#i don't care if she dates percy or not but she deserved so much better | Explore Tumblr Posts and Blogs

softmoonlightmelody · 11 months

Text

re-doing heroes of olympus

HOO sucks, in a lot of aspects. And so I'm going to talk about how I'd fix it because I'm bored and also for fun. To be fair, I would rewrite HOO so quickly if I had the time and motivation.

(featuring: frank/leo, drew tanaka, and katie gardner)

(warning: long post under cut. and i mean long.)

The (revised) Seven:

Drew Tanaka - Drew replaces Piper here because, although I think Piper is interesting, Drew is a far better and more nuanced character if you let her be. Featuring: Drew's trauma, her thoughts on Silena, and her femininity!

Percy Jackson - objectively (not objectively), Percy is the most powerful character in the series. However, he could be a lot better, especially his character arc. Featuring: Percy's compassion, his hatred of Luke, and his straining relationship with Annabeth!

Katie Gardner - Katie, as the daughter of Demeter, is an incredibly powerful character and therefore deserves a spot. Plus, I think she's cool. Featuring: Katie's cool plant powers, her insecurity about herself, and her struggle to be recognized!

Leo Valdez - I happen to think fire is cool, and that Leo is an incredibly compelling character. He's not going to be a baby misogynist in my version, nor is he going to be particularly flirty. Featuring: Leo's cool fire!!!! but also his apprehension in using it, his (rightful) anger at Hephaestus, and his idea of himself in a world that's scared of him!

Frank Zhang - he's cool, he's interesting, and I am not going to make him an Asian stereotype! Featuring: Frank's hatred of seeming 'meek', his idea of being Asian in xenophobic New Rome, and his struggle of falling for someone who could kill him!

Hazel Levesque - she's interesting, especially as someone so young. But I'm going to make her act more her age, and also not have a weird age gap thing with Frank. They're not dating here. Featuring: her hate of all the responsibility that's being placed on her shoulders, her hesitant relationship with magic, with all its vices and virtues, and her dislike of her father, Hades!

Reyna Avila Ramírez-Arellano - she deserves it. Plus, she and Percy are parallels in my mind, more than Percy and Jason. Reyna's cool, and I loved her chapters in BOO, so more Reyna it is. Featuring: her seemingly insurmountable past, her stress to be perfect, and her relationship with a xenophobic New Rome!

and Grover Underwood - instead of Coach Hedge, I'm putting Grover in. Because I love him.

Relationships:

Drew/Katie - I love this ship. Plus, I think it's intriguing - two people from cabins vastly underestimated coming together to be amazing. Developing romance, and it's not established until the last book.

Percy/Annabeth - but not how you think! Percy and Annabeth both reconciling with how they don't like each other as much as they've been pushed together, and breaking up amicably but remaining friends.

Leo/Frank - tragedy here we come! Instead of having something like Jason/Piper where Jason leaves New Rome for CHB, Frank doesn't do that. He and Leo fall in love, get together, and then split, all on the Argo II. Frank can't leave New Rome, Leo can't go to New Rome. The perfect tragic romance, but with a glimmer of hope - maybe sometime, in the future, Frank and Leo can live together, outside of New Rome and outside of CHB. Plus, in chemistry - they're both afraid of fire, they both are insecure of themselves and their places in the world. They compliment each other.

Hazel & Frank - besties. They may be three years apart, but they are staunch best friends. Hazel teases Frank about Leo all the time.

Reyna & Percy - understand each other the way only people who know each other's situation in different fonts can.

Drew & Frank - East Asian mutual understanding! They bond over, although they're different places in East Asia, they're both living the experience of an Asian American/Canadian. They're living the immigrant dichotomy, and add on Leo to that kind of idea.

Katie & Hazel - they care so much about the people around them! I like the idea of Katie being Hazel's older sister figure in a way. Also, they bond over art. I don't make the rules.

Drew & Reyna - they're both incredibly logic-driven people, but whereas Drew is completely aware of her emotions and others', Reyna isn't, not as much. Also, they judge people together.

Katie & Leo - Katie and Leo are just the right kind of combination of sweet/overly excited ever. Katie helps remind Leo he needs a break, and Katie is always happy to just listen to Leo ramble on and on about something, as long as she can draw while he's doing so.

Reyna & Leo - they get along pretty well, which is kind of a surprise at first. But they have a minorly antagonistic friendship, but they still work together.

Drew & Percy - they're judgemental besties. What else can I say?

Percy & Leo - they're incredibly similar people for obvious reasons. It's even acknowledged in canon!

Katie & Grover - they bond over their mutual love of plants.

Reyna & Grover - they both understand duty and passion to be similar, and they both understand the amount of pressure to be a leader from a young age.

etc. I'm not going to outline every one of their relationships, because I'm lazy.

Book One: The Lost Heroes

Here, I'm combining TLH with SON, because we need all the space for the other parts of the series. It oscillates between Reyna, Leo, Drew, and Katie's quest, and Percy, Hazel, and Frank's quest. I never really liked how Annabeth didn't really do anything for the first two books, considering she's a main character for the last three, so everyone gets a quest. This makes the quests more condensed, and more in the length of the original PJO series, in terms of book size. Percy, Hazel, and Frank's quest stays mostly the same, albeit with a bit of condensing, whereas Reyna, Leo, Drew and Katie's quest changes a lot. It follows the same blueprint, but they don't meet with the Hunters at any point, and Khione and Medea and Drew are set up as intentional parallels to explore what Drew could be in the future.

Book Two: The Promise of Aphrodite

Yes, I'm deliberately changing it from the Mark of Athena to the Promise of Aphrodite. This time, they visit Troy first. I know, weird, but the Argo II in this book is slightly quicker at getting places. It stays mostly the same, with the storyline, though, although I'm removing the part where the Argo II needs repairs. However, Troy is, of course, where Aphrodite's biggest folly was, with Paris and Helen. Drew follows it, and at the end, Percy and Drew fall into Tartarus because of Drew needing to metaphorically bring down Aphrodite's legacy, the legacy of hatred (woo symbolism!), because they've become friends over the course of the book, and also angst potential. It also shows Percy and Drew's newfound friendship, and I want them to be something that isn't just romance in Tartarus. Also, Nico is here.

Book Three: The House of Hades

This time, the entrance to the doors is in Rome. So they go to Rome, fully intent on this. Nico comes out to Hazel in a sweet, private moment, because I want Nico's coming out to not be homophobic, and this is prompted by Nico seeing Hazel tease Frank about Leo, and him realizing that Hazel, and most of the demigods, might not have the same strong homophobia. Katie stresses over Drew in the Underworld, and Grover stresses over Percy, especially, but they're all stressing. Annabeth's moment of realizing about the pen part of Riptide is given to Drew, whereas Percy realizes about the M&Ms. This time, Jason makes the trek out to the Argo II instead of Reyna, and Jason, Grover, and Nico bring Reyna's purple cloak - a symbol of power and peace - back to CHB with CJ waiting to fight.

Book Four: The Blood of the Gods

Yes, it's The Blood of the Gods now, because reasons. This time, there isn't any huge 'one girl and one boy demigod' thing. Instead, it's 'one Greek and one Roman demigod'. Everything is more or less the same, but with different characters, so different things happen. In Athens, Reyna and Percy are the ones who bleed instead of Annabeth and Percy, because they're foils and stuff. However, this book balances nine POVs, as each book has at least seven POVs. Because... stuff. At the end of this book, the Greeks and Romans decide to reconcile temporarily to win together against Gaea.

Book Five: The Goddess of the Earth

All-out war! Finales only mean so much if they're actually finales. TLO was such a fun read because it's an actual war. Therefore, The Goddess of the Earth is a full-on war. Unlike normal, Gaea is slow to wake, and her power is more emphasized. It's also the Romans being lead together with Reyna and Jason, Percy and Annabeth, and it also leads to a lot more ability to develop these relationships. The lovely Piper-and-Jason scene at the end of BOO, where they're on top of the cabin in the stars, is given to Katie and Drew instead, because Aphrodite kids are like that. Annabeth and Percy, already having broken up, talk together. Nico can have a moment where he realizes his self-worth, and exclude romance in his future for now. And Frank and Leo have that heartbreaking conversation where they talk about how they can't be together. Anyway, peace.

58 notes · View notes

pastelwitchling · 5 months

Text

Percy Jackson and the Olympians two-episode premiere thoughts:

Oh boy, I never thought I'd be talking about this. Mostly because Percy Jackson, like Harry Potter, has always been so sacred to me. I'm very much that Emma quote, if you will; If I loved you less, I might be able to talk about it more. Percy Jackson is the first series I ever read and completed, as it was the first I ever had any access to where I was.

Needless to say then, I couldn't fully process the fact that we were getting the show until about a week before its release. It just seemed so implausible. The only Percy I've ever known is the movie version (and I do love the movies, as they introduced me to Percy Jackson in the first place and I think they're a lot of fun) and the book version. Even now, I don't think I've completely processed that we have something new, but I do think I'm ready to talk about it. So without further ado, here are my thoughts on the two-episode premiere:

(Note: I don't see how one could possibly spoil this series as it's been out for forever and I honestly think you've had your chance to read it and find out what happens, but I will keep my thoughts on the show's details hidden below as it did have a few changes that I understand you wouldn't want spoiled.)

I cannot possibly fathom anyone more perfect for Percy Jackson than Walker Scobell. The first thing I noticed about this version is that it's a little more... serious, I guess, than the book? The book has a lighter atmosphere, while this one kind of has more of the Lord of the Rings' dramatic and emotional score. Not a bad thing at all! Just something I noticed. However, I will say that Walker gives the show that breath of fresh air and lightheartedness that Percy Jackson is. Does that make sense? Most of the comedy came from him, most of the heart came from him, and already, I can see him (if we hopefully get a fifth season for the fifth book) being a leader that others look to for comfort and reassurance. I have a mountain of one-liners from him in mind that were just so Percy Jackson, I'm just so thankful that we got who I firmly believe is Percy Jackson, through and through.

I also really, really love the updates to Sally Jackson in this version. I mean, I always loved Sally, don't get me wrong, but if we were told that this Sally could make it without her son to protect her, I believe it. In the book, Sally says that she needs to learn to take care of herself, but in this one, I can see her doing that already. She's a bit tougher, speaks a little louder, but I love it. It shows where Percy would've gotten his courage from, and I don't see this Sally ever meekly asking Gabe for anything. Speaking of which...

The changes to Gabe are pretty funny and honestly? Kind of welcome. The Gabe from the movie and the Gabe in the book are implied to have hit Sally before, and are pretty abusive. Again, nothing wrong with that because he gets his comeuppance, but it feels refreshing to have this kind of change where he's just loud and unlikeable, but he's not terribly vile or anything. It makes a difference, and I like it better. I can't see Sally turning him to stone with Medusa's head though, he's not quite so bad as to deserve that (unless we find out later that he has been hitting Sally, which I doubt it, he doesn't seem the type here and she doesn't seem the type to take it), so I do wonder what changes will come of it.

An Olivia Rodrigo song? Really? Don't get me wrong, I love Olivia's songs, and the book features Hilary Duff's So Yesterday, so it's not exactly new to include pop songs, but they said they were going to give the show a timeless feel. Olivia Rodrigo feels pretty... dated. And out of left field, to be honest, since I think it was the first song they gave us with lyrics. And not so very befitting, to be honest. When I think Percy Jackson, I think... I don't know, Imagine Dragons? Arrows to Athens? Even 30 Seconds to Mars? Or maybe that's because those were the songs that were out and popular at the time of the books' release, so those are the tribute videos I saw all the time and the songs I associate with the books. I don't know.

One nitpick, just one: did anyone notice when Percy came at Nancy and she ended up in the fountain? Did anyone else also think that Percy can move and control water, not people, and yet Nancy went flying into the fountain like Percy had moved her instead? I'm just going to imagine that the water grabbed her ankles and pulled her in, even though we didn't get to see it. (Yes, I'm going to be that person for a split second 😂)

I don't know how this'll go over with other people, but... I think, so far, I like Show Annabeth more than Book Annabeth. BEFORE YOU START TO RANT AT ME, HEAR ME OUT. I hated Book Annabeth when I first read the books. I thought she was rude and mean, I didn't like how she constantly hit Percy and called him stupid, but it was supposed to be cute somehow? And I couldn't stand her loyalty to Luke. I ultimately understand why, but the way she kept getting mad at Percy, who hadn't known him as long, for stating the horrible things he'd done and what he was planning? GIRL. He's just stating the FACTS here! I thought she was selfish and horrible, to be honest. I've read those books a hundred times, and not until my most recent reread, a year or so ago, did I start to tolerate her better. This Annabeth? It's too early to form an opinion, and we didn't get much of her, but from what we did get? I don't know, she just seems... kinder? All Book Annabeth cared about was getting her way, but Show Annabeth seems to actually feel sorry for what she has to put Percy through. On that note...

