more elements from the games than this show does.
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Somehow, the one new(-ish) Sonic character introduced in this is the ghost of Pachacamac of all characters. Not even Tikal! Pachacamac! A very minor character nobody has particularly strong feelings about! You can't even use the excuse that they already had the character model, because they completely redesigned him compared to his cameo in the first movie to better match his Sonic Adventure design. And he's voiced by Christopher Lloyd! Honestly, so many of his lines are strained that it sounds like he's on death's door here, but then he'll surprise you with a more casual line like "just do it, man" and it catches me so off guard that I can't help but laugh.
Pachacamac here has basically nothing to do with the game character he takes his name and appearance from. Where the game character was a cruel warlord who kicked off a 3000 year cycle of violence, Paramount Pachacamac is now just this chill old man who gives Knuckles (and later Wade) advice in two episodes of the show. Hell, he also feels completely disconnected from his established role in the movies, where he's literally the guy who shot Longclaw. The show will not grapple with this contradiction at all. He's just here to be a thing fans like me will recognize from the games. Again, if that's all they wanted, it's kind of baffling that they didn't just use Tikal.
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I don't love Knuckles in this
But what about Knuckles himself? Well, he doesn't feel all that much like Knuckles to me. Ironically, he sometimes feels like one of the weaker elements in his own show.
Back when the second movie came out, I noted that Knuckles' characterization seemed to be pulling heavily from MCU Thor as a gallant warrior from an archaic alien culture who doesn't really understand modern day Earth stuff. That worked for me in that movie. It was just there for spice. Just a little extra flavor for the character in what was otherwise a very faithful adaptation of Knuckles' storyline in Sonic 3 & Knuckles. Without those familiar elements grounding him and with a much higher reliance on comedy, Idris Elba's Knuckles becomes a pretty one-note character in this.
In damn near every scene with Knuckles, he's going to say something about being a proud, honorable echidna warrior, or brag about his glorious feats of strength, or be confused about some Earth thing and call it sorcery, or act like every other character is also a member of some noble warrior clan. He still has his moments for sure, but this schtick kinda gets old fast, and it just doesn't feel like Knuckles to me. His entire character feels derived from the scene in the diner where Thor smashes the cup on the ground and goes "Another!" Sure, I can picture game Knuckles smashing a radio to turn it off and being a little too gung-ho about busting holes through walls. That's Knuckles behavior. But building a barbarian combat pit in the living room so the Wachowski family dog can fight the mailman? Nope. That's some other guy now. It really does just feel like them taking a broad character archetype from something popular that kinda sorta fits Knuckles and just running with that, rather than trying to actually adapt the character.
Oh, but don't worry, he wears the OVA hat for like two minutes! AND he loves grapes! See, Sonic nerds? We read the wiki! That's his favorite food! Grapes! This is gonna come up like five times!
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Knuckles kind of gets an arc here, but not as much as Wade does. I think the stuff about him starting to feel at home on Earth thanks to Wade's mom and the way he connects with their Jewish family traditions is oddly sweet. This arc is kind of let down, though, by the fact that Knuckles' heritage is treated as a complete joke. He's a cartoonish pastiche of various historical warrior cultures stuck together in a blender and used mostly for comedic effect. When Pachacamac's ghost appears, he's reading a newspaper and bemoaning the fact that the Mets lost again. This is not the place for a serious examination of Knuckles' feelings on being the last of his kind.
This is far from the only time the show undercuts itself with its jokes and attempts at self-parody. In the first episode, for instance, Knuckles clashes with GUN Agent Mason and his tech-enhanced punches, leading to an extremely on-the-nose inversion of the "Do I look like I need your power?" scene showcased in the trailer for the second movie. Except this time, Agent Willoughby butts in and points out how stupid that line is in this new context, since they're literally trying to steal Knuckles' power. The fight can't just be cool, they have to get cute with it. A lot of stuff like that happens in this show.
Given all these complaints, the first two episodes left me thinking I'd be fairly negative on this show overall. This seemed like the version of the show from the fandom's collective nightmares, one that undoes all of the progress the movie series seemed to have been making towards faithfulness to the games. Like, just look at these cast posters. Is this what you want out of Sonic? Do these excite you?
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But then, something strange happened. Over time, I just kind of let the jokes and shenanigans wash over me and basked in how fucking weird this show is.
And I started to actually enjoy it.
Look. The Wade & Knuckles Show was never going to be peak Sonic. But that sure as hell doesn't mean it can't be entertaining.
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This show is so fucking goofy
Here's the thing.
The show is funny.
Unlike a lot of other people, I didn't hate all the wedding stuff in Hawaii in Sonic 2, because I thought a lot of it was funny, both in its actual jokes and in the ways in which they tied everything back to Sonic. Tom looking wistfully at some bodybuilders doing Top Gun shit and spraying each other with beer and being like "I wish Sonic had that" is weirdly funny. The twist that those muscle bros are all agents of the newly formed GUN, who orchestrated the wedding as an elaborate scheme to catch Sonic, is funny. Mr. Olive Garden becoming the fucking GUN Commander is VERY funny. Are any of these elements of my dream Sonic movie? No, of course not. But my dream Sonic movie was never gonna happen in live action.
The Knuckles show follows up on the comedy of the previous films by being probably the funniest live action Sonic release yet. Did every joke land for me? God no. There are some stinkers in there that made me roll my eyes. But enough of them landed that it worked out for me overall. A big part of this is the fact that they've got a good cast of actors and/or comedians here.
Adam Pally is funny as Wade, and I found myself liking him more and more as a character as the show went on. He becomes an oddly endearing loser, with some sweet moments in his personal arc that made me feel for the guy. I like Wade more than Tom now, thanks to this show. I will now be happier to see Wade in Sonic 3 than I would have been previously.
