#he seems to think it's not enough and so does the narrative but honestly i don't think anyone can do better than gojo given the circumstanc

[ultfreakme]

Hidden Inventory's opening is the SatoSugu song but also, Specialz in Shibuya Arc and the MV especially also gives such SatoSugu vibes. How dare they have the line "you are my special" playing right at the scene in the OP which is meant to depict Gojo seeing 'Geto' again as he's about to be sealed and he's thinking about all the time they spent together. Also obviously the "you are my special" at the very beginning showing the rift between Gojo and Geto as they walk away from one another.

#jjk #jujutsu kaisen #satosugu #i get it now i so so get it #i didn't like gojo's character in s1 that much I didn't understand the hype #until s2 which is when he felt the most human- and that happened because geto was around #i didn't get a lot of the meta saying geto let gojo be human- he saw the human in him #i thought shoko yaga nanami haibara treated gojo as just some guy #but i think geto definitely had an impact on the viewer's interpretation of gojo- he's a person who has a best friend #gojo's kindness became a lot more obvious after seeing hidden inventory #he has an odd way of showing it but he does care a lot tbh #he seems to think it's not enough and so does the narrative but honestly i don't think anyone can do better than gojo given the circumstanc #absolute power corrupts absolutely & all that- but gojo didn't get corrupted

[c-is-for-circinate]

It feels like there's this narrative that fandom keeps wanting to explore, with Steve Harrington, about this very specific type of martyrdom where self-sacrifice is an expression of a lack of self-worth. And, like, yes, write the narrative that's meaningful to you, and yes ok Steve does admittedly get beaten up a lot, but -- legitimately I do not think this narrative is actually Steve's story.

Like, without gendering things too much, there is something in the Steve fanon that I keep seeing that's so reflective of the specific kind of sacrifice and societal pressures exerted on girls, specifically -- this story of 'you make yourself worthy and worthwhile by carving pieces out of yourself', of believing that you must always give and never receive to justify the space you take up in the world. Yes, boys can experience this same pressure (and obviously trans and nb people of all genders run into it as well! sometimes a lot!), but especially in the mid-1980s cultural context where Stranger Things takes place, it's just...really not likely to be a dominant narrative for Steve to be operating under? It doesn't even really match the Steve we see on screen -- who is happy to make sacrifices for the sake of others, yeah, when needed, but who's not particularly kind or giving unless somebody asks first.

And Steve does get hurt a lot on other people's behalf! And this is a problem! It's just a completely different problem than the one fandom keeps writing.

Steve, and I'm going to say this forever, is a story about toxic masculinity, which the show may or may not even know it's writing. The archetypes influencing Steve's character as it shows up on the screen (and the stories and messages that Steve would actually be surrounded by in his actual life) are not deconstructions of suffering heroes who never should have had to fight in the first place and were destroyed by it. That's the Buffy the Vampire Slayer story. Steve's not Buffy. Steve's cultural context is Indiana Jones.

Steve is The Guy! And part of being The Guy is that you're expected to take the hits -- not because Steve is less important than the women-and-children he's supposed to protect, but because, the story says, he will get less hurt. Why should Steve get in between Billy and Lucas? Because Steve is an eighteen-year-old athlete and Lucas is in middle school, and of the two of them, Steve actually stands a chance. (And yes, Steve got badly hurt there, and Max had to save him -- but if Lucas, if Max had taken that beating they would not have been running through those tunnels later.) Was somebody else better-qualified to dive down to the uncertain bottom of a cold lake in the middle of the night? Steve doesn't list his credentials there as a way of justifying some ideal of martyrdom; he is literally the most likely person on the boat not to drown.

And make no mistake: when Steve's pulled into the Upside-Down, he survives the bats long enough for backup to get there. Realistic or not, he's apparently tough enough that he's physically capable of hiking barefoot through hell without much slowing down. Steve is the tank for the same reason as any tank: because he literally has been shown to have the most hit points in the group. You cannot honestly engage with Steve in this context without dealing with the fact that he's right.

AND THIS IS A PROBLEM! This is still a problem! But it's not the same problem that fandom seems to expect. It's not an expression of caretaking or the need for self-sacrifice; it's not an issue with Steve valuing himself less. It's an issue of toxic masculinity so ingrained that Steve doesn't even recognize he's suffering from it, because one of the tenets of toxic masculinity is that Big Strong Guys don't suffer. It's just a concussion, it's fine, he'll walk it off. It's not that Steve thinks he deserves to get hurt, or even that he's less deserving of safety than the others. It's that absolutely nothing in his cultural context allows him to admit that he can be hurt in a significant way.

There's still so much tension that can be gotten out of this situation, I swear. There's so much that can be explored in writing! Hell, the show itself is deconstructing some of this trope, believe it or not, by giving us a Steve who absolutely can take all the hits thrown his direction but still doesn't know what the fuck he's doing with his life. It turns out that doing his job as The Guy is only mildly helpful in horror movie situations (mostly by buying time for smarter, squishier people to do the damage from behind him), and somewhere a little worse than useless in everyday life.

But Steve does not go out of his way to self-sacrifice, he really doesn't. He just does his job. He's The Guy. Of course he's not going to let a kid or a girl or some scared skinny nerd who just learned about monsters yesterday take the hits. Of course Steve's got this.

#Stranger Things #do I dare character-tag this #does this count as an Unpopular Opinion if I'm calling out fanon #eh let's be bold #Steve Harrington #and #toxic masculinity #which is apparently just A Thing I Post About Now

[underdark-dreams]

ok, I'm too cowardly to actually reply to your post about Rolan/ Dammon headcannons/ prompts but here are a few:

Rolan:

-He finally gets to be hero, he saves Tav from some scenario and when Tav is thanking him he has no idea what to do with himself.

-Cal and Lia being siblings and absolutely embarrassing him anytime Tav is around. (Sharing embarrassing but endearing stories from when they were younger, hinting at his feelings for Tav, making kissy faces from behind Tav when he's trying to have a conversation.)

-Also, I just have a feeling that he's a jealous green monster whenever someone who isn't any one the companions try and talk to Tav.. especially if its another wizard.

Dammon:

-Him trying to muster up the courage to ask Tav out when he has his shop in Baulders Gate.

-Dammon would 100% be the type who wants to court someone the 'proper' way, but could be convinced otherwise.

-He seems like he would act like a love sick puppy when he's in love.

Thank you for this delicious bouquet of ideas!! 🖤 Twirling my hair over these!! I do want to save a few for fics, but I couldn’t look at this in my inbox any longer without writing out some headcanons:

Rolan 

[Cal & Lia embarrassing him around Tav]

The three of them have a super close bond underneath all the bickering. So the absolute second Rolan catches feelings, Cal & Lia smell blood in the water

Honestly they probably catch it before Rolan admits him to himself

When Lia starts to drop hints or Cal asks if he’s gotten up the nerve to kiss them yet, Rolan is like "what? stop being stupid"

But then he turns away & checks in with himself for a second & he's like "oh fuck"

Rolan makes an effort to only interact with Tav far away from his home, his workplace, the general vicinity of his neighborhood in Baldur’s Gate—basically avoiding anywhere they might run into his sister or brother. They already make him nervous enough

But once they start getting closer he also really wants to bring them home, so at some point, he’ll suck it up and face this potential trainwreck head-on

His siblings make light conversation over dinner about what Tav’s been doing or working on lately. Lia’s like “oh yeah Rolan mentioned that, you know he talks about you a lot, like all the time”

Tav’s hand silently taking his under the table is the only thing that could distract Rolan from snapping back

Somehow, Rolan is even more embarrassed when his siblings start genuinely reminiscing and telling Tav stories about the three of them growing up in Elturel

He’ll chime in if Tav asks him a question, but otherwise he’s pretty quiet. Rolan doesn’t want them to think about him as a refugee or an orphan

In his mind, he still thinks he needs to be powerful and significant in order to truly deserve Tav’s affection

If Rolan paid any attention, he’d realize that Cal and Lia talking up what a stubborn, protective big brother he’s always been is putting stars in Tav’s eyes

[Jealousy]

He’s so fucking jealous and it drives him crazy

Rolan likes controlling the narrative, keeping any vulnerability under control & well hidden from others, etc.

