Unfortunately, one major reason streamers like Netflix don’t plan on breaking any time soon in the strike, is because it could have the potential to inspire others to fight for fair pay if it ended up being fairly easy for the writers to do it.
They would rather wait it out for as long as they can, making writers risk financial ruin, so that they have no choice but to agree to a deal that is, at best, half of what they were initially asking.
This means that going into this strike, from Netflix’s pov, it could go on until September, at least, and they would be fine with that.
They assume that by then, writers will have been picketing for 4+ months, without pay, and won’t be able to go on for much longer.
Upon being asked about the impending strike a few weeks prior to it starting, Ted Sarandos said that they have at least 6 months of backlog set in stone. And so apparently, he’s comfortable with sitting it out that long at least.
Though, it is worth saying that as bleak as it all sounds, we’re 3 weeks in and there is a lot of support for the writers. With how bad things are PR wise for Netflix, one could argue they might just say fuck it were used to it and push through. However at the same time, they’ve been struggling with subscriber growth a lot more than ever before, they could be on the brink of risking it all regardless. So if they come to realize fighting this fight as posing a serious risk for them in the short term and long term, something they definitely don’t want to have to admit to their investors at the next conference, they’ll need to get their shit together sooner than later.
I know it’s frustrating to imagine the strike still going on late into 2023, but if we can put our heads together now, this early on still, maybe it won’t have to be that long?
It really does feel like there’s nothing we can do, but showing support and informing others about it so it doesn’t just dwindle to background chatter is a start!
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keep fandom shit out of disability tags
i’m glad that you find my illness to be fun and entertaining, but i do not.
when i’m in a disability tag, i’m looking for content about that disability, not to see someone using my illness as a quirky character trait for fanfiction. it’s tactless and disrespectful to people genuinely suffering.
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I am. Quaking over Crowley and Hanna cause AUGH they're so adorable. Getting up into antics! What do you think some of their adventures would be? Chaos at the nursery garden stores? Lurking in woods to find creatures? Sorry I just really wanna know.
"Can we get a 'wahoo'?"
First off thank you for the perfect reason to post this sketch!
I cannot even begin to imagine the terrors they rain on the general public tbh. Between Crowley still feeling jilted and Hanna feeling free for the first time, the limit is really their imaginations (of which they both posses quite a fair bit).
In fairness since this little au I'm simmering takes place pretty soon after the end of s2, they probably don't do a lot of REALLY outlandish stuff for a while. They'll stay local, probably spend time with Nina and Maggie and probably end up meeting the Them at some point. Crowley would also probably want to try and keep inconspicuous (hah) with heaven and hell looming over their heads and now with a squishy thing to protect.
I LOVE the garden center chaos idea btw, shoutout anon, and Crowley's little pseudo Eden is definitely going to rapidly expand into a vibrant and terrified indoor oasis (skylights included). Shops in general are going to have to watch their backs (Crowley has a reason to go into many of them quite frequently now, and without his celestial counterpart to keep him from goofing off too much). Hanna is a big fan of the classic "run down the aisles of a toy store and rapidly push every single button you find" method of spreading foment.
Since Hanna hasn't had an opportunity to see/experience most of the world, I imagine they spend a LOT of time popping through museums/zoos/aquariums/etc. Crowley pointing out things he caused, things an... old friend caused, things that actually happened way differently but got recorded wrong. Hanna dragging her dad around and both of them getting WAY too into reading the information plaques for all the animals. Then seeing which animals freak tf out if her dad flashes his eyes. (The giftshops get terrorized if there arent enough fungus-themed objects, although there is always miraculously at least one). They probably break into a lot/if not most of the exhibits after hours to take selfies for Crowley's rapidly growing photo album. Hanna sits at the shark touch tank and loudly proclaims how smooth they are.
And since im a sucker for I-Want-To-Share-The-Stars Crowley, they probably pop over to an observatory or break into idk, where they keep the telescope on the Canary Islands or something. And he'll tell her what he remembers about the Creation and what it feels like to hold a new star in your hand. Hanna will curl up against Crowley's chest and get lost in his voice and the distant glitter of a world her dad designed.
