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#i need to get her out of my system
dalandan012 · 2 months
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Play limbus company and get yourself an old hag for free
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cappycodeart · 8 months
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"The dead one! Yeah I haven't thought about her in a long time!"
A little theory I've had about Winter King's original motives based on his heartless comment about Betty and Ice King's original motives for kidnapping princesses in the first place...... clearly she gave off Bad Ex Vibes…
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jackshiccup · 4 months
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originalaccountname · 9 months
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Mori Ougai’s belief as the boss is [...] “The boss stands on top of the organization, and at the same time, be the slave of all.” For the sake of the organization, the boss must always take the “logical optimal solution.” That is the duty of the boss. [...] “Therefore, no matter how much your heart aches, you have to ignore your personal feelings.”
Kafka Asagiri, for the BSD exhibition
On Mori and regret.
This man acts based on his perceived "optimal solution". It means relying on cold logic, detached from (his own and others') emotions. In that way, he fits right in as one of the smart characters of BSD, contrasting for example Dazai's way of working with/around people's feelings, and Fyodor's way of manipulating and twisting those feelings into monsters.
Mori remains cold, logical, distant, efficient. It meant disregarding Yosano's and the soldiers' deteriorating mental health during the war because the concept of an army that cannot be wiped out was too good. It meant following Natsume's plan and taking the old boss' place himself to fix Yokohama's underground and protect the city and its people. It also meant disposing of Mimic by sacrificing Oda in order to get the special ability business permit, despite (and perhaps because of) Dazai's attachment to the man.
The thing is, humans are not logical creatures, and will inevitably encounter conflicting emotions.
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(does this look like the face of a man without regrets to you?)
Mori in Dark Era tried to pass on to Dazai his practice of putting aside his own feelings for the sake of choosing the most efficient solution that will benefit the group. It backfired spectacularly, so much so even, that Mori regrets it to this day.
For the BSD exhibition, Asagiri wrote some individual character commentaries, all very interesting insights into their characters and the writing intentions. For Mori, here's what he wrote:
“He who fell out of the optimal solution” Mori Ougai’s belief as the boss is described in the novel “Dark Era” and “Dazai, Chuuya, Fifteen”. That is “The boss stands on top of the organization, and at the same time, be the slave of all.” For the sake of the organization, the boss must always take the “logical optimal solution.” That is the duty of the boss. There is an unspoken additional point to it. “Therefore, no matter how much your heart aches, you have to ignore your personal feelings.” We can catch a glimpse of that in this scene. [the ADA-PM alliance meeting] Mori’s expressions after “Burnt it.” and “Like what you did to your predecessor”, gave us a glimpse of his true feelings that were made sacrifices for the sake of the “logical optimal solution”. (By the way, it goes without saying that Dazai is inducing Mori’s thoughts by words that will make him regret the past. It is to make him decide to form an “alliance”.) source and translation: Popopretty
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(notice the inclusion of Hirotsu in this scene. Remember that later, Hirotsu suggests that Dazai knows why Mori did what he did to overthrow the old boss, which, in my opinion, is both a proof of Dazai's support in Mori's goal, and a reminder to uphold it.)
One of my favourite parts of the Dark Era light novel is a small scene during the epilogue that was not adapted into the anime. This is two weeks after Dazai defected:
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To quote Asagiri again, "Therefore, no matter how much your heart aches, you have to ignore your personal feelings." Mori is conflicted about the outcome of the Mimic incident. He holds in his hands the Silver Oracle he himself gave to Oda, and reflects on its purpose: to "help the man mentioned above without hesitation in the face of any and all trials". Didn't he fail to do just that with Oda? Didn't he set him up and sent him to his doom? Didn't he abandon him to his trial?
But he rationalizes the events by saying he got the permit they so badly needed. No matter if he sacrificed one of his men. No matter if he drove Dazai away. He accomplished his priceless goal. It was a total success.
And yet, he poorly folds a paper airplane with the very Silver Oracle he gave Oda, throws it, watches it crash immediately, and mourns the loss of his right-hand man, without ever moving on.
But we have a direct example of Mori expressing regret.
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The perception that Mori in BEAST is a completely different character than Mori is in canon, when that perception doesn't extend to any other character from that universe, rubs me the wrong way. The characters in BEAST are very similar to their canon selves, with some core traits getting a new twist. They are all one or two major life changes away from becoming these versions of themselves. As far as we know, Mori's only life-altering event was being forcefully removed from the Port Mafia by Dazai, and secretly put in charge of Atsushi's old orphanage.
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Mori unambiguously made that orphanage a better place, as stated by Atsushi himself. BEAST!Mori is a lot softer, vulnerable and honest. That Mori offers to be a father to Atsushi while he heals. He also expresses regret in not being able to help Dazai when he was in his care.
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I think it's very interesting, especially when knowing that Asagiri wrote both BEAST and Fifteen at the same time for the Dead Apple movie, because in Fifteen we have this:
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The beginning of the first chapter of Fifteen is a gold mine. It is narrated from Mori's point of view, the man of logic and calculations, and yet it is full of doubt. He is alone and struggling to fix everything with so many people against him. But, throughout this scene about grasping at the Port Mafia's power, there is also this secondary thought being woven in, of Mori having started to actually care for Dazai.
The teenager is scary to him, smart enough to be a threat should he decide to be done with all this and turn against him, and yet, he immediately (and with a hint of sadness) finds that Dazai reminds him of himself. This lonely, lonely man found a kindred spirit, bright enough to grasp any situation in seconds and prone to using an uncomfortable obsession to divert and keep you guessing his true intentions. Mori entered Mentor Mode™ then. He taught Dazai his ways, he shared his struggles and thought process, he fought tooth and nail to keep him alive.
