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#having thoughts about this tonight
the patron saint of switchblade fights and the patron saint of liars and fakes are one in the same
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ok alphys was a character ahead of her time and too good for this damn fandom honestly. she isn't some evil gaslighting lying cringey manipulator who only exists as comic relief for the love of god look at her with eyes less poisoned by cynicism and irony. she is a love letter to... well, a lot of things. a love letter to "cringey" people, to video game fans, to people who try to drown their sadness in fiction. she's so achingly relatable to so many of us that it really feels like toby knows his demographic like the back of his hand. we've all met someone like alphys. maybe we are that someone- awkward, nerdy, can't get over their past mistakes, terrible at phone calls, far more eloquent online than in person, only wants to make people like them to distract them from the fact that they don't like themself. normally, this character archetype is the butt of a great deal of jokes- just a gross nerd who needs to touch grass. but alphys is different. she is, as i said, a love letter. she is one of the best-developed and most complex characters in the game. her nerdiness isn't "fixed" or mocked, it's celebrated. her unabashed love for her interests and her 100% attitude is a big reason why undyne loves her. games, especially in 2015 and before, are not often so genuinely kind to characters like alphys! and in deltarune, too- alphys is still a nerd, despite not being nearly as traumatized as her undertale counterpart. her rambling about shows she loves is a constant across all universes, a fundamental and important and good part of who she is.
and i just think that's very kind, and very important.
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maddymoreau · 1 year
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Thinking about how Diavolo’s feelings transcend time and how in the Nightbringer UR+ card Demon Lord’s Castle Tour this conversation happens.
When asked, “Do you wish to see your father?”
Diavolo responds:
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“I suppose I do . . .” isn’t the typical reaction to how a child would feel about wanting to see their parent. Especially when said parent has essentially been in a coma for a year.
Along with how Diavolo describe his father.
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It makes more sense why when you learn in Lesson 56 how Diavolo was treated by him growing up.
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Diavolo can tell when others are lying but is unable to understand his father’s intentions.
Diavolo mentions that he lived a very sheltered life growing up. That from a young age his father never allowed him a chance to talk to anyone outside the castle.
His childhood friend was Mephistopheles. A demon literally RAISED to be his friend. Putting a barrier between the two because Mephistopheles would put Diavolo on a pedestal.
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The isolating childhood he experienced riddled with his strict father constantly scolding him.
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Despite everything MC is so important to him he wants to see his father again so we can meet.
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egophiliac · 5 months
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Okay so I've been wanting to tell you that you're literally my favourite twst artist 😭🩷
So my question is, how do you manage to come up with these funny comics? CUZ I LOVE THEM SO MUCH
(P.s: Lovin' the art style ✨)
oh geeze, thanks! 💚💚💚 I'm really glad people enjoy my stupid sense of humor; mostly I just draw things to make myself laugh, and if it makes other people laugh too, then bonus points! usually it's just one joke or mental image that gets stuck in my head (every time I saw Fellow spin his cane, all I could think about was him go-go-gadgeting away on it...) and in my quest to justify it, it picks up other jokes and bits along the way and usually doesn't even end up as the main focus anymore. entire narrative arcs have spun out just so I could use a single bad pun in a throwaway line. this is a terrible way to explain it but I'm not sure how else to put it into words!
and sometimes it's just "weird things my sister has said that I make fun of her for"
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geoffrard · 2 years
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Why did we stop talking about the manson girl outfit? The manson girl outfit made so many of the other outfits make sense to me. I wanna talk about the manson girl outfit.
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this is. so Indulgent. i have no excuse!
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sketchingstars03 · 14 days
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a struggle us ink fans know all too well
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I’ve said enough
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somegrumpynerd · 1 month
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Sssshhhh the stars are eepy
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karofsky · 9 months
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the thing is too, like... it's so clear what they're doing. every episode it's "if nandor finds out, he is going to kill you." every single character is emphasizing this, and guillermo himself keeps speaking about how hard it is to deal with this reality. they keep reminding us of that axe hanging over guillermo's head on purpose, and the purpose is... nandor is not going to do it.
and that's a relief on one hand, but also I'm prepared for the worst fucking heartbreak.
he's not going to kill guillermo; he loves guillermo more than anyone and anything. he can't kill guillermo. but that's why it's going to hurt so bad when all of this comes out. guillermo drove a stake into their relationship that cannot be removed. guillermo betrayed and humiliated nandor, while nandor strung him along for selfish reasons. whether or not nandor knows already or if he really is going to find out all at once, they can never go back. the whole household is permanently changed because of guillermo, both because of his general existence the last decade and a half, and now because of this choice.
so it's just... insane to think that the real axe we are waiting for is the one that's like, where do they go from here. not even just nandermo, but everyone. nandor's not going to kill guillermo, but then what do they do?