Falling in love with Tav creates a big complication in the way he usually operates

Once he’s master of Ramazith’s Tower, he has a certain amount of social obligations—hosting members of the wizarding community, professional gatherings, etc

And Tav is an integral part of his life now, so they'll always be involved to some extent

Midway through the evening, Rolan glances across the room and sees one of his colleagues talking much closer than he'd like to his beloved. As he watches, their hand actually reaches out to touch Tav’s elbow

Whatever he's doing or whoever he's conversing with is abandoned without ceremony

Rolan does that thing where he casually walks up to join the conversation and places a hand on the small of Tav's back, just resting there with a slight smile as he pretends to listen. But he’s staking his claim

In his head the gesture means step the fuck back, this person is with me. It’s honestly about as subtle as a sledgehammer

After they're finally alone again he'll probably want to fuck Tav on his desk or against one of the bookstacks in the Tower

Capturing them for himself and hearing them moan his name and making sure they know they’re his

Dammon

[Working up the courage to ask Tav out]

He’s been really glad their paths have converged here and there along the way, but nothing could make him prouder than when Tav comes to visit the Forge of Nine Hells in the city

Dammon is completely in his element in Baldur’s Gate

He’s pretty modest and down-to-earth, but he feels a swell of pride when Tav finally sees him running a proper forge. It’s how he always hoped they’d see him

And is it just his imagination, or does he see them…often? Almost every day they’re dropping by for one reason or the other, and they seem to linger to chat and watch him work

The hints that they’re interested are all Dammon needs to start working up his courage to make a move

He's alone and tied to his work most of the day, which gives his mind ample time to run through different options

Getting the timing right drives him a little crazy. So often Tav is in a hurry, or with their companions, or he's got a rush commission that he has to get finished

When he finally finds the moment, he’ll probably come right out with it & ask them out for a drink. He wants something simple where they can talk, plus smithing is thirsty work

When Tav agrees with a smile, Dammon drops everything, his leather apron snagging as he pulls it over his horns in his haste to get going

Gathers his courage and puts an arm around their shoulders as they walk

With anyone else Dammon would be self-conscious about how he smells like iron and smoke and sweat all the time. But if anyone can look past it it’s Tav, with everything they’ve been through

A feeling that's confirmed when they lean further into him with a laugh

[Being totally lovesick over Tav]

The definition of devoted

He would 100% be that type of boyfriend who likes to be always touching Tav when they’re close

Prefers to rest his hand on their hip while they’re side by side, maybe on the curve of their ass if he can get away with it. The contrast against the doting look in his eye is classic Dammon—sweet and hot 

It's not a possessiveness thing, and he'd tone it down if Tav asked, he's just super into them & touching them feels natural

Just in general, he loves telling Tav yes and has a very hard time telling them no

At the end of the day, Dammon likes to pull Tav down to sit on his lap and talk about their days. He might stroke their hair or rub their back while he listens, just helping his love relax at the end of a long day

Dammon’s used to being a single bachelor and taking care of himself, but he discovers that he adores when Tav does little things to dote on him or pamper him

One night he comes home with the usual soot stains on his skin and ache in his shoulders to find that Tav has drawn him a warm, pleasant-smelling bath. Ignoring any mild protests, Tav insists on helping him peel off his sweaty layers and sink in, then loosens his knot of hair to gently lather and wash his locks. The feel of Tav’s fingers and nails massaging his scalp is the most loving, tender thing. Dammon feels like he could fall asleep right right there in the water under their hands

He calls Tav all kinds of pet names: darling, love, dearest, gorgeous, sometimes angel if he's feeling especially whipped

Dammon is one to say "I love you' freely and often, but hearing Tav say it back never fails to make him sigh with happiness

#mildly spicy #dammon x tav #rolan x tav #bg3 dammon #bg3 rolan #rolan bg3 #dammon bg3 #bg3 headcanons #bg3 spoilers #baldur's gate 3 spoilers

[hamletthedane]

Hamlet’s Age

Not to bring up an age-old debate that doesn’t even matter, but I have been thinking recently how interesting Hamlet’s age is both in-text and as meta-text.

To summarize a whole lot of discussion, we basically only have the following clues as to Hamlet’s age:

Hamlet and Horatio are both college students at Wittenberg. In Early Modern/Late Renaissance Europe, noble boys typically began their university education at 14 and usually completed at their Bachelor’s degree by 18 or 19. However, they may have been studying for their Master’s degrees, which was typically awarded by age 25 at the latest. For reference, contemporary Kit Marlowe was a pretty late bloomer who received a bachelor’s degree at 20 and a master’s degree at 23.

Hamlet is AGGRESSIVELY described as a “youth” by many different characters - I believe more than any other male shakespeare character (other than 16yo Romeo). While usage could vary, Shakespeare tended to use “youth” to mean a man in his late teens/very early 20s (actually, he mostly uses it to describe beardless ‘men’ who are actually crossdressing women - likely literally played by young men in their late teens)

King Hamlet is old enough to be grey-haired, but Queen Gertrude is young enough to have additional children (or so Hamlet strongly implies)

Hamlet talks about plucking out the hairs of his beard, so he is old enough to at least theoretically have a beard

In the folio version, the gravedigger says he became a gravedigger the day of Hamlet’s birth, and that he’s be “sixteene here, man and boy, thirty years.” However, it’s unclear if “sixteene” means “sixteen” or “sexton” (ie has he worked here for 16 years but is 30 years old, or has he been sexton there for thirty years?)

Hamlet knew Yorick as a young child, and the gravedigger says Yorick was buried 23 years ago. However, the first quarto version version of Hamlet says “dozen years” instead of “three and twenty.” This suggests the line changed over time. (Or that the bad quarto sucks - I really need to make that post about it, huh…)

Yorick is a skull, and according to the gravedigger’s expertise, he has thus been dead for at least 7-8 years - implying Hamlet is at least ~15yo if he remembers Yorick from his childhood

One important thing sometimes overlooked - Claudius takes the throne at King Hamlet’s death, not Prince Hamlet. That is mostly a commentary on English and French monarchist politics at the time, but it is strange within the internal text. A thirty year old Hamlet presumably would have become the new monarch, not the married-in uncle (unless Gertrude is the vehicle through which the crown passes a la Mary I/Phillip II - certainly food for thought)

Honestly, Hamlet is SO aggressively described as being very young that I’m fairly confident the in-text intention is to have him be around 18-23yo. Placing his age at 30yo simply does not make much sense in the context of his descriptors, his narrative role, and his status as a university student.

However, it doesn’t really matter what the “right” answer is, because the confusion itself is what makes the gravedigger scene so interesting and metatextual. We can basically assume one of the following, given the folio text:

Hamlet really is meant to be 30yo, and that was supposed to surprise or imply something to the contemporary audience that is now lost to us

Older actors were playing Hamlet by the time the folio was written down, and the gravedigger’s description was an in-text justification of the seeming disconnect between age of actor and description of “youth”

Older actors were playing Hamlet by the time the folio was set down, and the gravedigger’s description was an in-text JOKE making fun of the fact that a 30-something year old is playing a high-school aged boy. This makes sense, as the gravedigger is a clown and Hamlet is a play that constantly pokes fun at its own tropes and breaks the fourth wall for its audience

The gravedigger cannot count or remember how old he is, and that’s the joke (this is the most common modern interpretation whenever the line isn’t otherwise played straight). If the clown was, for example, particularly old, those lines would be very funny

Any way you look at it, I believe something is echoing there. It seems like this is one of the many moments in Hamlet where you catch a glimpse of some contemporary in-joke about theater and theater culture* that we can only try to parse out from limited context 430 years later. And honestly, that’s so interesting and cool.

*(My other favorite example of this is when Hamlet asks Polonius about what it was like to play Julius Caesar in an exchange that pokes fun of Polonius’ actor a little. This is clearly an inside-joke directed at Globe regulars - the actor who played Polonius must have also played Julius Caesar in Shakespeare’s play, and been very well reviewed. Hamlet’s joke about Brutus also implies the actor who played Brutus is one of the main cast in Hamlet - possibly even the prince himself, depending on how the line is read).

#hamlet #hamlet meta #hamlet’s age #this obviously does NOT imply anything about being 30yo btw #any age is a good age to be driven to madness by guilt and grief #It’s just very usual for shakespeare to describe somebody well past their apprentice age as a ‘youth’ SO MUCH #and that makes those lines very interesting #shut up e #willy shakes #posting this while EXHAUSTED going to see a million errors and tone problems tomorrow sorry in advance yall #**very unusual #long post #posting Hamlet meta like it’s 2014 hell yeah

[ohno-the-sun]

Spoiler heavy fnaf ruin dlc rant up ahead

I am so fucking proud of steal wool they really took every criticism from the original game and fixed it and even added more

Like Cassie actually acts like a human being?? And like her knowledge of the original characters and cute little comments on every item are so endearing there is so much detail going into this.

The fact that they expanded on one of the fan faves Roxanne and giving her a great arc I’m in love I’m so happy

They honestly gave more depth to all the animatronics too like we finally see Bonnie’s design and get and get a taste as to what happened, also that poster Freddy gifted him I’m crying they are so cute and gay I love them

😭😭😭

Also the whole dark ride section with Monty is so fascinating like is that narrative kind of true or is it just fabricated by fazbear inc to cover up the decommissioning of Bonnie

Why replace Bonnie with Monty?? Why not make a new Bonnie model?? With the prototype label on Freddy it may be confirmed that they make multiple models (well we already kinda knew that with Freddies comments but oh well)

Also Freddy?? Like is that our Freddy or a different one?? They very clearly highlighted the prototype label so they want to emphasize it, but then the head is still missing like in the princess quest ending so what is the truth??

Feel bad for chica fans tho she really was sidelined hard

Aaaaa and my baby boys!!! There’s 3 now aaahaga

I was really not expecting eclipse to be the way they were, very… normal? Is that the right word?? Like obviously a little delusional on when the daycare is gonna open again, but in the right mindset of like this child needs to leave this place is not safe. It is interesting to me that both he and Roxy thought that it was Cassie’s birthday, maybe that was the last day before she left the plex? Or maybe that was the day the plex caught fire? Or maybe most depressingly we are playing on Cassie’s birthday so the animatronics have it in their systems what her birthday is and wish her a happy one (if they are in the right state of mind lol)

Some peeps are upset moon is a little too villainous

I think you can still say it was mainly the virus but I would argue even if it’s not the virus I feel like moon is kinda justified here. Like sun has been shutting him away for a long time before this (if the books are to be believed but also in general) so when he finally gets a chance to roam free of course he’s gonna take it. And idk about u but if my alternate personality was constantly trying to shut me out and I finally got control, I probably too would try and keep my control for as long as possible. Also from what I have seen so far, not even moon is all that aggressive? Like he grabs you at the beginning, but I think that’s just his very ineffective way to get kids to sleep and other than that he just kinda stays away

Poor sunny baby is stuck in the ar world 🥺🥺 I didn’t notice at first but yeah everytime you talk to him it’s only in the ar world. And the end part where you switch them out for eclipse if you do that in the ar world, he says not for me it’s for moon.

