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#history that is going on between the characters that this deals with
sflow-er · 2 days
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I heard people are mad because they feel like August should be apologizing to Simon also, and I think that’s like, a no-brainer because of course he will – – he’s changed now. He’s not the same person who did that thing so – – we saw him suffer and now he apologized to Wille whom he knows and then – – I’m sure when [August and Simon] meet, he’s going to talk to [Simon] about it too. Linnéa Roxeheim, director of S3 eps 5& 6, PRP interview 59:00-59:22 (– – used for legibility, the redacted phrase is 'you know')
So...this kind of seems to confirm something I've been thinking since I watched the season: the lack of apology from August to Simon feels less like an intentional, character-defining writing choice and more like a mishap overlooking or even retconning the August-Simon conflict.
Some thoughts under the cut.
That conflict was one of the central building blocks and driving forces back in S1. Simon wouldn't have ended up selling drugs if it wasn't for August looking to buy, Wille wouldn't have found out about August's finances and been able to use them against him, and Alexander would not have been framed to save Simon. And for that matter, August's eagerness to pin the blame on Simon was likely fuelled by the fact that he wasn't just a sosse sleeping with Wille, but also a constant thorn in August's side. Someone who had even physically roughed August up at one point.
Still, I do believe August's decision to post the video mainly concerned Wille. I've written about that too many times to rehash it again; let's just take his dismissive reaction when Sara says Simon is distraught in S1E6 at face value. And that made perfect sense for his character, considering his only moral code at the time was (elite) loyalty.
However. From S2 on, the history between August and Simon has been sidelined, and the focus has been on the conflict between August and Wille.
We didn't see Simon suffer any more daily consequences from the video in S2. He could already sing karaoke in Bjärstad without people giving him dirty looks, and both the rumour mill at Hillerska and the hate comments online had stopped. Not being allowed to sing his song at the Jubilee was a concrete consequence, but even that felt more like an obstacle for Wilmon and an opportunity for Wille to stand up for them. Simon and August barely even interacted over the season - but at least Simon did refer to Sara knowing everything August had done to him in the gun range scene, so that was something.
I had hoped for the August-Simon conflict to be picked up again in S3. Even if the writers wanted to focus on other relationships and tensions, to me, it felt too essential to pass up. It would have been a clear sign of August learning the accountability and empathy that he needed to grow, and it would have also provided some much-needed closure for Simon (and tied the series together as a whole). I guess the writers felt differently.
Even though the focus on Simon getting hate on social media again could have provided an easy tie-in, the vile hate messages focused on his and Wille's relationship, as well as him being a POC. Apart from Linda's comment in the settlement negotiation, I don't think the video was even mentioned once in all the hate comments we saw. There was no indication of the media or the public having dragged it back up either (or asked who filmed and leaked it, but that's another matter entirely). Nor were there any references to Simon having already received some hate after the leak - on the contrary, it seemed like he was completely blindsided by all the vitriol. I do realise that the scale was much bigger this time around, but still.
Circling back to the August-Simon conflict, there's also another aspect that is easily overlooked. Namely, that Simon himself actually seemed pretty content to just put all his dealings with August to rest after the settlement was finalised. The only time the two of them even interacted after that was all about Sara. It could have also been an opportunity to show Simon's own feelings, but that didn't materialise.
Don't get me wrong, I'm sure Simon could still use that apology, but I never got the impression that he needed it the way we fans needed to see it. Based on S3, you might even think their only source of conflict was Simon coincidentally being on the video, and when that was settled, Simon was okay just moving on with his life.
Which brings me back to the ending.
I always figured that August was portrayed as genuinely remorseful towards the end. Yes, I would have liked to see more of his growth and development (even just showing his reaction to the sale of Årnäs instead of having Simon say that Wille said it was a fitting punishment would've worked wonders)... But the authorial intent seemed to be that he had already taken enough steps. His and Wille's reconciliation was as sincere as anything could get, with Wille not forgiving him as such but agreeing to move on, start healing, and even wish each other well. Wille was sincere when he congratulated August upon graduation and tapped him as the next king, thinking he was well suited for the job (it's the narrative that frames it as a sort of punishment, not Wille).
Crucially, Simon doesn't seem bothered by this. If both Wille and August had truly just ignored the harm caused to Simon and reconciled amongst themselves, with Wille essentially giving August the position that everyone but August still thought was all August ever wanted...while Simon was still hurting and needing the closure of an apology...well. That would actually make Wille look like kind of a terrible partner even right at the end, which clearly wasn't the intention.
We can't be sure if Wille told Simon about the reconciliation when they talked at the lake, but Simon will still know that Wille stepping down means August stepping up, and he is happy about it. Wilmon are off to start a new chapter in their lives, and we don't get the feeling that the lack of an apology to Simon is left as an unresolved issue between them (or between them and August).
So...yeah. I guess I'm just trying to point out that this seems to be another example of a previously important plot line being dropped from S3, and to a lesser degree, also another example of execution vs. authorial intent.
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sadokasochism · 3 days
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So there's implications that sometimes the aliens deliberately match up contestants with strong relationships to increase the drama and potentially get more emotional performances out of the contestants.
We also know that Alien Stage is firmly treated as reality show-level entertainment. The Segyein are casually talking about brand deals and critiquing performances while several characters we deeply care about are forced to kill to survive and sometimes watch people they love die in front of them.
During Ivan's pre-Round 6 interview, the interviewer kept needling him about his connection to Till, how Ivan felt about facing him.
The Segyein thought that facing Ivan and Till against eachother would be some dramatic storyline on the side of 'most popular season contestant against rough around the edges musical prodigy, also they have HISTORY 👀', but it actually turned in a tragic display of how this whole system finally broke Till and Ivan sacrificing his guaranteed win to save him anyway, because to Ivan, Till mattered as a person he loved and not as a commodity.
Till finally ended up as docile and broken as his owner had wanted him to be all along, and it took away his love of music while making his performance in alien stage worse (I think Till in round 6 is a good example of how 'tortured artists' don't actually always produce great or profound art from their trauma. The far more likely outcome is they just end up depressed and losing the fucking will to live kfdjks)
Meanwhile Ivan has everything going for him, he's become a popular, profitable commodity through Alien Stage, he always did what he was told and was a model pet-human, and he was guaranteed to win Round 6 with the state Till was in.
But he threw all that away to save Till without a second of hesitation. Ivan was given a choice between losing Till, a pet-human that many Segyein view as inferior and disposable, and the highest quality of life a pet-human can aspire to, and he said 'fuck you, I love him' to everyone watching.
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drunkengodsofslaughter · 10 months
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okay i absolutely hate the thinking that some people (ronancers) have of ‘why are you not shipping this w|w ship because of steve who is a man why are you depending a man’s feelings on a w|w ship’ maybe it’s because regardless of your gender or your sexuality screwing over and betraying a friend is exactly that! it has NOTHING to do with sexuality or gender! SCREWING OVER A FRIEND IS SCREWING OVER A FRIEND REGARDLESS OF WHAT YOU IDENTIFY AS!!
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viiisenyas · 2 years
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Giving Merrill an ally (and love interest) among her clan makes my heart sing tbh. One person who doesn’t alienate her in spite of the rest of their clan? YES PLEASE.
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orcelito · 1 year
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Hilarious thing. I'm so far gone on my fictional crush on Dohalim that I'm even talking about it with everyone at work. Them grateful I'm talking about smth other than Akechi, but turns out I am JUST as insufferable about it lmfao
#speculation nation#i started thinking about what dohalim would be like as a dnd character today#i think a divine soul sorcerer would fit his vibes best. gotta give him a staff for it too.#he's a healer but it's an inherent quality to him. not magic that he learned.#and ultimately he is VERY high charisma. and also int and maybe wisdom#but also not so much wisdom bc that deals more in practical knowledge and that is Not him#high charisma bc even tho he's kinda a dunce when it comes to ppl's feelings. he is soooo good at talking to people#ppl becoming putty to his words. this was even addressed in the game. he is just so good at making people like him#beloved among both dahnans and renans in menancia and lenegis alike.#good int bc hes a history nerd lol. Ya Kno.#strength dex and con are a bit more eh. if this is actual dnd he would Not be able to be good at everything.#leaning more towards strength what with the staff and all. but smth could be said for dex and con too#if i was actually playing him id go dex and con. con especially. bc those keep u alive more than strength#between dex feeding directly into AC and con feeding directly into HP. so.#really he is just good at Everything. there's a reason he was picked as a lord & thats bc hes so fucking Capable#his flaws lie more in his emotional instability and his inability to do Normal People Shit#so in terms of dnd he would be a bit too OP lol. but this is an over the top anime battle video game so it's ok#balance? whats balance? we r fighting giant monsters day and night. we need all the OP builds we can get.#legit tho i love his character so much that ive thought about synthesizing it into dnd just bc like#i want to play with this so bad!!!!! i am not immune to beautiful man that is so fucking weird too!!!!!!#hmmm.... dohalim...❤
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Okay time for the PBS Kids essay
Read it under the cut!
:readmore:
In 1968, before there was PBS Kids proper, there was Mr. Roger’s Neighborhood. While it came several decades before the children’s block, it laid the foundation for the themes and values present in every facet of the network’s history.
Mr. Roger famously hated children’s programming at the time. To him, it all was droll and useless. But he didn’t dissuade the medium entirely— he saw potential. Potential that led to a few smaller television jobs, and eventually the creation of Mr. Roger’s neighborhood.
Rogers didn’t invent educational TV for children, but he did perfect it. He poured real heart and soul into probably the most sincere, heartfelt program in history.
Honestly, he could have his own essay. The more things you learn about the real man of Mr. Rogers, the more you’ll like him.
Anyway, the biggest thing that makes PBS different is the fact that it earns money through grants, fundraisers, and private donors— not through sponsorships and merchandise sales. This way, PBS Kids can push programming that it feels is important, rather than programming that merely sells well.
This also means PBS is less afraid of pushing social boundaries. Money doesn’t go away when their shows become subjects of debate— and Mr. Rogers took full advantage of this.
For context, this was 1969. The Jim Crow era had just barely, barely ended. Pool segregation was still very much legal.
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Mr. Rogers sharing a pool and a towel with the Black Mr. Clemmons was a pretty big deal at the time— especially on a show made for children.
Rogers was far from the untouchable sacred cow of today. When he was alive, he had a large number of detractors. Let’s just say that scene didn’t fly nicely by everyone.
Just one year after the debut of Mr. Roger’s came Sesame Street.
While Mr. Roger’s was made for all children, Sesame Street had the explicit goal of supplementing the education of underserved communities— especially inner-city Black (and later Latino) children.
While it was made to be accessible to children of all races and income levels, they definitely went the extra mile to make it something special for inner-city Black and Brown kids. (Why do you think it it’s “Sesame Street” and not “Sesame Cul-de-Sac”?)
At the time, a wholesome, sweet show set in a brownstone street was practically unheard of.
Jon Stone, the casting director, deliberately sought to make the cast as rich with color as he possibly could, bringing on a huge amount of Black talent such as Loretta Long, Matt Robinson, and Kevin Clash, as well as featuring Black celebrities as guest stars. Later, the show would expand its horizons, bringing on actors from Latino, Asian, Native American, and many more backgrounds.