The supporting cast is frequently great, too, many of whom are playing completely cartoonish, over-the-top characters. They took a cue from how exaggerated Carrey's performance was as Robotnik and decided to just abandon all pretense that this is the real world. Stockard Channing as Wade's mom is funny, and carries some of the more sincere parts of the show. Cary Elwes as Wade's very British dad who abandoned him as a child to run off and be the world's most egotistical professional bowler is funny. Edi Patterson as Wade's sister Wanda is... well, she's kinda trying too hard, but she has her moments. The Mighty Boosh co-creator Julian Barratt(!!) as a scenery-chewing bounty hunter, who was also somehow Wade's former best friend and bowling partner, is VERY funny. I love this guy.
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(Honestly, they should let more people who were on Garth Marenghi's Darkplace be in Sonic stuff. Where's Matt Berry)
This is kind of a stacked cast for a bunch of stupid side characters in a live action Knuckles show! And honestly, that just makes it funnier to me. Even when they're not funny, the fact that this exists makes it funny. They somehow convinced Paramount to give them a bunch of money to make a spiritual successor to Dodgeball about a schlubby guy who wants to beat his dad at a bowling tournament... except also Knuckles the fucking Echidna is there as his personal life coach. My life is richer for the fact that I can say that sentence. I think about all the little kids who are probably watching this show this weekend, going in expecting a show about Knuckles the Echidna and having to sit through extensive bowling scenes and lore about Wade's family, and sorry kids, but I just have to laugh. Wade isn't even on the poster! The poster is just a picture of Knuckles!! They punked those kids!!!
In a franchise where every single aspect is so carefully micromanaged these days, it feels truly special to get an adaptation this bonkers. It frequently appeals to the same part of me that enjoys the fact that there's an officially licensed Knuckles comic in which Charmy Bee's best friend (also a bee) dies of an accidental LSD overdose from a drug-laced chili dog. Or like, everything about the original 1993 Super Mario Bros. movie. Or the fact that they made seven direct-to-DVD sequels to Alpha and Omega, one of which is half a retread of the adventure from the first movie (with more annoying supporting characters in tow this time) and half a literal clip show of the first movie. The sheer absurdity of the fact that these things exist is charming to me. Except, with the Knuckles show, it has the added benefit of frequently being funny on purpose! This is why I'm not sure I'd call it "so bad it's good." Like, it's not amazing, but there were a lot of parts that I enjoyed in the exact way I was supposed to enjoy them.
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Look. Here's a list of real lines of dialogue from the Sega-approved Knuckles the Echidna streaming show that they're billing as a pillar of the Paramount+ lineup, to drive this point home. Let these marinate for a minute:
"I only eat grapes, and Cool Ranch Doritos™."
"Annihilate this little girl, Wade. Crush her spirit. Humiliate her so badly her parents won't even look at her again." "Doesn't that seem like we're going a bit far?" "Not far enough."
"So is he Jewish?" "Half, I think."
"I had a friend who when he listened to Alien Ant Farm he could lift a Toyota Corolla over his head."
"I'm in dire financial straits. Due to my lawsuit against an unnamed rainforest-themed restaurant franchise, I don't have two pennies to my name."
"We're here in sunny Reno, Nevada, which is so close to Hell you can smell the sparks."
"You can't threaten me with your Jewish karate chops because I am a federal agent."
"I will say, regardless of how you feel about child abandonment - and I'm against it! - the deals at TJ Maxx can't be beat."
This is a Sonic show in which they got Paul Scheer and Rob Huebel to appear as ESPN 8: The Ocho commentators.
This is a show where Wade's mom insists upon pronouncing "Knuckles" with the throaty Hebrew "ch" sound, and declares that Knuckles is basically Jewish. Later, they watch Pretty Woman together while enjoying a nice slice of key lime pie. Knuckles comments: "I don't understand. This young streetwalker with a heart made of gold, why do the others treat her with such disdain? Is it so wrong to walk the streets?"
This is a show where the fourth episode is directed by one of the guys from The Lonely Island and features a hallucinatory low budget rock opera stage musical put on by the ghost of Pachacamac. It recounts Knuckles' life story, with Wade playing Knuckles and the "evil" Longclaw played by the bounty hunter guy who's played by the Mighty Boosh guy.
Look at this.
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And also, Knuckles' singing voice is provided by Michael Bolton, which they proudly announce in the middle of the musical.
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And also...
Also...???
IBLIS IS IN IT????????????
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Yes, Iblis!
From Sonic '06!!
Knuckles is said to have looked for a mythical power called the "Flames of Disaster" to avenge his clan, which ended up being the power that was within him all along that lets him do fire punches yadda yadda yadda. As part of this, he apparently fought Iblis off-screen at some point, as conveyed with the giant singing papier-mâché Iblis in the musical.
...Then Iblis sings about hitting up Facebook Marketplace
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How? How does any of this exist? Why reference '06 of all games? How did Iblis get into the live action Sonic movie universe before Amy and Metal Sonic? Why are they using Iblis and the term "Flames of Disaster" in such a goofy way that completely disregards their original context?
I don't know. I don't know how any of this happened. But I love it. We got a Knuckles miniseries in which Michael Bolton sings the phrase "the Flames of Disaster." The world is a beautiful place sometimes.
Some people will tell you to skip episode four. "Knuckles is barely even in it," they say. "It's dumb and pointless," they say. "They clearly just ran out of special effects budget," they say. These are people whose opinions you should disregard. The episode with the least Knuckles in it is somehow the most entertaining episode of the show. I would, in fact, go as far as to say that if you only decide to watch one episode of the Knuckles show to see what goofy bullshit they get up to, it should be this one.
I cannot be mad at this show. It's so dumb, but it completely owns the fact that it's a dumb and unnecessary spinoff. Inferiority is baked into its very DNA. It's very self-consciously redoing the premise of the first movie, but stupider. It's about The Other Cop from the movies, instead of the competent one. Instead of being into a "cooler" sport, his life revolves around professional bowling. Instead of going to Vegas, he goes to Reno. Even his tragic backstory that shaped his entire life sucks. He was abandoned by his pro bowler dad in a TJ Maxx. Not even a nicer department store. A fucking TJ Maxx. This whole show is a Dril tweet.