So when he asked Dazai why he wanted to die, it was with the concern of someone who has started to care. It was with the mind of someone who is trying to prevent the worst by fixing the problem at its source.
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(translation: Reneray)
But it's also that self-projection/ability to relate that made him drive Dazai away, when he pushed too hard and forced Dazai to adhere to his optimal solution philosophy. Because Dazai cannot separate himself from his attachments, could not ignore his emotions like Mori does, and chose Oda over Mori's logic. From Dazai's point of view, that was betrayal. Mori and him were accomplices!
Dazai planted the idea that Mori was afraid of him taking over as boss, and Mori seems to agree with that thought (would it be because he feared for his life, or for Dazai's ability to replace him?) Yet, for a man afraid of his closest subordinate backstabbing him, he seems to be hanging on quite hard to the possibility of Dazai coming back, leaving his seat open to this day, inviting him back twice in the same arc, and...
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(yeah I used this picture at the start too. "I hAvE nO rEgReTs" he says)
Mori may try to convince himself he feels no regrets and no guilt over his own actions by weighting gains and losses objectively, but he still hurts and has a very hard time moving on. He's human despite his best efforts, prone to mistakes and doubts. He's lonely and wishes to impart his knowledge onto others. His cold logic has both helped him in fixing the city, and alienated him from some of the people he most cared about.
In a similar vein, should the ADA employee transfer be of topic again, and should Mori clash with Yosano again, I wish we get to see some similar conflicting emotions in Mori between the usefulness of Yosano's ability, and Yosano herself as a person. The war was 14 years ago, that's a long time, and I want to believe that counts for something.
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gothbitez · 1 year
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well, two can play that game ; ellie williams
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pairing: college!ellie willams x afab!reader
chapter: one-shot (4.6k words)
warnings: 18+ content, minors do not interact!! dom!ellie x femme!reader, poc friendly, sexual content, angst, past relationship, jealousy, abby x reader (briefly for plot tension), reader and ellie are toxic petty, semi-public sex, hatesex if u squint but they love each other so idk angry sex is more accurate.
summary: you and ellie hadn't spoken since you broke up a few months ago and suddenly she shows up to this party with another girl on her arm.
inspired by heartbeat by childish gambino
author's note: soo linger got so much more love than I expected I love u guys wish I could respond to comments or follow y'all back but this isn't my main acc rip, just know that I'm lurking and appreciate all the reblogs and love <3
:::
Disclaimer: I do not support the genocide of the indigenous Palestinian people, and neither should you, please don’t buy the new Remastered or continue giving any more money to Druckmann. Educate yourself, learn the history, it is vital. From the river to the sea, Palestine will be free 🇵🇸
**
The music was booming, noise reverberated through the walls of the home belonging to whichever current popular kid was hosting this weeks Friday party.
You had been in a bit of a rut recently, not really taking time out of your schedule to have fun and live like you should be living, Dina was aware of that. So today, she had forced convinced you to come to some sports-heads party.
"Come on, get dressed" She had said, with a smug smile as you lifted yourself off the bed and into your bathroom to get ready. You had worn a silky, long black skirt. It reached the ends of your shins with a long slit that exposed your leg all the way up to your thigh. On top, you wore a simple tee, with a long strip of thick eyeliner along your skin.
And here you were. Sighing to yourself as you watched the typical acts of debauchery unfold amongst your peers. A bottle of alcohol was soon in your line of sight, Dina holding it up to you after just having taken a swig herself. "Here, looks like you need it."
You grabbed the clear bottle and drank, grimacing at the harsh taste that was developing in your mouth. You, Dina and Jesse had settled on sitting in-front of the couch on the floor, you tended to be a floor sitter; being crosslegged was quite comfortable.
In that moment, the front door of the owner's house swung open, and you felt your heart drop. In walks Ellie Williams, your ex-girlfriend, with another girl clutching on to her arm. You watched as the duo did their rounds, greeting the people they knew and joking briefly. Ellie looked around the living room, looking for a place to base, her green eyes landed on where you, Dina and Jesse were sat before making her way over, causing you to sigh.
That was possibly the last thing you had wanted, to be in an environment with your ex and her new conquest. You and Ellie had broken up a few months ago, not through lack of love, and definitely not due to bad sex. Quite the opposite. Ellie had a habit of self-sabotage, you'd get close to her and then one day she'd freeze and want to cut off all connection. She was a ghost, you knew this. That's why you broke up in the first place. It had been a painful wound which had still not healed over.
Technically, you had no say. There was nothing you could say about her sitting with you guys, Dina was Ellie's friend as much as she was yours, and despite the painful breakup, you wouldn't force her to pick sides. It would've been nice to know in advance that Ellie was going to come, though. At least then you could've prepared for the pang in your chest as the girl interlocked her fingers onto Ellie's as they sat. Dina threw you a sympathetic look, as if to say, 'I didn't know she was gonna be here..'
You took another swig of the alcohol as conversations between Ellie and the group started, knowing you couldn't avoid her any longer. You hadn't spoken to each other since she left, there were so many things left unsaid. Focusing on the music, you nodded your head along to the beat of the song that was playing over the speakers, your eyes glancing at the crowd dancing in the middle of the living room, observing.
You suddenly got the sense that you were being watched, your eyes flickered away from the crowd and into the green eyes that were staring you down from across the group. Ellie looked at you with no expression, her hand resting on the unknown girl's thigh. She caught your eyes look down towards her hand and glanced back up to you. What was she trying to achieve here? Make you feel worse?