I will say though I noticed the voice acting for them changed a little this game, like both have a higher pitch and are more goofy sounding? Like more gremlin energy than evil villainy. I wonder if that was on purpose? Both of them sounded more like the other so maybe that was the reason? Interest interest

Also their mouth moves?? Sort of?? That’s so silly to me they have a whole working mouth system and their face mask doesn’t work with at all 😭

Does give me lore intrigue tho cause like why do their mouths move but not anymore?? Did something happen?? Are they just not maintained enough?? They also move outward instead of up and down (at least from what I saw) so is the mechanism different?

Also the way that sun and moon talk about eachother is so interesting. Like moon says the light hurts “us” and sun says “no the other me” like they seem to almost consider eachother more connected than we first thought, like they’re not just coworkers or strangers they are almost like two sides of the same person. It’s very interesting and I wonder where people will take this.

Overall great job I’m so excited to comb through the game and find every little secret (especially regarding the dca) aaaa

Ok ok update moon does have a jump scare but it’s ridiculously hard to get and I’d still argue he’s not as vicious as he was base game. I mention in another post but eclipse being as kind as he is and being (presumably) a combination of both AIs, gives even more evidence moon is supposed to be kind and caring like his posters suggest but something went wrong. Also Cassie’s comments on their plushes show that there were kids who truly liked the daycare.

#fnaf ruin dlc spoilers #ruin dlc #ruin dlc spoilers #spoilers #fnaf spoilers #ruin spoilers #fnaf dlc spoilers #fnaf ruin #fnaf dlc #sundrop #moondrop #fnaf daycare attendant #fnaf #also please please pleas if someone wants to discuss #or just have me rant to them one sidedly #please I’m bursting at the seems aaaa #thoughts

[iamthat-iam]

Outer Space (another ND Story) 🌌🌠💫

Since Taylor was a child, she always wanted to go to outer space. Every time she played, she would always imagine that she was an astronaut who would fly her spaceship into the cosmos and visit other planets.

She always had an inkling that there was life outside of Earth. She used to make all kinds of alien friends, and she made sure to tell her parents about them all.

As she grew up, unfortunately she lost the spark she once had as a child. Life seemed to put her in bad situation after bad situation, and all she wanted was an escape. Her family had a history of addiction, so Taylor tried to find every resource possible so she wouldn't end up down that route.

She was introduced to a "guru," whom she went to for guidance and advice. She told him her entire life story, including the portion of her childhood where she was fascinated with outer space.

"Honestly, going to space would make me happier than anything," she admits. "It used to make me so happy as a child. Now I'm depressed because life is constantly beating me up. I just want to escape."

"Escape from what? What is here now that you need to escape from?" The guru inquired.

"My problems, my depression, just about everything.." Taylor sighed.

"Where do your problems go when you are not thinking about them? Who is depressed?" The guru questioned further.

These two questions perplexed Taylor a bit. Is there a secret answer?

"Umm.. I'm not sure how to answer the first question. The second question is obviously me... Who else would i be referring to?"

"I'll give you a hint," the guru smiled. "When I asked you 'what is here now that you need to escape from', I was pointing to this present, unfolding moment. Right now, in this room we are sitting in, your problems don't exist. Same thing with your depression. You are aware of feelings that you've labeled 'depression', but are YOU actually depressed?"

This actually made Taylor think. He does have a point. When Taylor is focused on other things throughout the day, and not her problems, they don't seem to exist in that moment. Something clicked about her depression as well. This whole time she was assigning a negative meaning to feelings that actually have no meaning at all?

"So what you're saying is, I've just accepted a narrative about myself that's not really true outside of me accepting it as true?" Taylor asked.

The guru clapped and gave Taylor a wide grin. "You are absolutely correct! Now let's go deeper. You said you always dreamed of going to outer space as a child. When you described this experience, you spoke as if it didn't really happen, or it was fictional. Tell me what is more 'realistic' about our conversation versus the 'daydreams' you had as a child."

Another mind-boggling question from this guru. Taylor hesitated a moment before she gave her answer. "Well I'm experiencing this conversation with the 5 senses, doesn't that make it more real?"

The guru shook his head. "Have you ever noticed during your dreams at night, the 5 senses work the exact same way as when you're awake? The 5 senses can't possibly be the culprit that makes one experience "more real" than another. Have you noticed that there is a common denominator between all experiences, whether it's the waking state, sleep, daydreaming, or visualizing? What is always present during all of this?"

This gave Taylor an a-ha moment. "I'm always present during all of these experiences! So does that mean one experience is not more real than the other, because I'm always aware during it all?"

"Absolutely," the guru stated matter-of-factly. "This means that your experiences in outer space where you made alien friends are just as 'real' as this conversation we're having now."

This was enough to bring Taylor to tears. She couldn't believe she created a barrier between herself and her "desires" as if she was seperate from them. The friends she made and all the wonderous experiences in outer space were real events that actually happened. But she took her suffering to be real, and has been torturing herself for years for no reason!

"I... Don't know what to say except thank you.." Taylor uttered through tears. "You've given me life-changing advice today. How can I repay you?"

The guru gently held Taylor's hands. "You don't owe me a thing. I am just you pointing you back to yourself. Now enjoy your dream. I'm sure your alien friends miss you."

And so Taylor visited her alien friends once more, making up for lost time. She is finally enjoying the freedom she longed for her whole life.

#this is really long but I hope y'all got the message lol #non dualism #nondualism #consciousness #awareness #self realization #self #advaita vendata

[scintillyyy]

I love your Stephanie Brown post. It verbalized this feeling I've had about her character for awhile but didn't quite know how to phrase.

Just wanted to thank you for that!

ah thank you <3

yea to me, the super frustrating thing is that dixon's sexism gives her flaws that i find super narratively compelling and interesting and 3-dimensional and overall strong in a way that other writers somewhat miss the mark for me (i actually have a lot of criticisms about bg2009 and how bqm wrote her--overall i find it a very surface level girl power story veneered over pretty standard 2009 era sexism wrt the dynamics between women that has not aged super well and doesn't do much for actually giving steph interesting depth as a character & i find it's weakened by the fact that it is a doylist apology for the absolutely horrific way editorial treated steph prior to her death (which. she does deserve an apology and to be treated better), but also by doing that it makes almost every other character such as babs seem unreasonable and bad for their very understandable watsonian response to being wary of steph for many valid reasons and also makes it hard to actually give steph any flaws that aren't just quirky or clumsy--she's not perfect because she's adorkable). dixon steph has so many problems, being written by dixon, but she's truly my favorite flavor of steph because despite how horrid dixon is, you can absolutely tell how much he truly cared about her as a character. like. i bet if you asked him, he would have nothing but positive things to say about her personality and other characteristics. in fact, i believe a lot of the letters to the editor that talked about her back in the early robin issues had a lot of super positive things to say about her! like he created her! she's his blorbo! he wants to put her through the struggles!

like so many of her struggles when he's writing her is so much due to his sexism (she's never quite as competent as tim, and shouldn't be because she's The Girlfriend--compare to characters like babs and dinah and helena that were women but also written as extremely competent and good at what they do) and also because he wanted to put her through the wars, give her adversity to overcome! like steph is treated horribly a lot. by everyone. but it's partially because he wants her to perservere through it because he likes her and wants her to succeed. like a couple of very common threads through dixon's storytelling for her are the following:

tim is condescending (because that's how boys and girls are. see also: every 90s tv show that had a beleaguered sensible man with a nagging, over the top, ridiculous woman who does silly things that the man Puts Up With) -> steph gets mad -> tim thinks to himself that he shouldn't be so hard on her and usually apologizes -> well, actually tim was probably right because steph did get into trouble but steph making constant mistakes isn't actually narratively seen as "hey, maybe she should stop if she's making mistakes" because dixon wants her to continue.

or

more experienced vigilante (male or female--tim gets a lot of flack, but honestly, almost every single vigilante in batbooks at the time seemed to think steph wasn't quite good enough--batman, dick had his reservations about her, barbara didn't really necessarily want to train her, *cass* straight up told her she shouldn't be doing this, dinah didn't want to be her mentor, etc) tells steph not to screw up -> steph screws up -> steph has to get bailed out by more experienced vigilante -> steph keeps trying despite this

like so many of her diary entries that steph writes involve some flavor of "i've been told not to do this, but i have to, it's something i need to do despite all the naysayers". and it's sexist! because chuck wouldn't necessarily write the 'screw up and overconfident which usually leads to needing to be bailed out but keeps trying anyways' kind of a narrative for a male lead character (male characters get the 'i'm super competent but insecure/humble about it and when i make mistakes i'm able to figure out how to fix them by myself' narrative). but at the same time, it's what he truly believed for her--that she deserved to keep going despite any naysayers. if he truly believed that steph shouldn't be a vigilante or thought poorly of her, she would have been written out and/or he would have written her as making a mistake so bad she wouldn't have continued her activities as spoiler and finally agreed with everyone that she's not cut out for this. but he didn't. dixon writes her as not as competent as her peers because he has a worldview where girls are lesser and not capable of being as good as the boys. but he writes her with dogged determination to keep trying despite this because dixon truly thinks she deserves to keep going despite any mistakes he writes her making and that her perseverance should be rewarded.

