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peachsayshi · 3 years

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Chapter 13 - Spinning

Tags: Friends with Benefits, Smut, Angst

Summary: You and Gojo are caught up in your feelings and he unintentionally breaks another rule.

A/N: (18+ / minors and ageless blogs dni) New chapter! This is a bit of a filler chapter but I am working up to some dramatic things (smut and angst coming up!) plus revealing some of the secrets that happened in the timeline 👀 I hope you enjoy it! And as always comments are appreciated ☺️

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Sitting cross legged on your bedroom floor, you proceeded to fold the fresh laundry into perfectly neat piles. Music enveloped your room, the bass from your speaker bouncing off the walls as you mindlessly hummed along to the track that was playing. This is how you were choosing to unwind after a long work week, by organizing and cleaning up your apartment. There was something completely cathartic about resetting your space and you found yourself having plenty of free time on your hands recently.

Gojo has been exceptionally busy. At first there was an itch when you began seeing less of him, the two of you would plan to get together but that consistently kept getting cancelled. Eventually those plans transitioned to you agreeing on catching up with one another once things settled. Now it seems the only time you managed to hear from your friend was with sporadic phone calls and random text messages that he would send you at weird hours. The itch slowly turned into an ache, that familiar knot in your stomach making its presence known more often than usual.

There was something about the way he managed to fill the silence. You always gave him a hard time about talking your ear off but realised that he actually entertained you with some great conversations.

Even though half the time he was talking about ridiculous subject matters…

You had to hand it to Satoru though, he always spoke with such enthusiasm he would make the concept of paint drying seem fascinating.

He was fascinating.

Eight years of friendship have taught you that but you were smart enough not to feed his ego. Despite the two of you being close, Gojo still never fully let you in. You couldn’t deny that you were intrigued by him, curious to know more about the strongest sorcerer who seemed totally unphased by his own title whenever he was around you. You wanted to know more about how he fought off curses and protected people from the evils that seemed to be invisible in your eyes. Although he consistently evaded your questions, he did slowly open up about other things. You particularly loved the way his face let up when he talked about his students and it made you realise that if there was anything Gojo Satoru had committed himself to, it was his role as an instructor to the next generation of sorcerers.

Still, you usually tried to pry information out of him when the two of you would get lost in deep conversation, noticing the way Gojo would drift in his own thoughts whenever the subject seemed to focus on him.

Clearly there was an extent to which the man loved talking about himself.

There was a point when he spoke where you saw his face grow pensive as he brought up an old friend. He referenced him in passing but the way his mouth fell pained you just as much as it seemed to hurt him. Your question was on the tip of your tongue, eager to learn more about the people within his own circle, but Satoru immediately shifted the conversation onto something else.

That wall, much like his infinity, is impenetrable.

Unfortunately, the dynamics were in his favor. You wished that you could conceal your own emotions as easily around him but it was impossible. Gojo had the capability of knowing exactly how you were thinking and feeling at any given second. His incredible perception was his advantage, that’s why he is able to gauge your reactions so well.

You smiled subconsciously to yourself, goosebumps floating up to your shoulders when you realised how much you wanted your arms wrapped around his neck, your body pressing into his chest while breathing that spicy, sweet cologne…

Stop it.

You paused your action, the jeans on your lap in a mid-fold as you froze in place and your brain instantly turned off those dangerous ideas.

You swallowed your own emotions, your abdomen tight when you realised that you had just spent the last ten minutes having intimate thoughts about Gojo.

You really shouldn’t but there was something about the way he acts around you that made you the slightest bit curious as to what he was thinking and how he was feeling.

How often did you cross his mind and did he even miss you as much as you did him?

At some point the two of you were going to have to stop this little game you were playing. Even though you weren’t seeking it out at the moment, you do want to settle down eventually with somebody you love. Satoru made it perfectly clear where he stood on relationships. He had no desire to get involved with anybody and the concept of marriage was something he completely rejected.

You recalled having a conversation with him about:

“Are you really telling me that you’re okay living as a bachelor for the rest of your life?”

“Happily, actually…” Gojo replied, while you both continued your heated debate on the prospects of love.

“But why are you so against it?”

"I have my reasons,” he replied with a shrug.

Satoru always seemed to have a reason for everything but he was not willing to share it with you, leaving you in moments like this to analyze the little things he says to try and put the pieces together yourself.

Truthfully, you don’t want to stop as you found yourself fixated on this new…friends with benefits-ship…

Everything about it felt so good that you couldn’t even remember what things were like before you started hooking up.

How could you go back to just being friends after he’s seen you in your most vulnerable state? How were you supposed to pretend that his hands haven’t unraveled you into submission time and time again? How could you sit next to him without thinking about kissing him for hours on end? How were you supposed to listen to him talk without remembering the moments where he would whisper angel in your ear?

How the hell did you manage to keep your hands off him before this even started?

There was always the unspoken fact that you found each other attractive but since this new dynamic has started the two of you were like magnets whenever you were in close proximity to one another.

Well, you were able to keep the barrier because you were in a happily committed relationship with Haru, you interjected and suddenly you found yourself slumping your shoulders.

Haru was in love with you. He gave you the companionship you needed, he filled the silence with mindless conversations and was the one who held you when you needed him. He was the one to swallow your cries with soft kisses, that made you laugh in hysterics when you needed to boost your mood…

Your heart stopped, realizing that you were seeking out what Haru gave you with Gojo. Your gut wrenching at the idea of you using your friend to fill the emotional gap that Haru left. This ache that knotted your insides meant nothing and you were letting your thoughts confuse you into thinking that you were missing Gojo.

All you needed was to get your distraction back.

After all, Gojo is just your friend.

You had no reason to think anything else could come of this and burned any other thought about Satoru from crossing your mind for the rest of the evening.

If you even thought for a second that you might be falling for him, you would cut ties immediately. You weren’t going to put a strain on your friendship because you’re silly ideals were getting in the way of your agreement.

The two of you were just fucking.

Nothing more, nothing less.

***

Gojo studied the woman before him, acknowledging the fact that she is one of the most stunning individuals he had ever laid his eyes on. She was older than him by ten years but if it wasn’t for the age on her online profile, he wouldn’t have been able to tell.

She was tall, meeting his own towering height, give or take a few inches. Her long, pin straight hair flowed to her hips, accentuating her curves and covering her supple breasts. Her face could strike down any man that looked at her with those deep eyes and he was tempted to nibble on her full lips. Seeing her in person made Gojo realize that her price was high for a reason and totally justifiable.

Anyone would pay extra to fuck a goddess.

Somehow, he wound up here thanks to his own frustrations. His desire for you was driving him wild and his own hands weren’t enough to solve this problem. He still respected the rules that were unbroken and knew that as long as he didn’t go too far with Ami, he was fine. He wasn’t going to have sex with her but that didn’t mean that she couldn’t help him out with his current predicament in other ways.

Besides, you did tell him that he was allowed to see other people. However, that didn’t stop his stomach from twisting at the thought of climbing into bed with someone other than you. He couldn’t quite figure out what this awkward sensation was or why he was bothered by his own decision to meet up with Ami in the first place.

Gojo stripped down to his boxers before sitting on the edge of her satin covered mattress. She was admiring him with amusement, the tempting smile on her lips telling him that she was also enjoying what she was seeing.

“You paid for a full hour but said that you might not be here for that long. Did something urgent come up?” she questioned, her voice sensually low and sending a shiver up Gojo’s spine.

My she is dangerous, he thought to himself, knowing full well how this entire experience would go under different circumstances.

The circumstances being, well, you.

“I don’t plan on sticking around too long...” he explained.

“I’ll have to adjust your pay accordingly then,” she replied, taking a few steps forward until she was standing in front of him.

“I don’t mind paying for the full hour,” Gojo teased with a grin, his free hand moving to touch her silky hair as he rubbed it between his fingers.

She smiled, nearly taking his breath away as she brought her finger to the blindfold covering his eyes.

“I don’t like accepting money for free,” she stated, tracing her touch down his chiseled jawline. “I bet you’re handsome but I am guessing you don’t plan on taking this thing off to show me what you really look like.”

“Yep,” Gojo smiled as Ami proceeded to slide across her bed next to him. "And you guessed right, I’ve got an exceptionally pretty face.”

“Cocky too,” she purred, “there’s a special way I treat guys like you…”

Gojo hummed, switching his position so he was lying back against her pillows. Ami crawled her body over his lean torso, her hands rubbing up and down his thigh as she glanced in his direction.

“Oh, yeah? I would love to see how...” Gojo insisted, his breath growing heavy as she guided her hand all the way to his mouth.

She traced his bottom lip with her thumb, a devious mask highlighting her stunning features as she spoke, “Be a good boy and lie back while I take care of you…”

He fully caved, allowing this sultry siren to take control by touching and teasing his body however she pleased. Gojo usually enjoyed relinquishing his power every now and then but for whatever reason it was taking some effort for him to fully immerse himself with what was happening. Ami straddled his cock, before proceeding to press her mouth against his. Her lips were working fervently over his own as she deepened the kiss, but the spark that he needed just wasn’t igniting.

When Ami flicked her tongue over his, he would only think about the sensation of yours. The taste of you in his mouth lingered like an addictive poison. One that he craved every single time you crossed his mind. The sound of your moans played in his ear and the sweet way you called out his name when he touched you between your legs filtered his brain. He was only brought back to the reality that it wasn’t you pushing your body against his, when Ami wrapped her fingers around his throat. He tried to erase you and focus on the woman before him but was persistently failing.

She could see that something was off from how he was responding to her caresses. “Are you sure you're up for this tonight, baby?” Ami teased, whispering into his mouth as she snagged his bottom lip between her teeth. “You don’t seem ready for me...”

“Fuck…” Gojo grunted out of frustration, knocking his head back as he pressed his fingers to his temple. “It’s not you, I’m just distracted…”

“What’s on your mind?” she continued, stroking his broad chest lovingly to try and coax him out of the daze he was in.

“Not what...who…” he responded shyly, his cheeks blushing ever so slightly by his admittance.

“I see…” she cooed, “Wife? Girlfriend?”

Gojo scoffed, a comical laugh escaping him as he shook his head.

“Definitely not.”

Ami pressed her lips together, her nail doodling along his upper body with random figures as she continued to question her intriguing client.

“Tell me about her…”

Gojo froze, his hands digging into Ami’s thighs upon hearing her bold question, “she’s just a friend. There’s nothing to say...”

“Is she beautiful?”

“She’s gorgeous,” Gojo exhaled, his words passing his lips faster than he could process what he had just said. Ami tracked her hands down between her legs, stroking his boxers as she massaged his length.

“Tell me what she looks like…”

He described you in detail, from your sinfully sweet lips to the beautiful sound of your laughter and how soft your skin felt in his hands. She continued tricking him into revealing the intimate thoughts that swirled in his mind when he thought about you. She heard the way Gojo’s voice wavered as he swelled between her hands, the tip of his cock poking through his underwear as the pre-cum stained the material of his boxers. Ami pulled the clothing away from his hips, hands returning to grip his member as she continued stroking up and down his shaft.

“Do you think about fucking her with the other women you meet?”

“Yes,” Gojo revealed through gritted teeth, swallowing hard as she played with his tip by circling his thumb over the slit of his cock.

“How often?”

“Too often,” the sorcerer hissed, his hips bucking into her hands.

“I bet you wish you were fucking her right now, don’t you?”

She saw how turned on he is and how easily the thought of you brought him close to his release. Ami spread her legs, adjusting her stance until she brought the tip of his cock to her entrance. Gojo hesitated, knowing that he needed to stop what was about to happen. This wasn’t supposed to go this far. He was only here for a quick hand job or blowjob, but he couldn’t suppress a satisfied moan as she slid down to take in his length.

“F-fuck, wai-...”

“Shh, baby, close your eyes and think of your sweet angel…” Ami whispered in his ear, making Gojo roll his blue irises to the back of his head as he relaxed into her touch.

She didn’t speak after that, fulfilling her promise of taking care of him but also ensuring that his focus was solely on the mental image of you. The sound of her skin bouncing up and down his length took over the entire room. The way Ami stated that you were his was enough to send him over the edge and it didn’t take long until he climaxed at the thought, quickly pulling out of her and releasing hot ropes of cum all over her stomach but imagining that it was you the entire time. She immediately cleaned herself up after they finished, before giving Gojo some privacy and allowing him to get himself together.

After he got dressed, he pulled out his phone to transfer the payment. He doubled the amount he was supposed to give, totally aware that she didn’t reach her own release and was disappointed in himself that he couldn’t pleasure the remarkable temptress before him.

He slipped on his boots, his mind racing as the guilt rushed right through him. He hated that broke another rule, especially since this particular one was a boundary you set for your own comfort. He was angry at himself that he disrespected that and was annoyed for crossing the line in the first place.

What the fuck is wrong with me?, he thought to himself.

“I told you I don’t get paid for doing nothing. I don't accept money like that, not even from spoiled rich boys like you,” Ami stated, her words stung but she spoke in such a gentle tone that didn’t offend the sorcerer. She was leaning against the wall as she appeared before him, her body now covered with just a pink robe.

“You got me off but I did nothing to reciprocate. I tell all the other girls to charge double if that happens.”

“How considerate,” she mused before arching her brow in delight at him, “but for the sake of my own conscience I feel like I need to give you something in return…”

Gojo stood up from his seat, smoothing out his clothes before approaching her slowly. Even though he got what he wanted out of this arrangement, he was feeling worse about himself the longer he stayed in this room.

“How about a piece of advice before you leave and we can call it even?” Ami questioned.

“What is it?” the sorcerer wondered, hearing her feet patter against the carpet as she followed his footsteps to her front door.

She paused when she reached for the handle, before tilting her face and directing her full attention towards his covered eyes.

“Tell your friend how you feel or cut off whatever it is you’re doing. If you don’t tell her then you’re fucked, plain and simple.”

“Look, what happened just now doesn’t mean anything…”

She raised her fingers to his lips, stopping him from even attempting to defend what transpired.

“Don’t take this the wrong way but you’re easy to read. I have had clients come here trying to forget their lovers and those who come to see me because they can’t resist their own primative urges. I see the ones who are lonely, who only visit me for companionship and nothing more. Then there are the ones who are like you, who will bury themselves in any cunt they see just to pretend that they aren’t in love with somebody else…”

Gojo clenched his jaw, squeezing his hands together as the heat rose up to his face.

“You don't know what you're talking about. Besides, wanting to fuck somebody and being in love are two very different things.”

“True, except those two things are tangled up in one person when it comes to you…”

Gojo pressed his lips into a thin line, unsure as to why her accusation made him so irritated.

“Awww, don’t get angry, pretty boy. It’s unbecoming for somebody as handsome as you are…” Ami whispered, before kissing him on the cheek as she said her goodbye. “It’s okay, I promise that your secret is safe with me…”

***

CHAPTER 14: JEALOUSY

#Gojo Satoru #Gojo Satoru x female reader #Gojo Satoru x reader #gojo x female reader #Gojo Satoru x female reader #Gojo Satoru x you #gojo x you #gojo smut #gojo fluff #gojo angst #jjk x reader #jujutsu kaisen fanficiton #jujutsu kaisen x reader

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everythingthemoontouches · 3 years

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💙Hi there! , First of all i want to tell you that i love your blog! And i love how your posts are so accurate!💙 If its okay with you could you please do me a favor by describing how others see me,my appearance or more specifically the vibe I radiate to others! It would mean alot to me if you you do that💙I'm a cancer sun,leo rising,Lilith sextile asc, Pluto trine asc, Uranus opposition asc, Moon opposition asc, mars sextile venus, mars opposition neptune, asteroid lilith conjunct mc and jupiter in the 1st house!💙

Hola!

Thank you that's really kind of you 💛💕

You know that quote that says Cinderella never asked for a prince. All she wanted was a night out and a dress. You kind of exude a similar vibe but with respect to leadership positions. 'I never asked to be Queen/King, but the people have spoken' kind of an energy. You would be equally happy to be by yourself, learning about the subconscious mind, higher realms and other esoteric science.

For more on Jupiter in LEO I'd recommend watching Astrofinesse.

For jupiter in the first there's KRS.

🌻As a Leo rising you come across as someone outgoing, with a playful energy but you're also somehow someone people would expect to see in a position of authority. You're drawn to people who stimulate you intellectually and love to exchange ideas.

😬If you have an Aquarius saturn you could be having some challenges in your relationships since December 2020 as saturn transits your 7th house. I'd suggest practicing discernment in this area as well as signing contracts with people until it passes( early 2023) ..

😇12th house sun could take on other people's energy. I feel like you need some time away, by yourself, preferably at the beach / pool/ shower to declutter, clear your head and replenish your sense of Self. You could be highly intuitive. If this resonates, I'd urge you to look up empath drain and how to protect yourself from energy vampires.

Ruler of the ascendant in the 12th :

spirituality could be a huge part of your life. For some people this could show a father (figure) who was convicted or worked in a prison / asylum. They could also have a really remote job. Since the sun is also your own personal identity, you could profit off these themes. Working in a mental health facility, overseas, in esoteric crafts.

🌛With your moon in the 7th house, you probably attract a lot of older women, (queen of swords) nurturing energies . Your mom could have a major influence on any business partnerships that you enter.

In relationships you could have a here today gone tomorrow kind of a presence. This is because as the moon waxes and wanes so does your attraction / attachment to specific people?

♒Aquarius moon : it could be really hard for you to express your feelings. So Instead of asking for a hug there could be a tendency to say something like ' ew imagine asking for one?' you leave a place better than you found it. If you watch hindi movies, 3 Idiots could be a movie you really resonate with. ( I pretty much spent the day looking up the lead actor, who has major aquarius placements and his films have always been disruptive with a really nice social message that left people talking for years after they were released. I tell you this because he shares 2 of your big 3 - aquarius and cancer.)

Going off on this tangent you could be a well respected teacher / writer / entertainer. Jupiter in LEO could help with this.

I do feel like you need a certain amount of inventiveness in your relationships. The people you're with are people who introduce you to new hobbies / ideas / technologies. You need to feel like you guys learn something new or create something that matters together. This is enhanced by uranus in the 7th house. You could come across really cold because you always give people the naked honest truth when asked. You do this from a place of love. I'm reminded of the Queen of Swords card in the rider Waite tarot. Not everyone has the maturity to take it. Or maybe they've just had a bad day. It is what it is. Perhaps try to not be so incisive if this is something you struggle with.

In the same vein, if I asked you to write down how you were feeling how long would it take for you to identify the right emotion. How honest are you with yourself?

Moon and Uranus being in the same house could show that stagnation could really hurt your mental health / happiness / satisfaction levels.

With a saturn ruled moon I feel like I need to remind you to not be so hard on yourself. Like. The world won't crumble to dust if you allow yourself to take care of you once in a while.there's only so much you can do.

All those coffee mugs will catch up. There's no such thing as extra hours in the day. A lack of sleep manifests as early signs of aging. No hate for the elderly but arthritis is not a fun ailment to have. Do you wanna be 60 with 80 year old nervous system problems? I rest my case.

Uranus and moon aspect your ascendant so you could have a slightly plump look?

Jupiter in the first house people usually have prominent thighs. I had a friend with this placement and when we were growing up she used to complain of chafed thighs a lot?

Mars sextile venus you could be your own type? The way you act and the way you want your future partners to express love could be quite similar which is good for healthy relationships.

There could be a tendency to spend impulsively.

With Mars sextiling venus you could be someone who earns more the more active their lifestyle is? Like, you may need to be an agile learner to keep money flowing in .

Jupiter in LEO in a woman's chart usually shows they'd have a financially well off spouse so money may not be a huge concern. He could be a sailor or earn via exports/ navy. It's hard to say without knowing where your Saturn is.

The image you project to the world could be a lot more outgoing than how you actually feel. You're more private than people think.

With a fire rising, water sun and air moon you could either be a really balanced person or just have a number of clashing ideas on who to be, what to do and achieve.

Descendant : The people that hate on you could attack your need to stand out /try to dim your time in the spotlight. Think aquarius themes of standing out to improve community clashing with Leo's need to stand out solely because it helps their ego. Like your confidence could trigger the part if them that felt judged negatively for expressing their individuality.

Do you feel like you thrive in chaos? I'm guessing you're atleast in your late 20s if not older, so you might have gotten better at dealing with people acting unexpectedly. Your mom could have been unpredictable. Really intelligent, but forgets to eat ..

🥤🦀As a cancer sun, you could be the friend your friends come to for advice. There could be a tendency to be a little too selfless. I think your aqua moon really serves as a shield to those who try to take advantage of your caring nature. Have you considered a career in psychic medium ship? Or any spiritual art/ past life regression / you get the drift..

Is there a family craft or hobby that you could monetize? Jupiter in LEO could signify ancestral gains.

