Apologies if it's a weird question but how do the RO's kiss?
not weird at all! i think a little tricky to answer, but only because it can vary
i'll say these are all in early relationship stage;
A. Bellefleur; a bit desperately/overeagerly? like kissing you is what sustains them, like kissing you is their equivalent of oxygen
K. Valiev; gently, almost as if you're going to crumble beneath them, it's barely more than a whisper unless you push them
A. Caras; a little clumsy, they push slightly too hard and pull away slightly too fast, like they don't really know what they're doing just yet
T. Bellefleur; almost viciously, there's just a little too many teeth involved, though you can tell they are barely concealing nerves the whole time
M. Serrel; confidently, and they are good, it's clear they've had many practice encounters before you
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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Hi it's just to let you know that the official romanization of Revaan's name is Raverne ! Also they have romanized Baul's name to Baur !
Twst coming back at us again with the least expected romanization! thank you everybody (oh god my inbox) (no it's great, I literally asked for this and the reactions have been INCREDIBLE, thank you all!)
I do like Raverne though, I think it's got a nice fancy sound to it! (I had kinda suspected it was going to be an R instead of an L, so the fact that it's SO close to Laverne except for that is hilarious to me personally.) and Dragoneye Duke is honestly probably the best translation for his title, I wasn't envying the localizers that one. :') Baur instead of Baul I was NOT expecting, but in retrospect I think his name's supposed to be a reference to the Bauru crocodile, so that actually makes way more sense!
someone else also said Meleanor has become Maleanor, which is the REALLY weird one to me, because I was so surprised it was written as Mel instead of Mal in the first place?! oh god no I can't decide which one I like better. 😭 (I wonder if they might change it to Mal...they have made romanization changes before) (like I remember House of Distraction being corrected to House of Destruction in Playful Land) (I did check and she's still Mel for now, but I dunno, they might Mal her up and some point and save me from having to make a decision about which one to use) (HECK I CAN'T DECIDE)
uhhhh thank you for letting me ramble about anime names, let's just say MONOGRAMMED SWEATERS FOR EVERYONE
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ENOT HAS FINALLY BEEN HYDRAULIC PRESSED!
I am so incredibly sorry for how long this took! It was about 16 hours of actually working on it, and around four months of procrastinating... I have learned that drawing the same character almost 100 times is not very exciting!
But it is done!
Also, for the people who didn't want them to be pressed, they are okay!
(I honestly don't even know if they can feel pain...)
Different speeds under the cut!
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I'm completely obsessed with and emo over the way Wilhelm carries himself now that he knows Simon loves him, too.
(just a sidenote, but the duality of love and devotion towards Simon on one side and revolt and confident deviance towards everyone watching him, including us on the other.... these frames make me unwell...)
Like, that's absolutely the stance and face (and smile) of someone who's done with putting his own and his boyfriend's (!!!) needs behind those of the people who never cared about what he actually wanted.
Knowing him and Simon are on the same page now, finally, really is all he needs to face off against the consequences of living authentically and openly. He knows that together, they'll be fine.
I'd like to think his resistance is starting here already, facing off Jan-Olof with this stare and not pulling away as fast as Simon - who after all just offered to be Wilhelm's secret - is.
It's so beautiful to see how much this has done for him in the S3 snippet. I feel like it's the first time he's moving like he's not a stranger on his own home anymore, like he's now commanding the place, like he's finally calling the shots. Sure, there are and there will be adversities (“I just wish it wasn't because of this”), but Wilhelm won't let them get in the way of him and Simon loving and supporting each other.
“They won't start without us” He knows it's true and really isn't giving a fuck anymore who might get mad at them, he knows that they won't be able to play this down, make him deny everything again, they can't take back his confession in front of every single phone in all of Hillerska, and he won't let them try to, either. He's ready to fight, that revolution they started back in season 1 is now really picking up, and they're in it together.
And god, it looks like it's healing him so much, he's so confident now, Simon by his side really gave him the strength he needed.
Like, the journey from the way he's desperately holding on to him at the confession, seemingly drinking it all in, those words he probably hasn't even dared dreaming of hearing from Simon and do taken aback by his emotions to the way he exudes confidence, strength, and conviction even in the face of adversity... the development is so beautiful.
The combination of love and confidence is one hell of a drug, and Wilhelm gets both from and through Simon... I'm convinced they are going to be one hell of a power couple this next season.
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The bourgeois or "exploiting class" doesn't inherently include the person who gets their nails done biweekly, or the disabled person who has a carer, or the guy who got a $70 video game for full-price, or the person who relies on medication (yes even the ones you don't think they "need"), or anything else like this. None of these people will, on average, have the ability to exploit workers by means of ownership or whatever.
While you are busy fighting with fellow workers, you are still being exploited by your boss, by capitalism, by (potentially) not having healthcare, by being overworked and underpaid, and so are they.
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i can't stop thinking about the first episode of season 6, when sam tries to convince dean to come with him, to come back to hunting. he says "it's just better with you around, that's all." it's an interesting line because sam is soulless, obviously. and even though he doesn't understand the details yet, he knows something's wrong with him.
"it's better with you around" he says, citing dean's compassion and care for others as the reason why. and how interesting is that? sam's working with plenty of other hunters who still have their souls—they're all more than capable of caring about the people they save. but sam needs dean specifically. he knows he's missing something, and he sees dean and recognizes that something in him. even cold and calculating and unrelentingly logical, sam recognizes that dean, alone, can "complete" him, give something back to him that he's supposed to have.
in episode 8 he tells dean he "needs his help." he doesn't elaborate; he never explains what he means by that. he has a whole family of hunters who'd be willing and able to help him, but still he needs dean. even without his soul, his hyperrational mind knows he needs him.
soulless sam isn't capable of caring about dean. but he doesn't need to care to know they need to be together, no matter what—to know dean is good for him, dean completes him, dean needs to be there for him.
it's like a sick reversal of season 1. sam drags dean back into this life because he can't keep going without him. because he needs him. because when you think about it logically, and sam has no other choice, there was never any other option for them.
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