like consider the arc where steph finds out tim's identity. dixon makes steph seem unreasonable for daring to change her mind and realize that yea, she does want to know the boy under the mask she's dating after all (because dixon thinks that girls are fickle and change their minds and boys shouldn't have to put up with that kind of nonsense behavior, not because this is a super valid thing to want) -> he has her go beat up an innocent boy named tito and stalk him in the hospital (because dixon is a sexist who things girls are just like this) -> tim does rightfully get mad about this and leaves in a huff -> batman tells steph tim's identity and she gets what she wanted?? -> tim is mad at her and batman until JLL when this is all swept under the rug and they go back to happily dating again + at this point everyone is open to training her/finally giving her a chance (until murderer/fugitive when she gets locked out again--which also leads into the era where dixon is no longer writing her--and after this is when we really get a lot of the really iconic unfair treatment towards her because at this point didio wanted her gone). and it creates this absolute interesting dissonance where you can see the overt sexism in dixon's writing and it's infuriating. and at the same time dixon also rewards her for the sexist way he writes her and she does generally get what she wants because dixon wants to give her the reward for her perseverance.

hell, consider the pregnancy storyline which is beyond overtly sexist and conservative but is probably the part where steph is most treated the best/in the right. tim and her mom are shown as in the wrong compared to her "correct" decision to keep the baby and they have to come around to support her. not just that, but for her to be given a teen pregnancy storyline in the 90s and not be shown as a Bad Girl for getting pregnant as a teen? dixon hates women and yet to him steph is a good girl who makes a mistake (something something he'll judge others, but when it comes to his daughter that's a different case. exceptions apply.) and she gets an ultimately supportive good boy boyfriend who helps her go to birthing class despite the fact that i'm sure dixon looks down on unwed teen mothers a lot.

it's just. i want to study it under a microscope. there's so much to unpack there.

#anyways apologies for the super long answer #i am just fascinated by dixon's treatment of her #it's sexism! but he does it because he wants to give her something to overcome! but it's definitely sexist! #scintilly ask tag #annah-kitathryne

[onemustalwaysbecarefulofbooks]

RANT TIME

If I see one more person say that the reason Rhys seemed different and less likeable in ACOSF is because we’re seeing him from Nesta’s POV and not Feyre’s, I’m going to go feral.

I’m sorry, I know we find ways to blame Nesta for absolutely everything under the sun, but are we now also trying to claim that she is able to control Rhys’s words, decisions, and actions??? PLEASE BE SO FOR REAL. I do not dislike Rhys because Nesta thinks unfavorably of him and her mental commentary is somehow swaying me. I dislike him because of the things he DOES and SAYS. Nesta does not like Rhys and makes this clear to everyone. But for God’s actual sake…her opinion of him does not control his choices and actions. The story SJM wanted to tell was going to happen, regardless of who’s POV we see it from.

AND, as if that weren’t enough, there are PLENTY of scenes where he acts deplorable and the POV is Cassian’s, not Nesta’s!!! And as we all know, Cassian is so far up Rhys’s butt he can probably see out his mouth. So explain that one to me, please!

Now, does Rhys appear noticeably different in ACOSF than he does in previous books? Absolutely! I am in complete agreement that ACOMAF!Rhys would never handle Feyre’s pregnancy the way he does in this book (The conversation a lot of people are really not ready to have is that Tamlin would be the one to behave this way while Rhys would be the one who swoops in to let us all know how degrading, condescending, and chauvinistic his behavior was and that he would be the one to treat her with agency and respect and would never coddle her and lie to her about her health and her body because she was strong and she could take it).

(Tell me I’m wrong, I dare you!)

So, is Rhys different from how he is in previous books? Yes. But this is not because we are in the POV of someone who doesn’t like him. It’s because SJM’s handling of him is beyond bizarre, and at this point almost has me convinced he is her tool in some kind of social experiment she’s conducting on manipulation and brainwashing in literature. It’s as if she is testing to see how far she can push, how insufferable and hypocritical can she make him behave while still demanding through the narrative that we love and adore him. I used to swear this was not intentional on her part, that she really did think as highly of him as she appeared to, but his behavior as of late has gotten so absurd, it’s honestly beginning to make me wonder if some of this IS intentional and is part of a bigger process. I can only hope that it is.

So no, Rhys does not seem different and less likeable simply because we are seeing him through Nesta’s eyes. He seems different and less likeable because he IS different and less likeable, and a hypocrite to boot. No matter who’s POV we are seeing it from, he does and says insufferable and hypocritical things all throughout the story. But the cult following that this man has is unmatched, and so many people are literally incapable of admitting they feel any kind of distaste for him or that he may have done something wrong. So instead the response becomes “He just seems that way because we’re in Nesta’s POV and Nesta doesn’t like him.”….as if being in Nesta’s head creates some kind of opitical illusion where Rhys’s behavior isn’t real. Whatever makes you feel better, I guess!!

#acotar critical #acosf critical #sjm critical #nesta archeron #anti rhysand #nesta deserves better #acosf #pro nesta

[kinardscoffee]

I’m new to the fandom! Im slowly learning it can be a little toxic hence the question being asked anonymously.

Do we think Lou will be back season 8? Especially since he was on set for the last day of filming and you could see Oliver’s chair in the background. Also with Tim’s Facebook post today about the video. Should we read into this posts or does he just play into things? I feel the what the actors have spoke about Tim, he writes the stories he wants to write and not for fan service or the network. So I’m hoping Tommy is sticking around for a while and hoping we get a Tommy begins episode next season!

Also I really don’t understand why people are so made at Lou for the cameos. First of all it’s just a source of income for him and people paid him to answer their questions. He’s just doing what he is being paid to do. I feel like it was poor choice of words but didn’t the fandom forgive or chose to forget about Ryan’s??

Hey! And welcome!

First off, Idk if you mainly stick to Tumblr, although calling the fandom a "little toxic" makes me think you might. So, some maybe unwanted advice, do not go onto Twitter.

Ever.

I do believe that Lou will be back for S8, which is based on several things I've seen and posted to this blog. As for Oliver’s chair being in the background of the BTS picture of Lou... I wouldn't take that as the gospel word... but we've seen the main cast on the same hospital set, and seeing as Buck and Tommy are a "love story," I'm confident Tommy is there to comfort his boyfriend as well as be there for his friends. Cause at this point, Tommy is friends with everyone on the 118.

As for the YouTube video. Tim is not going to post something on his personal Facebook page just to play into things because 1, his Facebook is private, so how could he be playing into things and 2, he doesn't need to.

It's Tim's show, and like you mentioned, he's going to write what he wants to write, and at this moment, that's Buck and Tommy being together. They're his Tarlos 2.0, and I stand by that.

Now, I'm not going to speak about Mr. Guzman, because I feel like I've mentioned him enough already, but the real problem here is that Tommy (Lou) is standing in the way of Buddie becoming canon. (Alledgly. Nvm that it's never gonna happen.)

But, yeah...

That's it.

The Bobs will hate anyone that looks at Buck, touches Buck, and especially kisses Buck (and, by that rule, receives kisses from Buck.)

Lou is a threat to their existence which is absolutely ridiculous because their fanon ship of Buddie isn't going anywhere if Bucktommy continue to thrive.

But it seems they're driven by this almost obsessed narrative to "win". To prove that they were right while everyone else, even the showrunner and actors, were dead ass wrong.

Which is honestly despicable.

#911 abc #bucktommy #evan buckley #911 fandom #tommy kinard #tevan #eddie diaz #lou ferrigno jr #tim minear #911 fandom discourse #anon 🩵

[vaguely-concerned]

I have seen people question whether dios apate minor really needed to happen the way it did. it's the 'this could have been an email' of htn. 'augustine this did not have to be a threesome', I hear people saying. and boy do I have an obnoxious amount of things to say to protest this perfectly sensible assertion so here we go haha

1) yes it absolutely had to be like that. It says so on this piece of paper *hands you a piece of paper that says "because I said so and also it's narratively and thematically Sexy"* in my half-legible handwriting. seeing tamsyn muir describe harrow the ninth as a book about being a kid and realizing your parents probably had sex has given me such validation, I am unstoppable now. (to be serious for a moment, harrow the ninth is essentially a bildungsroman, and the threesome scene does a whole lot of thematic heavy lifting around harrow glimpsing elements of adulthood, relationships, and sexuality she clearly finds at the same time repulsive, bewildering and fascinating, and around opening her and especially our eyes to how much john is just a man with human longings still, under the god stuff. dios apate is crucial plot- and character-wise too -- it's a loadbearing threesome in terms of delivering the clues you need to piece together the mystery plot of the book, which is simply delightful -- but even more so thematically. and then the scene at the end where they confront john gives gideon some of that same opportunity to peek into adulthood and go '...well shit I guess', as a sort of mirror, just without the french kissing that time and more murder. the things magnus and abigail model for the girls about love and adulthood? mercy and augustine are providing the opposite-day batshit insane version of that fhdskjfa, you know, for contrast and spice)

