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#i am truly impressed

ecstarry · 2 months

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im at a party and we moved on from guessing zodiac signs to blood types and this guy got EVERYONE’s right

#omfg #i am truly impressed #we are like 15 people #euge rambles

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schadenfreudich · 11 months

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I was away for only a few minutes, how did all this happen?

Jürgen made the music choice, so we're listening to "Monsta" by Chulcha Candela. It is possibly a vampire, mainly because the way it bit Hans seems much more vampiric than just a regular guy. But also if ask Jürgen it just starts laughing.

Franz somehow already got Vinzent wrapped around his finger. Those two have barely ever talked, probably didn't even talk much before immidiately starting to flirt.

Also N.E.A. was there for a bit, I guess.

#i am truly impressed #-wolfgang #about our headmates

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aprilblossomgirl · 5 months

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my favorite QL 2023 recaps: part 2 - Mark Pakin

Mark Pakin Kunaanuwit and his co-stars in shows throughout 2023.

GIF 1. The Warp Effect (2022-2023) - as Jedi with Best Jira as Rose

GIF 2. Moonlight Chicken (2023) - as Saleng with View Benyapa as Praew

GIF 3. My School President (2022-2023) - as Thiuson with Ford Allan as Por

GIF 4. Only Friends (2023) - as Nick with Neo Trai as Boston

GIF 5. Last Twilight (2023-2024) - as Night with Namtan Tipnaree as Phojai

#mark pakin #drama 2023 recaps #ql 2023 recaps #my favorite ql 2023 #the warp effect #moonlight chicken #my school president #only friends #last twilight #*gifs #april.gif #all selected scenes for the clips were aired in 2023.#did i just make a random recaps set. no. i am truly impressed with mark pakin performance this year.

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quarturtherusty · 9 months

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I literally drew it exclusively to have a place to express how funny it was of de to show excalibur with posterior buff for anniversary. They really do know their audience.

#and liger was the one to design it #going from excalibur ass fanart to actually giving him one is truly inspirational story #i am not joking i am impressed #warframe #warframe 1999 #wf arthur #wf excalibur

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noelanik-art · 10 months

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The fact that not only did Imogen kiss Laudna, but Laudna (after being surprised by it but accepting) reciprocates and kisses Imogen back, is truly such an earned and beautiful moment. They’re honest and open with each other, they’re vulnerable, they know each other well. Moving from friendship to romance is almost as easy as breathing because they were already so close, so comfortable. This is just another step in the relationship.

I am fascinated to see them discuss this more later/interact more later. I’m also very interested to see when the party finds out, since it didn’t come up again this episode.

#critical role c3 #critical role #critical role spoilers #critical role bells hells #imodna #imogen temult #laudna #laura bailey #marisha ray #critrole #critrole spoilers #critical role campaign 3 #bells hells #truly so impressed with Marisha’s turnaround #because I am fairly certain she had assumed Laudna and Imogen were just friends #meanwhile Laura is out here playing a pining cowgirl #Can I KISS YOU?

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prettysymbiosis · 11 months

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frank vs. russia

starting the episode in media res and the circular storytelling!! the writing in this episode is really good overall, just so clever and inventive and effective. go off megan

“you ARE ready. everything you need is already inside you” sunny is ready to do a gay, gay-ass love story you guys. the gays are already inside it

titling it frank vs. russia when that’s clearly the b-plot? because we’re burying the lead? because we’re telling lies???

the denny’s shirt…

“aren’t you like 60?” misogyny is so sad 😞

dennis ANYBODY can get a guy to bang them ONCE reynolds

everyone wants dennis’ help but who will help dennis? :(

when mac says “it’s VERY romantic” dennis literally smacks the counter like… yikes

“one day he will and it is going to be hot” - I choose to believe this means that rcg think old man yaoi is hot and they are excited to show it :)

sunnyblr university is producing so many brilliant scholars who understand the significance of the beads as a metaphor for queerness and whether the audience is in or out and how it doesn’t matter because the queerness is all the way in and as of this episode it’s been turned up to full blast and leads us to a resounding victory. I’m just rehashing what others have said but I wanted to make sure I include it with my notes from this episode because it really is such a central idea and yet one that can be so easily missed by someone who isn’t reading the show like this... ugh the duality of sunny will never cease to confound me

dee calling mac out like yes bitch get his ass!! (so to speak)

uncle fucking jack walks in saying “they dropped all those charges weeks ago” - playdate EW - “I don’t– I don’t have any ice cream” - “shut UP dude, that’s gross, man”

charlie is so PRECIOUS in his little outfit and glasses

is he schizophrenic? I wonder if that will come up again or if it was just a throwaway joke

violent heterosexual shushing from dennis

the backing track of the sinned system/date scene is “in the hall of the mountain king” and it’s just so fucking classic sunny and so perfect

how did mac show patrick that he needed his power? and how did he engage physically?? we need to know these things!!!

