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#i do not give you permission to sell the rights of my art
daez3ro · 3 months
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BTW to those with art posted here, they are looking to and will most likely sell rights to your works to Midjorney or OpenAI.
Upload your portfolio to cara.app
Check out @TheGlazeProject on Twitter; dm them for an account. Get your works covered with Nightshade (when it's widely available) and Glaze.
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literaticat · 9 months
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I'm at my wit's end. I've spent a decade trying to break through - 10 years with 5 novels coming super close with a variety of big publishers, who rave about my writing, ideas, etc. Feedback has been mostly positive. One even rejected saying "I don't know why we're rejecting this, it's EXACTLY what we're looking for and ticks all our boxes, but we feel compelled to reject it anyway." Is there just a "Do Not Publish" sign on my head? How to keep pushing ahead after so long and so much rejection?
(OP continues...) "Sorry about the rant, Jenn, and I know there's not much you can say as you don't know my specific situation. But it's just maddening. 10+ years of my life! I know everyone faces rejection, but I seem to mostly get positive feedback and so many "close calls" of almost getting a deal - a lot of interest, but then it just peters out. That "compelled to reject anyway" just made me start feeling like I'm just fated to never be published, no matter what? I'm unagented now, starting from scratch..."
OK first of all -- that rejection, if that is literally what they said, is utterly insane. I have to presume (HOPE? PRAY?) that you are paraphrasing, that that is what it *felt* like to you, but that's not LITERALLY what they said??? Because there are certainly things where, on the surface, yes, this is what a publisher is looking for and it "ticks the boxes", but ultimately, it doesn't have that X-factor, je ne sais quois, or whatever -- so I can see a publisher saying something like, "while the writing is admirable and the premise is interesting, ultimately, we weren't compelled enough to make an offer for publication" -- which is ALMOST what you said, but there's a key difference that makes it actually normal and not insane. Because in YOUR version, it sounds like they are under an imperius curse or something, where they don't know what they are doing or why they are doing it, they just have to do it, even though it is against what WOULD be their better judgment if they weren't cursed. And... it's wild to think that a publisher would make a statement like that. (Maybe they were having a very OFF DAY???) -- BUT ANYWAY, on to the crux of your question/rant:
I understand your frustration. If it makes you feel any better (??), you're not alone. I know many -- MANY -- MANY career authors, who spent 10 years honing their craft, trying and failing, getting rejections, getting close-but-no-cigars, etc. I was chatting with a wise (and now famous) author I know, who spent 10 years or so in the query/wrong-agent/rejection/close-call trenches. She told me a theory that I feel pretty sure is right, though I don't have proof per se, it does track with my observations. She said:
Just about everyone who sticks with writing or the arts in general as a career has about a ten-year rough patch. That doesn't mean it takes everyone ten years to get published! (Though it does take LOTS of people 10+ years) -- Some lucky people get their break a lot sooner than that. BUT. Everyone has to pay the piper that ten year fee, either all at once, or in installments. So let's say you sell your book right away and start raking in the accolades etc -- fab! Just know that nobody stays popular and beloved forever, and at some point, the ten year slump is coming for you. Aren't you lucky that you're getting yours out of the way now?
OK, if that didn't work for you, how about this:
How to keep pushing ahead after so long and so much rejection?
You know you don't have to, right?
Like, if writing and seeking traditional publication is making you miserable -- you can stop. In fact, stopping may be a great idea.
I say this not to be discouraging, but rather, encouraging, actually. I encourage you to give yourself permission to prioritize your own mental and emotional well-being.
If you realize you miss writing and can't live without it -- go back to it! But maybe instead of having "publication" as your goal, your goal can be writing for the pure joy of it, without worrying about future queries or would-be agents or anyone else's expectations. What freedom! Embrace that!
Then when you do have a brand-new shiny manuscript, you can decide your next steps. Maybe it's trying again for traditional publishing, and this is the turn around the track that changes everything. (It should be close, if the 10 year theory is correct!)
OR, maybe it's self-publishing. (Lots of people have a lot of success there -- maybe you're one of them!) --
OR, maybe it's just chilling out and writing some more for your own pleasure -- creating art for the sake of creating it, for fun, for self-fulfillment, etc. Like, you know, a normal hobby, that nobody is expecting you to monetize or make into a "gig".
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natalievoncatte · 11 months
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“Careful with that! We have to assume everything here is dangerous.”
Lena would have preferred to be anywhere else. The last thing she wanted to occupy her afternoon was dealing with yet another reminder of her brother’s sprawling insanity. Every one of these weapons caches -he probably would have melodramatically called them “hideouts” or “secret bases”- was like a tombstone marking the grave of the only truly sincere, loving relationship she’d ever had in her life.
He hadn’t always been the slavering maniac with an incoherent obsession with killing a superhero. He’d been a protector and a benefactor, a chess opponent and a confidant, the only person in her life who presented an uncomplicated human connection, without any ulterior motives or conditions.
Everyone else wanted something from her. Money. Power. A competitive advantage. Technological secrets. Or just sex. Lena resented that most of all, the gray old men who saw nothing of her achievements or her intellect and regarded her as just another piece of ass with blue enough blood that they had to ask permission rather than simply grope.
Watching her crew load up the equipment in this sweltering heat made her physically ill, and she was glad she’d skipped breakfast. Kara would be upset if she knew.
She’s had to text Kara and let her know that she’d be out of the office and would have to skip their lunch plans. Kara was…
Kara was becoming a complication, because Kara was doing the one thing Lena wished she wouldn’t: She was giving Lena hope. She’d barreled into Lena’s life with an earnest intensity that had been bewildering at first and intriguing afterwards, with her insistence that they be friends, and constant reminders that they were friends, even as her eyes wandered to Lena’s cleavage or she unconsciously bit her lip and stared that smoldering stare just to look away at the last second.
Lena shook her head, clearing her thoughts of yet another Straight Best Friend taking her down that well-worn path of sapphic suffering. She had bigger fish to fry right now.
