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#wf arthur
andr0nap-wf · 1 month
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cuteness aggression
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themanwhomadeamonster · 4 months
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Nils Parker - The Angel in the Marble // Mary Shelley - Frankenstein, or the Modern Prometheus // Warframe: Whispers in the Walls & 1999 // Ati Metwaly - The monster that created Michelangelo's sins // Warframe - Albrecht's Notes // monsteringmag - frankenstein's monster and michelangelo's angel
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quarturtherusty · 8 months
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I literally drew it exclusively to have a place to express how funny it was of de to show excalibur with posterior buff for anniversary. They really do know their audience.
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aqgarts · 4 months
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I speak for us all when I say this:
DE, HURRY UP AND TELL US WHEN THE 1999 UPDATE COMES OUT? TELL US WHEN WE'LL SEE OUR GUNCLES FU- WHEN WE'LL SEE WHAT HAPPENS TO OUR GAY ICONS?! OR TO OUR BESTIE, ARTHUR? HM? TELL US!!!!!!
Warframe fans, prepare to revolt!
VIVA LA GAYLORDS!
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skittergirl · 1 month
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Aoi and Arthur | Protoframes
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penumbralbeast · 25 days
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ARTHUR from WARFRAME 1999 - PenumbralBeast
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alteredsilicone · 25 days
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Unpopular RWBY Opinions
Some of these things are incorporated into my reimagined RWBY AU(not all of them) and my original stories
1. Arkos, BlackSun, Iceberg, and Renora should have survived and get a happy ending, I don’t give a damn about Pyrrha’s name or allusion.
2. RWBY didn’t have to be a super dark epic, it’s become pretentious. Maybe more akin to Star Wars or Justice League Unlimited
3. Adam should have just been an initial antagonist who doesn't commit super horrible things, the psycho abusive ex was melodramatic and dumb. Wether he joins the good guys or ends tragically is up to anybody.
4. Maybe we were better off without the Salem/Ozma conflict and have WTCH as individual arc villains with their own minions
5. I think Roman, Cinder, and their gang should have been just morally grey found family characters like Boba Fett, some kind of gang of thieves akin to those in Baccano or something and just help or hinder the cast like Team Rocket or something but not as silly. 
With Cinder and Roman becoming a couple and kinda like a "Gomez and Mortica" pair and Emerald and Merc hooking up, and Emerald and Neo would be like their daughters and Merc the son-in-law. I might recycle that idea for one of my original stories thats inspired by Skullgirls and Baccano who's protagonist sis something of an Anti-Cinder and an Anti-Torchwick with a ragtag gang fighting against a corrupt government run by a demonic-powered mafia.
6. Maybe RWBY could have been more like a Dragonball/Fairy Tail universe instead in terms of tone and narrative structure, and that wouldn’t have been a bad thing.
7. At the very least, Ozma and Salem could have been an explanation of the origin of the world and just something that would be rediscovered overtime and Ozpin and his circle are some keepers of ancient myth or something. Like The Jedi Order or The Time Lords or something idk.
8. Kinda feel Oscar wasn’t necessary, as much as I like him
9. Maybe the corrupt SDC and Bad Dad Jacques was also needless, maybe just one of the few good underdog companies in Atlas and Jack being initially a bit too hard on Weiss due to upholding the family’s honor and chivalry but means well and initial harsh nature involving his wife, a scientist who worked with Dr.Watts and Dr. Poldenia, being murdered at the hands of an anti-Faunus milita group and Watts having some role in it. Mostly because I'm just exhausted of the "Bad Dad" trope
10. Have Watts have a megacorporation and be the corrupt company in Atlas instead who’s responsible for their tech and uses unethical Faunus labor in his factories(even though in secret Watts just hates everybody) instead and have a bitter rivalry with Jacques and The SDC, especially due to Jack and Arthur’s personal history regarding Mrs.Schnee.
11. Hazel should have just been a Meta-Knight like character, a good guy but on nobody’s side with a grudge against Ozpin for understandable reasons, he has bear claw-like gauntlet weapons, and becomes a rival to Yang seeing his sister in her and is the “Papa Bear” to her “Goldilocks”
12. Bumbleby is a bad ship and it’s fandom are filled with bitter shrews who use it as representation despite how toxic it is.