You broke the eye contact, preferring to get up off the floor and making your way into the kitchen to head out into the host's backyard. You heard Dina ask where you were going but you hadn't registered her voice in time to reply.
Your body was met with cold temperatures as soon as you passed through the backdoor, you mentally groaned as your jacket was not warm enough to keep you warm. Glancing around, you took note of where groups of people were sat talking to each other, you just needed a moment to yourself. You gravitated towards the quietest spot in the backyard, liking how there wasn't much activity and sat yourself down, perched with your chest resting on your legs.
Grabbing a pack of cigarettes from your jacket pocket, you singled one out from the deck and brought it up your lips. With the cigarette secure against your lips, you reached down, searching for a lighter, your head facing the floor, before you heard the familiar flick of flint come from above you.
Looking up, you were met with the last person you had wanted to see in your time out. "How long are you going to pretend I don't exist?" she spoke, the first thing either of you had said to each other in months. Her arm was still holding the lit lighter, looking at you, waiting for you to light the cigarette.
Knowing how stubborn she is, you knew you had no choice but to bring your face closer to the lighter, meeting the flame and sparking the tobacco. "You're definitely not the one who should be asking that question." You muttered, inhaling the smoke.
"Look, what do you want me to say?" Ellie sighed, placing herself next to you before lighting her own cigarette. She was wearing her favourite grey hoodie, it was so worn you could see small tears in the sleeves. "Honestly, nothing right now, why don't you go back to the girl you brought with you? I'm sure she's missing your presence."
"She doesn't smoke, and I wanted one." "Well, you didn't have to sit here," you knew you were being harsh, but what else were you meant to do with the built-up hurt? If you took away the anger, what would you have left? Ellie sighed beside you, "We haven't spoken in months.." "And whose fault is that, Ellie?" You were looking at her now, eyes boring into hers.
"I know I shouldn't have left," she took a drag, exhaling as she spoke, "I wa-," Cutting her off, you spoke. "You were what? You didn't just leave, Ellie, you completely blindsided me. You think something's going well with someone and then they disappear. No explanation, no message, nothing!"
Hearing your words, her heart fell. She knew she had hurt you that day, but she felt scared. You were right, something was going well, so well that Ellie was scared she'd get hurt first. So she decided to end it before giving you the chance. "I didn't mean to hurt you," "Yeah? Too bad," you scoffed, "Cos you did." Finishing your cigarette, you stumped it out on the floor, forcing yourself up to your feet to go back to the living room. A hand stopped you, wrapping itself around your forearm preventing you from walking further. With a sigh, you turned to face her.
"You don't have to run away from me," Ellie said, voice low. Shivers travelled down your spine, as her eyes glanced to your lips, "I'm not contagious." "I don't want anything to do with you." You whispered, fighting every urge you had to just kiss her and make up. If you stayed here a minute longer, you knew you would cave to her. Despite how badly she had hurt you, you couldn't forget the way she made you feel. Knowing you still loved her, still felt the burning desire to kiss her.
Your thoughts focused on to the girl that had come with her tonight, your brows furrowed as anger washed over you. Ripping your arm out from her grip, you turned away and walked back inside to the party.
A week had passed, you were making your way to Dina's kitchen as you helped her set up the decorations, food and drink ready for her birthday party.
You had gotten completely dolled up, at least to your standards, wearing a band tee underneath a long, dark satin dress with your signature eyeliner. After all, it was Dina's birthday, you had to look nice. Besides, you were in hopes of getting some action tonight, knowing Dina had invited some girls from her class and you hadn't had any action since Ellie. It had been a... long time.
Ellie was helping at Dina's, too. Since your last conversation, things hadn't gotten better. Your hurt had somehow, shifted into snark, bickering with Ellie anytime you'd be in the same vicinity, which happened often.
Snark, petty comments and arguing. That's all Dina had heard between you and Ellie, at one point she thought you were about to kill each other. Dina had asked you about some guy that had approached you earlier on in the day. He had walked up to you with the utmost confidence that his flirting would be successful. You almost felt bad for him, the way his smile dropped when you told him you were a lesbian. Dina thought the story was hilarious and had asked you about it, upon hearing this, against her better judgement Ellie had made a comment about it which resulted in a heated argument between the two of you and Dina suddenly regretting her decision to bring it up. It had gotten so riled up that when Ellie stormed out of the room, she slammed the door so hard that it left visible cracks on the wall and the plant pot on the window beside it smashed into pieces.
"Okay, so... the bottles can go on this table and the food goes to that one with the bowls." Dina instructed, motioning you to put down the items you were carrying. Ellie had stayed in the living room moving the furniture around the room so that people could have more space to move, so Dina took her chance to talk to you.
"So, um.. you and Ellie haven't been doing so hot," she spoke, looking at you with a worried expression. "Well observed, Dina." "Hey, don't take your frustrations out on me, I'm an innocent bystander watching as world war three breaks out." She joked, lightly. "Sorry, it's just, I don't know what's changed but every time I look at her I just get so angry."
"I didn't say it wasn't justified, just worried about you guys, I'm friends with both of you and it's not nice seeing you two like this," Dina's hand went to rest on her hip as she spoke, emphasised her point, she sighed before continuing, "At least try and get laid tonight, fresh blood might make you less angry." She joked.
"Dina!" You groaned, before turning away from her and returning to the living room where people were beginning to show up.
