Suzanne Collins is one of the few contemporary writers who realizes the importance of names in her stories and the significance they bear. They add so many layers to the story, additional meanings that otherwise would not have existed.
The original trilogy:
Katniss: named after a plant of which you can eat the roots. Her father taught her where to find it and told her that “as long as you can find yourself, you’ll survive” (quote may be a little bit off, but it’s from one of the early chapters in THG). Additionally, the leaves are in the shape of an arrowhead, referencing her skills with the bow which her father also taught her how to use.
Peeta: literally bread lmao. But bread is one of the basic nutritions humans need, a little bit goes a long way to keep you alive. Peeta’s presence in Katniss’s life also kept her alive, literally and figuratively—the burned bread he threw her in the flashback and their complicated relationship.
Primrose: a plant with medicinal purposes, even more significant in light of her work as a medic in Mockingjay.
Gale: literally means “strong wind” and considering that in every encounter with Katniss he’s caused some reaction, he pulls her into directions she maybe initially doesn’t want to go in. Additionally, his name also represents his determination and steadfastness in his beliefs.
TBOSAS
Lucy Gray: named after William Wordsworth’s poem “Lucy Gray” which is about the titular character of the poem who got lost during a blizzard. She literally got lost in snow. Rachel Zegler sang this poem in two parts on the original soundtrack of the movie. When Snow asked who the girl in the song is, Lucy answers that she’s a mystery, just like her.
Snow: aside from the obvious snow references, I think his name is most significant in relation to Lucy and the poem. The only one who knows what caused her disappearance is Snow. He is the reason that Lucy is gone. But her traces in the snow are still visible. He will always remember her because the memory of Lucy has manifested itself in every part of his life.
Coriolanus: named after the Roman general (and also the titular character of Shakespeare’s play), Coriolanus wanted to attack Rome and become its ruler. He was scorned and celebrated by the people, only to be later exiled from the city by them. In TBOSAS, Coriolanus is the star pupil at the Capitol’s academy but sent into exile to the districts after he won the Games with Lucy through cheating.
Volumnia: Coriolanus mother who played a part in his ascent to power. In TBOSAS, she almost serves like a mentor to Coriolanus, teaching him how to think in terms of power.
(Edit) Sejanus: a roman soldier who was betrayed by the roman emperor Tiberius, just like the future president betrayed him.
(Edit) Plinth: got this info from here, but it was too good not to include here. A plinth is a base for a statue or vase to stand on. After Sejanus’s death, all of the Plinth fortune was given to Snow for being such a good to friend him. It was this money that skyrocketed the Snow family from poverty to filthy rich. The Plinth money was the foundation upon which Snow built his power.
There are so many other names that have historical (mostly Roman and Greek) connotations—Plutarch, Seneca, Cinna—but also regular names like Trinket and Beetee bear meanings that represent the character beautifully.
Names are important. For any lover of literature or (aspiring) writers, please look closely at them. They can shape your story into something unique.
Feel free to correct me if I’ve said something wrong. I know there are many names missing, but I can only add so many examples ✊🏻😔
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I read the comic in one sitting less than an hour after finishing the movie, and wow I have many Thoughts™.
- It's very obvious the two versions were meant to cater to different audiences AND tell different messages. I don't get why people are going "But the comic was better! It had more nuance!" just because Nimona was easier to root for in the movie.
- The comic was written back when ND Stevenson was still trying to process a lot of stuff, so all the characters are morally grey/straight up evil and the climactic battle is between a Ballister who regrets turning against Nimona, even if it was to save others vs. a Nimona who's too hurt to care if her lashing out was going to hurt innocent people.
- By the time Nimona got a movie adaptation, ND was a lot more secure in his sexuality, so the climactic battle was Nimona vs. the Director, the symbol of religious oppression and bigotry. It's not just about your friends turning on you because you're "too much" for them anymore, it's also about a society that would rather bring itself to the brink of ruin than coexist with you.
- (I totally get why people were upset about Ballister's surname change, though. Like come on, the media dubbing him Blackheart just to be mean was RIGHT THERE).
- Nimona's metaphor for not shifting is such a neurodivergent thing. Even in the comic, Nimona's parents insisting she's a monster who replaced their daughter is reminiscent of the changeling myth, which is what many parents thought their neurodivergent kids were—changelings who replaced their "real" children.
- Ambrosius being trained to cut off HIS BOYFRIEND'S WHOLE FUCKING ARM instead of merely disarming him is a very cop thing to do. As much as cops claim they're trained to de-escalate situations, their training still teaches them to treat everyone as a potential threat, and that level of constant vigilance can turn anyone into a trigger-happy/arm-choppy bastard. Even the Director, who can use a sword but probably hasn't actually fought someone in ages, STILL can't see Ballister reaching for the squire's phone without assuming he has a weapon.