White actors were and still are a minority on show.
In addition to letters and numbers, the purpose of Sesame Street is clear: make kids of color know that they’re smart, beautiful, and loved.
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It doesn’t get more explicit than this.
I want to point out this comment because it’s funny
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You’re telling me this bitch isn’t Hispanic???
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Anyway, these two were followed up by Reading Rainbow in 1983. And guess what?
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That’s right. Non-white focus.
These three shows, (along with other, lesser-known programs like Lamb-Chops Play Along, Newton’s Apple, and Shining Times Station (who featured Ringo Starr himself?? seriously how did that happen and why does no one talk about it) and some other nostalgic favorites like Bill Nye the Science guy, The Magic Schoolbus, Arthur, and Thomas the Tank Engine) aired on the new PTV block, which evolved into PBS Kids in 1999, bringing along Between the Lions, Dragon Tales, and many more.
Arthur is another stand-out that I’d like to talk about— it doesn’t have the same racial focus of Sesame Street, but it does focus on different income levels. The characters have various housing situations, from apartments to mansions to no home at all.
It also takes cues from Sesame Street and Mr. Roger’s in regards to talking about tough topics, though as Arthur has a slightly older target audience, it discusses things through stories rather than talking directly to the audience.
Cancer, religion, workplace discrimination, along with current (at the time) events such as 9/11 and Hurricane Katrina are all discussed on the show.
Another big focus on Arthur is disability. For once, they don’t stick a character in a wheelchair and then pretend he’s not in a wheelchair. A striking number of major characters either develop or get diagnosed with physical disabilities and/or neurodivergences, such as asthma, severe food allergies, and dyslexia, and they deal with them in very realistic ways.
A handful of minor characters have more obvious disabilities, and THANK GOD they go beyond the trite messaging of “disabled people can do everything abled people can do! everyone clap now!”
One episode in particular has the awesome message of “holy shit stop trying to help me all the time— it’s patronizing as fuck. I can get around just fine without you stepping on eggshells and trying to be the hero all the fucking time”
There are sooo many other shows I could talk about, but I can’t write about them all. I’m definitely gonna point out some more standout ones, though.
Sagwa, the Chinese Siamese Cat
Created by Chinese-American woman Amy Tang
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Dragonfly TV
Features a multitude of female and non-white scientists to foster an interest in science with kids in those groups
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Maya & Miguel
One of the network’s first Hispanic-led shows
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SciGirls
I shouldn’t have to explain what the goal of this one was.
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Molly of Denali
When was the last time you saw a show that treated Native Americans as people? Much less a children’s show? 90% of the cast is Athabascan, and the show revolves around Athabascan culture, not shying away from topics like boarding schools and modern-day racism. Most of the writers are also Athabascan, and the show even has an official Gwich’in dub!
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It’s this commitment to real, authentic social justice that makes PBS Kids so much different from its competitors. Could you imagine the Paw Patrol dog looking at the camera and earnestly discussing what happened to George Floyd? I don’t think so— but Arthur talked specifically about it, Sesame Street did an hour long special about race in general, and the network itself made a 30 minute special.
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Disney Jr. could never. (Other than trying to teach colorblindness, of course.)
I’m gonna have to cut this into two parts, since I just hit the image limit
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snickerdoodlles · 3 months
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one of my most formative fandom experiences was a comment i had gotten on a fic i wrote for a halloween themed fandom event.
this was for a manga/anime, so the fic was a general ghost story obviously set in Japan. the beginning of it involved a pizza delivery and while writing it, i had spent like 30 minutes just double checking tipping customs and the types of pizza they serve and even fell down a wikipedia rabbit hole looking up the history of pizza in Japan.
now, i just like the research part of writing, i do stuff like this because i have fun doing it. and while i was writing this particular fic, i had laughed at myself for my 30 minutes of googling that amounted to 2.5 offhand lines in a 3500 word fic. i didn't think anyone would care about or even notice those particular details except for me, especially since none of them were relevant to the ghost part of this ghost story.
except, when i had sent this fic to a Japanese friend, the first thing she said to me about it was "OH MY GOD YOU GOT THE PIZZA RIGHT"
and that was the moment when it had really clicked for me. what had just been 30 minutes of effort on my part had become a moment of relief for her. my friend was far more used to reading ethnocentric fic that ranged from unintentional ignorance to outright superiority against part of her culture (the original story's culture no less). and even with the "innocent" ignorance (heavy quotes on that) far outstripping any outright maliciousness, that's still so many people saying her culture was not worth learning about. the pizza in my story was a small detail, but i had cared enough to put in some effort to check it. and for her, coming from a fic experience where her norm was bracing for hundreds of inaccuracies born of ignorance, especially at that time after a flood of stories centered around "Halloween as a cultural holiday in the US" premises instead of the "Halloween is a commercial gimmick in Japan" reality, seeing someone put in some effort even for minor story details meant something to her.
this also throws me back to the discourse that arose in a french show fandom a few years ago because there were a lot of fic authors that wrote 'dollars' instead of 'euros'-- but when people brought this up as a prevalent issue across the fandom but an easy one to fic/watch out for, many of these writers instead pushed back to complain that they were posting stories for free and it wasn't that big of a deal. which really upset a lot of people, but then this upset was met with a new wave of indignation that people needed to 'get over it' because they're writing fic ~just as a hobby~. but, even if 'dollars' instead of 'euros' wasn't a big deal, by digging in their heels about the issue, they were saying "your culture isn't worth even five minutes of my time or effort."
I've been thinking about these things lately because the ethnocentrism in Thai drama fandoms is...staggering. just over the turn of the year, there were waves of Christmas fic for Buddhist characters. and just. Christmas in Thailand is a tourist thing at best. sometimes a pop culture gimmick for international audiences or maybe an offhand high school thing to blow off steam between midterms. it's not a cultural thing. and even if a character is a part of the Christian minority, a Christian Thai's holiday customs and culture are going to be vastly different than a Christian's customs in the Americas or Europe. and while the Christmas fic is at least finished for now, I'm already bracing myself for the Easter fic wave that also seems to pop up for Thai dramas. it's so frustrating to see this sort of cultural overwrite all the time, especially since most Thai drama holiday works aren't about Thai holidays.
but the thing that really got me bristling about all of this again was i saw a post the other day where op said that they weren't going to write [thai drama] fic because they don't know much about thailand.
what an absolutely appalling statement to make.
google is right there. wikipedia is free. you don't even have to leave tumblr or AO3 to learn more because there are Thai natives in fandom who write essays to explain common elements of their culture. hell, even just watching these Thai stories and considering the values and messages imparted by the narrative framework and story lens tells you something about that culture. the audacity to look at a culture different from your own and say "this is not worth my effort or time to learn anything more about," are you kidding me?!?
the messages and values of a story tell you about the writer's values, which are going to carry their cultural values, beliefs, and biases. Thai culture is going to be heavily relevant to any Thai story, even the ones that aren't explicitly about Thai culture/customs/etc. (hell, Thai bl/gl as a genre alone-- just the fact that queer Thai writers are making these stories in Thailand's current political climate is highly political, even the "fluffy" ones that don't seem to make outright political statements.) to approach any story like it was made in a vacuum is to remove the writer(s)' culture and values and to overwrite them with your own.
especially because this is fandom. these are the lowest stakes to learn! it sucks to see people say things like "but i'm scared i'll get something wrong" and hold up that fear as a shield to justify their ignorance. no one's expecting anyone to get every detail right, especially not for a culture that isn't theirs, just make an effort to learn something new about it. pick out something that caught your eye as different to learn more about and see where it leads you.
and for the record--making a mistake trying to broaden your horizons is a far, far better thing to do than to superimpose your culture on everyone else's because you're scared to confront your ignorance.
edit: check out this reblog thanks
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sobfultoast · 1 month
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•~°◇ Just the Little Human Things ◇°~•
Prompt: Humans and demons are different, no duh. There are some things that we do naturally that shocked and freak out the brothers. Here are some random few (each linked to a specific brother, like 1 means Lucifer, etc).
• ~ ° ◇ ° ~ •
1. Cracking bones.
You spent a long day dealing with your studies. Your fingers cramped. So you cracked them. Lucifer was appalled. He thought you just broke yourself. Lucifer goes straight to you and asks if you just broke your finger or something along those lines. After calming him down and just explaining that you were popping the air bubbles in your joints because they ached, he was more appalled.
Humans can get air bubbles in between their bones?! That's so weird. Demons can't crack their joints. If they make any cracking noise, they probably cracked their bones.
At least you're not hurt. That is all that matters to him.
2. Adrenaline.
Demons have instincts like humans, but they don't have adrenaline. They have the same amount of strength and power, no matter the situation. No amount of tension will give them a random boost in a fight. Humans do. It's called adrenaline (SHOCKING). Boosting our stamina, pain tolerance, reaction time, and strength. It's like a superpower! A superpower that Mamon was unaware of at the time.
You both were running from trouble, as normal. Even though your body was in its flight or fight, no amount of adrenaline will make you run as fast as the fastest demon in hell! So how was he supposed to know! It was until there was a dead end. The door was locked. Mammon was about to use some magic to open it because the angry demons were very close behind you guys. before he could, BAM! You ram right into it and smash it open
What. The. Hell??? Are you on steroids or something?!
Once you escape, Mammon has so many questions. He now thinks adrenaline is so cool.
3. Being social animals.
Demons aren't necessarily social creatures. Some will go millennias without talking to anything, and they don't go insane. It's just a lot of demons like socialising. Levi is not one of those demons, though. Levi will go some months without speaking to anyone, even some days without speaking to his brothers. He thought humans were the same. He didn't know that it could cause mental issues like insanity or depression.
Levi only found out because he was watching a horror anime, where a human character was isolated for months and went insane. He thought it was fiction, but then he asked you. As soon as yes leaves your mouth, he is in utter disbelief.
Now he feels bad whenever he has you holed up in his room. Don't you want to socialise? He wouldn't mind if you went to party with Asmo and Mammon... At least he'd try not to mind. Are you sure you're okay with just him? Yeah? ... He thinks he is okay with just you, too.
4. Humans on the moon?
When you came to devildom, even though Satan wasn't that close to you, he did research about humans out of curiosity. Satan learnt about human history, myths & legends, science (a.k.a human magic), medicine, and even decided to research human technology.
The only thing he didn't know was that humans went to the moon. When he was doing human history, he was doing ancient human history. Being a demon who was immortal, Satan classed anything from the last 100 years as morden to him. He was alive during it. He should know when it happens. But somehow, no one talked about the humans landing on the moon.
You wanted to know if demons had also gone to space, and he answered with, "No. Some of angels have... What do you mean also?" Humans, flightless and magicless fleshbags, have gone to the stars?!
5. Baby teeth falling out.
Asmodeus wanted to see childhood pictures of you! He was going on about how cute you were until he saw that in one of your photos that you were missing a tooth?! Asmo didn't know you were missing a tooth! He immediately tried to look in your mouth for that missing tooth, but there was a tooth there?! What?! Did you get some sort of tooth surgery?