This is going to sound weird, but so far, SO FAR, I can actually see Percy and Annabeth as a couple in the future. Why? Because Show Annabeth is quieter. She's more calculating, she's more observant. Book Annabeth was the same way, but I guess because the book isn't from her perspective, she's constantly talking about her observations and what she notices and thinks, and she just comes off as loud as Percy. Which made it all the more annoying when she mocked him for every word he said. (Side rant: ESPECIALLY BECAUSE HE NEVER REALLY SAID ANYTHING THAT STUPID, BUT SHE ALWAYS TALKED TO HIM LIKE EVERY LETTER TO COME OUT OF HIS MOUTH WAS THE DUMBEST THING SHE'D EVER HEARD! HERMIONE SNAPPED AT PEOPLE FOR STUPID THINGS TOO, BUT SHE STILL GAVE HER FRIENDS THE BENEFIT OF THE DOUBT AND ENCOURAGED THEM TO STUDY BECAUSE SHE BELIEVED THEY COULD DO BETTER THAN THEY WERE DOING, NOT LIKE SHE THOUGHT THEY WERE HOPELESS AND HAD TO PUT UP WITH THEM, UNLIKE SOME PEOPLE!) My point is that this Annabeth is a little bit opposite to Percy. She's quiet and observant, constantly strategizing, while Percy is louder and jumps right into things. I love that juxtaposition, and... honestly? Full disclosure... I don't like Book Percy and Annabeth as a couple. I don't think she deserves him, I don't really see what he sees in her, I hate the way she's constantly hitting him and mocking him and getting angry at him because she's not brave enough to just tell him how she feels. Meanwhile here? I actually think they'd be pretty cute together. I get why he would be flustered around her, I get what he'd see in her.

I love that detail of Grover getting Percy kicked out for his own protection. I understood why in the book Percy had been unwilling to see Grover after he'd left (he was fairly freaking him out), but betraying him? It just made so much more sense why Percy wouldn't want to be near him afterwards, and I really love that detail. Speaking of which, I really love Grover. In the book, it did sometimes (just for a bit) feel like Grover looked at Percy as a job. He had to keep him safe, he had to accompany him on his quest, he had to make a good impression on the Cloven Elders. Here? Yes, he has a job, but he also genuinely loves his friend. He also genuinely cares, and wants to help Percy just because it's Percy. I also LOVE that detail about the Mytho Magic cards being training. Brilliant little easter egg there. I just... I genuinely feel like we lucked out SO much with this cast, and this trio especially. They were the ones to worry about, and I don't think we could've gotten better.

Again, the tiniest nitpick, I do wish we'd gotten that, "Kneel to Percy Jackson, Son of the Sea God!" thing. It would've looked so cool, but I feel like it was... just the teeniest bit rushed. It's okay, it still looked cool, and I still love that we get some differences between the book and show, but I also just think it would've looked super epic.

I cried, I laughed, I didn't know what to expect, to be honest. Like I said, Percy Jackson means more to me than I can possibly put into words. But I felt everything with this that I felt in the book, and we haven't even started the quest! Everything from Percy's conversation with his mom at camp through the fire, to when he says, "I'm Sally Jackson's son!" to his training, to the fight in Capture the Flag. Everything was brilliant, I have no words. With those three in the lead, I truly think we're in safe hands.

#percy jackson #percy jackson and the olympians

11 notes · View notes

essayofthoughts · 1 year

Note

So I know you study the PCs of C1 with great intent and care - but how do you handle the NPCs, which get far less screentime and are all filtered through Matt? With, say, Cass there are easy shortcuts - looking at Percy and finding what they might share - but less to use with Syldor, for instance (who the twins likely tried hard not to emulate).

I mean, even with Syldor I feel like it's kind of possible to reverse engineer him in how the twins behave? Like they refuse to act like him, but his shittery still impacted them and their behaviour. Vax's defensive attitude and protectiveness of Vex, how he hurls himself into harm's way. Vex's quiet observance, the way that she can fold into herself when made to feel uncomfortable, ashamed or guilty.

It suggests Syldor used shame to police them and that's why Vax refuses to feel ashamed at all - he knows Syldor's full of shit and aggressively refuses yo abide - but it worked on Vex and that's why she reacts so badly to that and why Vax can get so overtly protective and defensive then. It also seems very likely that Syldor tried to play them against each other to some degree - Vex's desire to fit in versus Vax's indifference - and while that might have caused some disputes I think ultimatelynit only pulled them closer together.

But. Well. Syldor alone isn't what you're asking about.

For minor characters - ones which appear only the once or only fleetingly - I don't worry too much. I go off general vibe and make use of what is seen in canon. For more significant characters like Gilmore, Allura, Kima, even Clarota or Victor who are there several times but aren't so significant I think about what we do see of them and what facts we know!

Clarota was exiled by his people - so he's lonely - but he's also a mindflayer and so believes in his own superiority. Even in his weakened position we see him take an aggressive stance at a few points and he very kuch isn't there to make friends. Why would he be? Some companionship is better than none but it isn't at all like the elder brain or his own people and again - they are beneath him.

Allura was once an adventurer. For all her status she's much more understanding of and patient with VM than they necessarily deserve - because she's been there too.

Gilmore is a theatre kid. I'm pretty sure Matt has mentioned that Gilmore is based a little on someone he knew - queer and in theatre iirc - and so I use that same vibe of like... gregarious charm and utter self-assurance.

As I've said already you can also do a lot with dialogue to figure things out. There's a great Star Wars post circulating that has a wonderful point of like... don't ask what kind of person willingly dates trashfire murderer Anakin Skywalker. Just acknowledge that Padme is that kind of person and go from there. See her characterisation and find a way to slot that in. She has blindspots or perhaps isn't so perfect in her beliefs or perhaps she's makinf excuses or has a case of the I Can Fix Hims. Regardless - if the character does the thing, use that to inform the characterisation.

So... yeah. I use what we see and use that to capture the... idk, general shape and idea of the character, and then I try to replicate enough of the quirks or accents Matt gives them to keep them recogniseable.

After all, how many fics feature Victor and, one way or another, keep him recogniseable just by maintaining his abrupt, bonkersness?

Ask me about my fic ideas!

#critical role #vox machina #writing things #ask #blorbologist

5 notes · View notes

percydarling · 3 years

Text

Romance Relationships in HP and why I don't like them(except Romione)-

Aah yes, noone asked me this but I'm here to talk about it.

I pretty much skipped Book 6 because of the romance plot and that really pissed me off because I actually enjoyed Slughorn as a character and as a result of skipping I'm sure I missed several plotlines.

Ron and Lavender

Oh god oh god, where do I start?

WON - WON?

There was no building of the relationship, no nothing. Felt rushed and weird.

Lavender deserved better.

That's it.

Harry and Cho

Harry my boy you're being insensitive, also you and Cho really don't have that much in common so yes I don't see this working, also you both are traumatised and are not dealing with this healthily and yeah this relationship ain't it.

Hermione and Victor

Oh Hermione was def using him to make Ron jealous, plus she doesn't even seem interested in him? They have nothing in common and Hermione doesn't even enjoy Quidditch. Although it is cute that he goes to the library to catch a glimpse of here, the age gap is wrird because she's 14 and he's 17

Bill and Fleur

Well, Fleur is like a year younger than Percy, she's what 16? And Bill's what 22? Yeaaaaaaah very odd, plus Bill doesn't even seem to stand up for Fleur when Ginny and Molly insult her, also you could argue, well she was a snob, that doesn't mean Ginny and Molly in the right. Also she's a teenager. I can see why people would adore this paring but I don't.

George and Angelina

Fred asked her out to the Yule Ball and she said yes and maybe it was just friends or something more, we don't know and then Fred dies and George marries Angelina. I think it's because he wants to honour Fred. Sigh, JK could have developed this but she never did, so neither do I care, nor do I ship.

Dean and Ginny

I have no idea what happened here to be honest ? Neville and Ginny would have made more sense really. Yeah that's all I have to say for this ship.

Molly and Arthur

She shouts, he follows. Arthur's kinda useless to be honest, also i don't see the romance or maybe that's just because it's domestic. But other people too have problem with this pairing so I'm not the only one.

Remus and Tonks

Oh god where do I begin.

The age gap? The sudden love Tonks has for Remus? Remus not having feelings for Tonks and being forced in a marriage he didn't want? The suddenness of it all? If JK wanted a orphan she should have used another pairing, this whole relationship felt weird on so many levels.

Harry and Ginny

Yes, I didn't like it in the book. Now before you get your pitchforks and burn me at the stake listen.

I am not a fan of childhood crush becoming your bf trope. I'm not, just not into that. Ginny overcoming the Harry crush and realising that that was unhealthy and moving on would have been better. Also it did seem rushed. She was dating someone else a week ago and suddenly she's hooking up with Harry. And it's rushed from Harry's end too. He's not in the state for a relationship in any which way and it just seems weird.

BUT I do enjoy Hinny fics which are really well written and a 100x better than the Hinny in the book so there's that.

I'm sure I covered most of the relationships?Anyway these are the minor ones that i did enjoy:

Percy and Penelope- he stayed by her side when she got petrified, made bets with her, secret relationship. Sweet high school esque relationship.

Cedric and Cho- tragic

Neville and Hannah- we don't know a lot but I imagine it to be a cute sweet oneLuna and Rolf- weirdos together? Yes pls

Andromeda and Ted- the real Romeo and Juliet story, a pureblood and a muggleborn

Lucius and Narcissa- horrible ppl together😎

Yeah that's about it, I only remember this much so forgive me if I forgot some

#hp #relationship analysis

31 notes · View notes

phantaloon-books · 4 years

Text

(some) Riordanverse characters (bc I never read TKC) and which Hogwarts House I think they would be in

Warning: this is a long one

Nico: the dude is definitely Gryffindor without a doubt. Like Sorting isn't about some traits and some characteristics, it's about core personality. He may have gone through some of the roughest stuff when he was 10-12, and he was resentful and bitter, but he was brave and bold af throughout everything he did. From learning about his powers, to using them relentlessly despite knowing how exhausted he is afterwards, to his willingness to do whatever is necessary to do what has to be done, because it has to be done. You can't change my mind that he's Gryffindor lol.

Grover: Do I even need to explain why he's Gryffindor? He's a satyr, and even if we're shown strong satyrs, they're not really supposed to be brave fighters. Yet he is one of the strongest, bravest nature spirits we've ever encountered in the Riordanverse, and one of the bravest in general. Like he's so passionate about doing what is good, he's a hero, and the only thing he doesn't match with common Gryffindors is that he's humble and as far from arrogant as could be possible, but it doesn't take his courage away.

Hazel: She's Gryffindor, and core personality-wise, she and Nico are very much alike. They don't ever think about themselves, like Hazel really always does what has to be done, no matter the cost, I mean she literally died preventing Gaea to rise the first time, and she freed Thanatos while believing he would take her back to the Underworld. She's brave af, and she has one of the most strong willpower we've seen in the Riordanverse. She's a passionate hero, and she's the closest thing to a real knight in shining armor.

Lester: I'm gonna place him in Gryffindor because I don't think he fits in in the other houses lmao. That said, as Apollo he's very shitty, but as Lester, he's one of the most courageous people. He's grown so much, he's so willing to actually do stuff now, and sacrifice everything to do what's right, including his life, even if he doesn't know he's gonna survive. Hell, he really went most of TTT with an incredibly painful wound that nearly turned him undead, and he cared more for the future of Camp Jupiter than his own life. Additionally, he's a bit arrogant and cocky, but he truly means well, I love Lester so much.

Clarisse: Look look, all I have to say is that no one could have pulled off less than half the stuff Clarisse has done, she's so Gryffindor it hurts. She's reckless and impulsive, but she's driven by her passion to do good, even if she's the daughter of war, and was bullied by her own father. She's daring, she's bold and she is the hero. She's also arrogant and thinks she can solve everything by herself, something characteristic more of the canon Gryffindors in the books, rather than what the fans have shaped. In fact, she's very much like Gryffindors in the books, who are actually very rude to other houses and think they're the best. Still, at heart, she's in this house.

Alex: I'm in a huge dilemma about where to put them, but I reckon they'd fit pretty fine in Gryffindor. Not only are they daring and courageous, they're proud of who they are, but not in a too full of themselves kind of way, rather in a 'I am who I am, and if you can't accept me, fuck off' kind of way. They can get carried away rather easily though, and very arrogant, thinking they don't need anyone else, when they do in fact need some company. They are one of the kindest and at the same time most ambitious characters we've met, but they are brave beyond understanding in a very personal way, thus, Gryffindor.

Percy: I think it's fair to say he'd be Hufflepuff, because loyalty is literally his fucking fatal flaw, and he is the kindest sweetheart to all those who deserve it, he goes out of his way to help those who need help, whether that be mortals, halfbloods, gods, magical creatures or even his own enemies. He's too good for this world, and even if he's grown a bit bitter, he always looks to fight justly for what is right, and never loses faith in others. That, and the fact that he turned down immortality so that the olympians were more inclusive of minor gods, and their children were treated better. He's just a lovely soul, he's like 80% Hufflepuff so that's enough for me. All that and he's stubborn as hell.