They put a ton of effort into making it dumb in an occasionally spectacular way. So much effort was put into that joke rock opera that fans will just write off as stupid filler. They put their whole pussies into it. This is not a poorly made show. This has better production values than half the shit made for Disney+. This was made with love. Maybe not as much love for the Sonic the Hedgehog series of video games as we'd like, but it's love nonetheless.
Maybe this show broke me and these are the ramblings of a madwoman. Maybe I'm just really nostalgic for the '90s and '00s comedy movies all the Wade stuff is modeled after. Maybe the Alan Wake fan in me just really loves it when a story pivots to a silly rock opera for no real reason. I won't discount any of these possibilities. This isn't high art. This isn't something I would recommend to anyone with zero interest in Sonic, and it also isn't going to sway Sonic fans who hate the Paramount universe. I really can't blame them for being bewildered by this show. But for a specific type of person, this is the absurd three-star Sonic-adjacent comedy miniseries of your dreams. It's a mid masterpiece.
Again, I just have to step back, realize the fact that this shouldn't exist, and smile. Sega's too afraid to do stupid bullshit with the franchise like this these days. And I can't blame them, after years of Sonic being a treated as a laughingstock. But part of me misses some of the goofy shit. No matter how much I tore some of the Archie comics apart as I was reading them for this blog, I just look back on stuff like Cal and Al or the Many Hands issues and laugh. And that same part of me looks at this show about Knuckles being the sidekick to this fucking guy, and just goes...
"We're so back."
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In conclusion, I genuinely think this was a more enjoyable TV show than Sonic Prime.
I wouldn't go back and rewatch Sonic Prime anytime soon, aside from maybe, like, a couple of the Shadow-heavy episodes. Huge stretches of that show bored me to tears. The writers squandered all of that show's potential. But I would rewatch the Knuckles show, which takes a terrible premise and has a lot of fun with it, in a heartbeat. Even the bowling parts. The bowling scenes in the Knuckles show are more engaging than 70% of the fights in Sonic Prime. I am not trolling. I mean that sincerely, with all my heart. Don't @ me.
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Stray observations
There is effectively zero meaningful setup for the third movie in this, unless Wade's family or the two GUN agents come back or something. Project Shadow is not mentioned in this. There is no secret post-credits scene with Gerald
The CGI in this is pretty good. Not quite on par with the movies, but pretty good. Sonic's weird forehead wrinkles are distracting in his scenes though. Please fix that
I wouldn't say I liked this as much as the second movie, which obviously gets a ton of points for, you know. The Cool Sonic Shit. But I had more fun with it than the first movie, which I still feel is a painfully generic family movie that was only saved by Tyson's redesign
"Grapes are an interesting choice for someone who doesn't use his individual fingers."
Agent Willoughby was apparently the one at GUN who had to buy the Olive Garden gift cards and set up the fake wedding. Her origin story is that she hated doing shit like that and wanted to go fight aliens
This miniseries contains another Keanu namedrop because Wade's childhood bedroom has a Speed poster on the wall. I swear, if Sonic doesn't say Shadow sounds just like Keanu...
Knuckles is familiar with Paul Blart Mall Cop
Near the end the ESPN 8: The Ocho commentators say that the 1974 Reno bowling championship was also interrupted by an extraterrestrial, and given that was exactly 50 years ago I can't write off the possibility that that was Shadow. Please for the love of god give us a sequel series after the third movie where Wade takes Shadow the Hedgehog bowling. I need this more than I need air
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i-am-hungry-24-7 · 3 days
Note
Read your post about something other than angst for Simon so I have a thought that needs to get out. Morning routine with Simon. Obviously, the man is military and has a strict routine but that all goes to shit with you. Sleeping in, lazy lunch, all that cute couples shit but with Simon.
hello! tyvm for sending this idea! cute and silly couple’s domestic fluff is sweeettt!! I hope you will enjoy this :D 💖
A Day of A Cute (and Silly) Couple - Simon Riley*Reader
[6:00]
Simon doesn’t need an alarm, he automatically wakes up at 6 am.
Jogging is an important part of his morning routine when he’s on leave, a nice way to maintain his stamina, and to keep him from getting too loose.
“Where you... going...”
Oh, he forgets he has an unavoidable barrier, between him and his morning jog.
Simon looks down at you, clenching at the hem of his shirt. Your eyes aren’t even open, you just catch him in instinct and now refusing to let go.
“Go for a jog, you know it, love.” The calmness of morning makes him explain in a soft tone unconsciously.
“Stay... please...”
“You can hug your blåhaj first, I will be back soon, yeah?”
“You feel better than blåhaj...”
“...”
It’s too cruel for him to just leave you here, not when you choose him over that bloody shark you always squeeze against your body.
Simon secures the curtain so the room won’t be too bright after the sun fully rises, and lies back on the bed.
Your limbs immediately twine around him when you sense his figure is nearby, and scoots closer to him.
Jogging is important to keep him from getting loose... it’s a must for him to be strict with his morning routine...
The voices in his mind are gradually replaced by the little snores of yours as he drifts back to sleep.
[12:00]
“Can we eat fries for lunch?”
you yell at Simon who’s preparing lunch in the kitchen.
“No”
“WHYYYY!”
“UNHEALTHY!” He shouts back so his voice won’t get covered by the noise of the range hood.
okay then... you feel a bit disappointed, but you can’t come up with a convincing reason, so you just back to sweeping the floor.
just as you’re cleaning the last few spots, a scrumptious smell catches your attention, it’s not those chicken breast or salad or scrambled eggs that Simon deems healthier.
“Do you make fries?!” You knock open the kitchen door with excitement.
What you see is Simon sprinkling some salt and pepper on a bowl of fries, and he turns to you when you rush in like an energetic child.