Demons and angels don't have baby teeth. They are made not to naturally lose any of their teeth, and if they lose a tooth, they have to get a surjery to get it back. So, this concept is crazy to them.
Asmo was thankful it was natural. You made him panic!
6. Stretch marks.
Demons have rapid regeneration, so they don't get stretch marks. The scars just heal immediately as it isn't a deep wound to them.
Beelzebub had no idea humans could get them. He thought some demon attacked or tried to put a hex on you, but once you explained it to him, it blew his mind. Losing or gaining weight causes these marks? Humans are stretchy??? That's cute.
Beelzebub likes running his hand over the marks. It's fascinating to him.
7. Modern medicine.
Belphegor knew a lot about humans due to his human phase when he was an angel. There isn't anything that you do that surprises him. Belphie even knows humans went to the moon because he is an astrology girlie. But he is clueless about morden medicine.
Belphie lost interest in humans when he fell, obviously. He didn't want to interact with humans after his hatred for them developed. So he has no idea about morden human medicine.
Humans don't use frog eggs anymore? They were unsafe? Really? Belphie thought they worked. He did not know humans were just as unknowledgable as he was back then. Belphie learnt after you accidentally got a paper cut, and Belphie said he'd go get the plasters and leeches.
You had to tell him that the leaches were outdated by a few decades.
•~°◇ Have a kind day! ◇°~•
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tenebrous-if · 1 month
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LINKS:
🜲 Play the Game
Estimated Release: N/A
🜲 FAQ
🜲 Pinterest
🜲 Character Descriptions
🜲 Family Descriptions
🜲 Map of Arvandor
🜲 Genre(s): Fantasy, Romance, Drama, Hurt/Comfort, and Action/Adventure.
🜲 Rating: Tenebrous is an 18+ Fantasy IF set within the mythical world of Arvandor.
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The Kingdom of Aetheria, within the world of Arvandor, is a nation ripe with history. King Lysander du Aetheria rose up and led the fledgling Aetherian Army against The Forsaken One— Herald of the Abyssal Uprising— and came out victorious when everyone else had failed. With his victory, Lysander placed Aetheria as one of the key pillars of keeping Arvandor safe; allowing for peace to reign over the continent for centuries.
Peace, however, was never meant to last.
The Order of Netheron, Followers of The Forsaken One, had captured you at the tender age of fifteen, holding you captive for a decade within a tower only labeled as “The Spire”. All due to their wish of resurrecting their fallen deity— something that they believe could only be accomplished by using the blood of King Lysander’s descendants; it was a ritual that didn’t go as planned— one that did bring back their deity, but only for your eyes and ears only; the both of you attached to the other in a way that probably wasn’t intended.
And that’s how you spent the last decade of your life… Growing used to the presence that now appears whenever the time calls for it. It isn’t until your twenty-fifth year that you’re finally found and taken back to Aetheria, to everything you had long thought you’d lost.
Your time in the sun, however, was short-lived as the tidings of an even darker uprising was beginning to grow— one that threatens to demolish everything and everyone.
Can you figure out how to save your home?
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🜲 Create your Aetherian Royal:
Name/Nickname
Gender [Male, Female, or Non-Binary]
Appearance
Hobbies
Personality [Mainly involving unique reactions to certain situations— the MC is semi-set in some ways]
🜲 Romance 1 of 4 potential love interests— each offering their own unique experience within the story and how the world at large will react to the burgeoning relationship.
🜲 Bond with your family after being apart for so long. They have missed you a great deal. [The MC is a middle child.]
🜲 Harness the magic that flows through your veins due to the gift of your blood.
🜲 Choose from a variety of skill sets that your MC may be able to acquire. [Note: This means you can choose something to specialize in, instead of having to constantly choose between being a diplomat or warrior. You can instead choose to be a swordsman while also focusing on the art of diplomacy.]
🜲 Build a codex from the various interactions that you can have throughout your story— from places, to people, to old legends that have tested the passage of time within Arvandor.
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Astorian/Astoria du Aerilon: The Heir to Aerilon, and the person that was your betrothed from the time you were seven until your disappearance. Astorian/Astoria spent every winter with you, and you every summer with them, in hopes that a union between the both of you would bring your countries together. You remember many things from that time of your life: their warm laugh, brazen attitude, arrogant smirk, and their inability to stay still for long. Meeting them again? It simply proves how much can change in a decade. [Can choose to have been in an almost relationship with them or still rivals.]
William/Wilhelmina du Arvandor: A recent addition to the Holy Order, who has an iron-clad need to help and be of assistance to anyone that may require it. Being a Paladin has been something they’ve strived towards for the last eight years of their life; training being second to nothing. It’s simply a mere coincidence, or the Divine’s Will, that their first major mission was to rid Arvandor of the last dregs of Netheron… A mission that brought them to The Spire, with a small band of warriors, to carry out that very task— wherein they find the Lost Heir of Aetheria. You.
Gabriel/Gabrielle Adair: Being renowned within the arcane arts, having achieved the rank of High Mage within the Aetherian Institute of Magic, it’s of little surprise that the royal family of Aetheria would call on someone with their skill set— if it weren’t for the scandal that still plagues them. You’re not sure what could have been so bad that would force them to retreat within themself like they have, especially if your parents had seen them fit enough to tutor you, but it’s obviously something that weighs heavily upon them. Will it be possible to wrangle out the secrets of their past when you’re still trying to figure out your own gift?
Ilyran/Ilyria Caelestis: The Forsaken One, an individual that’s visible only to your eyes from a ritual gone wrong. There isn’t much you can glean from them, after all you can only take what they say with a grain of salt, but the shadows that lurk within their eyes has nothing to do with the darkness that now lives within them. It’s hard sometimes to look at what they’ve become when you’ve seen what they were in Old Texts, when they weren’t the Forsaken One, weren’t the Divine’s Disgrace… When they were simply Ilyran/Ilyria Caelestis, High Priest/Priestess of the Holy Order.
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tenpintsof-sundrop · 1 month
Note
Hii !! From the smut prompts (stop rolling your eyes, I know Im predicatable!) could I request "Accidentally Sending Nudes", "Sexting" and... a secret third thing (the choice is yours, go hogwild) for Jason x Fat Fem Reader? I'm leaning more towards sub!reader but shes def a little shit about it :3
Thank you in advance if you write it !! 🌼
See, this is why it pays to send in a request with me, because even if I don't answer it right away, I keep requests in my inbox for months and come back to them later!!! (This is from December 2023)
(Also this request is just plain fun) (because Star knows exactly what buttons to push to get me lmao)
DC Titans Requests - OPEN
How would Jason react to you accidentally sending him a nude?
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(Jason Todd x Fem!Thick!Reader)
Warnings: set specifically in the Titans!verse - set during season 3/mentions of season 3 plot points; spoilers for major plot points of Titans (including character deaths on the show); this is kind of enemies to lovers? (enemies to fwb, I guess); the reader uses she/her pronouns and has a vagina; the reader is described as being fat/plus sized; passing mentions of Gar x reader (I couldn't help myself); dubious consent - because of the nature of the trope, Jason sees the reader naked without her explicit consent, and he decides to keep the picture without her consent - but it does spark a consensual sexual relationship between them; passing mention of using nudes for blackmail (that does not happen); this isn't really proofread; (generally, I consider this post to be a fucking mess because it was written in Tumblr but I was still trying to have fun with it lmao.)
...
Jason is minding his own business when it happens.
(For once in life, he is fully, completely, minding his own business.)
He's back in Gotham and he hasn't seen you in months - and if asked, he would say that he hasn't thought about you. He doesn't have time to think about you because he's been too busy with this therapy bullshit, training, trying to get back his title of Robin. Trying to get back in the cape. (And trying to get back in Bruce's good graces.)
But that's not exactly true. He's thought about you a lot.
(Most of those times have been with his hand around his cock, but again - he won't admit that.)
There is an occasional time that you cross his mind and it's because he's wondering genuinely how you're doing - wondering if you're well, how your training is going, wondering if you're doing okay under the Dickhead's reign. But he can't ever pluck up the courage to text you and simply ask. Because that would be admitting that he cares, and that would make him look like a weak little prick.
And that's why he's so damn surprised when you text him first.
He hasn't heard from you since he left the Tower (well, since he stormed away from Donna's funeral in what you called a 'toddler fit' - something that ended in a rather vicious text argument between the two of you). In fact, the last thing in the text history between the two of you is you calling him a 'giant, petty, whiny baby who can't deal with his own emotions'.
(You had no clue what had happened between him and Rose, so that did inform a lot of your opinion on the matter.) (And that was probably the reason why Rose still had all of her teeth after you had seen her at the funeral.)
But all of that was aside from the point.
The point being - Jason found himself smiling when your contact name popped up on his phone.
He has you in his phone as 'Pretty Girl' - along with a contact picture of you sticking your tongue out at him in response to having his phone shoved in your face with the knowledge that he was taking a picture of you. (That tongue always makes him think certain things, so even though you intended for it to be some rude thing to ruin the picture, it makes it so much better for him.)
(1) new photo
That instantly catches Jason's attention.
Perhaps you were sending him a picture just to flip him off, or sending him a picture of a dumpster to ask him if it reminded him of home - a common joke you used to make when he still lived at the Tower.
Jason grabbed his phone and opened the message, expecting another tired joke, and-
Holy fuck.
The last thing he was expecting - your naked body. Your gorgeous naked body.
(He likely would have expected a nuclear blast or for the Joker to clean up his act and actually become a decent, sane citizen before he expected this to happen.)
Jason brought his phone closer to his face, making the picture full screen in order to examine it better - he needed to make sure that he wasn't hallucinating, or that this wasn't some weird dream. But fuck, he definitely wouldn't be able to dream up this.
You were so perfect - so fucking perfect in a way that was so very real.
The picture was a fucking stunning side profile of your body - rolling curves, lacy underwear that could clearly barely contain your impressive hips with sweet little stretch marks jutting out from the fabric (jagged little marks across the softness of your skin that made Jason want to act up) - soft fat for him to grab onto, and the perfect teardrop shape of your breast, now bared to his eye in a way that he had only dreamt of before. Something that he had stared at through the oversized tee shirts you wore to bed without a bra, just wondering what you looked like underneath.
And fuck, this was so much better than anything he could have dreamt up.
Jason's cock began to harden almost instantly, and laying in bed, he reached over to his nightstand for some lube, ready to milk that picture for all it was worth, when-
His phone buzzed again.
Pretty Girl: 'Delete that.'
Jason hadn't even considered that you had sent it to him by mistake. He had been far too busy enjoying to even consider the intention or the psychology behind it.
So, he took his hand off the waistband of his sweats and texted back the first thing that came to mind.
'No.'
(He didn't hear your annoyed growl on the other end, frustrated at his downright typical Jason behaviour.)
'It's not my fault you made a dumbass mistake. Besides, it's the least I get after all the nagging from you.'
Then, something else came to mind as the bubbles popped up, meaning you were busy formulating a reply - an annoyed one, no doubt.
'Who did you mean to send it to anyway? Who are you fucking whose name starts with J that's not me?'
(You hesitated.)
Pretty Girl: 'I didn't type in J.'
'???'
