Ch. 1110 has me gnawing at the bars of my enclosure. Like obviously everything with the rest of the Gorosei showing up, but that scene between Zoro and Sanji?????
Sanji calling Zoro a burden/liability (depending on translation) feels so cruel and removed from their usual bickering. And I think it shows with how Zoro reacted. He doesn't fire back an insult, doesn't say ANYTHING to Sanji in response and instead just quickly finishes the fight with Lucci.
I desperately need something to come from this moment, and not have it just be played off as a gag. I need this to be something that sticks with Zoro - for a little while at least. First Lucci called him dead weight, which he just shrugged off. But then to have Sanji say a near identical thing with no indication of him joking clearly hit some kind of nerve. (I also don't think that this is the kind of thing Sanji would even joke about, considering his own past with being called a burden and a failure.) I need a confrontation between these two for this moment so bad.
Maybe we could finally get a Zoro centric arc that deals with his feelings of inadequacy. His feeling that he isn't strong enough, and the fact that instead of actually confronting that feeling has instead tried to bury it under hours upon hours of training.
And maybe we could also get some payoff on Zoro's promise to kill Sanji if he ever becomes a monster like his brothers. Because Sanji's cruel words could very much be hinting at him beginning to loose his emotions.
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Okay so I recently, finally, watched Wish and I have some thoughts. Overall, not as bad as everyone makes it out to be, but still has a lot of fundamental story problems and I've got to get them off of my chest. I'll mostly be focused on Magnifico because I think his motivations and arc largely represent the problem with the overall theme.
Okay so my biggest problem with Magnifico is his motivation. His tragic backstory. How on earth does he go from losing his whole family to thinking, the only way he can prevent that from happening again is to grant wishes? The logic doesn't track. It almost makes sense in his creating a kingdom where he protects everyone and "doesn't even charge rent," but it does not make sense with his wish granting. Having a great need to be control to make sure he doesn't lose anyone ever again can be a compelling motivation for a villain, where we see lines crossed that don't justify the intent, but in the movie, he's too self-absorbed to seem to have any actual care for the people of Rosas.
I think if the motivation was changed to something like Magnifico had once been a bright-eyed, enthusiastic wish granter who blindly believed all wishes were good but learned the hard way that that wasn't true could have been a better fit for the overall goal of the movie. Imagine that he granted a wish for a wicked person who used that wish to hurt others, or if Magnifico granted a wish but that wish ended up ruining the person's life because what they wanted wasn't what they needed (i.e. Remember The Princess and the Frog? Dig a little deeper) and that person could have went after Magnifico and blamed him for their troubles (harkening back to We Don't Talk about Bruno). This would be an understandable tragic backstory for Magnifico, and better explain why he's so careful about the wishes he grants. And, perhaps the reason he keeps the wishes he doesn't want to grant is to keep the people in his kingdom docile. No one will be angry with him for not granting their wishes if he makes them forget them and lose that drive and motivation, which makes more sense than the unexplained hording them like he does in the movie? Why does he keep them in the movie other than admiring the wishes? It doesn't make sense to me.
This would give Asha more of a reason to oppose him, if it's shown how his desire to not get hurt or to inadvertently cause hurt turned into a paranoia where he drains people of wishes to fly or play music that inspires others. And, as a side note, we need to see more of how Rosas is a kingdom of people who lack drive and motivation, where only those younger than 18 have that special part of them that inspires them to chase after a dream (something that Astor Rhymemaster touched on). Because that's the point of wishes, right? That's the point of the entire Disney canon. A dream is a wish your heart makes. That star can only get you so far, it takes hard work and determination. It's wanting something better in life, it's dreaming of leaving behind all you know to chase after a tangible light. It's finding a new dream, it's finding a new wish as you grow and learn about yourself and the world.