A few hours go by and the party is in full swing, it wasn't crowded like last week's but more of a gathering, which you could handle. You had a few drinks, were nowhere near as drunk as some people, but you were at a nice level. You had spent an amount of the night away from your friends, after being introduced by Dina to this girl, Abby, one of the gays Dina had invited in hopes she could wingman you a date.
It was nice. Abby was incredibly attractive, she had long blonde hair and her arms were unlike anyone you had ever met. So muscular and big, you had a thing for slightly more masculine women, that's what got you in this mess with Ellie in the first place. Though, Abby and Ellie were complete opposites and if memory served correctly, you were pretty sure you remembered Ellie saying there was a girl in her class that she hated of the same name. Said girl had been involved in an altercation with Ellie, you honestly didn't remember why. You wondered if they were the same person.
Abby had completely distracted you from your worries with Ellie, revelling in the straight-forward way she would flirt with you and touch your thigh. It was nice to feel wanted.
Someone wasn't impressed, though. Ellie had been a sour mood all day because Cat had refused to come to the party with her, claiming that Ellie still had feelings for you and that's why she always cared enough to pick fights with you. Ellie denied this causing Cat to immediately break up with her on the spot. You had been on her mind today more than she cared to admit, and seeing you flirt with someone she absolutely despised, watching as Abby placed her hand on your exposed thigh, simply put, it pissed her off.
Dina watched Ellie carefully, not uttering a word when she saw her rolling her eyes at you both. "Can you believe that shit?" Ellie said, pointing at you from across the room. "Of all people, why is she entertaining that asshole?" "Ellie-," Dina was interrupted, "Laughing like her jokes are funny, she's the most boring person I've ever met," "Do-," "Who does she think she is?" "Ellie!" Dina shouted, "If you're that bothered, stop staring."
"I'm not staring.. they're just fucking gross." Ellie sighed, taking a swig of her beer. "You're staring. Go take a walk or something," Groaning, Ellie got up deciding to to the bathroom. Not that she needed it, she just couldn't bear the sight of you two any longer.
She stepped her way up the stairs, music and alcohol causing her to suddenly realise she was a bit more waved than she originally thought, either that or she got up too fast.
Stepping into the bathroom, she rested her hands on either side of the sink, looking at herself in the mirror. She could still feel the anger burn through her chest, igniting further as she remembered the ease with which Abby placed her hands on your thighs and the way you allowed it. Deep down she knew she had no right to be jealous, it was her fault after all. Yet, she cursed to herself as she thought back to the past weeks.
Cat had been right, of course. Ellie was in no way over her feelings for you, they never even left. She was just scared and jumped ship, and now this arguing and pettiness had only been an excuse so that you could have a way of talking to each other. Ellie's thought process was interrupted by someone knocking on the door and she knew her little breather was over and she'd have to face the world again.
Sighing, Ellie lifted herself off the sink and opened the bathroom door, not expecting you to have been the person who was knocking. "Oh, sorry I didn't know you were in there," you stated, your long eyeliner standing out in the dim light of corridor. Ellie had always loved when you wore that.
"It's alright, actually, I kinda wanted to talk to you," You quirked an eyebrow up at Ellie's words, "What did you wanna talk about?" "You should stay away from her, Abby, I mean. She's not a good person," Ellie quipped, the alcohol making her lips a lot looser than they would be if she was stone sober.
"Oh?" your features turned sour, "And who are you to tell me to stay away from her?" "I just wanted to let you know, no need to be a dick about it." "What makes you think I care about your opinions on my love life? You have no right." You were stepping up closer to her, frustration all over your features. "I heard you and Dina talking earlier, if you're gonna sleep with someone out of desperation at least pick someone better." Ellie squinted, her anger levels quickly rising as your voice raised, that seemed to piss you off even more. How dare she?
"If I want to fuck Abby, I will," you paused, noticing the way Ellie's chest was quickly rising as she took deep breaths, "It's none of your business." You voice lowered, Ellie's top lip sneering as she listened to you continue.
"She's nice, she's hot and have you seen her arms? I'm gonna sleep with her and there's nothing you can do to stop that." You whispered, knowing you were playing with fire but you couldn't stop yourself. Were you doing it on purpose? You weren't sure. You saw something in Ellie's eyes snap as soon as the words left your lips.
Within moments, your arm had been grabbed and you were being pulled into the bathroom. Ellie slammed the bathroom door shut and pushed you against it, the back of your head hitting the wood. "You sure about that?" Ellie muttered, she was seething, "I can think of many things I can do to stop that from happening." There was a snarl in her voice, a gruff raspiness that spurred you on.
"What was it specifically that pissed you off?" You teased, "The fact that it was her or the fact that it wasn't you?"
Ellie's hands trailed down to the back of your thighs, the only barrier being your long dress, with a firm grip she squeezed, causing a sigh to escape your lips. Truthfully, your comment about Abby's arms had touched a nerve, and Ellie found herself wanting to prove that she was just as strong as that meathead that was flirting with you. "Brave words for someone who threw a hissy fit the other day because she saw me with Cat."
You brought your hands from your sides to the back of Ellie's neck, silently wrapping your arm around her shoulders, Ellie's grip still tight on your thighs. Her face nearing your neck, "It's funny," Ellie whispered, before placing kisses on the space behind your ear, "You talk all this game about letting her fuck you, but darling, I'm the best that you've had, face it."
Her hands travelled up your legs, before landing at the curve of your behind, you swallowed a gasp, feeling her tease you through your dress, not wanting her to know the power she had over you in this moment. You were embarrassed at your own silence, not knowing how to reply to her words.