Pretty Girl: 'I typed in G. And it turns out the first contact that popped up was Giant Baby. That's you.'
Jason felt annoyed and insulted on all levels. The fact that you were going to Tiger Boy for dick instead of him, and the fact that you had used such a mocking contact name for him. But when he realised that such a pathetic string of events had caused him to accidentally see you naked, he couldn't be too upset.
'I'm still keeping the picture 😈'
Pretty Girl: 'You're such an asshole' Pretty Girl: ... Pretty Girl: 'You owe me one'
'Fine, I'll owe you one'
Jason shrugged it off, thinking he had won, until -
Pretty Girl: 'No, you owe me a cock.'
This made Jason's stomach jump. You couldn't possibly mean-?
Pretty Girl: ... Pretty Girl: 'You owe me a picture of your dick. You know - an eye for an eye type stuff.'
Jason wanted to ask questions - what did you plan to do with the picture? Should he shave his balls first? Did you want more than one?
But his cock got even harder at you asking for a picture, at you demanding to see his cock, and he couldn't properly think - he couldn't even reason that you might later blackmail him with the picture.
No, instead, he found himself ripping down his pants and turning on the bedside lamp for good lighting, pumping himself up to peak rigid hardness and grasping the base of his cock in hand. And then, without hesitation, he snapped a picture for you. He made sure to get his abs in the photo - a collection of his best assets, with his pants pulled down to mid-thigh, showing off his tight stomach, the deep V leading down to his dick, and his thick seven inch cock in hand surrounded by some well-kept dark pubic hair.
(He was proud of it - and that ego was one of the things that annoyed you most about him.)
He sent it without hesitation and then you began typing several times and stopped once again. Jason's stomach churned with nerves until -
Pretty Girl: 'Fuck you' Pretty Girl: 'I thought it would be smaller'
Jason had no clue how to respond to that, and he was busy racking his brain for some clever reply, when -
Oh. Oh fuck.
(1) new photo
You had sent him another picture. And this time it was definitely on purpose.
It was a view between the plump, beautiful thickness of your thighs - your hand was inside the pretty lace of those panties, and your fingers were visible working on your clit while your needy hole dripped wetness onto the fabric.
So you had liked what you had seen.
Pretty Girl: 'What would you do if you were here right now?'
Jason's brain short-circuited then. He thought of so many things - eating your pussy until you screamed, flipping you onto your stomach and fucking you until you begged him to stop, gripping onto those gorgeous thighs, pinning them to your chest and pounding into your cunt until you finally surrendered and said that you had liked him all along, fucking your smart little mouth to finally shut you up-
Pretty Girl: 'Come on, Jay. Don't disappoint me.'
Oh, he won't.
(Another thing Jason won't admit - he came back to the Tower just for you.)
...
DC Titans Masterlist
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pearlywritings · 2 months
Text
"Bring your kid to work" day
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synopsis: but sometimes it's very much unplanned.
pairing and characters: Zhongli x fem!reader, Xiao. Your family name is Rex-Lapis. Childe plays part in it too.
tw: modern AU, University AU, established relationship, fluff
word count: 2.8k+ words
a/n: Also a part of my University modern AU with history professor Zhongli
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The day started perfectly. Your older daughter was already at school with your permission to stay at her friend's house for a sleepover later, you had your day off, lounging in the living room with your son cuddling to you with his most favorite dragon shaped toy pressed between your bodies, listening to your husband walking around the bedroom, getting ready for the lectures at the University, being blessed with afternoon classes.
The day was perfect indeed. Until it absolutely isn't.
Sometimes you really want to kill your boss. It must be today that you are called to work to help with an emergency, that no one knows how to deal with except for you. And the fact that your boss does not consider any possibility of you having trouble with doing what's required, makes you fume harder.
"Li, I don't know what to do!" You cry in frustration, buttoning your shirt. "We can't find a babysitter in ten minutes! You have to go to work, I have to now too, we can't just ask Ganyu to cancel her plans, she's been waiting for this sleepover for weeks, and I can't take Xiao with me - by the sound of it I won't have a single moment to look after him."
It's been no longer than five minutes since you received that call, but you are already as stressed as after a week of non-stop work. Why must've the stars aligned this way!?
Your husband - bless his soul - is fully dressed and is holding your little son perched on his arm, supporting his back with a hand, watching your frantic movements with sympathy.
"I don't think I'll have many spare moments either, my love. Only breaks between lessons. Let me think," the man hums, leaning Xiao’s body more onto his shoulder and reaching for his phone with a free hand. The boy wraps arms around his neck, watching you brush your hair with a pout. The plan was to spend the whole day together with mama, watching cartoons, playing, maybe going for a walk or, ideally, taking a nap, finishing it all with making dinner and welcoming papa home. Now, it seems to him, all these plans are thrown out of the window.
However, Xiao was always a very perceptive and patient kid - he sensed somehow when the situation couldn’t be helped and him throwing a fit - not like he would - would only cause more trouble. That is why he is quietly waiting for what comes next.
And finally Zhongli finds a solution.
“I’m calling Ajax. He mostly spends time at the teacher’s lounge. As far as I know he really loves kids and has several younger siblings, he should be able to handle our son. And during breaks I’ll be taking over” “Oh,” as good as it all sounds, there is an instant hesitation in your mind. “‘Li, you sure you can ask him that? It’s a big deal after all…” “I know, dear, I know. That’s why I am calling him now in advance to make sure it’s alright,” your husband dials the number of his department’s secretary and puts the phone to the ear. “I don’t even mind paying him if he agrees.”
In reality you had nothing to worry about. The gingerhead was more than willing to watch your five-year old son. Maybe willing isn’t the right word even - the young man is excited.
Zhongli is lucky to arrive before the current class ends - the less attention is drawn, the better. He collected everything he could think of to occupy Xiao during his time at the lounge in a bag, which he passes to Ajax the moment his son and him are introduced. However while the secretary is wearing a wide and kind smile, the boy is glaring up at him from under the brown bangs, boring his strikingly golden eyes in the tall figure.
“Dad, I don’t like him,” the little boy pouts, hugging his plushie even tighter and throwing daggers at the gingerhead from behind the dragon’s mane.
“Ouch, little guy,” with a dramatic gasp, the young man clutches the shirt on his chest and presses the back of his hand to the forehead. “How will I live? Hated by Mr Rex-Lapis’ son…”
“Now, now, Xiao,” Zhongli gently pats his head, bending down to look into his eyes and finding displeasure there. “It’s only for today, baby. Me and mom are really sorry for not spending time with you today. I promise that soon I’ll be home for two whole weeks.”
To that the boy’s eyes widen.
“Two weeks… That’s fourteen days?”
“That’s right, sweety.”
“That’s a lot!” He jumps, elated by the news, no trace of dissatisfaction written over his cute smiling face.
“Haha, it is, dear.”
“Wow, Mr Rex-Lapis, your son is really smart!” The secretary stopped playing hurt, instead clapping his hands together in praise and nodding his head in approval. “How old is he?”
“He is five. Yes, he learns really fast.”
“No wonder, he has you and your wife as parents.”
The remaining 20 minutes before his first lecture Zhongli spends in attempts to make his son comfortable not only around Ajax, but also at the new place as well. All that time Xiao doesn’t let go of his ever-present companion - a toy dragon, which he is hugging close to his chest. He politely greets every professor that comes to the lounge, which makes the secretary’s jaw drop since he is the only one who’s been initially rejected and, Zhongli can swear, he saw his boy smirking in the toy’s fluffy mane.
Other professors can’t help but mention how much the son resembles the father, even making small talk with the boy, whom they’ve only heard about before or seen in the framed picture of your family on Zhongli’s desk. By how polite (sorry, Ajax) and shyly sweet he is Xiao quickly becomes everyone’s favorite, pockets currently full with all kinds of treats.
When it’s time to go, the man kisses Xiao’s forehead goodbye, promising to be back in an hour and a half for a break, and grabs the materials. Once he leaves alongside his colleagues, Xiao sighs and, ignoring his temporary caretaker, moves to the bag his dad left, starting to dig out all the candies to put them into its side pocket.
“Whatcha doin’, little guy?” The young man is at his side in two long strides, curiously watching the boy’s actions. Xiao gives him a side eye, before deeming the question plausible and turning back to his task.
“I don’t want them right now. I’ll bring them home and share with mom and dad.”
“I am sure they’ll like that,” Ajax hums, busying himself with the contents of the main section. “Oh, would you look at that! It seems that your dad packed some coloring books, toys and… oh, puzzles! You like puzzles?”
The boy quietly nods. Tiptoeing, he tries to see the two boxes his temporary caretaker is holding, and the young man immediately crouches down to let him look.
“This one is new,” Xiao finally points to the box in his left hand. Ocean blue eyes skim over the picture of a phoenix, drawn in a simple yet elegant style. Yes, that definitely looks like something Mr Rex-Lapis would’ve bought for his child’s entertainment.
“Alright, let's get you behind your dad's desk,” golden eyes sparkle and a glimpse of wonder appears on the boy’s face. Dad showed him his own space at the lounge; it's tidy and organized, with all the necessities sorted inside the drawers and some notes and pictures pinned to the corkboard on the wall to the left. He wants to see them closer!
His caretaker drags the chair back, but climbing on it Xiao performs himself. As Ajax is humming something while tearing off the tape on the puzzle box, the boy turns to look at the photos Mr Rex-Lapis has on display. It’s so funny, really - not so long ago this little fella’s father was an image of reserve to students, no one knew who his wife was or the fact he had two kids. The secretary remembers how just half a year ago he used to be among those only ones who knew of the professor’s secret (which, in reality, wasn’t a secret at all). Why hasn't he ever spilled any info to the students who adore him?
Well, what fun would’ve been in it?
“Is that your big sister?” Xiao quickly glances up, taking notice of how the tall (but not as tall as dad) man hovers over where he is sitting and points at one of the pictures. The boy looks at it again.
“...yes. It’s Ganyu.”
“I have a sister too,” the fond expression on that freckle-covered face and a seemingly lightened color of those ocean-blue eyes disarms the five-year old a little. He blinks, waiting for what more he can tell. “Not one actually. Oh, and I have brothers too. One is your age, by the way!”
“Doesn’t it get too… loud?” Small hands reach for the carton box, lifting the lid.
“It does, in a good way though. But when our two huskies join in on the fun… Let’s just say it’s a good thing we have our own house.”
“You have dogs? That’s so cool! I want to have a pet too,” Xiao unceremoniously empties the contents onto the table, yet carefully places the lid with the picture against the monitor of the computer. “Mom promised that when I get older, they’ll buy me a bird.”
“Oh? You love those?”
“Mhm… Maybe we’ll buy something as pretty as…” he pauses, looking at the fiery bird. Ajax quickly realizes the struggle.
“A fo-nuhks,” Xiao prompts.
“Yeah… A fee-niks.”
As the minutes tick by, the boy’s initial hostility seems to evaporate. He still doesn’t talk unnecessarily much, but he does talk to Ajax, so that's progress. He is quite quick to finish the puzzles, and his temporary caretaker makes sure to praise the child. They talk a bit more about their respective families, Xiao even introduces him to his dragon companion. And the gingerhead picks the small fox-shaped keychain his elder sister knitted for him to play toy pals.