It was too bad that her relationship with Supergirl had been so chilly lately. It might have been easier to simply tip off the hero and the government agency she worked with and let them handle the clean up.
Lena was deep in reverie when one of the crates, a bulky reinforced one, dropped a good two feet from a forklift and the wood splintered as the locks burst free.
“Idiot!” Lena shouted at the driver. “This equipment is sensitive and potentially dangerous, and…”
“STARTUP SEQUENCE INITIATED.”
A metallic voice ground out of the crate and it shifted as something vast and bulky moved around inside. Lena stumbled back, glad she’d opted for a sensible set of flats for this, and turned to run.
A metallic claw crashed out of the crate, followed by an arm-mounted rotary cannon. The older model Lexosuit, one of the originals that Lex had planned to illegally smuggle out of the country in a fake theft scheme and sell to the Kasnians, stood up in its shaky, clanking way and took a few steps, shaking off planks and nylon straps the way a baby bird might shake off pieces of shell.
There was nowhere to go. The machine scanned the room, moving jerkily as it zeroed in on her.
Lex’s voice, a recording, boomed from its loudspeakers.
“Ah, dear sister, I see you’ve found another of my hidden fastnesses.”
You melodramatic-
“Oh well. I should thank you for setting off the security system. I won’t have to waste my precious time killing you myself. Au revoir, Lena!”
The suit spun its arm cannon and aimed at her. The barrels assembly made a half turn, the electric motor charging up as it cycled the first 32mm mass-reactive exploding shell into the chamber. Lex had once called it a masterpiece in the art of violating the Geneva Conventions. It was about to blow Lena inside out, and the subsequent shots reduce her to a the chunky consistency of a good bolognése.
But then there was a wind that was not a wind, and SHE was there.
Supergirl seized Lena with precision and grace, hands that could crush diamonds pressed just so over Lena’s ears to protect her from the roar of the guns. Lena wasn’t sure who screamed louder, her or Supergirl, as the revolving barrels ripped out their entire supply of ammunition in a few seconds, pummeling Supergirl’s back with explosions that could have shredded a tank, as the hero cradled Lena, sheltering her with her superhuman body.
When the hellstorm was over, the machine charged at them.
Supergirl did scream now, and fell upon the machine in a berserk rage. Lena had seen her in a fight before and knew she could be terrible to behold, but this was different. The empty suit was struck with such unending fury that she reduced it to shreds of metal and oil-spitting chunks of machinery in moments, spreading it halfway across the floor of warehouse.
When Supergirl rounded on her, Lena’s heart skipped. The hero’s chest was heaving, straining at the crest on her chest even as the bunching muscles on her arms and stomach pulled at the material, her perfect hair swirling around as she turned, that angelic face marred by a streak of oil and a sheen of sweat.
How dare she just look like that. It was incredibly unfair.
Before Lena knew it what was happening, Supergirl was lifting her into a heart-skipping bridal carry, pulling her much too close as she took off. On instinct, Lena pressed her eyes shut and buried her face in the Kryptonian’s neck, to hide from the heights.
Moments later they landed, and Supergirl threw Lena’s balcony door back and deposited her on her feet, leaving her stumbling back against her kitchen island in a daze. Supergirl stared at her, looming over Lena with the height difference increased by her stacked heels and Lena having lost her shoes at some point, so her stocking toes were left curling on the cold floor.
“That thing almost killed you,” Supergirl snapped. “If Is been a millisecond later you’d be dead.”
Her voice was tight with emotion, somewhere between anger, exasperation, and terror, and it felt like a fist closed in Lena’s chest.
“Are you sure you just weren’t there to make sure I wasn’t taking Lex’s old suit for a spin myself?” Lena spat, though her voice trembled. “You don’t seem to trust a thing I say lately. If I tell you the sky is blue you’ll go check.”
Supergirl’s face flushed and Lena braced for another booming, self righteous speech about trust or safety or the meaning of teamwork or some such heroic nonsense, but then her voice shattered into a million pieces and tears welled wet in her eyes.
“All I want is for you to be okay.”
A thousand thoughts danced in Lena’s mind. To ask her why, to defy her, to taunt her, to demand what exactly it was that made Lena so damned important that this woman was so intense about her safety one moment and so angry the next.
In the dance of all those thoughts, the more base instinct won out. Lena grabbed Supergirl by the neck of her suit, just below those delightful collarbones of hers, and used it as a handle to pull herself into a hard, aggressive kiss.
The world hung still for a moment, and Lena felt it all pivot around her. Something big was happening here. Something huge, something…
Something forgotten entirely as Supergirl’s tongue roughly claimed Lena’s mouth and her hands raked over Lena’s ass, dragging her skirt up.
Oh God, she thought, this is actually happening.
Lips pressed to her skin, the words burning hot into her flesh like an invocation.
“Is this okay?” Supergirl whispered.
“Yes,” Lena moaned, without hesitation.
To be continued…
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iaminsideyourwalls · 3 days
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I'm opening commissions for the summer, so get 'em while they're hot! 3 slots open at a time, check my ko-fi or bio for openings.
ko-fi.com/wallsartcommissions
Terms below the cut, read before buying
Please let me know the kind of style, composition, and content you want in your piece! Reference images are greatly appreciated, and are required if you want me to draw your OC.
What I won't draw:
anything NSFW: explicit nudity, porn, or fetish art (nothing against these types of commissions, I just can't accept money for them when I can't verify ages online)
anime anything
NFTs
If you're not sure if I'll draw something, ask first. I accept direct messages on ko-fi and tumblr!
Yes, I will draw your OCs. Send a full body reference of your character. If you want a colored piece, please send a colored reference. OC commissions may take longer because I am working from a new reference.
The process: 1) Once you buy a commission from my listings and describe the commission you want, I will give you an estimate of how long you can expect the commission to take. Depending on how large and complex the piece, wait times may vary. 2) I will send you process images for your approval. If you want major edits, I may need to change the price. Once I get your approval for the final piece, I will not make any further edits. If I do not get any responses from you, I may cancel the commission without refund. 3) I will send you a png of the finished piece.