13. Disagreeing with Monty’s vision isn’t inherently malicious.
14. I agree with @sytokun making Blake basically a Princess and have loving parents who are also influential was also dumb. Make her an Orphan with the WF/Team RWBY her found family instead. Or I would at least give her a “dead dad” with her Mom living in Menagerie but not as a “Chieftess” aka a QUEEN. They called themselves Cheiftan and Chieftess because it sounded cute.
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ritasanderson · 8 months
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Some interesting moments I picked up bc I kept rewatching 1999 trailer (I partially blame u for this bc u enabled my wf brainworms):
Facial structure of the Vessel and Arthur are simmilar. Why? Also seemingly 1999 is a flashback we (the player) get when we inhabit the vessel similar to Umbra's memories (based on us literally making exact same face as Arthur in flashback). Did Albrecht model the vessel after Arthur? Why?
I think we see an ad for the TVs the proto infested are composed of on the big screen before Arthur enters a terminal. Technocide somehow used in making those tvs so they carried the spores in them? How does Albrecht play into this.
Obviously Albrecht is time traveling to 1999 regardless if he is the Man in the wall in the end of trailer. Did he play into spreading the technocide? Aoi seems to be angry at Albrecht for some reason and considering it seems Arthur and her are infected with Technocide it seems possible to me (man literally lives on Deimos)
He has a train station from the train in the past which passed thru via void. Is that how he traveled into past? He took a train? That's hilarious.
Despite the rush Arthur is seemingly in to find Albrecht Albrecht greets Arthur with a You're late. Late to what?
If Albrecht is a manifestation of the Man in the wall wouldn't Kalymos able to sense something different about their master? I would expect so yet Kalymos is with Albrecht when he does the whole evil green and radiating the void energy stunt.
Warframe timeline wouldn't really make sense with Technocide spreading as early as 1999. Level of technology showcased does not match requirements for Technocide to be made. So time travel shenanigans are imbound: Either Albrecht came with knowledge how to make it or accidentally brought in spores but either way it can't be our timeline can it? Eternalism probably has answer. Also the infested of 1999 look less developed so I'd say it was born not too long ago.
Albrecht Entrati got the Kujo Jotaro drip from hit series JoJos bizzare adventure one of which parts took place in summer 1999 where Jotaro was a regular character in. Very probable intentional reference.
Lyrics of the song probably were considered and reflect what's going on in plot so if we analyze the song we can predict some of what happens in wf1999
ok
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andr0nap-wf · 2 months
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Do it, do the funny. Oh, and add Aoi in there aiming a Lato or straight up glock at Misha
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the funny
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themanwhomadeamonster · 5 months
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The 1999 combat theme and its foreshadowing because the autism got to me and I spent too long trying to figure out this soundtrack
Jumping off from @brokenjardaantech's WITW music analysis post here - go check it out, it's very insightful and lays the foundations for what I'm about to talk about! And thanks to @theterribletenno for the burst of inspiration by giving me a massive oh shit realisation in the most chilling way possible LOL
Spoilers under the read-more; TL;DR at the end :'^D
To preface, the soundtrack is structured in an ABC structure with bridges between A and B, as well as another between B and C that borrows from A. The key starts in Cm, briefly modulating to Gm in section B then back to Cm during the second bridge, and settling on Em for section C. In-game for WITW you most likely will only hear up to the first bridge since the Technocyte fight only goes for around a minute long
Sections A, the bridges and partially C feature genre similarities to grunge rock with fuzzy guitar chugging, whammy bar, and palm muting, while the drums are notably sharp snares (except for the first bridge, which are clean bass kicks that gradually distort transitioning into section B's style). Musically, it sounds like a typical fighting soundtrack meant to hype you up - the melody is confident and likes to push and pull its rhythm. But in section C it notably become emptier in its layering while keeping the distorted drums, placing emphasis on the lyrics (which I'll get to below lol). Heavier syncopation and polyrhythms are also introduced.
Section B however is the main outlier. This section is where it most strongly resembles industrial rock: rhythmic synth layers begin to accompany the melody (a pedal point line that plays every semiquaver/sixteenth note), synth drums replace acoustics and the guitars drop the fuzz that is characteristic of grunge and steadily strum every quaver/eighth note. Compared to the push and pull rhythm of section A, this section is steadier, less chaotic than the other sections, it wants you to focus on this section.