- And on that note, the Queen getting killed simply because she was trying to reform the Institution and allow commoners to become knights? That's the best "no such thing as a good cop" metaphor I've seen. Because even if there ARE good cops and they ARE in leadership positions, the system will crush them before they make any meaningful change. It's not a good institution that turned rotten, it's an institution that only exists to spread its rot and refuses to be good.
- That's why Ballister's characterisation is so different in the movie vs. the comic. Comic Ballister had 15 years to come to terms with his trauma and the Institution's evildoing, while Movie Ballister is still freshly traumatised and hasn't found a way to define himself beyond the role he was assigned by the Institution.
- Not to mention Comic Ambrosius was not very noble to begin with and genuinely believed Ballister was better suited to villainy than heroism, while Movie Ambrosius never wanted the glory that came with his lineage in the first place and only antagonised Ballister because of indoctrination he needed to unlearn (which he did, all by himself, after witnessing the lengths the Director will go to just to kill Nimona).
- It really shows how important it is to surround yourself with loved ones who are open to change. Comic Ambrosius can love Ballister all he wants, but he'll still blast his arm off because he thinks Ballister deserved it anyway. Movie Ambrosius will stop to question what "the right thing" even means, even if he didn't love Ballister enough to defend him unconditionally.
I have so many more thoughts bubbling beneath the surface, but I'll probably address them some other day. In conclusion:
[ID: A pink-haired Nimona grinning evilly while holding up a knife.]
Watch Nimona. This is not a request.
Edit: Added more thoughts!
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The Daycare
Danny moves to Gotham after Lady Gotham themselves asks for his help.
Gotham's natural ecto has been deteriorating, and considering ecto was what held everything in existence together safely this was a major problem for Lady Gotham.
If Gotham got too bad it would spread to the rest of the world, and could cause it to cease to exist entirely.
So Danny came, as the Ghost King he had the power to filter in great amounts of the corrupt ecto just by being in the city.
But part of his obsession was protection & helping, Gotham already had a lot of help (Batfam). So he decided to focus on helping not with the problem at the top (villains), but with the problems at the bottom.
The problems at the bottom that would be the root cause in breeding more problems.
After all, many didn't start evil, but need and desperation pushed them towards that path.
So Danny moved to the worst part of Gotham, The Bowery.
What did he do there?
Why open a Daycare of course!
Many parents could not get a good or stable job simply because they needed to look after their kids and could not afford to pay the daycare fee.
Danny wasn't worried about money after all the coffers that he inherited as king would take forever to even make a dent in it, and that's only if he was living a very lavish lifestyle everyday for several human generations.
With this in mind his Daycare fee was pretty much nothing.
He would take care of the children of a very wide age group, while the adults could focus on getting a decent job or even returning to school for a higher education for better opportunities.
How does he care for so many children?
He duplicates himself of course!
At least in the very beginning, after a while he begins expanding his Daycare offering classes and tutoring to the children as well as free food at all times.
Who's helping him ?
His ex-rouges and other ghosts who volunteered.
Lunch Lady absolutely adores having so many people and kids to make food for, and Box Lunch can socialize and play with the other kids while she works.
Ember even volunteers to be the music teacher!
Danny has the help of many ghosts who once they heard his plans were very excited to help, many having the obsession with teaching children or in general. Other ghosts helped with building, expanding, and just generally helping maintain the building in great shape. Even building a very diverse and fun playground.
Of course all this catches the attention of Red Hood. Danny just appears one day on his territory with many others and practically having a building appear out of nowhere with how fast it was built, asking literal pennies to take care of the children, and free food for anyone who asks.
All that gains a lot of attention and is rather suspicious.
But the crime rate has been going down since he opened, which is a good thing.
But many people don't want good things and decide messing with Danny and his Daycare.
Unfortunately for them cuz Danny is absolutely down for violence if he's protecting what's his.
~
Villain: "What a lovely place you have here would be a shame if something were to happen"
Danny who has the audacity to fight Gods and win: "Someone call an ambulance! But not for me!
Also Danny: "These hands are rated E for everyone"
~
Other people:"Should we call someone for help?"