Lilith and Pluto aspects to ascendant can make you come across really sexy / a bit unapproachable because people feel like you have some kind of power that places you above them?

Due to this, people with Pluto / Lilith aspects can feel some kind of hurt around people clearing up the path around them if that makes sense.

Jupiter opposite moon : there could be a clash between you want to do VS what you feel you should be doing.

Jupiter in the first house : you could have been born rich? Or people just perceive you that way. They also see you as someone wordly wise and lucky in general. You could know a lot about a wide variety of things. Specially on topics related to appearance, personal development, image consciousness etc. Since the ruler of the first is in the 12th I feel like some of your wisdom comes from a divine source. Like you're tapping into some kind of a collective reservoir of knowledge. In starseed terminology we would refer to this as downloads.

Jupiter rules the 8th house and 5th house.

So love, romance, games, early education may have been a bit of a breeze for you.

Jupiter is usually a bit of a celibate spiritual person. So, while it may make you really wise with respect to things like the occult / tarot / other 8th house themes, I'm not sure how it would impact your sex life with a spouse. Sex could be either a deeply spiritual experience for you or take on more neptunian traits. Addiction / alcoholism / drug use the works. Jupiter expands the themes of the house it rules so a word of caution there.

Travelling could bring you luck. Or even love.

Did I hear Mars opposite Neptune?

This could be a literal battlefield. You could feel like you need to work for love.if Neptune is unconditional love and Mars is your drive, then you could literally match to get to taht elusive unconditional sense of belonging /love / acceptance. But what are you marching towards really? A mirage? With this aspect I'd really be on the guard against addiction of any kind. Neptune is enticing, alluring, mocking Mars for its need to conquer. It could lend a really nice swagger to your walk. A runway model could benefit from thus placement. At uts best this aspect imbues you with creativity, inspiration, otherworldly imagination and the energy required to turn your abstract ideas of art into something tangible.

Here's a source for more on this placement. Sometimes I find that the comments really help me make sense of my own placements

Toodles

Before I sign off, I just have to say this :please try to restrict asks to 2-3 placements. You can send in multiple asks if you'd like, but answering them all in one ask can get a bit cluttered and I'd hate to miss out on something 😊

Hope this helped 💕as always, I'd really appreciate your feedback on this take on how these placements affect you.

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dtrhwithalex · 3 years

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TV | Leverage (Season 1, Rewatch)

Rewatch of the first season of TNT's LEVERAGE (2008-2012), created by John Rogers and Chris Downey together with Dean Devlin and his production company Electric Entertainment.

In anticipation of the show's reboot / revival / sequel LEVERAGE: REDEMPTION coming to IMDbTV on 09 July this year, I am rewatching the original 77 episodes and writing about my favourite moments and things from each episode, season by season.

(Just a note, this first season was aired out of order, so the dates won't actually form a chronology, since I'm going with the intended order rather than the one they were aired in.)

101: THE NIGERIAN JOB

D: DEAN DEVLIN. W: JOHN ROGERS & CHRIS DOWNEY. Original Air Date: 07 December 2008.

I have lost count of how many times I have seen this episode (or any episodes of this show to be completely honest), but it holds up every single time. It is one of my favourite, if not the favourite TV pilot episode I have ever seen.

The way this pilot sets up who the main characters are and what the core of this show is, is simply perfect. The introduction of Nate at the bar being approached by Dubenich, then the intercut between him convincing Nate to do the job and the actual job happening -- just wonderful. The same goes for the individual introductions of the other players. Nate's comment about Parker ("no, but Parker is insane") which plants a thread for the rest of the show already, the flashbacks of each character to exemplify who they and what their talents are, combined with the episode then showing you those talents and what Nate can do with them -- which is, of course, his talent -- sets up this whole show so well.

So many seeds that come to fruition throughout the show are already planted right here. Nate's mentoring of Parker to become his eventual successor as Mastermind ("Haircuts, Parker, count the haircuts" -- "I would've missed that"), Eliot's role as protector, the iconic overhead shots and the gloating, the alternate revenue streams, "Hardison dies in Plan M" -- it's all already right here in this episode. A brilliant piece of writing. Hats off to Rogers and Downey, no questions asked.

Rewatching this episode made me think of what this show is about, in its essence. Yes, it is about standing up for those who can't do so themselves, taking on the bigger bad, showing how corrupt and terrible the world can be, but also how much good there is to still find in the world. But also, this show is about a lonely man being actively bullied into the family he didn't know he needed or wanted, but will eventually come to realise is the one thing, the only thing that is keeping him alive. LEVERAGE is the story of a man and his crusade to avenge the death of his child, but is is very much also the story of a man who finds a reason to keep getting up every morning in the four people who are on this crusade with him. And this pilot episode already holds the seed and the potential of all of that. And that is why this show is to this day still my favourite show of all time, because it is utterly perfect in every way.

102: THE HOMECOMING JOB

D: DEAN DEVLIN. W: JOHN ROGERS. Original Air Date: 09 December 2008.

I absolutely love how John Rogers was like okay first episode, some greedy asshole who does whatever he wants for his own gain, we'll take him down a notch. Episode two? Hmm, oh yeah, the government is completely corrupt, filled with rich greedy assholes who do whatever they want for their own gain and always get away with it. Not on my watch (I love him very much, thank you).

This episode, once again, so good. The re-introduction of every character in this new reality of Nate's crusade is just as brilliantly done as the original introduction of them all. Sophie at an audition (love the John Rogers cameo here) completely butchering it once again, Eliot beating up some thug, Parker stealing valuable art, and Hardison doing what he does best: creating a beautiful office-slash-home space for the team, putting his all into their backstories, the equipment, the behind-the-scenes workings of what they need to get the job done. My man.

The message of this particular episode is also just something I am very fond of. The rehab facility doctor's words in the beginning, and then in the end again -- "people don't just show up to help. that's not the way the world works" -- as well as Nate's ultimate answer to her, "so change the world." That right here is the message of this show. It's already right here, all up in your face, episode two.

I completely adore what this episode does for the character dynamics already. The detail Hardison puts into the other's backstories, the interactions around the conference table, Eliot sharing his knowledge, Nate explaining the money laundering scam, the whole thing about laws being in a wooden box, Sophie elaborating why she knew Congressman Jenkins was lying to her -- they don't just work together, they already start giving the others insight into their talents and their knowledge and share that. It's beautiful. I especially adore the shot of them at the end, everyone leaning against the car while watching Corporal Perry and the other veterans debating what to do with the money. They are already so comfortable and at ease with each other, leaning into each other's spaces. They're family. You can see it here already.

Absolutely fantastic episode. For a long time, whenever I thought about The Homecoming Job, I somehow associated a more negative emotion with it than with other episodes, but I don't quite know why, because this is a brilliant episode and I love watching it.

103: THE WEDDING JOB

D: JONATHAN FRAKES. W: CHRIS DOWNEY. Original Air Date: 13 January 2009.

We love Jonathan Frakes in this house and every single time his name shows up with the director tag on this show, I know that I will enjoy every last second of the episode I am about to watch. Frakes directed the hell outta this thing. The Wedding Job is an absolutely excellent episode. Dan Lauria as our main baddie Nicky Moscone is perfect casting and there are so many great comedic beats in the scenes with him and Nate. Everyone, generally, is so weirded out by Priest!Nate, but Moscone just takes the weirdness in stride. This episode holds a very special place in my heart because it contains the introduction of my favourite FBI duo -- McSweeten (McSweetheart, as we call him) and Taggert. I adore these two bumbling fools so much, and I am so glad they kept being brought back, because they are both just so lovely. McSweetheart especially is very dear to me because of the D.B. Cooper Job from the last season (where, I ask, do I start my McSweetheart for Leverage: Redemption campaign?). Overall just such an excellent episode, really. So many great moments between our main characters--Sophie and Nate and their little "relationship" problem, Hardison and Eliot talking about marriage, Parker pretending she was waiting in the screening room to have sex with Hardison, Hardison appreciating Eliot's cooking. I also absolutely adore the beginning, the four of them convincing Nate that Teresa is definitely the type of client they take on. And Nate's resigned "Yeah, okay, yeah. Let's go rob Nicky Moscone. A guy who kills people and lives in our city. Yeah, let's go do that" as if they weren't going to go above and beyond any of that in the five years they will spend together on this crusade of his. You're so precious, Nathan. Of course, the ending of this episode is beyond brilliant, and lives both in my heart and my head rent free. It is such a magnificent found family moment. Getting Teresa the restaurant back, the news footage regarding Ray's appeal, and of course, Eliot cooking for them all, and them celebrating together, all of them. It is such a beautiful moment.

104: THE SNOW JOB

D: TONY BILL. W: ALBERT KIM. Original Air Date: 27 January 2009.

I adore what the client says to Nate in the beginning of the episode: "You work hard, you play by the rules, but when you need help, you really need help? They let you hang. They let you hang and it's your kid who pays the price." This show hammers home its message so many times in such great character moments and it makes watching these brilliant people take on these greedy bastards and robbing them for all they've got that much sweeter. It is such a satisfying thing to watch. Especially because they're all so damn good at this.

This is a great episode but it is infinitely funnier if you know and speak German, because it makes the scenes between Sophie and Eliot absolutely hysterical. And the delivery of the line that Ute Ausgartner says when she discovers they replaced her with Sophie is just wrong enough to crack you up.

Again some wonderfully brilliant comedic beats -- the Frakes cameo in the hospital waiting room, Parker casually hanging off the ski lift, Hardison and Eliot arguing over who puts dye in the dead body, Eliot carrying off a pissed of Parker, and so many more.

This episode also, for the first time, really gives insight into Nate's drinking problem. We had the one moment in The Homecoming Job, but this episode starts to explore it more in depths. And something that I've always appreciated about this show is that it never glorifies the drinking, but Nate is also never vilified for it. It is a fact of Nate's life and they explore different aspects of it, and everything is done with such care (which does not surprise me one bit since this is John Rogers' show).

The ending of this episode is also, once again, so beautiful and nicely done. It is just so incredibly satisfying to watch these greedy bastards get what's coming to them, and to see the clients be compensated beyond anything they'd ask for.

105: THE MILE HIGH JOB

D: ROB MINKOFF. W: AMY BERG. Original Air Date: 20 January 2009.

Another fantastic episode (you will realise that I will say this about every single of the 77 episodes this show has)! Amy Berg wrote some excellent stuff for this show, and this episode is one of them. Always a lot of great character relationship moments, and absolutely brilliant comedic beats.

I am very fond of the fact that here, in the early days, we have the whole team present around the table during the client meeting. We see all their reactions and inputs here already, and not later when Nate or Hardison (usually) relays the information of their next job to the rest of the gang. It's a very lovely moment.

I am also very fond of the entire recon bit at the GenoGrow office. Sophie's French rave-girl act, the others having to climb stairs, Hardison's absence, the cut from Parker's bomb to the microwave at the HQ, Nate, Eliot and Parker yelling "Oh it's right behind us, it's chasing us!" and grabbing Sophie on the way out, meanwhile the security guys completely buying it. Absolutely brilliant, all the way through.

Both Hardison's adventure at GenoGrow as well as the others on the plane contain so many great comedic moments. Hardison's Spanish maintenance guy act, his interactions with both Cheryl and Steve (talking into the cupboard? His fake meeting and getting Steve to take a dive? The whole birthday thing? A+ all around. Amy Berg, everyone) and of course the reaction he has to the plane safely landing on the highway ("lord I was so scared, I wanna cry and call my momma" I love him so much, y'all). I also have big feelings about Nate's pep talk to Hardison, "you can do this, I trust you ... the only guy I can count on in a situation like this." Sir, I am experiencing an emotion alright.

The sequences on the plane are of course also absolutely fantastic. Nate and Sophie's domestic, Parker's day job and her interactions with Marissa, Eliot being a big softie who holds Marissa's hand all the way up to the in-flight bar and hugs the woman he sat down next to when they safely land (womaniser, big softie. tomayto, tomahto). Also big shoutout to the fake names Nate and Sophie have. We love our DOCTOR WHO references in this show. I love these nerds very much, thank you.

106: THE TWO HORSE JOB

D: CRAIG R. BAXLEY. W: MELISSA GLENN & JESSICA RIEDER (GRASL). Original Air Date: 16 December 2008.

This episode also holds a very special place in my heart because it contains the introduction of our dearly beloved antagonist, Mr Jim Sterling, the absolutely amazing Mark Sheppard. We love Sterling in this house, yessir (again, where do I have to address my Jim Sterling For Leverage: Redemption campaign to?). Every moment he is in is fantastic, but I especially adore the conversation he has with Nate at the race track (especially the "Nathan Ford is a common criminal" -- "Common. That's just hurtful" bit of it).

This, of course, is an episode by our wonder twins, Glenn and Rieder (now Grasl), which they ended up naming the in-universe safe company after. Always fantastic work when the two of them are involved. Some amazing character moments again here.

We get to see some of Eliot's backstory with Aimee which in turn gives us two fantastic moments with him and the women of the team. I love his interaction with Sophie at the racetrack: "I like Aimee, I do. I mean it, I like you both, Eliot. I just, I don't know what comes of chasing the past, you know." -- "Well Sophie, sweetie, I don't think you and Nate get to serve me that particular meal." Just fantastic moment between these two, who I like to call The Conference of Mom Friends whenever they are in scenes together. The other interaction is with Parker in the car: "We need you to do this. I need you to do this." I adore Eliot and Parker's relationship and this already is a very early glimpse at the dynamic they develop which will eventually lead to beautiful moments like that in the ice cave in The Long Way Down Job in season four.

I also love how it is Hardison and Parker's discussion about horses that ultimately reminds Nate of the Lost Heir con. Aldis' delivery of "Wilbur loved Mr Ed! He loved him like a second cousin twice removed" is absolutely brilliant. Unsurprisingly, however, my favourite interaction of this episode is the one Eliot has with Aimee at the end: "You're never gonna be the kind to settle down, but I'm glad you found a family." -- "Th-those guys?" Yes, Eliot, those guys. You might not know it just yet, but that is absolutely your family, and the fact that an outsider already comments on it this early is simply perfect. My deepest gratitude to you, wonder twins.

107: THE BANK SHOT JOB

D: DEAN DEVLIN. W: AMY BERG. Original Air Date: 30 December 2008.

Amy Berg on the typewriter once again (typewriter? Alex what are you talking about this was 2008...)! I really like this episode a whole lot. An excellent one for Nate/Sophie, as well as Hardison/Parker. I have a huge soft spot for my crime children pretending to be law enforcement. Any combination of them is good, but Parker and Hardison as FBI agents especially is just exquisite.

This episode is also just fantastic for illustrating some of the small town criminal activity that happens from the top down. Judge Roy's entire bit about how "these little people" will do and say whatever he tells them to do and that, because he is the law in the town, he gets to decide what is actually true and what is not. To then have Hardison fake security footage and them turning the story against Judge Roy is of course poetic justice. I adore the moment when the bank manager Frank decides that sticking with the false facts these random people have come up with is the better choice than having the judge remain in charge.

I also really love the interaction Derrick has with Sophie and then later with Parker, as well as the moment of uncertainty in-between. His "I don't know what to do with that" when Sophie tells him she's a thief is so funny and so good. The turn of "but they're criminals....then again" when he looks out of the window on the way to Parker is also just a nice moment to illustrate exactly what Parker then later says, "sometimes bad guys are the only good guys you get." Ethics and justice are such muddy concepts and especially in situations like Derrick is currently in, there is no way of knowing who is actually good, who is bad, and who is just trying their best. It is a lovely moment and once again, one of those great instances of "important message within character moment" that this show does so well.

Of course, I am also very fond of Hardison's mention of DOCTOR WHO, his "Geek power baby, stay strong" line, Eliot's fight scene with the crack dealers ("stay in the car!"), Hardison's bullshitting the demands at the bank (Hall & Oates!) and, of course, last but not least, the return of my favourite FBI fools, McSweetheart and Taggert, getting yet another win laid in their lap by the Leverage crew. This episode is filled to the brim with greatness.

108: THE MIRACLE JOB

D: ARVIN BROWN. W: CHRISTINE BOYLAN. Original Air Date: 23 December 2008.

An absolutely excellent Nate-centric episode! We finally get a bit more of a view into Nate's past, aside from the ever-present flashback to Sam's death at the hospital. I really like the relationship of Nate and Father Paul, which I think is very interesting and so well done. Through Paul we get another side of Nate, which may have stayed hidden otherwise. I am also very fond of how Maggie is introduced here. She doesn't get a voice yet, but we learn about her through Nate, Sophie and also Paul, and I quite like that. It sets up expectations for her appearance in the finale, which is really intriguing.

This episode has so many great comedic beats as well, and I barely even know where to begin. From the team's inability to deal with Sophie's acting talents (or lack thereof) to the whole "It's not Santa" gag, the amazing faces Sophie pulls when the mark tells her about Bibletopia, Hardison's "God will smite us" thing -- there is just too much good stuff in this episode.

One of my favourite interactions in this episode was on the construction site, after Grant takes what he thinks are his meds.

Sophie: What is that you just took? Grant: Xanax. For my nerves. Parker: Actually caffeine. With a dash of dextroamphetamine. Eliot: You have him speed? Hardison, shrugging: He beat up a priest!

The look Eliot gives them then with a half-shrug, an expression which cannot be described as anything but "aight, fair enough" -- just absolutely excellent.

What I also really loved about this episode, is that we get to see more of the HQ than just the conference room. We have the team meeting in Nate's office, we see Sophie picking through her mail, Hardison making space so he can build fake Saint Nick statues. Added to that, the team is setting into such a nice familiarity with each other. Eliot brings Sophie a cup of coffee to the meeting in Nate's office. The fact that they all do get mail at the office. This is their space. I love it so much.

What this episode also gives us, is a first instance of the con possibly going side-ways because of how convincing it is. I adore that their possible downfall will never be incompetence, but rather over-competence. They are so good at what they do that sometimes their talent comes to bite them in the ass. We see this again, a bit different, in The Juror #6 Job.

The ending of this episode is very dear to me. It is a very lovely moment between Nate and Paul, but also Nate and the team. It creates such a beautiful moment of intimacy between these characters, which I think is done with extreme care, and it shows. This episode also very nicely sets up a nice sort of grounded-ness for the next episode, which I think the subject matter really deserves and needs.

109: THE STORK JOB

D: MARC ROSKIN. W: ALBERT KIM. Original Air Date: 06 January 2009.

This one and the next episode are excellent Parker-centric plots and this one in particular also has some wonderful Parker/Hardison content. Nate, also, is just very good in this episode as well. Keeping the tone the last episode established especially toward the end, this episode has such a nice grounded-ness to it. Nate's first meeting with the client is so careful in a way, and we don't always see that. Generally, Nate is careful and considerate in this episode, I think. Even when Parker goes rogue, he is so good with Parker (I attribute the brashness entirely to his director role here). It meant so much that he doesn't shoot down the idea of coming back for the other orphans, he knows how important this is to Parker (and Hardison).

With this episode we learn that both Parker and Hardison have grown up in the foster system. I really adore the conversation they have at the van after they find out about the orphanage -- Hardison telling Parker about his Nana, Parker's fear that foster system will be cruel to those children, Hardison's "I like how you turned out" -- it is such a lovely and meaningful moment. This and the "we're a team" / "a little more than a team" moments are such great instances that highlight the importance of these characters and their relationships in this show. It isn't just some crime procedural where every characters is replaceable at any given moment -- this show is about people, and about these specific people.

On a lighter note, I also really adore Nate and Sophie's dynamic in this. How they coach Parker and Eliot individually but at the same time, while also arguing about Sophie conning Nate back in the day, is just brilliant. Their "delightful banter" as Hardison calls it, is so good, and I absolutely love that Nate figures out the way to con Irina is the same way he would have to con Sophie. It's just too good.

David S. Lee as Nicholas is also incredibly good, although since watching THE LIBRARIANS I always expect him to swoon over a blonde and call her Duchess any minute.

110: THE JUROR #6 JOB

D: JONATHAN FRAKES. W: REBECCA KIRSCH. Original Air Date: 10 February 2009.

The lighter of the two Parker-centric episodes, but a brilliant one nonetheless. This episode also brings us the introduction of Peggy played by the lovely Lisa Schurga. We love Peggy in this house and, once again, I ask: where do I address my Peggy For Leverage: Redemption campaign to?