Jason: Hufflepuff. Just, undoubtedly Hufflepuff. Like he seems to be this cold and self centered hero with a superiority complex (bc of all the son of Jupiter stuff) but he's the softest guy there is. Not only is he hardworking, open minded and kind, he appreciates justice but he doesn't seek for revenge or anything, he makes sure people are treated fairly and wants everyone to be accepted. Proof of that is how he continued Percy's job of including more gods, and made sure Nico felt comfortable with who he was. He truly has a heart of gold. (He deserved better btw)

Meg: God I can't decide between Hufflepuff and Gryffindor, but I think I'll go with the former. She's so strong, my baby, she's faced so much wrong, but she's still so kind and understanding of others, especially those who deserve kindness. She puts up such a hard facade, but she's so patient and warm and inclusive. She's brave and strong (as strong as the big three kids, if not stronger), but she's also so loyal to her beliefs despite how she was forced someone else's beliefs for years, so I'll keep her in Hufflepuff. Also, she's stubborn af, and she can be lazy, so that settles it.

Will: I KNOW some people will say Will could be in other houses that are not Hufflepuff, BUT I won't have it any other way. Will is literally the warmest person ever. He is kind and sympathetic and enthusiastic and patient and inclusive. Like Helga Hufflepuff would take one look at him and lose her shit screaming "mine". He's the guy who saw the son of Hades so many people were scared of and immediately grabbed his hand and transfered him some warmth and didn't let him go ahead and get himself killed. He's also the one who everyone loves and likes, so much that Clarisse gets along with him and he can calm her down. He's the ideal Hufflepuff, you can't change my mind.

Magnus: I mean, what else can you expect from the son of the god of summer? He's literally a guy who heals others with warmth. He's also the guy who spent years on the street with the most difficult situations, and accepts every single person the way they are. He's inclusive af, and tolerant of everything. He's the guy who's closest include a deaf elf, a Muslim valkyrie, and a black dwarf, and he's dating a genderfluid person. Yes he's brave, and he's kinda smart, and he's ambitious, BUT none of those qualities overpower his Hufflepuff nature.

Piper: Kinda debated whether Gryffindor or Ravenclaw fits more, but in the end I went with Ravenclaw. Even though she isn't a fighter, she's very very brave, yet her bravery isn't compared to her wits. Like others in the PJOverse, she wins her fights by outsmarting her opponents, but unlike others that's one of her strongest traits. She's witty and creative and a little on the negative side, she really struggled to work in a group rather than by herself. On another note, she's able to keep calm in crazy situations and come up with the craziest most unthinkable solutions (I'm talking borderline ridiculous) that always somehow work. She's not booksmart, but she knows so much about everything, and she's lifesmart you know?

Reyna: Why are some of these so hard? Deeply debating whether she'd be Ravenclaw or Slytherin. In the end I'd go more for Ravenclaw though. Reyna's smart as hell, she's strong and sharp, and she always sees the best way out of a situation. She's witty and observant, being able to keep her cool in battle and lead others in the best direction. She's always looking to grow, and she prefers to do things on her own, but she's a great leader. She has some Slytherin qualities, and she's not learning as learning oriented as others, but she's definitely Ravenclaw.

Sam: Let's face it, Sam has the only active neurons in all of MCGA, she's definitely Ravenclaw. I'm gonna be honest though, I've only read MCGA once, so I can't remember much of their personalities, but Sam is witty and clever, pretty much the only one who can come up with competent plans, while the others rely mostly on luck and whatever plan they can cook up in 5 seconds. She's loyal and true to who she is, and she's extremely courageous and proud of who she is, but her sharpness is what she stands out for me, which is why I put her in Ravenclaw.

Annabeth: I know the obvious option is Ravenclaw, but I genuinely think she's also Slytherin. Yes she is booksmart and wise like Ravenclaw, but her personality matches Slytherins' ambitious, cunning and resourceful nature. She's smart as fuck, but she's calculative, she always finds a way to end up winning, and while she does so by outsmarting her opponents, she wouldn't need to outsmart them if she weren't so competitive. I feel like there's this 40/60 odds on Slytherin rather than Ravenclaw, but it's that small difference that counts. Plus her leadership skills are so powerful that people don't ask, they just know she's the boss.

(Also just picture the sweet and loyal Hufflepuff boy with the strong and cunning Slytherin girl, like it should be as opposite as it is with Poseidon and Athena, but they're so cute)

Leo: Idk what you can expect that's not Slytherin. This boy is the embodiment of ambition and determination. Reminder that not all Slytherins are bad btw (I'm slytherin myself), but like he's life smart and cunning, and he can analyze situations faster than anyone else. He's charismatic and talented, and there's no one to stop him from triumphing. I don't have much to say, I just know he'd be in Slytherin.

Rachel: She's kinda a difficult one, and I struggle between Gryffindor and Slytherin, and tbh I'm still not sure. But I think I'd place her in Slytherin, because even if she's brave af (especially since she was a mortal fighting in a war out of her power), her main trait is her determination. When she's set on something, she gets it done. You can't tell her she can't do something, because she will find a way to do it. She's kind, and she's only a mortal, but she still has incredible power unlike any other. I don't think I can really name it, but I think she'd be put on Slytherin with much difficulty from the Sorting Hat.

Luke: Where else could Luke possibly go? On the meaner side Slytherins have created themselves, Luke would be part of those misled by who preceded them, by those who want to take advantage of their mistreatment (bc let's face it, Slytherins are mistreated by both students and Hogwarts staff), and turn them cold and bitter. Luke is ambitious and manipulative, being manipulated himself, and it comes easily because of his natural charisma and talent. He's very freaking determined and cunning too. He'd fit right into Slytherin, but he'd be viewed as one of the rotten lot.

Thalia: I don't have much to say about this, but Thalia is the girl whose fatal flaw is their desire for power (or smth along those lines), just like most Slytherins. She's ambitious, she's smart, she's truly talented, she stands out between the rest, and she knows it, and she actually kinda likes it.

(Also I put Annabeth, Thalia and Luke in the same house because they're all kinda similar, even if their beliefs and postures are different.

Frank: Ngl I'm having more difficulty with Frank than anyone else. I'm kinda torn between Gryffindor, Hufflepuff and Ravenclaw. I literally can't choose. He'd fit perfectly in any of them lmao, I just can't decide where he'd go. You decide this one yourself.

Please keep in mind, this is my personal opinion and my take on the characters, and not all of you will agree, and that's fine! You can let me know what you think (kindly please, don't come at me), and if you want to, send me an ask on a character you want me to do the same as these (as long as it's not TKC, I'M SORRY I haven't read those) go ahead, don't be shy!

214 notes · View notes

outoftimewriting · 4 years

Text

Imagine (based on the incomplete fanfic Son of the Underworld) (Son of Hades! Percy AU) (5/5) or (5/10)

Hey so, this is the last part of PJO - I follow into HOO, so before you read this, check on the masterpost - and read the warnings before proceeding :)) Good reading!

Annabeth comes to him, at the end of his fifteenth birthday party, and shows her Daedalus laptop. There's a document open in it, and it's labeled Achilles' Curse.

Percy doesn't read it - he hates reading, in any way or form or language - but she does, out loud.

"I'll think about it"

They have a year. Most of them, even those who aren't year-rounders, are going back to camp, to draw battle plans and stock on the armory.

He feels kinda selfish - for a whole five seconds before he remembers he'll probably die next summer, so he just shrugs it off - Percy deserves this year.

They all leave to go back to camp. Nico seems conflicted over something - but Perseus doesn't question it, there's enough bad blood between them.

Paola is really cool - and Sally really loves her. It's kind of bizarre at first, to see his Mom dating his teacher - and of a subject he hates - but Paola is calm and well-tempered and she laughs at his stupid ass jokes.

He visits Persephone afterward - and it really feels like he has three moms to fulfill his lack of a father - well, he is absolutely grateful for the women in his life.

Percy isn't truly in good terms with his father. The man doesn't really seem to care much for him as a person - he is much more of a trophy son.

Perseus loathes being a trophy son, but at least he has someone to help with his powers - not something a lot of half-bloods can claim.

So he goes back to school with Rachel, and they pretend everything is normal. He tells her about his quests - all three of them. He thinks she understands him better now.

He opens up to her. Tells her about Annabeth - the adrenaline-fueled kiss - and Rachel stops talking with him for a week.

She apologizes when she comes back. She needed to figure some things up - firstly, the redhead tells him she is probably asexual - and maybe aromantic too, but she is not certain because the internet wasn't really clear about that.

Then Rachel confesses that she is not jealous of him in a romantic way - she is envious of his friendship with Annabeth. Percy is her first genuine friend that really appreciates her.

This is the first grudge Perseus lets go for real before it even takes place - Rachel didn't leave him because of teenage drama, she ignored him out of confusion. Everyone is allowed space - he knows this better than anyone.

They don't kiss anymore. Not because Rachel doesn't like it - no, she is all for it - but because Percy is starting to think kisses should mean something - he is saving them.

They kiss once - when Rachel father calls for the first time this year - not to ask about her, but to tell Rachel he found this amazing all-girls school. To Percy, kisses mean comfort.

They cuddle a lot, though. These past few years of fear have made Percy very touch-starved.

It's sophomore year - and Percy is in five AP classes: Macroeconomics&Microeconomics, Statistics, Calculus AB, Physics 1, and Comparative Government and Politics.

He is planning on taking both AP Computer Science classes, Psychology, Physics 2, and Calculus BC next year; leaving only Electricity&Magnetism, Mechanics, Chemistry, and World History for his senior year.

If he lives, he is working on a tight schedule here. He doesn't know what he wants yet - and if he is in constant danger, it's already pretty lucky he can do high school - but probably something with Math.

Rachel says fourteen AP courses are ambitious - that he'll burn out. But math comes to him easily enough - it's in his blood.

She is also overworking: She is taking AP Environmental Studies, Art History, Drawing, 2-D Art and Design, and English Literature and Composition.

They complete each other. Rachel is planning on taking as many Art, History, and English courses as she can - he is taking as many Physics, Math, and Science as he can handle.

(She is also going to take on Japanese studies for some reason - probably for her GPA, but Perseus just teases her that she is getting too invested in anime)

Perseus doesn't care about languages anymore - the only languages that matter to him are C++ and JavaScript now.

They study together, they take naps together, they climb to the roof together, they flee school to visit Sally together - he is the Pinky to her Brain, the Scooby to her Shaggy, the Lois Lane to her Superman, the Robin to her Batman.

They look like troublemakers - They are honor roll students, but she is always with ripped pants dirty with paint, and he is always full of flowers everywhere, even in his muddy converses - a cliche to kill all cliches.

They're both nerds - he is the classic one, all polo shirts now, the first chair for every number-related class - and she is the artsy one - there's a brush behind her ear and her hair is so messy that half the time it covers her face.

Paola gifts him a pair of cheap frames without lenses once - saying it adds to the aesthetic - he totally uses them.

Persephone just makes him flower-crowns, and giggles when he matches them with his polo shirts.

When winter comes, he goes back to his hoodies and sweaters and gloves - to find out he doesn't miss them a lot.

Rachel introduces him to polaroids - and they look eerily pretty in the winter, her hair looking like blood spilling over the snow - and he loves it.

If he survives - he can feel Rachel slapping him - when he survives, his college credits will be remarkable. The idea of doing SATs makes him want to cry - reading always does - but he'll get somewhere good - he knows it. Perhaps Stanford. Or NYU. Or the dream of his life, MIT.

He is living his life to the fullest - he starts reading comic books, he gets really (really) into Tony Stark once Iron Man 1 comes out (even if he has to kill at least three monsters just to go to the movies), he plants trees and Rachel starts teaching him how to play her ukulele - but half his mind is still on the upcoming war.

Christmas vacation comes - and he goes to visit Camp Half-Blood, before heading back to his mom. It's quite memorable, if only by the fact that Nico Di Angelo freaking betrays him.

He tells Percy to come to the Winter Solstice with him. Most of the campers are not going - the war effort is in an all-time high - but Percy has never gone before. Hades will be there - it'll be great!

Perseus should absolutely be less surprised with the outcome - seeing that Nico is inviting him in Cabin 1, post-dinner, and they don't even stop to talk to Chiron about it.

But Percy goes. Because Percy wants to make amends.

There's no time to really talk to anyone. They travel in Blackjack for the Empire State Building - and it's fine.

They go up to Olympus, Nico shows him everything in the god's land, the temples are a work of art, if not kind of old, and the meeting is kind of okay, even if the gods are squabbling children.

Then the gods leave, and Perseus thinks they're leaving too.

"My father needs a word with you"

Perseus feels the betrayal claw on him. There are no shadows in the white hall, there's no way for him to escape. Nico looks apologetic - Percy wants to clock him in the face.

"He promised to tell me more about my mother" Nico pleads "He will tell me more about where I've come from. Please, Percy."

Nico is cute. He is, for a soon-to-be fourteen-year-old. But his pretty face and exquisite white eyes don't make him any less of a freaking liar. All his handsome male straight friends betray him - it's a worrying pattern now.

He muses for a second that they also all have a crush on Annabeth - gods, the blonde attract the worst types.

It's double-crossing - Percy ends up in an all-white cell that burns his retinas without any weapons because Zeus wants praise in the middle of this freaking war - doesn't matter if a hundred demigods die, if he only has the glory.

Nico ends up with barely any information - Zeus didn't promise anything. The god of the skies is a lying-ass motherfucker - literally.