The ghosts:" Nah, let him have his fun he needs his enrichment"
~
Red Hood: "He's very suspicious"
Danny is absolutely covered in paint and singing Twinkle Twinkle Little Star with the young kids: "Ah yes I'm totally doing normal Gothamite behavior"
~
Lady Gotham is having some self care spa time she's having a grand time: "Should I warn the young king of the other halfa (Jason)? Hmm best not, it'll be more entertaining if it happens naturally"
~
Just an Idea
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cling to me
I know I said I was going to distance myself from this piece of media because of all of its terrible connections, but these two characters seem to have taken root in a permanent place in my heart, and I can't let them go.
Anyway, here's some character design notes below the cut for the one person out there who's obsessed with these characters as much as me.
Early DSMP: the era of childhood innocence
Bandanas: They sport each other’s bandana’s (they’re hidden in the design for every era). I love character designs with complementary colors (and I love how red and green are also cranboo’s colors)
Disks: Early on, cat and mellohi represent the peaceful moments ctommy shared with his favorite people, but they went on to be a symbol of victory and independence from the people who have hurt him.
Flowers: Ctubbo collects flowers and tries to memorize the meanings and symbolism tied to each type of flower. He also collects them for his bees.
L’manberg: the era where children became soldiers
Horns: Ctubbo’s horns start to grow in here.
Pogtopia: the era of an exile and a secretary of state / spy
You can tell I joined the fandom at the end of this era because I don’t have many notes here or for the l’manberg era.
Exile: the era of an exile once again and and a president too young
Hair: Ctommy’s hair starts to grow longer as he neglects taking care of himself.
Clothes: Ctommy’s clothes are tattered; one shoe is destroyed and he took to wearing cw-lbur’s (f-ck ccw-lbur btw!!) trench coat.
Bandages: Ctubbo’s wrapped in bandages from his recently earned firework burns. He’s gone blind in his right eye, and he’s missing the ring and pinkie finger on his right hand.
Compasses: They share their matching ‘your tommy’ and ‘your tubbo’ compasses
Hog Hunt: the era where one sought to kill the blood god while the other sought refuge there
Stolen goods: Ctommy’s has his antarctic empire outfit plus all the goods he stole from ctechno like the turtle helmet, golden apples, and the axe of peace.
Bedrock: Ctommy wears his counterpart piece matching techno’s from his ear.
Prosthetic: Ctommy’s right foot had to be amputated after he loses it to frostbite in the trek to cemeraldduo’s cabin. Ctechno gives him a simple prosthetic.
Disc Finale: the era of mended relationships and a final stand
Headband: Ctommy begins to wear a devil headband to fit in more, as he’s one of the few humans on the server. The devil horns were chosen to resemble ceryn’s real ones.
Patchwork: Ctommy learns to sew, and he fixes his tattered clothes from exile.
Post Revival:
Devil horns: Ctommy’s devil horns (plus a tail) become real after revival, and he gets a white streak in his hair.
Prime cross: The bad things that have happened to them both that they survived strengthen ctommy’s faith in prime, whereas they weaken ctubbo’s faith.
Sweater: Ctommy makes himself a sweater from friend’s wool.
Mechanical inventions: Ctubbo pursues his passion for engineering more as he makes mechanical bee drones and studies nuclear physics. He also makes himself prosthetic fingers, and he upgrades ctommy’s prosthetic foot.
Marriage ring: Ctubbo marries cranboo platonically and wears the ring on his horn. He also founds snowchester so he can have a place to protect his loved ones and raise his son. He grows out his hair to avoid eye contact for cranboo and to cover his scars.
Body type: Ctubbo gets chubbier and gains some muscle as he gets a bit happier in life.
Post DSMP:
The prison break and everything after it never happened. These are my OCs, and I make the rules because every actor/writer who played a part in their creation either abandoned them or turned out to be a terrible person. Cbenchtrio live happily ever after and begin their journey of healing while cdream rots in prison forever.
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★ Satoru's undercut
★ Synopsis : He fears the hairdresser like it's the dentist. One day, he accidentally gets an undercut style. He would have thrown a tantrum if it weren't for your positive response — because all he really cares about is that you enjoy his haircut.
★ Content : soft fluff, romantic tension, some mutual pining??
★ Library ★ reblog for a cake slice! 🍰
"This will ruin my life..."
"It will not ruin your life."
"I'm gonna die!"
"You're not gonna die."
"Yes, I'm gonna die! They're gonna cut my head off."
"They're not gonna cut your head off."
Satoru had a haircut appointment which you were accompanying him to as per his desperate demand request. Suguru was there also, helping Shoko with something technical on her phone. He laughed when Satoru was whining to you.
The four of you were on the train; Suguru and Shoko stood tightly packed with their backs facing other people as if they were the group shield. And Satoru sat next to you, clinging to your arm as if he were a kid on his way to the dentist.