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whoever this beloved anon was I am so touched by your kindness! You definitely didn’t have to do this but I am so happy you enjoy this idea and I will happily expand upon it for you!
this is just a collection of word vomit bullet points for the time being but I will happily answer any and all questions about this pair!!
warnings: violence, angst, child death (Sarah Miller), foul language, the same warnings that apply to tlou, reader is Sarah's mom and described as having similar features to her. 
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So the general Idea is that you and Joel are happily married before the outbreak. 
You had been Sarah's mother, his high school sweetheart he got pregnant when neither of you were old enough to have any reaction to the pregnancy test other than a fucking panic attack in one another’s arms. but you made it work 
you both worked but made time for one another and your sweet girl, going to museums every other weekend and joel insisting on swooping you off for a date every now and then 
nothing special. He knows you’re more of a diner gal than anything too fancy that makes you both feel out of place. 
On his birthday in 2003, you had planned to tell him that you were pregnant again. But the memories of your own fears of motherhood from all those years ago begin to swirl through your head again and you get cold feel. deciding to tell him the morning after
it is his birthday afterall, you want to focus on him. 
but when you’re woken up in the middle of the night because tommy needs to get bailed out, Joel kisses you sweetly one last time before promising he’ll be back and you can’t shake the feeling that something bad is happening. 
its you that shakes sarah awake that night. shouting at her to put on her shoes when she’s still rubbing the sleep from her eyes because you’ve been listening to the radio for the past two hours, calling joel again and again and again praying for him to fucking pick up but to no avail. 
Sarah, bless your little girl’s bleeding heart is the one who insists you check on the adler’s against your better suspicions and when you find the eldest looming over her daughter, blood and sinew dripping from her mouth, you grab your daughter hand and burst into a full sprint until something slams into your back and sends you tumbling onto their front lawn
its how joel finds you, struggling to keep the once sweet old woman, whose now nothing more than dead eyes and gnashing teeth straining to snap at your pulse point as you push against her while sarah shrieks before your husband runs forward and cracks her skull with a wrench. 
there’s hardly a moment of pause, just enough for him to pull you up and into his arms before he’s ushering you both into the car with an urgency. 
when the truck crashes, you get separated from them. Perhaps at Tommy’s side when the flames rise and create a wall, separating you from your husband, or maybe pulled into the mob of chaos when trying to escape from those already infected-
all joel knows is that you promise you’ll find him: just get sarah to safety and you’ll meet him at the river
Poor thing is already so frightened, held in her father’s arms with tears streaming down her face insisting they can’t leave you they just can’t but her father kisses her forehead and reassures her its going to be okay 
“we just need to be brave, okay babygirl? Your mama’s real tough, she’s gonna be alright.” 
he isn’t sure if he’s saying it to his daughter or himself. 
but when he comes to the river you aren’t there. Only a soldier who points a gun at the scared little girl in his arms and then he loses everything
its when the light is gone from his daughter’s eyes that he realizes. His voice cracked and raw from sobbing that he looks around to see his brother with drawn in shoulders and tears in his eyes but his wife is nowhere to be found. 
Tommy says you got lost in the chaos. Everything was so loud, so sudden that he turned around and suddenly you weren’t there. 
Joel wants to go back but its Tommy that stops him, that dulls the red in his vision to a sad faded pink because his brother points at the orange horizon not too far from them, so much of the city is already in flames. 
“We’re gonna find her, but not there.” 
So Joel searches. for the first year spent in the world post-outbreak its all he did. 
He became a smuggler because of it. 
Information came at a price and he needed to be able to fucking pay it, whether it be in blood or ration cards. He was willing to do anything to find you or any thin thread that lead your way. 
But it’s Tommy that asks him to give up. Not in those words of course. 