This episode is great for many different reasons, one of course being that Hardison is so good at what he does, that Parker's alias has to go to jury duty. What a talent, we absolutely have no choice but to stan. I love him so much. Other fantastic things that make this episode absolutely excellent are

- Nate's "there is not some evil conspiracy lurking behind the curtain of every routine civic activity" speech which he then has to retract,

- Sophie teaching Parker about persuasion with the help of Eliot who is absolutely precious in this interaction,

- Eliot's friend Donnie, who poses as another employee from the company Sophie pretends to be from, who then turns out to be Scottish,

- Nate and Sophie sending the kids off to work at the door, with a briefcase and handshake for Hardison and a snack and high-five for Parker,

and Hardison's entire act as a lawyer. He is so good. Of course his stalling is brilliant, but the turn-around once he has to actually try and win the trial? A masterpiece. I love how he tears the doctor apart for his drunken airplane misconducts, but what takes the cake by miles is of course his closing statement. He is just, so good, and such a goodhearted, wonderful person. I love how he directly addressed Parker. Hardison is full of sunshine and I love. him. so. much.

And I would be remiss not to mention how incredibly fond I am of the rest of the team watching the feed of the jury room from the HQ with such proud looks on their faces as Parker leads the other jury members and they vote in favour of the plaintiff. This is their girl and she's done so well. What a brilliant episode. My love to Becky Kirsch, honestly.

111: THE 12-STEP JOB

D: ROD HARDY. W: AMY BERG & CHRIS DOWNEY. Original Air Date: 03 February 2009.

Another episode, another instance of me asking the question: Where do I address my Hurley for Leverage: Redemption campaign to? We love Hurley! Drew Powell is absolutely fantastic, I adore him. Also huge shoutout to Joseph LoDuca for that absolute banger of a song that plays during the intro and the credits.

This episode has some fantastic Eliot/Hardison moments that are very dear to me. The two of them looking for Hurley and fighting over Hardison's slushy spill is just lovely. The whole car bomb sequence is also just completely brilliant. It's such a step in their relationship and I love it so much. The moment of "D'you want me to kick it?" / "God, I'm gon' die" is a wonderful comedic beat in this tense situation, but it is the bit after that I really adore. Hardison figuring out how to trick the bomb and then,

Eliot: What's our margin of error here? Hardison: 'bout half a second. Eliot: Run the ba-bag of bricks by me again? Hardison: Are you ready? Eliot: No.

I am just, so fond of these two. Also the fact that Eliot's hand shakes when he reaches for the cables and waits for Hardison's signal always puts me all up in my feelings about him. I also of course adore the scene at the rehab facility with Hardison's "I'm with him. No, I am with him. See, he thinks the flirting makes me jealous, but it doesn't. But if you was like Brad Pitt or Denzel or somebody, oh girl it would be on." It love it so much.

Nate, of course, is also just great in this episode. His entire experience in rehab is another wonderful insight into his character, his issues, how he sees himself and so on. The hallucination of Sterling says so much about him. I think this also very nicely sets up how Nate behaves in the finale double episode.

I also really want to mention Parker here, because Parker in rehab is also something I am very fond of. I love the moment where she pickpockets the Koreans searching for Hurley and then so innocently comes to Nate to confess what she's done and tells him in this tiny voice "I didn't meant to, it was just instinct." I love her so much. And her, at the end of the episode, skipping along and then running toward her people, jumping on Eliot while tossing her stuff at Nate, and then going to hug Hardison, is such a lovely moment. I love how the three of them then walk toward the car arm in arm, too. I love these kids.

112: THE FIRST DAVID JOB

D: DEAN DEVLIN. W: JOHN ROGERS. Original Air Date: 17 February 2009.

First half of the first finale! I gotta say I really love the David Jobs very much. It is such a fantastic first finale. I really adore how the opening of this episode is mirrored in the opening of the second half.

Given the set-up of the previous episode, I really like how for a first time watcher, this opening sequence very much looks like Nate is completely off the rails doing his own thing getting revenge on the man who, basically, killed his son. It isn't until Blackpoole introduces Nate to 'Portia' and we see Sophie turn around that it becomes clear that we're on the con, which I think is done very nicely. Only then giving the viewer the "how we got here" part is just great.

This episode of course also brings us, finally, Maggie (yes, I'll ask again: where do I address my Maggie For Leverage: Redemption campaign to?). I absolutely love how she is introduced here as Eliot's date. I also love how absolutely terrified Eliot looks once he realises that she isn't just anyone, but Nate's ex-wife. Maggie is such an excellent character, and I adore her. I also am very appreciative that this episode holds the singular moment of jealousy Sophie has toward Maggie. After her momentary outburst as Maggie tells Nate she hasn't stopped caring about him, we never see it again. Even better, once Maggie learns about Nate's crew, Sophie and her even become friends. And it is lovely.

We also have some great Parker/Hardison moments in this episode as well. I adore Parker and her enthusiasm for their "little naked man" and Hardison being weirded out about it (and turning the little David around so Parker can change in private). I, of course, absolutely love the kiss (and Eliot's grinning question at Sophie who of the two of them Parker had kissed) and then the theft of the First David. Hardison is so in awe of Parker and it is a sight to behold.

I also quite enjoy the "downfall" in this episode. Sterling showing up (we love the bastard), the fight between Eliot and Mr Quinn, the conversation about Sophie conning them on the roof, and then of course the final confrontations on that same roof as well as the HQ. This whole thing of "and then I asked myself, what would Parker do?" / "but then I thought, what would Hardison do?" is just brilliant and lovely. It shows how far they have all come throughout this first season and how much they have learned from each other already. I am very fond of it.

I am sad about the offices being blown up, though. As much as I love both McRory's pub and Nate's apartment in Boston, as well as the Brewpub in Portland, I've always really liked the LA offices as well. It was their first home and it was lovely. I am however very happy that Old Nate made it out unscathed.

113: THE SECOND DAVID JOB

D: DEAN DEVLIN. W: JOHN ROGERS & CHRIS DOWNEY. Original Air Date: 24 February 2009.

And the last episode! As I've said above, I adore how this opening sequence mirrors that of The First David Job. Similarly, I also love how until Sophie notices Parker's laser pointer and Eliot sees Hardison, as a viewer you assume they are on the job together, which is again the reversal of the first half of the finale. Just lovely storytelling, I adore it. Speaking of mirrors, the scene in the MC Hammer mansion where Nate inconspicuously manages to get them all thinking about the con together and putting their differences aside once more, also mirrors one of my favourite scenes from the first episode of season two, where the team does the same to Nate.

This episode on the whole I also just marvellous. Eliot's awkward date with Maggie, Nate finally telling Maggie about Blackpoole's involvement (or lack thereof) in Sam's death, the team involving Maggie in the planning of the con and her, precious as she is, questioning Nate's ability to just get people to do what he wants -- it is all just so good. I love Maggie on the con, too. Sophie coaching her, how good Maggie is at it immediately. Just lovely.

Then, of course, the entirety of the con from the moment Nate shows up at the museum. Sterling hurrying all over the place trying to figure out what Nate's plan is, finding out about the mummy, the release of the gas, the evacuation, the David statue replicas, them finally getting in and finding Nate alone in the exhibit room. I adore that shot of him leaning against the display case with the two Davids still inside, only highlighted from the open hatch in the roof. It is such a beautiful shot. I really enjoy Nate and Sterling's dynamic here, too. And I am very happy that Maggie gets to punch Blackpoole just like Nate got to in the episode before. They both deserve to give this man hell.

The ending of this episode and therefore this season always has me in all of my emotions. If I didn't know there would be more after this, I would just go lie down and weep for a while after watching it. The trademark overhead walkaway shot is of course a must, but the fact that they stop, that all of them hesitate, thinking about turning around, thinking about changing their minds. And then it cuts to black, and if this had been it, we would've never known! Ah, what a show, what a first season. I am completely in love with this show, as pretty much everyone knows, but I just -- this show is so damn good. It gets me every single time. Every time.

[image taken from the electricnow website]

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surlifen · 3 years

Text

i dont waste energy hating closed species And You Can Too!

alright you asked for it

Claim 1: “Closed species limit creativity in the art community by locking off certain concepts.”

No, they don’t. If you believe that, then you also must believe that copyrighting in general-- or just generally the fact that making a design exactly like someone else’s is viewed as kind of wack-- are stifling creativity. Why? It’s easy to accidentally make a concept that is similar to someone else’s, because there are literally just not that many Things That Exist. There will ALWAYS be repeats. Generally, if a design coincidentally looks like another, there will be a mixture of backlash from people who believe it was an intentional ripoff, and total acceptance from people who understand that it was an accident. Ultimately, the correct way to live is to understand that 1) these coincidences can happen and should not be punished, but 2) intentionally ripping off someone else’s work is wrong. It isn’t black and white, you must process 2 or more concepts at once.

Species owners understand this. I have never seen a species owner come after someone for accidentally making something similar or inspired. This is a myth. Species owners are busy as fuck, generally Normal People, and simply do not have the time or energy or desire to moderate things outside their community. Please talk to literally any of them for more than two minutes and you will discover this. Every species owner I have met is friendly and kind and I’ll go into detail on exactly how bullshit this stereotype of them chasing people down for similarities is later.

So, given that some randos will get upset and harass people over harmless inspiration/coincidence but most will not in ALL cases of accidental over-similarity: this is NOT a species-specific problem and happens just as often--if not MORE often, because of how much people fucking despise closed species-- with non-closed-species characters.

Secondly, species owners do not create a closed species with the goal of closing off a concept from use. They do it to create a community they can manage and share a concept they have created.

Take the world of Nephfei, created by the artist Queijac. The closed species of Nephfei are called Spinxyn, and they are very much sphinxes. They are not a brand-new concept Jac is claiming to have come up with, they are intentional and very direct references to sphinxes. What sets them apart is their species LORE, WORLD, and COMMUNITY.

[image ID: a screenshot of the Spinxyn species guide on deviantart, created by queijac. Text reads “IMPORTANT NOTE: Spinxyn are a species OF sphinx. Yes, they are sphinx, and yes of course anyone can make sphinx characters and designs using similar appearances! I claim no ownership over design aspects! Spinxyn as a CS community, however, which offers social art related activities, world building, themed events, etc., to use the characters in, simply relates to my own PERSONAL WORK and how i want to enrich peoples experiences with it! Please understand this, thank you!!!”]

This species is not closed so that Jac can copyright the idea of a sphinx. It is closed so that Jac has some control over the world and lore they have created. Were anyone able to create a Spinxyn without an approval process, not only would the community become too large to manage too quickly, but all sorts of Spinxyn with aspects that don’t fit the lore would pop up.

[Image ID: screenshot of a message from Queijac in the nephfei official public Discord server. Text reads: “theres just a total disconnect that 99% of ppl making closed species are making. a Group...... its about.... the community....... and building the community around One concept that someone makes and puts rules in place for so that they can actually. U kno. MANAGE THINGS... and make a cohesive group experience....... the reason CS have so much popularity is because they come with a community, not because theyre 100% unique never before seen or heard of concepts”]

Jac explicitly acknowledges that sphinxes do not belong to them and even says that borrowing some spinxyn-specific appearance details is okay!!! The ONLY thing off-limits here is a WORLD, COMMUNITY, and LORE.

Except it isn’t. Because Nephfei also hosts not one, not two, but THREE open species of intelligent beings, plus NINE official species of non-intelligent animals, so that anyone can participate.

Claim 2: Species owners harass and police people who make similar concepts.

I touched on this already re:species owners are busy as fuck & Jac openly encouraging people to make sphinx characters and even borrow spinxyn-specific traits, but this note from ground-lion/seel, the creator of Chimereons, really does it for me.

[Image ID: a DeviantArt note from ground-lion to me. Text reads “hello, thank you for showing me this! we don't actively do anything to police offbrands, since it causes more trouble than i think it's worth. i like to avoid drama wherever possible, and it seems like most people who participate in offbrands are just looking to press people's buttons so we can't/won't do anything to these people, i think it is best to just try and ignore it and move on.”]

Here you have the owner of one of the arguably most shit on and hated species saying outright “we don’t bother doing anything about intentional ripoffs”. For context, this WAS 100% intentional, I had noted ground-lion about a user I saw posting adoptables that were LABELED “offbrand chimereons” (so if anyone was hArAsSiNg PeOpLe oVeR SiMiLaR cOnCePtS here, it was me, calling attention to intentional and stated copying).

Sidenote: I think it’s shitty to intentionally steal a concept. Ground-lion has also said there is no issue with making anthropomorphic chameleon characters, just that chimereons were inspired by a set of traits, a word, lore, a desire to create a community, and their own personal stylization of anthro chameleons. It’s fine to take inspiration from how someone else stylizes an animal, but the degree to which people do it-- just outright copying every aspect of Seel’s work-- rubs me the wrong way. Not enough to say anything because that is only my personal opinion and because I do not have time for that shit.

The Dainty mod team + owner (Pajuxi-Adopts) also have a section stating that to make a design no longer a Dainty, all that’s needed are the following changes:

[image ID: screenshot of Dainty species ToS. Text reads “ Visual edits must be made for discontinuation, here is our standard discontinuation options: - remove the stockings completely and give them fur like an actual satyr - keep the stockings and give them human legs - make them an anthro - keep the stockings but they MUST start at least a quarter to halfway up the bottom portion of the deer leg with a clear divide between the stocking and leg with fur poking out underneath - you are free to suggest your own edits as well! “]

This may be speaking specifically about discontinuing a former Dainty due to the context we found it in, but this means that a design is not considered a dainty if, for example, its stockings show fur underneath and are not part of the body. That’s it. That’s all they ask. Pajuxi is not saying “this is my closed species of SATYRS WITH SOCKS and if you DARE make a satyr with socks i will COME FOR YOU!!!”, they clearly state that satyrs with socks are an acceptable Not A Dainty. I personally think the lore behind the stockings being physically part of the body and all the specific rules they entail is interesting and original and I do not think it’s such a wild ask to say “hey, please respect this and if you see it, don’t rip it off on purpose. You can take inspiration in all these valid ways but I want to have some control over the concept I came up with”.

Claim 3: Species owners are rich elitists making small artists suffer.

Species owners are small, independent artists. Artists being hated the instant they get even moderate success (that’s still usually BARELY A LIVING WAGE) is its own huge discussion and internalized issues + capitalist brainwashing you all have to deal with on your own damn time, but I want to emphasize that someone making a living or even comfortable wage from their art is Good, Actually, and is something we should all be happy to see and want to see more of.

Furthermore, no one is being taken advantage of. CS characters are a luxury item. You do not NEED one. If you absolutely will die without a sock deer, make one where the sock isn’t part of their body. If you will die without a chimereon, make an anthro chameleon and use your own ideas. If you will die without a sphinx character, I’m overjoyed to inform you that fucking nobody ever asked you not to make one. CS involvement is voluntary. If you don’t like them, don’t participate in them, but keep in mind that someone saying “hey, please don’t blatantly copy this design concept I spent time creating” is The Same Thing as someone asking you not to copy their individual character designs. You could live without stealing character designs. You can live without making something exactly like an existing CS.

Claim 4: CS put concepts behind a paywall and make them inaccessible.

Again, these are a luxury item. Most closed species MYO slots cost $10-$45. That is not a ridiculous amount to aspire to. Closed species owners WANT people to participate in their species, so there are a ton of ways.

- Chimereons hold First-Time Owner flatsale slot raffles every single month to ensure people who are new to the community have a greater chance of nabbing a slot than existing participants - Dainties have an art prompt every month, which rewards every participant regardless of skill level one prompt point (the art can be visual or written). Six prompt points can be used to buy an MYO slot for free. If you desperately need a dainty and are flat broke, you can get a free one by writing 150 words a month for six months or doing one drawing each month. Skill level doesn’t matter, ALL participants get a point if they follow the rules. - I joined a raffle for a free pre-made Spinxyn. I did not win the raffle. Jac randomly decided to give out 7 MYO slots too, one of which I won. I entered a raffle that DID NOT HAVE MYO SLOTS AS A PRIZE and got one for free anyway. CS owners want people to participate, I promise. - Dainties just had a 24-hour turn-in event (that they warned about a month in advance so folks could prepare designs), meaning every single person who submits a design in that 24hr time frame gets a slot. Normally slot sales are limited in number and sell out in seconds. - Jac sporadically draws quicker, messier Spinxyn designs which always cost $5 and raffle-flatsales them on Discord. $5 is not a gatekeepy price. - Tomoyokis recently had a free-for-all event where everyone could claim either a free common slot or a $10 uncommon slot. These are just specific examples I remember of easier or free ways to get CS. Non-specifically:

- art = reward systems are common, so again, just writing or drawing enough can equal a free MYO slot or entry into a raffle for a pre-made design - many many species that are relatively new have FREE turn-in events or giveaways to build a community - free FTO slot raffles - paid but discounted FTO slot raffles - random free design giveaways - trading art for a CS character or MYO slot (I’ve gotten a dainty and two dainty MYO slots this way, and I realize not everyone’s art gets accepted, which is why this is a whole list of ways that don’t require artistic skill whatsoever)

So getting your hands on one isn’t the worst thing in the world. You might need a little luck (as in, you have a completely fair chance that is equal to everyone else’s) or a little dedication (6 months of wanting one, or having to have a design ready within a limited time for a free turn-in event).

Also, there’s a reason CS prices cannot change much: this causes issues with the value of all existing CS characters. Dainties will ALWAYS be $35. The MYO slot price will NEVER increase. If it did, all previous dainties would be worth less, or would have to have their worth increased, which is logistics hell. Inflation doesn’t affect CS the same way it does everything else.

Claim 5: ok but legally nothing is stopping me from making one lmaoo

That is true. It’s also true that there’s not really any effective laws in place to protect artists when they say “Hey, please don’t quote retweet my art on Twitter” or “Hey, please don’t repost my art even with credit”. Sometimes, we just respect artists and do what they ask because we are Nice Fucking People, but apparently, species owners are a whole different thing, evil, and do not deserve the same basic respect.

IN CONCLUSION

Talk to a CS owner. They’re reasonable and kind people. There’s an exception to every rule, of course, but what I’ve found overwhelmingly is that they’re literally just people like you and I who were excited to make something cool and share it with people. The emphasis is HUGELY on community. I used to dislike the idea of CS too, but since participating in them and talking a ton with the owners (who are super down-to-earth and active in their servers-- Jac helped me with a confusing horse video game and gave me a Free Horse in there), I’ve realized that the caricature of CS owners as greedy and bitchy, laying claim to basic concepts like A Cat With Wings, is just bullshit. The stereotype that CS community members are an angry mob who will roast you over a fire if you draw a chameleon on two legs is bullshit. The idea that CS are impossible to get, are for the bourgeoisie, and cost thousands of dollars is bullshit (I bet you’re thinking about scarfoxes right now. Hot take: I think it’s great that an artist is selling their intellectual property for that much. I think we all should be able to. I think if someone chooses to spend that much on a design they think would make them happy, that is literally not a fucking problem, and since it was their choice and their money no one is being taken advantage of unfairly. Let people buy the shit they want to buy, I promise you will fucking survive).

I like CS, I think they are neat, I wish people would give the owners a break. They are just independent artists like me. They get lied about and stereotyped over this stupid drama bullshit and they’re so tired and saddened when the subject comes up. They literally do not police anyone-- they don’t have the time or the desire, and it wouldn’t work anyway.

I won’t post CS content here anymore. But I like participating voluntarily in these communities. I don’t understand why that’s something YOU get to have a problem with.

Stay out of my inbox. Thanks.

#long post #LONG LONG POST #seriously im not inviting argument so please please do not slide into my inbox or replies #anon ASKED; i am ANSWERING. the dialogue ENDS here.#not art #also this isnt meant as a like. Woke Post to Blow Up #it's my personal explanation and thoughts #so only read it if you want to.

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justsasuke · 3 years

Note

Hello, hope you are well. Happy Birthday/Birthday Month! My first ask is: what role do you think the Taka members would have played individually had Sasuke's revolution happened? My second is: When did you first watch Naruto and what made you realize you love Sasuke? Thank you and hope you have good one.

Hey! thanks so much for the well wishes and for this ask!

Question 1: (Okay, I am obsessed with this question) Firstly, I would pay an exorbitant amount of money to see Susanoo ft. Juugo again. That was, imo, the single most perfect invention in the whole series and I. want. it. back. Secondly, I want to see more of Karin's chakra chains and just her being capable and powerful in-general. She is such a badass, and I would have really wanted to see something done with the insane amount of power and sheer will she has, not even combat-wise but just as a character. So much untapped potential. As for what they would individually do; it's hard to say because as far as I can remember Sasuke didn't have a specific plan other than "Konoha must burn" which is like, go off bro, but not very specific.

I'm going to imagine that the more rounded out plan would look something like taking out the main leaders (the kage, elders, and whatever supporters they had) and replacing them with people in full support of reform and then making that reform happen.

I figure Sasuke wouldn't do anything to create more children like him (abandoned, alone, etc) and would deal with any opposing shinobi in a more fair way than the Uchiha were treated. This also means that he probably won't harm any civilians. There will probably be a battle but not a very long one so I'll focus more on what they'd do in the aftermath.