kaitlin’s whole performance in the date scene is so fucking good

“the person who made him feel powerful, but also powerless.” the macdennis of it all is truly overwhelming sometimes

the person whose validation he’s been seeking his entire life :/

“it worked” jesus christ mac

“well yeah but listen, the dennis system is a system for getting a woman. this is a system for getting a man, and that’s why sinned is actually dennis backwards!!” when I first watched this episode I was high as balls and sick with anticipation and this whole bit nearly pushed me over the edge. I mean he basically just straight up says that it’s bad for him to like men (sin) after explaining a tried-and-true system for getting them???

and then mac and dee are like “what are the chances??” and dennis is like HIGH >:( because they don’t see it. they don’t see it even though it’s been plain as day the whole time :(

dennis: “I’m still buzzin from last night” 👀👀👀👀👀👀👀👀

AND I HAVE TO BE WITH HIM oh baby boy I pray you will be

the nastiness in dennis’ voice when he says “well no, see, that’s the thing – johnny doesn’t love you. he doesn’t even like you.” glenn I’m scared of you

“they ARE my favorite” he wanted mac to realize :( and yes the crabs are deeply metaphorical

“yeah, because I AM johnny” “then who’s dennis?” “what do you mean?!” “well if you’re johnny, then who– who’s you?” one of the best sunny exchanges of all time!!!!!!!! I cannot overstate how much I love this dialogue. it just captures so much about them so succinctly go off megan!!!!!

“I can’t engage with you on this right now” great delivery rob, so funny

does dennis want to control frank like a pawn bc he felt like that’s what frank did to him? or he’s just frustrated at mac and wants a situation he feels in control of?

kaitlin’s “... yeah” when dennis asks if dee has more pills is just so funny I keep remembering it and laughing randomly

“we’re gonna need to turn the lights out.” GLENN I’M SCARED OF YOU

the POV Being Frank throwback! I love the tossing of the clothes and the blackness and the sound of the door, cool little sequence

charlie’s such a good cheerleader 🥹 his little point is so funny

do you ever wonder what danny devito might be doing with his career if he wasn’t pretending to be split in half by giant vibrating anal beads on it’s always sunny in philadelphia??

“you don’t have to do this” this one speaks for itself I think.

dennis and uncle jack, two sexual deviants having a laugh in the van :| (also the van situation is so classic sunny obvs)

mrs. mac saying “nice” god there are just so many hilarious little character beats in this episode

“I DON’T KNOW HOW ELSE TO TELL YOU!!!” :( what’s in the texts rcgm

macdennis fightin :)

the full-blast alarm sound effect just gets me every time like to me that is peak comedy

The Burning Heart by Survivor is kind of macdennis coded tbh… “It's a primitive clash venting years of frustrations / Bravely we hope against all hope / There is so much at stake” “Does the crowd understand?” “Though his body says ‘stop!’ his spirit cries ‘never!’ (omg) / Deep in our soul a quiet ember knows it's you against you” like sorry if this song was supposed to be for straight people but it’s not anymore

so there’s something there about what’s acceptable and going full blast. the mommy issues are now explicit. dennis is bisexual. and he chose to have a romantic and sexual relationship with mac while pretending to be someone else, to the point that mac was in love with this other version of him. and he was so mad mac didn’t realize that he actually played his hand and told him, and mac still couldn’t accept it, upsetting dennis further. wtf man these homos are INSANE

#I realize the new episode just aired so this is weird timing lol but I've had a busy week #also it's long! because I got shit to say!!!#and this was truly such a jam-packed episode like I am genuinely impressed bc we all know the writing can be hit or miss #but this one was in a league of its own man #sunny #always sunny #iasip #it's always sunny in philadelphia #s16 #s16e4 #frank vs. russia #dennis #macdennis #I'm having so much fun being crazy with all you little gay people on the internet :)

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see-arcane · 2 months

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You know what would be funny in a game show? Have a question be like

"What killed Count Dracula in Dracula (1897)? A. A stake B. Two knives C. A crucifix D. Sunlight"

No, no, we have to make it easier for them

"Which character compiled and chronicled the events of Dracula (1897)?"