The youngest Miller knows better than to say something so cruel that would make his brother, the only person he has in this world turn on him. 
But his voice is worried when he asks him one night in Boston when he hasn’t even had the chance to wash the blood from his knuckles 
“You think she would have wanted this for you?” 
the fight that followed his words was brutal. Vicious insults and scarred fists slamming against each brother until they're both too tired and bloody to continue. Each leaning against a wall for support and Tommy’s wavering voice breaking the silence. 
“I don’t know where she is, Joel. But I do know you're gonna get yourself killed if you keep lookin’ for her.” 
All he can do is nod. 
It’s a few days later when he meets Tess. Who has heard plenty of stories about the elder miller’s brutality and wants him to put that muscle to good use for some extra profit. 
It begins his new life. One that empty and cold but one he can live. 
Until of course, Ellie comes along. The sweet and incredibly opinionated girl that makes him become something akin to the man he thought died twenty years ago. 
its when he’s traveling with Ellie, that it happens. When a warm familiarity has settled between the two because so much blood and pain has been shared he can’t help but see her as something close, something bright even though all he can force himself to utter in her reference is “cargo” 
when theyre traveling through the woods as Ellie chatters away, probing his memory about a movie that may or may not have existed thirty years ago because her descriptions of the plot are incredibly odd he hears a voice shout for them to stop and finds himself staring at a man- no, a boy- pointing a gun at them. 
Ellie stills, but Joel can see enough to know that from the lanky figure and dimpled face that he’s young. Maybe twenty, twenty-two at the oldest, but his eyes dart from Joel to Ellie with a pinprick of fear that allows Joel the time to charge forward and slam him to the ground before wrestling the gun from his hands. 
He has enough to time to tuck it under the stranger’s chin before he hears the sound of the safety being turned off and finds himself looking up and seeing a gun just inches from his face. 
Joel’s head whips around when Ellie’s voice calls out his name in fear, he turns to see another stranger holding her a gun point, shoulders drawn back and a shadow cast over their face by the had obstructing their identity. 
“You hurt one of mine, I hurt one of yours. That a fair deal?” 
Its takes him a moment to recognize you. It’s been so long since he’s heard your voice, the sweet tease when you would poke at him each time he woke up late despite the fact that you reminded him to set his alarm the night before, the times you’d chide him with a harsh “Joel Miller!” whispered in public anytime he was able to grab you a bit too passionately to be appropriate in public but the laughter in your voice let him know you were never truly mad at him. You didn’t know how to be. 
But that sweetness is buried under a cold rasp that cuts through the air as you point a rifle at the scared little girl in front of you.
“You think I won’t?” You’re older now, skin covered in scars from a life he didn’t know you got the chance to live and your eyes are cold as they regard your husband. “Put the gun down and get the fuck off of him, I won’t repeat myself.” 
Joel mumbles your name in awe. The woman he loved, the woman he mourned the one he fought so hard to find stands before him like some sort of hallucination and suddenly the world feels like its spinning until you bark orders at him again. 
“You’ve got five seconds Joel, make a fucking choice before I make it for you.” 
He looks down and realizes the boy under him, the one with the bleeding nose and snarling face has your eyes and his dimples. 
“One.” 
The one above him has Sarah’s hair. Soft brown curls that shine under the sun. 
“Two”
Wait. No, they both do.
“Three.” 
Twins. Jesus fucking Christ you had twins. 
“Four.” 
Joel holds the rifle up above his head and the one boy standing snatches it from his grasp, tossing it to the ground and kicking it far from his reach. He slowly stands, allowing your son- dear god your son- to scramble to his feet. 
Your voice softens just for a moment. “You okay, Duke?” 
Blood stains the bottom half of his face from where Joel slammed his fist into the boy’s nose just moments before, but he nods nonetheless. 
Now, they both stand on one side of you and he can see the resemblance clear as day the same way he would whenever Sarah was by your side.
When you order him to hand over his bag, he does so without question before telling Ellie to do the same. 
She watches him with wide eyes, her hands still up in the air but gaping at her companion as if he had grown a second head. 
“Joel!” “Just do it, alright?”
He doesn’t miss the way you watch their interaction with narrowed eyes until she tosses her bag to you and you slowly lower your gun. 
“Now, you want to tell me what the fuck you think you’re doin’ at my home?” 