Suigetsu - most trusted general bc he's ruthless in battle but will follow Sasuke's rules even if he doesn't agree - also in charge of hunting down radicals and bringing them in/getting rid of them

Karin - help select new leaders. she's intuitive and smart and would be great at this - oversees infrastructure change. She's meticulous and has clear vision of what order ought to look like (she was the warden of a jail for the longest time she'd be perfect for this) - also in charge of keeping track of people in-need of reparation from the shinobi system and making sure it happens

Juugo - Sasuke's right-hand man bc he can't really leave (and Sasuke promised to keep him sane)...but also because he'd be good at it. He has a great heart, and would help keep things honest. On that note he'd also be the one talking through things with Sasuke the most since he's literally always there - Handles the long distance communications between Sasuke and the rest of Team Taka when they're abroad - OK I can't think of more r.n. but if you guys think of stuff let me know and I'll update the list.

Question 2: I first watched Naruto when it was available online on toonami jetstream (does this date me? probably, haha) and I was 11 or 12. I'm pretty sure Sasuke was my fav. from the start and when my siblings and I would play Naruto--as in playing pretend or make believe or whatever you call it--I'd be him.

He was more my type of character, and then as I got a bit older I started actually relating to him more and more and it just spiraled from there. It wasn't just relating to him though? for a while I just kinda wanted to be him. IDK how to explain it, but he was basically my avatar character as I was going through life for quite a long time (as in I definitely tried to resolve a lot of trauma vicariously through him in my writings....) and I would write fanfic and long winded character analysis as a sort of escapism, eventually moving on to creating AU's that actually bring me joy. Sasuke is also the reason I spend most of teenage hood studying psychology (it started as research for a fanfic, shhhhh) Long story short I'm pretty sure I realized I loved Sasuke when I saw that he was hurting like I was and also didn't have a place to talk about it, like I didn't. But also like, on a surface level I thought he was so cool and I literally wanted that to be me so badly

oof that got deep. Hope that's not tmi.

thanks again for the message! I hope you have a good one too

#Asks #personal #Team Taka #Team Taka headcanons #Sasuke #Sasuke Uchiha #Juugo #Karin Uzumaki #Karin #Suigetsu #Suigetsu Hoozuki #dualfuel

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stellar-starseed · 3 years

Text

Closer Than That

Group: Stray Kids

Pairing: Changbin x fem!reader, Jisung x fem!reader, polyamory

Word Count: 2,979

Summary: Your best friends happen to be 3racha, but Changbin was your closest friend from childhood. When things start to take a different turn in your relationship, you're left wondering which way is up.

Chapter: 4/?

Other Chapters: Ch 1, Ch 2, Ch 3, Ch 4

Warnings: 18+; sexual content, language

Note: this is cross posted on ao3

Chapter 4

You weren’t sure whether or not you should be jumping at the chance to date your best friend. When you were younger you did used to hope it would be you two in the end. Life happened and crushed that thought altogether.

Soon enough you had to grow up and the idea of dating Changbin couldn’t stand up to your grueling adult life. You put it at the back of your mind along with dating in general.

That was until Jisung Han, with all his charm, waltzed in to your life. The first time he saw you he was hitting on you and it took you by surprise. He was generally outgoing you later realized but you had held on to a crush from that day. Changbin didn’t seem to notice, but every chance he got he was dissing Jisung in front of you.

You felt pretty selfish for wanting them both. But in all honesty you really did. Individually they were both incredible guys really, but you couldn’t decide if your life depended on it who you would see yourself with. Each time you made a decision you felt it was wrong. You cared for both of them deeply.

“What am I thinking?” You groan.

You had ignored Changbin’s attempts to hang out for a few days. You did feel kind of bad about it, but each time you did you remembered that hairstylist and the trainee and the barista. Your jaw clenched and you had to pull yourself from your anger.

You woke up one morning to your phone’s text message chime. Trying to reach for your phone, you swipe it to the floor.

“Damnit.” You groan as you push yourself up onto your elbows. You were not ready for the day. You stared at your phone that was too far to reach with a disapproving look.

“Is it even that important?” You lower yourself back into a comfortable position when your phone chimes two more times. “Seriously?”

You kick your covers off and head to the bathroom to wake up a bit. When you check your phone you have a missed call and several text messages. You had a rule that real emergencies allow for multiple calls but only real emergencies, so you put your phone down to take a shower before opening the messages. You had a feeling they weren’t going to put you in a good mood.

Your phone started ringing and you shut your eyes as the water hit your face. Nope. Not now.

“Answer your damn phone!” You couldn’t quite make out what was said but you shut off the water immediately.

“The fuck, bruh?” Chan opened the bathroom door.

“Uhm.” You peak your head out of the shower. “The fuck is right!”

“Why am I dealing with Jisung and now Changbin’s whining? They’re moping and fighting. And Changbin’s pissed at me? Me!”

“Towel?”

“Why don’t you just step out?” Chan smirked at you and leaned his elbow against the towel rack.

“Very funny. I can’t reach it from here.” You reach out your arm.

“Yeah, it’s a shame...” he giggled. You were upset with yourself for finding that cute.

“Okay, don’t hand me the towel. We can do this here. What are you here for?”

“I can’t take their bitching.” He shrugs.

“So, in dramatic Chanie fashion you blow up my phone and storm in here while I’m showering?”

“Well, I didn’t blow up your phone for the record, but yes.” He shrugs. You let out a loud sigh causing him to chuckle again he leans over and grabs your towel. He playfully starts to head out of the room when he sees the look on your face.

“Kidding.” He laughs, handing it to you. He walks out of the bathroom and closes the door behind him. “Also they’re fighting pretty bad. They’ve been getting into wrestling matches that Jeongin is definitely tired of splitting up.”

When you finish getting dressed, you find Chan on the couch with a bowl in hand. You laugh to yourself as he stuffs his face.

“I’m starving.” He shrugs. You roll your eyes and take a seat next to him. He offers you a bite which you gladly take because whatever he has concocted smelled delicious.

“You can make gold from nothing can’t you?”

“Thank you!” He says with a mouth full of food. “No one else agrees.”

You hear a knock at the door and your certain Changbin has come to mope, but Hyunjin stood there with a bag of food.

“Considering the state of these boys I thought you might want to talk.” He says pushing his way past you.

“Hyunjin-ah! I love you.” You wrap your arms around him from behind. “Can you kick Chanie out for me?”

“I heard that!” He called from the front room. You smile back at him and watch Hyunjin unpack the food he brought.

“So, you broke Jisung’s heart. What else is new?”

“I did no such thing!” You gasp. “Does Minho hate me too?” Your tone is softer and a bit defeated.

“Of course not. I mean he’ll probably give you shit, but when doesn’t he?” You nod and take the bowl of food Hyunjin prepared for you to the couch.

“So, how bad is it really?” You lift your head, pushing the food around in your bowl.

“Eat.” Hyunjin ordered.

“Yes ma’am.” You take a bite looking from Hyunjin to Chan wondering when you listened to any of them.

“Well Jisung is convinced that Changbin is sleeping with you just to claim that he got to you first.”

“Excuse me,” Chan chimes in, “I got to you first!”

You look at Hyunjin and feign gagging, causing Hyunjin to laugh with you.

“Joke all you want. We kissed on New Years the first year we met.” Chan crossed his arms over his chest in triumph.

“Does that count as getting to her first?” Hyunjin questioned crossing one leg over the other.

“Hell yeah it does.” Chan started off strong but then he saw your look and immediately toned it down. “I mean if we’re arguing about that sort of childish shit.”

Hyunjin laughed at the two of you. “I remember that.”

“Huh?” You and Chan say simultaneously.

“Jeongin found you two on the terrace that night.” Hyunjin says dramatically and his shoulders shake with laughter.

“Jisung knows doesn’t he?” Your mind momentarily plays the last day you saw Jisung before his attitude change. The day at your apartment where he told you explicitly he doesn’t think you’re a slut. You brush it from your mind. Jisung was definitely acting the opposite right now.

“Ya, I don’t know why you can’t pick one person!” Hyunjin pulls you from your thoughts with his laugh. “There’s always a new flavor of the week with you.”

“That’s true.” You add giggling. Chan pouted at you both. Chan set his bowl on the table in front of him and flopped back on the couch. Slumping over, he laid his head on your shoulder.

After your meal Hyunjin decided to drag Chan back to the dorms. It took some effort to get Chan to leave, but eventually you were left alone again.

You grab your phone and notice the text messages. After taking a deep breath you start looking through them.

09-563:

You can win a gift card! Click the link below.

Scroll

Mom:

You better be taking care of yourself

Scroll

Sammy:

Love you ;) Come see me when you get a chance!

Scroll

Binnie:

07:34 Ya! Haven’t I been punished enough?

You open his messages and scroll to the first message he sent last night.

Binnie:

19:45 I’m sorry. I shouldn’t have said that shit to Chan. It just felt right to call you my girl...

20:08 I also wanted to piss Chan off and I’m sorry...

20:08 Is this that serious?

23:59 Please don’t ghost me.

23:59 Please stop ghosting me*

02:27 I’m not sure if you’re reading these and not opening them,

but I don’t want to lose you over something stupid.

07:03 Haven’t slept because of this. Will you please just talk to me?

07:28 I’m sorry.

You sighed and backed out of his messages. You weren’t even sure what to say to him. You felt like shit for kicking him out and not speaking to him, but he honestly needs to stop making decisions without consulting you. You noticed you had a text from Jisung.

Jisung

09:49 Hey...

09:50 Can we talk?

Your heart skipped a beat. Who to text first? You start with Jisung and send a simple yes. You send a message to Changbin that turns out to be pretty lengthy. You let him know it’s not fair that he gets to flirt around and then claim you as his a second later.

Jisung responded immediately asking if you could meet at the usual coffee shop down the street from the studio. You were nearly through the roof. You jumped up and got dressed. It was only when you were heading out the door that you suddenly thought of all the ways this could go wrong.

Changbin paced the dorm, glancing at his phone every so often. He promised himself that he wouldn’t text anymore. He had said all he needed to say and anymore would just be pathetic, he told himself.

“Can you do that somewhere else?” Seungmin asked as he watched Changbin pace.

“He’s heart broken.” Felix appears from seemingly out of nowhere. “He refused my hug.” He slightly pouts. Seungmin shook his head.

Changbin suddenly sat on the couch and threw himself into a laying position, he was so frustrated he didn’t know what to do with himself.

“Much better.” Seungmin nods with a smile.

“He’s still sad.” Felix pouts.

“He needs alone time.” Seungmin nods waving Felix along.

Changbin ran his hands through his hair and thought about the fact that he laid his feelings out on the table. He told you and the guys that he wanted more when he said you were his. Your reaction was less than ideal. He was deflated. Then again, he thought, you may have just been upset to be out of the loop.

Changbin sat up. He decided he shouldn’t give you anymore space, he needed to go over there.

“Did you really ask that?” Hyunjin asked. “Never mind I’m sure you did.”

“I feel good about it.” Chan smiles.

“She’s not going to take you up on that. She’s in love I hope you know.” Hyunjin says matter-of-factly. “Oh.”

“Speaking of...” Chan says looking from Changbin to Hyunjin with a knowing look. Hyunjin nods.

“I wouldn’t mess with him.” Jeongin warns as he passes through, eating kimbap.

“Still?” Chan sighs.

“At your own risk.” Seungmin shrugs.

Changbin ignores the conversation and pushes past Seungmin. He pulls on his hat, shrugs into a jacket, and grabs his keys before slipping into his shoes. Changbin is more nervous than he expected heading to see you. It wasn’t normal for him to be nervous around you or about you, but he found these small moments popping up lately.

“Did you know he was in love?” Chan asked Seungmin when he heard the door close.

“It was only obvious. They’re both obvious, and they’re both dumb.” Seungmin says causing Hyunjin to laugh and high five him.

“But I thought she liked Jisung?” Felix pops his head out of the kitchen to join the drama. The guys got silent momentarily and Seungmin looked towards the far couch where Minho sat watching videos on his iPad. Minho chuckled to himself and cooed at the screen.

“Cute!” He said to himself. “What?” Minho whined when everyone sat around him. Chan snatched the iPad.

“Aw, cute!”

“See. Give it-“ he whined again. Chan shook his head and turned it off.

“You know more about this love triangle than the rest of us.” Felix said pulling the couch throw over his shoulders.

“Yeah, and I think she’s in love with Changbinnie.” Hyunjin affirms confidently.

“What if she’s in love with them both?” Minho grabs for his iPad. When Chan holds it out of reach, Minho starts to pout. “Why am I an expert?”

Changbin was just starting the engine when his phone chimed. He rushed to grab it seeing a message from you. His heart skipped a beat. Changbin quickly opened it and his heart fell a bit. He was a little sad to see you were still upset with him.

He had a natural flirtatious nature, but he will admit that he wanted to make you jealous. Changbin picked his moments carefully, he wanted you to see him as irresistible and it backfired. Never did he think you would think he was playing games. He though he was innocently attracting your attention.

Changbin sat in his car for a moment, unable to come up with a response. He still wanted to see you in person. He was determined to fix this. He typed and deleted his text message to you for the sixth time and tossed his phone in the passengers seat. He put the car in to gear and decided to work up his confidence on the drive over.

When he pulled up to your apartment it still took Changbin some time to get out of the car. His attempts at boosting his confidence fell short. He tapped the steering wheel and sighed to himself a few times before he seemingly forced himself to get out.

Changbin wasn’t quite sure what to say when he got there. You hadn’t ever really been mad at him before, not truly. Deep down he knew this wasn’t something that would last forever, but at the moment it sure felt like it and he didn’t want to be without you again.

Jisung tried to stay mad at both of you. He wanted to be mad at Changbin for stealing you from him, but he knew that wasn’t true. He wanted to be mad at you for leading him on but he knew that too wasn’t true.

Jisung wasn’t sure why he was so angry. He should be happy if your happy, but this situation left him feeling left out and unworthy. Not to mention the fact that he beat himself up for never telling you how he felt before this.

Though it had been weeks since he had last seen or spoken to you, he tried to convince himself that he didn’t want to see or speak to you. Jisung eventually started bringing you up without realizing it in conversation. Anytime Changbin would mention it, Jisung would blow up. It took far too long, but Jisung came to the realization that he was being entirely too immature and he truly missed being around you.

You straightened yourself out for the third time and finally entered the coffee shop. You’re so nervous at this point you almost turn around. You suddenly spot Jisung looking directly back at you. It almost startled you, but you moved towards him trying to compose yourself as if this hadn’t been so hard on you.

When you near the table, Jisung stood and walked around to greet you. His voice was soft and he gently leaned in. It was much more awkward than normal, but you were glad to be around him again. His arms wrapped around you gently at first, then he tightened his grip. Your certain he whispers I missed you, but it’s so faint you argue with yourself over it being real.

“Hey.” He says when you both sit down. “I ordered you a matcha latte, I hope that’s okay. I know you said you liked their matcha last time we came, so...”

“Of course it’s fine.” You flash him an appreciative smile. He did know you so well. Jisung had a way of remembering the details. You shift the napkins on the table nervously, not sure what to do with your hands or where to look.

“Hey,” he starts and looks away when your eyes meet. He takes a deep breath and starts again. “So, I just need to tell you I’m sorry.”

He looks in your eyes and you feel that nervous excited feeling rise in your stomach. He fidgets a bit in his seat and you want to comfort him, but you don’t know where to start. He hurt you, and it’s hard to know how to tip toe around his feelings when you aren’t sure what they are.

“It’s okay, Jisungie.” You look down at your hands. “I’m sorry, too.”

“No,” he sits up in his seat, as his hand falls over yours. He seemed to be gaining confidence. “Please, don’t be. You have nothing to be sorry for...” he sighs at himself. It takes him a moment to speak again as he gathers his thoughts.

“I’ve liked you for a long time. As long as I can remember knowing you, really.” Jisung was significantly more calm confessing these feelings to you than he had anticipated. It felt natural. Maybe it only felt that way because he had rehearsed it in his head so many times before this.

You suddenly felt your heart rate picking up. It was nervousness and excitement all rolled in to one and you weren’t quite sure what to do with yourself.

“Do you have feelings for him?” He questioned and after a momentary silence, “be honest.” He added.

You looked him in the eyes and nodded. You didn’t want to say it. You didn’t want to confirm it. But looking in to his eyes you knew you couldn’t lie.

“So, where do we go from here?” He questioned. His eyes caught yours and you felt a bit nervous . His big brown eyes were sincere and you didn’t want to say the wrong thing. You didn’t want to be without him again.

——————————————————————————

Hey, lovely! I hope you enjoyed this. Thanks so much for stopping by💞

(These chapters are so long >.<. )

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ponett · 4 years

Text

i was finally able to see the bad star war that everyone said was bad. as it turns out, it was bad. here’s a read more post with my thoughts on it so that i don’t spam my twitter with spoiler tweets

for a baseline: i like the original trilogy, but i don’t think any of those movies are perfect. i think the prequels had some good ideas but i were mostly terrible. i love the clone wars (both versions) and rebels. while i admit that tfa was extremely similar to a new hope, i thought it was executed great and had a wonderful new cast that showed a ton of promise. i liked rogue one, although i found its first act really sloppy. and i have some quibbles about tlj, but it had an incredibly strong vision and actual themes, and i’d consider it my favorite in the series

i’m exactly the kind of person who was always going to hate the rise of skywalker, because it’s basically a bad fanfic written by someone who didn’t like tlj and wanted to “fix” the story. like that bizarre story treatment jenny nicholson read for this movie. the bad one. it was like that

it wasn’t all bad i guess. here are the small things i liked:

some of the new environments were cool. there was cool imagery and practical effects work

i appreciated that the moon of endor where the death star wreckage was wasn’t just the one with the ewoks, and thought the vibe there was cool

zorii bliss’s armor was really cool

the image of the fleet of star destroyers all lined up was striking

i liked that the ghost showed up for the final battle

i liked that ahsoka was one of the jedi voices rey heard, even though that kind of implies that ahsoka is, uh... dead?

while extremely fucking trite and dumb, i’ll admit the closing scene on tatooine got me. yeah, rey has no real connection to this place and it’s just a nostalgic throwback, but i’m a sucker for full circle endings like that

uh. that’s about it

this movie kicks off in the middle of an action scene and just kind of keeps jumping to new setpieces nonstop until it’s over. new characters and locations get introduced and then moved past in the blink of an eye. there’s no time to let any of it sink in. it feels like abrams crammed two movies worth of shit into this one to make up for the the fact that some people didn’t like tlj, and as a result none of it resonates. i just felt so empty throughout most of the film. events were happening on screen and none of it mattered

thoughts about individual elements:

LEIA

putting the scenes with the recycled footage of carrie fisher at the beginning of the film completely took me out of it. it was so obvious that she wasn’t really responding to what was being said, and the conversations had just been built around the limited leia lines they could use

the dialogue scenes with leia felt like a space ghost interview

C-3PO

was in this movie a lot for some reason? i guess abrams wanted to make up for how little c-3po there was in the last two movies. they tried to have that emotional moment where his memory is wiped, but then they just turned his memory loss into a big joke?? and then he got most of his memories back anyway

in general, the movie is afraid to let the audience be uncomfortable for long. 3po’s memory loss. the supposed deaths of chewbacca and babu frik, that sort of thing. you’re not allowed to be sad. after tlj so effectively built tension throughout the film and really pushed the heroes to the brink, this is a disappointment

LANDO

is here because he needed to show up, and because it’s a throwback to have him pilot the falcon again. he’s just kind of there with little to do and no arc