Payment: - I need payment in full up front through ko-fi - I don’t negotiate my listed prices, but I can work with you to price something not listed. - Prices are in USD. I don't accept crypto.
Refund policy: - I don't refund finished pieces. - For WIPs I can only refund the total cost minus the cost of the work I have already done.
Rights: - You own the finished piece for personal use, including profile pics on personal accounts. If you use/post it on your social media I require artist credit. - You do NOT own it for commercial use (you can't make money off of it in any way, make ad revenue off of it, use it to promote your products or brand, use it in a youtube thumbnail, use it as an NFT, sell it, sell it on a product, etc). I do not grant permission to use my artwork in any AI programs. - I may post your commission on my tumblr.
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kyomaakuma7 · 9 months
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!!!MY BOUNDARIES!!!
Hello, I’m unsure why I have to say this since I feel it should be obvious but I am setting some my opinion straight and I hope people can listen and act.
Ask Box
I would like to start with my ask box. I opened my ask box with the intention of doing some request an art on my free time as a fun stress reliever. What I was not expecting was people to be demanding art, giving me backhanded comments for not responding to their asks, and sending me links to drama that I have nothing to do with.
My ask box is or for request, comments, and concerns. People need to keep in mind that their requests are not commissions. You are not paying for the art therefore I don’t have to draw it or respond. People saying “I made a ask and you haven’t responded.” Or “I can’t believe I finally had the chance to make an ask and I was ignored.” … please understand that,
1. I have no obligation to do any of the asks. I do the ones I want when I want.
2. I am a College STUDENT who also WORKS. I am very busy, be patient.
3. You DMing me asking for an art request that you can make in my inbox is unnecessary. I have gotten a good handful of people doing this, I’m not mad just confused why they come to my DMs when I have a ask box for a reason.
4. Demanding art will not get you art. Giving me attitude will not get you art. The apologizing and trying to ask me to make you art will not get you art.
5. I’m ok with crack ships. I am not ok with incest, non-con, NSFW, etc.
6. Do not ask me about drama, do not send me drama, do not @ me in drama. Not about me? Not my problem. I will speak about the things if I want to.
7. Please stop asking me when I will post InkyMystery or telling me to post it RIGHT NOW. Just stop, I’ll post it when I cussin want!!
Art conditions
I have said this before, and I will reiterate it here and now.
I am not comfortable with people tracing my art, reposting my art without my permission, or claiming my art.
Dubs are fine. Fan art is fine. Inspiration is fine.
However do not trace my art, and then call it inspiration. In the past couple of days I got a post where I was @ in. This post was very obviously traced of my art and was deemed “big inspiration”. I do not appreciate it when people trace my art. Please don’t do it.
I have also had four people have been posting a My art on their accounts on Instagram and Pinterest. Please do not post my art without my permission regardless if you credit me. Ask me.
Commissions
I’m going to put this in a smaller category because it’s not that big of a deal for me. But it should be known that any art that is commission by me will have my signature or @ on it. It is not acceptable to remove it. You may use it wherever you please as long as you credit me.
The only time it is not acceptable to use it without letting me know first is if you plan to use it for merchandise/ to sell.
Ending Notes
I’m very sorry if this came out as me venting or being very passive aggressive for angry, it’s just a couple pet peeves or issues that I’ve had recently with making sure that this account is smoothly and that I have no personal issues keeping this account up.
Thank you if you read this.
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tyrantchimera · 10 months
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Just want to make my stance clear: I am anti-AI because these programs are being fed with author's or artist's works without the creator's consent. This is theft, because the writing/art is being used for a purpose not intended. Art and writing are shared, for free usually, with the intent for someone to read/see it and enjoy it. NOT feed it into an algorithm to make a product for someone else. It's unwritten social contract, sure, but that doesn't give anyone the right to use someone else's product like they own it.
This is especially true for art AIs, as there are often options to literally copy certain artist's styles. It's like you made stickers to sell using someone else's fanart. Sure, you made the sticker, but unless you bought the rights (or asked permission) for that artist's work to be used in that manner, it is theft. Or maybe you traced their images to sell your own versions of it. Technically you made the art, but it was only possible as a derivative of someone else's effort. And I can guarantee you that VERY few creators would be happy if someone traced their art and then touted it as being the property and efforts of the tracer.
This is also plagiarism in a sense, especially for writing AIs, as "content" that was made by someone else is being sourced into these things and spat out the other end without any proper accreditation, even if altered. Any monkey's uncle who has done a modicum of higher level science knows just how massive an issue proper accreditation is when writing academic papers. All information, except for common knowledge, MUST be given a source. If you read a paper saying that, for instance, the metabolism of a certain animal is increased by (x) factor for (y) reason, you cannot simply state this fact in your own paper. YOU MUST CREDIT THE SOURCE OF THIS INFORMATION. It is a legal issue if you do not.
The people who make these AIs do not make their own art to feed to these programs. They do not write their own books and stories to teach to these things. How could they? You need thousands to train such a program. So they take it from somewhere else. The program cannot be held accountable for what it does, as it is only doing what it is trained to do. But the people using them seem to think nothing of HOW these things were trained. And very often, the machines are used to replace trained writers or artists. Why pay someone to make something for you, who can only do so because of YEARS of experience, when you can use an AI at a fraction of the cost? An AI that was unethically trained on that artist's work, without their consent, to create an image similar to the artist's abilities? Can you not see the issue here!?
Therefore simply using them is extremely unethical in my eyes. To say that using AIs isn't outright plagiarism or theft is a brand of obtuse ignorance I cannot stand. That sort of entitlement, to use someone else's efforts and "products" to further your own ends, is utterly immoral. I will NOT be swayed from this stance either.
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hollowsart · 3 months
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I do not consent to this whole ai thing and refuse to have my works stolen and claimed by tumblr's staff as their property to be sold without my consent and permission. my art is for myself and ONLY myself to sell. just because I use tumblr does not mean tumblr owns my works. my works are mine.