#joel miller x reader#joel miller x you#i had an idea of something similar for tommy but on outbreak night he uh. abandons you instead of getting separated from you#because. angst :D#people say nice things#this was incredibly generous of you anon thank you so so much!#i may get myself a little starbucks drink this week now because I havent had starbucks since like january 1st lol#joel reeling from taking in all this information and also realizing he suckerpunched HIS OWN KID#id like to apologize for all the grammatical issues with this. this is just a bulletpoint word vomit to get my thoughts on the page before-#-beginning the actual fic. also I have to do a midterm tonight and this is my treat to myself hehe#but yes. joel getting separated from his wife on outbreak night and having to accept that shes probably dead#meanwhile youve lived this entire life without him because you think HES dead ad raising your boys all on your own#which just- further digs into his insecurities about failing in his role as a protector#he couldn't save sarah. he can't save ellie and he couldn't even save you#he thinks about you pregnant and alone. fending for yourself in a world full of infected and raiders and his chest grows tight again#this is all followed by Ellie going >:O 'you KNOW THIS PSYCHO?'and then joel immediately snapping at her to WATCH HER MOUTH#because that kid has no filter and he has to explain that youre his wife#anyways joels wife is a badass mfer who also maybe has a little garden and some chickens that you and your boys take care of <3 yeah .#reunion tag#ill be using that for this specific couple because I dont have a fic title yet but if anybody has suggestions!
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izupie · 2 years
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I think it's the ALMOST canon ships that get the best, most intricately woven, beautifully told fanfiction.
those nearly-kind-of-almost-maybe-could-be canon couples
the ones that make it almost painful to live with the knowledge that if just one or two things had happened differently, just one or two things: if one of them had said something differently here, done something differently there, or if certain events had shifted a little, just a fraction, they'd have been together - undoubtedly.
you can see it. everyone can see it. but it's not enough - they're still an almost-but-not-quite, maybe-but-it-was-never-confirmed, kind-of-but-annoyingly-ambiguous
fanfiction writers take their potential and they hold it close and they lovingly craft something amazing and beautiful with it - finally giving them the chance to be together like everyone knows they would be in-canon if the story wasn't against them
they spring out entire novels from canon-divergence in the places where just a little step in another direction could have led to them being together
they build whole intricate Alternate Universes where the characters are able to meet in an entirely different way and still fall for each other
what I'm saying is that the insanity of a ship where it was almost-canon drives writers to a specific kind of creative madness that produces the best fanfiction....
so if you check out my graph here you can see the line for the more almost it gets vs the more unhinged and motivated it makes the writers both rising in a wonderfully clear diagonal line and today I will be discussing the
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raphaerolo · 19 days
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Art Wip Game
@artisticallyill you asked about the Battle Cody & Obi so here it is
This one is definitely a bad name. While technically accurate, it's not the defining thing about this. Battle Cody & Obi is the name of my drawing that is my Codywan FMAB AU. Truly the title says nothing, and idk what i was thinking when i named the drawing but it's my fmab au
Here's it is so far:
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In this au, the jedi are the state alchemists, Obi-Wan is a general and a state alchemist and a highly revered one but I don't know what his alchemy specialization is yet. Cody is his right hand who watches his back and has several big guns and people are scared of him.
I imagine this drawing to be them fighting Maul, who would absolutely just set a bunch of things on fire, not even with alchemy but with straight up matches cuz he's petty like that and Cody and Obi-Wan are trapped by the fire and waiting to see where he strikes next.
When I was ideating this, I realized that their dynamic is already pretty similar to Mustang and Hawkeye, especially with the "we can't date cuz you're my superior officer/subordinate" and the "i will flirt with others as a tactical move but it's fake and the real adoration only comes out with you"
Find wip game post here
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grxceful-ly · 11 months
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peter bringing mayday with him to do spider stuff because yeah, he had things to live for before--but now he has a child and he is going to raise this child and be there for her and maybe if she’s there, strapped to his chest, he’ll be more careful. he’ll consider his life almost as precious as hers. maybe bringing mayday to work is a precaution. 
