Ghost stumbles on the body countless days after he ran away. Protectively wrapped in vines and flowers, the man isn't dead — his chest is raising and lowering in a barely visible rhythm — but he doesn't seem to be quite alive either. Every time Ghost tries to untangle him, the vines seem to wrap more securely around his limbs so Ghost gives up.
He can't bring himself to abandon the sleeping man, though. He begins work on a shelter for himself and his horse.
Days blur into months and soon he has a small farm. It's nowhere near the size of his home, but the ground is more fertile than most and everything he plants produces in abundance. He's also accumulated quite a few animal companions - many of them wandering in from the surrounding fields or the forest, seemingly abandoned or having run away from their old lives too. He doesn't build fences to keep them in, but, like himself, many of them stay anyway.
Ghost begins to call the sleeping man dreamer, and without other human companionship, he talks to the dreamer most days.
One morning, after a heavy rainstorm, Ghost walks out his door and comes face to face with himself. A wave of fear spikes through him and settles heavy in his gut. He's been found.
Then all at once the panic drains out of him when he recognizes his dreamer. Seemingly awake, if a little glassy eyed, and staring right at him.
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Playing the Original Trilogy Ace Attorney games back to back, it really struck me as early as 2-2 how much Franziska is very bad at the whole "Demon Prosecutor" schtick
What made Edgeworth so tough isn't just how he would run logic circles around you, but also because he shut down every line of inquiry that was not directly related to the case and substantiated with hard evidence. His one weakness was that he still followed the due proceedings of court and the Judge's rulings without a fuss. And, you know, that he still had morals
Manfred von Karma is on a whole other level. He's even more ruthless than Edgeworth, but he's also so intimidating that he essentially takes over as judge in the beginning, and his moral compass was surgically removed because it hurt his shoulder.
But Franziska, while she also controls the social dynamics of the court, lets so much shit fly that Edgeworth would not. If he was the prosecutor, he would have needed hard evidence that Pearl was in the Winding Path, and he definitely wouldn't have let him badger Ini about the sports car she drove all those years ago.
Hell, Edgeworth's most common dirty tactic in the first game is concluding a cross-examination before you can squeeze the info out of the witness. And just in 2-2, Franziska lets, and sometimes forces, the cross-examinations to continue, even when said cross-examination reveals she was concealing evidence.
Even Winston Payne, the jobber prosecutor par excellence, is more ruthless than her IIRC, as in he tried to conclude a trial early before Phoenix could finish his reasoning, whereas the Judge literally tried to declare Maya guilty and Franziska objected
You could interpret this behaviour in many ways. In fact, Phoenix even gives us his own: he thinks she's being arrogant, à la "hit me with your best shot". It would track, as she's been pretty arrogant up until now, but I think it's a little shallow.
My own interpretation goes a little deeper into Franziska's character: We know Franziska has been raised by Manfred "my card PIN is 0001 because I'm number 1" von Karma to believe perfection is the ultimate goal. She HATES lying witnesses, but is perfectly fine with "preparing" testimonies. She's the most volatile and youngest prosecutor to date. Lastly, she felt pressure to live up to the von Karma name all her life, but when her father died, she was more concerned with Edgeworth's presumed death than it
My conclusion: Franziska's truest desire pre-character development is to win fair and square, but because she associates her father with victory, she forces herself to emulate him and tries to play dirty. All of her Manfred-like tactics are done outside of court, where she would be able to think it over, letting her conditioning kick in. But in the thick of legal battle, especially facing Phoenix Wright, who thrives on hectic trials, she would let her heart decide what to do.
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Snap.
A balancing act.
Threads too thin
and weight too much.
A hummingbird heart
in a broken cage.
Scales left unbalanced
to rust underneath a crimson sun.
/
Snap.
Tears in pretty eyes.
Teeth too sharp
and touch too heavy.
A lonely boy
in a broken home.
Lips twisted into false smiles
above an empty pool.
/
Snap.
A bleeding heart.
Wanting too much
and getting too little.
A broken fighter
in a bloodstained bed.
Hands combing through hair
in a well-deserved embrace.
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