I don't think the movie Wish understood what makes wishes so important in Disney stories. You know what wishes do? They ignite change. It's not about getting what you want, it's about finding the courage to chase after something better. Ariel wants to be where the people are, but really she wants to be somewhere where others are willing to understand her and in the end, she finds that and makes amends with her father, who finally is willing to see her for who she is. Rapunzel wants to see the lights, and that desire pushes her to leave a tower she's been trapped in her whole life, learning that the world is not as cruel and cold as her abusive mother told her. Cinderella wants to go to the ball, to dance with people who treat her as a person and not a servant of cinders and ash. That wish is granted by a fairy godmother and gives her a hope that is worth fighting for, a hope that helps her reclaim what is rightfully hers; a glass slipper that fits only her and the love that comes with it.
Wishes inspire change. The movie should have been about that. Magnifico could have been right, that some wishes inspire negative change that can drag down multiple people. The kingdom of Rosas could have been so placid because change is scary. Maybe Magnifico could have convinced people, after taking their wish, that it wasn't worth it. Maybe the wish ceremonies could have changed so it wasn't portrayed as some sort of lottery everyone looks forward to, but Magnifico would grant wishes on the spot if he decided they were good and worthwhile, and he would lock away the wishes that would cause trouble and tribulations. 18 year olds could be enthusiastic to give him their wishes, thinking they were surely good and worth granting, only to forget their wish and be told that their wish would have only brought about their unhappiness, this would have justified a more solemn tone in the kingdom, setting up a world where people are mostly downtrodden, thinking their wishes are bad and pointless and they're better off without them. Imagine Cinderella or Rapunzel being told their wishes weren't good, reinforcing all the things their abusive families tell them, taking away that hope and courage to find something better for themselves.
Here's where the true conflict could come in. Asha could be onto this from the beginning, and her opening song could have been about this concern that the people who didn't get their wishes granted aren't willing to try at all. (Because, after all, why doesn't Sabino play music at all? Having that taken from him would take so much joy and creative expression from his life!) But why does Asha know something is amiss?
Simon.
Imagine that Magnifico has a strict rule not to ever share your wish with another person because then it wouldn't come true. It makes sense with our own superstitions, and then makes it so that no one knows anyone else's wishes. Maybe your best friend changes so drastically after giving up their wish, but you believe, like everyone else, that their wish would have only caused suffering. What can you do about it? Well what if Simon told Asha about his wish? What if Asha knew his wish wasn't dangerous and couldn't imagine a way that it could go wrong? That would give her a reason to doubt Magnifico and put more emphasis on how Simon has lost his drive like all the other adults in the kingdom. And it can also emphasize in the end that sharing your wishes and dreams with others can be a powerful thing. Just the act of sharing your dreams can inspire others to go after their own, and they can give you the encouragement to chase your wish too. Wishes inspire change, love gives you the courage to make it happen.
Imagine if the star boy used to be a human, who wished to help others and lost his humanity to do it. Imagine his wish confirms Magnifico's belief, that wishes cause suffering because star boy lost his tether to earth and is separated from the people he loves. Imagine how he foils Asha who also wants to grant everyone's wishes. Imagine him ensuring she doesn't make the same mistake he did while she gives him a reason to change again, to anchor himself to humanity again because he loves her enough not to leave for forever.
Imagine the movie confirming that, yes, change is scary. Chasing your dreams won't always make things better. You might fail more than you succeed and some wishes cannot coincide with each other, leading to grief and strife. But some wishes are worth it. Sometimes, chasing after something better and failing is worth leaving a worse situation. Sometimes taking that chance is worth it, and, like in all fairy tales, if you are kind and generous and act with love, that will make all the difference in the end.
Also, I know everyone wished for a Magnifico and Amaya evil power couple, but imagine if Magnifico was truly in love with Amaya, as he is in the movie, but that love is eventually his undoing. Like Amaya leaps in front of Asha, and Magnifico stops or redirects his attack because she's the one thing he loves more than himself and that is the weakness that Asha and co can take advantage of. Imagine Amaya keeping Magnifico in the mirror and he gets to dote on her from his imprisonment for forever. I'm just saying. At least 30 sickos like me would be into that. Imagine the depth it would give to the themes of love and change and wishing and how acts of love make all the difference.