And Zeus justifies it - He says Perseus is a criminal because he awakened Typhon. So Hephaestus issues a quest so he can save a hundred demigods, he destroys a powerful titan weapon of doom, and he is the villain? Sure, Jan.

Perseus writes this grudge in his heart - that's where trust will take you. To a cell. Betrayed by a "friend". Again.

He flinches when Nico comes into his cell, pins him to the wall and promptly begins to try and strangle him. He wants to melt in the boy's shadow - to go and never give him a chance to explain - but he looks so guilty Percy waits for his repentance.

The son of Zeus saves him, but Perseus is still pissed off. The god of thunder has threatened to kill him off at least two times now, what is to say he wouldn't have killed off Percy for the sake of glory?

He half hopes Zeus had killed him off. The war is close, too close - Nico wouldn't be the Prophecy's child. There would be no child. Olympus would fall - and Percy would have seen it all from his very comfortable couch in Elysium.

He wants Kronos gone - but he kind of wants Olympus to fall with the Titan.

Nico flies him down to the Earth - the elevator is monitored. Zeus has left, like many others - not to bother with the war effort against his main enemy, but to go to the human world mess with people.

Some gods are doing something - He has heard from Annabeth that Artemis is leading the widest hunt ever, with her brother by her side; Hermes (with Hephaestus help) is delivering Celestial Bronze, other metals, old schematics and a whole lot of fuel to Camp Half-Blood every few weeks; Poseidon is fighting his own war, in the ocean; Dionysus is at Camp - and this time, he is really helpful with the battle formations; Demeter is on the Underworld - Chiron seems to think his father is preparing for war, but Percy sorely doubts it.

Percy is taking some people with him to Sally's Christmas dinner. Just Annabeth, Clarisse, Rachel, Connor, Travis, and Charles - people who don't have a present family to celebrate it with.

Grover is coordinating the dryads up in San Francisco with his second cousin, Gleeson Hedge - they are the first to fall if anything goes wrong in Mt. Othrys.

"I think you should stay." He tells Nico.

"You don't trust me anymore." It's not actually a question.

Percy doesn't trust the boy. Not at all - it's the third time he does something shady to achieve his ends based on emotional turmoil. But he is a good person - it's just his father's cursed temper and his grief.

"It's not that. You're needed for the war effort."

Both of them know it's a lie. Percy doesn't care - he deserves to be bitter a little longer.

Percy goes back home. Christmas is amazing - even if Rachel asks him where Nico is because he is talking about making amends with the boy for a while now.

He goes visit Persephone - but she is occupied, so he wanders through the Underworld after Bianca di Angelo - someone he, for some reason, never been able to reach. It's a pointless endeavor by now.

He finds her. Or else, he finds a shadow of her - she is blocked from his view. Bianca doesn't talk to him - they weren't close - but she guides him to a girl.

Her name is Hazel Levesque.

She seems lost - like most ghosts - but something in Percy calls for her. It's the color of her skin and the sparkle in her golden eyes - Hazel remembers him of himself.

He promises to visit more - even though he doesn't think she'll remember it - and leaves to go back to the surface - he will finish the sophomore year.

And Percy does. After a very distressing break, he is doing his best. His grades drop a little in English because he can barely focus - half his mind is on the war and Nico's betrayal and Hazel Levesque's golden eyes.

Miraculously, his GPA doesn't fall - he still is taking a ridiculous amount of AP classes, and barely has time to breathe - dark circles grow under his eyes, and he looks like a mess - but now he is a Junior.

That's why, as soon as the year ends, Rachel takes him on a road trip with Connor. They go all the way to Boston, then Portland, Quebec, Montreal, Ottawa, Syracuse, Baltimore, and Filadelfia, before going back to NY.

They are stopped five times by the police - because Percy is black, and it's Rachel driving the Camaro, because she has a learner's permit and Connor is, somehow, an approved license holder.

They are on a pier, enjoying the view of the beach. They did the last week alone because Connor wanted to go check on one of his cousins - at least, that's what he said, with an over-exaggerated wink that both Percy and Rachel ignored for the sake of their sanity.

She tells him about Clarion Ladies Academy - but that her father is at least mildly happy with her GPA this year, even if he disapproves of her Art focused AP classes. Percy thinks Mr. Dare would love him, with his APs on Economics and Politics, if only he was rich. And white.

This time, when Charles Beckendorf arrives in a Pegasus to tell him it's time, Rachel doesn't kiss him - she justs hugs him and makes him promise to call her.

Perseus doesn't go to the Andromeda Ship - he is needed in Camp. He is useless on the water - but they do need him to improve battle strategy.

Charles Beckendorf is dead. Thalia is the one to tell them - she was in her father's palace helping with a monster under her Lady's orders - he went on the mission alone.

Percy talks briefly with Beckendorf's ghost - is his worst developed power, and he can barely hold the "seance" for more than a few minutes. He does it with only Nico di Angelo for witness - the others are the way to close to the situation.

There's a spy passing information to Luke.

They look at him. Doesn't matter how much he does, he is always the first suspect - he is a son of Hades. He was friends with a lot of people on the other side. He was gone for a year and a half, who knows where.

Perseus wants to say that he has helped to save their asses four times now - that without him in the Labyrinth, they would all be dead right now - and that Charles was basically his older brother.

Then he points out he wasn't even here - he had no idea of any plans of anything - and he told him about the spy, so he is not the freaking spy, go point fingers at each other instead of him.

When they start yelling, he stops them - this is not the time, he was just angry at their accusations. They have to burn Charles shroud. Silena is inconsolable - Percy is not very far from it, but he is not a public crier. The last time he cried in public, Luke was dead on a cliff.

Percy speeds up the line for Elysium to Beckendorf - his brother deserves it.

They read the prophecy together - Perseus already read it last summer, he doesn't even care anymore. They look at him anxiously - no one has forgotten that he abhors most of the gods.

Clarisse and Michael Yew fight, but Lee Fletcher - with a mechanical arm built by Beckendorf himself, still re-learning how to shoot arrows and forever incapable of playing the guitar again (but the keyboard is not ruled out yet) - stops them: They can share the chariot. The war is more important - is not the time for petty fights.

Chiron shows them Typhon - and Perseus has a sliver of hope that they can destroy Kronos and be free of the gods at the same time - It's a horrible hope, because he loves Persephone and some of them are even okay sometimes, but he really wants Zeus to go to Tartarus for at least a century, so Perseus doesn't meet him again in this life.

But he also wants the gods to win, because there's a lot of dead people - innocents, people who have nothing to do with this war.

He dreams of Rachel. Rachel is painting Luke - and Percy wakes up crying, for the boy the gods took away.

Annabeth takes him aside and reminds him of Achilles' Curse. He is off to May Castellan's house - the last place Luke has been - for it's his best and only chance, its what Annie thinks. And she is scarcely wrong.

Perseus hates the gods. They wrecked a family - and for what? May Castellan - forever waiting for a son that will never come back, haunted by visions of his future, plates of burned cookies everywhere.

Perseus doesn't pity her - he rages against the gods, who brought madness upon this woman and then left her to it. Where was Apollo, the god of health? Dionysus, who is supposed to control mental health? Artemis, whose job is to protect women?

Hestia is kind - but she is still a goddess. She could've prevented this - but she hides in her hearth and abstains - and that's enabling. Hestia enables the other gods to do as they please, even when she is the oldest. She says they ignore her - oh well, she ignores them right back! He has no time for the laments of another all-powerful being.

So he goes to his mother and asks for her blessing. Then, just to be sure, he asks Persephone's too.

He thinks about his anchor - where does he want it to be in his body. He doesn't want somewhere in his back - where he can't see it - or in his gut - where anyone can stick a sword. He settles for the bottom of his back - where he can at least touch it and it's well protected by armor - and dives.

Perseus hates water - and he has an uncanny fear of drowning. He feels pain - everywhere, horrible pain.

His vision now doesn't have Annabeth's face - the blonde is his link to the demigod world, Persephone is his link to the Underworld and his mom is his link to childhood - but the person who grounds him is Rachel.

He is stronger. He feel his powers at his fingertips - Perseus feels the Underworld as a whole, and it's overwhelming.

Green flames explode from his hands. Flowers made of shadows curve around his ankles - he has been training since he was 12, but now his body can sustain all of his power. This is all his.

He goes meet with his father - Perseus manipulates him. He tells Hades he'll be the hero, but the god himself can be praised for more than being his father. That he should join the battle against Typhon - That's his chance of proving himself. Also, there's less paperwork for him if there are fewer dead people.

His father is amused with his blatant bribing, but he thinks about it, Percy can tell. In a way or another, he excuses himself and goes back to the surface where he is needed.

Persephone stalls him. She asks him to stay, just for this night. He can go back in the morning - he sleeps, and dreams of Rachel again, drawing in the sand. In greek.

He is scared for her - she is having demigod dreams, but she is mortal. Something is wrong.

Typhon is getting worse - and Kronos draws closer to NYC. It's time - he calls for Blackjack and leaves - Mrs. O'Leary, who has become more or less of a mother to his own hellhound, follows. Persephone promises to convince Hades.

They have about sixty campers able to fight heading for the Empire State Building, and five healers. The ones too young to lift a sword or string a bow stayed back at Camp with Argus - fifteen children between 5 and 9 years old.

Percy knows he looks different - he looks just like his father. He has gained a godly aura - he has no scars anymore, no imperfections. Perseus looms over all of them - he went from 5'7'' to 6'2'' - it's a weird view, from up there. It's still strange when they look at him with a mix of fear and admiration.

Perseus Jackson is officially their leader. He hates Olympus - but he will give his life to defend every single one of his demigods.

The vision Hestia shows him just makes him want to tear this throne room with his bare hands - Luke was a kid. He was a kid - and the gods corrupted him. Thalia was a kid - and the gods took her life, twice. Annabeth is still a kid - they all are - and she is here planning battle strategies.

Annabeth missed an extra year of formal education - while Percy is a Junior, Annabeth barely qualifies for a Freshman - because the gods took this from her too.

Percy rages. The ground of Olympus trembles beneath him - he wants to kill something.

Then Hermes appears - like this whole war is not his fault in the first place, the literal bastard - just to relay a message from Athena that gives them a plan that Annabeth was already putting into works and tells Percy to stay away from Annabeth.

Like she cares. Like Athena has ever, ever, done anything for Annabeth.

Perseus can't punch Athena, so he punches the messager (also, because he freaking guilt trips both of them about Luke). He has nothing to lose - he is going to die by the end of the day anyway, and they need him too much.

He has punched a god before - Ares, in a desert in the middle of Los Angeles - but this time, it's satisfactory. He feels good after it.

Hermes seems strangely resigned - He feels guilty about Luke too, but Perseus doesn't think it's enough. It'll never be enough, not while the gods leave their children to rot in a cabin of rejects and May Castellan bakes cookies for a son that will never come back.

Hermes leaves, ashamed. It's only fair, Perseus thinks. They all should be ashamed.

They see the city asleep - the prophecy is in the works.

Perseus executes their strategy - every cabin is covering a tunnel, with the exception of Dionysus, because Pollux is with the Demeter kids, and the Hecate kids stay behind to use spells to overlook the city. Lincoln Tunnel is getting covered by Ares - who, this time around, is actively participating.

The undetermined who didn't desert are with Hermes - and the minor god's children are divided by specialty - most Hypnos and Morpheus children follow him directly, but the two sons of Iris go with the Apollo Cabin.

Annabeth executes Plan 23, automatons, mounting on Mrs. O'Leary (who has strict orders to take Annabeth anywhere she wants without stopping to play around) - she doesn't need his help with this, and Percy has a tunnel to defend.

That left the rivers uncovered - until Thalia appears, with magical sand money, and made the rivers cooperate.

The hunters join the Aphrodite kids - who are half a dozen children between 11 and 19 - the oldest being Silena Beauregard, who uses a crossbow that looks exactly like her immortal half-brother's one.

His bridge is completely covered on skeletons - but no monster comes, even if he hears explosions. He leaves an English Lieutenant from the Battle of Yorktown in command of the bridge - with Tyene, the oldest daughter of Morpheus, to be in alert and don't let Clovis sleep through the battle. Because he did it before - and while it is funny, it can't happen right now.

Perseus mounts Blackjack - and go see where the noise is coming from. It's the Williamsburg Bridge - where are most of Apollo's Cabin.

They fight - and Percy almost cries when he sees Luke, who is not Luke anymore. Luke, who is a puppet controlled by Kronos.

Perseus kills the Minotaur and the weight of his stone spikes collapse the bridge - and Michael Yew dies. This time around, the bridge falls silently into shadows, and he doesn't bother about searching for the corpse - he saw the boy falling, and his screams will haunt all of them, forever.

This time around, Annabeth is not there to protect him - Ethan also doesn't try to kill him. The Son of Nemesis doesn't leave Kronos side for a second - but there's regret in his eyes.

After the bloodlust is gone, Perseus collapses - Will has to bride carry him back. Overuse of his powers - he summoned skeletons and produced shadows, melted enemy swords (with the bonus of incapacitating them without killing), and sprouted stone spikes everywhere - there's even a vine or ten that he used to hold his friends from falling.