A. Abraham van Helsing

B. Abraham van Helsing's Son

C. Mina Harker

D. Abraham van Helsing's Grandson

#the game show could be called Revenge of the Bookworm #in which all the classic books that have been massacred by crap adaptations #have quizzes made out of the actual stories #and the contestants are all writers and directors who have made/are planning to make said adaptations #have it be a Celebrity Jeopardy-style thing with actors playing the contestants too #'Alan. Francis. Steven. Kim. I am truly astonished. Impressed even. I did not think it was possible for the point counters--#'--to not only hit negative numbers but to reach the negative digits of pi. Well done.'#dracula

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dailypokemoncrochet · 1 year

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FOTH Hisui Zoroark

There's so much going on in this design. I don't sell my crochets but if I did, this one would definitely be at least a $500 pokemon because of all the bits and how thin everything is. There's 15 hair tendrils all over in varying sizes each in red/pink/white, plus spindly limbs, teeny claws on each of those limbs, 6 barely there wispy spikes on the sides of the body, small ears to go on a small head, and a scarf that switches colors at least 4 times. And the whole thing is hard to take a picture of because it's posed weird with the floofy poofy BIG hair and skinny everything else. Really truly this was a labor of love lol

#pokemon #crochet #amigurumi #zoroark #hisui zoroark #foth #fresh off the hook #that means i just made this one!#ohhhh my gosh this took so long #i worked a few hours on it over 2 days #which i guess doesnt seem that long but it is for me lol #and i got really in the zone for this last stretch of ??? hours and i am so hungry now but it's bedtime #man this one might be more complicated than giratina was #thats usually my bar for complexity #i wish yall could see this in real life and hold it #i feel it is so much more impressive in person #can truly appreciate the proportions if you could see it with your Eyes #pokemon crochet

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likefolksongs · 1 year

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fall out boy on absolute radio listening party 3.26.23

[link]

the host asks about the parentheses around for in the album title - pete says it's "a double or triple entendre, everyone's trying to be someone and have their moment but that doesn't fill you up" but "there's something to be said about so much stardust." talks about how we're all just carbon, stardust and still can't get it together. he also just love parentheses!

talking about the album as an art form - patrick says they absolutely consider that and sequencing is important. there are a "few songs" which only made the record because of how well they told the story of the album. also love from the other side was conceptualized as an album opener because patrick felt none of the other songs felt like an opener!

the intro to lftos is patrick playing the same piano part at four different speeds, starting in sync and then falling out of sync as it continues - he says it feels representative of the whole album for him

with hold me like a grudge, pete says when patrick first played it for him the verses sounded like 2000s alternative radio hits but the chorus sounded "distinctly patrick" which was an "interesting blend." patrick: hm. thank you. i think. pete: yeah that was a compliment!

hold me like a grudge was the last song they wrote for the record! pete was second guessing other lyrics and sent patrick new lyrics to possibly replace the ones he was feeling unsure about. patrick read them before driving to the studio and by the time he got there the song was basically written in full.

pete makes a comment about how that's at least two songs "that people really like" that patrick's written in the car (referencing lotro); patrick says he's written a lot of songs in the car and pete jokes they should just toss him the keys

pete says it's the worst when you think of something in the car and are sure you'll remember it but you don't. says now when he thinks of something in the car when he's with bronx he'll tell him to write down words to trigger the whole phrase "but they don't make any sense together. i'll be like write this down and he'll be like '...okay." andy: like dad shut up [giggles]

fake out didn't come together until joe heard it! patrick had most of the lead guitar down but none of the rhythm guitar but "joe came in, gave it one listen, and picked up this acoustic. none of us had really thought about acoustic, he just went into the booth and we pressed record and he did it in one take... that became kinda the whole song."

patrick talks about soul punk briefly, says the most surprising thing about making it was that it was very unsurprising, because all the ideas were already in his head. part of why he enjoys working with the band so much is that they have ideas he never would've thought of.

they discuss changing sound - pete says the first time he had that feeling of like "oh i don't know if this is too different" he was scared of it but he's learned that it's a good thing and that there's always going to be so much of the band's dna on it that it Will sound like a fall out boy song

andy: i think a band can not just be a city it can be a continent. writing these different things is building the map to what the bigger picture is

they bring up queen and bowie as examples of artists that kept changing but now when you hear their songs you just think "oh that's queen" or "oh that's bowie." the host mentions he used to hide liking queen from his friends and patrick says he had to hide liking ska from the band. andy says he's had a really big reggae and ska phase recently and loves being able to talk to patrick about it because "he's a fountain of knowledge."

heaven, iowa is one of andy's favorite on the record and he loved it from the start! patrick reiterates a comment from another interview about how he didn't like it that much at first but knew everyone else did, kept asking joe for any and all ideas because he didn't like how much "space" there was and how naked his vocals felt. andy says he thinks space in music can be magical.

they talk about track sequencing again - patrick says he and pete moved "the meat of the album" around many, many times.

pete talks about the pink seashell interlude and being obsessed with mortality. patrick talks about the process of scoring it and how joe added guitar to the string lines which he thinks brought it all together.