I did not sign any contract upon joining tumblr that gives them the ILLEGAL right to steal and claim my work as their property. This is a violation of some kind and I am severely damaged by this as an artist who has had a tumblr since around 2012 even tho this blog was made in 2014.
"go to support and tell them your feedback on this" how? what do I say? how do I even fill this out effectively?? I am severely uncomfortable with sending emails and never have enjoyed it. I need more information and help to do such a thing for giving feedback. when posts talk about this, they make it sound so easy like sending an ask to another blog or making a post type of easy when it's very clearly not. there's multiple options and steps and things to fill out when trying to sending anything in to the support team.
selling data and people's works to ai companies is never worth the money. I don't care how desperate you are, there are other and far better ways of making money and curating this website and one way is by listening to the users and actively working to make the website more user friendly and beneficial to the users rather than actively hostile.
I am honestly so sick and tired of seeing these posts and having this rising fear. just stop with the ai already, it's not cool, it's not fun, it's a violation of human rights, I swear.
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dramionediscussion · 3 months
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Hi! So I haven't been following Dramione / Harry Potter fanfics community in a while and imagine my surprise that lots of post has been about the monetization of fanfics.
Initially I thought it was more of seller on Etsy selling their service of printing and book binding by request, so they are selling the printing and book binding service, not the actual fanfic works themselves, but then the more I read the more I realized it's actual sellers selling the fanfics in published hardcopy book form for profit without permission, which is just shocking, appalling, unethical, and really sad that this has caused numerous authors to pull the plug , so to speak , and pull out their fics as a way to protect their works. Not to mentioned with this gaining traction it increases the chances of original authors possible banning fanfictions all together since people are profiting from their work essentially.
Anyway, recently I have mostly been involved in smaller fandoms , or recently established fandoms, which much smaller community or smaller numbers of published fics, so I haven't heard much of this fanfic seller issues happening there.
Has this issue impacted other fandoms especially the big ones like Star Wars, Marvels, Supernaturals, etc? Also, aside from reporting the sellers, is there anything more proactive that we can do as readers, writers and community members? Has there been any actions towards raising this to The Organization of Transformative Works (the one heading AO3) for more concrete protection measures for everyone involves?
Thank you!
Hi!
Initially, authors said that the bookbinding profits were just from materials to make the physical book and the person's labour, but now that is not the case. Also, the binders would get permission or pay an artist to use their art in the books.
I don't know if this is affecting other fandoms, I haven't seen any Dramione author or fan say that they are seeing this elsewhere. If anyone knows, please leave a comment!
But people are saying in the Dramione tag that they have reached out to AO3, but haven't heard anything. I don't know how AO3 will stop this or help to be honest. They are just a host for the works. They give people the option to download fics. Some people on the tag were saying they were gonna try to contact AO3 and see if they can make downloading optional, so authors can choose if they want their fic to be downloadable.
But AO3 is a huge company, I don't see them caring unless this whole bookbinding thing starts getting the attention of JKR (who seems to be preoccupied with advocating for the removal of basic human rights).
BUT ALSO!!!
This is causing a lot of fans to start downloading their favourite fics before authors remove them. I am already seeing people sharing PDFs over on the Dramione subreddit. Many authors don't like this either. Download it for yourself, but do not share. So now they are gonna have to deal with this too.
-Lisa
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kaphzzz · 6 months
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i love your art so much! your bio says that your work is not created to be references, does this mean you don't approve of their use as such? i've referenced your art in the past, but i'll stop doing it if it's not what you want. keep up the great work!
tl;dr: I appreciate anyone wanting to use my work for reference but please ask me for permission before you do because i own it and it's basic artist etiquette. (also i may not grant it.)
hello again :)
ah! perfect opportunity for me to explain this whole thing! that was me throwing a tantrum in response to one particular case which was an artist copying one of my photos exactly as it is and was like hmm i'll sell this as a print, and i saw it by chance and was like no wtf thats not ur work to sell... and granted they did credit me but this, along with a few others things both recent and long bothering me, pissed me off enough I put that in my bio. like. there are ways to respecfully create something based off other ppl's work and ways that don't. also ways that just straight up aren't technically legal. i get walked on so much i forgot my rights to my own work.
with that said tho as long as my work is credited or its noted that the art is reference practice and not original art, and not like... further edited or interpreted in the same way an artist wouldn't want their art to be tampered with, especially the fake cgs i sold my soul to make, im mostly fine with it. also ask me for permission before hand bc there are things i don't want other ppl touching. i think i know what ur art blog is and im pretty sure you've been crediting and being very supportive so im okay with it :)
i could write a whole thing about how originality and effort and creative ownership in VP is overlooked but in short, my work are all individually a complete photographic piece that i intend for to be viewed as is. if, say, i blur an image or have little lighting or only include half a subject's face or whatever these are all intentional choices i make in attempts to create emotion and atmosphere etc. idk if i managed to communicate that clearly. basically what im trying to say is, judge me if you will, but i don't think it's selfish for me to want my work to be viewed the way i want it to and for ppl to recognise the effort i put into making it a creative original piece.
now this is just me rambling but in general, while i do appreciate that others will look at my work and think the composition or lighting or whatever is good enough to be a reference, i'm still bothered when thats all they can see (i.e. sees a vp work and think oh hey look what a good ref for my art!!1!), especially if they like see it reposted on pinterest and think its free for the taking…? baffles me how some artists are so aware of the ownership of their own work but fail to give others credit where its due.
a few links for anyone interested enough:
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anyway wordspew over. sorry if this whole thing sounds angry but like. i'm angry. have been for a year ever since i started doing vp. mostly bc of the resposting but still. but yea anyway thanks again for this ask and for being considerate and the support! <3
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ave661 · 6 months
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I can’t believe you have to deal with reposters, ai, people removing your watermarks, people SELLING your art without your permission, and so much more bullshit… I don’t know how you have both the strength to post your art and the willpower to not private everything. Honestly, kudos to you.