FINN, POE, AND ROSE

before the movie came out, i had low expectations. all i really wanted was to get one last fun adventure with the new characters. when i started to hear about the spoilers, my expectations sank even lower. but maybe i would still get this

nah! rose gets like two minutes of screentime because redditors hated her, and finn and poe are barely even characters. they don’t have arcs in this film, they’re just sidekicks on rey’s journey

finn really hurts. prior to tfa’s release, finn was framed as the new star. this was, of course, a bait and switch, as rey was really the new jedi. (finn apparently IS force sensitive according to this one, but hey! we can only have one big jedi hero, so like leia before him, i guess we’ve gotta wait for some EU novel to give finn a lightsaber)

but finn was still a central character in the last two films, and he had so much potential. he was a stormtrooper who defected! that’s something new! that’s interesting! it complicates the black and white morality of the series. but no. that’s been all but abandoned at this point

many have complained about how tfa establishes that basically all the stormtroopers are people who were kidnapped as children and brainwashed by the first order... but then they still have no qualms about gleefully killing them. in the first two movies i was like “yeah, it sucks that they have to kill those guys, but if it’s to prevent genocide, it’s understandable. that’s just war. maybe they’ll touch on it in the last movie.” so in this one, they kept reminding the audience that the stormtroopers were enslaved as children. jannah is even introduced as another stormtrooper who defected like finn. but then... it goes nowhere. finn doesn’t get any first order troops to defect. they don’t care about the other stormtroopers. how many hundreds of thousands of enslaved soldiers did they kill when they blew up those star destroyers

it was nice to see finn and poe take the charge as leaders in the end, but it also feels like they didn’t take the lessons from tlj to heart. the whole point of that story was that one-in-a-million shot heroic suicide missions aren’t worth it, and that they’re more useful to the resistance alive than they are as martyrs. but then in the climax of this film they take like 30 ships to go fight a fleet of a hundred fucking star destroyers

on the subject of that final battle: i thought that the ending of tlj was so powerful. the resistance was decimated, but they still had hope, because they knew there were others out there who could help. people like rey, or the broom boy, who came from nothing but had good hearts. in this one, though, they say that apparently nobody responded to the leia’s call for help in the entire year since the last film. everyone only shows up during the climax after lando’s like “no, but for real guys, we need help”

and i did think that that sequence was cool. and i did like seeing the ghost among the ships. it was fun. the message that fascists like the first order rule by making people feel isolated, and that they’re defeated by realizing that good people are never alone? that was good. i thought that was a strong message. but it’s such a minor footnote on a movie that’s so bad in so many other ways

oh and they made the latino dude a drug dealer. okay. thanks for that

KYLO REN

i hate that they redeemed kylo and i hate the way they did it

yes, him being coerced to turn to the dark side by snoke (who was apparently just a puppet controlled by palpatine all along (UGH)) as a kid was tragic. but that doesn’t excuse his actions. kylo was given infinite second chances throughout the trilogy, and every time he responded with violence. he killed so many people himself, and willingly took part in a fascist regime that killed billions. yes, his story is sad, but he’s not some poor little boy, he’s thirty fucking years old and he vents his trauma by slaughtering innocent people

literally the entire main trio of the original trilogy died because of this asshole. han tried to talk to him in the first movie, and got stabbed and dropped into a pit. luke died astral projecting to face him in tlj. and now leia just kind of arbitrarily died to flip the switch in his brain from bad to good from across the galaxy. it’s literally as simple as that. he doesn’t have a personal journey here. he just stops being evil because his mom made him through the force

like, again. all those enslaved stormtrooper grunts who had been brainwashed since they were kids? gunned down. but giving kylo endless second chances is the most important thing in the world

and then they end the movie by having this creepy abusive stalker genocidal asshole sadboy kiss rey, retroactively framing their dynamic as a romantic one. just, gross as hell. even in this one, for most of the film, all he does is threaten rey and boss her around

i dunno. i thought the first order were interesting as antagonists. yeah, they were just the empire 2.0. but i thought it was appropriate! the idea was that just because palpatine was dead and gone didn’t mean that fascism was gone. there were still hateful people who wanted to rule the galaxy via genocide. like how we still have nazis in the 21st century. except, oops! palpatine was actually alive and pulling the strings the entire time, so now that theme’s out the window. we just have to kill him again FOR REAL this time and now the galaxy will actually be safe

people wondered where the first order would go after snoke died in tlj. but it was so obvious to me? kylo was in charge. kylo was always the most interesting bad guy. just let him call the shots and be the final adversary. but no. that wasn’t good enough. we had to bring back palpatine as the jrpg final boss to have an epic conclusion

REY

oh, poor rey. youtube critics got mad that a girl could be a strong jedi without being related to some other powerful force user from the old movies, so now she’s stuck being a palpatine forever

i will admit, the protagonist of the new movies being related to palpatine but still being a good person in spite of her heritage... that could have been something. but it’s so clearly not what they had in mind from the start, and it spits in the face of the last movie’s themes. it turns out greatness CAN’T come from anywhere. it has to come from one of these select few Special Bloodlines

oh! and this ALSO reframes rey’s parents abandoning her and selling her into slavery as an act of kindness, because they had to hide her from her spooky evil grandpa. so THAT’S fun. (edit: OH! and luke and leia knew about rey the whole time!!! and didn’t go out and look for her!!!!)

it’s just. it’s so bad what they did to rey. i don’t know if i even have much to elaborate on there, everyone’s already said how stupid it is

---

overall, i still wouldn’t say it’s the WORST star wars movie. it’s more watchable than the phantom menace, that’s for damn sure. the actors put in effort. the sets and practical effects are nice. it’s just so... empty

tros possibly feels the closest to how i imagined the new trilogy would be when it was first announced, but in a bad way. a movie built entirely on established ideas of What Star Wars Is with nothing new to bring to the table. it’s like a bad eu novel. just recycled imagery, cameos from characters we already know, palpatine coming back from the dead, that sort of thing. it’s a movie made by committee to appease reddit. it’s nothing

now i gotta use that free trial of disney plus to watch the mandalorian and wash the taste out of my mouth i guess

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surveys-at-your-service · 3 years

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Survey #421

“hunted by hundreds and never to be caught / descent to wander, bring terror and take 'em all beyond”

Which do you prefer, donut holes, jelly filled donuts or normal donuts? Normal donuts. When you get old, are you going to make a will? I mean probably. Ever made your own definition for something on Urban Dictionary? No. What do you call your grandparents? "Grammy" and "Grampa." Do you like weddings? Not especially because I'm a bitter fuck. Do you want to live in a dorm in college? I never wanted to, so I never did. Have you ever had your tonsils taken out? No. Are you single/taken/crushing/confused? Single/confused. Is your best friend single? Yes. Is your first real best friend still there for you? I mean we have one another on Facebook, but that's the extent of it. Do you still care for your first love? Very much. I hope he's doing okay since his mother passed. What color is your blanket? Navy with black swirls. Are you listening to music right now? Yes. I am obseeeeeessed with Alissa White-Gluz's cover of Powerwolf's "Demons Are a Girl's Best Friend." Have you ever felt as if you lost your one true love? I feel like that all the time. But I should add that I don't believe there is JUST ONE person designed for you. There are way, way too many people on this earth to have just a single, perfect match. Which do you like better: Bowser, Mario, Luigi, or Princess Peach? Well I mean I always picked Luigi in Mario Kart, so I got a bias, ha ha. How many tattoos do you have? Six. Plenty, PLENTY more to come, though. Would you ever consider getting a mohawk? No. What do you like to do most in your free time? Do random shit on the computer. What’s your work title? Unemployed. Do you pay rent? I don't. What was the reason behind the last time you wore a bandage? I cut my finger opening up a cup of yogurt. Yes, I'm serious. What music artist have you listened to a lot lately? Powerwolf, lately. And Motionless In White. Who is taller, you or your best friend? Me. When was the first time you ever listened to your favorite music artist? Well, as a little kid, Mom would play some Ozzy in the car occasionally, and I actually loved "Perry Mason" so much that I would ask for her to play it. Growing up I'd obviously heard "Crazy Train" through random things, but I never truly listened to him until I got into middle school and went through my mother's CD case, discovering new music as I got into rock and metal. Do/did your siblings cause trouble? Nah, not really. If your siblings are old enough, what do they do for work? I honestly don't remember my half-siblings' positions, but my immediate younger sister is a children's social worker, and my older sis is a mammographer. Have you ever been jealous of your siblings? Jealous, no. Envious, extremely. They know what the hell they're doing with their lives and making shit happen. Do you still live with your parent/s or do you live alone/with a partner? I live with my mother. What feeling do you have the most difficulty in expressing? Jealousy. How do you think you would handle yourself in a crisis situation? Freeze up and probably die lol. Does any particular season make you happier than others? Why/why not? Yes, autumn. It's not hot as fuck, the air always feels so fresh to me, and I love the many colors of fall. It's just... chill. Can you adapt to change easily? Any examples? FUCK. NO. Do you see yourself as worthy of love? Why/why not? This answer can change from "yes, because I'm a good human" to "fuck no because I'm worthless" in 0.5 seconds. Do you think you are competitive? Do you really dislike losing? Not in general, but I can be in some areas. What would you be famous for? Fuck if I know. If you had to, would you rather dye your hair red or black? Red. I loved my hair when it actually took red dye well. What do you typically do on Easter Day? Go to my older sister's house. Have you ever viewed the moon through a telescope? No. Do you normally finish one book before starting another? Always. If you were given the chance to be immortal, would you take it? Heeeeeell no. Would you pierce your nipples for $100? Almost certainly yes; I mean that's $100 for something I can just take out if I don't like it. Have you ever dated someone who had a child? No. Would you ever consider adoption? Even if I wanted a child, no. I know I would need either the blood connection or for the child to be my partner's that I truly love. Do you tend to go for guys/girls with certain eye/hair colors? No, I really don't care how you look on the outside. Do you know anyone who plays guitar? Yes. Do you live within an hour of the ocean? More like two hours. What are you currently sitting/laying on? My bed. Have you ever dated a friend of one of your siblings? No. Did you have an imaginary friend as a child? An imaginary wolf, yeah. Which parent do you look most like? My mom, I think. Ever failed a test? Yes. That's all I did in algebra during my last college attempt. Do you have any friends who are famous? No. Your most recent ex breaks down and tells you they love you, what do you do? Well I know she loves me as a friend, but idk if she still does romantically, but either way, I'd tell her I love her too and ask if I can do anything for her. You and your last ex: who should hate who? Neither of us. We have a perfectly fine relationship. Do you believe you pick who you fall in love with? Definitely not. Last thing you ate? I had a peanut butter sandwich for breakfast. Are you obsessed with someone? *discreetly eyes Markiplier* If you had to write a brief message on a dollar bill that many people would eventually see as the currency circulates, what message would you write? I'd have to think longer on this, but definitely something about not putting so much worth into the money and not allowing greed to rule the individual. What serves as the greatest motivation for you in your daily life? The hope for a happy, prosperous future. If you were a multimillionaire, what do you believe you would be doing at this very moment? Well, it's morning and this is my prime time to really just chill and do my first scope of the Internet, so I'd probably be in a beautiful house in the woods of the mountains by a beautiful waterfall. I'd have the windows down to listen to nature, make sure via AC if necessary that it's cool... Damn, that sounds nice. If you could have a cookie jar full of anything you wanted, except money or cookies, what would it be full of? Hm. Perhaps a very motivational quote that I'd draw each day, kind of like fortune cookies, but actually good and applicable, ha ha. If someone were looking for you in a bookstore, in what section would they be most likely to find you? YA or fiction. If your ex came up to you and asked you to take them back, what would you say? Anyone but Jason or Sara would be an automatic "no." Jason would have to really prove himself. Sara, I'd be willing, but would ask her if that's what she really wants given our positions right now. Do you think Ke$ha is annoying? I don't know anything about her personally. I actually liked her music back in the day, even when I was all about metal. Last time you were hit on? No idea. Do you ever write in pencil any more? I always do if I have that option. I don't like that you can't erase with a pen. If you HAD to get a piercing (not ears) what would you get? At this current time, my right nostril again. What do you wish you had more knowledge about? Politics. Would you ever get someone's name tattooed on you? Noooo. Do you have a lot of scars? Yes. I scar very easily. Have you ever had stitches? Twice. Have you ever dealt with a divorce or parents fighting or any kind of abuse at home? Before my parents divorced, there was a lot of fighting. Do you remember the person you first kissed? Of course I do. Have you ever kissed someone you weren’t dating? No. Who was the last person you fell asleep with? Sara. Have you ever listened to music you hated just to fit in? "Hated," no. I just tried to get into bands that I just couldn't, but didn't hate. Ever been called babe? Yeah. What is your favorite Pop-Tart flavor? Chocolate sundae. Have you ever made your parents cry? Yeah, sadly. Do you wear glasses? Yeah. And yet I'm still blind with 'em. Have you ever made out with somebody on a bed? Yeah. Are you tan? Most definitely not. How did you meet the last person you texted? She kinda like, gave birth to me. Next big event? My nephew's fifth birthday. Ugh, how is he getting that old. Do you think you have to be skinny in order to be beautiful? Fuck off, no. There are some gorgeous/attractive plus-sized people. Have you ever made out on a couch? Yes. Has the last person you kissed ever seen you cry? Oh god, she witnessed me sob once. Would you ever get gauged ears? I want very small gauges in my bottom earlobe piercings. What is your favorite sushi? Ew. Have you ever been in a school talent show? What for? Noooo sir. What were you like at 17? Oh god... so sad and yet so happily, madly in love at the same time. I both love and hate that era. Tell us about your worst date. Haven't really had a bad one. I had one with Tyler that was an adventure that most would consider awful (flat tire, had to walk in the whipping wind), but I had fun, ha ha. What should be illegal that isn’t already? I dunno. What’s the song you most wish you had written? Probably John Lennon's "Imagine." What is the worst break up you have experienced? Y'ALL KNOOOOOOOOOOOOOOOOOW. Do your parents wish you were more successful? Oh, I am CERTAIN they do. They'd never admit it, I'm sure, but I know I'm disappointing. I had so much promise in school. Has a significant other called you unattractive before? WOW, no. Has a significant other ever called you by the wrong name? omg no Have you ever caught someone doing something bad? Cheating on their bf, yes. Has a dentist ever screwed up on anything when working on you? No, I don't think so. What is the worst birthday you have ever had? My 16th. I felt very, very unloved. I don't even like going into it. Have you ever been spit on by a llama? No. Have you ever locked yourself out of your car/house? The house, yes. With my elderly dog with arthritis, in the middle of winter after a good snow. I was freezing, sitting on the front porch and eventually crying. My phone was inside so I couldn't reach my mom, who was at work. As night came, I finally broke and went down the street knocking on my neighbors' doors, and probably the worst fucking one opened. With a gun in his hand. He was apparently an ex-sheriff, and he clearly didn't trust me. He was kind enough to let Teddy, who was incontinent and marked territory, inside (thank fuck he didn't pee in the guy's house), and he gave me a jacket, but Christ, we played 20 goddamn questions to see if I was legit, I'm assuming. I was beyond thankful when Mom finally got there when I used his phone to call her. And as it turned out? The door wasn't even fucking locked, our old dog just jammed the hell outta it by jumping. I was so, so pissed.

#survey #surveys #random questions #lyrics: ''beast of gévaudan'' by powerwolf

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iknowicanbutwhy · 3 years

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To anyone who thinks texting is a billion times worse than talking on the phone and that texting is a miscommunication disaster ready to happen: I get you. You're probably 100% exactly like my friend who I hate texting despite how i rather appreciate talking with them on call or in-person.

Hear me out, though. Please.

You know what's weird? I love talking with my other friend on text more than i talk with them in real life. No, it's not because they're untalkative irl. No, it's not because they have a different personality in text. No, it's not because they have any trouble whatsoever communicating in-person (more than the usual trouble everyone sometimes deals with).

It's because I'm the one with the auditory communication issues. I stammer and stutter, I can't forward my opinion in that microscopic pause between people talking, i can't think quickly when i or someone else is speaking, i can't think quickly, and i can't double check my grammar when ive already said something - among other problems.

And that friend i like to text? Just so happens to be skilled at texting.

Yes, texting well is a skill. Something that you can learn and cultivate and look up on Google. So if you hate texting and find it irredeemable, you probably don't have the skill for it. But you can still learn just by using your normal speaking skills while remembering and sticking with only a few bitty - yet crucial - rules of texting.

You may not want to learn to text. You may want to speak and text only when necessary. You may defend your point by stating that texting lacks key human communication, such as body language, tone of voice, rhythm of voice, and other context that adds to the meaning of words in a way texting could never have. Aaaand you'd be right, actually. Italics and bold and emojis/emoticons and writing style can only do so much while the imagination fills in the gaps - and unlike with books, if the imagination sees/hears something terrible in a text, it's offensive instead of interesting.

So, what about the people who don't have the skill to make coherent, intelligent sentences with their mouth in the first place? The context doesn't help too much, then. Of course, why should you have to learn how to text when clearly these people who are afflicted by their inability to speak should be learning how to talk, because it's more effective and healthier for them that way?

You're right, they should be learning. And they are! There's no avoiding speaking in real life unless you're mute, selectively mute (let's be understanding), deaf (sometimes they learn to speak and that's awesome), or something else I can't think of. Those with speech impediments - when they don't know sign or there's no one who knows sign nearby - are generally forced to try to speak, and are constantly training to communicate well. People with social anxiety don't want to be afraid of talking, and especially if you befriend someone with social anxiety in real life and talk with them in-person, they'll try their best to open up in-person too. And me? Who can't think fast enough to speak for some reason? I'm trying to change that, too. I hate being unable to speak as well as I text, because speaking is more efficient.

But it would still be really, really nice to have a deliciously complex conversation sometimes, and for those of us with trouble speaking, we developed the skill of texting to better fulfill that human need to communicate and share. We're trying to speak. But.. it would be really nice of you to text.

To text more than just "okay"

To elaborate on "I can't"

To exclaim more than only "ah"

To give something that isn't difficult to find a specific response to.

And it can be easy to; we text-savvy people swear our hearts on it!! Google provides lots of good links when you search "how to text well," but I'll sum up a few common tips to texting with meaning.

Text proportionally. This is probably the only rule you need to remember, because all-in-all, the best way to text someone (if they're not sending one or two words a text) is to follow in their example. If they ask your opinion? Tell them yours and ask theirs. If they send texts of two or three sentences each? It's polite to try responding with the same magnitude (keyword: try. You can't always do it). They send you a paragraph? You don't have to send one back (even though that'd be real cool) but if they seem to be expecting a thorough response, don't be afraid to tell them you can't think of much. Just make sure you follow tip #2. Just imagine what it's like talking to a cat that only meows vaguely at you in response. Maybe you think the cat is smart enough to somewhat understand, and you're getting the chance to let your thoughts out at it, but getting basically nothing back is kind of boring.

Dont send curt, few-worded answers. This includes saying just "k" or "ah" or part of a sentence that you're never gonna finish. It sends the message that you're not interested in thinking about whatever the person texting you just said. Sometimes you can send a tiny response as a joke, but do it over and over again, and the other person will think you're never interested in talking. If you're not interested in talking (not just in text, i mean audibly too), it'd be less rude to simply say your not up for talking, with a short, polite apology.

Respond as soon as possible to a genuine question. If you need to think, say so. If you can't respond just yet, say so. This is a personal thing for me. I'm in the middle of a conversation that has been active for a while, i ask an important (sometimes timed) question, and nobody responds for an hour. I lose confidence and take the silence as "no, don't be ridiculous," and take back what i said. Then, very suddenly, i get a response finally informing me that someone needed to ask their mom and the conversation took a while, or they were researching the question, or chores suddenly came up, or etc etc. People get busy all the time, and especially on text, it's easy to suddenly drop out because something irl shows up. But it's hard to tell the difference between being ignored, missed, or being considered. Your excuses are valid, but even a vague "brb" and then later a quick explanation would be more informative than straight silence.

If you need to leave in the middle of a conversation that's been very active, say so. Building off of the last one, it's just polite to be informative. Now, you don't have to say you're doing this at some specific location for a particular amount of hours and you'll be hanging out with whats-their-name and then you'll go into the bathroom and pick your nose in the mirror - no, you don't have to be specific. Just make it clear that you'll be gone for a bit and you'll get back to the conversation another vague time. It's polite, that's all, and alleviates the worries of all us anxious individuals who think "oh no did i say something wrong its been like 20 minutes and they left suddenly-"

Try to leave an avenue of conversation open for the other person to pick up on. This one is easy because generally, all you need to do is think of an open-ended question that isnt yes-or-no. Say something, then ask a question that relates to what you said that the other person can add to. Like.. the other person said they like a certain band, and you like that band, too. You could tell them your favorite song from them and gush about why, then ask what their favorite song is and why? Then it's up to them to give a good response.

If a conversation turns exhausting because you feel like you're pulling all the weight, then drop it and politely say goodbye. There's all these tips about good texting but sometimes, when you can't bring the other person out of their shell or they are genuinely uninterested, it's because they are the ones not doing their part in the conversation. You've tried your best, and if they wont thank you, then I will. And someone in your future who knows how to text and is interested in what you have to say will thank you in their heart. Just, not the person who you're walking away from right now.

Observe the texting "body language" of others. This sounds weird, but examples of this would be using bold to outline the absolute importance of things, italics to slightly emphasize something, s p a c i n g to signify your mind being blown, emojis to express light emotion (unless someone uses way too many, which, that's just a bad habit and sometimes an art form), "ha" for sarcastic laughter, fjsjskajfjie for real laughter, ALL CAPS for high energy, etc. Im sure you can Google it, too, otherwise you can just learn from experience. It's all generally very universal unless you meet a Homestuck, and pretty soon, picking out and giving out emotions in everyday text will be a little easier.