2) listen... it gets lonely out there in deep space with your 'legendary unamorous' brother, two infant pathetic baby kitten sisters who you'll probably have to kill one day when you take another stab at god if they don't manage to get themselves killed along the way on their own, and the two people you've spent the last ten thousand years having separate yet connected married & divorced arcs with and also btw one of them is god... honestly a threesome over the dinner table is probably The most well-adjusted reaction one might hope for under those circumstances

3) on a characterization level I think Augustine is actually doing something incredibly deliberate with it: he's presenting John with yet another chance to admit what he did. which is notable especially since the deal he and mercy agree on as a condition for the threesome to happen at all seems to be that they're going to give the ol' godslaying another game try sooner rather than later. (I get the sense that it's not so much that he disagrees with her ultimate goal so much as that he thinks she's being dangerously indiscreet and hasty going about it, before. “though I think it will be the death of us,” huh.)

notice how he's structuring the whole thing: he's invoking the intimacy and love in their strange little threeway relationship and how long it's been by truly playing along with john's 'we're a happy family really when we're at home! :)' delusion (helped along by lowered inhibitions via enormous amounts of alcohol and what I've previously described as a joint mercy/augustine leyendecker themed thirst trap. ah, a classic). he brings up alecto and what happened to her -- or rather, he is clever enough to make john bring up alecto and how she is totally dead, right?? by seeming to make a careless statement that leads there and then acting contrite about it after. he (helped along by mercy, who I think realizes exactly what he's doing -- this is very much a two-man con) brings up how much they all loved their cavaliers, and wow funny how that's been haunting us for ten thousand years now huh :) wow, a lot of our other lyctor friends slash family sure are super dead in the name of some unknowable greater reason neither of us quite grasp and that you won't fucking tell us, aren't they. these are all the main grievances he and mercy confront john about at the end of the book, but put forth much more subtly and not phrased as an accusation -- he's baring his and mercy's vulnerabilities as bait, essentially. if john had, say, a conscience where his conscience should be instead of a black hole, it probably should have stirred something in him.

(also let me just say... the way augustine just takes a pneumatic drill to the TWO tender spots g1deon seems to have and then has the audacity to be like 'oh dear. did that upset him. ooof my bad *loooong dead-eyed slurp of his wine*' is just sooo... he's such a bitch!!! he's the only person who could ever have held their own in a ten-thousand-year bitch-off with mercy and I love him so much. well even if it wasn't all to get g1deon into murder range for harrow I think he wouldn't enjoy sticking around for the 'getting our tongues on god' part of the evening so maybe it's a kindness, really, and totally not pent-up aggression from the last twenty years or so breaking through)

he is all but shaking john by the lapels begging him to just... come clean about it already, to stop thinking he's still kidding everyone else along with himself. it's clear throughout the book that augustine knows exactly what john is at this point -- and all of the most cynical things he does say about it turn out to be distressingly right. john is always less sentimental than you'd think. john wouldn't forgive mercy, he will abandon in a heartbeat anything that isn’t necessary to him anymore, whether emotionally or in some other way. and still he seems to hold out some desperate absurd hope that the man he wants, the man he thought was there, is in there, somewhere deep deep down, if he just gives him the chance to show himself.

(mercy definitely has her own side of this whole thing, I'm just focusing more on augustine because this evening was like. his idea in the first place and I feel like we can Read Some Things into that fact lol. now that we have both ntn and htn to go from I sort of have this sense that the things augustine wants from john are more... personal? more interpersonal? they both love him equally, but mercy's love seems tinged slightly more towards the religious (augustine accuses her of knowing 'only worship without adoration', which like... also the eight house's entire Vibe lol) -- mercy at the end of that book is totally a person breaking up with GOD, not just with john -- while augustine's vibe is more like a man in the last not-with-a-bang-but-a-whimper days of a marriage that sort of felt like it could have been something real and good once but all your illusions about it have since been taken from you and trampled underfoot into the mud and you've had the divorce papers signed and ready in a drawer for over a year now, hell, as it turns out, is other people etc. lmao)

having a threesome over the dinner table with god is one thing, having a threesome over the dinner table centered on the one man and god who has yet again let you down in a way so fundamental it can barely fit into words and who you both still love in a way anyway, miserably, and also just reaffirmed your joint resolution to murder (all under the pretense that it gives your baby sisters the chance to murder your brother of ten thousand years yeah that's why this is happening no other underlying aching emotional motivations here haha)... listen mercy and augustine are simply on a different level, theologically. they've added horny shrimp colours to the religious spectrum. who else does it like them

#the locked tomb #harrow the ninth #augustine the first #mercymorn the first #john gaius #dios apate minor #bad cop worse cop and sorry cop #augustine 'when I die I want john to lower my casket #not so he can let me down one last time that's honestly a given at this point #if at all possible I just want to pull him down into the grave with me' quinque #first saint to serve the king undying #nona the ninth spoilers #nominally? in that I am saying there's relevant information to this polycule clusterfuck in it? eh let's just be safe lol #just when you thought I had no more thoughts about the terrible old people to unleash upon you... here I am again hahaha #the locked tomb meta #also yeah I mean I guess they didn't actually have to get their tongues on god on-page for all this to still be true #but I'm glad they did let them have some lyctor enrichment #hate fucking is actually lyctor love language hashtag did u kno

[kaurwreck]

I saw your recent headcanon bsd post and honestly you really get the characters (or you get me <3 because i fully agree with them) especially the Atsushi and Dazai one which is practically canon for me. Do you have more Atsushi and Dazai headcanon you can share? I really love it when people talk about those two

I'm so glad the Atsushi and Dazai headcanon resonated with you! I call them headcanons, but they're canon to me; it's my sandbox and I'm building sandcastles.

I don't think I'm articulate enough to adequately express my thoughts about Atsushi and Dazai's relationship, so rather than try, I'm going to share more bulleted snippets of headcanons that hopefully relay the vibes if not the substance.

Atsushi is emotionally brilliant, but has the intellect of an idiot kitten. Dazai is intellectually brilliant, but has the emotional intelligence of an idiot kitten. Nevertheless, Atsushi is NOT self-aware, in the slightest, while Dazai is excruciatingly self-aware. They would devour each other in the wild but are a bonded pair in captivity.

At least once a week, Dazai loses Atsushi at the store and then doesn't listen to the intercom when he's called.

Dazai thrusts himself into the thick of villains and conflicts because the narrative will not let him die, but he can't move it forward from there. Atsushi can and is compelled to, even, because it's the only way he'll survive.

In 55 Minutes, Atsushi indicates that maybe all skills come from elsewhere and are imposed upon us. In that way, he's drawing a parallel between skills and the cultural, societal, temporal, familial influences that construct our understanding of our existence. He's also saying that perhaps what Dazai and Kyouka have going on with their otherness and inability to control their skills is kind of what happens to all of us, just in different ways. This is why he is the protagonist. He does not see separation. He sees people and he sees the constructs and frameworks that people build around themselves, but which they can also deconstruct and rebuild. Dazai isn't convinced he's a person, but Atsushi guilelessly and unwaveringly looks at him and sees a person anyway. He has that effect on others; he did the same thing to Kyouka, and Lucy, and Akutagawa, and even Ango when Ango aimed a gun at Kyouka and Lucy. Worse yet, they see reflections of their personhood in his eyes. It's intoxicating, and enlivening, and frustrating, and terrifyingly vulnerable. Dazai experiences it as absolution. Atsushi experiences it as obvious.

Dazai tries to give Atsushi shaken baby syndrome when Atsushi annoys him, even though Yosano keeps telling him that Atsushi's too old.

Chuuya and Atsushi unabashedly want to love and be loved, it's second nature to them, albeit in different ways. But Akutagawa and Dazai convinced themselves they were perfectly fine not loving and never being loved; up until they met someone who everyone loves, which is so, horribly vexing to them because they're so different and unique and no one understands them and yet here they are, vying for the attention of someone who seems to know something they don't. So, they cope by loving those they love in ways no one else does. Which is to say: like freaks.

Dazai gets involved with Atsushi and Akutagawa not just because they need mentorship or for Atsushi. He's there in solidarity with Akutagawa. Dazai is there because he needs someone who understands the reality of the idiot situation that they got themselves into because they're idiots. Dazai and Akutagawa were both supposed to die young and in abject misery. And yet here they are. Being yanked around by objectively unreasonable people who seem to think they know better. Worse, Dazai knows that he and Akutagawa want to believe them.

Atsushi and Dazai are cat-coded, when the others run it activates their predator instincts.

dazai is so afraid of feeling; he doesn't think you can survive emotion, he thinks emotions exist to trick you or destroy you and that others' expressions of emotions are disingenuous or naive; emotions burn him terribly and he can't imagine it's any different for everyone else. and if it is, then that just further evidences that he's not human after all, that he wasn't built to survive in a world that hurts him so terribly. it's why he's so certain kunikida is going to get swallowed by his ideals. it's why he raised akutagawa in pain and neglect and why he was so disgusted by akutagawa's lack of emotional control. it's why he can't hold onto chuuya for longer than it takes chuuya to fall asleep after corruption. it's why he slapped atsushi and demanded disassociation from him when atsushi started to panic about what he'd done to naomi and haruno. but fyodor is what it looks like when you succumb to that, and chuuya and atsushi and oda are what it looks like when you don't, and as much as dazai thinks he's capable of loving anyone, he loves atsushi and chuuya and oda, all of whom grappled with their own humanity and then elected to be human anyway. and as much as he thinks the others are deluding themselves, and as much as he still believes he's right about humanity's insincerity and insipidity, and since oda asked him just before dying over his own fruitless emotions anyway (although it began before oda asked), dazai has decided he would rather fiercely protect the outcasts who refuse to see their own futility than exert any energy proving himself correct. and if he can bully a reflection of himself in the process thereof, then all the better.