And (insert curse upon those who steal your work and mask themselves with your face)
In lighter context, I love your art! Visiting your blog and each of your posts always gives me an extra pep in my step 🥰 and ton art de Dad Ghost fait que mes ovaires libèrent des ovules
Awww thank you for kinds words. I appriciate them! ❤️❤️😭 I can't wait to post dad!ghost part 3 ong
And honestly? Sometimes I don't, but refuse to give up and let them win. But yeah, the hardest part of posting stuff on the internet right now is also dealing with people who want to make money from them. Most of the time they try to sell them on etsy, but week ago my moot warned me about someone doing this on amazon… so… yeah😞 It's so annoying because i'm wasting a lot of time on reporting them. Let me be silly and create silly renders with pixel pew pew bois dammit!!! >:c
I mean.....I could paywall you all and bait you with cropped photos with "go to my Patreon for full version!✌️🤪" but I don't want to be that person. I appreciate all the support, but I also understand that not many people have the money to throw away on the Internet. It takes me a lot of time to make them, but I don't treat it as job, but as an opportunity to learn something new. And honestly? This has helped me a lot mentally as I have adhd and renders helps me keep my life organized and busy. Thanks to them I don't waste my time on for example binge eating or just laying in bed and watching tv and so yeah! Love it!
It may sound ridiculous, but I cry sometimes when I see someone using them as wallpapers or printing and hanging on walls....OR TATTOOS?? WOAHMAMA- Sometimes I print nice comments and glue them into my notebook and I'm not making this up🙏Reading your reactions is the best part of all this for me ❤️
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stackthedeck · 4 months
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I fully recognize that being sad about losing my blorbos is not like a Real Problem, but I've decided that given the whole Sabra situation I can't in good conscience ever support Marvel again, and every day I remember another character that I'm never gonna get to see again and I get so sad. How are you dealing with it?
Okay fun answer that is like so deeply unserious but like i do think it is practical if you're like me and fandom has been your main hobby and identity for years. and then i'm putting the more political and upsetting answer under the cut because frankly they should be separate posts but I only got the one ask
I've been dealing with it but like forcing another hyper fixation lmao which you know doesn't work for everyone but like hey join me in booster gold and blue beetle brain rot!! It's super easy to not talk about marvel if all i want to talk about is other characters from dc and indie comics. I'm not buying marvel comics anymore because I've gotta save my money to buy the current blue beetle run. I can't post marvel fics right now, I'm working on boostle fics and I'm hoping that if I scream loud enough about them I'll have convinced enough people to read their comics and they'll have 1000 fics on ao3 by the end of the year
To some extent I still think about the characters in marvel that I hold dear, I'm still doing fandom for them through discord and continuing fics and i still reblog art on here. I do this because the cultural capital of those actions are negligible that the marvel brand and disney company really gaining nothing for it and i truly believe that all art needs to be discussed and thought about especially when the creator is problematic and like deeply involved in politics. I'm still thinking and talking about marvel because the space i gave it in my heart and brain never goes away and like quitting cold turkey this thing that's been in my life since i was 8 isn't super attainable. but I'm not doing these fandom behaviors on tiktok because it's a larger platform with no nuance, a younger demographic, and it's designed to sell you things. If I talk about marvel on that platform, aside from making people aware of the boycotts it is giving disney cultural capital and frankly it'll probably convince people to buy from the disney company. Still think deeply about these works because when we stop looking, we give ourselves permission to miss the actual messaging. when we say art has no value, we can't see it's values it portrays and we let too much shit slide.
I've found that the way i've distanced myself most from all my positive fandom feelings for marvel is through becoming more aware of the politics around comics. Getting really deep into the history of comics and the film making process of the mcu movies scratched a fandom itch in my brain, but most importantly I became so deeply and terribly aware of how the modern superhero genre has so deeply lost the plot. I gave a tedx speech about this on my campus and written a few papers about it but like Jack Kirby and Joe Simon made the character of Captain America to plead with their government to stop the oppression and genocide of their people in europe, they received death threats from nazis because they did that, despite the way people view the character as propaganda for the us military, steve rogers was first and foremost two men using fiction to beg for change and for their government to get involved to save lives. And now marvel studios is using the company they started to platform a character that represents the legitimacy of a settler state, marvel studios who is funded in part by the pentagon, who with every new movie results in increased enlistment in the military, is platforming a character that declares the right of israel to exist as it does now with the same tactics and symbols kirby and simon used to create a character that was made to stop genocide. It just makes me sick. It is a complete and total pervasion of who kirby and simon were and what they stood for. I respect their work too much to continue buying from marvel studios in any form and i can't stomach any of the new storylines the comics are telling because this isn't what comics are supposed to be
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I think about this spider-man costume that was found in the rumble of a home in Gaza (link to original post) and i think about how these stories connect us, how there was a little boy who need to feel strong and powerful who wanted to be a hero and he was killed for the crime of being born Palestinian but he's no different than any other child i've loved in my life. and this multibillion dollar company funded his death, sanctioned the idea of it through the art they create, and my tax dollars fund every step of it. When I look at Spider-Man, a character who i grew up with, I can feel only grief and rage.
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mermaidsirennikita · 23 days
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People are ridiculously entitled and it’s genuinely so disheartening. Books are someone’s ART. You don’t just get to alter a name in someone else’s creative work. (I’m appalled people out there think this is remotely acceptable - writers are not court jesters nor do they exist to please everyone - no human being nor their creative work does, in fact!) Thanks for putting your various responses out there! Here’s hoping people learn to respect and appreciate artists and creators once again
Quoth Nora Roberts:
I am not here to be a slave to certain reader’s wants, needs, whims. Again, I write what I write, and these are MY characters, in my books. Not yours. They are yours to enjoy or not, but they belong to me, they come from me...