That's all I got right now. Thank you for reading this far and indulging me with this topic. It's okay if you want to keep your avenues of conversation far away from texting, because it's all your own choice, but just know that if you ever do find someone interesting who speaks better in text, it's not impossible for you to communicate with them as well in that format. Just takes practice :) (<- that's a genuine, gentle smile, otherwise I would use c: or :3. Someone else may use it differently, however. Think of it like my personal accent.)

#important #just needed to rant that for a bit #that friend i mentioned who cant text? i love her but she's frustrating #she thinks she's never gonna be able to text well #and im screaming internally because i cant call (my background is noisy and i can't hear well)#and im not sure how to give her some tips without her vaguely saying okay #and maybe perhaps saying that she's simply better at speaking and she'll leave it at that #which breaks my heart but okay ill just go talk to someone else #still #i needed to rant #if anyone can add some extra tips that would be... delicious #texting #communication #miscommunication #text #text vs call

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yumeka36 · 4 years

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Frozen 2 review

I’ve seen Frozen 2 twice now and feel like I’m ready to review it (somewhat) objectively. Obviously there will be spoilers so read at your own risk.

I’ve looked at a number of reviews of the movie both from fans and general critics/moviegoers, and it made me realize exactly what kind of movie this is: pretty much all of the criticism I’ve seen has to do with the plot being unfocused and rushed at times, with points made about the convolution of the mythology elements. On the other hand, the praise I’ve seen has to do with the growth of the characters, how appealing Anna and Elsa’s development is, and the overall message of accepting change, righting past wrongs, and being who you’re meant to be. It’s almost like the critics who didn’t like the movie and the fans who did had completely different expectations for what they wanted to see, with the former expecting some intricate fantasy plot that all clicks together and is fully fleshed out, while the latter is expecting to see their favorite characters face new adventures while growing their relationships and personal identities. And this latter interpretation is the defining point of Frozen’s appeal, even more so in the sequel: the franchise is all about the story arcs of Anna and Elsa and how their bond as sisters helps them grow stronger together as well as individually. In Frozen 2, it’s the characters that are driving the plot instead of the plot driving the characters. And because of this, the movie would rather spend more time focusing on character songs and interactions (not just Anna and Elsa but Olaf and Kristoff too) than exposition and fleshing out of story elements. It would rather spend time showing Kristoff singing about his pining for Anna’s love, give Olaf scenes showing how his new-found knowledge has made him view the world, and give Elsa a follow-up to “Let It Go” in “Show Yourself,” than to spend time explaining, say, the Northuldra culture, how the spirits can make decisions like giving Elsa powers, or exactly how the magic of Ahtohallan works. Yes, this does make some story points lacking and hurried, but I feel that the filmmaking team relies on the fact that we’re so in love with these characters that not understanding every detail in the lore and plot won’t ruin our enjoyment. And, from the acclaim the movie’s getting, I’d say they’re right.

Frozen has always been about quality character story arcs as opposed to quality world-building, but the reason this is more prominent in Frozen 2 is because the first movie had a smaller scale story with minimal lore to focus on, so the character arcs stood out more. Because the sequel brings in more world-building elements, it’s easy for someone who’s not invested in the characters to focus on and judge the movie based on the fine details of the plot. Of course it would be nice if we could have both: intricate, solid world-building as well as character development, but that would probably make the movie too long – it could work for an ongoing series but not for a time-restricted Disney movie that only has a degree of creative liberties and still has to adhere to certain story flows and formulas. So then the questions are, did I feel enough was explained in Frozen 2 to make sense of the story even if a handful of things were lacking? Did the quality of the characters and their developments and relationships make up for a plot that was a bit messy and unfocused? I’d say the answer to these questions is yes.

With that in mind, as a fan judging the movie based more on how the characters are handled rather than the plot, and considering the hype the movie had to live up to and the insane number of directions they could have gone with the story, I think the final product turned out to be very good. The few things I had issue with are as follows:

-as I discussed in most of this post, I admit that the movie is a bit rushed at times, with certain scenes and plot points that needed more focus being glossed over. An extra 5-10 minute runtime would have benefited it immensely: a few more scenes of Agnarr and Iduna in Ahtohallan, more discussion in the finale of Anna becoming queen and what Elsa’s role as the fifth spirit is…even just another 30 seconds for each of these would have made a big difference. But at the same time I feel enough is explained to satisfy a general audience and the main appeal of the movie – the character arcs and relationships – is very well done.

-Kristoff’s failed proposal in the wagon felt way too forced. Anna was just way too quick to misunderstand him, making it feel very unrealistic and it only made their relationship look regressing rather than progressing. The other attempt in the forest was a bit forced too but not as bad as this one. These scenes definitely could have benefited from another rewrite. But thankfully they’re short.

-the new characters like Matthias and Honeymaren contributed virtually nothing to the plot: they could have been replaced with just nameless Northuldra and Arendelle soldiers and nothing would have changed in the story. I think the only reason these characters were made is because there’s some rule that Disney sequels have to have new characters and can’t just rely on the strength of the old ones, so these guys were created even if the movie didn’t necessitate them. Even the four spirits were more plot devices than actual characters. As cute as Bruni is, as soon as I saw him I was like “yeah, he’s just there to sell toys, not gonna contribute anything to the narrative flow” and I was right. This again goes back to what I was saying before about how Frozen 2 chooses to focus more on its (star) characters than world-building through new characters. So in a way, having these new characters isn’t a flaw and it actually shows just how good the original Frozen characters are: they still have so much depth and personality that hasn’t been explored that they can carry this new story on their own without the help of new characters.

But other than a few missing and rushed plot pieces and a little poor writing in Kristoff’s scenes, I thought the movie delivered very well. The love Anna has for Elsa is so amazingly conveyed in this movie that you don’t even need to see the first movie to understand it. All of their interactions and conversations felt so genuine. Olaf was very funny even if all of his jokes didn’t hit their mark. Most of the songs were great and really felt like they were written to move the characters and story forward and not just to be earworms kids will always want to sing. “The Next Right Thing” is one of the darkest moments I’ve seen in any Disney movie, but also one of the most emotionally moving and I have to give kudos to the creative team for keeping it in. “Show Yourself” is the true successor to “Let It Go” (why do they keep pushing “Into the Unknown”?) and is such a beautifully sung and beautifully animated sequence. Speaking of the movie’s animation, it’s gorgeous and it’s so amazing how far the technology has come since the first Frozen. There’s so much detail and nuances in the characters’ expressions and actions that only multiple viewings can pick up on.

Of course, I can’t complete this review unless I discuss the elephant in the room – the ending. Anyone who’s been around the fandom the past couple months knows how bent out of shape everyone got once a vague description of the ending leaked online. Now that I’ve seen it for myself and know all the context, I’m okay with the message: Because Iduna did the right thing and saved Agnarr despite him being her enemy, the spirits gifted their child with powers that could be used to correct the past wrong, should she choose to. And because Anna did the right thing by choosing to destroy her kingdom to save the forest, the spirits freed Elsa who, in turn, was able to save Arendelle. Elsa fully embraced herself and is able to live as she wants, but still able to see her family when she wants. It’s not that she didn’t like being queen of Arendelle and living with Anna and the others, but now that she knows exactly what she is – the fifth spirit – she wants to explore that, but is still able to have a life with her family too. Likewise, Anna has found a purpose she never had before. Even though it’s a major change, she’s happy because she knows Elsa is happy and they can still see each other whenever they want. But as I said, exactly what Elsa does as the fifth spirit should have been explained more (hoping it does in future installments). For what we got though, it was a happy ending, but I won’t say it’s satisfying until we get some more information in future books, filmmaker interviews, and, hopefully, future animated shorts and sequels.

I’m still trying to get over the shock, not just of the fact that a movie I’ve been speculating and daydreaming about for six years is finally here and known, but also the fact that it ended up being very different from what I ever imagined in my theories and headcanons. But now that I’ve watched it twice, I understand the direction the filmmakers went and can appreciate the message they wanted to convey even if the execution was a bit messy. I’m hoping I’m high on Frozen 2 for a while because once it wears off and, assuming, there’s no announcement of new Frozen content by then, I’ll have to figure out what to do with my life! This movie is all about coming to grips with change and I’ll definitely be doing that in reality depending on what the future holds for the Frozen franchise. But as of now, I’m still willing to follow Anna and Elsa into the unknown.

Art credited to @pacota22ma on Twitter

*Crossposted from my main blog, Yume Dimension*

#frozen #frozen 2 #frozen 2 spoilers

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just-honey-dewd · 4 years

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What medium best expresses Sonic’s character?

Right, so this is a bit of a detour from the typical Hazbin Hotel posts I’ve been making, but I really did a heck-ton of work to come up with this. Then again, I type overly long paragraphs as a hobby, so jokes on anyone who thinks I don’t do this for fun... but then again... jokes on me for making the time to type Hamilton-esque essays on fictional characters ._.

Okay enough with tangents, this is an essay dedicated to answering what medium -- songs, scenes, cartoons, maybe even a comic issue -- best encompasses Sonic’s character. Take in mind, throughout the 29-almost-30 years of Sonic, there have been many iterations and takes on the character that either differentiate on a minor level, or to the point that some Sonics when compared seem to be starkly different characters altogether, so this is purely what I feel is the best take on Sonic’s character. For my sake, I’ve sworn off including material that require a long-winding read through some mediocre storylines -- nothing personal, Archie Comics. I won’t be covering Archie Comics because I’ve yet to finish reading all 200+ comic issues because that’s not humanly possible for me. If I ever manage to though, I might make a post about Archie Comics in some way. For now, here’s my personal essay on “What medium best expresses Sonic’s character”

Starting off with shows...

Sonic SatAM (1993) and Adventures of Sonic the Hedgehog (1993) are products of their time, and I never got to watch them when I was young, so I hold no sentimental nostalgia. Sonic SatAM seems in-line with Archie Comics, with the Freedom Fighters plotline and the infamous Sonic mohawk with lasted for a significant amount of issues. Adventures of Sonic the Hedgehog was pretty comical and lighthearted in comparison. Both were voiced by Jaleel White, had the same artstyle, and established Sonic’s character in vastly different tones. It’s rather outdated as Sonic has lived past the 90s for 20 years, where he got revised and reinvented to suit the decades. So both characterizations are simply inapplicable to Sonic’s character.

2003′s Sonic X worked off of the newly reinvented Sonic and paved way for Sonic’s personality for the following years, but I do have critique over the show, and their execution of Sonic’s character. Though they did provide Sonic's "constant desire to run", he lacked soul and the over-the- top nature of his character. Sonic throughout this show displayed a rather hollow connection with his relationships, was as distant and aloof as Knuckles for seemingly no reason, lacked much depth and barely developed, and was overall, very poor with communicating his thoughts and actions -- which ultimately led to a number of plot lines where his friends and/or authorities saw his intentions as malicious or even evil. Sonic is hyperactive and free-spirited -- something this show doesn't fail to display -- but Sonic lacked his heart. Where was that desire to hang out with his friends? Where was the underlying love and compassion he'd constantly display in and out of battle? Where were his cheesy yet well-meaning impromptu speeches? These aspects of Sonic were sorely lacking and missed when I watched through this series which is why I believe this anime didn’t really express Sonic's character.

Sonic Boom...

...is a lighthearted, slapstick sitcom-based comedy. Very episodic, which is aight, but the the show’s execution as a whole was mediocre-borderline-bad. It doesn't have much elements inherently Sonic-esque -- it's a product of the Modern era, which at this point, doesn’t seem to have good connotations. No worthwhile soundtrack, stunted animation and movement, embarrassingly heavy reliance on overused archetypes/stereotypes at the expense of the characters, repetitive plots that get the THICC layer of frosted sarcasm and self-awareness. Sonic had attitude sure, there was a clear level of disinterest and cynicism to this portrayal -- it was as though protecting people felt like a burden and chore to him. It doesn’t help that this feeling is justified as Eggman’s been reduced to a pathetic Saturday Morning villain with lesser competency in being a world threat, and much rather a constant nuisance to Sonic’s town than anything else. Subjectively speaking, this show's clearly not for me -- even when I was in the supposed age range at the time. Objectively, this Saturday morning cartoon should've been branded as it is, rather than a Sonic cartoon because the identity of Sonic the Hedgehog definitely got skewed and misconstrued by the eyes of newcomers whose first exposure to Sonic the Hedgehog character was this. Ironically, due to this show, I subsequently furthered my distance from the franchise at that age, and got into it much, much later in life.

Now moving onto the songs...

Initially, I considered “Escape from the City”, “Live and Learn", "His World" and "Fist Bump" as good contenders in defining who Sonic is. But through some vigorous looping of those songs, I've pinpointed what they've to offer in showing Sonic's character, and due to my consistent nature of typing overly long arguments about anything I find interesting, I'll be putting each song into its own paragraph -- picking out any significant verses, and explaining why I think each song subconsciously contributed to my thought process that they would be the best take on his character. Afterwards, I’ll finish with my conclusion. (I personally suggest you go listen to each song as you read each paragraph)

"Escape from the City" is a timeless bop, and I will play it in the car whenever I'm actively escaping from authorities in my city. What this song does is use rhythmic beats and repetitive bass line to emulate the constant adrenaline and excitement Sonic feels when he's moving around, it embodies his carefree nature and spontaneity to a T. It succeeds in portraying the energetic, upbeat aspect of his personality as the song itself contrasts the very dangerous implication of being chased down by the government for a crime you didn't commit. Sonic doesn't get enough credit for the amount of cheerful optimism he has -- always moving with a spring in his step, or steps considering the speed part. He brushes off the most life-threatening dangers he has to face and takes it all in with that well known Sonic™ grin. It also shares a constant message of "Live and Learn" (which the song of the same title) -- this is a rather succinct version of Sonic's mantra. The song is very Sonic, but only manages to show his surface level personality. Kinda like Sonic X's theme song "Gotta Go Fast" but it's much less in your face about Sonic's whole shtick. Another thing to note is the element of "escape" is a constant in both "Escape from the City" and "Endless Possibility", which I'll get further into later. Given that this song was more focused on the primary objective of ‘City Escape’ the game level rather than exploring Sonic’s fundamental character, it's very cool how it just so happened to tie in well with him...

"Live and Learn" was more of a Sonic and Shadow song, so I already kinda figured it wouldn't manage to explore Sonic's character much. The first verse and chorus offers as much for Sonic's character as Shadow's oh-so few lines of verse 2 does. Again, the song only manages to provide Sonic's surface level personality. Reason it came up in my mind was because of the words 'Live and Learn'. It's a very motivational and inspiring line -- what got me thinking about Sonic’s character in the first place. It's an unspoken rule for him to take life headfirst and live in the moment, and legit the second issue of the IDW's comics reiterates this by Amy expressing that this free-spirited approach to life is what essentially makes her love him.

"Fist Bump" was like my first exposure to Sonic main theme songs -- and I'm still into listening to the song. I realize the lyrics are pretty generic, but it does reflect the general focus of Sonic character very well -- which may further explain why Modern Sonic is much less... developed, to say the least. What the lyrics essentially hone in on are Sonic's loyalty to his friends and his.... unyielding determination? Honestly, a very generic take for a main theme, and it reflects on the quality of the game if even the music lacked much personality compared to any heroic video game character theme song. Sonic had more personality to offer in his silent protagonist games, compared to this. This issue with Sonic's character barrels down to Modern Sonic retaining his previous counterpart's cheesy insistence to spout improvised speeches and embrace the power of friendship -- though it's definitely gotten out of hand in this case. We need balance.

Making Sonic more family-friendly ≠ Dumbing down what nuance or individuality there was to his character and making him every other generic hero protagonist who quips for 90% of his dialogues.

Finally, "His World", but I'll do Crush 40 and Zebrahead's separately, sort of. Crush 40 explicitly tells Sonic's character how it is -- his strict moral code, good intuition, confidence in himself, "seize the day" mentality, straightforward disposition, stubborn determination, love for his friends, and fearless risk-taking -- it's pretty lengthy but it does a good job as Sonic's theme and manages to state what it's like in his world. However, the song faces eerily similar issues to "Fist Bump" with it's lack of creative interpretation with its lyrics, and compared to "Escape from the City", it seems more formal and serious in tone which is reflective of their portrayal of Sonic.

I interpret Sonic as a multifaceted character, but when listing out all those traits in the verses and chorus in the song’s tone and format melody-and-lyric-wise, the song makes it appear as though Sonic is strictly a pillar of justice and represents the strong, untouchable hero persona -- which I find to be a detrimental writing aspect for his character. It writes off his personality as second priority to the reputation that would have receded him through the years of defeating Eggman and saving the world -- and subsequently, paints his character in a rather dulled and overly no-nonsense light. Not saying I don't want Sonic to be serious at certain points, but I think with this song, and this game as a whole, there was some truth to the issue of Sonic '06 being a little too serious. While these characters were well-written in this game e̶x̶c̶e̶p̶t̶ ̶t̶h̶e̶ ̶t̶h̶i̶r̶d̶ ̶p̶o̶i̶n̶t, I've had personal issues tied to em:

Shadow coming back was quite risky and foolhardy for his character journey and I believe if it weren't for the great execution for his storyline in '06, his appearance would've been viewed as fanservice -- which is what he's sadly been reduced to now

Silver's character concept as a whole was pretty dark and serious, which again isn’t a bad thing, but with the plot resulting in him seeing Sonic as the Iblis Trigger, it limited Sonic's ability to play up his easy-going, carefree nature since he couldn’t just brush off that accusation with offhanded remarks as that would’ve risked Sonic coming off as insensitive and unsympathetic at that moment. Which is not what the writers want their characters to go.

Elise. There, I said it.

On top of it all, "His World" is pretty slow-going for Sonic’s theme, which I could try justifying by saying it might’ve been a representation of significant growth to Sonic's character -- perhaps the journey managed to shape him into a man (hedgehog) who could spare a bit of time to contemplate his next course of action -- as this game definitely explored a major deviation from typical Sonic game story lines. But, even with that, I still really prefer Zebrahead's version.

Zebrahead's is vastly the same when telling Sonic's character how it is, but the instrumentals, pacing and speed is increased significantly that it definitely sounds more reminiscent of Sonic's musical style -- fast-paced rock and roll. But, I’ve yet to figure out the significance of the lyrics:

Especially when it follows right after "Never fear the fall" -- so you take the leap of faith, but also don't let yourself fall in the process? Pretty weird flow of words there, but maybe I’m just not getting it at all. Point is, what both songs hone in on is Sonic's intuitive sense of justice and a bit of his carefree nature -- since the lyrics from Zebrahead's specifically highlight on Sonic's "leap before looking" nature. What Zebrahead further hones in on is his adventurous and hyperactive qualities as verse 1 and the bridge show. It's a timeless song of anticipation and build-up with good execution, but it doesn't cover the main essentials in what makes Sonic Sonic.

Finally, reaching the song I've found best covers the basics and essentials to Sonic's character is...

Believe it or not, “Gotta go fast” encompasses the defining characteristics of a well-written Sonic -- the title itself is a testament to the his motto and is all things Sonic stands for.

While this refers directly to the plot of the show itself, it manages to familiarize us with the speed and urgency crucial to Sonic’s character and--

Okay, clown time’s over, here’s the real winner.

Unleashed's main theme: "Endless Possibility"

From the get-go, intro already separates itself from the other songs by being freeing and exciting, without being too carefree like "Escape from the City", too orchestral or urgent like "His World", and definitely more compelling lyric-wise compared to "Fist Bump". This tone is a constant throughout the song, and makes it seem like Sonic's the one directly singing -- the singer nailed it with the level of obnoxious and genuine tone to his voice.

This song, like the rest of the other main themes, reflect the game itself. Unleashed is a race against time for Sonic to fight Dark Gaia before the Earth gets torn apart. But similar to the gameplay and form of story, the music is very fast-paced yet unburdening, with hints of inner contemplation, and darkness (or how I like to put it, edge). The first verse already succeeds in getting into the bare bones of Sonic's character -- he runs, he can never stay still out because he knows that's not who he is, he's free-spirited and will run around the world out of his own volition, it's a form of escape and liberty to him -- and this is what ties into "Escape from the City”. This verse sums up the essential traits to Sonic better than any of the previous songs without letting one attribute overpower it. It refers to his three fundamental traits: that he's fast, adventurous and carefree.

The pre-chorus further expands from verse 1's establishments, by showing the deeper, inner turmoil that pass through Sonic's mind -- “How will I know when I get there? And how will I know when to leave?” -- these are the rare instances where Sonic is found in inner conflict with himself which came out of his simplistic philosophy rather than an external conflict or influence, and it's more of unspoken and nuanced as Sonic never usually calls himself into question for the way he lives. This showcases that he's capable of processing the long-term effects of living and moving around aimlessly -- constant adventure and freedom might eventually feel mundane, so he might eventually find the destination his heart feels is right for him, so what will he do when that period of his life unfolds, and will this period end the days of adventure and freedom? The possibilities are never-ending, so as always, he'll take everything in stride, and prepare for whatever hits him.