For another half an hour it manages to entertain the boy, but as the end of the class is nearing, he grows more and more distracted, glancing either at the door or the clock hanging high on the wall. It’s not hard to guess he is missing his father and is anticipating his return, but both Zhongli and Ajax can do nothing to just speed the time.
What professor can do though, is excusing his class ten minutes earlier, quite happy they got to get through all the material he prepared for this lecture. Bidding the students goodbye, he locks the door of the auditorium with his suitcase inside and puts the key in the pocket of his fancy vest to come back in twenty minutes.
When Zhongli enters the teacher’s lounge, he finds the secretary showing his son something on his own laptop. However, once Xiao’s eyes spot his dad’s figure in the doorframe, the little guy is down from his chair and running all the way to the man.
“Dad!” Mr Rex-Lapis barely has time to close the door and scoot down to catch his son, who nearly bumps into his legs, threatening the man’s balance. Finally in his arms, with his own tiny ones tightly wrapped around strong neck, the carbon copy of Zhongli happily smiles and Ajax has to rub his eyes to make sure he is not hallucinating. Wow, this boy can smile like that (sorry, my guy, you are just not his favorite, though now tolerable at least).
“Hello, Xiao,” Zhongli plants an affectionate kiss on his son’s cheek. “I see you’ve missed me,” the words are answered with eager nods. “Did you have fun with Ajax?” At least some of it.
The gingerhead lifts his eyebrow when the boy looks back at him, holds the gaze of ocean blue eyes for a moment, and then turns to his father once more.
“I suppose.”
The older man has to clear his throat with a polite cough so as not to break into a smile at the image of the assistant's slack jaw.
“That’s good, my dear.”
“Are we coming home now?” His son wonders, fingers playing with the longer locks of dark brown. Unfortunately, the answer is a dejected sigh.
“I am afraid we are not yet, sweety. But mommy texted me recently that she’ll be able to come get you after my second lecture. And then I’ll have one more.”
At the promise of you soon arriving to take him home, Xiao’s just building pout quickly disappeared. It’s okay, he can wait for a little bit longer. And that fox-like man isn’t bad, his company is quite nice. He even showed him some pictures of his family - almost all of them are ginger. Oh, and he promised to download some simple games onto his dad’s computer so he could play. And he still has his coloring books back there and he believes he saw you packing a small book - there is plenty to entertain him with.
Only for all these thoughts and motivation to be shuttered when someone knocked on the door and a second later some student’s head pushed through the gap. None of the three people currently present in the room could’ve anticipated what a black hole is about to be opened.
“Good afternoon, is Mr Rex-La- Oh, professor, you are here! We were wondering if we could take the key to leave our bags inside? As always? Oh, hey kiddo- Wait, a kid???”
“Dad, who is it?”
“DAD!?”
Before anyone could do anything, loud gasps break their way into the lounge. It appeared that almost the whole group was standing in the hall and heard everything crystally clear. Of course students are curious. Of course, they know about professor Rex-Lapis’ kid - the news and that cute picture from an online lecture were still the talk of the whole faculty just a couple of months ago. Of course, they want to see those sweet cheeks for crying out loud!
Ajax is the one who has to get everyone who does not belong in the room out and calm them all down as more than a dozen youngsters beg and plead with Zhongli to bring his baby boy to the lecture. And the said baby boy doesn’t help the situation either, looking at his father with those striking eyes, silently asking to stay with him. “I’m gonna sit very-very quiet,” he even promises.
Is it really a surprise that Xiao ends up sitting at his dad’s desk with his coloring books while the man is reading a lecture? (Students almost crumbled when their tall, handsome, enigmatic history professor walked into the auditorium with his son’s tiny hand clasped in his? Look, he even had to bend his body a little to do so!)
And, as much as students want to gush all over their favorite professor’s small-sized carbon copy, they keep their best behavior, because the situation gives the “once in a century” vibes and they’d be damned to destroy the magic of the moment.
Well, maybe a little, because the smallest interactions between Zhongli and his son as the man lets his students finish writing down information from the current slide are mind-blowing. Groupchat-blowing too.
Even cuter the whole occurrence becomes when the boy stops drawing and lifts his head, curious of what his dad is speaking about. He turns slightly in order to see the presentation, golden eyes skimming over the pictures and words, though he does not understand most of it. But it’s alright though - he can listen to his father instead.
Zhongli is pleasantly surprised when no one can answer one of his revision questions and Xiao lifts his hand, giving him the answer he wanted (he misspells the word a little, sure, but he knew the right response nonetheless). Aaaand that’s probably when the students finally lose it.
By the time the lesson is over and Zhongli meets with you in the teacher’s lounge to pass your very happy and very proud son to you so you two could be on your merry way home, the man feels a little drained. Nothing that can’t be fixed by your tender cheek kiss and soft rubbing on his back, but he still exhales heavily and swears that when he comes home, you are in for a new story.
And by what Ajax had time to tell while you’ve been waiting, you're sure it’s going to be a hilarious one.
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taglist: @meimeimeirin Cause I remember how you once said you'd love to see more of this AU
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Demo: (Release Date: when i figure out twine, and then a week)
Life was never easy, but the day you first found your talent for less than legal practices, it certainly got easier. And when you finally got taken in by a nosy noble who could appreciate your talents, life finally seemed like it was looking up. But the highlife isn't all it was cracked out to be. You had to leave behind your best friend for this chance at the high life, and that's not even to mention all the enemies you've made while in service of the person who brought you in. Was it worth it? Can you keep your skeletons nice and tidy in your closet? Or will the past prove to have a few too many chips on its shoulder. ------------- This is a game about many things. Struggling to find meaning in your own life, trying to cling to those you care about as life drags you apart, and what can happen when you don't make peace before the storm. You take on the role of a peasant with a talent for the illegal, be that quick hands or a quicker wit. After years of dealing with the dirt of life to make a living, you get taken in (read, bought into service) of a noble who claims to have nothing but good intentions. They want to expose other nobility for their wrongdoings while climbing the ranks themselves. Will you be willing to remain loyal to their cause, or is money truly the only thing motivating you? That remains up to you to decide. Golden Hearts, Silver Tongues is rated 18+ for explicit language, mature themes, drug and alcohol use and abuse, violence, thoughts and mentions of suicide, self-harm, death and mental trauma. -------------
Customizable MC, choose your gender, pronouns, appearance, sexuality, romantic attraction, personality, history with some characters, potential disabilities, and most importantly, how you choose to go about your crimes. Are you a smooth talker, or someone who prefers actions over words?
Romance one of four available ROs? Will you fall back to your tumultuous Ex/Ex Best Friend? Or perhaps your new coworker or Boss? Or perhaps the most dangerous, the Ex-Noble hunting you down?
Struggle with Morality as you get pulled in different directions. What constitutes good anyways? And let's be honest, do you even care about being good at this point?
Resolve all of your lingering issue, before choosing how to move forwards. To remain trapped by the chains of your past, or to cast it all off and move forwards, unburdened. Ignorance is bliss, after all.
-------------
Romance Options:
The Rival (F, Cis or Trans selectable) - Your one and only friend in the early days of your life, and perhaps something more? You two grew up together and often were the only ones each other had. Perhaps she was your best friend, your lover, or someone you were so close to you could consider them family. Regardless, whatever she was, she isn't anymore. A fight caused a rift between you two, and now you two aren't on talking terms, much less anything else. So, when she shows up to one of your jobs, to steal the same items no less, is it any surprise things don't go well? Tropes - Exes to Lovers, Childhood Crush, Exfriends to Lovers, Rivals/Enemies to Lovers
The Boss (M, F, NB selectable) - The person who scooped you off the streets and showed you what the high life was like, and all you had to do was steal whatever they told you. Simple enough, right? You'd think. In practice, it seems like they keep upping the ante on your targets and at some point, you have to wonder whether or not this is all born out of good intentions. Though, with the looks they keep sending your way, perhaps more than just your skills have captivated them? No, that couldn't be true. After all, a noble and a peasant would cause far too much of an uproar for the already tumultuous figure that is your boss. Right? Gender Footnote - If NB, the Boss will be Agender. Tropes - Forbidden Love, Age Gap, Nobility x Peasant, Employer x Employee
The Coworker (M, Cis or Trans selectable) - A surprise your boss sprung on you just a few months ago, he is another noble who embraced your Boss' rhetoric and now wants to help reveal the darker side of the Kingdom. It's a shame he doesn't know what he's doing, but luckily (or unluckily), that is where you come in. Tasked to show him the ropes of thieving, you must figure out how to teach this eager learner what you've known all your life. He might not have quick hands, nor can he lie to save his life, but if there's one thing, he knows it's how to get up after a failure. And that surely has no correlation to all the gifts of his you've ignored over the years, right? Tropes - Coworkers to Lovers, Master x Apprentice, First Crush, Himbo, Potentially Grumpy x Sunshine
The Baron (M, F, NB selectable) - Hate is a strong word. Luckily, the Baron is a strong person. The first major noble your Boss ever sent you after, they by far had the hardest fall from grace out of anyone you know. Going from ruling an entire quarter of the Kingdom, to being nothing more than a rogue knight hunting you down for revenge. It's a shame they still have so much money at their disposal to hunt you with, and for all that it's worth, they are very good at finding you. Catching you, not so much. You always manage to just barely evade their capture....surely nothing to think about. Gender Footnote - If NB, the Baron will be Genderfluid. Tropes - Hate-Hate Relationship, Enemies to Lovers, Murder makes people hot, Villian Route, Potentially Redemption Arc
------------- Note Zone: Hey there! Thanks for reading all the way through this. This little place down here is where I plan on placing things like links in the future, and also any notes on progress or big topics and stuff that comes up. For now, all asks are welcomed, and once again thank you!
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hwayangyeon · 1 year
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NSFW gamer jake x gamer reader // you and jake play league together and argue a lot but somehow you end up on his lap // teasing, a lot touching, public bathroom sex (again) // 1.2k words
it's a little goofy // you don't have to know anything about league // not much about penetraton just a lot of touching // viego is a league character
"jesus, it's you again," you saw a familiar nickname in the lobby, "try not to lose for once?"
it's pretty reasonable for you two to end up on the same team since not so many people play at this hour. you recognize some of the players from previous matches, but only seeing this one makes you want to quit. can he ever get on the enemy team? or better, can he stop coming to this pc room?
it might be late, but after you finish your night shift, it's the perfect time for you to play. it's usually just the two of you and some kids watching porn in the back, hiding from their mothers. it's nice and quiet, well, when you don't flame each other.
"and why would you ban my champion?" the guy sitting across from you looked at you, tired. he's gotten used to you being the worst teammate he's ever had to deal with.
"so you don't suck at it. play something better."
"bitch."
"asshole."
it did not start well for your team. the support forgot to buy items, mid was afk for four minutes and you are losing your own lane. it's going to be really hard to turn it around, the enemy team is too far ahead.
"can you ever come top? the enemy jungler has ganked me eight times already, what the fuck have you been doing?" you looked over your screen.
"fuck off. i stole two dragons if you haven't noticed," his eyes focused on the game.