Perseus doesn't sleep quickly enough to not hear the yell of anguish that comes from Lee Fletcher - the pain of losing a brother and not being able to fight beside him.

But he does sleep - and he dreams. He dreams of Hades killing Maria Di Angelo, not Hera, like Zeus told Nico. He dreams of Zeus cursing the Oracle - and he seethes, because he also sees what happened to May Castellan.

He keeps getting angrier and angrier at the gods - it's building inside of him. But his friends are still here, still fragile. He can't let them suffer more.

Perseus wakes up, checks on everyone - most everyone is either injured and/or exhausted, but he checks on every camper. He knows all of their names, their ages, their cabins. - and promises to sit up to talk with Thalia and Nico - war makes him prone to peace - and promptly goes back to sleep.

He dreams of Rachel. He wants to scream for her not to come: but she'll anyway.

Perseus dreams of a boy. He is his age - maybe a little younger. His hair is blonde and his skin is whiter - but Percy glances at his eyes, and there are waves in them.

There's a girl by his side - she is familiar to Percy, somehow. They're climbing a mountain.

The dream ends and Percy can't make heads or tails of it. He asks Thalia if she has a brother, but she says that she doesn't, looking wistful.

Prometheus is tempting - but he knows there's no Luke anymore, there's only Kronos. And the gods are horrible, vile and immature - but they never killed any of Percy's friends. Some of them died for the gods - but never by their hands, so for now, Perseus would toe the line.

He does want to punch Hermes again. He takes the Pythos - if everything goes wrong, he will not hesitate in going down for the sake of his friends - but there have been six deaths, and it's enough.

"Was it worth it?" He asks Ethan.

"Alabaster is alive" And it's all the answer Percy needs.

He dreams of Ethan and Alabaster. Alabaster is alive, yes, but he is missing half a leg - courtesy of Clarisse herself. Luke - Kronos - is indifferent, and Ethan curses the daughter of Ares - "The sword that took from us will take from you"

He contains Hyperion with his shadows. Then he helps Grover (who was half asleep, because of Morpheus) to make the Titan into a tree. It's a pomegranate tree - then he sets hellish fire to it and sacrifices it to Hades and Persephone.

A pig is in the sky - this time around, Annabeth and her frightening army of automatons kill it with Nico's help.

Perseus laughs - because Annabeth has about two hundred automatons under her command, Martin Luther King and Alexander Hamilton leading the charge with a giant bull being ridden by the Mad Hatter behind them.

It's weird to see historic figures Percy admires - like Jane Bolin, Sylvia Mendez, or Abraham Lincoln - fighting alongside people he downright despises - Thomas Jefferson and the goatfucker, herpes-ridden, Colombus. His Comparative Government teacher would have a field day.

Annabeth and Nico's pair up is amazing - They fight alongside like they have been doing it all life.

Nico is a force of nature, flying and commanding the winds to do his bidding - His eyes shine in the midst of the stormy clouds. His specialty is weather manipulation - he hasn't had much success with direct energy or electric discharges.

Annabeth has her mother's tenacity for war - and her clever mind for strategies. It's clear in her eyes - she is racking the weaker points of the Clazmonian Sow in her mind and destroying it. The automatons hold the pig in place - and she makes bacon of it.

Hercules couldn't do it. Nico and Annabeth can, because they have the power and the mind.

Perseus is still fighting off monsters - but they're too widespread, so they retreat to the doors of the Empire State Building.

Percy does a mental tally: of sixty-two campers, six are confirmed dead, twenty are injured and nine are out of commission on exhaustion. There should be 27 orange shirts here - but there's only twenty.

Percy wonders if the seven missing are injured, or dead, or under a pile of rubble somewhere with no one to help them. Is there someone being slowly eaten by monsters? Is there someone alone and injured and abandoned? He doesn't know.

He prays that those seven deserted them - at least that means they probably are alive and well.

Perseus looks at Phoebe's grief-stricken face, and he knows it's not probable - she had almost three dozen hunters with her, and now there's barely fifteen still fighting, Thalia nowhere to be seen.

They prepare for their last standing - Percy keeps conjuring skeletons, but they're no match for the sheer strength of the hyperborean giants. Nico is shoulder to shoulder with the Stoll brothers against a group of telkhines - Clarisse is bringing down a whole giant by herself.

After the Party Ponies save them - Chiron leads the charge against his own father, and Perseus is so proud of his mentor he can't even put in words how much - he goes to sleep. Fighting gets him tired quickly, and they'll come back.

He dreams of Dionysus. Perseus is not fond of any god who is not Persephone, but Dionysus is mostly okay sometimes. He seems to care about his children.

Perseus couldn't care less about the Western Civilization - but he'll care for Pollux. It's one of his demigods, after all, and Underworld people are possessive of theirs (i.e. Hades and Persephone).

He dreams of Thalia, in her father's palace, begging Poseidon to leave the underwater war and help with the invasion - His wife is none too happy with the presence of his immortal bastard daughter.

He wakes up to Rachel's helicopter falling - how is Rachel even awake, is a mistery.

The improbable pair Nico and Annabeth strike again: The girl knows how to fly helicopters, and the boy can fly himself. They save the redhead and the pilot - everything is fine.

"You're not the hero"

"Why did you risk yourself to tell me something I already know?"

Rachel doesn't explain - she can't. But she has a vision that says that he is not the hero. The hero of what? Perseus has no idea. But there's no way any of his cousins is dying for this stupid prophecy.

Suddenly, there's a drakon there. Rachel has another prophecy - Perseus fears she will walk the path that led May Castellan to destruction - that only a child of Ares will be able to kill it.

Bad news: All children of Ares are otherwise out of battle.

Clarisse is resting after a nasty concussion - and her brothers and Apollo's children are fighting yet again because Lee Fletcher is in no condition to stop them and Michael Yew is dead. Ares' side refuses to fight without the chariot - which Cabin 7 has hidden somewhere.

The best they can do is fend the drakon off until a miracle occurs. And it does: Clarisse, in full armor, manages to lead her brothers into battle.

Clarisse is dead. Something shatters inside of Perseus - and he leaves the drakon for the Ares' children to solve - he can't kill it anyway - and starts to vaporize the army behind it.

He is so caught up in bloodlust, that he almost misses Clarisse slaying a dragon. Clarisse, who has no armor. Clarisse, who is alive.

Ethan's curse rang true - Clarisse's weapon took something from her.

Silena is a traitor. She is also dead - which makes her a martyr, and probably going to reunite with her boyfriend in Elysium.

He remembers how easy is to fall for Luke's charm - he was - is - still in love with the guy. Percy thought the son of Hermes could do no wrong - and he wonders how much of his rage against the gods sprout from his influence.

Something evil inside of Perseus's mind tells him she deserved it. It tells Perseus that better her than Clarisse - but he shuts it down, and concentrates on his shining red friends.

He hates Ares. But he might just have an okay side if he can produce such a magnificent daughter.

Silena is the Patroclus to Clarisse's Achilles, and the Drakon is Hector - and the daughter of Ares is sure to parade its dead body.

It's the first time they feel like they are winning. It doesn't last - but as he hugs Clarisse tightly, he thinks he might cry of relief.

Clarisse looks tough - but she is a wonderful human being. She loves Silena with her whole heart - even more than she loves Chris, her best friend. Silena might've been in love with Charles - but she and Clarisse? They are soulmates.

The damned Pythos is following Perseus - and he is done with it. He knows where hope will survive best. Rachel wants him to give it to Hestia - but he owns the fire goddess nothing.

She has never interfered, not once, to help the dozens of demigods with no family that is abandoned in Cabin 11, and he won't forgive her for it.

He sacrifices hope to Persephone because that's what spring is. Spring is the hope of a new life. Maybe, Perseus thinks, it'll convince his father to come.

They go down to make their final stand against the forces of Kronos. There's not a lot of them - but they're not getting through those doors.

Well, his father doesn't come. But Poseidon does, with his whole army, Tyson and Thalia behind him, and the scales seem to turn.

And then Kronos cuts the barrier. Perseus can see his Mom (why is his Mom here with a handgun?!) and Poseidon fighting against the monsters under the eyes of extremely confused mortals.

Some are trying to break the barrier - but it's futile. Kronos has corraled them like sheep for the slaughter.

It's just him, Grover, Annabeth and Nico, fighting against Kronos vanguard - which is big, but not as strong as they are.

Kronos passes him without resistance - Ethan follows, but there's anger in his eyes - not for Percy, but for the monster he is leashed to. Alabaster is not there.

As soon as Kronos powers stop working on them, the four follow the titan - and some things never change, no matter the universe.

This time, it's Nico who falls because of Hera - it's her curse over all of her husband's bastards.

Ethan takes one look at Perseus, and they don't even need to fight. They have been friends for longer than they have been enemies - and they both loathe the gods, but Kronos is as much of an all-powerful controller being as any of the Olympians.

They battle against Kronos - Perseus has only his ax against his scyther - a true Underworld fight.

Ethan dies. And Perseus bloodlust consumes him - it clouds his eyes and he can only keep fighting.

"If... if we've had cabins... and they had thrones"

It's true, and more than ever, Perseus wishes Kronos wasn't such a bastard. He wouldn't bother killing the gods - but the titan is a way worse option.

"LUKE, PLEASE" It's Annabeth. He doesn't have her faith - she didn't saw his transformation. But he tries anyway because he loves Luke just as much as he hates Kronos.

"Luke, remember our summer" But his words are caught up in his throat when the titan throws him against the wall.

But the amalgamation of his friend and an all-powerful being looks confused, so props for his genius best friend.

Kronos shows them a rainbow message of Typhon - and that's where Perseus it's pretty sure he starts liking his father.

Because the Lord of the Dead opens up the earth and gets out in a black chariot guided by skeletal horses like a king. By his right side, is Persephone, in armor battle as a queen should be. By his left, is Demeter, who looks every single bit like the matron she is supposed to be.

Behind him, a hundred thousand dead roars. Charon is mounting Cerberus - and literal hell is unleashed upon the Father of Monsters.

The gods strike down Typhon, sending him back to be locked away - this time, in the depths of Tartarus instead of Mount Etna.

Kronos gets mad. Utterly, undoubtedly mad. He talks about burning Luke's body. Then he hurts Annabeth and breaks two promises in one fell swoop.

"Luke.... remember family" It's what Annabeth utters, but Perseus, already certain of their own demise, is crying now.

"That summer Luke, you promised to never hurt her again. You remember it? YOU PROMISED LUKE!!"

Annabeth's promise was already broken - he had hurt her, all those years ago, in Mt. Othrys. But the promise he made to Percy - that he would never hurt her again - is new and broken, in the river Styx no less.

Luke regains his own body, for a minute, and Perseus runs to him like a man in a desert with no water.

"Please, please tell me there's a way to undo this, Luke, please, please"

"There isn't one, Percy" And it's the first time he hears Luke call him Percy, Percy and not Perseus, in his own voice, in two years. Percy cries.

"We... we don't have much time, hellebore. Give me Annabeth's dagger. Before he... before he takes back"

Luke calls him hellebore and it makes him start crying all over again. He gives him the dagger - and Luke kills himself, taking Kronos out with him.

Luke doesn't need to ask if Percy has ever loved him - Percy kept loving Luke, one-sided as it was, even when Kronos was there.

He still crying over Luke's body when the gods arrive. Luke is dead. Ethan is dead. Silena is dead. Michael Yew is dead. Charles is dead.

He lost three of his best friends in two days. Ethan is dead. Luke is dead. Luke is dead.

Perseus can't stop crying. They take Luke's body away - but he can't stop. Annabeth explains what happened to the gods - most of it, anyway. Apollo says he is in shock - his father says he is a hero.

Perseus doesn't feel like a hero. Was this all worth it? Was it worth it the pain and the death and the suffering?

Persephone touches him - and he has no tears to cry anymore. She can't hug him here, but she'll do so later.

He stares at the walls, listening to his friends being awarded - compensated by their siblings and friends' deaths - with a blank stare. Perseus wants his mom.

They call for him. He raised his head but doesn't bother getting up. He just saved their asses - for the fifth time in a roll. He deserves to grieve.

They offer him immortality. A place between the gods.

He laughs. Zeus looks murderous, but he can't stop laughing.

"My apologies, but I have to refuse," he says. But in his mind, he is thinking about how could they even think he might want to sit between them and be an all-powerful being, be another god ignoring his children and messing with mortal lives while thousands die for him.

"Promise me, on the river Styx, that you'll give me the wish that I want."

They promise him, that if it's within their capabilities, they shall grant him his wish.

"I wish for every child at the age of twelve to be claimed. I wish for cabins in Camp Half-Blood, for every single minor god, and my own father. I wish for Calypso to be free, and to the demigods from the opposite side of this war to be given amnesty. It's not their fault. It's not any of our faults."

"You dare to-" Zeus begins, but Percy is really tired of Zeus.

"We fought your war, we won your battles. We, the unclaimed and rejected stowaways of Cabin 11. We, the children of minor and Underworld gods. We deserve respect. Just like my father deserves a throne, just like the minor gods deserve justice."

"Don't you fear us?" Athena asks, something weird shining in her eyes.

"I thought I would be dead today. At least if I die now, I'm dying for something I believe in."