Dazai lies and claims Atsushi is his son for Father's Day discounts. It's so obviously untrue and outlandish that store clerks are too distressed by his thick face to call him out and so he gets away with it. Atsushi plays along because he wants the discounts too.

#bsd #bungou stray dogs #bsd atsushi #bsd dazai #bsd headcanons #sskk #skk #shin soukoku #soukoku

[yuri-is-online]

TD anon here, I do feel you on the "torture" scene with Taiga, I didn't want my last ask getting any longer lmao.

While the scene definitely made me squeal, for me personally it was undercut by the emotionally charged scene that happened immediately after with Romeo lmao. It's exactly how I felt with Frostheim too, being excited over the dance with Jin, and then immediately after we get the cigarette kiss scene with Jin and Tohma LOL. But it only makes sense, MC has only just showed up at the school, not enough time to bond, and honestly with these kinds of joseimuke games I don't have much expectations of interactions between the cast and MC so in TD she's already much more involved with the whole comic thing anyways.

Eating the Like Dove raw... was really a raw scene lol. He seems to be attracted to blood for some reason? Since he paused when MC's cut started bleeding, I think he was about to lick the blood tbh.

And yeah I do wonder if his shoddy memory has anything to do with his deal's cost. Another vibe theory time, I feel like his fear of the Like Dove might've been... ingrained in him somehow? Maybe he had a run-in before but can't remember it. The reason why I think this is because when MC met him alone, when she reminded him that she was the Honor student, his response was "Oh no wonder I didn't kill you on the spot", he literally forgot about her but his body/instinct made him aware she's someone he's not supposed to kill.... if that makes sense?

He feels like an even bigger enigma than Towa, I'm curious to know what's going on in his head in the moments he goes eerily quiet. Not to mention he's the poster boy of the game, has to be a reason. Luca feels more in line to be the poster boy but it's Taiga...

I enjoyed Haru's drunk spiel about how helpful MC is lol. Also my eyes going wide when Rui said he wants to know what she's made of too... what does that mean....... I need more Rui content, I love his blatant flirtations lol. I got a campus event with Rui, Haru and Romeo in the bar before I even read the chapter, their unexpected friendship is very cute ngl.

(sorry in case this is sent repeatedly, smth wrong with my net atm)

Generally speaking I have found tumblr doesn't post or send things twice but it sure as hell reblogs them with the same tags 42 times making me look like some sort of freak

for me personally it was undercut by the emotionally charged scene that happened immediately after

Yeah I get this. The cigarette kiss with Tohma and Jin took me off guard, but that was mostly because I thought this was an otome game? Come to think of it I don't think we've had confirmation of the whole joseimuke v otome game thing beyond the existence of the like dove and individual character affinity... Well and that when this was announced it was supposed to be an otome game. I know that the otome games subreddit has been having some, shall we say spirited? Discussions lately about how players feel about ros getting into relationships with each other. The general opinion was that a lot of times the ro x ro relationships feel more fleshed out that the ro x mc ones, and I agree. I actually stopped writing something I wanted to be an otome game because the story started shaping up to be more about the mc's mentor than them, and I personally do not think that is very fun. People do like laid back mcs, they do not like mcs who have no place in the narrative, and some writers aren't good at balancing that. TDB mc is doing pretty well when it comes to interactions with the main cast compared to something like Twisted Wonderland if what you want is explicit romance, so far it feels like Season 1 of og Obey Me! from what I remember of that game, so we'll see.

I didn't get the same level of intimacy from Romeo and Taiga as I did Jin and Tohma? But I think that's because in both cases I thought the like dove had appeared before Romeo got there and was talking to Taiga and the second scene made me think Taiga was angry at him for interrupting his "fun." Whatever that "fun" was going to wind up being because yeeeeeah he seems like he has a blood kink of some sort. I think he was going to suck on it and bite her a bit, but licking seems like a logical first step and less influenced by what's wrong with me. Like I said over here the scene with the Like Dove fascinates me... it says more about Taiga than any other character in the game that we get to see the dove twice and that when given the chance he shoots and eats it... if that isn't a metaphor for denial and emotional repression then I am not sure what is.

he literally forgot about her but his body/instinct made him aware she's someone he's not supposed to kill…. if that makes sense?

YES. I wanted to talk about this but it sort of got into conspiracy theory territory and my answer was getting long. I don't know if anyone remembers, but waaaay back in Book 1 when mc tries to escape the school she isn't able to get anyone's attention. It's like they don't see her, is that because of her curse or is it because of preventative measures put in place by the school? I want to lean towards the latter because it makes more sense BUT I also want to be delusional and say that it's part of mc's curse. There's something about Taiga's instinctual fear of the Like Dove and his comments to the mc that make me think his body knows her but his paranoia and memory issues keep him from knowing it.

This is just me writing fan fic... but Taiga is technically the first ghoul you meet. He is the poster boy of the game, he is the first person to bring mc into the main loop and tell her there's a spy. I want so badly for him to have known her at some point but to have been robbed of his memories... Romeo seems to think he is trying to forget stuff on purpose "gone off the deep end" and "escape reality" are both things he says to describe him though granted that last one was due to a misunderstanding about what Taiga was trying to do with the anomaly. Something real bad happened last year, something I feel like Taiga doesn't want to acknowledge unless he can get revenge on whoever caused it. I mentioned in another post, but I sort of want MC to have something to do with Clementia and that's why she's there at the dorm beyond it just being empty due to the clash. (I do get why Luca isn't the poster boy; he's not a dorm captain and those seem to be what the game wants to push. well them and towa lol)

Haru and Rui

Rui is a bar tender who is described as being "popular with the female students" probably because of how flirty he is ha. I love his dynamic with Haru and Romeo, just a barman and his two favorite customers shooting the shit and trying to relax. Rui is cursed to kill whoever he touches, so I think he wants to talk with MC more because he can relate to her in a very unique way. And he got gate kept from doing so by Haku in book one so he's extra curious now. I have his SR so I'll put him on my homescreen for a bit and see what voice lines I can shake out of him. For the little bit I did have him there he called him and mc "curse twins" which I thought was very cute. In a dark sort of way. The entire section at the Obscuary bar endeared me to all three of those idiots.

But especially Haru. He called Peekaboo his child this chapter too ;-; he's such a good dad. I wonder if he is going to show up next books at all? Or if it's going to be like the previous books and we'll instead see Taiga and maaaaybe Towa? Since he's friends with Zenji. Nothing to do but wait for May 0-0

#<3 asks #tokyo debunker #td anon #hotarubi anon??? art thou the same? #taiga hoshibami #tdb #rui mizuki #haru sagara

[sapphic-agent]

Let's Talk About Shigaraki

I've had some time to collect my thoughts, so I think I'm ready to finally talk about Tomura.

Fair warning, this is more of a rant. Mostly because there isn't much to say except that Horikoshi hates this motherfucker, almost as much as he hates Izuku.

Tomura is a character whose autonomy and agency has been stripped by the narrative repeatedly. And that's not really uncommon in MHA (Izuku, Hawks, Shoto, etc.), so why am I pointing it out? Because Horikoshi's assassination of his character didn't need to happen. In fact, it feels like he bent over backwards to make sure it happened.

Anyone who's been around my blog long enough knows that the MLA arc is one of my favorites, I even put it in my top five MHA arcs. It did a great job of having Shigaraki progress as not only a villain but a leader and come into his own power. My one issue with it and what kept it out of top three was that it seemed to immediately undo all the progress Tomura made by making him want AFO (the quirk). Him gaining this quirk didn't tie into his goals at all and it flipped him from wanting to use his destruction to make a world for the LOV to be free in (Eric Vale's delivery of this scene in dub was fire btw, go watch it) to him just wanting more power. It was an extremely weird decision.

The PLA War further perpetuates this and it causes some confusion as to where Horikoshi was going with his character. Instead of a newly established in-control and ambitious villain, he turned Tomura into a puppet for All For One to use for his own benefit.

(Off topic, but that also felt out of character for AFO. Prior to this, he seemed to want Tomura to succeed and carve his own path, even taking the time to gently correct his outbursts and give him actual advice and guidance. You could argue that this was manipulation on his part, but it didn't feel like it at the time. Why would he want Tomura to be level-headed and calm if the plan was to use him as a husk for his own control? It felt way more like Tomura was initially meant to be his successor, not his puppet. This reads more like another Horikoshi retcon)

For some reason, it feels like the intention was to turn him into a victim for Izuku to save. Which isn't necessarily a bad thing... Except he didn't develop Izuku enough for him to be able to do that.

Izuku doesn't understand Tomura, he even admits this himself. He sees Tomura as someone who causes destruction for the hell of it. And you know what? He wasn't wrong going off his few interactions with him. But that's where we hit our problem; Izuku has not interacted enough with Tomura.

And honestly? There's no excuse for this. They're supposed to be our protagonist and antagonist. They're supposed to be parallels with one another. So why in the world do they only really have one intimate scene together?