"Abby could do a better job," As soon as you said it, you regretted it. Ellie was certainly not impressed, hands clutching at your dress as she slowly lifted up the fabric, exposing your legs to her. "Oh yeah?" her gaze flickered down to your lips, "You want me to call her up here and show her how much you can't stand me?"
You stayed silent, her words spurring you on more that you expected, "Cos I can do that."
The distance between your lips had closed, Ellie pressing softly against yours as the music thumped in the background. Her hand travelled up from your thighs, caressing your sides as she reached the back of your head. You couldn't hold yourself back any longer, deciding to press into the kiss and wrap your arms around Ellie's neck. You could feel her smirking into the kiss as her fingers tightened around your hair, evoking a sigh out from your lips.
"You always did like when I did that," Ellie basked in the memories of your past relations, something she regretted losing. You two just always seemed to understand each other at that level, your bodies working together, she knew exactly what you liked and you knew exactly what she liked. It just worked.
It was no different this time around, just with a little added bitterness. All the tension from the arguing, the snide remarks and jealousy over the past few months seemed to have been leading to this exact moment. A cathartic release of pressure that had been building up.
"Shut up, Williams."
She chuckled as her lips went down your neck, kissing down to your collarbone as she sucked, intentionally leaving a lovely purple symbol marked on your skin. A symbol that you were hers, and she was going to let everyone else see it. Let Abby try and flirt with you now. Your chest heaved up and down, anticipating the gentle touch of her hand lifting your skirt, exposing your legs more than they already were. You felt a tightness at your core, even amidst your anger towards her, you still reacted in this way.
"You're so soft, for a girl so frigid." she muttered into your neck, kneading the skin of your thighs, her hand was so close to where you wanted her. "You're an asshole," You breathed out, back arching into the door, pressing you closer into it as Ellie moved her body closer to yours. "Oh yeah?" she paused, "Is that why you're letting me touch you like this?" Her hand trailed closer to your centre, fingers skimming over your underwear, her raspy voice sending shivers down your spine.
"Because I'm such an asshole?" Her words dripped like honey, and suddenly you were melting. "Fuck," you sighed, your head falling down to her shoulders for support, suddenly feeling out of breath as her fingers teased around your most sensitive spot. "What was that, pretty girl?" her finger clutched on to the cotton fabric and slid underneath it, sliding the cloth to the side as she teased her finger through your dampened folds.
"Fuck, Ellie.." you gasped, your hips jutting towards her hand, a futile attempt to relieve some of the tension between your legs as Ellie retracted her finger from you. "No, no, pretty girl, that isn't how this works," You groaned, hearing distant chatter in the corridor outside of the bathroom as you were suddenly reminded of the outside world. "Ellie, please," you whispered, conscious that you would be heard by the partygoers. "Please, what?" She hummed, enjoying dragging this out, it was all a power play to her. You knew that, but you thrived off it just as much as Ellie did.
"Please," you rocked your hips into her hand again, "Need you to fuck me, Els." Upon hearing you, she restarted her movements, skimming your folds with her fingers once again, your mouth was agape, letting out tiny whimpers at the feeling of her fingers against your clit. "That's a good girl," she smirked as she watched you, her scarred eyebrow flicking upwards, her eyes full of mirth. Your hand reached towards the back of her head, grabbing on to the elastic that held her bun in place as you pulled, tugging her head backwards slightly as some strands of her auburn hair fell out of place, looking almost as disheveled as you felt.
Spurred on by your actions, Ellie had decided to insert two of her fingers into you, emitting a wanton gasp to fall from your open lips. You clenched around the intrusion, feeling as her fingers sloppily dipped in and out of your soaked core, filthy sounds bouncing around the room. You bit back moans as Ellie buried her slender fingers deep into your folds, groaning at the indecent sounds of your slick against her digits.
"Fuck," you accidentally moaned, and a lot louder than either of you had expected, causing Ellie to let go of her grip of her fingers on the back of your head and into your open mouth. Taking the hint, you sucked on her fingers, drool slipping out from between your lips as she fucked your mouth. Suppressing your moans, your eyes rolled shut as Ellie slid another finger into your centre, relishing at the sight of you. Fingers stuffed in your mouth with one hand, fingers glistening with your slick as she rocked in and out of you with the other. Your flawless eyeliner now smudged and smeared all over your eyes, with a single stream cleared from a tear that had fallen from your eyes at the pleasure you were feeling. You were a sight she wanted to keep in her memory for the rest of her life.
"You're so fucking hot, babygirl, but you gotta stay quiet for me," The pads of her fingers met with the walls of your core, hitting you at a deeper angle than before. How the fuck were you meant to stay quiet like this? Was she doing this on purpose?
"Unless you want everyone here to know how good I'm fucking you," Her words were inching you closer, when you suddenly felt her fingers retract from your mouth and her body dipping down, kneeling in front of you. Her antsy hands fumbled over the fabric that was still tight against your hips, ripping them down so she could have complete access to you.
"You look so good when you're being fucked, pretty girl." You felt her head reach closer towards your centre, you breathed in a sigh as her hand grabbed hold of your leg and placed it over her shoulder. Her tongue licked gentle stripes up your folds, as she continued her movements with her hands, fucking into you as she licked your cunt like she was starved.
"You taste so good, baby," she breathed out, "Ellie- fuck.." you moaned, not trusting yourself to keep quiet as you covered your face and mouth with your arms. Ellie looked up at you, watching your face contort with the pleasure she was giving you, holding your arms against your face to keep yourself quiet. You felt the knot in your stomach tighten, Ellie seemingly knowing exactly what to say to bring you closer and closer.