You don’t have to agree, but I’m not writing for your particular point of view. Again, I’ve explained my reasons for this. I won’t do so again. My characters, my books, my decision. If you want something else, read something else.
And yes, I said that, too. Blast away, it changes nothing. I am not obliged to meet an individual’s demands.
So.
First off:
If you're really super chill about the idea of being able to change what writers write just because you didn't like a detail you think is small and irrelevant, I would sincerely encourage you to read La Nora's full thoughts on similar issues... and yeah, I'm gonna equate something as "small" as a name with what Nora's talking about here. Because it is ALL the author's domain. I've never personally subscribed to the idea that a work "isn't yours anymore" once it's out in the world. The way people interpret and interact with it isn't yours, sure. But it's still your creation, and you should be the only person with control over the content.
... and sometimes, I, as a reader, don't like what authors do with their content. I get it. I don't like that Lisa Kleypas edited her work years after publishing it, because I'm big on the "own what you wrote originally even if it's uncomfy" train... (for the most part--editing the fetishization of Cam and Kev would've made sense to me). And I don't think there's anything wrong with readers pointing out problematic shit in a writer's work, offering critique in an open forum, as Smart Bitches, Trashy books did when reading Hello, Stranger, which I speculate may have prompted some of Lisa's edits.
But! I can't say that it would ever be my right as a reader to, say, use future technology to tell my reading device "edit out the times Cam says shit that reads super fetishized". It's just kind of repellent to me to imagine rewriting someone's work in any way without their permission. Fuck, I don't even like the idea of estates releasing sequels or revised versions of books unless the author indicated that such was in their wishes in their will. (See: the TWO official Gone with the Wind sequels/prequels/whatever authorized by Margaret Mitchell's estate.)
We, as readers, have our lanes. The writers have theirs. And sometimes, as writers, they do tiny things or BIG things in their lanes that we dislike. (I love Tiffany Reisz's Original Sinners series, for the most part. I really, REALLY hate the most recent book in the series. HATE. IT. But the only thing I can do about that shit is just pretend that book never happened, which I actually can fairly efficiently because I do in fact control what my brain does. Or, seek out books that give me what that series didn't with that most recent book. Sierra Simone's do a bangin' job.) But you know... Not only do I not think it is safe for me to merge into their lane... I don't want writers to feel like they have to submit to demand and give away pieces of their work in order to keep selling.
(And honestly? For the vast majority, I don't think it would make enough of a difference anyway--writers are often sold bills of goods with new strategies or tech. "This will change the way you sell books". Most writers won't ever be able to write full time anyway, and I find the way that this fantasy that you'll be able to do otherwise with THIS TECH optimizing your writing time, or THIS SUBSCRIPTION increasing the eyeballs that will see your book... Scammy. Not all of it's bad! But the selling strategy that you'll make more money... If you're selling on KU, if five extra people buy your book you're still making pennies, so it's gotta be more than one thing that converges to create the sale, and a lot of that, I gotta say, is word of mouth and people just LIKING YOUR SHIT. And I'd argue that they're more likely to like your shit if you're invested as a writer.)
Second:
No need to thank me! I honestly think that the majority of readers do appreciate what writers do (or don't feel either way about it and just read like people have always read lol) but I don't know. I can't really tell what it is--the sort of "fandom" that's been created around books (and like, author fan clubs and such have always existed, but obviously the accessibility is so different), new tech developing very rapidly when for centuries books were relatively stagnant technologically speaking, the fanficification of EVERY type of media it feels like... But the sense of entitlement that certain readers feel does seem to have grown. Or maybe it's simply become more visible. I mean, Nora Roberts has from the dawn of her writing career taken off had fans that can communicate with her, and I'm sure many have written letters like "Go give these characters a baby :(".
My biggest thing is always going to be this: some books ain't gonna be for you. There are books that sound so Caroline. I read them, and for whatever reason--writing style, one character choice, something ephemeral I can't name--they aren't. Everyone else loves these books. I'd love to love these books. I'd love to discuss these books. I'm not in the party. And that's FINE. Not every party is going to be a party I'm down for! One of my best friends loooooves Tessa Bailey and Tessa-like contemporaries. Tessa, by and large, doesn't work for me. So my friend and I can't discuss a lot of books in depth. Do I wish historicals worked for her so that I could nerd out with her? Sure! But I can't make something that doesn't work for her work for her, and I can't make Tessa's books work for me.
And I know that people will be like "it's just a name bitch", but... it's a slippery slope to me, just like ALL of AI and AI-related tech has been a slippery slope. Like, y'all said AI wasn't gonna be a big deal and would just make things easier, and people are now selling AI-written books under their names. Everyone said that authors would have control over how AI interacted with their books, and books are being scraped for AI on the daily.
I do not want anyone to have final control over what is and isn't in a book but the person who wrote the book. I do not want writers to feel like they need to cede any amount of control over the copy in that book over to readers in order to succeed.
And I honestly think it would be a lot healthier for everyone involved if we as readers (viewers, general audiences) just accepted that we don't get everything we want, and creatives are not here to dance to our tune. They are people, and they want to tell the stories they want to tell. Your power? Is in your dollar. If you don't like that shit, don't buy it. If you don't want to support it... don't! Fuck, if you want to talk shit on the internet about how the most recent book in the series was absolutely not for you, that's your right, too.
I don't want you fucking with a single word on the page, though. Feel free to go write your own shit--prosper! But that part of what Nora said that rings true to me most is "they come from me". These books come from writers. You have them because of those writers. So, I don't know, dude. Just take what's there, and if you dislike it, spit it out and move on to the thing you will like. Authors aren't churn factories to produce what you want, and ROMANCE as a genre, however commercial it is and however much it does have that One Rule that defines it as a genre... Is still something that writers should be allowed to experiment with. That's the work writers put in. The work readers put in? Finding shit that works for us. And I'm telling you... With a little practice, it ain't hard. How do y'all think I have all these books to recommend? Lmao
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amaiguri · 7 months
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When you're a Writer and a Vtuber...