“A few fries are tolerable” He shows you the bowl, and you can’t wait to reach out and take a bite on the crunchy and golden fries.
“Thank you, baby.” You press an open mouth kiss on your lover’s cheek.
“Don’t kiss me with your greasy mouth...”He growls, but you’re already leaving the kitchen, lilting an off-key song with the bowl of fries in your arms.
Simon just shakes his head and starts cleaning the countertop. If some fries can make you this happy, then fuck those healthy diets.
[18:00]
You two sitting face to face on the couch, the air is full of tension when you speak first.
“Mushroom”
“Mango”
“Oreo”
“Orange”
“Egg”
“g...”
“It’s over 2 seconds! Go take out the garbage, silly!”
“Fucking hell...”
Snickering at Simon’s loss, as he grumbles and on his way to grab the garbage, you add another star under your name to ‘the winner of the week’ sticky note that’s pasting on the fridge.
[23:00]
“Time to sleep.”
“but I want to watch this movie.”
“You can watch it tomorrow.”
“pleassee I want to watch it nowww Simonnn”
“...Fine.”
(00:00)
Simon looking at you sleeping like a log, whole body leaning on him and tangling him like an octopus, totally ignoring the wretched screaming from the movie, sighs and turns off the TV.
He leaves a night lamp for you, in case you need to get up for water during the night, and adjusts you two into a more comfortable posture.
He hears you mumbling something like donuts or maybe your favorite character, and chuckles quietly at how silly you are.
He already knew you would fall asleep during the movie, so that’s why he gave in, and time proves that his prediction’s correct since he’s looking at your serene face now.
“Goodnight.” Satisfied with you resting safe and sound in his arms, Simon plants a kiss on the top of your head and closes his eyes, hoping for a sweet dream that has you in it.
a/n: blåhaj sorry I love u I don't mean to harm u
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Text
How did you handle it?
1st part here
A/N: Didn't expect the number of likes on the first part, thank you so much 😭
Also, I know now who does Paige's braids now. I saw her on tiktok.
Warning/s: Read at your own risk
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Following Ice's most recent live stream, Y/N's phone is constantly vibrating, and her Instagram feed is overflowing with follow requests and mentions. She didn't leave her apartment on the weekends after hearing from her teammates about their near-brawl on Friday night. She was trying to blow off some steam at the time, but she lost her cool and almost got into it. Azzi gave them a good earful, and Geno had more to say. Y/N apologized to her teammates, explaining that she was acting out of character at the time.
She felt a little better and forgot about her parents' divorce for a while. Not until her father texted her that he will be at her game next week. Dad is always the one who comes to her games; mom is too busy and cannot make time.
Frustrated, Y/N drops the dumbels.
"Yo! "KK, give me back my phone!" KK is running for her life, clutching Paiges' phone. Paige, on the other hand, looks terrified as if her life depends on with whatever is contained within her phone.
"Whaaaat! Dude, I just caught you stalking---asfghgjjhkjlhlk!" Paige caught up with KK and placed her palm on her mouth.
"Shut up!" She took her phone.
KK sounds like a dying goat now, with Paige's hands still on her mouth. Paige lets go of her and KK gasped for air.
"Shit, Hah! I just did not saw you do that P!" KK is shaking her head, laughing.
"I swear K, if you open your mouth I'll make sure that you will nev---" KK immediately zipped her mouth.
"You got it P! Your 'lil secret is safe." KK gave her a mischievous wink.
These two are as mischievous as ever.
Shaking her head, Y/N slips off her sweat-soaked muscle top, revealing only her sports bra. She could see Paige and KK's jaws drop from her peripheral vision. She turned towards them.
"What? "You guys have some saliva here." Y/N pointed to the side of her lip. The two appear to have come to their senses and instantly pretend to do something. Weird. It's as if they're seeing each other for the first time, taking off their clothes. Y/N twisted her hair into a sloppy knot and resumed lifting. She was halfway through lifting when Nika slapped her bum.
"Babe, I need you to braid my hair. Do you have a sec?"
She nodded to Nika and followed her. They walk past the others who were working out, and Y/N couldn't help but notice Paige and the way her biceps and deltoids popped while doing that damn pull up. Get a grip, Miller; you see your teammate doing this on a regular basis. Y/N reprimanded herself.
"So is mine eye enthralled by thy shape," Nika recited dramatically.
Nika came out laughing after noticing Y/N glancing at Paige.
"Don't worry, babe; she gets it a lot. And... Damn, did you just realized she's fine? You have to keep up; you have a home court advantage here." Nika winked. Y/N gave Nika a puzzled glance. It's not that she likes Paige; she just admires the muscles. That is it.
"I don't know what you're talking about, babe." Y/N said making Nika snort.
"Okay, alright. I'm blind, I can't see, must be my poor eyesight."
Y/N endured Nika's teasing while doing her hair; she doesn't want to appear defensive, so she allows her friend and pretends that Nika Muhl seeing her looking at Paige Bueckers didn't affect her.
"Thank you, Baby. "I love the braids." Nika blew her a kiss before they returned to their routines.
------------
Paige glanced around cautiously before scrolling through her phone. She couldn't afford to repeat the same mistake that had led to her being caught by KK. She wasn't stalking, though; the algorithm following Ice's live had led her to Y/N's tagged photos and edits on Instagram. It was kind of annoying that Y/N was now known for being the "pretty girl" from the team instead of for her talent as a player. Paige had witnessed firsthand how great Y/N was during her time at Stanford. If it weren't for her MCL injury during her second year, she would have been neck and neck with Nika's stats in the last 2022-2023 conference.
"Girly, you are still not done? Man you are really living up to be a stalker ." KK tried to glance at Paige's phone, Paige was quick to hide it.
"I am not!" Paige responded defensively.
