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#probably not
glenbot · 2 days
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flower crown pt. 1
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achaotichuman · 2 days
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I got bored so I made this.
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It’s Tamlin!
Picrew link
@sonics-atelier, @siriuslytamlin, @decadentpostnachos-evil-twin, @lorcandidlucienwill, @fell-in-luvs, @shi-daisy, @sadisticdevile
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strawberrycowtime · 16 hours
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guys it’s so hard to draw on a phone instead of a tablet (i had to cuz my ipad isn’t working 😔) but at least im still able to right
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bluebellowl · 3 months
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Some elemental action! I started with Ingo and thought Emmet needed one like it too.
I‘ve been seeing a lot of art with Ingo wielding fire like Chandelure and Emmet producing electricity like Eelektross, and wanted to try that out too.
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Updated! A few days ago the contract Crowley signs in S1 came up on discord. Being the crazy person that I am, I set on the quest of finding out what it actually says. I couldn't make out everything, especially at the end where Crowley's hand and the sparks obscure the lines but I made out most of it (transcript below the break).
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One of the things I like the most is that the contract specifically says "Anthony Crowley of Mayfair, London." In the book, Hastur tells Crowley not to use that name: "No. Not A. J. Crowley. Your real name.” Crowley nodded mournfully, and drew a complex, wiggly sigil on the paper. It glowed redly in the gloom, just for a moment, and then faded."
Interesting things:
The contract is referred to as "the Agreement" - HA!
The contract is between Hastur and Ligur ("the Customer") and Crowley ("the Service Provider"). Not with Hell itself or with Satan.
The contract never actually says what "the Service" is nor does it say how much Crowley is supposed to be paid (so is it just delivering the baby to the convent, or all the upbringing too?)
There is a part that says Hastur and Ligur will pay the costs when the operation is done. But later on it also says that Crowley will not be reimbursed for his own expenses. Talk about being shortchanged!
Hastur and Ligur will NOT provide any help
Crowley must contribute to a retirement plan (Superannuation) for himself and his employees if he has any (how thoughtful)
And lastly, I learned the UK has Superannuations and it is not just an Australian thing! (go figure! the things GO teaches me)
So here you have it. A contract from Hell! literally If anyone can make out the words I couldn't or finds an error, please let me know and I'll update this one.
Full transcript:
[Line covered by clip and Ligur’s fingers] (the "Agreement")
BETWEEN
HASTUR AND LIGUR of HELL (the "Customer")
AND
ANTHONY J CROWLEY of MAYFAIR LONDON (the "Service Provider")
BACKGROUND a. The Costumer is of the opinion that the Service Provider has the necessary qualifications experience and abilities to provide services for the Customer. The Costumer will pay the Service Provider per project agreed. Each project has its own costs and the Service Provider agrees to inform the Customer what are the costs involved when setting the operation and the Costumer agrees to pay the total amount when the project is delivered. b. The Compensation will be payable upon completion of the Services. The Service Provider is responsible for paying any Superannuation Guarantee contributions that may be required in relation to the work performed by the Service Provider or by the employees of the Service Provider under this Agreement c. The above Compensation includes all applicable sales tax, and dues as required by law
Provision of Extras a. The Customer will not provide any resources, assistance or extra for use by the Service Provider in providing the Services Reimbursement of Expenses b. The Service Provider will not be reimbursed for expenses incurred by the Service Provider in connection with providing the Services of this Agreement. Independence of Services c. In providing the Sevices under the Agreement it is expressly agreed that the Service Provider is acting as an independent contractor and not as an employee. The Service Provider and the Customer acknowledge that the Agreement does not create a partnership or joint venture between them, and is exclusively a contract for service
Notes a. All suits, requests, demands or other communication required or permitted by the terms of this Agreement by will be given in writing and delivered to the Parties of the Agreement as follows
ANTHONY J CROWLEY of MAYFAIR LONDON
HASTUR AND LIGUR of HELL
and each [Illegible words due to Crowley’s hand] notify the other.
[ILLEGIBLE WORD]
ANTHONY J CROWLEY
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estrellami-1 · 9 months
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If I Should Stay
Part 1 | Part 2 | Part 3 | Part 4
He’s staring at him.