It stays unsaid that he doesn't believe in them. The other demigods look at him worried - but he is not afraid of the gods.

They grant his wish. Some of them aren't happy with it, but they have to do it. He meets Calypso at the front gates of Olympus - and her smile can brighten the pits of Tartarus. He sees Alabaster talking with Lou Ellen - they are both crying.

He thinks it's the end - it's not. Thalia tells him Rachel left for Camp in her Pegasus - and his father has lift the curse, the Prophecy is gone, but he fears for his best friend.

Perseus is too tired for shadow travel - he does it anyway. He flickers, but anyway, he is too late.

It works. Rachel - his best friend - is the new Oracle. Someone jokes they can't be together anymore and Rachel lifts an eyebrow.

"We never were. Didn't you see the last few hours?" Well, he did out himself. Mostly - they might say it's just friendship, and he will hate the way they twist it. Luke wasn't a villain, and Perseus isn't a pure hero with a heart of gold.

Perseus is healing from lost love - and Annabeth is too. His crush on her was only a crush, he thinks - She is his best friend first and foremost. They cry together at the bonfire that burns away the shrouds of 43 demigods - from both sides - and 16 hunters of Artemis. Their souls all rest in Elysium now.

Alabaster comes back to Camp and helps his siblings to build the new Cabin for Hecate, full of spelled blocks and magic chimneys. Clovis and Tyene have their hands full with their own cabins - it doesn't help they keep getting sidetracked with naps.

Somehow, Nico, Thalia, and his bond over helping construct Cabin 13 - They are both way too invested in the goth vibe, mostly because Cabin 1 looks like a temple, and Cabin 3 looks like a beach cabin. And both of them are so over it.

Perseus doesn't want a goth cabin - he is fighting against the aesthetic for years - but sometimes, there are no arguments. His Cabin is made of black marble, and there are skulls everywhere, with torches shining with green fire. Outside, at least. Inside, it looks like Persephone's garden, with input from the queen herself. It's ready just shy of the end of summer vacation.

Rachel tells the next Great Prophecy. Perseus isn't such a positive person to think it won't affect him - he hopes at least it'll wait until he is done with High School.

That night, he dreams of the blonde boy again - it's his first night without nightmares since the battle. He has a scar in his lip, and his green eyes pierce Percy's soul. Perseus wonders if they'll ever meet, wonders if this boy is one of the Seven of the Prophecy.

But alas, Perseus lets it go. The summer is over - he is sixteen, somehow. He is alive and going to go back to his mortal life and his junior year, and grief. Not everything is fine - but eventually, it will be.

It's not the end. Not yet.

118 notes · View notes

outoftimewriting · 4 years

Text

Imagine (Son of Hades! Percy; Godswapped! Big Three's kids (6/7) or (11/12)

House of Hades Pt.2 - In the Argo II

Hello darlings! Before reading this, there's at least other 11 parts - and I almost had to divide this into two - check on the masterpost - but don't be sad is ending :(

First - I have no idea if I'll divide Blood of Olympus in two because I hate the climax Rick wrote - so probably? Also not sure if I'll need an epilogue - we're not delving into TOA, though.

Second - I'll keep writing! I have a handful of ideas that I want to do next - and the next AU will have Female! Percy - so keep logging in!

Check on the warnings before proceeding, and good reading :))

To say that things are tense in the Argo II is downplaying the major depression the ship seemed to be sunk in since Perseus fell.

Leo and, surprisingly, Nico are the only ones who are able to get anything done in the first couple of days, but they aren't fooling anyone - the white eyes of the son of Zeus seem to be every day a little more bloodshot, and more than one fire happens without no explanation.

Annabeth didn't stop crying for a second - even throughout Will's examination of her and her brother - for at least 12 hours. Then she crashed for another 12 hours - and when Annabeth woke up, she was enraged.

She is going to bring the damned statue back to Camp - and then she will kick her mother's ass. That's her best friend, not collateral damage.

And when her dumbass of a best friend comes back, Annabeth is going to kick his ass too. How dare he fall - for her, not even his closest friend - into freaking Tartarus?

Frank is devastated - he and Piper are coping by planning the future - how they can spend the summer at Camp and live in Nova Roma, how they'll visit Perseus if he decides to go to college in the mortal world. It feels a little like denial.

Hazel and Jason are coping in the totally opposite way. Where Leo and Nico are fueling themselves with determination, Annabeth is anger personified and the other two went in the road of negation - they're both in a deep state of panic.

The sea became too dangerous to travel - the tides answering to Jason's turbulent emotions - and any metal on board keeps exploding or becoming so fueled with energy that no one but Nico and Hazel can touch it.

They pray together - for Neptune, Jupiter, Pluto, Letum, any god that Perseus ever helped (a lot of them) - for his protection. Jason holds evening prayers - just like in Nova Roma - and they offer anything, everything, for Percy to be alive. Everyone goes.

Except for Will, who is in a whole other league. The moment that he arrived at Camp, Percy was the one to settle him, and calm him, and take care of him. It was a side of him no other person in this ship had ever seen - Nico got in Camp in the worst timing possible, and all the others were pretty independent when they met Perseus.

But Will remembers - the nights with hot chocolate, Percy's warm sweaters, a pair of blue gloves messing his hair, the anxiety when the boy left for school, just for him to keep IMing Will every evening - and he misses Percy.

After the Labyrinth, the war, the losses, they reconnected - the prejudices against Percy's parentage long gone - and it felt like nothing ever changed.

It was Percy who helped him coming out for his mother. It was Percy that held Will after he lost Sibele - a daughter of Momus - to her injuries. It was Percy, always Percy.

Percy is much more of a father then Apollo - and much better as a brother then some of Will's siblings. So Will just locks himself up in his infirmary - and grieves. It's weird in such a hard mission to remember that Will is just fifteen and that he is a veteran of war.

The mood lingers, even when they start fighting regularly against the Apennines - and isn't this a whole other mess.

The mountain spirits are pissed - because Hades/Pluto and his wife are really pissed. It's Malcolm - the only one with a phone and a good connection to the internet - that tells them that the world started having earthquakes every few days.

The mortals are confused because most of these are not even close to the tectonic plates - and none of those cause turmoil at the sea. It's just Hades - mightly pissed his only son is beyond even his reach.

Three days in fighting the Ourae - who don't like having their mountains shaken over and over again - the sky also starts thundering. Coincidentally, it's July 30th - they've been traveling for twenty-two days - which also marks Thesmophoria - the greek festival of harvest.

But, alas, nothing is blooming. Persephone is as dangerous as her husband - and Demeter seems to follow her daughter's lead. With the Earth corrupted - the crops aren't growing.

Jason doesn't blame his matron - he is not really happy himself. Besides praying for Perseus' safety, he spends most of his days in patrol against boulders and rocks of all things.

Leo barely sleeps - too busy keeping the ship from falling apart - and Nico is, most of the time, right behind him keeping the ship steady. They try using canons and fail miserably. There's no way to fight against mountains - it's like Dom Quixote fighting against the windmills.

The others, even Will, rotate between fighting rocks and sleeping. Four days after Thesmophoria, Leo decides it's enough, turns the ship around, and solves to not cross the Apennines.

He just hopes Perseus can last another seven days.

Hazel - the only one awake, because this is supposed to be her patrol and Leo finds her the most reasonable out of all their friends, who would probably insist on keep fighting the freaking mountains - is praying. Like always.

Leo doesn't know how he feels about praying. His extended family was very catholic - they prayed for a god that they couldn't see or touch. But Leo met the gods - or, if Annabeth is to be believed, one set of them - and he doesn't like them.

They're petty children who have no care for the fate of their children - the ones who fight for them, go on their errands, keep them alive, y'know. Leo doesn't want to praise them. He doesn't think they deserve it.

But Hazel's prayers are answered when her venti, Tempest, appears aboard. Hazel tells Leo to go on without her - she'll be back soon.

He is concerned for her - like always. Of all new people, Leo seems to be the closest to her - his overall cheeriness and electric behavior are endearing to her, a light in these dark times. Sometimes, his smile makes her flush - just like Frank's did and still does.

Hazel mounts Tempest and the venti takes her, through mountains and hills, to a door. There's mist curling at her ankles and a chill in her spine.

She isn't very thrilled by meeting Trivia - Hazel heard stories of her greek son by Perseus, who seemed to hold the guy in high standard, but she knows gods. The goddess of magic wants something.

Trivia is an imposing woman - taller than Hazel, she has the same midnight skin as Perseus, though hers looks purple-ish, and her eyes are entire universes - stars bloom in her irises and twin moons rise in her pupils.

The goddess is fickle - she seems to be there and not, at the same time. Ghostly. There's three of them, then one, then five.

Trivia beacons to the daughter of Jupiter and she follows, the cursed little girl she is. The goddess offers her three options: Perseus, prone in the ground as she, Leo, and Annabeth battle an invisible foe, the two demigod installments at war, or the Argo II.

Hazel chooses the Argo II, but she promises herself, and the goddess, that she will save Perseus, and that no demigod blood will be spilled by other demigod's hand. Not again.

She will learn how to control the Mist. But Trivia is very mistaken if she thinks Hazel is going to become her acolyte. She remembers well what happened last time - she died.

The Argo II is traveling without much hassle - when they're crossing Monte Falterona, in the Campigna National Park, they are attacked by a new mountain spirit - and this one talks.

"Get Pluto his brat back, you useless halflings!"

Like the boulders the immortal is throwing at them will help. Leo screams this back at the mountain, who is not impressed at all.

Their next foe is in San Marino - a chimera. Most popular knowledge is wrong about those monsters: chimeras are not just goat-lion-snake mixes. They are an amalgamation of any three or more animals.

This one, in particular, is a very... candid mix of a Pyrenean chamois, a monk-seal, a mouflon, and a goose. Not very lethal or hazardous - just very angry. It's the first time they hear Annabeth laugh since Perseus fell.

While Malcolm is chasing and being chased around by an evil goat-goose-seal-weirdass deer chimera that he is fending off with an encyclopedia, the others can't even bring themselves to help. It's ridiculous - the thing is not even big. It's just ugly and it sounds like a honking clown.

Eventually, they get around to killing the clown chimera - it honks as it vanishes - and following route to Bologna. Frank tries to mutate to the chimera during the travel - to different levels of failure - which makes everyone laugh.

Thanks to their two encounters, the crew gets to Bologna at two in the afternoon.

Frank can't help counting the days as they pass him by. He is not the only one - he can see Annabeth muttering the time every now and then - but it feels like a countdown. Can Perseus survive one more week in Tartarus?

Even with the pressing worry for his lost friend, he can't stop thinking about Hazel and Leo. The two of them are thick as thieves - and Frank wants in.

But he knows it's wrong - Leo is a boy. Hazel is younger. Leo bares a power that could kill him. Hazel is his best friend. They're two people. - but he sees them flirting and can't keep his eyes to himself.

It's wrong. Soldiers aren't supposed to date men. Men who dated men are prostitutes, entertainers. Less. And two people at the same time? Outside of a bedroom? Preposterous.

Frank wishes he was more like Perseus. Perseus is all about duty: he would eventually marry Reyna. Or Annabeth, or other pretty and intelligent warrior, and have two point five kids with a picket fence.

But no. Here he is - midday, they are stopping for lunch, and he can't keep his eyes off Leo and Hazel - who are quietly chatting in the other end of the long table.

Frank ponders what would they think. Would the two be repulsed? Would they laugh at him? He can deal with laughter. Their disgust, however, would cut his heart in half.

Nico is in a very similar, and yet completely different, situation. He has been in love - or as close as love could be when you never dated the person - with Perseus Jackson.

He knows it's okay to be gay - he is friends with Will and Jake. He lives on CHB since he was a pre-teen. Perseus himself was - is - queer.

But the thing is, he'll never have a chance with him. Not the chance he is longing for gods know how long. He failed Perseus yet again - he let the demigod fall.

Perseus can have anyone. Perfect Annabeth Chase, Shrewd Reyna Arellano, Magic Alabaster Torrington, anyone. And he wouldn't have a problem with that - no. The problem is that he can't make a choice. Because he is in Tartarus.

Because Nico. Let. Him. Fall.

He isn't even sure if he let Perseus fall on purpose. A part of his mind knew someone would have to go. It was always meant to be Perseus. Did he purposefully let him go?

The rational part of his mind knew that if he tried to fly them off, all he would accomplish is falling into Tartarus with Perseus, probably dragging Annabeth with them.

But the guilt creeps into his heart - again, yet again, Perseus suffers for something he did or failed to do. He can't sleep. He doesn't know how anyone can eat.

A rock for him in these difficult times has been Jason. The son of Neptune seems to be as affected as Hazel or Annabeth - but Nico would never be able to rely on them.

Hazel has her own problems - a lot of them since Trivia appeared - and Annabeth is a painful reminder of everything Nico is unable to have.

Jason, however, is different. They had dreams of each other - something about their conquests, Nico didn't pay attention - and that apparently brought them close. Jason, differently from Annabeth, isn't a competition. He isn't vying for Percy's attention and love.

He is just a close friend - like Nico pretends to be most of the time - incredibly worried about the son of Hades. Nico would tell Jason about how he feels - but the militar roman's sensibilities might not be adjusted to the greeks' freedom yet.