"Of course, why stalk when you can see her every day. Home court advantage." KK playfully raised her brows and gestured towards where Y/N is, shooting 3 point shots. Yeah, Paige mused to herself. Paige knows she's got the home court advantage, always playing on familiar turf. Y/N, on the other hand, is a social media ghost, her posts as rare as a shooting star, reserved only for strategic brand alliances. Just like she guards the offensive players on the court, she protects her privacy with the same intensity, keeping her personal life shrouded in mystery.
"You are not gonna like this." KK's gasp breaks the silence, drawing Paige's attention as she leans in, sharing her latest sports article discovery. With rapt interest, they both delve into the words, their silent communion speaking volumes as they absorb every line, lost in the world of sports unfolding before them.
Sports Agent Katherine Taylor-Miller Entangled in New Romance Amidst Divorce
In a whirlwind of events, sports agent Katherine Taylor-Miller finds herself at the center of media attention following news of her divorce from husband Craig Miller. The prominent figure in the sports world, best known for representing basketball star Breanna Stewart, is reportedly embarking on a new romance with Los Angeles' top firm lawyer, Drew Ross.
While Taylor-Miller has remained tight-lipped about the circulating photos online, indicating her involvement with Ross, sources close to the situation confirm that the divorce proceedings are well underway. The couple, who share a daughter, aged 22, are navigating this transition as their family dynamic shifts.
Adding a layer of complexity to the situation, their daughter, a talented athlete in her own right, has been making waves on the collegiate basketball scene. Initially playing for Stanford University during her freshman and sophomore years, she has recently transferred to the University of Connecticut for her junior year, following in the footsteps of her mother's client, Breanna Stewart.
The unfolding saga has captivated both sports enthusiasts and gossip followers alike, as speculation mounts about the implications for Taylor-Miller's career and personal life. As the situation continues to develop, all eyes remain on the high-profile sports agent and her newfound path forward.
Paige's confusion bubbles to the surface in her question. "Wait, so... that is Y/N's mom?"
KK nods solemnly. "Yep. Didn't expect that."
Paige's brow furrows as she scans the article again. "That article is nasty. It was unnecessary to mention, Y/N."
The two exchange a knowing glance before their gaze shifts towards Y/N, who remains blissfully unaware of the storm brewing in the tabloids.
KK weighs the options for a moment before nodding resolutely. "Very. She's not gonna like it. Do we tell her?" KK's gaze seeks approval from Paige, who meets it with a shake of her head, silently acknowledging the delicate situation and opting to shield Y/N from unnecessary distress for now. "She'll find out sooner."
KK lets out a low whistle, her disbelief evident in her tone. "Unbelievable. I never thought her mom is Katherine Taylor. That woman was a badass, but yeah, whoever wrote this has some unpaid rent due." Paige nods in agreement, a hint of frustration tainting her expression as they both recognize the injustice of the situation.
The sudden thud startles both Paige and KK. Their heads snap towards the source of the sound, only to find Y/N on the bench-side taking a water break, her hand suspended and her phone on the floor.
"That's what we're talking about."
----------------
Y/N absentmindedly follows her teammates to Subway after they decided to grab some lunch there. Despite the buzz of camaraderie around her, she's lost in her own thoughts, savoring the simple pleasure of a break from today's events. Just as she starts to believe her day couldn't get any better, her world is rocked by the unwelcome intrusion of her parents' divorce being publicized.
Her heart sinks as she grapples with the sudden exposure of her family's private turmoil. Y/N has always been fiercely protective of her personal life, preferring to keep it shielded from prying eyes. The earlier article had already crossed a line, but this latest development feels like a betrayal of trust, a violation of the boundaries she holds sacred. She can't help but feel a surge of anger and frustration at the unnecessary intrusion into her family's affairs, a bitterness that threatens to overshadow the sweetness of her teammates' company.
Y/N finds a glimmer of solace in the silent solidarity of her teammates. As they gather around the table at Subway, not a single word is spoken about the tumultuous news that has shaken her world.
In that moment, Y/N feels a profound gratitude wash over her, a deep appreciation for their unspoken understanding and respect for her boundaries.
"The salad won't eat itself," snapped Paige, jolting Y/N from her deep thoughts. Y/N mechanically took a fork, but her salad remained untouched.
"Eat up, Miller. You need your energy." Paige commandeered the fork and began mixing the salad for Y/N.
"How did you handle it?" Y/N's voice trembled with vulnerability, causing Paige to pause mid-stir.
Paige didn't respond immediately, her mind racing to grasp the depth of Y/N's question. It didn't take long for the realization to sink in—it was about the divorce.
"When your parents divorced? How did you handle it?" Y/N's eyes glistened with unshed tears, a vulnerability she hadn't intended to reveal. Paige felt a pang of empathy twist in her gut. Y/N's question caught her off guard.
"Nevermind," Y/N murmured, her voice barely above a whisper as she wiped away the threatening tears. Determinedly, she finally began to eat her salad, hoping to distract herself from the emotional turmoil of the day.
As she savored each bite, Y/N made a conscious effort to push aside the weight of her parents' divorce. Her phone buzzed incessantly with texts and calls, but she only mustered the strength to respond to her dad via text. All she wanted was for their divorce to be finalized so they could all move forward with their lives.
Her thoughts drifted to the inevitable changes ahead. Her mom and dad would each go their separate ways, free to pursue new relationships if they so chose. While the idea of their family no longer being whole was a painful one, Y/N knew it was time to accept reality.
Above all, she yearned for one simple request: no more articles portraying her solely as her mother's daughter. She was determined to forge her own path, to carve out her own identity separate from her family's legacy.
-------
"You okay, babe?" Nika asked Y/N, slinging her arm around her shoulders. Y/N responded with her most convincing smile. "I'm fine," she assured Nika, though the skepticism lingered in her friend's nod. "Just so you know, we're here for you, okay?" Nika offered a comforting hug. "Thanks, babe."
