A while ago, we shared that we were developing Hyper Light Breaker with a limited form of character creation in mind - our player “characters” would be specific species, all following the same character archetype. The goal was to reduce animation scope down significantly by sticking with the single archetype.
As time went on, however, we discovered that a specific story was taking shape. And it needed to be told through a discrete cast of characters with their own backstories, motivations, and personalities.
We are now pivoting away from broader character customization, in favor of enriching player experience and empathy through highlighting each of these unique characters and their journeys through the world. We are still retaining customization in the form of offering near limitless loadout options, hub options, and other ways for players to have agency over this world.
With that said, please meet…
PROTOBREAKER
PB was featured prominently in our Announcement Trailer, but the character’s identity and role in the Hyper Light universe has been shrouded in mystery since. We’re now ready to share a little more about her.
You meet PB in the Hotel Lobby of the Hub, the launch point for all of your ventures into the Overgrowth. A former highly skilled Breaker herself, she now works a desk job where she assigns and oversees Breaker missions.
PB has a long history in this world. But she is generally reserved, and minces few words. It is up to you to uncover her past, and play a crucial role in writing this new chapter in her story.
PB IN THE WORLD OF HYPER LIGHT
PB has a unique role in Breaker’s narrative. The abandoned wilds of the Overgrowth are shrouded in mystery, and PB has been here since they were first sealed away from the rest of the world.
Within the Breakers, PB is your commander, so she passes along your marching orders from Breaker HQ. But like you, she’s curious about the Overgrowth’s mysteries. In particular, she wants to learn the goals and motivations of the Crowns—why do they fight the Breakers? What are they protecting, and why?
PB knows many secrets about this place, but she’s not quite sure which of them are relevant to the mystery. When you discover some brand new information about the Crowns or the Overgrowth, you’ll bring those stories back to PB. She’ll share her own memories with you, and help you put the mystery together.
PB has a few secrets herself, too. She’s been living in the Overgrowth for a long time, and she seems to have a strange personal connection to the Crowns. If you help her discover more about the Overgrowth, she may share some of her history with you!
LET US HEAR FROM YOU!
How do you feel about our character-based storytelling process?
Lena losing her patience and furiously berating Gwen for potentially endangering the staff members of the OAIR is quite literally the opposite of how Elias ran the Archives.
Elias used the Archival staff—as well as his Archivist—as pawns that can be readily replaced as needed. His patron offered them minimal protections at best (the Archivist’s privileges notwithstanding), and even then, he would never actually intervene to save any of them if they were in danger, much less take precautions to protect them at their headquarters. They are used as bait, as sacrifices, as currency, as objects. The listener knows, eventually, how easily he could discard them if his plans called for it.
But Lena. This episode showed us that Lena keeps her entire organization running through keeping her subordinates hidden, safe, and unnoticed by the Externals. It’s quite clear through her conversation with Gwen that such a safety risk has never happened before.
As far as we know, Lena has successfully kept all of her employees alive, watched them come and go, bemoaned the turnover rate, and then got them to look the other way while they documented and dutifully filed the horrors.
But most impressive of all, she’s kept her real work hidden from her subordinates, and her subordinates hidden from her real work—a feat Elias had no interest or desire to accomplish.
My Roman Empire is Andrew's decision to stay in the car with Tilda during the crash. I think he could have done any other way, but he decided to do it in a way that could harm both instead of harming just her. And I think he did it because deep down he hoped he wouldn't survive either. We all know he's already passively suicidal and, if he hadn't made it, he wouldn't have had to face Aaron during the aftermath. It would have been easier to leave him and Nicky to sort themselves out, after all
VERY late entry for Ulysses Week's prompt "the divide". Lyrics are from Autopsy Garland by the Mountain Goats. I have a project for fnv planned involving the whole song, but I couldn't get this concept for an alternate Ulysses thing for these lyrics out of my head. I love Ulysses and the divide very much. >24 hours of drawing on this one.
Haha no belongings, no family, no friends, no peace, no home.
Based off a coloring attempt i did at school
I like the bottom one cause he looks more distressed but i dont like how i did the body proportions and as i am typing this down i realized i forgot his SHADOW ARMS IM GOINg uh whatever i already doing this womp womp im taking the L
@chocoarts has once again blown my mind by bringing my little steddie lines to life. I don’t even have words to describe how in awe I am of choco’s skills. The lighting, the colors, the style, EVERYTHING is just so breathtaking- I’m forever grateful and honored to collab with you 💕
Concept: I say both of us! I said a pre-s4 steddie pep rally and you specified s2 :)
Literally everything else (including Reefer Rick 🤩): @chocoarts