Steve Harrington is staring at Eddie Munson.
The thing is, people don’t just stare at Eddie. Not for any reason that means anything good for Eddie. So when, completely unprompted, the fucking King of Hawkins High walks up to Eddie and says, “I need to talk to you,” Eddie thinks he’s entirely justified in the squeak he lets out.
“You? Talk? To me?” Wow. Great job, brain.
“Please,” Harrington whispers, and Eddie thinks desperately this must be some kind of joke, except he’s good at reading people, and he knows the desperation in Harrington’s eyes.
“Okay,” he says, stammers. “Um. There- there’s, behind the school, a, uh-”
“Table,” Harrington nods. “That works. Just…” he sighs, rakes a hand through his hair. “Leave the lunchbox at home.”
Eddie’s eyebrows hit his hairline. “Then what the fuck do you want with me, dude?”
“I can’t explain. Not here, not now. Just. Please. After school, okay?”
Eddie looks at him. Really looks, studies his face, understands the lines by his eyes, the tightness of his mouth. His heart thumps as he realizes. He’s scared. “Okay,” he says, and means it.
Eddie’s a man of his word, so after school he makes his way to the table, pausing when it comes into view. Harrington’s already there, sitting with his head in his hands. Eddie calls out from a couple of paces away. “You sure you don’t want anything from the lunchbox?”
Harrington jumps, hands up, eyes round. Relaxes a little when he sees Eddie. “No. I- I’m good. I can’t, actually.”
Eddie frowns. “What, like, a sports thing? No one’s gotta know, dude, I’ve never been busted, I can keep a secret.”
Steve gives him a half-smile. “No. It’s- it’s not a sports thing. Just… sit down? And promise to listen?”
“Okay,” Eddie says, because he knows how comforting it can be to just have someone there, and he’s not a dick; clearly Harrington’s going through something. Though why he approached Eddie, of all people, he doesn’t know.
“Okay,” Harrington repeats back, taking a breath before starting. “If I were to tell you I’m from the future, a future in which we know each other, how would you ask me to prove it?”
Eddie blinks. He was ready for a lot of things, but not time travel. “Um. I dunno, man, I haven’t really thought about it.”
He takes another deep breath. “Can I try?”
“To- to prove you’re from the future?”
“Yeah.”
Eddie laughs, a little hysterically. “Man, where the fuck do I get the strain you’re on?”
He blinks. “What?”
Eddie gestures at him. “Come on, man, you have to admit you’re not really making sense here.”
Harrington sighs. Takes another breath. Says, “You live with your uncle Wayne. Your father taught you to hot wire cars when you were nine. You listen to Dio and Metallica and Ozzy Osbourne but your favorite song is I Will Always Love You, by Dolly Parton, because it was your mom’s favorite. The guitar pick you wear around your neck was hers. She taught you guitar. You love The Hobbit. Stop me when I’ve said enough.”
Eddie’s never been more scared in his life. “Listen, man, I dunno where you heard all that-”
“Eddie,” he says, implores, and digs something out of his pocket. Opens his hand to reveal a ring.
A ring Eddie already has on his finger.
“What the fuck,” Eddie whispers. Grabs for the ring before he can tell himself it’s a bad idea. Examines it, sees the dent from where his finger had gotten smashed in a door.
His hands start shaking.
“I’m from 1987,” Steve Harrington says, sure as anything. “And I’m trying to stop something terrible.”
“And what would that be?” Eddie asks, feeling strangely detached from the whole thing.
“Your death,” Steve Harrington says, still sure as anything.
Permanent Taglist: @justforthedead89 @ilovecupcakesandtea @madigoround @bookbinderbitch @suddenlyinlove @nburkhardt @artiststarme @paintsplatteredandimperfect
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drac-kool-aid · 11 months
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Why did Dracula come into Jonathan's room?
Funny answer: Dracula is, as we have established, a bit of a comedian. He was just doing a slap-stick routine.
Scary answer: He is pushing more boundaries and seeing what he can get away with. Jonathan didn't even raise the issue of him entering his room without his permission.