As they strolled back to the university after lunch, Nika, Azzi, and Aaliyah had already forged ahead for their afternoon classes, while Paige had disappeared into god knows where. Y/N's afternoon lay open; no classes to attend. She pondered whether to take a stroll around her apartment's neighborhood or indulge in a swim in the pool.
Waving goodbye to her teammates as they reached the university's parking lot, she contemplated driving back home.
Sighing, Y/N parked her car and headed towards her apartment, only to be surprised by a waiting Paige Bueckers holding a pint of Ben & Jerry's chocolate fudge ice cream.
"Paige, don't you have a class or something?" Y/N asked, noticing Paige still in her training attire: a UConn Huskies hoodie, basketball jersey shorts, socks, and slides.
Paige handed her the pint without saying anything.
"You asked me how I handled my parents' divorce," Paige shrugged.
"W-well forget it. I didn't mean to ---"
"It was hard. I thought we were a happy family, that they had vows, through thick and thin, for better or worse type of shit. I was angry, wondering what could possibly make them decide they weren't meant for each other. They had me for Christ's sake. It hurt to think that one day they'd meet someone new and start over, and what about me if that happens?" Paige took a deep breath before continuing.
"The good thing is, I was able to understand that it's better to have that divorce than to pretend they're still happy. I saw how happy my father is with his new family, happier than he was with my mother... All I'm trying to say is, whatever you feel in your current situation is valid—all the thoughts running in your head, the what-ifs, they're all valid. You'll come to terms with it soon, just give yourself time to feel it. And don't forget, you have us. It sucks to be a divorce child if you don't have siblings. It's okay, Miller. You can mope, you can lash out, feel it all the way."
Y/N burst into tears, sobbing uncontrollably, surprising Paige, especially considering they were in a parking lot. Y/N didn't know why the floodgates had opened—was it the news of her parents' divorce? The stress of the article? Or perhaps simply the ice cream? Regardless, she found herself releasing all the pent-up emotions.
"Christ, Miller. I didn't expect you to break down right here," Paige panicked, attempting to pacify her, though Y/N continued crying loudly.
Paige gently grabbed her hand, and together they walked towards Y/N's apartment, Y/N still sobbing loudly.
"People will think I made you cry." Paige said shaking her head.
They entered Y/N's apartment, with Paige leading the way as Y/N was too preoccupied at the moment. Paige settled Y/N on her couch and opened the ice cream she had brought. Y/N accepted it and took a spoonful, still teary-eyed.
Paige looked at her friend in disbelief, finding her oddly cute in this vulnerable state, with red, glistening eyes and puffy cheeks from crying.
They sat in silence, letting the ice cream provide comfort. It worked, as Y/N's tears eventually ceased.
"Thank you, Bueckers. I needed that cry and... the ice cream. How can I ever pay you back?" Y/N leaned her head on Paige's shoulder, grateful it was Paige who knew her favorite ice cream flavor.
Paige pretended to ponder the question. "You don't have to. Just get back to being yourself," she said, gently ruffling Y/N's hair. Y/N sighed in contentment.
"I mean it, though. Thank you for being here. I was resigned to being miserable today," Y/N said, her voice filled with gratitude. They exchanged glances, and Paige found herself momentarily lost in Y/N's mesmerizing eyes. There was something about them that drew her in. She quickly looked away, not wanting to get too carried away and do something she shouldn't.
"Yeah, it's nothing. Get yourself together, Miller," Paige replied, more to herself than to Y/N, feeling her ears grow warm.
"Are you okay? You seem... red?" Y/N asked, noticing Paige's flushed cheeks.
"Not as red as you are. You look ugly when you cry, Y/N," Paige remarked, trying to lighten the mood.
Y/N stiffened at the comment. This was the first time she had heard Paige address her by her first name. The surprise on Y/N's face caused Paige's brows to furrow.
"What?" Paige asked, suddenly feeling self-conscious.
"Nothing, you've never called me by my name before. Or maybe you did, I just didn't hear you," Y/N shrugged, trying to downplay it. She didn't want to make Paige feel awkward.
"I just don't know what to feel hearing it from you. It sounds different," Y/N admitted.
Paige choked on her response, caught off guard by Y/N's vulnerability. This woman will be the death of her one day. -----------------
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waldau · 3 days
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I cant insert a photo here on your ask but it goes something like
"Do whatever you want!!!" X said out of anger then character Y kissed him gently. "You said do whatever i want, right?"
whatever — choi seungcheol | 1,821 words | hurt/comfort, fluff
this prompt was really cute!!!
gender neutral reader. warnings: reader is stressed out? and in need of a hug?
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you love the sounds that make the house you share with seungcheol your home.
you love hearing the door creak when you open it at that specific angle. you love the sound of the clock ticking in the living room that seungcheol himself picked out. you love the sound of him walking on the wooden floor of your house, the sound of his glass when it clinks against the marble of the kitchen island, the birds chirping in the evening when you take out time to just relax against him and watch the sun set, and the sound of his quiet snores when he insists he wants to watch you watch your favourite shows, only to end up falling asleep.
there’s none of that here, in this moment.
you take off your shoes and kick them to the side, not bothering to open the cabinet to put them inside because the doors make a particularly loud sound when they snap shut, and you don’t want to risk waking seungcheol up again.
it’s been an odd couple of weeks, with you staying out late because of more work and seungcheol staying in because his workload has been relatively less for the beginning of the new year. him being at home would’ve made you happy if you didn’t have to apologize for cancelling and rescheduling dates, or for being left with energy enough only for a bath and a quick dinner, movie plus cuddling sessions replaced by cuddling in your sleep. if you were lucky to get back home in time, that is.
you stop and listen for a few moments. there’s no sound to be heard. the door to your bedroom is shut, which means that seungcheol must have already gone to sleep.
a little pang of hurt stabs your heart. it’s not like you want him to keep late hours for you, but you’re not exactly doing well in these trying times, and you’d really love to have his voice wash out your worries.
a resounding bang from the kitchen startles you. before you can even think of the worst possible scenario that could’ve just transpired, seungcheol walks out of the kitchen, a rolling pin in one hand and some flour on his hair and his rolled up sleeves. the literal definition of a hot mess.