"Wanna tell me again how you're going to go fuck Abby?" she paused, fingers still in a consistent, deep motion inside you, "Because it seems like you've changed your mind, angel." You were never going to go and actually fuck this girl, you had just said that to rile her up, Ellie knew this, yet she couldn't hold her tongue from saying these things to you.
"Ellie, shit," you gasped, "I don't want anyone else," Your hand moved down to her disheveled hair, forcing her head closer to you as you rocked your hips into her face, pure desperation. "I'm the only one who can make you feel like this, don't forget that," And she was right. Within seconds of her reconnecting her tongue to your centre, fingers still pushing into you, you felt all control of your body leave you. Shaking and writhing on her face as she brought you closer to your peak, your juices sliding down Ellie's chin.
Moaning and gasping, you dragged her face up to yours, capturing her lips in an ardent kiss as you could taste yourself on her lips. You felt her fingers slowly slide out you and let out a final moan. Your hands started to trail down Ellie's sides, grasping at her clothes in an attempt to take them off her.
"No, no, baby. None of that, I'm going to leave you right here," she chuckled, feeling your desperation, "You know where I'll be, when you're tired of flirting with strangers, give me a call."
And she left you, in your fucked out haze, all delirious and dazed, in the bathroom of Dina's party.
——
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sava-smth · 2 months
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gabv1el in edwardian-ish summer dresses because you deserve it
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i am so normal about them.
was goin for sorolla vibe. that one youtube playlist has halped me greatly
Also i posted it on my shitpost acc but my art acc is actually @sava-smth-draws
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flecks-of-stardust · 3 months
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[ID in alt text]
hi sorry still obsessed with this gif i got. it's so funny to me. my baby's little feets sticking out. the pearl in their hands. the slime mold 'walking.' the neuron glow receding. earlier i laughed so hard it hurt and it's still just as funny now watching this help
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angi-writes-filth · 10 months
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An art student's ramble about Lobo from Puss In Boots
As y'all know I'm a visual artist so ofc I'm aware that a HUGE part of creating visual content is intentional. Like, chances are if you see something being made a certain way, there was thought behind it. There are references being made and/or this was done with a specific intent in mind.
So ofc the moment I saw THIS
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I was like.... why?
Why why why?? Why the pose? Why is it so symmetric? Why the balance in all the scenes and his figure and design WHY??
(rambles about visuals, possibly grotesque imagery and talks about death, various gods, and tons of pictures BEWARE)
Then I realized HOW MANY REFERENCES to other Gods/omens of death The Wolf has??? Like:
Death. Straight up.
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(I don't think I need to explain myself for this one...)
Kinda cool how they decided to include a more "scythe-looking weapon" at the end, only when Lobo decides to get serious. Kinda like he's becoming more "Grim Reaper-y" when he stops playing around. More on DW's choice of weapons for our edgy furry friend later honhonhon.
Big Bad Wolf
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The universal, historical omen of death. Present in many stories like Little Red Riding Hood and The Three Little Pigs to name a few. Always the ultimate symbol of evil (fun fact: Most old bedtime stories we know today are passed from generation to generation; by the time these were created and put to use, it's most likely they were either made to warn children not to wander off into the woods for fear of being eaten predators, or for the risk of running into criminals shunned out of society and who normally retreated into the forests since they had no other place to live and couldn't leave the fiefs.)
Wolves are also predators that chase their preys, and exhaust them before going in for the kill. Much how like he does during the movie.
Also, it's possible Lobo isn't even the true form of Death in this universe. It may very well be the form he adapted to scare off Puss in particular; because canine v.s. kitties amirite?
(this could also be a huge stretch but the dark patch of fur on his face reminds some people of a bird, which could be interpreted as a crow. i personally think it's just a design element to attract more attention to the face/make his eyes stand out more but i included it cuz why not).
El Silbón/El Silbador
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"El Silbón" (The Whistler; also known as "El Silbador" in Colombia) is a legend from Venezuelan origin of a young man condemned to carry the bones of his father, whom he himself killed.
It is said if his whistle is to be heard, the more far away it is, the closer you are to your death.
Could also explain why the hell the Wolf is Latino LMAO. (Hearing him talk full sentences in Spanish scared me to Death haha get it? d-death)
Charon's Obol
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The bribe for Charon, the ferryman who carried the soul through the river that divides life and death.
Osiris
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This was one of the things I found interesting the most lmao. Like, I knew that pose reminded me of something...
I've read many people attribute this to Anubis, but from my research, it's actually not. This pose was used in sarcophagus by Pharaohs to resemble the God of the Underworld and Judge of the Dead, Osiris. What Osiris holds to his chest are a crook and flail.
Wikipedia offers the following explanation:
Traditionally crossed over the chest when held, they probably represented the ruler as a shepherd whose beneficence is formidably tempered with might. In the interpretation of Toby Wilkinson, the flail used to goad livestock, was a symbol of the ruler's coercive power: as shepherd of his flock, the ruler encouraged his subjects as well as restrained them.
AND NOW WHAT I ACTUALLY WANTED TO TALK ABOUT!!!
Lobo's Symmetry
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Okay this is a purely personal take, but am I the only one who found it incredibly interesting how balanced and symmetric his design is?
A rule of thumb when designing interesting-looking characters is to say fuck you to symmetry and balance. It usually works for a much more exciting silhouette and generates more visual interest. However, in Wolf's case, they made a ton of effort to make him look extremely symmetric.