This is what the song's main theme is. Endless possibility. Potential and growth -- which reflects back to Sonic: mentally, physically and emotionally. Mentally, he's acknowledged that he's always growing and developing throughout his adventures -- as there's one thing that no one, not even Sonic can outrun, and that's change. "Endless Possibility" opens us up to the concept of ever-changing development for Sonic, and the possibility that he might eventually reach his unknown destination and end this long-running journey, while also implying that every journey that he goes through and ends -- whether it directly ties into the games or off-screen adventures -- will always lead with a new one. Unleashed encompasses this youthful feeling of change and vigor. Sonic is in his element and is going through a personal journey to save the world once again, but as always, he'll do it with enthusiasm and unbridled drive.

Interestingly, Unleashed feels reminiscent of Sonic X's Sonic but done right. Both have the character mostly isolated from his friends for the majority of their respective stories, but where Sonic X forces Sonic to clean up on Isle Eggbot each episode, Unleashed puts him through a singular adventure that requires he takes care of the major issue at stake while the others are doing their respective jobs or living their own lives. Unleashed's Sonic even has a temporary companion which he clearly warms up to and befriends throughout the whole journey, whereas Sonic X shows Sonic actively dismissing his previous friends to sleep, travel, and adventure for the heck of it -- while they spent a majority of the first season trying to find the chaos emeralds without him.

Sonic being isolated is usually due to situational happenstance rather than conscious preference. Sonic isn't inherently solitary or aloof, it's just due to his ability to move from place to place with ease that he subsequently has to leave his friends behind to confront the source of the problem. It's not a part of his character that he plays lone wolf like those archetypal "cool characters", the nature of what he does and excels at leads him to fight front and center, even if it means doing it alone. Despite this, he still is the sentimental, over-the-top dork that believes in the power of friendship and will go to the ends of the Earth to protect his friends. Which is exactly what he does in Unleashed.

The bridge provides the hints of edge where Eggman and Sonic exchange dialogue in the song, very much referring to the events of Unleashed's intro battle between the two. Eggman essentially tells Sonic to give up as he's actually beaten him -- which Sonic replies that it's not over, that this is just another start to another journey. The lyrics aren't very subtle about what they're saying, but it does a good job in encompassing two key traits when Sonic responds to any threats -- his cheerful optimism and unyielding determination. He doesn't respond to danger with simply quips, he responds to it with a campy but genuine declaration of strength and courage. The cheesiness in his words are very prominent, but he says them with a straight face like he's announcing his battle cry and promise to do what it takes to save the world and protect the ones he love.

In short, "Endless Possibilty" manages to fully encompass the best iteration of Sonic, and humanizes him to the point that I can only really see this as the current best sum up of his character without any needed dialogue, animation, or prior context. This song could just be tied directly to Sonic's overall character outside of the game's plot, and I'd be fine.

#my posts #sonic the hedgehog #sonic #sonic character essay #my character essays #small spoilers for idw #another session of overly long essays from yours truly

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missbecky · 4 years

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Okay, time for another long post about a cool weird thing that happened with my cards last night. I still don't know how I feel about deities, I don't know that I'll ever worship one, as that's just not me to worship. But I have felt as though there was an entity, goddess, force, something trying to reach me. Any time I've tried to glean information on who it was, I kept getting a door slammed in my face. I kept getting messages that I wasn't ready. And I was totally fine with that.

I'm unemployed right now, I'm a single mom, and I live with my disabled mother to help take care of her. With COVID-19, we don't take chances as my mom is in the high risk category. What that all means is that I've had way too much time on my hands. So I've been like a sponge, soaking up all the knowledge I can when it comes to witchcraft. Not being ready wasn't that big of a deal, because it just meant I got to do more research and keep putting off stuff I didn't really want to do.

Yesterday, I did my daily card draw, and the message was suddenly way different. Change has always been in the messages, but also the stopping in order to be ready for the changes. Yesterday morning I drew the the star, the chariot, and the hanged man reversed. I took that as a go for it.

Later that day I was prowling all the research servers, and the went to Google something about deities, and found an article/blog post someone had written about wishing people would stop using a very specific tarot spread for deity identification. Naturally, I decide to do that very spread. It was a five card spread, I wrote down what I wanted to know, and started shuffling. I shuffled for what felt like forever, and then when I laid the cards out, without thinking, I laid out 7. At first I was going to put the last two back, but decided to leave them. And the cards were all over the place. But I looked at it, and thought, "whoa, whoever this is, is not messing around.

So this is what I laid out.

Before I get into breaking down what these cards meant and how each one directly correlates to one specific deity, I want to point out where my head was at going into this.

I basically really actually got started with everything like 2 weeks ago. I'm basically still a newborn, right? Anyway, as soon as I start researching, I keep getting drawn to Deities. That's weird because I'm an agnostic and basically have no interest in higher powers. If they're there cool, if not cool. I have always believed that if there is some kind of being that could mold and shape the world, then my puny human brain can't comprehend them anyway, and it's really none of my concern. So, it's been really strange that this repeatedly keeps sticking out for me. I get the distinct impression that whatever energy is reaching out to me is female, a tie to the moon, the feeling of 3 was there, I knew it had to be associated with motherhood, and just a general overall feel of the empowerment of women. Naturally, I just kind of assumed Hecate, but that never actually felt correct to me.

So the 3 of cups being the first card just kind of reinforced the sense of 3 to me, and the whole sisterhood aspects of women empowering women. I wrote down 3, sisterhood, and good times. In the spread that was supposed to be 5 cards (and I did 7), the first card was supposed to sum up who the deity was.

I love my tarot deck for the strength card the most, I think. Strength is a mama bear. Again, this confirms my feeling of being tied to motherhood. The second card was supposed to represent the deities weakness. I wrote mama bear, power, and overly protective.

The third card was the chariot, and according to the spread this was their strength, their power. I wrote down action, strength, determination, will-power.

Then I get to the 4th card, the lovers. This is supposed to be what they rule. This one had me scratching my head. Now the author said this one will be harder to figure out, because the deities could even try to be snarky with this. I didn't even know what to do with this card, but like it made sense later. As I was going through each card individually, however, I came up with nothing, and in turn wrote nothing.

Card 5 was to be their symbol or association, and I had drawn 7 card. Anyway, I began analyzing the reversed hierophant, and the reversed 2 of cups. By that point I'm feeling personally attacked. And then the King of swords felt like a slap in the face. Words like logical, smart, level headed came up, which is honestly the person I've always prided myself on being. What was that person doing trying to contact a deity? I basically had to stop and ask myself wtf I was doing.

Like all shadow work, I decided to go browse the internet to distract myself from having to think about it too much. So I start googling triple Goddess and love, even though the lovers definitely didn't feel right, I'm like what the hell? Why not? Hecate and Diana come up, well that's not right. So I decide to take away the triple deciding I could just be way off base with the whole 3 thing. So I Google goddess of female empowerment and found a list of badass goddesses, and Artemis stuck out to me. But I'm like, no, that can't be right. This peace loving hippie couldn't possibly identify with the goddess of the hunt (which was the extent of my knowledge about Artemis). I then Google goddess of sisterhood, envisioning a woman running with a girl gang fucking shit up. What the fuck do you know, but that is Artemis.

After that Google search, I decide I clearly don't know enough about Artemis, and had recently downloaded some Greek mythology books, have never had the slightest interest in Greek mythology, but I saved them in my Google drive just in case. After finding out a bit about Artemis from Google, I turned to the digital books I had.

It was crazy how each of the cards began actually tying into the mythology of Artemis. She traveled with like a gang of nymphs, which I'm sure there was some sisterhood there. She helped her mother deliver her twin brother, and became like the patron God of childbirth. She defended babies and Young girls. She only ever wanted to belong to herself and so she requested everlasting virginity. From what I read she was very protective, straight up murdered rapists, and she was strong to a fault, which made sense why the strength card was listed as weakness. Apollo challenged her to hit a target way out in the ocean that she couldn't see, telling her she couldn't do it, she did it to prove she could and there was no better sharpshooter than her. The target was Orion, the only person she ever loved. So the reversed two of cards made sense. The reversed hierophant made sense because she was not traditional, she went against the grain. Her story is far from ordinary, even by mythological standards. She was a straight up badass that lived life on her terms and no one else's. There's nothing more rebellious than a woman with such control of her own life and destiny. And of course the chariot would be her strength identification, she was nothing but action oriented. The lovers could be interpreted several ways, but I take it as a woman who loves herself so fiercely she had no need for any other kind. But also when I think of love, I don't think of romantic love, I think of the bond i share with my daughter. She fiercely loved her brother, and maybe because she helped with his birth it connected her to him similar to that of a mother and child? That of course speculation. But the lovers card could also be a jab at her eternal virginity. And the King of swords sounded exactly like Artemis.

So I'm convinced this spread is talking about Artemis, but I can't shake the aspect of 3. Can't let that one go. Don't know why. So I'm looking through the l The Greek Myths by Robert Graves, and in it he speculated that Artemis was in fact a triad/triple Goddess!!!

Needless to say, I lost my fucking shit after reading that one. I was right in what I felt about what traits I felt the energy having, and the fucking spread related with every gd card.

Oh, and apparently Artemis chose to spend most of her time in the mountains. One of my favorite thing in all of the things is the mountains of Colorado, second only to my daughter, and I even identify as connected with earth elements the most because of my love for mountains. Makes me wonder how long Artemis has been trying to get my attention 😉

Anyway, I don't know what this all means to me personally yet. I've been ridiculously drained today, it's already 11 pm, and I only just now felt like I had enough energy and focus to write this out. So haven't had much time to sit with everything I experienced and felt last night.

However, it was very exciting! And I had to share my experience!

#witchcraft #witch community #tarot #witchblr #magick #Artemis #deity #deity work

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angstmonsterwrites · 3 years

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This week delivered a pretty harsh emotional gut-punch. I had to end the only non-family friendship I had where the person in question lived within a 100mi radius.

She and I had been growing apart for a bit as it was--the way I saw it was that we simply had become two different people than when we first met online back in 2014. We'd exchanged emails for the longest time, and met once at a convention. She was someone who'd been easy to relate to and understand at first because of a traumatic upbringing, but the substance of her messages never changed or varied throughout the years--it was always, always about who had wronged her this time and why it was evidence of how terrible people are, but how she was "hardworking" and "different". We scarcely talked about anything else. Victim mentality. The one time we met only solidified that this was who she was. Imagine someone side-eying perfect strangers in a crowd of cosplayers and constantly grumbling about how they were too scantily clad and making remarks about how sure she was her favorite character would disapprove. (Yes, there was a concerning disconnect from reality there that often made me wonder if there was something schizoid-flavored going on.) Suggesting that she could do anything differently or an alternative point of view was usually met with a lot of reaching and bending over backwards for reasons why nothing was ever her fault or how it was someone else who had to change.

In short, it wasn't commiserating. It was years of me reading long screeds, and going, "Yeah. Uh huh. That sucks." Most of the time, if I brought up any complaint of my own, it was met not with compassion, but with either dismissal so that we could focus on her again, or more ranting about how it was all just more evidence of how right she was. Even just attempts at sharing new interests resulted in a sort of pushback where she'd barely stop short of telling me I was wrong or somehow treacherous for doing so. Trying to share good news always prompted her to double down on refocusing on how awful everything was for her.

As we got into the vile meat of 2020, my energy to respond to long-form emails was pretty well shot, and my responses had slowed down substantially. She started to badger me with the question, "What am I to you?" I explained that I felt our attitudes and values had seriously diverged over the years, and that my stress level was simply too high, but that if she still wanted to keep in touch, it was a better idea to message me here on tumblr or just text my phone. I have no issue having quick back-and-forths, and little to no restrictions on when it's okay to message me. As a general rule, I answer as soon as I see it. This seemed like it would solve the problem with the lapses at least, and communicating in a way that offered instant responses should have provided reassurance that I wasn't just ignoring her. Yes, we had our differences, but for the most part, I was unresponsive to the emails because I was having a hard time with my own mental health.

Should have. She agreed to respect the boundary I'd set, but then unfollowed me here and sent a long paper letter instead--the furthest thing from what I'd requested. She then would only message in months-apart check-ins to see if I'd read the letter yet, growing increasingly aggravated when I had not. At one point, she explained that it was meant to reveal to me how much she'd accomplished, and how I was wrong about her, and also contained a poem she wanted me to read aloud to my household. The hysteric "What am I to you?" questions continued.

After deliberating, I explained why the letter and her related actions had upset me. She said that she'd unfollowed (without even trying to message at first) me because she suspected I wanted nothing to do with her. She then also insisted that she'd sent the letter before unfollowing, complained about how badly she missed the email routine, and went on a tirade about how unfair it was she was the only one reaching out, and how she'd done so much more for me, and so forth. It essentially devolved into overt gaslighting.

It was then that I calmly told her that I felt it was probably best for us to leave one another in peace. Those were my exact words. If we couldn't even agree on how to talk without an explosion of manufactured drama--if she couldn't be bothered to respect one simple ask without making herself out to be a victim of unfair treatment--then there was nothing left to say. She responded saying that she was even more afraid I wanted nothing to do with her--at this point, it had become true--and again demanding to know what she'd ever really been to me.

I had had enough. I blocked her.

Two days later, I got one last email from her, and a phone call with no message. (Or I certainly hope it's the last. Good grief.) In it, she reiterated her belief that she'd been the one pouring all the effort into our relationship, how this confirmed I was 'just like everyone else', and that she wasn't going to let herself be hurt by me anymore.

And...I've been feeling like complete garbage ever since. Not so much because I felt it was time to end that friendship--the descent into blatant gaslighting was all I needed to push the proverbial EJECT button--but I’m left questioning why I tend to attract that sort of person more than any other--selfish, histrionic, delusional. Making and maintaining friendships is difficult for me, so the question of how I might have done anything differently has to be asked. The simple answer, I believe, is that I should have just been open about my disagreements and our incompatibility much sooner. But even with more emotionally mature individuals, I do have an unfortunate track record of lapsing into silence unless spoken to when I'm overly stressed, and I know that can send the wrong message. I don't want to be that person who does nothing but use the other as a doormat for continual complaining and nothing but. I don't want to burden anyone the way this person burdened me.

That's the emotional backlash I always face when a friendship fails because of toxic behavior: Is it possible that this same toxicity lives in me too, and I'm just too myopic or self-righteous to see it? Is it possible that this is why being any kind of a social person is so challenging to me? I don't think so, but what if I'm wrong? What if I'm reading my own tone wrong? What if I'm measuring the content of my conversations with others in a way that minimizes exactly how much self-centered bitching I do? Do I come off as someone with a victim complex?

I find myself coming back to the damaging, impossibly mixed messaging around socializing I was raised with. If I share what's good or fun, that could be selfish because what if the other person is having a hard time? What if I'm just rubbing something in their face they can't have? If I what I share is sad and difficult, I may be overburdening them or dragging them down when they'd otherwise be doing just fine. Sometimes just talking at all feels invasive--that is, attempting to get to know or draw closer to another person makes me feel like I'm stealing something that doesn't belong to me. I was always told that it's rude to pry, and that if others really want to talk to me specifically, they will without prompt.

In sum, these 'rules' allow for zero proactive communication, suggesting that any such effort is doomed to be bothersome and thoughtless at best. Of course, I don't buy into them anymore, but that doesn't mean that they aren't engraved into my psyche in such a way that violating them still comes with a serious wallop of guilt.

And as folks with a history of emotional abuse go, there do tend to be extremes of embracing victimhood as an identity, low-key messiah complexes, and what have you. I absolutely am guilty of nursing one of those soft-core messiah complexes, I think. Unfortunately, this means that when someone comes along with no end of narcissistic self pity--that is, not just someone truly down on their luck-- it's an easy trap for me to fall into. I always see it as my role to fix things for people or to try save them from their troubles, or to be the one who listens and gives. I want to be useful and relied upon and a source of comfort, understanding, and peace, but then I want to act all surprised when I get used and stepped on time and again when I fail to be 100% honest about any frustrations or misgivings I might have. By the time I decide to set any real boundaries, it’s far too late to maneuver out from under unreasonable expectations without snuffing out the relationship altogether.

When someone with a baby savior complex clashes with another person who possesses a loud-and-proud victim mentality, I suppose it's bound to be a slow-moving train wreck.

Maybe I'm not like her, but I can't escape the fact that in many ways, I really did bring this upon myself...Again.

---

TL;DR: I asked for some minor changes in how I communicate with a friend because my stress level was so high that the idea of jumping off a local overpass wasn’t not bouncing around in my head. Her response? Act like a jilted lover, thinking only- “But what about me?” And I realized it’s been that way with her for a long time.

#musings #personal musings #A tale of social ineptitude and regret.#Or...why I attract emotional leeches.#I do have two long distance friends who aren't Like That.#It's just a pity that a decent friendship seems to require >500mi.#This one will probably be eating at me for a while.#I had a similar in-person situation that really blew up on me in my early 20's. I actually lived with those ones.#I should have learned something from that. But it seems I failed.

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kendrixtermina · 4 years

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Now here's an all new theory for where the procrastination comes from

Like the uni councilors thought of like generic selfhate insecurity or like spineless ppl pleasing (nope an anime cured me of that when I was 13 - thst sounded more like what that ladys own problems might be), fear or failure & wanting to spite my father, eveb that getting ahead through "talent" was an unfair advantage bad tainted and evil, or that "talent" meant being beholden and controlled by others (definitely somewhat right - we worked on that, it helped, the second guy was defs much much more helpful & compatible cause he focussed a lot more on strategies than wannabe-maternal pep talks) but there was always something else there that wasnt getting touched

In tje end I dont think I have talent and in any case what really matters is attitude toward "living the examined life" for example whst you do. What you notice.

Now I did notice that things get harder to do precisely because I actually want them(whereas a lot of ppl get distracted from stuff because they dont really want it) - at the same time I can totally function or pick up new habits in day to day life its not like I have some "hardware problem" like, say, ADHD or the like.

Like of course its some emotional knot it couldnt be anything else but I feel they didnt identify what kind of knot? Certainly not that first lady. If im trying to get clarity and you give me reassuring pep talks you just freak me out more for the love of god tell me whats happening. Nothing worse when a Doctor says "it will be over soon" rather than explain the procedure

Fear of/ distraction from wanting itself never really occured to me thats not a common stereotypical fear that ppl talk about.

Let me get this straight I never thought I was better than anyone I knew very well that I'm not. I thought of both those things as ways not to get bullied, maybe get somewhere where I feel that im in the right place.

If I look back at really breaking experiences it was times I really really wanted something and then I couldnt do it or some outside party stepped on my fingers. That Tori Amos Music Video where she escapes from a psycho killer's trunk and then the passerby's dont help her? That was my most favorite music video in the world for years maybe still is.

Like I was told I could maybe skip third grade and I poured all my energy and passion and strenght into that everything I had to do well, make friends with the new class i was so highly motivated I aced all the exams I felt so happy & fulfilled just being in thst flow state all the time... i wanted this more than anything. Maybe it was the first time I really wanted something beyond vague dreams or base desires. But the homeroom teacher hated my guts and put the kibosh on that; Probably because I was unwittingly repeating some of the artogant classist shit my father spouts without realizing how hurtful it is. my parents thought it wasnt worth going to the higher ups for that but having to essentially redo 4th grade in a crap school in the different town we moved to was one of the worst times of my life. Also I didnt find out that the teacher had hated me/acted in a petty way until years after I thought I just failed. That there was a possible place I could have belonged but turns out I really belong nowhere after all.

All my effort was for nothing. It was such a joy - i mean these days even getting code to work or solving math problems has that same joy - but all that effort and joy and wanting did was that... im tearing up and searching for the words to even process this tbh. I think I denied that joy, told myself that I was just a stupud kid thinking I was a special snowflake. It didnt even matter.

Rather than insist on staying up late to make sure my homework was done I just stopped caring and hardly did another piece of homework in my life just faking it on the spot or coasting through. It could have gone another way maybe if it werent for the bullies and my father the chief bully or if only I was more determined but it was like "okay I dont care anymore I just dont care" and I think thats stayed my default response to dissapointment to this day.

This TV show didnt turn out like I wanted? I dont care its just a tv show.

My father treated be with hatred all my life? Its okay I dont care about him and I dont want his love anyway.

Like there were other times when I thought I could be happy.