(I have mentioned this before, but Izuku should have been the one kidnapped, not Bakugou. Bakugou being in this position provides nothing to the plot, especially because All Might would have sacrificed his power for anyone. Bakugou isn't a dynamic or integral enough character for this to benefit the character progression of Tomura or the rest of the LOV, but Izuku is. Him learning why they're villains would have really done so much for their characters, as well as his own)

This leaves their interactions during the Final War completely stagnant and stale. Izuku doesn't understand Tomura, and Tomura knows that. He sees Izuku as a goody-two-shoes with no understanding of how dark the world can be. Except Izuku does understand because he experienced it. But how would Tomura know that? And how would Izuku know how Tomura became a villain? There's no understanding between them which is why Izuku is unable to connect with Tomura like he did Stain and Gentle Criminal. Which is why him trying to save Tomura goes nowhere.

It didn't have to be like this though. Even if it was rushed, Horikoshi could have squeezed it in. He could have made the effort. He chose not to. Partly because he can't be assed to give either of them good development, but also because he avoids the shit Izuku went through like the plague. He hates to acknowledge it and when he does it's sugarcoated (and used for Bakugou's gain, not Izuku's own). Because of he gets into the nitty gritty of it, his favorite blond rat's "development" goes right out the window.

Horikoshi wrote himself into a corner here, which is why the Izuku vs Tomura fight is so lackluster. Their interactions mean nothing, so their fight means nothing. What's his solution to this?

To fucking kill Tomura and retcon his entire backstory to force AFO back into the plot.

The last shreds of agency Tomura had as a villain were ripped away. He can't even have his own tragic backstory at this point. Hell, Kotaro can't even own his own shitty decisions, blame is pinned on Nana even though him abusing his kids was his choice and AFO somehow had a hand in him having kids?? Ok.

(Abusive man not being held accountable without someone else- a woman- taking the shit for it, what else is new in MHA)

Also, WHAT THE HELL DO YOU MEAN AFO GAVE HIM DECAY?

In all fairness, this has been a theory for a while. But again, the entire point of his character in the MLA arc was that he took charge of his "cursed" power and made it his own. So AFO giving him Decay erases another part of his development.

(And to add to this, what exactly was the point of having him take a quirk away from Tomura? Why not make him born quirkless so a parallel can be drawn to Izuku (and even Aoyama)? What is it with Horikoshi and quirkless aversion? There are four characters born quirkless in the narrative even though they're supposed to make up 20% of the population: Izuku, Aoyama, All Might, Melissa. Only Melissa stays quirkless)

AFO just happening upon Tomura- desperate, shunned, and vulnerable- who just happens to be Nana's grandson makes him so much eviler and more despicable. Him seeing an exposed child and deciding to use him to be cruel to Nana's memory and Toshinori drives home his callousness. Making it so that he orchestrated it just takes away from that. Tbh, it just makes him look like a loser. So, both Tomura and AFO just suffered character assassination.

Back to killing Tomura, do you know how awful this comes off? This character claimed his own power and goals, only for that to be stripped by making him a puppet, the attempt to save him is drawn out and goes nowhere, and then he just fucking dies. Like he never mattered at all. Like trying to save him was a complete waste of time and there's nothing about him worth saving.

And people saying he deserved to die for his crimes, THAT ISN'T THE POINT. It isn't about what he did or didn't do. I couldn't care less about that. It's about how Horikoshi stripped him of agency again and again and then discarded him when he didn't serve the shitty narrative he created.

Tomura and Izuku deserved so much better than this

#mha critical #bnha critical #horikoshi critical #tomura shigaraki #shigaraki deserves better #shigaraki tomura critical #izuku deserves better #izuku midoriya critical #anti all for one #anti afo #he was great in the beginning only for horikoshi to do this to him #for what #can't believe mha has come to this #it's actually making me feel gross inside #long post #i kinda went off on a tangent here #i have a lot of feelings #anti bakugou katsuki

[zel-zo]

Hey so you know how in the Izuru-Fuyuhiko conversation, Izuru assumes Fuyuhiko intends to use Izuru for his talents? And Fuyuhiko refutes that like right away. Based on the recent art you made, do you have any thoughts on Izuru making himself useful (as a meat shield apparently) anyway? Izuru usefulness complex vs. Fuyuhiko 'people arent tools' complex or something like that? Sorry if this is a strange ask to get out of the blue haha I am interested in the narrative.

Ok so this is a FANTASTIC question and it took all my restraint not to send back an entire essay lmao💛💛💛 (correction^ I wrote 544 words of this so, maybe a LITTLE bit of an essay)

So, here are my thoughts on Izuru and Fuyuhiko's potential relationship in DRS:US:

I feel like the reason that Izuru may in fact stay with Fuyuhiko in this scenario (I mean, he outright says that if he were told to be free without orders he would probably just disappear overseas and cut contact,) is Fuyuhuko’s resolve not to use Izuru for his talents. I think that, in one way or another, this wont sit right with Izuru, who can easily reason out the fact that he’s a passive force until acted upon, and if acted upon (or used) for the good of humanity, that would have an overall better net benefit to the world than valuing his independence and letting his talents go to waste. As little as Izuru seems to care about anything, the thought process behind letting him do whatever he wants and not like, idk, make him cure cancer, is an absolutely atrocious error in judgement and has to be the fault of some under-developed moral code of Fuyuhuko’s. I think this intrigue is part of why Izuru would want to stay with Fuyuhuko: to see how long it will take for Fuyu, given ample opportunity, to abandon his personal code and start using Izuru (weather for humanity’s benefit or his own).

Note: I also think this is why Izuru would “make himself useful” (like the meat shield incident). By showing how much he could benefit Fuyuhiko when his talents are used, he’s subtly testing his resolve to keep refraining from doing so.

On the FLIP side we have Fuyuhiko, who’s honestly got a point. He’s definitely not thinking of it in the same big moral strokes that Izuru is, but he is thinking of the basic gist of it: What should you value more, a person’s freedom or the good they can do? In his (learned) opinion, the value a person’s life has and the potential they have for good aren’t exclusive, but that person needs to do the good on their own for it to have meaning. His relationship with Peko comes to mind hard here as someone who has been given a role and carried it out perfectly, denying their own free will in the process. Fuyu doesn’t go through the same lesson in the same way as DR2, but it’s clear that he’s coming to similar conclusions about valuing Peko’s free will in their DRUS interactions. I feel like, similarly, Fuyu would just want Izuru to start giving a damn about being used by people and stop treating himself like a means to an end.

So, does this turn into a genuine friendship? Something more?... Maybe??? I see a lot of interpretations of Izuru’s character were he’s an unfeeling machine, which I personally really dislike. I mean, the man has enough emotion to be bored by being unable to be surprised by anything anymore. He does Cry, even if he doesn’t know why. In my eyes, Izuru is mentally incredibly developed, but emotionally underdeveloped because of his emphasis on learning and usefulness since his ‘creation’. So, these two’s relationship is both ambiguous and up for interpretation, but I do think it has room for Izuru to come to understand Fuyuhuko’s thinking and maybe even start caring for him eventually. Honestly it’s all up to your personal interpretation of Izuru’s character!

But yea, those are just my thoughts! Let me know Your own interpretation!! I love these characters and always wanna hear other people's thoughts on them!!! 💛

#fuyuhiko kuzuryu #sdr2 #drsusc #danganronpa s ultimate summer camp #izuru kamukura #Ask #Ask zel-zo #zel-zo #danganronpa #spoilers #possible spoilers #anon #izuru kamakura x fuyuhiko kuzuryu #Feel like i have to tag this every time I post about these two but INTERPRET HOW YOU WANT!!! #Ship or no ship or generally abiguous #We stan all kinds of relationships in this household #I need to see more people talking about these two so feel free to flood my ask or the notes with your own thoughts

[miss-sweetea-pie]

I just saw an interesting maiko post. I didn’t want to comment or reblog because I figured that person didn’t want to have a discord considering the tags and some times tumblr recommended things to you. I probably wasn’t meant to see it honestly, But now I want to talk about it.

It was about how Zuko and Mai are just teenagers who don’t understand each other sometimes and then fail to communicate.

Also about how Mai’s emotionless trait collides with Zuko’s need for emotional validation and Zuko’s controlling possessiveness collides with Mai’s need for freedom. But they care for each other that doesn’t make them a bad couple, and Mai is not a bad girlfriend.

Honestly it a really good way to frame the relationship. I would also call it incompatible, maybe even toxic? it doesn’t make them bad people, but sometimes people do bring out the worst in you. Technically, this is true for Zuko, considering he went back to the fire nation, and he started dating Mai at the same time. Mai is the first person we see him speaking to after betraying his uncle and the show wants us to know he made the wrong choice. Mai is use as a narrative tool for Zuko’s lack of support in the fire nation,he’s miserable when he goes back home, and the one person, you would think he could connect with, his girlfriend, is cold and emotionally withdrawn. The show used Maiko to explore the the emptiness of being home in the fire nation, the empty promises of fire nation glory he been chasing and it doesn’t resonate with him anymore, also the impossible standard of gaining conditional love. (Sorry but Maiko is Zuko centric so it does makes Mai hard to read at best and abusive at worst)

I don’t deny that they care about each other in someway they’ve known each other since they were children, it’s safe and comfortable. but love is not enough. Honestly most toxic relationship in irl continue because they love each but they are not good for one other. Zuko and Mai they don’t understand each other and it seems like they don’t really want to understand each other. That’s the problem. (Mai mostly).

Maiko is really just a toxic cycle of their needs not being met

This scene where Zuko want to talk about his feeing and open up to her

Mai: *yawn* I just asked if you were cold not for your whole life story.