Notably, the lead guitar introduces a familiar leitmotif: This is What You Are (which @brokenjardaantech goes more in depth regarding its use in WITW). Here, though, its second chord becomes flattened (Dm -> D♭m) and introduces a diminished, dissonant sound. To me this was the first hint that the song may actually be about Arthur's downfall. This is What You Are is a musical leitmotif that recurs in moments of vulnerability, especially when someone is at risk of losing their sense of self, their identity and what they are. It plays during The Second Dream when we discover the Operator, during the New War when Eidolon!Lotus just lost herself to Ballas and can't recognise the Tenno, and in WITW during the Vessel "fight" when the Tenno is forced out of their Warframe.
I was prompted to actually dig more into the lyrics because I saw @theterribletenno bring up something really interesting
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In this specific song, the leitmotif is diminished, it's corrupted. "Surrender to the corruption" - this is what Arthur is afraid of. I brought up earlier that section B had a genre shift. The contrast of the music is important, it's highlighting something, and together with the musicality of the leitmotif, it's making a sense of urgency and danger. The leitmotif is a warning to Arthur.
Section B sings these lyrics:
Break it, break it, Break it open!
Compared to the desperation in the other lines, these two lines are sung mockingly. The Infested are trying to break Arthur, and are succeeding. Their voice is becoming his. But there are actually two vocal lines in this section - you can also hear muted backing vocals in a much less aggressive and lethargic tone warning that "Disillusion". Arthur is trying so hard to keep his own voice and stay clear-minded but it's being drowned out and he's nearing his breaking point, and Albrecht, based on the Codex Fragments you find, is well aware of this.
In section C, while the layering is less intense it's noticeably more heavily syncopated and polyrhythmic, and introduces new (accompanying) echoing and dissonant synth layers reflecting the confusion and disorientation that Arthur begins to feel (these synth layers are actually introduced in the second bridge, but are more easily heard in section C). Section B and C also keep the synth/distorted drums that section A and both bridges lack (at most it's a reverb in those sections); the industrial sound of the song becoming associated with the increasing influence of the Infested over his humanity.
So I tried deciphering more lyrics for each section; I haven't figured all of it out and most of it could very well be wrong because of how heavily clipped the vocal line intentionally is so I don't want to make anymore assumptions than I need to, but I can understand enough of it to realise that the song is foreshadowing Arthur's corruption to the Infested. In green are the lyrics I'm confident are correct:
A:
Sting it, sting it, sting it! Sting it, sting it, sting it in the flesh!
Bridge:
I don't understand! It brings more disease!
B:
Break it, break it, Break it open! (Disillusion)
Bridge:
Sting it, sting it! Sting it in the flesh!
C:
Who's dreaming? Who's the [???] It's a vision[?]!
TL;DR: the grunge/industrial genre hybrid represents Arthur's humanity/Infested respectively, and the song becomes increasingly industrial as the song progresses, most noticeably through the increasing distortion of the drum sound. Section A sets the stage, section B serves as a warning to Arthur that he's losing his sense of identity as the Infestation drowns out his "voice" while a dissonant version of This is What You Are plays, and section C is him experiencing confusion and disorientation as the Infestation continues to corrupt him.
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demitsorou · 8 months
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having a completely normal reaction to Arthur Warframe by wanting to fingerfuck his mouth and make him drool everywhere
featuring yet undefined void angel self-insert
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caboosie · 4 months
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my brain is so fat with thoughts of my ocs and i HAVE to fuck arthur from wf
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aqgarts · 5 months
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Could just be me, but I'm 1999% sure that Arthur is blind in one of his eyes.
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Sucks to be in tne warframe universe fr fr
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skittergirl · 4 months
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ARTHUR IN WHISPERS IN THE WALLS
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desiccation · 5 months
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thinking about the wf update still, brain rot brain rot
i am so excited for the 1999 update even if it is in another year. the time travel aspect is an interesting one that i am glad is still being explored, after the whole zariman expansion. the idea that love and compassion- something that seems foreign to the thing in the walls, is going to be what gets the universe out of the void's clutches.
AND I REALLY JUST WANT TO KNOW MORE ABOUT THE ?? WARFRAME NOT WARFRAME GUY. ARTHUR WHO / WHAT ARE YOU .
it opens up a whole new avenue for like.. character reaction, i hope. people have been conceptualizing more human than warframe, warframes, for ages now. probably about as long as the game has been around.
for a long time i didnt really care for it bc like. let them be scary monsters, the husks of what was once a person now powered by the void and the infestation. having both sides would just open up the game to more people, i think.
it'll be fun to see what happens.
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