daughters of the sun - ira mukhoty
most of the women of the mughal haraman were, in fact, not wives at all; they were mothers, like hamida banu and harkha bai, unmarried sisters, like jahanara and roshanara, divorced women, like khanzada, single daughters, like zeb-un-nisa and zeenat-un-nisa, aunts, like gulbadan, distant relatives, like salima sultan, elderly dependents, etc. they were not sexually available women at all. and yet they all had a role to play, a duty to perform, and they were respected, and paid, for these crucial jobs.
who were the mughal women behind the veil of the zenana? hidden behind the purdah, little historical accounts were recorded of the ongoings within the harem, and those that were are steeped in orientalism, western curiosity (and ethnocentricism alike) sprouting ideas of languor, lasciviousness, blouseless indian women waiting in their haveli for their shahenshah to visit them. such a lack of probing into the real story led to a disappointing overshadowing of the role played by the harem in the empire. but ira mukhoty casts this shadow away, shining the light of her in depth research and impeccable narrative to delve into the lives of some of the most influential women the world has seen.
mukhoty takes her readers through each reign of the mughal emperors, from babur's escape from samarkand to aurangzeb's mammoth of expanded territory. we hear of khanzada begum, babur's eldest sister, surrendered to shaybani khan and separated from her timurid family for almost a decade; gulbadan begum, who authored the famous humayunama, the biography of her father; nur jahan, the chief consort who had coins struck in her name, who was short of only being announced in the khutba from being the padshah herself; and jahanara begum, the daughter of shah jahan, who went from her glorious reign as padshah begum to her imprisonment in agra fort with her ailing father as her brother took the throne. interspersed are the stories of other, lesser known women of the harem -- wet nurses such as maham anaga; second, third, and fourth wives; and sisters and daughters that fall back to the sidelines. most beautifully of all, mukhoty weaves this all into a complex tapestry of female power, ambition, companionship, and spirituality, displaying in rich hues the kaleidoscope of lives suffusing the mughal harem.
after four-hundred years, the curtain of the zenana is finally pulled back -- along with the misconceptions colouring a vital chapter of female history.
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if you're smiling you're vapid or flirty or vain or contrite or insipid or a massive bitch or coy or cunning and if you've relaxed and are just watching-back, you're enigmatic or mysterious or sexy or a massive bitch or coy or cunning and if you're frowning you're hysterical or overwrought or the voice of your people or hard to please or a massive bitch or
and you stand there reading the little plaque next to pictures of people who aren't really like you because they're rich and they wear satin but they are like you because they had to watch other people paint their pictures without getting to paint them by themselves and you think about the fact that something like 80% of "fine art" on the walls is only made by white men and how so many of these pictures are of white women and how many are of naked women and how many are of bloodshed, and how the women are all looking at you and watching you and there are so many discussions about what kind of a person is she
but she isn't in this painting, is she, she's watching like a ghost behind you, saying a man told my story and you know what that's like because her facial expression defines her personality (what if she was just happy? what if she was holding back a sneeze? what if she is a kind person who relaxes into a frown when she's not focusing?) and on trains and in public if you hunch too much or let your "resting bitch face" show (it means you're not-smiling. you don't even have to be frowning. you know people who think they have "resting bitch face" and really mean they don't look delicate and pretty when they're relaxing; their facial expression isn't even intimidating it just isn't lovely) like congratulations that's your whole personhood
oh it's lovely to be in art circles and of course you've had some similar conversations because you do your homework but when you point out that maybe it doesn't actually matter if the mona lisa is smiling, that maybe we need to look at something other than her lips - people tell you that you just don't get it, so maybe you don't, but your skin crawls because you picture someone taking a picture of you and saying is she coy? is she clever? what do we see? and you think. well, i'm hungry, and stressed, and i've got those rent bills incoming
and it's not like you can say it doesn't happen with men because of course there are conversations about it but you've noticed that a man with a blank face is empowered or showing leadership skills or calm or even kind - that he gets good attributes faster for less effort - and it's not like you're even a professional in these circles but it still feels like you're trying to express something very akin to - if you were one of us, you'd need no explanation for it because you can look at a picture of these women and something in your heart rings and something else in the back of your mind says - this isn't for everyone, this is only for us and you know that no matter what you do or say about dehumanization and how we are people at the end of the day and how not every woman who smiles at you lies on a spectrum of "flirting" or "devoid of wit" - no matter what you do, they're not going to get it.
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turns out the trick to breaking art block is ms paint <3
(ID below cut bc it is quite long!)
[ID: various MS Paint doodles of Hermitcraft people. the first drawing is Grian and Scar hugging each other, while both putting "kick me" signs on each other's back.
the second image consist of Scar and Jellie, Grian looking angrily at Scar's chest and them in the "cover them up slut" meme, Mumbo comparing his height against Ranboo (who is significantly taller somehow) while Grian stares up from waist-height, and Grian riding on Mumbo's shoulders.
the third image is various drawings of Creature Grian. he is jumping around, sleeping, and looking generally monstrous. in one doodle he's hugging Mumbo. a small doodle at the bottom is of OP giving a thumbs-up and saying "how to kill art-block: MS Paint".
the final image is drawings of Ren and Doc, including Ren as a puppy, Ren yelling at something, and King Ren giving Doc puppy eyes, who is coldly saying "no". End ID.]
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