wayneradiotv vs mirakurutaimu stimboard battle for the ages
WAYNERADIOTV
V.S
MIRAKURUTAIMU
BOTH HAVE A WIDE ARRAY OF KNIVES
NEITHER OF THEM KNOW HOW TO USE THEM
WHO WILL WIN????
🥊 🛼 🥊
🛼 🥊 🛼
🥊 🛼 🥊
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Human Hand — Tremor (Feeding Tube/Cardinal Fuzz)
Tremor by Human Hand
Tremor can be filed into what is by now a well-established genre: the post-lockdown catharsis record. Human Hand – guitarists Joe Hollick (Wolf People) and Karl Eden ( tRANSELEMENt), and drummer Jonathan Dickin (MUMS, Honey Spider) – recorded the album in two days, a process involving noisy improvisation, tape manipulation and real-time overdubs.
Northern Englanders Hollick and Eden started playing music together after meeting at an Acid Mothers Temple show. Like that band, Human Hand deals in heavy psychedelia, but useful comparison more or less ends there. Tremor is arguably easier to listen to than your average AMT record, it is softer-cornered, groovy, post-rock sludge.
There are some very enjoyable moments here, particularly the lead-heavy doom of “Tyrant”; the ambient prog of the title track (which wouldn’t be out of place in a Safdie brothers film); and the “Snowblind” riffs on “Triffid.”
Anyone who has ever been involved in a garage jam session will likely relate to the feeling of being ‘in the zone,’ of getting lost in a powerful musical energy exchange. Here, it’s clear that these talented musicians are in the zone with one another. But as Tremor hops from one track to the next, there’s a disjointedness that keeps the record from gelling completely. As is often true with the post-lockdown record, listening to Tremor feels a bit like eavesdropping on a moment of long-delayed abandon. It’s not totally coherent, but it is, in its own way, quite beautiful.
Margaret Welsh
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we'll do fine.
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local ladies man’s signature move totally useless against autistic monster enthusiast. more on Kabru’s fumble era at 6
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Aspects of the Philosophy of Human Hands
The philosophy of the human hand explores the significance, symbolism, and philosophical implications of this remarkable anatomical feature. While hands primarily serve practical functions such as grasping, manipulating objects, and facilitating communication, they also carry profound symbolic and philosophical meanings across various cultures and philosophical traditions.
Some aspects of the philosophy of the human hand include:
Symbolism: Hands are rich in symbolism and cultural significance. They often represent agency, creativity, dexterity, and the ability to shape the world around us. In religious and spiritual contexts, hands may symbolize divine intervention, blessing, or healing.
Embodiment: The human hand is intimately connected to our experience of embodiment and tactile perception. Philosophers explore how our hands mediate our interaction with the physical world and shape our sensory experiences.
Toolmaking and Technology: The unique dexterity of human hands has enabled the development of tools, technology, and cultural artifacts throughout history. Philosophical inquiry into the human hand considers its role in the evolution of technology and its implications for human progress and civilization.
Expression and Communication: Hands play a crucial role in nonverbal communication, gesture, and expression. Philosophers examine how hand gestures convey meaning, emotions, and cultural norms, contributing to our understanding of language and communication.
Ethics and Responsibility: The human hand is often associated with acts of creation, labor, and craftsmanship. Philosophical reflections on the human hand may encompass ethical considerations related to work, responsibility, and the ethical use of one's hands in shaping the world.
Overall, the philosophy of the human hand provides a lens through which to explore fundamental questions about human nature, embodiment, culture, and the relationship between humans and their environment. By delving into the symbolism and practical significance of this unique appendage, philosophers deepen our understanding of what it means to be human.
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‘Love is the one thing that we’re capable of perceiving that transcends dimensions of time and space.’
“Eulogy from a Physicist” by Aaron Freeman, with quotes from Interstellar by Christopher Nolan, and images from NASA, Interstellar, Getty, Petrichara, and Reuters.
1- NASA: GOODS-South.
2- NASA: NGC 1850.
3- NASA: Iberian Peninsula.
4- Christopher Nolan: Interstellar.
5- NASA: From the Earth to the Moon.
6- Hannah La Folette Ryan: Subway Hands.
7- Adams Evans: Heart Nebula.
8- NASA: Exploring the Antennae.
9- NASA: Crescent Moon from the International Space Station.
10- Petrichara.
11- Getty Images.
12- NASA: SMACS 0723.
13- Reuters
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I am a violin maker learning to tattoo so here is a banana with the decoration from the Hellier Strad violin
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
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Dick gets his drink mixed up with another persons in the library while visiting Barbara.
He was drinking some kale smoothie thing, for health and stuff, and he set it down to grab a book from the shelf. There was another guy next to him, who also had a smoothie in the same kind of shake-n-go bottle.
They swapped by accident.
Dick checked out his book, said goodbye to Barbara, and took a sip of his smoothie.
That's the last thing he remembers.
He wakes up two days later pinned down by a practically feral Jason, who's eyes are glowing a sickly Lazarus green, with Bruce, Tim, Cass, and Duke all showing signs of losing a fight. He's sore everywhere, and Damian is nowhere to be seen.
"Uh...." his voice cracks, and he's suddenly aware of how fucking painful his throat is. "Hi? What's going on?"
"...Is it really you, Dickwing? I swear to God if it isn't and this is another-"
"Jay I really don't know what's going on, man."
Jason doesn't believe him. Dick is cuffed with anti-meta cuffs and escorted to the cave, where Bruce demands test after test and Dick tells them the last thing he remembers.
Apparently, after taking that sip, his eyes had turned to Lazarus green, and he had beelined for the mansion. Along the way there, he had run into the Riddler.
He had broken most of the Riddler's bones.
That was when everyone had been called in to subdue Dick, who for some strange reason kept gunning for Damian. Hence, Damian was upstairs and not allowed down until they were sure Dick was okay again.
It's concluded that Dick drank some alternate form of Lazarus Water, lost his mind, proceeded to take everyone out with enhanced strength and speed except Jason, who had entered a Pit episode just to keep up, and worked through it two days after consumption.
But who the fuck transported a material as dangerous as modified Lazarus Water in a fucking shake-n-go bottle?
Danny, however, is a little sad that his ecto-shake was stolen by some rando at the library.
Their kale smoothie was pretty good though.
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