"Don't laugh. You know I feel the same about hairdressers as people feel about dentists!" he pouted.
"Satoru, you're so weird." you said.
“I'm not!”
You shook your head at him. Satoru grumbled.
"No one understands me!" he said dramatically.
Suguru commented, "I do understand why you dislike hairdressers, Satoru; most of them don't cut your hair how you want."
Shoko nodded and chimed in, "— yup, and you usually leave with a fake smile and say "oh wowww... I love it!" but you actually hate it." then she went back to frowning at her phone with Suguru.
“My hair is important, I can't afford to have a bad haircut." Satoru said.
"Haha, you make it sound like if you have a bad haircut it could cost you millions." you laughed.
Satoru sat up straighter and spoke seriously, "It may as well cost me millions!"
You didn't understand why Satoru was being so dramatic.
****
The hairdresser looked at you, Shoko and Suguru and then wondered why so many people were accompanying this grown man to his haircut, as if he were about to get a root canal for the first time.
Suguru whispered into her ear, and she blushed at his alluring charm like anyone would.
"He's scared of bad haircuts... so please do your best, he has a girl to impress. See that one sitting there?” Suguru pointed to you, “Yeah, that's the one."
He accidentally flustered her, and he smirked about it when he returned to you and Shoko.
"Suguru, your head looks as big as a bubble about ready to pop." you joked, noticing his smug demeanor as he took a waiting seat with you.
"I think I just flustered the hairdresser on accident." he said.
Shoko chuckled, "Is it ever an accident? I think you do it on purpose — oh, Y/n, I think Satoru is trying to get your attention. Give him some comfort."
Satoru recoiled when the cold blade of the scissors touched his neck, and looked distressed when the hairdresser touched his hair.
You knew he was highly sensitive to touch, especially his hair — he hated people touching his hair (reason X for hating hairdressers). The only person who was allowed to touch his hair was you. Suguru and Shoko needed a "valid reason" for touching Satoru's hair.
But you could comb your fingers through his hair any time, any place for no reason and Satoru would go limp with a smile on his face, completely melting for the act of affection.
Sometimes when it was just you and him alone together in his apartment, especially during his sleepless nights, Satoru would lay his tired head on your lap and ask you to play with his hair. Each stroke of your hand mellowed him out. He especially loved the feeling of your fingers running through his hair when it was fluffy and long.
So really, he feared not the hairdresser or even the bad haircut, but the fact that it might be too short or not fluffy enough for you to enjoy. It had to be just right. He had to maintain his fluffy hair for you.
He wanted to make sure that when you saw him at every party and get-together, you'd think "Wow, Satoru's hair looks so good.". He wanted you to compliment his hair and make him feel good and blushy.
And most of all, he just wanted to please your eyes. He wanted you to be starstruck when you looked at him.
So, a good haircut was critical.
****
Satoru's panic calmed after you took the empty seat next to him. He watched in admiration as you struck up a friendly conversation with the hairdresser. She turned out to be kind. She was an apprentice (picture nervous Satoru stiffening his shoulders when he learned this) and her mother owned the establishment next door.
Satoru was mostly quiet and focused on his reflection in the mirror. He squinted in suspicion when the lady brought out a hair buzzer.
But then you distracted Satoru by asking about what the four of you were doing after this. He stuttered a bit, half-looking at the hair buzzer and jumping a little when it turned on.
You talked so much that Satoru was completely distracted, and the lady could work. Though, it was hard, because Satoru didn't really specify what he wanted... so she winged it.
She thought hey, this guy would look good with an undercut. So, she cut an undercut for Satoru, and looked at you and smirked. His girlfriend will appreciate it, she thought as she looked at you and Satoru talking with hearts in your eyes.
You weren't his girlfriend. But you may as well have been. The two of you were anyways soulmates since kindergarten. Sure, you went away for five years to work abroad, but the link between you and Satoru wasn't broken by the distance.
****
Satoru gasped and nearly fainted when he saw how short his hair had been buzzed at the bottom. His neck felt exposed and suddenly it felt more drafty.
"What the—"
"— oh, you look hot, Satoru." You said.
He immediately shut up and went red in the face.
"Thanks, yeah it looks... yeah." Satoru hesitantly complimented the hairdresser's work.
She beamed proudly and wrapped up the haircutting session. Satoru took off the black dressing gown and stood up and shimmied the white hair off his pants.
"The cat is shedding." you joked, making Satoru grin with sealed lips.
You picked a white strand of his hair off the back of his shirt when he stood in line to pay at the checkout. He didn't notice. Such a cute boy.