"i don't care about the dragons, everyone is fed. what's a dragon going to change? do something."
"don't feed then. stop whining and learn how to play, bitch."
he's too concentrated for a match going this bad. his brows furrowed, bottom lip fighting for its life between his sharp teeth. they'd probably look nice if he ever smiled. no wonder he has nothing to smile about in his life if he always plays this badly. oh shit, you're back in the game.
after successfully destroying towers and going as far as the enemy inhibitors, the game eventually ends with a red, humiliating text appearing on your screen. DEFEAT.
the room gets filled with all sorts of insults.
"please, delete your account," you take off your headset and stand up. enough for today. you don't like ending with a loss but knowing your luck you'd get placed with him again.
"shut up. i only lose whenever i play with you," he points his finger at you, "come, see my match history," he then signals for you to look at his screen, his eye wide, shocked from you having the audacity to flame him.
you walk around the desk and move in his direction, "yeah because you're not used to the high e–"
"FOR THE LOVE OF GOD, CAN YOU TWO FINALLY SHUT UP?" you hear the owner yell behind you, it scares the shit out of you making you trip over a chair and lose balance. jake grabs your hips and you end up on his lap. not that he cares if you fell on the ground, it was an instinct.
you want to stand up as soon as you sit, but the man continues and you're taken aback, "YOU KEEP YELLING AT EACH OTHER, EVEN THE GUYS WATCHING PORN AREN'T AS LOUD AS YOU. IF YOU DON'T SHUT YOUR MOUTHS I'M GONNA KICK YOU OUT."
you both stay silent because of the shock. you feel like two kids being scolded for making noise past curfew.
you want to stand up again but the man keeps going, "look, guys, i'm sorry for lashing out at you. it's just my wife, she's leaving me," his tone unexpectedly changes.
you're frozen, not fully acknowledging the position you're in. jake's left hand is still on your hip.
"like, i can't understand why would she do that to me," the man closes his eyes and sighs. jake's fingers slowly climb under the hem of your shirt. they're asking for permission and you're not denying it.
"we've been together for twenty years..." you feel his warm touch on your skin, it makes you straighten up a little.
"we were perfect together! do you guys get me?" he suddenly asks you and you both nod without thinking, jake's hand immediately stops as if you were caught cheating on a test.
"and she wants to take the kids too! ridiculous..." the man looks away from you as if he was looking for a solution to end his misery. jake resumes his movement. he squeezes your waist softly, his fingers sinking into your flesh.
"no, i can't allow her to do that... i'm their father," his thumb making its way lower, pressing on your back dimple, causing you to arch. shit, that's exactly where guys you hook up with put their hands when they're fucking you.
"they must live with me," his touch is so gentle, yet you're melting. it feels like he's sculpting your body as if you were made out of clay.
"have i signed a prenup? i can't have her take the house," his hand travels to your abdomen, pushing you back lightly so you lean back on his chest, relaxing your tensed-up body. he has so much control over you.
"i built it with my own hands!" you can feel him staring at your side profile, probably smirking seeing how worked up he got you. but you can't look at him, not with that red blush on your face.
"that bitch... i should've seen this coming. my mother was right about her," your head falls back to touch his, he gets a little carried away because of the sweet scent of your hair, it makes him lean against you. fuck, he smells good for a league player too.
"anyway," the man finally finishes his monologue, "YOU IN THE BACK, SHUT UP!" he completely ignores you and goes to yell at the kids for being noisy.
"you could've just said you were craving my attention," the guy behind you whispers into your ear.
———
"fuck," jake pins you onto the bathroom stall, your back is starting to hurt from you pushing each other at the walls, not being able to get enough of yourselves, "i'm close."
he grabs your ass and holds you up, his face buried in your neck, biting it because of how amazing his dick feels inside you. his release is almost there too.
your hands lost in his hair, trying to bring him even closer. some people say there is a fine line between love and hate, but it's even thinner between hate and lust.
"jake!" your moan announces your climax. oh it feels so good for him, having you scream his name after how you belittled his gaming skills.
he follows you right after and helps you stand on your own, but he doesn't pull out yet.
"i can go another round," his voice breathy, lips glistening with saliva he produced while kissing your neck. his hair completely messy, thanks to you.
"how can you be this good at fucking but suck so bad at viego, jake 123?"
after hotel.
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alpaca-clouds · 9 months
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The Punk-Factor of Punkpunk Genre
So, when I posted my history of Solarpunk, someone (probably not in good faith) asked: “So, what about the punk in all the other punk genres?!” towards my request to put the punk back into Solarpunk. And given that my autistic brain obviously cannot just let that stand… You know what? Let me talk about the other punk genre and in how far they are “punk”. I tried to be as exhaustive as possible, though there is a good chance, that I might have missed some of the punkpunk genre. So feel free to add.
Trying to judge the punkiness I do not assume punk as simple counter culture, but a specific ideology. Quote from Wikipedia:
[Punk ideology] is primarily concerned with concepts such as mutual aid, against selling out, hierarchy, white supremacy, authoritarianism, anti-consumerism, anti-corporatism, anti-war, imperialism, conservatism, anti-globalization, gentrification, anti-racism, anti-sexism, class and classism, gender equality, racial equality, eugenics, animal rights, free-thought and non-conformity
Most of the artwork here has been taken from concept art of either of the examples listed.
Sorted from most futuristic to pre(historic). Yes, the list is long.
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Cyberpunk
We start with the OG punk genre, the one after which all other punk genre were named. Yes, you could argue that in fact the two genre following are more futuristic – but Cyberpunk kinda just had to start the list.
As a genre: Given that Cyberpunk had its start completely in literature it is the best defined in this regard. Taking place in a late stage capitalist dystopian world in which most is owned by megacorps who don’t follow anyone’s laws but their own, the protagonists usually are social outcasts fighting against their own oppression, trying to keep themselves alive in a world hostile to them. With cybernetics always being a core of the genre, it also tends to deal with the question of humanity in a “ship of Theseus” sort of way. How much can the human body be altered, before the human vanishes?
As an aesthetic: Cyberpunk is the most punk in terms of aesthetics, really. There is a lot of punk and grunge going on in terms of character design. Neon hair colors, fishnets and thorn up jeans jackets can be found here. As well as of course cybernetics on the characters. The world usually is a megacity with a stark divide between rich and poor, tons of neon signs, a slight Japanese influence, flying cars and somehow a constant downpour of rain.
Punk-Factor: Cyberpunk is the one punk genre, where the “punk” was chosen very knowingly as a name. Usually the protagonists are “punks” fighting for their place in the world against a suppressive capitalist system. (Also, they usually fit the punk aesthetic, if they don’t wear leather dusters.) It should be noted however, that especially in newer western Cyberpunk often the punkiness vanishes more and more – for the same reason we have so little Solarpunk: media that outright confronts the problems of capitalism is just less supported.
Examples: Neuromancer (1984), Mirrorshades: The Cyberpunk Anthology (1986), Snow Crash (1992), The Matrix (1999), Dredd (2012)
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Biopunk
As a genre: As a genre biopunk is still fairly ill defined, as it mostly shows up as a subsection of Cyberpunk. Rather than the characters having cybernetic implants (or additionally to it) they are augmented on a genetic level. This can be all sorts of augmentations, changing anything from appearance to giving characters higher strength and agility, giving them claws or night vision, or in some cases even “magic” powers. Usually the genre tends to be set in worlds similar to Cyberpunk. In fact it might well be set in a cyberpunk world, only that characters with bioaugmentations exist parallel to those with cybernetics. Additionally, though, there is a subsection of this genre, that concerns reproductive rights.
As an aesthetic: Ironically biopunk is even less defined as an aesthetic. There is not a lot of biopunk art out there and most that exists can go in different directions. As such it often mixes elements from other punk aesthetics – like Cyberpunk, Steampunk or Dieselpunk – with an assortment of bodyhorror elements.
Punk-Factor: It is hard to define the “punkiness” of a genre, that barely exists for the most part. Usually, when it is set against a Cyberpunk backdrop, it might be very punky, but in other settings those punk elements vanish.
Examples: Ribofunk (1995), Altered Carbon (2002), Bioshock (2007), The Windup Girl (2009)
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Nanopunk
As a genre: Like Biopunk Nanopunk mostly exists as a subsubgenre to Cyberpunk, often being set in a mostly Cyberpunk world, only that instead of or additionally to Cybernetics, the technology used to alter the human body is nanites. These serve the same function as the genetic manipulation in Biopunk, giving the human in question more strength and agility and at times more or less magical abilities. There is one common plot that comes up again and again, with an AI or megacorp turning the nanites against the people they inhabit or trying to control them.
As an aesthetic: Aesthetically Nanopunk does not have much in terms of its own identity. Most artworks relating to Nanopunk feature a similar aesthetic to Cyberpunk, with megacities and lots of neon.
Punk-Factor: This genre is so small, that it is kinda hard to judge the exact punkiness.
Examples: The Diamond Age (1995), Prey (2002)
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Solarpunk
As a genre: Being another genre, that started as such, Solarpunk is a bit better defined. Solarpunk usually takes place in a world post-strive. It is post-capitalist and decolonial in its settings, usually featuring a world that has either formed against the backdrop of preventing climate collapse or in the aftermath of it. A lot of it features people rebuilding – or alternatively building communities. It always features elements about living in harmony with nature or trying to do so. So far, the genre is mostly defined by short stories, partly because there is still disagreements within the movement, how far a conflict can be taken to still qualify as Solarpunk.
As an aesthetic: Solarpunk has a very strong aesthetic definition, mostly featuring all sorts of cities and urban areas, that incorporate natural elements into the urbanity, with greenery growing on roofs and concrete car-centric streets being replaced with more natural, walkable areas. The character design aesthetic is not quite as clearly defined, but usually features natural materials and patterns usually seen within indigenous art.
Punk-Factor: Contrary to what many say, Solarpunk is fairly punk, as it very much embraces the entire anti-hierarchical, anti-capitalist mentality. With the big difference, that the punk mentality is no longer counter culture, but the mainstream culture.
Examples: The Dispossessed (1974), Nausicaä (1984), Laputa – Castle in the Sky (1986), Princess Mononoke (1997), The Summer Prince (2013)
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Lunarpunk
As a genre: Lunarpunk is pretty much a subsubgenre of Solarpunk, just as Nanopunk and Biopunk are sprung off from Cyberpunk. It is so far ill-defined as a genre, but the general consensus is, that it is set in solarpunk-esque worlds, but with a heavier focus on mysticism or spiritualism, at times outright including magic. It also tends to feature a lot darker places, being set in underwater or underground settings – or alternatively at night.
As an aesthetic: Lunarpunk is far more of an aesthetic than a genre so far. It features dark places, often with bioluminescent elements in it. Often featuring a mixture of black and dark blue with lighter blue, violet or light green elements shining in the middle of it. Mushrooms – especially glowing mushrooms – feature repeatedly in artwork.
Punk-Factor: Given that Lunarpunk is barely defined as a genre it is hard to estimate the punkiness in it. If it gets more stories, will those still feature the anti-capitalist and anti-hierarchical messaging we see in Solarpunk? This should be the defining factor. Some of the artworks use little aesthetics from the punk scene, but nothing much more.