They probably also commit crimes. Not major crimes, mind you, although that's due more to Crowley's occasional sense of "as a parent i probably shouldn't let you" than any unwillingness on Hanna's part. But she'll definitely help him move signs or infiltrate office buildings and other assorted sabotages. She 100% gets her own little version of the Fuck Shit Up Jacket, and whether he likes it or not the Bentley has decided Hanna gets to pick the getaway music.
It doesn't really count as demonic but Crowley DOES keep a bag of spare change and googly eyes for Hanna to glue to things at will while they're out.
But tbh i imagine the most trouble she gets into is if she's left alone with Muriel. Evidently Hanna has her father's talent for tempting angels into misbehaving or at least into not noticing that they are, in fact, misbehaving in the human sense. Crowley usually feels almost bad for the baby angel but, needs must. and sometimes he needs a babysitter. The rule is SUPPOSED to be that if Hanna is with Muriel, they DO. NOT. LEAVE. the bookshop (they always leave the bookshop).
At one point she meets a boy named Kian at a pub called the New Inn. Crowley very desperately wants her to not want to spend time with Kian for reasons he refuses to explain 💕
At any rate if anyone ever wants to write or draw anything with Hanna they're more than welcome to and also I'll probably cry a lot so Cheers! Thank you for the ask (apologies for my signature long-winded answer)!
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I'll never get why Lego felt the need to make Wildbrain change the Mechanic's and Ronin's appearences in accordance to the Ninjago City Gardens set, but couldn't spare that same courtesy for Misako??? Misako has worn the exact same outfit since season 2, and in-universe since the fucking Serpentine War... that reddish-orange jacket would've at LEAST spiced her look up a bit.
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I think if you want Willy Stampler to have some kind of dark backstory that explains why he's like this, you're missing the point.
Willy is so unsettling because he feels real. In a story of monsters and eldritch gods and Chekhov's fucking snake, Willy is an abusive father. Full stop.
He is a brilliant villain because he is grounded. He is a brilliant villain because some people, even ones with good upbringings (which we know Willy didn't have ala ATMOD), are simply the kind of kids who kill cats and are cruel because they can be and shouldn't have children but do. The writing for Willy is phenomenal, Anthony's subtle voice cues and vocal patterns for this snake of a man makes him feel real.
Look, man, I get it. We all hate Willy. That's the fun of having a well written, well acted villain! But he doesn't need a redemption arc, he doesn't need his actions explained, he doesn't need to be sympathetic or relatable. He shouldn't be made any of these things.
You hate Willy because you know Willy. His cruelty, his narcissism, his inability to empathize combined with his eternal annoyance at everything around him and his entitlement to just about everything, his abusive behaviours, his clever and shameless manipulation of everyone around him... Wouldn't all this be cheapened by "but his childhood was bad uwu"? We know his father was a drunk who drank himself to death and we know the only positive influence he had was both ineffective and killed banishing the Doodler. What more could make him sympathetic to you?
Why do you even want this man to be sympathetic?
No villain in almost anything has made me more anxious than Willy fucking Stampler. No great monologue has ever made my stomach turn in knots quite like "shut the fuck up, I'm talking, never do that again". He is a fantastic fucking villain, just let him be a fantastic fucking villain.
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being a comic writer and then going into writing spaces is weird and confusing. a lot of the time it's lots of people focused on fanfic. so i go oh cool this isn't for me, so i go to original writing spaces (harder to find. btw.) and they talk about their writing process and all these relatable writer things and i realize i'm not really a writer. my form of writing isn't right for this group. i write scripts with descriptions of how the pages should be laid out, what brush to use, panel breaks, page breaks, only dialogue, in a format not meant to be read by anyone besides me, because the real writing will happen when i draw the page, but then it's not writing it's drawing. i make stories in my head with camera angels, pacing between panels and pages, breaking the established rules of a comic to make something new, and i call daydreaming about this writing (it's not writing). and i'm not really a writer in the same way. so i go oh, ok, this isn't for me, and then i go to original comic writing spaces except that doesn't exist that's just webtoon and then i go home because webtoon is the bane of all creativity
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