“hey, baby,” he says, eyes widening when he sees you. “i was expecting you to be back in an hour or two.”
so it’s that bad, huh? it’s become normal for him to expect you to come back even later? you focus on the stains on his clothes instead, and the rolling pin that seems so out of place in his hand. “what exactly are you doing?”
“nothing! well, nothing much. yet. maybe you should stay out of here for a while.”
one thing about seungcheol is that he never keeps secrets. he can’t tell you a white lie to save his life, much less a black lie. “cheol,” you say, frowning, “both of us know you don’t even cook. are you baking? and why’s there flour in your hair?”
“sieving accident,” he mumbles, so quiet that you almost don’t catch it.
“should i be afraid?” you ask, pinching the bridge of your nose. you feel like your tears are a short distance away, and you really, really hope he’s done nothing more. something tells you that isn’t it, however.
“not really!” says seungcheol, but you can read him like glass at this point. the little nervous laugh and the way his nose twitches when he tries spinning facts makes you dread what you’re going to find inside. “maybe you should have a nice bath before you sleep? did you have dinner yet?”
you try to move past him into the kitchen but he blocks the entrance with his broad frame. the one time this isn’t sexy.
“cheol, let me in.”
“not until you tell me the password.”
“there’s a password now? what, something like choi seungcheol is the best?”
he giggles. “close.”
you sigh. “cheol, i’m really not in the mood to play games right now. please tell me what’s going on in there?”
he tries pulling that face, the one with the puppy eyes, where he looks at you so pleadingly that you’re generally ready to fold and do whatever he asks of you, but right now it just doesn’t work on you. the more evasive he is, the more worried you get. before he can react, you duck under his outstretched arms and into the kitchen.
rather, into the mess he’s made of the kitchen.
you’ve heard stories about junhui trying to bake. they sounded absolutely hilarious, and you’ve always wondered how he could mess up so bad that he managed to land waffle batter on the ceiling. especially when he didn’t even own a ladder to try and clean it.
it’s not funny when it’s your house that has some batter on the walls. at least it’s not the ceiling, you think, a bit hysterical, until you see flour on the…everywhere. it’s just everywhere. the counter, near the sink, in front of the oven like it’s a modern day trail of breadcrumbs that hansel and gretel would’ve followed. there’s also baking supplies scattered all over, an extremely huge sheet of baking paper lining a tray that’s sitting next to a bunch of bowls.
it’s a mess, to say the least.
“i’m sorry,” seungcheol says, gently turning you away from the sight of it. he winces when he sees your face. you don’t even know what your face looks like. all you know is that you’re tired, that you need a break, and that the last thing you would have liked to see today was your boyfriend’s face while he was peacefully asleep, and not…this.
you shake your head but no words come out.
“i’m sorry,” seungcheol repeats, setting the rolling pin down on the counter. a comical little cloud of flour rises and settles. what kind of accident even was that? “i was just…trying to bake.”
“cheol, you didn’t even know why we use baking soda till last week!”
“hey!” he says, defensive. “i asked you so i could learn. and i know this isn’t great, but—” his words dry up when he notices where your gaze lies — on the batch of cookies that are burned beyond belief.
you can’t believe your eyes, either. you’re not the biggest baker in the world, but you’ve never burned anything you’ve baked. especially not in your first attempt. maybe you’d have given up the courage to bake again if that had happened, but seungcheol clearly isn’t that bothered by it.
you don’t know if it’s because of how pitiful they look, or how long your day has been, but you feel a lump rise in your throat.
“you never even do this,” you whisper, only focusing on his face and not the mess around you. “why did you think you had to do this today?”
“am i not allowed to try things if i want to?” he asks, crossing his arms.
“it’s not that, cheol,” you say, trying to be as reasonable as possible. “i’d ask you for some help before trying something i’ve never done before. you never, ever do this. only when i ask you to help me. why today?”
“because i wanted to,” he says, almost flippant. “i’ll clean it up before you know it.”
but it’s not about the mess. it’s not about the burnt cookies. it’s not about the way he tried to block you from seeing the state of the kitchen. it’s the finality in his tone. it’s the fact that it’s not a big deal to him because he hasn’t had the day you’ve had.
seungcheol’s eyes widen when he sees your lips tremble. “are you seriously mad at me? for baking?”
“do whatever you want,” you hiss, tired and angry, feeling a single tear slide down your cheek. “i shouldn’t have looked inside.” you turn to walk away before it becomes a full fledged cascade of tears, but you don’t go far because of the hand holding on to your wrist.
“stop,” he says, holding you strong enough that it becomes futile to try and escape.
“let me go, seungcheol,” you say, avoiding his face.
“oh, no,” he breathes out, and the next thing you know is that your face is cradled in his hands and there’s a warm kiss pressed to your forehead. and your nose. and your lips. and it keeps repeating till you push him away, your face in his hands. you can feel the ugly emotions inside you ebbing away slowly, reducing to small embers that prickle the slightest bit.
“what are you doing?” you ask weakly.
“you said do whatever i want, right?” he asks, a smile on his face.
that gets you to break, for some reason. you would’ve forgiven him even if he’d gotten batter on the ceiling, because this — the sight of seungcheol with flour in his otherwise perfect hair, wearing an old shirt and beaming at you even though you’ve snapped at him — kills even those small embers.
you press your face to his chest and let the tears out silently.
seungcheol rubs your back. “hey,” he says softly. “let it out, okay? and i’m sorry about the mess. i meant it when i said i’ll clean—”
“it’s not that,” you whisper. “just…hold me?”
seungcheol complies, and you find yourself swaying in his hold in the silence of your house.