Alright, I'll get off my soap box. I just really wish Wish could have been stronger because these fairy tales Disney is famous for matter. They really do. But the movie feels too stale and shallow and too much of a cash grab that knows the outline of a disney musical, but is unable to understand the heart of why they work.
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There is something so delicious abt the intertwining of failure and success when it comes to the narratives of pathologic.
Daniil enters the town a success, a celebrity doctor, well know and well liked, desperate to save his lab and secure funding but ultimately it isn’t the end of his life if the Hail Mary doesn’t turn out- he still might find a way to save it. Even though the details are uncertain, Daniil Dankovsky enters the town mostly a success. Artemy enters the town hated, suspected of patricide, denied his inheritance, in p2 he didn’t get the degree his father wished of him (it was more about the actual learning than the degree but still) because he was drafted into the war. His old friends dislike him and all hate eachother, by all metrics, Artemy Burakh enters the town a complete failure.
However, even when Daniil gets the Utopian ending, his entire time in the Town is a never ending cycle of little victories that ultimately end in failures. He barely does jack shit, even his medicine sucks ass and doesn’t work. He’s technically the only person here with a medical degree even if both Rubin and Artemy are qualified, yet he functions as a bureaucrat most the time. Even if he gets the utopian ending, he still has failed to save his lab and his old life, it’s all still in ashes.
In Daniils quests, even the ones you do well, half the time it still feels like you’re losing. Daniils story is the story of a man who lost everything he held dear in the span of 2 weeks, the entire time getting punched in the balls.
However, Artemy, even though he enters the town as a failure, retakes his place. He manages to disprove his guilt, he finds his fathers murderer, takes his revenge, he takes his rightful place in the kin (debatable how much he wanted to but like, he didn’t want literally anything so yk), he reunites his friends, his medicine is so good, even when you’re playing as Daniil it’s THE most useful medicine you can create by far. HE ADOPTS CHILDREN FOR FUCKS SAKE.
If Daniil wins, he’s destroyed the town and the people will forever hate him for taking it away. If Artemy wins, he’s the town hero, the one who successfully filled his fathers shoes and saved the town from a deadly outbreak.
Does Daniil deserve such a title for his ending? Absolutely not lmao, he’s an outsider afterall. This was never his world to come in on, merely all he had left. But it’s simply showing how Daniil is doomed to be a failure, and Artemy has the chance of being a hero.
AND the way this feeds into burakovsky is great I feel, the town hero and the disgraced doctor. The one who had it all and lost it all vs the one who lost it all and gained so much more than he ever could’ve expected. Not to say Artemy has only won, but he comes out of the outbreak with far more of a purpose and direction in life, he has a job to do. Daniil has nothing at all, the closest thing being his old friends who spend all their nights drinking away their lives mourning the dream of Utopia. Artemy has set up the future of the town, the children who will ultimately succeed him. Daniil has lost the closest thing he had to a child as well as his own hope.
The story of Daniil is getting beat into the ground where the story of Artemy is climbing your way out of the pits of hell. And idk. I think. I just think it’s fun. (AND both of these things do LITERALLY happen- with Daniil getting the shit beat out of him in the abattoir and whenever you talk to Clara before Artemy jumps in the pit. Or in p2 whenever it’s arguably even more clear that he jumps in a glowing red pit and makes his way out of the bowels of the earth yk)
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can’t believe i have to say this but,
ik some people are annoyed w sally’s portrayal thru the show so far, particularly ep 4 and just…. clearly sally is a concerned mom who wants to make sure her kid knows how to swim???
like yes percy is obviously the son of poseidon but sally doesn’t know how long his powers will stick around??? if they are even there yet (i don’t remember how old he was when she realized excuse me), like she wants to keep her kid safe and making sure he knows how to swim is part of that???
and okay if ur annoyed w the money thing i get it, but also like he’s a toddler and we all known american capitalism loves to profit off of money, so it’s entirely possible that the swimming lessons were expensive!!! and she’s completely valid for being slightly frustrated with him!!
could she have said it nicer?? maybe but she also has a bunch of other parents STARING at her bc her kid won’t easily follow along.
like jesus, some of you don’t see sally as a full person and it infuriates me
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