Nico, however, is also not the only one with heart problems. Piper finds himself entranced by Annabeth Chase - even when she knows, she knows because of her powers, that Annabeth is painfully straight.

And Piper knows it's not love - it's the heat of the upcoming war and the hormones of being cooped up with just other teenagers for twenty days. She sees the blossoms of young lovers everywhere.

The yearning between Leo, Hazel, and Frank; Nico and Jason unconsciously sharing long-term crushes on Perseus; Will missing Jake and his parental figure;

She wishes she was more like Malcolm. Malcolm is asexual - besides being the only other transexual person on board.

Before this war spiked from nothing, the boy was just back from his mission for Hermaphroditus - a two-month search for a missing choker. He is still adapting to his body - it's bigger and broader and he doesn't have to wear a binder. Piper thinks it's amazing - he tells her it isn't that easy.

It's not a slow transition. One second your body is something - and then it isn't. One morning, the demigod caught him holding a red binder in his hands. Sometimes, she sees a shot of testosterone tucked in his pocket.

One day, he was a boy stuck in a girl's body. Then, he wasn't anymore. He has the body he dreamed of for forever - and it's difficult accepting it. Malcolm tells her is not exactly body dysphoria - is just difficult to conciliate.

Piper thinks after this, she'll get her body. After all of this, she deserves it - her body, all hers, with boobs and a killer jawline. Maybe then, it'll be easier to like girls as well. Maybe then, she'll shave half of her head and get a piercing. And maybe, a couple of tattoos.

But while this doesn't happen, she is whining to her asexual friend about her crush in his sister. Malcolm crushes her with logic - "Annabeth has only shown interest in men. She might be bi or pan or even a lesbian, but the odds aren't on your favor" - and she tries to put the blonde out of her mind.

Lunch, however, is a little ridiculous for her. As a daughter of love herself, that table is such a mess of yearning and pining and infatuations.

Malcolm seems to be the only rational - but even he is a little flushed. Piper totally saw that picture of Mitchell in his drawer last week.

She couldn't blame him really - her brother is hot. All demigods are - in very different ways of course, but their godly blood made them more or less otherworldly compared to mortals. Didn't matter their ethnicity, their gender, if they're disabled or not - they are all hot.

Piper, however, doesn't spend all her time freaking over hot people. She is a teenager with a friend who has a good connection to the internet, so she does that a lot - but most of her time these days is looking at Katoptris.

She's waiting for a vision of Perseus. Anything - just proof that he is alive, that he hasn't curled in a ball on whatever is the ground down there and went mad.

It doesn't come. She is looking at this ridiculous lunch table, eating vegetarian burgers, and waiting. Just as it seems like her dagger starts glowing gold - two monkey twins sweep down and steal it. And Leo's tool belt and Archimedes' Sphere.

Piper is really pissed. She wants this mission to end - she wants to find Perseus and stop Gaea, and that's her magical item. It's important. So she and Leo go after the twin monkeys.

Using one of the armory's javelin - for lack of a better option - they sprint over roofs and marketplaces. Bologna is a beautiful city - but they have no time.

They corner the twin monkeys, get their things back - and some things pertaining to a god of harvest - Triptolemus. Perhaps if they make an offer to him, Demeter and Persephone will be more cooperative. Maybe Persephone will be able to calm her husband.

Piper really doubts it. If she learned anything in the nineteen days she traveled with Perseus, is that he calls Persephone "Kore" or "Mater". The only other person he refers to with such open childish joy is his own mother, Sally.

The guy IMed both of them twice a week - enough that Piper knows their voices. While Hades isn't high in the demigod's list of people, his wife seemed to be at least number #2.

But they go back to the ship and relay their plan anyway. They set route to Venice. In the hour that it takes them to get there, they're delayed twice: once by the personification of River Ádige - which enabled them to pass until Jason helped with a small problem - and then by a couple of ventis - which Hazel sent off.

Frank, Annabeth, Hazel and Nico venture into the drowned city - Piper declines to go, saying that she is waiting for Katoptris to cooperate - being Nico the only one who actually speaks Italian in the ship.

The city is infested with anteater-like herbivorous monsters called katoplebones, which are pointedly not from the Greek pantheon. It's pretty rare for monsters to cross pantheons - and the Egyptians are pretty good in keeping them under lock and key - but sometimes, this happens.

They aren't capacitated to deal with those. Annabeth has half a mind to call the Kanes and demand an explanation. Pretty sure they were possessed by the gods to avoid this kind of situation.

She doesn't have much time to think - Hazel is quickly overwhelmed by the poisonous breath of the cows. Of course - is there anything in Egypt that isn't connected to snakes?

They find Triptolemus - who is not thrilled with their presence. Demeter - his mistress - and her daughter are distraught by Perseus' missing status - and he blames Annabeth and Nico for it.

Annabeth tries to persuade him - after all, they have Jason on board, and he is blessed by Ceres. Triptolemus - a very greek god - is not swayed.

"Your trickster words shall not fool me, daughter of Athena."

That's how Annabeth became a rosemary bush - good for memory and brainpower. Nico, when he tried to fight back, became a corn crop.

Mars is whispering in Frank's mind - he is not really fond of his father but uses his help to kill the evil Egyptian cows and get a python for the god's chariot.

He can't let Hazel die. He can't see the light go off her eyes - to see the same pain reflected in Leo's eyes. But Frank is so using Nico's stunt as a corn plant as blackmail material later. Not with Annabeth thought - she would stab him.

Triptolemus, pleased, turns Nico and Annabeth back to human and heals Hazel. Then, he tells them they have to eat barley cakes - so they can survive the poison needed to enter the house of the dead.

Proceeding south down the Adriatic toward Greece, a journey that should take about half a day, the crew of the Argo II is first accosted in Koper - a city on the coast of Slovenia - by four monocerus in the middle of the night.

Monocerus, in Leo's very succinct explanation, are "evil unicorns with big feet that can't fly and shouldn't be in a flying ship".

Whoever, the monsters apparently don't care where they should or not be - and Annabeth - still reeling for her time as rosemary - takes two of them out, keeping the horns as a prize. Nico takes one, who is so beat that leaves nothing, and Malcolm kills one with a handgun.

It's not the most practical weapon, because celestial bronze is not that easy to fabricate/find/obtain - so to use it in bullets that will explode and render it unusable it's kind of a desperate - but it's the first thing he could get - Malcolm's double tessen was being repaired by Leo.

Because yes - not only was the twenty years old able to fight with normal blades, he also fights with freaking fans made of iron.

After the run-in with the evil unicorns - Annabeth looks really cool covered in gold blood and curved silver horns in her hands - they proceed across Croatia.

It goes well for about thirty minutes - in Zadar, they cross paths with Sciron. Sciron is a bandit and outlaw, who - for some reason, is assisted by a giant predatory sea turtle.

While Hazel tricks him into throwing himself off the cliff using her new-discovered Mist, Jason talks to the turtle. It says its name is Chelone - that it's the turtle who took Aphrodite Ourania from the depths of the sea to the shores of Cythera - when she was still young, with remains of other goddesses in her anima - Innana and Ishtar.

He convinces the turtle to stop killing people - mainly by saying that he should hunt elsewhere, deeper onto the sea. It may become a problem for his father, but Jason has bigger issues right now.

They go to sleep, and Hazel dreams. She expects any god to come - but who comes to her is none other than Pluto and his wife, Proserpina.

Proserpina is shrouded in black, and her eyes are not green - but yellowish, like dead leaves. She talks - and tells Hazel that the Doors of Death are in the bottom of the Necromanteion - her powers over metal energy would guide her - and will be guarded by Pasiphae, vengeful of Pluto - and, by default, Perseus - for the lack of punishment for Minos.

Her husband is a silent presence by her side. He is not in mourning... probably. It's difficult to tell, as he is always in black. But his eyes hold a weight easy for Hazel to understand - he just lost a son to the abyss. No matter that Perseus might be alive - he wouldn't get back whole and safe.

Proserpina ends her dream by telling her to wake up Piper - the goddess is putting all her strength to send a vision of Perseus to Katoptris - they need one much more than her, seeing that they are able to interfere.

What Piper sees don't tell them a lot - Perseus seems mostly okay, with some sort of companion that Nico says it might be Iapetus, a brand new scar over his face and a bad limp.

It's the last they'll see of him until their eventual meeting face to face, but it gives them hope.

Annabeth herself has a dream - a dream that the Romans give the statue to the greeks. She sends an iris message to Rachel - so she can meet personally with Reyna.

Reyna, on the other side of the world, mounts her pegasus, Scipio, and leaves. Not only her co-praetor is in freaking Tartarus, but they are on the verge of two simultaneous wars. They need peace.

As soon as she is out of the roman range, however, she sends an iris message to Jason - telling him to go to their hero's place of rest - she had a vision from Mars. That she will meet them in Greece. Jason tells Leo to set course for Split, in Croatia. There's a roman scepter there.

Of all of them, the most capacitated for this mission are Frank and Jason, who are both educated Romans, and Nico, who can fly - a very good power to have in unstable ruins.

They're confronted by Favonious, who takes them to his master, Cupid, in Dalmatia. Nothing good can come of talking to the personification of love - such an old concept that the god has been reborn twice.

"Well, well, well"

"What do we have here?"

Jason falls onto the ground - "You think you found true love, haven't you? But alas, I was where you last expected me" - and he hates love, for that single moment.

"I shall give you what you want, Romans, if each of you is able to tell me - who do you love the most?"

Nico trembles - guilt is a difficult pill to swallow - and Frank visibly wants to bolt out of there.

"Oh, are you afraid? But there's no hiding in the face of true love"

Jason - always the brave one - gives a look at Frank. His friend never met the greeks. He might hate Jason after this.

But they need this scepter.

"Perseus Jackson"

Two heads whips in his direction - one unbelievingly, and the other distressed.

"Ah, love crafted in dreams - the perfect mix between me and my wife. Tell me, Jason Grace, was it bad when he looked upon you and saw naught but a myth?"

A laugh creeps upon Jason's spine, and he turns around. His blade hits something hard, and he is on the floor again.

"Such luck, to be able to even graze love. Perhaps yours is the purest of all - not yet tainted by failures and mistakes. On that note, why don't you go next, Nico di Angelo?"

Nico shivers - he... they have no time for that. That is unnecessary drama - to cause unnecessary problems.

A memory rushes to the front of Jason's mind - that quick chat with Reyna in Nova Roma. "The blond girl, Di Angelo"

Nico loves Perseus. It rushes to Jason now - the way that the younger boy stared adoringly at the son of Hades. The drunkness of his lovesick gaze. The despair when Perseus fell.

"Tell them Nico di Angelo" Cupid prompts "Tell them all about your guilt, your mistakes, the way you let him down, again and again, and again."

Nico floats a little off the ground. It's years of pain and sorrow that won't bring Perseus back.

"Will you fly off yet again, in the face of rivalry? Will you be my next servant - just like Favonious, consumed by jealousy, Nico di Angelo?"

Jason sees the memories. Nico screaming at Perseus. Grover reluctantly telling him about their adventures. The way he betrayed Percy - and a dozen more scenes he never saw from Nico's perspective, only Percy's, that made him unable to speak.

"It's okay Nico... I.... I get it."

It's painful to utter these words - it's almost like he is giving up Perseus. But they have a war to get through - and then, when the other demigod is back, they can figure this out.

"P-Perseus Jackson"

And then it's Frank's turn. But Frank is as pale as a ghost - he seems to be close to vomiting.

"It's a costly thing isn't it, looking at the true face of love. Now it's the turn of the brave son of Mars. Will you tell your friends easily, or shall you be a coward like the son of Zeus?"

Frank doesn't talk. Jason doesn't understand why - it's Hazel, isn't it? Is it because of Nico? He mentions talking to the son of Zeus, but Di Angelo doesn't look at him - the Cupid knew very well how to play his game.

"Come on. Tell them - tell them of whom you think before you sleep and who dominates your first thoughts every morning."

"You don't scare me"

"Oh, I scare you very, very much. Face me. Be honest."

"H-Hazel. Levesque."

"That's just half my question, little half-blood. If you want to lead the roman legions, you must answer it fully."

"I love H-Hazel. She is the one I think before I sleep and when I wake up."

"Still hiding. You're not strong enough, Frank Zhang."

Frank tries to charge at the wind, but it just mocks him. It's weird seeing Frank crying - it looks like the world is crumbling at his feet.

Jason, yet again, doesn't understand. Nico is also confused - he looks between the Romans as if he never saw any of them before. But then it dawns on the son of Zeus.

"Not only my sister. That's why you keep gazing at them, isn't it?"

All the fighting and denial leave Frank at once. His sword clangs in the ground.

"I love both Hazel and Leo. Together." He spits out, still trembling. "That's the truth. Are you happy now?"

"I wouldn't say Love always makes you happy. It can make you incredibly sad, sometimes. But you have faced it now. It's the only true way to conquer me."

Cupid appears - in a flash of white wings. It might be the god Jason hates the most - his eyes seem to penetrate his very soul. There's a scepter in his hand.

"Only a true child of Mars Ultor can yield it. It's your destiny, Frank Zhang."