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If you like storytelling, Vtubing, or both, this one's for you 🥰
You'd think there'd be more overlap of "People who want to be fantasy characters and hide their face" and "Writers" but there really aren't. I know like me and @moonfeatherblue and that's it for the writing/worldbuilding and Vtuber overlap lololol. I think there should be more of us!
So, let me convince you to become a storytelling/worldbuilding/writing Vtuber like me...
In addition to just loving all the cool things you can do with Live2D as a software (if like art and you don't just stare at rigging showcases on YouTube, you should. It's so cool!), I also love storytelling in a social media space. Like, how do you tell a story over time? How much information should you reveal and when? What colors, images, and sounds evoke the feelings you want? And what feelings will keep people coming back for more? Basically, Vtubers have made me fall in love with marketing because the best marketing is just storytelling with some sort of call-to-action at the end.
Am I GOOD at marketing? No, lol, but maybe YOU would be! KEEP READING to find out XD
On the flipside, so so many Vtubers are like "I'm the embodiment of sin and also a gamer and a singer" or "I'm a cottagecore whale who is also the collector of lost souls and I play video games" and it's like... clearly Vtuber audiences LIKE the fantasy aspects of this. Why is the Vtuber default just gaming? Why is there not waaaaay more whimsy and storytelling? (This isn't to say Gaming Bad TM. I'm literally a game dev. I NEED streamers to play my games. I love them.) There's just so much opportunity for cool storytelling with Vtubers!
If you wanna get into being a fictional character/having a kayfabe-like wrestling persona for your writing, you should 100% get into Vtubing. You don't even need to stream to be a Vtuber -- and honestly I'm not even sure you need to post videos necessarily lol -- GIFs and pictures could probably get you pretty far on the right platforms. You could start out using a PNG --there are so many good, free PNGtuber softwares and you could use Picrew images (with the right permissions!) for your PNGtuber to start. Or if you can draw, you can just DO THAT.
Or if you have like $50 USD, Raindrop Atelier has a FULLY rigged Vtuber "Picrew" with chibi models that are so high quality and cute! Or if you have like $300 USD, you could get one of the Picrew-like Vtubers from Charat Genesis. (Yes, that's a lot BUT most Vtuber models — 2D and 3D alike — run you from $2000 to $8000 sooooo $300 is a steal in comparison.)
And then, over time, you could post and reveal facts about yourself and tidbits of your lore! And you could give writing advice or talking about your worldbuilding in-character! I've had this idea to make a fantasy creature mockumentary for actually years now and I'm just trying to find a good scope for it...
On the downside, as with all "storytelling in real time", it can a little discouraging at the start when you don't have a big audience. And this specific niche is especially underdeveloped so it's definitely hard to find a foothold. BUT I find that, because it's all play -- it's all FANTASY -- I have a lot more energy for this kind of marketing than I would if I were promoting myself as "just a writer, trying to sell my writing." Getting people to like me is exhausting. Getting people to like my writing is part of the writing process!
Cuz like, aside from just "inhabiting a fictional character" and "reducing your face presence online while still giving your personal brand a face", being a Vtuber is also a fun way to tie into your work.
Like, my Vtuber model is Arlasaire and she's the protagonist of my (probably) upcoming RPG, Untitled Yssaia Game, (Not the final name, real name pending lol). She talks about cooking and music and geography over on my YouTube channel and it's all infused with cool fantasy music and sound effects. She speaks in and teaches you about conlangs in the world. And she goes on fantasy dates or fantasy vacations! So now, I'm getting people attached to this character and her world BEFORE I even get into her actual story. And all her merchandising and stuff is really just game merchandising and so on and so forth... and that's just good branding! Hopefully some day, this translates into more people playing the game and seeing more of my work!
But obviously, I'm very new to marketing or else this blog post would convince more writers to become Vtubers and more Vtubers to write lol.
Anyway, here's some Arlasaire art (art: LexiKoumori on IG, rig: Kanijam) AS WELL AS some of her earlier model sketches before I asked for her hair to be silkier and less feathery! And lastly, a short unedited video of me being cringe so you KNOW you could do better :DDDD
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diezmil10000 · 1 year
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hi 👋 you can call me diez or chisi
i am from spain and i like to draw lesbians. this is my main blog, if you're only here for my art and not for my reblogs you can follow my art-only blog!!
(FAQ under the cut)
what software and brushes do you use?
i work on ibisPaint X and Krita on a Samsung Galaxy Tab S6 Lite. i use a lot of different brushes for lineart but mostly these ones:
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are your commissions open?
i will never do commissions, but thank you for your interest.
will you someday sell your art through an online shop / convention?
no, but feel free to print my stuff in good quality paper if you want to hang it on your wall.
how can i financially support you?
i have no need for that right now. please give your money to other artists or organizations.
can i repost your art / use it for edits?
i don't encourage it, but i don't mind. asking for permission and linking back to any of my social media would be appreciated too ♡ just don't use it for commercial purposes (sell merch, use as streaming layouts, etc)
how do you do X part of your drawing?
i recommend checking my speedpaints if you're curious, the name of the videos is the day i finished that drawing in YYMMDD format (as in, year-month-day). i also made a tag for my art thoughts, but if you still have a question feel free to send me an ask and i'll try my best to explain it!!
where did you learn anatomy?
i used to watch a lot of proko and sycra videos (on youtube), and also do gesture/figure drawings from photo references and k-pop dance practice videos.
when / why did you start drawing?
i started taking it seriously when i was 15. seeing lesbian fanart was what caused my gay awakening and i felt like there wasn't enough of it, so i decided to get better.
do you do traditional art?
i kind of dislike it, actually. i have filled over 1000 A4 sheets and 7 sketchbooks over the years, but it's all quick doodles to practise or warm up. when i bought a tablet i could carry around i stopped drawing traditionally as often, but i still find myself drawing in my sketchbook from time to time when i want to sketch midlessly or get better at something.
do you draw nsfw art?