His face doesn't have any distinct marks that separate one side from the other.
His cloak is a triangular shape that converges somewhat in the middle (the only element that breaks the overall perfect sillhouette).
And they went out of their way to divide the Grim Reaper's signature scythe into two: Which he usually holds to his sides, almost at the same height. Like, why would they? Why bother to do all that?
WELL WHY DON'T WE ASK OUR KINGS OF SIMMETRY THEMSELVES, HUH?
T h e E g y p t i a n s (insert papyrus font here)
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Symmetry is usually seen as the ultimate form of perfection. It is unachievable by most human standards, so it is notably known for causing feelings of detachment to a figure, even if it is recognizably human.
If you had a person who was entirely, perfectly symmetrical on both sides of their face, changes are, the uncanny valley effect would be triggered. Try grabbing a picture of a person's face, flip one of its sides and connect it with the other....... Looks weird, right?
The uncanny valley effect is normally used to depict images of deities and the like, because it usually instills the most literal form of 'fear of God'. Something that is so perfect that, by its presence alone, it makes you feel awkward.
The same principle is used by architects in churches even today: The more other-wordly, detached but still recognizably human you get, the more a person is made to feel powerless and awkward. Thusly, easier to control.
In summary, Wolf's design is made to look as symmetric and balanced as possible because he's supposed to feel other-worldly, even before we find out who he is. He's supposed to resemble something unachievable by human standards because he's not human. He's supposed to look out of place because he's Death. Straight up.
Every aspect of Lobo's design is sooo carefully thought out I just LOVE IT. Like have you noticed how his eyes stop giving off light during the scene we find out he's actually DEATH???
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I JUST-- I LOVE THE WORK DREAMWORKS PUT IN THIS CHARACTER. I LOVE HOW HE'S JUST SIX MINUTES INTO A 1 HOUR 40 MINUTES MOVIE AND HE SOMEHOW STILL STOLE THE SHOW. I LOVE HOW YOU SPEND EVERY MINUTE GLUED TO THE SCREEN, ABSOLUTELY TERRIFIED OF WHEN YOU'LL HEAR THAT STUPID WHISTLE NEXT.
Edit: I don't understand why, but Tumblr is fucking with the formatting and I've been trying to fix it, but I can't. It's genuinely upsetting me lmao but yeah. I promise it looks better when it's in my drafts but the moment I save it, it justttttt does whatever it wants. I'm so sorry! Edit: I THINK I FIXED IT GUYS say THANK YOU to fumbling with HTML, fucking everything right up to the point where the post itself doesn't know what to do and gives up with my ass like "OKAY OKAY I'LL FIX THIS MYSELF GOD"
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[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]
saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.
#jrwi fanart#jrwi show#jrwi riptide#gillion tidestrider#GONNA START FORMATTING MY COMICS BETTER. W THE PROPER 'PREV' 'NEXT' LINKS#REALLY DIDNT EXPECT TO CONTINUE THIS SERIES BUT AAAUUUHH MY BRRAAAIN MY BRAIN IS SO IDEASSS. I HAVE 3 OTHER PAGES SKETCHED OUT#NO PROMISES ILL FINISH EM ANY TIME SOON OR EVER. MY WHIMS ARE THEIR OWN BEAST AND I ONLY DRAW ON MY WHIMS#THAT BEING SAID IF U COMMISSIONED ME ILL GEEETT TO YOUUU IM SORRYYYY. ART IS AN EMOTIONAL RELEASE FOR ME N BABY I HAVE EMOTIONS.#ESPECIALLY ABOUT GILLION TIDESTRIDER CHAMPION OF THE UNDERSEA HERO OF THE DEEP.for the desc here i put smth that i typed up in the tags of#another thing i made. i gotta make a proper Baby Gillion tag or smth. eventually.. eventually...I LOVE DRAWIN THIS LIL BABY GUY..#i also LOVE depicting the teachers as just being so fuckin mean. ofc theres variation in that. just like in all things.like the teacher her#idk if itll be mentioned but the octo lady is named Ms Octburn.an octopus pun based off the name of an actual councilor i had#when i was in elementary school i got bullied alot but teachers never did anything. i hated adults and didnt trust them.#but this councilor o mine was so genuinely sweet. i remember spending alot of time w her. she doesnt work there anymore.#but that one school adult that actually earns ur trust and is there for you when they can be.its SO important for a child i think#i hope she knows how much she helped me.youll see in the next page that ms octburn isnt perfect either.but she tries. they all try.somehow.#ALL these comics are gonna be inspired by somesorta experience o mine in the school system. school is so fucked up u ever thing abt that#AND GILLIOOOOONNN IN THE MOST FUCKED UP LITTLE SCHOOL OF ALL. MAINTAINED BY A CULT. CENTERED AROUND HIM. OUR CHOSEN ONE#I IMAGINE ALOT BANKS ON HIS SUCCESS. THIS IS THE WORLD. THE WHOLE WORLD. THE PROPHECY IS GOING TO COME TRUE N UR TELLIN ME#THAT ITS THIS LITTLE IDIOT THATS GONNA BE SAVING US? WHAT IF HE FAILS. IF HE CANT GET THIS RIGHT THEN HE WILL FAIL AND WE WILL DIE#WE NEED TO TRAIN HIM. WE NEED HIM TO LEARN. AND TO SUCCEED. OR ELSE WE'RE DEAD. WE'RE ALL FUCKING DEAD. I IMAGINE THAT MUST BE STRESSFUL#in other news i hope ppl actually giggle when they read these. they ARE intended to be comical. dark humor or whatever. like its also sad#this is intended to be a sad comic series. but a funny one too. does that make sense? god i hope so.saw some1 say they had flashbacks-#-reading this. like YES!! THE INTENDED EFFECT!! YOU GET ME!! i love seeing ppl get upset on this lil baby boys behalf. i LOVE seeing ppl-#-wail n weep n cry in the comments. i LOOOVE seeing ppl RELATE to baby gillion. and i love letting u all know that this wont be a happycomi#gillion gets his happiness arc in the actual show. this series is one of unfortunate events. teehehehe. do u guys remember that show#i keep listening to the lil songs from A Series of Unfortunate Events for inspiration. GOOD STUFF!!#anyway uuhh uhh thats all i got in my brain. for now. feed me ur comments give me ur input i NNEEEEEDD THHEEEMMMM
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violetwolfraven · 4 months
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You know what maybe I’m just tired and feeling the existential dread of growing up, but actually my small, petty hill to die on is that I don’t think I will ever forgive Disney for abandoning the fairies franchise. I cannot even properly express what those movies were to me as a kid. They very well may have been my first hyperfixation. But come on beyond the sentimental value, those movies:
Encouraged kids to take an interest in nature and be nice to plants and animals.