Then he promptly disappears. The demigods look at each other - there's a flurry of emotions deep inside their chests. Frank looked at both of them, waiting for an attack, or for them to start fighting.

"No one has to know" He starts "I'm s-so-..."

He doesn't end. There are copious tears rolling through his face - his cheeks are a deep shade of red. A sob escapes his throat.

"P-please, p-pleased-don't t-te-tell anyone." Frank sobs, and it's such a jarring sight that both Nico and Jason rally to reassure him, leaving their own issues aside.

"There's nothing wrong with loving two people at once. No one will have a problem with it, Frank - fuck, this isn't Nova Roma. Most of us are greek."

"Hazel would hate me though. This is unnatural- I- I can't."

"You don't know that. Hazel loves you, Frank"

But the son of Mars just keeps crying until they both promise not to tell another soul what they saw. It's enough for the weird atmosphere to return.

Midway in the trek back to the ship - a six-hour walk - Nico is too riled up to safely fly with two people and none of them being too fond of air right now - Frank summons enough power to ask the question.

"So... uh... hm... Perseus?... like, uh, I can see the appeal-... but... both?... forget I asked, just....uh oh, sorry."

Jason and Nico pointedly avoid looking at each other. It's very bizarre - Jason knows a lot about Perseus, but now he knows Perseus also from Nico's perspective - and this is all messy.

They go back to the ship, relay to Annabeth that they got the scepter, and immediately go back to their cabins - to cry, to scream, to think.

It's been a day and a half - and they're still eleven hours off Epirus. Leo is pissed - because not only their three heavy-hitters are pissed at something and won't communicate, and they're of course.

Emerging from the infirmary for something other than to eat and mend people is finally Will - at least. He takes patrol in place of Nico - the boy quietly mumbled at his friend that they had a run-in with Cupid. Will can imagine how that went.

He doesn't have a clue about Frank - but Jason and Nico? They have the same long-lasting crush on Perseus - everyone on board knows that. Except, apparently, for each other. And Perseus - because his mentor/kind of brother/bother figure is a dumbass.

When they're passing through the coast of Albany, they're attacked by Khione - who is still very pissed her ex-lover's son doesn't want to spend eternity frozen with her. Leo ends up being sent away - for the distress of both Hazel and Frank and the anger of his best friends, Piper and Jason.

Piper ends up stabbing Khione - while Frank transforms into the giant dragon and burns her - making her unable to freeze them. Eventually, she runs away.

Leo, however, wakes up on an island. There's a sad girl at his side - she is using a modern blue dress, and there's a crown of black flowers upon her head.

"You were not the one I was expecting."

The son of Hephaestus wants to scream. Well, he didn't want to be whatever here is either! But her face is so sad - her gaze down to her bare feet. She seemed to be crying. He settles for asking who is her.

"I... I am sorry. My name is Calypso. This is Ogygia."

It startles him. Mainly because he has heard this name before around camp - wasn't she supposed to be freed?

"What happened to you?"

The immortal girl relays her tale - how she got freed for a year, and then the war started. The gods - Zeus - didn't trust her not to turn against them. So they locked her up - she was not the only one. Leto, Themis, Rhea - good titans or their offspring. Locked away.

She, after a year of freedom that Perseus got her, was back into her old shackles. Calypso is waiting for him for months now - but she thinks he forgot her.

So Leo tells her what happened - the bits he knows anyway. Juno/Hera, Nova Roma, the mission. Calypso seems calmer. They stay together for a while - friends it seems.

Calypso tells him about her year - about how she wanted to explore the world. She tells him she wanted to join Artemis' hunt - but, courtesy of Odysseys, she is no maiden.

He tells her about Hazel and Frank, Perseus, and the love hexagons he doesn't even know he is in - omitting the part that he is now in Tartarus. They talk about Festus - Calypso tells him about how his father is good to hear - how he came to visit, sometimes.

A week passes, maybe a week and a half. Leo vows to take Calypso off the island once the war ends, and she believes - once, a hero as brave as Leo made her the same promise, and stuck with it through the end.

In Cancun, Africa, Jason and Nico are having daily audiences with Auster, the Roman god of the south wind, in connection with the Seven being able to proceed on their way to Epirus - seeing that their ship is all broken and they have no Leo.

Auster is indolent and seems increasingly disinclined to cooperate with Jason and Nico: he dislikes the son of Zeus, and the wind never had a good relationship with the sea. Annabeth also tries her hand at it - but it's rebuffed at every turn. Piper is prohibited from entering the palace because of her magic voice.

Jason and Nico - even though they aren't speaking to each other - have for a long time admitted they don't fit completely at either camp. Jason is still too militar for CHB. Nico is too old for CHB. Both are too free with their personal lives for Nova Roma.

Auster agrees to meet with them and tells them to commit to one side - greek or roman. They deny it - they're both. The gods are both, they have been thrust in a war of both sides, they commune with gods on both aspects and they ask them to run errands for both pantheons. They have the right to be both.

Auster is not happy with this - mainly because he believes they should keep the sides separated. But it's the first time Nico and Jason agree on something - and they fight together for it. No god has the right to define those petty things when the demigods are fighting their war.

Auster merges with his greek counterpart Notus - an amalgamation of both his carefree and his militar side - and sends The Seven on their way when coerced by the threat of a hurricane and a typhoon.

He sends them to Valletta, Malta, where they find the Argo II fully repaired and in the harbor. In the port, on a small cafe, there's Leo - sitting and raging internally against the gods, who once again, fucked up something.

They trade stories, and Leo just rages more. He isn't sure how Perseus didn't ally himself with Kronos in the first war if that was the bullshit he had to deal with every day.

First Khione, then Zeus locking Calypso up, then this Notus guy - they are a week and a half late. Is Perseus still alive after nineteen days in the Pit? Is he sane? Did he tried to get out - and they weren't there?

It's with a shocking gasp from Annabeth that they realize that Perseus's birthday is in three days. They have been traveling together for thirty-seven days now - and they have to get Perseus out of Tartarus before the 18th, at least. Is the minimum.

It takes them a day to get to Epirus. There are enough monsters in their way to start a menagerie - Gaea is actively trying to stall them, so there must be a reason. Perseus might be alive.

Arriving at the Necromanteion, which they learn is just a very fancy name for catacombs, Hazel, Frank, Leo, Annabeth, Will, and Piper descend into the ruins, leaving Nico and Jason - who are both completely useless under the earth - behind with Malcolm - who, since Arachne, is pretty much claustrophobic.

They eat the barley cakes to protect themselves against the toxic potion they must drink in order to enter the temple. It's difficult to swallow poison - it burns as it goes down.

The mist tries to confuse them at every turn - Hazel diverts it. Her power over metal energy guides them - she can feel the basis of the building, way down where they are.

Katoptris burns in Piper's hand. It shows her Perseus' face - he looks cadaveric, shrouded in death. Sometimes he flickers, like a ghost - but he is alive, and heading to the Doors just like they are.

It's enough to spur them forward. Perseus is doing the same journey - from a much difficult side. They will meet in the middle.

Earthquakes strike the caverns, making part of the floor collapse. In a side, Piper and Will, surrounded by monsters in all sides. In the other, Frank, Leo, Hazel and Annabeth. The son of Mars doesn't think twice - the scepter.

He uses the Scepter of Diocletian to summon ghostly Roman soldiers, and as a Legatus Legionis, he does have the power to command all of them. It would be more controlled if he was Praetor, but the actual Praetor is Perseus, and so, in his absence, Frank will have to do.

The tunnel collapses. Hazel. Leo. They might be dead - but Frank can't panic right now. They are alive. They will protect each other, they have Annabeth Chase with them. Hazel controls the mist - everything will be just fine.

Anger grew in his chest. Those are his friends, his... his loved ones. This freaking ruin don't get to kill them before Frank summons enough courage to submit himself to the ridiculousness of telling them.

Hazel wants to cry - they left Frank behind. He might be dead - they might be all dead. Leo isn't much better. For all that Zhang seems to hate him, his infatuation with the Canadian never disappeared.

Annabeth however, is practical. She tells them Frank will be fine - the guy can transform into a dragon. Or a chimera. Probably a poisonous one, after the stunt in Venice. He has an army - it's okay.

Pasiphae is a bitch. Leo hates the woman - she reminds him of Aunt Rosa. Or Juno. Or Lady Muddy herself. He and Annabeth let Hazel do the majority of the talking - but both of them bristle as the Doors shake.

An unauthorized presence. Perseus actually did it - they have twelve minutes, in accord to Annabeth - who Leo knows better than to doubt - to open the Doors. Or he is dead, lost forever.

"It's a pity Gaea needs a son of the Earth and a daughter of the Sea... But none of you are children of the Underworld or the ocean, are you? Not even the acolyte of Trivia."

Everything indicates that she'll open the door herself - but Annabeth can't risk she whisking Perseus away to Gaea before they can reach him. So she sneaks past with her cap while they fight.

Pasiphae goes down to Hazel's illusions. Annabeth opens the Doors, before cutting the chains as Hazel and Leo distract Clytius. Perseus stumbles out, a giant tiger in his heels.

Leo didn't think he would ever see a harsher picture. The tall boy was still muscular - but gaunt as if he hadn't eaten since the fall. There were scars everywhere.

He couldn't look more - Clytius is threatening Perseus, but both Annabeth and the tiger stay in his way. Trivia appears - but they aren't truly winning until Piper, Will, and Frank are able to reach them through Hazel's magic.

Will goes immediately to Perseus' side - there's panic in his eyes. Leo can't see much this far - he hopes the son of Hades isn't dead. Piper and Frank fight alongside them. Annabeth is still hovering protectively over her best friend's prone body.

There's not much need for help - between Hazel and Trivia, the bulk of Clytius powers are unusable. The shared power of Piper (love is never where you expect it), Frank (and his undead soldiers), a very angry Annabeth, and Leo is just overkill.

They win. Will is feeding Perseus ambrosia - there's something really wrong because there are tear tracks in the blonde's face. Leo comes closer - their friends follow.

Perseus is destroyed. He looks like he has been through hell - there's a scar crossing his face and his eyes are sunken in. But that's not where it stops.

Leo's gaze goes down, to the ragged clothes that are barely recognizable - the sweatpants he was convinced to wear to go underground, the once-green sweater - and sees what is missing.

Where Perseus' leg once was, there's a metal one. The boy is curled in the fetal position - his metal leg sticks out like a sore thumb, and it looks like he might cry if he wasn't so dehydrated. The tiger nudges its head against the boy's leg and growls at them, but it doesn't attack.

"I... I can't touch him. I touched him and he started panicking... I... We have to take him back to the ship. He is stable, but..."

Frank picks up Perseus in a bride-carry - a month ago, he wouldn't be able to do it. But now, he is stronger - and Perseus must weight ninety pounds wet.

The tiger follows - when they cross to the daylight, they can see it's not a normal tiger. Annabeth - with a distraught look in her face - tells them it's a skeleton tiger. Probably a saber-tooth.

They go back on board - Piper goes up to call Nico, so he can fly Perseus into the ship. He does, but the expression in his face is so crushing Leo almost wishes they had delayed it by destroying property and landing the ship on the street.

The mood of the ship is yet again somber. No one wants to leave the infirmary - but Will forces them to rotate, so as to not overwhelm Perseus. Hypocrite - he is living in there.

Leo, Malcolm, and Piper - the least close to Percy, even though they are friends - let the others take the bulk of the shifts. Annabeth, Nico, and Jason almost get into blows about it - she wins on the fact that she knows Perseus longer.

It's difficult to IM both Rachel - who is a minute away from depression since he fell - and Lady Persephone. It's even harder to tell Sally - they leave the task to Annabeth.

They harbor for two days, waiting for Reyna. She appears from the sky during dinnertime - her horse has to be euthanized almost immediately after a run with the spirit mountains.

They talk - and end up deciding that she will take the statue back to Camp with Malcolm, the most resourceful out of them. Percy would be the logical solution - taking him out of Gaea's reach - but the son of Hades would probably be unable to shadow travel so soon.

While this happens, the others will set course to Athens - to stop Gaea and destroy the Giants. For now, they eat.

Midway through their meal, Will comes into the board - everyone knows what it means. Perseus is awake - on his birthday to boot. They take their food to the infirmary - to see the boy looking at the ceiling.

He gives them a faint smile, but no one misses the way he curls into himself any time there's someone a little too close. Perseus relays his tale - it's heavily edited, Annabeth can tell.

But he tells them about the leg - but not how he lost it - about the tiger - the name is Small Bob, but he doesn't talk about Bob - and about the firewater - but not how he got the injuries.

Small Bob never leaves Perseus's side. The demigod insists that he wants to go outside - he ate enough ambrosia and drank enough nectar that even some of his scars are gone. Not the one in his face though. Will let him go - but Annabeth thinks that he just asked out of courtesy.

He doesn't have green eyes anymore - they darkened to a point they can't distinguish his pupil. They observe as he sits calmly in the deck, metal leg sticking out, and strokes the head of the tiger, who is acting more or less like a giant house cat.

None of them miss the tracks of tears across his face, or the look he gives the night sky - it's bittersweet.

"Bob says hello"

58 notes · View notes