they didn't start out thinking they necessarily had a record - patrick says "we went in with neal for a week to see if we had something and by the end of the week we had half the record.”

patrick's been asking people to tell him fan reactions to the record since he doesn't have social media 🥺 "i know i've been driving everyone nuts... i've been asking everyone 'do people like it? what do people think?'" reiterates the dinner for your family line to explain why this record means so much to him.

pete says making an album is kind of like being a climber standing at the bottom of a rock face trying to find a route up; when you get up the route might seem like it was obvious the whole time but it wasn't. patrick chimes in to agree and add that it feels like the song that was the centerpoint of the album shifted many times.

the host mentions that he really likes and relates to the title of "i am my own muse." pete talks about looking at his four year old and thinking about how "at that age, you Are your own muse. you're like 'i just color, i do what i want, i'm not trying to conform to your idea of my creativity' and welcoming some of that back into your life as an adult or an artist is great.'"

the host mentions that his nine year old son's favorite song ever is "centuries" and the band are appropriately flattered (though patrick does say sorry when the host says he's probably heard it more than any other song ever ajfioenaj).

going back to the discussion of different songs being the centerpoint of the album, patrick says flu game was "one of the first songs to have that spot."

patrick talks about not being the most confident guy but that he's learned to share all of his demos; he thinks he might not have played flu game in the past. pete chimes in to say in the past patrick has tried to throw out some of his best ideas.

patrick says flu game "kind of started the record" because it was the favorite out of the first five songs they made with neal. "this was the one that convinced neal i think." pete notes "this would've been an insane record if [flu game] was the lynchpin."

flu game was originally the lead single! pete: you know how we always talk about how if we were gonna fly in a helicopter that i would have to knock you out like b.a. baracus? patrick, instantly: yes. pete: if we had made this the first single you guys would've had to b.a. baracus me. patrick, protesting: that wasn't my choice!

pete says baby annihilation felt like an authentic way to pay homage to his past spoken word bits and he trusted neal to be able to make it work.

they have a discussion about the distinctions between emo/pop punk/straightedge hardcore and pete talks about how arbitrary the labels that are assigned to musicians often are. pete talks about how fall out boy started as kind of a break from the more hardcore stuff for him that he was doing for fun which allowed it to be more freeing. patrick agrees, talks about how andy and pete were in "real bands" so no one was taking fall out boy completely seriously which allowed them to be looser.

kintsugi kid was one of the songs patrick was mentioning earlier that was almost cut from the record but made it because of the track sequencing. patrick says he always felt very strongly about it and believed in it so was very glad when it made its way back on to the record. pete calls it the little song that could.

the host asks about their songwriting process and pete talks about how the best songs are the ones where he and patrick "clash" just the right amount; songs where one of them dominates over the other don't connect as well.

they discuss the different producers they've worked with; pete says every producer they've worked with has felt like the right person for the job. patrick talks about how working with so many different producers is part of why he wanted to go back to neal.

patrick talks about how important it was for this album to be a single producer album; with mania they had so many different producers and he wanted to get back to just being in a routine with the same person. andy: it's the difference between microwaving and actually cooking. patrick: yeah, i agree with that! andy, jokingly: thanks, i'm gonna leave.

patrick calls what a time to be alive his baby. says every time he played it for someone they would say "really?" pete: patrick was really determined to get this song on the record. i felt like gamora like "is it done? what did it cost you?" pete and patrick in unison: everything [laughter]

patrick says he and pete struck a bargain (pete: i don't remember this). patrick didn't want so good right now to be on the record (he wasn't going to name the song but pete told him to go for it) but pete was really advocating for it. patrick said that if pete let him have what a time to be alive he would green light so good right now.

pete talks about how art only really becomes art when it connects with its audience which is part of why they wanted to do those small shows and host listening parties, to see how people reacted

the host asks how their relationship with fame has changed; pete says they had a year or two where they were super famous "and it was not a great life;" talks about how he looks at kpop groups and boy bands and thinks "god bless that it wasn't that long for us." he says he made a point to rearrange his life to be less famous and prioritize his family and the band. also pete makes a star wars reference and patrick does a yoda impression 😭

the hour wraps up with pete asking the host if he still wants a video for his son and they do a quick video for him 🥺

#fall out boy #pete wentz #patrick stump #andy hurley #fob #sorry this is so long they truly talked about So Much #i wasn't gonna do a write up and i doubt anyone will actually see this bc i am not a Big Blog tm #but they just kept saying things i wanted to remember without having to relisten to the whole thing #and i hadn't seen people talk about this interview besides patrick's yoda impression lol #anyways hope anyone who stumbles upon this enjoys!

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