very rarely, but i only show it to my friends. i do consume a lot of nsfw content tho, just not in public 👍
how do you keep yourself motivated?
a combination of drawing only what i like and a strong desire of seeing more lesbian art. that's why i mostly make fanart and almost never participate in art trades or make art gifts. i also don't want to make a career out of drawing.
have you gone to art school?
i'm currently doing a degree in graphic design at college, but it has almost no correlation with the kind of art i share online. before that i never studied art academically.
are you seriously a furry?
yes.
are you seriously a communist?
i will always stand by the workers of the world and oppose capitalism on its fundamentals. you can call me a communist, socialist, leftist– i don't mind, having a defined label isn't important for me.
are you an anti or a pro shipper?
i am neither, i don't care about this.
are you aware that you follow someone who did something problematic?
i mostly follow other artists, so if i've been following someone problematic for a long time it probably isn't that deep for me to unfollow them.
do you have any ocs?
plenty! but i don't like to talk about them in public
can i be your friend / talk regularly with you?
i don't like to talk to strangers, but if i'm following you feel free to interact with me at any time~
what's the name of your cat?
yonyon ! she's a female cat but i treat her by any and all gendered terms
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why have you disabled your DMs, story replies and sometimes comments?
because i dislike interacting with fandoms, especially big ones. i draw for myself and for the lesbians with niche interests, so i don't want to read weird comments, block overly friendly DMs or watch strangers have a public debate about my moral standards. i'm very thankful towards all of you who love my art tho, even if i can't read all of your positive thoughts!! also, there are plenty of ways to contact me, they're just not in plain sight 💋
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alcowarlock · 7 months
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Well this is upsetting. You apologized and promised to give credit, but now I'm just blocked.
I'm giving my screenshots a lot of my time and resources, making them, sometimes retouching and etc, and picking the best to share them with ppl for free. And in return all I'm getting is "huehue it's just a screenshot from the game don't be sour". Yes it is, and I have the right to be sour on that, because I'm not making money on them, I'm giving a lot of my personal time because I like screenarchering and sharing it. And then I see ppl doing this. I think that the "reference" doesn't mean lining 1in1 and picking colors right from the source... If it's your way to learn - this is fine. But making money on this? I don't know how low level of conscience such people have. And everything they can say is "oh I found them on pinterest". Good! But before using it for purpose to get money from this I think it is natural to find a first source? Not to say that there's a watermark, clear and readable. But this is callout for people who posting to s**tty pinterest without any credits and urls to original.
And same treatment with people's arts. Some smart asses picking them and selling as pins, cards, or else without any permission and don't even care for googling the source. This is so vile. Don't do that please. Such situations really zeroing any intention to share.
Upd: I'm not calling for agree with me, but if you consider my time and working on shots as "just a screenshot blah blah you don't own" then fu**ing leave my blog add don't reblog my shots. I don't intend to even thought about making money on screenshots, but I want simple respect too as base minimum.
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lchufflepuffcorn · 3 months
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I’m sorry…
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Are people really buying fanfiction of copyrighted works because the covers are aesthetic?
Let’s take a look on the definition of copyright, since so many people seems to not be fucking aware of it :
“A copyright is a type of intellectual property that gives the creator of an original work, or another right holder, the exclusive and legally secured right to copy, distribute, adapt, display, and perform a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States.
Some jurisdictions require "fixing" copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders. These rights normally include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.
Copyrights can be granted by public law and are in that case considered "territorial rights". This means that copyrights granted by the law of a certain state do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works "cross" national borders or national rights are inconsistent.
Typically, the public law duration of a copyright expires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities to establishing copyright, others recognize copyright in any completed work, without a formal registration. When the copyright of a work expires, it enters the public domain.”
-Wikipedia (29/02/2024).
(Link here)
So, again. Do NOT sell fanfiction anyFUCKINGwhere. And yes. The swearing is important, it doesn’t even BEGIN to express the pure bafflement I had when I started to have videos on my TikTok about this exact thing.
What are people thinking ?? There aren’t enough videos about bookbinding 101 to your taste? You HAVE money for an ILLEGAL copy of an “ILLEGAL” piece of writing, mostly socially accepted because people don’t charge for it? So, I’m guessing you have money to buy the products you need to book-fucking-bind YOURSELF!!
What. The. Fuck.
People are becoming way too comfortable with fanfiction, this is crazy. Have we learned nothing since the Anne Rice vs. Fanfiction ? Or, and despite her flaws, the J.K. Rowling vs. Dimitri Yemets lawsuit?
And I know, I know, that laws change depending on the country, the state, provinces, etc, but still, people. Have some restraint.
“In addition, fanfiction may be legal in the UK following passage into law of an exception to copyright for the purpose of caricature, parody, or pastiche.”
-Wikipedia 29/02/2024
(Link here)
‘But the author of the fanfic and/or the creator of the art gave me permission…’ I don’t fucking care! Hell, I don’t want to hear it. They should NOT by the ones giving you the rights to SELL materials that are not copyrighted TO THEM.
Maybe you have lawsuit money, doesn’t mean that the actual authors of the fanfiction that you are selling do! And it’s not actually you who you’re getting in trouble by selling things. Hell. It’s one of the laziest scam I’ve ever seen. Yes. Some of the covers might be really beautiful, but ultimately, they are making profit out of something that are not theirs to make profit about.
“But I really want to have one and don’t have the talent…” then either learn or make really good friends with someone who is talented for it enough for them to GIFT you a bookbinded copy.
This is not only making the lives of those fanfiction writers whose work you stole difficult, plus having the chance (negative connotation) of maybe being sued for the selling they most probably didn’t do themselves. But you’re also ruining the experience of thousands of reader all around the globe as writers are pulling their work out of the sites because of that.
Seriously, learn to think about the big picture and stop only thinking of only yourself. Self-care should stops when you’re starting to hurt others while doing it.
I’m leaving here various post to educate yourself further on the matter, or just to feed your curiosity, plus videos of Tiktoker that graced my FYpage all this week.
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