Examples: Bioluminescent: A Lunarpunk Anthology (2023)
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Hopepunk
Honestly, I had no idea where to put this one, given that it might technically be set at any time and place.
As a genre: Hopepunk is very much a genre, not an aesthetic. It has been defined as the opposite of grimdark by its “inventor/name-giver” Alexandra Rowland. The basic idea is to create fiction that instead of taking a dystopian, defeatist and violent approach, takes one defined by hope and to some degree pacifism. As such the genre can be set in any setting, real or fantastic. It mostly is defined by the protagonists taking opposition to cruelty and violence, fighting for a better world and, crucially, also partly archiving it. Other than in usual Cyberpunk, where the best possible ending, tends to be, that the protagonists get to live a somewhat better life themselves, Hopepunk aims to better the life at least for groups of people.
As an aesthetic: Being fully a genre, Hopepunk has no aesthetic associated with it.
Punk-Factor: Hopepunk is punk less in the sense of the protagonists or things happening within the story, which might or might not be punk, but was named such rather because it is considered counter cultural towards the gross of media at the moment, that often strives for a “realistic, gritty, grimdark” outlook on the world. Basically it is saying: “Hope is punk.” I will not make any judgement on whether or not this is true.
Examples: The Long Way to a Small, Angry Planet (2014), Mad Max: Fury Road (2015), The Good Place (2016)
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Mythpunk
As a genre: Another one, that does not really fit into a temporal sorting system, because once again it can be set anywhere between the stone age and the far future. The basic idea is, that the story interweaves postmodern storytelling with elements from mythology or folklore. This can mean mythological, genre-traversing retellings, but it can also mean, that mythology seeps into any given story bit by bit. As such the genre with probably the most media in the subgenre is Urban Fantasy, which often borrows from mythology and incorporates these elements.
As an aesthetic: Mythpunk as an aesthetic is a bit strange. There is definitely a mythpunk aesthetic that exists, often mixing familiar elements with elements from mythology and folklore (at times also including quasi-folkloric works of literature, such as Alice in Wonderland and the Wizard of Oz). Often just a bit dark and twisted.
Punk-Factor: To be perfectly frank, for the most part, there is not a lot of punk to be found in this genre. While there have been definitely punky stories told within the genre, this is more a story decision than something inherent to the genre.
Examples: Pan’s Labyrinth (2006), Over the Garden Wall (2014), Inscryption (2016)
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Dustpunk / Rustpunk / Desertpunk
As a genre: Kinda grouping those above all together, because people argue about what they might entail and in some interpretations they kinda are similar: Post-apocalyptic stories set in a world of sand and rust. Often featuring a loner character, having to go up against everyone to ensure his own survival – and at times being forced to learn, that the lonerness might not win him (and most often it is a him) anything.
As an aesthetic: Aesthetically this tends to be very much post-apocalyptic, maybe in some cases with some more classical punk elements added to characters and surroundings.
Punk-Factor: Given that there is neither a system to rage against – nor a new, less hierarchical system – usually there is not that much punk outside of some aesthetic choices. Neither tend those stories go into constructing worlds of mutual aid or working against oppression.
Examples: Anything Mad Max should count for this.
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Atompunk
As a genre: Atompunk usually deals with themes connected to the cold war – in some cases directly, in some indirectly. Often it overplays the American ideals that were pushed for during the cold war era and portrays scenarios in which American Exceptionalism slowly reveals itself as the dystopia most punks already know it to be. Outside of this vague idea for the setting, the genre is less described, as there is less of a clear script an Atompunk story might follow. So, little description of who might be the protagonist and what their role is.
As an aesthetic: The aesthetic of Atompunk borrows heavily from the Raygun Gothic aesthetic. So, futurism, as it was imagined in the 1950s and 1960s, with heavy influences from late pulp age science fiction art.
Punk-Factor: The aesthetic in this is definitely not punk. The stories often have some vague punk ideas of recognizing how fucked up the world has become, but given the genre is fairly wide in terms of stories, it is hard to give a definite answer to how “punk” it is. One can definitely tell punk stories within this genre, though.
Examples: Hitchhiker's Guide To The Galaxy (1978), Fallout (1997), Futurama (1999)
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Dieselpunk
As a genre: Dieselpunk is once again an example of “strong aesthetic, but no clear genre identity”. Generally, Dieselpunk is concerned with the interwar period, but might cover either of the world wars. In some cases the genre features alternate timelines, in which one war happened and not the other, or in which another faction won, with the technological development being influenced by this as well. But as a genre it is not much defined. A lot of stories building on Lovecraft’s legacy feature Dieselpunk in some regards. And there is definitely a subsection of Dieselpunk stories centered around “what if Nazis won” or “what if Nazis somehow went underground and did their own technological development after the war”. Also, there are a lot of stories about pilots of war planes in this genre.
As an aesthetic: As an aesthetic Dieselpunk is more clearly defined. A lot of bare metal and the sorts of technology you would expect from this era, often with retro-futurist and art noveau elements in between. A lot of the fashion within the genre is defined by pilot and military clothing of the times, but at times also dipping into “roaring 20s” fashion styles.
Punk-Factor: In this genre I would generally say: “If the story involves punching Nazis, you might get a couple punk points – but otherwise this is not really punk.”
Examples: The Iron Dream (1972), Brazil (1985), Dark City (1998), Iron Sky (2012), Bitter Seeds (2010)
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Teslapunk
As a genre: Yet another one of these, that exists mostly as a vague idea, with no clear definition. The basic idea is a world, that works on Tesla’s inventions. And as those of you, who watched Doctor Who, might know, Tesla sorta, kinda already invented the internet or had an idea of what it could be and how it could work. So a Teslapunk world is based in an alternate timeline, but might in fact go into light futurism. There is not much in this genre though with a unique thematic identity, as stories that use Teslapunk as a backdrop rarely have coherent themes.
As an aesthetic: The aesthetic of Teslapunk is basically “Steampunk, but with Tesla-coils and electricity”. Which is not a big surprise given that Tesla came from the same era that would also be the inspiration for Steampunk. So, we have a lot of Victorian fashion, maybe some light augmentation, airships, and – again – all the tesla coils you can muster.
Punk-Factor: As, again, I think punk is more about themes than aesthetic, this is once more not really possible to judge, because there do not seem coherent themes within the genre so far.
Examples: The Prestige (2006), Sherlock Holmes: A Game of Shadows (2011), Bioshock Infinite (2013)
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Arcanepunk
Another one of those that do not neatly fit into the timeline…
As a genre: Arcanepunk takes place in a world, where both magic and technology have developed. In some cases both developed side by side, in others, we might have a technological world, that suddenly discovers magic by some happenstance. The fact is, though, that both exist parallel to each other or might at times be intertwined, with technology being powered by magic. This can exist at different technological stages, usually featuring settings inspired by the late 19th or early 20th century. But usually futuristic stuff that includes magic might be considered Arcanepunk, just as might stories that mix 18th century technology with magic. While also a vague genre, there is a repeating theme of magic being hoarded by those in powers and the poor and downtrodden finding ways to still use it in their own advantage.
As an aesthetic: Given that Arcanepunk’s setting is defined by the co-existence of magic and technology, rather than a specific technology, Arcanepunk has less of a defined aesthetic. Never the less, we have a part of punk aesthetics that often come up, as a surprising amount of Arcanepunk features characters with neon colored hair.
Punk-Factor: Another genre that is rather thin, yet, there is a surprising amount of stories featuring some punk ideas of fighting against an oppressive system and being counter culture to a main culture build around suppression.
Examples: Too Many Magicians (1966), Shadowrun (1989), Bartimaeus (2003), Arcane (2021) duh
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Steampunk
Steampunk was the second genre to pick up the “punk” suffix and hence is as much responsible for the punk-punk as Cyberpunk as the originator.
As a genre: Being named as early as it has been, Steampunk kinda suffers the same issue as Cyberpunk itself. There is a lot of ideas there, but some are only vaguely defined. In general, though Steampunk always takes place in a world where the steam engine became the defining technology and was never replaced with the combustion engine. As such cultural aspects from the steam era, especially Victorian England and the Belle Epoche, still carry over for longer, than they did. So often we will see noble households based around similar values as the puritan Victorian English families, while the very poor are made to work in workhouses. At times we might also see themes of colonialism here. In some cases magic might exist in these worlds, as might electricity for some aspects. There is often a heavy inspiration from Jules Verne and H.G. Wells. Though it is still hard to define the “stereotypical steampunk story”, given that Steampunk offers a wide variety of stories, from adventure stories and romances, over to stories where people rise up against the Victorian-esque society.
As an aesthetic: Steampunk as an aesthetic is very much influenced by Victorian aesthetics and the time period of the late 19th century, mostly in the USA, Great Britain and France. But as all other punk genres it knows very well: “If it is worth doing, it is worth overdoing,” so steam-related elements are added to everything. Could
Punk-Factor: In the original idea for Steampunk was a lot of punk. “What if we took Cyberpunks ‘rage against the unjust system’ and made it 19th century” they asked. But given that the genre branched out so much, it is not necessarily there in all the stories. There is a ton of stories where people rage against that steam powered Victorian machine – but also a ton in which the Victorian world gets idealized and romanticized.
Examples: Thief (1998), The League of Extraordinary Gentlemen (1999), Wild Wild West (1999), Clockwork Century (2008) – also half of all Sherlock Holmes adaption made after 2000 in any medium usually use Steampunk elements
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Silkpunk
As a genre: Silkpunk is hard to define, despite there being a clear definition. The reason for this is, that the person who coined the term – Ken Liu – had a very specific idea in mind. He explains that the idea is of a world that has technology as language. In which form is as important as function, is made to speak a language all of its own. Inspired by ideas from W. Brian Arthur and Chinese philosophy. However, what the wider Science Fiction and Fantasy community made from it was “Steampunk but East Asian!” But given he coined the term (and also the alternative feels vaguely racist) I am going to go with Ken Liu for this. While Silkpunk will usually be set in an East Asian inspired world, the central idea is about the duality of technology, which will also be addressed within the stories.
As an aesthetic: As said above, the idea Liu had for it was a world that features some technology, but technology that is as much about form and communication through it, as it is about function. So the technology here has strong visual ideas. At least that was, how Liu intended it. Once again, the wider community made “Steampunk, but East Asian” out of it.
Punk-Factor: There is not a lot of stuff in this genre for now – however so far I do not manage to see a lot of punk ideas in it, even though some of Liu’s stories definitely feature the concept of challenging a higher power.
Examples: Dandelion Dynasty (2015), The Black Tides of Heaven (2018), The Tea Master and the Detective (2019)
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Clockpunk
As a genre: Once again storytelling in this genre is not really defined, but the worlds diverge a bit before the wide adaption of steam, instead featuring mechanical devices powered by coils and springs and somehow kept alive, often at least implied through some form of arcane magic that gives “live” to these mechanical inventions. Most examples of Clockpunk, however, tend to show up as settings for parts of fantasy stories. Any fantasy world might have this “Clockpunk” area, where protagonists might travel. Especially games tend to feature this. While there is definitely a trope of the “mad inventor” often going along with this, few other tropes stand out.