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arohuacheng · 6 months
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imagining the story from pei ming's perspective is rlly funny i think. this god from all that time ago ascends again (you were there for the first two times) and immediately waltzes into a situation that fucks something up for your descendant (putting both of your reputations on the line, messing up how hard your descendant worked to become a god and how hard you worked to ensure that he would have that chance) and then refuses to let you smooth the situation out and on TOP of that your friend's little sister (who hates you and who you are trying to look out for by request of your friend) is on your case about it too. so you've gotta work all that out and then like. you chill for a little bit (still kind of upset about your descendant) until your friend undergoes a heavenly calamity. and then in the space of like A Day the god from earlier shows up again with a fucking ghost king, your friend dies, the little sister you're supposed to be looking out for disappears, and everything just kinda goes to shit. so you're like. grieving. trying to process everything. until your OTHER close friend goes off the fucking rails with the spirit of that guy she murdered, and then you get called out to the spooky ghost mountain where you're confronted with the girl whose death YOU were essentially responsible for and have never really come to terms with, and then like. you just kind of hang out with these gay people until everything resolves itself. fight some ghosts. fight the heavenly emperor. get your friend to stop being evil for a little while so she can fix the filing systems. and then you just have to keep being the god of love i guess
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Great teen talk overall, but honestly I was particularly interested in what Matt had to say about where Lincoln is at right now (and that we might get a better glimpse into this next episode? Which has me both nervous and excited but I'm trying not to think about it *too* much cause I'm already super nervous about how things are gonna pan out for the twins next episode).
It all tracks- Lincoln's increasingly nihilistic view of the world impeding on his ability to feel much of anything but nevertheless caring about how *his friends* are feeling and what they want. Being too deep in a dissociative state to process his own grief (and everything else) but caring that *Normal* is sad and doing what he can to help him.
I think Lincoln is a funny and incredibly fascinating character because if you look at his words, honestly no one can deliver a blow like Lincoln- a trademark of his brutal honesty, and in most stark contrast to Normal's "toxic positivity", neither being inherently better or worse than the other just inverted, and reflective of different values (something something cheerkicks is doomed by the narrative they should kiss etc. etc. not what the post is about). Conversely, if you look at Lincoln's actions (and Lincoln is, at his heart, an action-oriented character), truly nobody is putting their ass on the line for the people around them quite like Linc is. I've stated on several occasions that I believe Lincoln is the most selfless of the teens, and I stand by this, but this is a virtue as much as it as a flaw. It's heroic, to put yourself in a line of fire to save your friend's dad, or impale your leg on a candy cane twice to get an anchor, or hug your friend to show them you care even if it literally winds up killing you- but it also reflects self-preservation instincts that somehow manage to be even weaker than those of the guy who tried to throw himself out of a building thinking that a parachute would save him (god I love Taylor).
Lincoln cares immensely about his friends (despite his growing numbness to the world around him), but dangerously little about himself and what becomes of his own life. As a less dire example, "Apollo Four Teens" acts as a great demonstration of how Lincoln will stretch himself thin for everyone around him until there's nothing left, but forgets in the process to stop and register his own emotions and tend to his own needs. Combine this with Lincoln's perpetual "keep calm and roll with the punches" attitude towards the nonstop bullshit the teens have gone through over the course of the season, including an extensive list of unresolved issues related to Grant (which by now I've outlined fairly thoroughly), and you have a serious recipe for disaster. Characters like Normal and Scary are, relatively speaking, pretty obvious and emotive with respect to their pain, even when they are trying not to be. This is good, since it makes it easier for other characters to recognize that they need help in the first place and try to look out for them (they may not always know how to do so correctly, but the intent is there). Lincoln, in contrast, shuts down and becomes less emotive in response to his own pain (in a manner that is somewhat similar to Darryl, more similar to Glenn, and of course most similar to Grant, but ultimately different from all of them), silently building his walls up higher and higher but being no safer for it. It is partially for this reason that other characters very rarely think to check in on Linc and see how he's doing (Taylor to his credit tried after the titanic episode, but that got interrupted, and Grant does also try but- much like his own dad with him- fails to meet his son halfway in being honest and vulnerable and hence fails to make any progress), leaving him to mostly suffer in silence perhaps without even truly realizing it himself.
I guess the gist of what I'm saying is, Lincoln is in deep water, all of this has been a long time coming, and if nobody does anything about it soon... (Metaphorically-speaking of course-) that boy is going to drown.
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voltaical-art · 3 days
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they're like if the scorpion and the frog were toxic lovers
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