(Not going to lie, that was funny but it’s still a very dismissive thing to say, especially to your partner.)

Zuko is actually a little bit more sympathetic when she tells her “sob story” he didn’t yawn

Zuko: I like when you express yourself.

(her being off and on with her anger. Is like a metaphor for him being in the fire nation, trying to make something work and it’s not working. Constantly feeling like he said or does the wrong thing)

and It just bubbles over until they finally blew up

Zuko’s possessiveness is a reaction to after he feels like he has done all sorts of stuff to please her. it’s zuko reaching his breaking point. Boy is really insecure in this relationship because the feed back he gets from her is contempt. Sure we could argue and say that doesn’t make mai a bad girl friend maybe this is just her sense of humor or personality. well, it doesn’t mesh well with Zuko therefore, they are incompatible, and a bad couple with each other. 

( also Zuko is not nice here that’s kind of the point he hads regressed  in his character arc so to speak.)

and then they get back together by making out.

Sure she says she cares but why when did she actually show it? Actions speak louder than words! We never get a moment where Mai gets it and really understands him.

#anti maiko #anti mai #just to be safe #zuko #they deserved better #pro zuko #pro zutara

[antianakin]

Is it just me or do you get a little exasperated/tired with how everyone seems to let Anakin do whatever he wants and there’s no repercussions?

Like when R2 got lost and Anakin admitted that he never wiped R2’s memories, ignore his mission to blow up Grievous’s spy post to look for him on the off chance he was there. All Obi-Wan seemed to do was sigh and shake his head.

I just wish he got more pushback and punishments instead of everyone letting things slide.

Oh definitely, sometimes. Like I get it, generally, in universe, that most of the time when Anakin does something sort-of stupid that it tends to work out anyway and the Jedi seem to work from a position of "let them learn from their own mistakes rather than punishing them for making a mistake" which is good and I like that. But Anakin so rarely sees any real CONSEQUENCES for his choices, even if it's just natural consequences as opposed to an imposed punishment, that he never seems to ACTUALLY learn anything from said mistakes and instead just continues to believe he was in the right.

With the R2 example, the listening post blows up in the end and he gets R2 back. Some of his men die, but Ahsoka and Rex (who are the only ones he actually cares about of the group he brought in) both live, so while there ARE consequences to his choice, they aren't consequences that matter TO ANAKIN. So what Anakin learns from this mission isn't that he needs to have better security regarding his droid, or that sometimes he needs to let go of the people he cares about in favor of the larger mission, but just that he was RIGHT. He CAN do it all, he CAN save the people he loves AND get the mission done, so why SHOULDN'T he try to have everything he wants and assume it'll just... work out for him.

And from the Jedi's perspective here, the mission is, essentially, a success. There isn't necessarily any good reason for a "punishment" of sorts. Obi-Wan makes it clear he doesn't approve of Anakin's choices regarding R2 and he DID try to order Anakin to do certain things regardless of his feelings, Anakin just didn't follow them and technically Obi-Wan got the result he wanted anyway, so there's very little Obi-Wan can really say or do other than what he already has. In AOTC, Obi-Wan's entire arc is about recognizing that Anakin is an adult now and that the next step in both of their journeys is to learn to let Anakin make his own mistakes and just hope that Obi-Wan has trained him well enough to both avoid particularly catastrophic mistakes and allow him to learn from the mistakes he DOES make so he can continue to be a better Jedi as a result. Obi-Wan has to let go, step back, and LET Anakin make those mistakes and just have faith that he's done enough. We see that continue in TCW, not just with Obi-Wan, but with some of the other Jedi as well, like Mace and Yoda and Plo sometimes. They all KNOW Anakin's doing stupid shit sometimes, they KNOW Anakin struggles with a lot of things, and we do see them coming up to try to talk to him and give him advice more than once, but their philosophy isn't to punish him for struggling, but rather to have faith that he'll make it THROUGH the struggle and do better.

So while I don't necessarily wish he got more punishments in canon, because I do think the Jedi are actually making the right, healthy choice regarding the choices they KNOW ABOUT, I do wish he had more NATURAL consequences for his actions that involve things that are actually meaningful to him.

For example, while this would never have happened for obvious narrative continuity reasons, I wish Padme had actually stuck to her guns about staying broken up/separated during the Clovis arc. I wish that his response to what happened with Clovis had frightened her enough to actually cause the relationship to end because she doesn't honestly know when he'll turn that anger on her.

In an AU version of events, I feel like the Jedi learning about the Tusken massacre might've caused more natural consequences in the sense that the Jedi would suddenly see Anakin VERY differently and lose a lot of that faith they're choosing to have in him by this point because holy shit that is a MASSIVE loss of control that DOES require more of a response than a slap on the wrist. Like they wouldn't necessarily punish him, but they might remove him from the front lines, they might remove Ahsoka as his Padawan (even if it's just temporarily), they might insist that he go to some sort of meditative retreat and see some mind healers until they can be sure that he's stable enough to take up certain duties again. I imagine Ahsoka's view of him might change pretty drastically if she learned about that, especially with how young she is at the time, and maybe she chooses never to return to his tutelage even if she ultimately does forgive him.

And of course none of this even touches how I feel about consequences for his choices from Order 66 and beyond. People more sympathetic to him would probably say that losing three limbs and being forced into the Vader suit and "losing Padme" are all natural consequences and that these are all "enough" for what he's done. But I just... can't agree. But he also manages to get his son's unconditional love and forgiveness. He manages to get OBI-WAN AND YODA'S unconditional love and forgiveness. He manages to be considered SO REDEEMED that he becomes a Force Ghost and CHEATS DEATH just so he can... what? Say goodbye to Luke for a second time or something? As a reward for doing the BARE MINIMUM of being a decent person and just not letting his son get murdered in front of him? Cool, great, give him the "not as big of a jerk as he could've been" award. He manages to get Ahsoka's love and forgiveness for everything he's done as per the Ahsoka show, and even gets almost completely exonerated for his choices by having them get brushed off as "meant to be" or whatever. Rex never seems to get told the truth about him as of current canon so Anakin gets to live with the nice knowledge that Rex presumably died thinking he was a hero.

So, sure, he gets a few consequences for his choices, but he ends up getting nearly everything he wants in the end. The loss of the Jedi doesn't actually matter to him, the loss of the Republic DEFINITELY doesn't matter to him, he can deal with pain, he's still ridiculously powerful, and while he lost Padme he gets Luke. The consequences he gets are almost all entirely meaningless, and he gets more rewards that DO mean something to him for the absolute bare minimum than he gets real consequences for the absolutely horrific atrocities he commits.

This is why I love the Kenobi show so much because that show gave me THREE WHOLE PEOPLE who chose to leave him behind. Reva, obviously, hates him and never actually forgives him for what he's done even though she ultimately has to let go of her anger so she doesn't become him. Leia obviously never meets Anakin and isn't letting go of him because she doesn't want to associate herself with someone like him, but she DOES go through an entire arc where she decides that the only parents she needs are the Organas, and even when Obi-Wan tells her what gifts she's inherited from Anakin and Padme, she clearly intentionally chooses to associate ALL OF THOSE THINGS with Bail and Breha instead because THEY'RE the parents SHE chose. And of course, then there's Obi-Wan. Obi-Wan who feels so guilty still for what Anakin's become and the part he played in it and who tries to apologize for the things he does and doesn't know about, but who ultimately realizes that he never failed Anakin, Anakin failed HIM, and the best thing Obi-Wan can do is walk away and leave Anakin behind for good. Anakin made his choices and nothing Obi-Wan can do will keep him from CONTINUING to make those choices now, so it's better to focus on the people he CAN help and leave Anakin to wallow in his own darkness. There is no forgiveness for Anakin in this show, not once. Obi-Wan's reaction isn't "there's good in him still" but "what good might still be there isn't something he's acting on so it doesn't really matter anymore."

And, if we believe that this was a real confrontation that happened, means that Anakin finally got a REAL FUCKING CONSEQUENCE in that show. He spends the ENTIRE SHOW hunting for Obi-Wan and obsessing over Obi-Wan and in the end, not only does he lose to Obi-Wan AGAIN, not only does Obi-Wan NOT get broken down into darkness, but Obi-Wan WALKS AWAY FROM HIM. Again. And this time it's not because Anakin is dying but because Obi-Wan is deciding that Anakin NO LONGER MATTERS TO HIM. Obi-Wan cannot forgive the person Anakin has chosen to become. Obi-Wan isn't going to waste his time and effort on Anakin anymore, he isn't going to waste his LIFE feeling guilty for the choices ANAKIN MADE anymore. He's cutting Anakin out of his life from now on and just... leaving him behind. And of course at the end, Palpatine tells him he's not allowed to hunt for Obi-Wan anymore at all. So Anakin ultimately gets NOTHING THAT HE WANTS in this story, the one thing that seems to mean something to him gets ripped away from him in more than one way, and I LOVE THAT.

I just wish we GOT more of those kinds of stories outside of this one show. Because I get people letting things slide during the clone wars era, most of his mistakes there are comparatively smaller, but uh. Genocide and mass enslavement aren't things that I think ANYONE should let slide and too many people are doing so in canon at this point, which is why I want more stories about the people who DON'T or CAN'T forgive him for what he's done. More Revas, please.

#star wars #obi-wan kenobi #kenobi show #pro jedi #jedi #anti anakin #anti anakin skywalker #anakin critical #anakin skywalker critical #padme critical #padme amidala critical #anidala critical