Really Scary Answer: Jonathan admits he only slept a few hours before he got up to shave. Dracula might have entered the room expecting Jonathan to still be sleeping.
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still-asunbeam · 4 months
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love my mutuals who wake up and immediately rb straight up porn. opening their eyes like ya i'm gonna rb some anal today
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azulhood · 6 months
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John Constantine had a habit of picking up strays.
From half demons (like Raven) to demigods (like Billy Batson) to other extremely powerful magical children.
It was rumored among Justice League Dark that Batman's adopting problem had rubbed off on John.
So, it came a surprise to absolutely nobody, when John brought two tiny half ghosts to the next Justice league dark meeting and introduced them as his wards. The two could be seen flying around cities with Shazam and practicing magic with Raven. And John was also talking with Boston about Ghost culture.
But then Batman showed up on the house of mysteries doorstep and wanting to talk about Danny being his biological child.
Well, one thing was for sure..
Batman was not making the kid leave if he didn't want to, and if John had to fight the richest man on earth in a custody battle, then so be it.
He might have to cash in a few favors though.
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natalieironside · 11 months
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Kojima is a storyteller in the Homeric mode. Let me explain.
Pretty much every part of the Iliad goes exactly like this: "War is horrible and pointless. Ambition is bloody and pointless. Glory is the only immortality available to men, but glory is fundamentally incompatible with a happy life. There can't be joy without suffering because the inevitability of death is what gives life meaning. Anyways, glorious and godlike Diomedes, tamer of horses and killer of men was all like 'FUCK YOU!' and he swung his big sword at these guys and he hit them so hard all their blood fell out and their dicks exploded and it was awesome."
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izzyzalezbian · 1 year
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Ok, I know we're all still talking about the Bowuigi face grab, and don't get me wrong, it's a great scene and it deserves to be talked about, but I want to talk about my favorite scene in the movie
The Brother's Reuniting:
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If you watch it, you can see Mario pull Luigi down, and press their foreheads together, before they hug. There's a battle going on right next to them- but they're only looking at each other. Holding each other, staring into the other's eyes, and just proving to themselves that they're okay.
They had to spend the entire movie apart, and in this scene, it's obvious the toll that this has taken on them. Mario even mentions in one scene that they've never been apart this long- and it happens in the middle of a new world and kingdom that they've never seen before? In the middle of a war? While one of them was locked in a dungeon, and about to sacrificed in the name of a forced wedding?
It's horrible for them, they're both on the brink of breaking down this entire movie (mostly Luigi, but Mario had his moments) and in this moment, right after Luigi almost died, where they're finally reunited, they don't care about anything elae in the world more than they care about each other.
Mario and Luigi need each other, no doubt about it. And it's not a one sided thing either- it's not cowardly Luigi needs big brother Mario to protect him- its Mario and Luigi cannot exist without each other.
I could go on for hours about how this movie shows just how much Mario needs Luigi, and I WILL, but not tonight (but probably tomorrow.).
Just, ugh, this scene was so good, and so meaningful. It's absolutely going down as one of my favorite scenes in cinema
ALSO:
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LOOK HOW HAPPY THEY ARE TO SEE EACH OTHER
LOOK AT THEM
MARIO IS ON THE VERGE OF TEARS, AND LUIGI IS GRINNING SO HARD
JUST-
UGGGGGGGGGHHH
NOBODY TOUCH ME 😭
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fyeaheddiemunson · 3 months
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userjoel · 1 year
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cards against joel / cards against ellie : [ THE 1.02 PACK ]
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lalalaure · 1 month
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i find it unbearably poetic and borderline ironic how when the Master doesn’t know/remember who they are, or simply when they don’t have to be the Master, they become heart-wrenchingly Sweet and Good
(yes I am looking at you Yana) (and at you O) (and you know what? even a bit at Delgado Master, because he was a gentleman) (and, despite evidence of contrary, I am looking at Missy too, because she deserves it)
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trungles · 1 year
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Hey I heard you like Starfires
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libraryoffangirl · 3 months
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I think Stede deserves to see Ed shirtless, messy bun, dangly earring working on fixing something at the inn and i think Ed deserves to see Stede in something like the cursed suit with his little gilf glasses they earned it
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