Satoru was just grumbling to himself about how he'd need a scarf or turtleneck to compensate for his "practically naked" hairstyle now.
You stared at his undercut and felt your heartbeat get a bit frantic.
Then you kept staring as you left the barber shop.
Satoru wrapped an arm around your shoulders out of habit, as if he were your boyfriend, so the hairdresser felt sure that you two were dating and said something as you two left that really made you and Satoru blush;
"Your girlfriend loves it." she winked.
"I'm not his—"
"She's not my—"
"She sure does! Thanks for everything, see ya." Shoko cut off you and Satoru from responding and shoved the two of you out the door.
****
That comment lingered in the back of yours and Satoru's minds for the rest of the day.
On the train home, you grazed your fingers over Satoru's undercut and it elicited the funniest reaction out of him; he shivered like a cat that had just been scratched in a sweet spot.
"Haha, does that feel good?" you asked.
"It does. But my neck feels naked." Satoru shrugged.
Oh my god, do that again, he thought. It felt so good.
"Aw, then Y/n should wrap her arms around your neck." Suguru said in a flirtatious murmur.
Shoko laughed and propped a cigarette between her lips.
The four of you got off the train, you parted ways. Suguru and Shoko lived in different places and had to wait for their respective trains to take them home. So, you said your goodbyes and went with Satoru.
When you and Satoru moved out of your university housing, you both decided to live on the same street. You can say it was for X reasons, like oh it's a good neighborhood or oh the prices are great or oh the apartment walls aren't thin... but let's be honest; you and Satoru just didn't want to live too far from each other. You were inseparable, even cry-babies whenever the two of you were separated.
Satoru was always clinging or touching you in some way – hanging off your shoulders, resting his chin on the top of your head, draping an arm around you, holding your hand, snuggling into your neck. The closeness brought him more comfort than his own bed. He even claimed once that he could fall asleep on you more readily than on his bed.
Sometimes he was just shy of kissing you when you two met up, or when he knocked on your apartment door some mornings. His lips would graze over yours by accident in some circumstances, and though the two of you would laugh it off, there was an unmistakable spark in the air between you and him.
****
“Do you like it?” Satoru asked.
“I love it. You look really good.” You replied.
Satoru smiled to himself, hiding his face in your lap.
The TV was playing the most recent episode of that trashy romance soap opera – the episode where the two love interests kissed in the rain. Satoru stared hard at their lips connecting, and thought of why he hasn’t attempted to kiss you again. He didn’t want to ruin anything, so he kept his confession to himself even if it was obvious that he liked you.
You noticed he went a bit silent as you ran your fingers through his hair. He made a soft, long groan when your fingertips tickled up the back of his neck and over his prickly undercut.
“You sound like a cat.” You laughed.
His eyes were closed, brows relaxed into a sleepy arch. Whenever he got drowsy in your lap, his lips would part and show his two front teeth.
****
After getting an undercut hairstyle, Satoru was living in heaven with how much attention you gave his hair. Every day you’d find an excuse to play with his hair.
It made his heart beat harder and his mind go blank whenever you touched his neck and hair. He’d get shivers and close his eyes each time you did it, and would even stop talking mid-sentence.
In time it grew out. He refused to go back to the hairdresser, and instead insisted that you cut his hair for him. At first, he attempted to do it himself, but then he wimped out as soon as he held the scissors to his hair.
So, after he practically begged you on his knees and voiced his fear for the hairdresser, you agreed.
Cutting Satoru’s hair was a whole event. You invited Suguru and Shoko over to your apartment, and the four of you were laughing in the cramped bathroom together.
You had no idea what you were doing, and the online tutorials didn’t help much.
Satoru was dramatic when he thought you were cutting it too short or jagged, and he was so very picky that it drove you nuts to the point of putting the scissors down and leaving. But then he hugged your legs and apologized cutely, so you came back. Suguru and Shoko had to get it on camera because it was pure comedy.
“Alright, fairy princess. How did I do?” you asked Satoru.
He checked himself out in the mirror. His jawline and shorter hair drove you a bit wild, it was hard to contain yourself.
“It’s okay.” He replied cheekily.
“Just “okay”?! I put my soul into this!”
He grinned. “I’m just teasing.” He said, “I like it. Now let’s test it out.”
You looked confused. “Test it out?”
“Play with my hair.” He explained, “And tell me you like how it feels or else I’ll cry.” He added dramatically.
© arminsumi
I do not permit the copying/reposting/translation/plagiarism of my works. Do not steal what I've worked hard to create.
This is fictional work.
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