As an aesthetic: The aesthetic of Clockpunk tends to take some inspiration from the early 19th century, but tends to add a lot of gears to everything, with even city wide gear constructions keeping things working. We often will find mechatronic characters, such as wind up soldiers or wind up dancers.
Punk-Factor: Once more, there are so few stories told, that it is kinda hard to speak about how punk this is. Most stories told so far, however, do not feature punk elements.
Examples: The Great Mouse Detective (1986), Hugo (2011), Clockwork Planet (2017)
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Whalepunk
Please note: This is one of those genre, I would love to see more in, though so far it is barely explored.
As a genre: And you might ask: “Why do you even name those genre, that exist mostly in theory?”, to which I might answer: “Because I am a nerd.” As all these retrofuturists genre, Whalepunk imagines mostly an alternate historical timeline, where the technology that became defining was based around whale oil. This means that in Whalepunk often whalers or harbors play a big role, though as the genre is again very thinly spread, it is hard to say what “THE whalepunk” formular is. It seems there is a tendency, to mix some mysticism or magic into the genre, though, as the idea of hunting sea monsters often plays into it as well. Good chance that it could at some point merge with Cthulupunk (which I did not name separately, because most of it is either covered in Whalepunk or Dieselpunk).
As an aesthetic: The aesthetic of Whalepunk is basically “Steampunk, but with more sailors, ships and sea monsters”. There is definitely a bit of Oceanpunk mixed into it as well, with some aesthetics being somewhere between Steampunk and Dieselpunk. (Which is kinda ironic, because whale oil was mostly used in the early 19th century.)
Punk-Factor: And again. There so far is not a lot of connective thematic tissue within that genre, so exploring themes is kinda hard.
Examples: Dishonored (2012), Dredge (2023)
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Oceanpunk / Piratepunk
As a genre: It really is hard to divide the Piratepunk out of the Oceanpunk, though some might call it different. The idea here is that this genre features stories mostly set on the ocean and often more heavily leaning into fantasy, than science fiction. While the worlds might feature technological elements, they will almost certainly feature magical elements of some sort. The characters will usually be seafaring one way or another and stories might involve any sort of adventure. There might be a storyline, though, about one company or nation trying to control the seas – often times through magical means – with the characters often unwillingly being made to oppose them. This genre might also take place in a post-apocalyptic setting with a flooded planet.
As an aesthetic: While the aesthetic is not clearly defined, there is a good chance that it borrows heavily from the late 17th and early 18th century and the golden age of piracy, when it comes to both ships and fashion sensibilities.
Punk-Factor: Pirates, at least as far as modern media imagines them, tend to be very punk, as they tend to inherently oppose any sort of government and what not. While the punk is not there in all of the stories, a lot of the most popular stories from the genre will feature at least lightly punky elements.
Examples: One Piece (1997), Pirates of the Caribbean (2003), Assassin's Creed IV: Black Flag (2013)
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Dungeonpunk
As a genre: So, the idea of the genre is basically “What if Cyberpunk, but Dungeons & Dragons?” Usually set in a vaguely medieval world, this world still shows the same corporate corruption as your usual Cyberpunk world. Adventurers are just another resource to be exploited by the system, their day job involving going on yet another dungeon crawl. For this there might be some technology entirely powered by magic, with those magic items taking over the same functions technology might have in a Cyberpunk world. And yes, indeed some brave dwarf, elf or halfling might rise up and challenge the corporate dungeon syndicate. (As you might sense: Yes, this genre tends to be at least partly a bit of a parody of the punkpunk idea. Though it also can be played straight as “Cyberpunk conflicts, just that all technology is somehow magic.”)
As an aesthetic: This is once again one of the examples, where there is a clear idea behind it – but absolutely no clear aesthetic, as this genre might cover anything from medieval settings to a lot more modern stuff.
Punk-Factor: The base idea, being heavily inspired by the base idea of Cyberpunk, just from a very different perspective. But too many people read the genre as “Magic Technology, yay”, in which case, no, it is not punk.
Examples: Dungeons & Dragons can be played this way, also Final Fantasy VI – XIII definitely counts.
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Sandalpunk
As a genre: I mostly include this for the sake of it, because this genre tends to boil down to “fantasy set in ancient Greece or Rome, but with vaguely anachronistic elements”. It might also include alternate history stories (even going so far as Science Fiction) based on the idea “What if Ancient Rome/Ancient Greece never fell?” There is no real overarching themes, even though I could imagine some interesting way one could build those up. So far, though, it is mostly a vague gesture towards: “SciFi Fantasy, but with more ancient civilizations.”
As an aesthetic: The aesthetic is usually just Ancient Rome or Ancient Greece, but with more magic or anachronistic elements.
Punk-Factor: Given the super vague nature of the genre and the fact that it seems more like a genre of hindsight (with most media being declared this having been released even before 2000)… Nobody wrote those stories to be punk. The one punk thing I can see about several of these stories is people challenging Gods, but… That’s about it.Examples: Hercules: Legendary Journeys (1995), Xena: Warrior Princess (1995), God of War (2005)
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Stonepunk
As a genre: The basic idea of Stonepunk is, that it is set in a stone age world, but with the technology being pressed towards a very anachronistic end, which is often played for laughs. Basically it gives stone age people a modern seeming world, though not really. Often enough this is used to make a point about the modern world and parody it in some regard. An argument can be made for stories, that feature stone age technology people being somehow subjected to modern technology (for example through time travel or space travel) also possibly falling into this genre.
As an aesthetic: Usually the aesthetic of Stonepunk is one of an overplayed stone age setting. The clothing characters might wear are not what we know is historically more accurate but really just “everyone wears a pelt around their shoulders”. Meanwhile stone age tools get spun to be used as all sorts of modern technologies.
Punk-Factor: The genre does usually not feature punk themes. However, the nature of parodying and challenging the modern world tends to be punk in its own merit, I assume?
Examples: The Flintstones (1960), The Croods (2013), Horizon: Zero Dawn (2017)
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That's it. That's the list.
Feel free to add to it.
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kazbiter · 1 year
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very interested in how the storyline of ronan's sexuality is developed in the dream thieves as a battle between kavinsky and gansey while adam is almost never present in these scenes, which makes it even more interesting that we found out in CDTH that ronan was set on adam the moment he saw him. i think that ronan is attracted on some level to both gansey and kavinsky (you can draw the lines of how much romantic intention you think he hold towards either of the yourself, that's a rabbit hole I would need a whole other post to go down) but more so I think he was attracted to the IDEA of both of them and certain qualities that each possessed, and that the real question wasn't does ronan want gansey or kavinsky because we know he wants adam but rather who's qualities resonate more with who ronan is, or who he is choosing to be at this critical moment in his character development. kavinsky is a dangerous thrill and often comes wrapped in ronan's other favorite self destructive attempts to outrun himself, while gansey is ronan's history and proof of his deep capacities for loyalty and love. he tells kavinsky it was never going to be me and you and that it's not going to be ronan and gansey because that was never the question- maggie was obviously always planning on bluesy and pynch. the answer to who ronan WANTS in adam. the question of who ronan IS- that's what he's trying to decide here. his self hatred is such a heavy weight on him and theme in tdt, and the kavinsky/gansey dichotomy represents the the path he will choose to take to deal with it- keep try to drive faster than his demons or accept that he can still be loved even if he isn't the person he once was. the dream thieves my beloved ronan lynch my beloved
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as a lifelong ATLA fan who narrowly had ATLA dethroned as my top show by The Dragon Prince steadily over the past 5 years, the similarities between the two have very little to do with the surface level parallels that get regularly drawn between them.
Like ATLA, TDP has Books for seasons and chapters for episodes, but unlike ATLA, which only touched on storytelling sparingly as a theme, TDP is obsessed with interrogating storytelling and history and the presence of unreliable, biased narrators throughout many of its episodes (most notably 2x05, 2x06, 3x06, 4x04, and 4x07 among them). Half of what you learn in the 1x01 intro ends up being a lie once you reach S3, with more being steadily deciphered.
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Yes, TDP has different magics with people living under those umbrella terms... for the elves. Humans are coming culturally at things from a completely different angle, and the elves' connection to their primal sources are discussed philosophically in detail, informing their practices and their culture first hand, including the way they chafe against humans, who are arcanum-less. Many animals in the world are also connected to magic, which influences both their design and which ones get hunted for humans' more 'clever' solution in dark magic, including each other.
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The core issue of the Puppetmaster, down to being a coercive magic formed by someone deeply resentful of their imprisonment? Said puppetmaster is the main endgame antagonist of the entire show with all of S4 onwards being exploring the ethics of controlling people against their will in various methods, and the entire show itself being a thematic battleground of fate (imprisonment) vs free will for virtually every single character.
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Where ATLA mostly concerns itself timeline wise with ending the war, very little thought is shown by any of the characters as to what they'll do after the war. This isn't a problem (as it reflects the sheer domineering scope of the conflict) but even Zuko being firelord is only ever really addressed with 2.5 episodes left till the finale. TDP, meanwhile, ends its 'war' in s3 and s4 opens up with dealing with the old wounds festering between people with centuries of history, the struggles that come when people aren't able to let go and believe they're safe or mourn in a healthy manner, and the religious/cultural clashes that may occur when trying to integrate different groups of people.
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TDP also has an evil father with a devoted daughter and a brother who eventually defects, but it explores the reality of an abusive parent who loves/will sacrifice for you and your right to leave regardless, even if that means leaving the sibling you truly deeply love and who loves you in turn. Which means that when you and your sibling are on opposite sides of a deep ideological conflict, it actually really fucking hurts bc we've seen first hand just how much they love each other and also how and why everything fell apart not in spite of that love necessarily, but also because of it.
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Is this to say that TDP is a 1:1 with ATLA or that it's better? No, not at all, and the latter is subjective. I prefer TDP, but I think they're about on equal ground when you look at each show currently as a whole (although TDP has two seasons left to go).
But TDP takes a lot of what ATLA was doing thematically with some of its most interesting beats and then builds or expands upon them further. It talks further and more consistently about the cycles of violence; in many ways, Jack De Sena's character, Callum, begins the series largely where Sokka had ended (and he's not the most like Sokka anyway; very much his own thing); we get Faustian bargains and centuries' long grief and fucked up people who are trying both succeeding and failing at not doing fucked up things. There are antagonists, but it is very hard to actually label anyone at this point a straight up villain. Moral greyness is where the show starts, and it just continues from there.
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That's not to say the show is nothing but dark and depressing - like ATLA, there's a steady thread of hope and humour even as the show gets steadily closer and closer to its 11th hour point - but the show is usually emotionally heavier. There's more blood and potentially disturbing imagery with body horror and on screen death. There's so much foreshadowing you basically can't go more than 5 minutes into any episode without having something that's going to come back around or be referenced again like 3-5 seasons later.
Just to be clear - TDP is like ATLA, but it's like ATLA in interesting ways beyond the more shallow surface level that usually gets attributed to it, while still very much being its own show and its own thing. And that is why I tend to recommend it to people who like ATLA.
Thank you and goodnight
(Also, the fandom doesn't have any ship wars, and the show is queer as fuck)
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