“want to talk to me about it?” he offers when you pull away, feeling slightly better. “i’m—”
“stop apologizing to me, cheol,” you say, laughing a little wetly. “it’s not the kitchen. i’ve just…i’ve been missing you like crazy and i miss just being with you without doing anything. i hate coming home late and seeing you asleep by yourself in our bed. i want…i want things to go back to the way they were.”
“so, a bad week?”
“more than one.”
“but you have me here at the end of every single day, right?” seungcheol says, pushing up the corners of your lips to make you smile. you do smile, but it’s because of the cute grin he has on his face. “we’ll get through it before you know it.”
you sigh. “it sounds good when you say it like that.”
“because i mean it. also, one more thing.”
“yeah?”
“please don’t ever call me by my whole name again.”
“only if you mess up the kitchen that bad again.”
“hey!”
“also, why were you baking in the first place?”
“because i wanted to cheer you up,” he says, sheepish, and you want to do nothing more than hold his face and kiss him silly.
“you’re an idiot, baby,” you say, cradling his face in your hands. “but you’re my idiot. and i love you.”
seungcheol’s blushing face is quite possibly enough to get you through tomorrow.
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taglist: @bookyeom @wootify @strnsvt @cloudycaramel @thepoopdokyeomtouched @minnieminshi @nonononranghaee @hrts4hanniehae @viewvuu
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whateversawesome · 2 days
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Spy x Family Chapter 97: An Old Love Story
Okay, say it with me: FOIL!
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You can see it too, right? Looks like Martha x Henry (Henderson)'s story is a foil of Twilight and Yor's story.
Henderson was in Twilight's place; the smart, lonely young man so focused on his ideals that he was blind about who was in front of him and his very own feelings.
Martha was in Yor's place, the strong and graceful girl too young and inexperienced to know her own heart and that she was in love.
This is exactly what's happening with Twiyor, the main couple of the story, and I think we may get to see one of the possible endings for our beloved Twiyor through Martha and Henderson story.
Now, what do we know about these two 🤔...
We know that Henry Henderson has a daughter and a son-in-law. It was mentioned he writes to them, but there was no mention of his wife. This leads me to believe that:
His wife is no longer alive.
He lives with his wife, so there's no reason for him to write to her.
He is divorced.
So, with this information we still can't know what's the current relationship between Martha and Henry, but we can take a guess 😉
From the way the story is being told, it almost feels like it's a semi-tragic love story, doesn't it? We can almost assume that they didn't end up together...or did they?
Theory one: Yup, everyone is right and Martha and Henderson eventually went their separate ways for reasons we'll probably get to know in the next couple of chapters.
If this theory is right, I think it's beautiful that they are getting a second chance 💖They certainly look more mature, confident, and calm (also elegant!). I love the way they look at each other, so much trust and love 😌
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Theory two: I know this one is a long shot (and Henderson just said in that panel that "She is merely and old friend") but maybe...they're actually married. Why am I so bold to even consider that possibility?! Well, there's this panel:
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The matron is clearly teasing Master Henderson, don't you agree? If she does it, it's because she knows something. Either she knows that there was something between those two in their youth or she knows they are married. I don't know, but they way she said the word "partner" and the fact that Master Henderson is married made me think that Martha is his wife. I know, I know...it's a remote possibility, but you have to remember that marriage is mentioned a lot through different characters and couples during the story, so maybe those two were actually married. (But, it's quite possible it's theory one).
Other things to consider...
How long have Ostania and Westalis been at war?
My guess is that we're talking about two different wars between the same countries; very much like WWI and WWII, where there was a brief period of peace before a second conflict. So, probably the first war started while Henderson was in his 20s and the second war started when he was in his 40s (and Twilight was a kid).
It makes a lot of sense that now they're in a period of "Cold War", just like in real life.
The Garden
I am convinced that the Garden is involved in this. I've talked about this before (read it here). After this chapter, I still think the Garden is going to pop up. Want some evidence?
Do you recognize this guy?
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That's right 😏 That's Matthew McMahon. What is he doing there? Too much of a coincidence, don't you think?
And also the way this is phrased:
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Odd that there was a mention of the word Garden, isn't it? And the fact that the whole story between those two takes place in a garden...🤔
In addition to that, in a previous chapter, Twilight observes how Martha moves like a soldier. Franky mentioned earlier that Garden people are like soldiers. And the Garden has a history of recruiting young skilled/strong people, like Yor. Things keep adding up.
The Consequences of War
This is a prevalent theme throughout the whole SxF universe: how war (violence, intolerance, manipulation of information, propaganda, politics) has affected the life of all the characters.
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No matter their background, nationality or education, we've seen it again and again with most of the characters big or small, like Twilight, Franky, Sylvia, Millie, and now we're about to see it with characters from an older generation like Martha and Henderson.
My guess is that this won't be the last time and this pattern will continue while the story lasts. I think what the story is trying to show us is how war is seen by some (politicians and men in power like Desmond) as a natural, inevitable course of action, but at the same time how brutal the consequences are in the smallest stories. That's one of the things that is truly remarkable about SxF.
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slasherstation · 2 days
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One thing I’ll say about the hate for Kabru and Toshiro is how I feel hurt by it not as a poc but as someone who has the same traits as them. I hate that people are able to understand that Laios can’t read the room but have a hard time understanding why Toshiro didn’t communicate/validate only Laios feelings and not Toshiro’s. Ofc he should have and that’s a flaw of his character. But I just feel so awful seeing people not understanding that if Toshiro was able to communicate he would have. I’m the same way. I’m a pushover, I let people cross my boundaries and I struggle with communicating my feelings.
Like imagine relating to Toshiro AND Laios. I’ve had someone who didn’t like me and said something behind my back treat me as if we were friends. And I’ve struggled to be open about my feelings when people bothered me causing me to snap and seem mean/rude.
The Toshiro hate is definitely valid and completely understandable especially as an autistic person who’s dealt with what Laios is going through. But the way people speak about Toshiro just makes me feel also awful and uncomfortable
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