Depicted a (mostly female) friend group that spent virtually every scene they had together onscreen building each other up and supporting each other.
Featured a female lead who is essentially a mechanical engineer, and is not treated as any less magical or important for it than her friends who can magically make flowers grow or bend light (except for the first movie wherein her feeling less magical and important is the central conflict).
Gave said female lead a “love interest,” I say in quotations because while they are definitely implied to have romantic feelings for each other, he is never called anything other than her best friend and the two of them ending up together is never treated as an urgent priority. Their friendship is incredibly important to both of them, but no one acts like it’s a problem that they’re just friends for now.
Redeemed the mean girl pretty damn successfully (in my opinion), Vidia never apologizes for most of her actions onscreen, but she does realize when she’s gone too far and makes an effort to fix her mistakes, and from that point on she is integrated into the friend group who, as I mentioned before, spend 90% of their screen time uplifting each other.
In The Lost Treasure, let Tink’s temper have consequences, a good lesson for kids in not taking their friends for granted and treating them kindly, but also teaching respect for boundaries and personal space through Terrence’s end.
In Secret of the Wings, demonstrated that sometimes rules are there for safety reasons, but you can try to think of a creative solution to do what you want while still keeping things safe for everyone.
In Legend of the Neverbeast (admittedly not the greatest movie in the series), depicted the fairies having to say goodbye to an animal companion permanently, something most kids will probably experience at some point.
Inspired a banger of an online game and several banger songs.
And what has Disney done with this franchise they spent 7 years on (longer if you count the books)?
Allowed a massive decline in quality on the last movie made (Legend of the Neverbeast) and then acted shocked when it didn’t do as well as the previous ones.
Cancelled all fairy projects after that.
Shut down the game in 2013.
Made a bunch of the songs from the soundtracks seemingly disappear off the face of the earth.
I know it doesn’t make the top 100 shitty things Disney has done, probably not even the top 1000, but I am still extremely salty about it, even though it’s been almost 10 years.
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spacedlexi · 2 months
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the way the ericson group were at the outbreak just a bunch of troubled kids who made various mistakes or committed crimes and were judged by a system that punished and abandoned them instead of giving them the support and love they needed, are then nearly a decade later put into a situation where now they must judge a troubled child for the mistakes and crimes hes committed against them. and 5 to 3 vote them out 😭
#twdg#i love the way s4 connects back to lees whole 'murderer' thing back in s1 😭 guilt...atonement.....systems of punishment#i love thinking about s1>s4 themes and crying#anyway this is partially why i hate when i see the ericson cast reduced down to 'just some teens' its so much more than that#them being abandoned in a boarding school for troubled kids is SO IMPORTANT its not 'just some school'#anyway its also probably why theyre my favorite cast#theyre literally one of if not the most mature group of the series even while being a bunch of kids who make choices i dont agree with#because they actually love and care about each other. even when theyre mad. because theyre all they have left#i do think the vote was a fair way to handle it even tho i still ultimately find it cruel. they couldve talked it out#but this is still a story that needs conflict to resolve so is what it is#they would rather they leave than have to face their confused feelings. the most immature thing they do. but understandable#they did such a good job crafting that cast for clem GOD an entire ensemble built around her and aj....delicious#zombie/post apoc media about love and community my beloved 😭#sorry but get tf out of here with that 'humans are evil and everyone dies' lame ass bullshit we are nothing without community#the amount of love pouring out of s4 is like getting my ass kicked but then they give me a big hug and kiss after and send me on my way#s4 my absolute beloved i really love it more and more every time. so much to appreciate even with it the way it is#the themes bro the themes........ the connections between seasons 1 and 4 you are everything to me#it speaks
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smallpapers · 2 years
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hello?? This is UNREAL
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worm-on-the-moss · 7 months
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pov you're about to find out at canaan house
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roseworth · 14 days
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part of the appeal of a jason & rose team up to me is that they are so similar personality-wise but they are soooo different in their approach to crimefighting in the sense that jason is a meticulous planner and rose does not plan more than 10 minutes ahead. jason spends weeks putting together every aspect of their plan and backup plans in case something goes wrong just for rose to ruin it by going "im gonna kick down this door and see if anyones behind it"
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b4kuch1n · 1 year
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genre of chillin
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lab-gr0wn-lambs · 6 months
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A brief review of The Walking Dead
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