Like I really wanted to go to this boarding school for gifted kids. Again I thought maybe incorrectly that this would be a place where I can belong and not be bullied it was never about being better than anyone.

Again I wanted it I clamored and cried and made noise nonstop. Maybe I still hadnt wholly lost contact with willpower back then. I still thought of myself as strong willed.

And my father made me regret it. It was around the same time that mom briefly considered divorce maybe I was just the stress valve. Or he took it personally as wanting to get away from him. Duh he abused me of course I wanted away from him. He was such a suffocating control freak! Mom said yes first then he spoke to her and suddenly she followed everything he said. Thats when I really realized how emotionally manipulative was how abusive... i mean one of my first conscious memories of him is thinking "oh crap I will be just like cinderella" but he really laid it on so thick so transparently even a 10 year old could tell its manipulation. If you do this you dont love your mom. If you do this you dont love your siblings. If you dont obey me your mom will kill herself. No she wont you jerk even my 2 year old self could tell youre abusive.

The most cruel thing he did was briefly say yes. Again I got so happy. So invested. Just bending all I was towards that even though he bombarded me with abuse and mental torture.

And then on the day we were supposed to leave he said no youre not going.

Maybe I actually did say I didnt want to go because of one time he was doing this constant scientology type torture on me

That same reaction: "I dont want it I dont want anything so please please let me be"

Ppl think of bad childhoods as a game that you win if yoz turn 18 -or 28 maybe - without killing yourself. But its not. Every year you live it can take away from your potential. Every day less than you have to live it

He sure didnt let me have sucess with his overcontrol and abuse. Anything I was proud of he rules. When I graduated from school with a fairly good but not perfevt final score he humiliated me. When I turned 18 he humiliated me. Everything I did was a burden even just feeding and washing me. Hed give me unwanted white elephant gifts then bitch about how giving them to me ruined his life cause he had to work so muxh "Ingrate Ingrate Ingrate" Butch I never asked for anything I want nothing!

But as I had to eat I did in fact have to ask things of him and I hated it so much.

No wonder that I turned out afraid of wanting things eh?

Hed seen some poster when we went to see tje school I wanted to go to - not by the school by an individual student - about the history of abortion portrayed in a positive way or at least that was his official reason why I couldnt go. Again I had wanted something badly with all my being and again all my being availed nothing. Irrelevant like I didnt exist. All my screaming gone unheard.

And this is so silly cause im not a child anymore I have control and if I were to stop procrastinating I could have money and gave even more control.

I havent even spoken to him in years now hes no longer relevant. Its not about him its about thus bad pattern I picked up.

I like how this books handles it with the idea that certain experiences dont create the type but that it nakes you uniquely suceotible to certain kinds of hurt or certain misunderstandings.

Because with all this discourse about bad message free media ive really come to think that while it can and should be minimized its not possible to eradicate cause human mibds are so quicl so fallible to extract overgeneralizations and make it mean something abput themselves

Like an immature statistical learning model easily overtrained by noisy data.

Another time I was nearly happy was when I started looking for work, doing my thesis...

Same pattern I was engaged, happy to be engaged talking to ppl at both work and in the uni work group loving it all so much...

my life had started to feel meaningful again. And it had gotten to that point in part because of my ex-fiance. Yes the councelling heloed taking up meditation helped, getting high on morning glory that one time helped a whole lot got more self esteem from that than I ever got from my father.

But that all started because of my ex fiance.

He was an i tellectual type and he had a sense of purpose about him like hes a legendary character and everyone around him became legendary too. And he found me useful! Others had called me "walking dictionary" with mockery and scorn he called me his google and it meant love and admiration. Maybe I got a bit of an ego trip off of tjat but I also really stupidly dumbtastically loved him I bragged of him to anyobe who listened everything he did seemed fascinating abd interesting and meaningful, but also I just loved the sweet gentle warmth of being next to him in the morning. Once again I was happy and everything was joyful even when it was hard, I felt strong and meaningful and useful and I let myself openly want things.

And then it all blew up. Worse yet i was so mistaken abozt him it really shook my confidence in my own judgement or any sense of clarity. I was si confused during the fucking breakup like I hadnt been since I left my father's house.

Google hah! More like his personal Alexa! It turns out he didnt respect or like me at all.

I couldnt even be sad or angry cause it was all my mistake. The one feeling I allowed - and even that took me weeks to identify - is dissapointment. Heavy leaden dissapointment i didnt even kniw that was a feeling you could feel so strongly. I didnt even do anything wrong you have to open yourself to have love. He could habe choosen to love me he just simply didnt. He probably thought he did but he wouldnt evebn do something as simple as not make fun of my voice or clean when I am sick.

Once he started putting me in the "wife" role he just became unable to see me. His loss really cause I think he wanted to keep me from all those annoying texts and email he had the nerve to write.

By all means I was right to trust but also right to leave later but still my sense of certainty and purpose and meaning was totally shaken. He did the sort of romantic stuff I didnt think was real. I knew I loved him when we had this conversation about water on mars. He got me the perfect books for my birthday! He said I was pretty and a genius and looked just like an actress. He got me this titanic esque heart pendant with stars. We were stuck at midnight in a train station that one time and he pulled out a picnic rug two plastic glasses and a shampain bottle. It never worked out but he said he might take me to see the LHC! I really thought we would be buried in the same hole folks!. He had read that same steven Hawkings book that I loved. One of the rather few books he actually read as I would find. Sigh.

And I fell right back into that same old pattern. Dont care about anything dont want anything it would be stuoid unrealistic and silly to want.

When I first came to uni I also had this feeling of hapiness and belongingness and wanting, I was putting in an effort, talking to ppl more.. and when things went wrong the slightest bit I pulled by hand back from that like from an open flame.

And here I am years later most the sucess or contact I get is comments on my fanfictions.

I thought I was doing that, or drawing, because its Stakes/Evaluation-free (going by the fear of failure theory) or because at least with the ffs gratification/payoff for effort is immediate compared to original stuff or uni work. Its a nice little niche at least.

I mean I do care about it its not "just" distraction but maybe ive been profaning it in that way... and so etimes I dont even do that and go for full unadulterated undebatable distraction; Line to 7 I guess. Tje only reason I spoke face to face to anyone else than the delivery guy this week is that I had some doctors appointments.

But not its distraction from stuff Im too lazy to do or even from pressure like I always thought. But from wanting things.

So the original fiction went great while it was a distraction from school not so much when its one of the things I most want and actually have the time to do it.

Even thought thats the most practiced skill I have that I never stopped working on since I was 10. 🤦‍♀️

I mean they already explained that its basically like meditation. Or weeds. Or popup ads. Youve got to click them away as they pop up.

I always told myself thst I didnt have to be happy... and thats not even untrue actually but it would sure be neat to be happy again one of these days.

#enneagram #enneagram type 5 #feelings #enneagram 5w4 #5w4

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skyfallensoldier · 3 years

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Mobile Navigation || Rules & Mun ↓

DISCLAIMER: I just want to note here at the beginning that while I am considering this RP blog to be historically based, i.e. remaining true to the time period and overall details of John Laurens' biographical information and whatnot, I do not consider myself a historically accurate blog, not entirely. Historical fiction is a well known genre of literature and many, MANY creative liberties are taken within that genre. Think of this blog like you would if you saw an Anastasia Romanov blog. She's dead, we know she didn't survive, and she's been dead a long-ass time; so has Laurens. People still have included her in many works of fiction, even after her body was identified and it was proven she did not survive her family's massacre. I saw a romance book a couple of months ago where she survived that was recently published. Historical fiction, while a controversial thing at times, is a legitimate form of literature.

You don't have to tell me if you think John isn't acting exactly like the real man himself would have, I know that. I'm not going to call John my 'perfect sunshine boy cinnamon roll' or dismiss the privilege he was raised on due to his father, I'm aware he was a real person who had his own personality, virtues and prejudices. I won't deny that while he was certainly a progressive thinking man for the time he grew up in he definitely still had racist thoughts and actions that were indicative of his upbringing. But I'm not on here to debate modern, real life politics, or get into arguments about whether he was a good abolitionist or not. At the end of the day, this is still a hobby for me, and I'm writing for fun.

Basically, don't take it too seriously. I'm a 21st century bisexual woman writing from the POV of an 18th century (likely gay) male soldier, the way I write him is obviously not going to be a perfect representation of who he was. I know he wasn't an amazing, perfect person, but I've still chosen to write a fictionalized version of him for my own entertainment. Please try to respect that; thank you.

Mun Stuff

Name: Luna Gender: Female (She/Her or They/Them) D.o.B: July 23rd, 1996 Age: 24 Nationality: Canadian Sexuality: Bisexual Timezone: Eastern Time (US & Canada) Activity: Daily BIOGRAPHY (SORT OF)

Hello, there! You can call me Luna! I've been interested in writing ever since I first got the internet when I was 14 and discovered FanFiction.Net and now I'm an aspiring author and Roleplay enthusiast. If you include acting/talking out DnD like games with friends then I've been 'roleplaying' since the fifth grade, but I like to think there's always room for improvement. If you ever want to chat I'd love to make a new friend or plot out a roleplay, so don't be afraid to shoot me an ask or send me a private message. Just because my muse can be a jackass doesn't mean I am! I’m a huge advocate for mental health, and if you ever need someone to talk to, please don’t ever hesitate to reach out! Some of my hobbies including literature and writing (of course), digging into mythology from various cultures, practicing solitary eclectic paganism/new age spirituality, drinking tea, and collecting crystals/minerals.

Please note that for the sake of disclosure, I am considered ‘Neurodivergent’, in that I suffer from ADHD, diagnosed at about age six, and have Anxiety and Depression which are directly tied to it. This doesn’t often effect my life on here, but I sometimes have an unpredictable sleep schedule (stay up all night, sleep in late into the morning, etc). I’m usually quick to reply to threads for the most part! I work every Tuesday and Thursday from 5pm to 7pm in addition to odd jobs here and there, during which time I won’t have access to the Internet. The rest of the week I’m on and off all day basically, so you can feel free to contact me any time.

RP Style

⭐️ Please use basic spelling/grammar/punctuation when you RP with me. I'm not a drill sergeant about these kinds of things, I know that typos happen, and if you have a vision problem or such we can absolutely find a way to work around that, I also have no problem roleplaying with people whose first language is not English, so that's totally fine and I’m happy to accomodate in whatever way I can, but it does make it a little difficult to play with you if I don't know what you're trying to say. For this reason I prefer if you not use any text shorthand (lol, idk, brb, jk, etc) unless our muses are messaging each other. Using it in the tags is fine.

⭐️ I roleplay Laurens in a past-tense 3rd Person Point of View (think story-telling format), and generally I don't use icons or text formatting unless I notice my partner does, then I will try to match their style (for example if you use icons and small-text, I will try to do the same, though because formatting isn't possible on mobile, any mobile replies might take longer to be posted than if I were on my laptop). If you have any issues with how I'm writing or need me to adjust my style for any reason don't be afraid to ask.

Contact

⭐️ If you spam me with messages over and over again about something I haven't replied to, chances are I'll drop the thread. I don't mind being reminded because I know Tumblr's notifications are notoriously unreliable sometimes, and humans can forget/lose things, but if you keep poking at me after I've acknowledged you the first and second time, I won't be pleased. Things can get busy on here, or in real life, or sometimes you're just lacking muse for that particular thread, y'know? It doesn't mean I hate you and don't want to RP, I'm almost always up for plotting, but muse tends to fluctuate.

⭐️ My ‘Discord’ is available to mutuals upon request. I don't mind roleplaying on there if Tumblr is being glitchy or you're just not feeling up to formatted/heavily plotted threads, sometimes Discord is fun in that you can do immediate replies without needing the effort of putting icons and formatting into it. I also have a Kik but I never use it. I don't RP in Tumblr's IMs, that's purely for OOC interaction.

⭐️ I also occasionally stream movies/TV shows in group chats or play “in character” Cards Against Humanity game nights, Among Us, etc. If you’re interested, lemme know, I’m always looking for more people to hang out with!

Important

I have no actual triggers that I'm aware of, although snakes do creep me out (mostly shots of them coiled up or images of their pupils), but there are some things I will not roleplay personally for comfort reasons:

⭐️ Cannibalism. You can mention it, for example I won't freak out if someone tells my muse that somebody else ate a person (he might, assuming its not a Supernatural type verse), but I won't RP him engaging in cannibalism, not even in AUs (blood-drinking vampires are fine). I'm just not sure I could stomach writing about eating people. I managed to watch Hannibal, barely, but writing about it? Nah. I can handle lots of horror, gore and disturbing content but not this. Sorry.

⭐ Incest/Pedophilia. I do not SEXUALLY ship with characters under the age of 18. John is not attracted to children, and would never consider sleeping with someone much younger than him.

⭐ I will not write anything sexual with muns who are under 18 years old, even if your muse is an adult. I'll still ROLEPLAY with you if you are under 18 but probably no younger than 16 just because things tend to get explicit on my blogs and I don't want to be accused of corrupting the youth with my foul language and weird opinions, lol. Seriously though, this blog covers a lot of dark subjects and while I’m all for minors exploring that safely through writing rather than in real life, some people aren’t comfortable with interacting with under age people for legal or personal reasons, please respect that.

⭐ Necrophilia. Just... no. Vampire threads don't count, as they're undead and not 'dead dead'.

⭐ Rape. I won't write it with you. I'm okay with mentions of rape, with rape/sexual assault survivor/recovery plots, and even with one character intervening to rescue another from an attempted sexual assault (if an attempted assault does occur, it will be thoroughly tagged and under a cut). I'm fully open to discussing rape recovery/trauma plots as those are things that happen in real life, and it can be interesting to explore how a character reacts to trauma. But anything else is a no-go, sorry!

⭐ Please be aware that I write Laurens as a gay man. However! Because of the time period, violent homophobia and social stigma, he has slept with women before and may be seen flirting with or referencing relationships with women in the past. He is still gay, and still uninterested in being with women long term, he's simply closeted to all but a few individuals. So, unless your muse is Martha Manning (who Laurens DOES love in a manner, and he always will), shipping with female characters on here most likely isn't going to happen unless it's heavily plotted/developed and part of an overall plot, and you understand that it will not be a conventional sexual relationship. I'm sorry if that disappoints you but I've read Laurens as a gay male for so long I have trouble seeing him any other way.

⭐ I will not roleplay slavery plots. This is not up for debate. Roleplaying a highly fictionalized version of a long dead real person who existed during a troubling time is one thing, but I draw the line at that. For this reason, while I'll happily play with non-white muses, muses using non white faceclaims, and crossovers with characters of all sorts, I'll have to decline playing with any muse claiming to actually be writing slavery. There’s a difference between, say, roleplaying a character like Daenerys, a fictional character who was technically a slave-bride sold by her brother, and writing actual slavery from a very real, horrible time period. Slave ownership will of course be mentioned on this blog, that's unavoidable, but just like the mention of rape may happen on this blog from time to time, it will be in reference to a past event or speaking about the subject in general, not roleplaying a scene of it. Please respect this rule, I was hesitant to make this blog at first, because I know it makes some people uncomfortable, but I won't glorify such a horrible real thing that happened to so many people.

Exclusives/Mains

Just a head's up, unless I develop a bunch of chemistry with a particular portrayal of a muse I'm not likely to agree to being exclusives with anyone, unless perhaps it's a very niche or divergent character that has formed a good relationship of some sort with John and I'd have trouble interacting with other versions of that muse. For major characters I just feel it would be unfair to say no to someone who I click with in every other way, solely because I have already befriended someone else writing that character.

I will, however, discuss becoming mains with someone whom I've either developed or plotted out detailed storylines/interactions with regarding our specific portrayals of our characters. This means that I tend to reply to them quickly when I'm online, or may make little gifts (moodboards, aesthetic things, mini ficlets, whatever) for them unprompted, have a verse dedicated just to them, etc. Even if it seems like we haven't done much on Tumblr, there may be a lot of off-site development on Discord or whatnot that led to us plotting out intricate stories for our muses.

Current Mains:

Alexander Hamilton - @quillborn

⭐️ Send private messages.

⭐️ Send my character asks/starters/memes.

⭐️ Tag me in things.

⭐️ Ask to plot or ship.

⭐️ Ask for angst, fluff, etc.

⭐️ Submit things to me & my muse.

⭐️ Do crack and other ridiculous things with me!

⭐️ Like my RP threads.

⭐️ Like my personal posts.

⭐️ Comment on my personal/OOC posts (if you want to).

⭐️ Comment on my crack threads.

⭐️ Instant Message (IM) me if you'd like to talk, whether we're friends already or not!

DON'T

⭐️ Send hateful messages to me about other people and especially my mutuals; doesn't count if it's about the muse and not the person playing them, however. Also, if I’ve got beef with someone for whatever reason, don’t harass them/send hate to them on my behalf, please. I don’t condone anonymous abuse, attacking others, or harassment. I’m a big girl and I can take care of myself, I promise.

⭐️ Introduce yourself with ‘wanna ship?’ For one, I prefer if we’ve at least started a roleplay together, or have spoken OOC. Auto shipping doesn’t always work out and I hate promising people something only to realize there’s zero chemistry, because then I feel like I’m letting them down.

⭐️ Come into my inbox with just ‘wanna rp?’ and that’s it. Please at least have some idea of what you want to roleplay, it’s not very fun when someone approaches you to RP but then doesn’t offer up any suggestions at all. Remember, you are always free to send me memes, whether we’re mutuals or not, and hit me up for whatever plot you think might interest me! I want to hear about it!

⭐️ Spam me with "reminder" messages if I've already acknowledged you the first few times.

⭐️ Reblog my RP threads if you're not a participant in them.

⭐️ Send me anonymous OOC hate. Hate for Laurens is fine, it's just another form of roleplay.

⭐️ Kill off my character or severely injure/maim my character without permission or having plotted something involving that with me first.

⭐️ Follow me if you're a porn blog. I don't mind blogs that post NSFW content, or smut a lot, etc. I mean blogs that aren't for RP and are literally just a normal looking blog until you click on it and the header and first twenty posts are hardcore nudity and porn. I hate those things.

⭐️ Shame my ships.

⭐️ Complain about my tagging. I put my smut under a 'read more' without exception and tag them as "NSFW //" with two dashes. Things that are not necessarily graphic but still have sexual undertones go under "Suggestive //". I use these tags to avoid attracting attention from porn blogs and porn bots that track certain key words, as such I do not tag my content with "Smut" or trigger words such as "dick, oral, anal, nudity, etc", please block my NSFW and Suggestive tags if you're uncomfortable. Triggery subjects (mentions of rape, animal abuse, torture, mental illness) will be tagged under the name of said trigger with a space and two dashes, example: "Self Harm //", “Suicidal Ideation //” or "PTSD //".

⭐️ Godmod my character. If you’re not sure what is/isn’t okay, come talk to me! I don’t bite! If you’re looking for an example of god mod behavior, here: “X lunged at Laurens, taking him by surprise, and hit him square in the nose, causing blood to spurt.” It might not seem like a big deal but it means that you decided how your character’s actions affected my muse, and not only that, didn’t give him a chance to dodge or anything. Not cool.

⭐️ Ship with me without permission (sending in shippy asks is A-Ok if you're interested in exploring a ship between our muses, I'm talking about things like claiming that our muses are in a relationship without discussing it with me, referencing dates or sexual acts that never happened, etc. I ship mainly with chemistry otherwise things get boring fast.

⭐️ Assume/act like our characters know each other/are closely connected (friends/family/lovers) if we've never discussed it unless it is established in canon/history. This especially goes for original characters. I'm open to Laurens forming deep relationships with OCs obviously, but those have to be developed in character, not just assumed from the first interaction.

⭐️ Attempt to roleplay with me if you are not a roleplay blog/or if you're just trying to RP as "yourself." I don't do Character X Reader imagines stuff. I don't RP with 'fan' accounts, only RP blogs. You can still send asks so long as you're not trying to initiate an RP scenario. For example, asking Laurens what his hobbies are, asking for a blessing etc? That's fine. Spamming me with different actions "you" are talking to Laurens is weird. Stop that. I will also not RP with blogs that claim to roleplay as real life people, such as Markiplier, that's super creepy. This does NOT apply to "historical fiction" roleplay (obviously since that's what this blog is), which is considered its own genre of literature. I'm talking about the above where people will 'roleplay' as real life, currently alive people like YouTube celebrities and ship them with their friends, even if they've made it clear that they're uncomfortable with it.

⭐️ Get angry at me for doing something you don't like if you don't even have a rules page for me to go by. It's not fair; you can't expect your partners to just read your mind and magically know how you feel. If something bothers you let me know, I’ll make a note about it so I avoid it during our interactions!

⭐️ Use me as a meme resource blog without ever interacting with me. I don't require "reblog karma" for you to follow me, partners are more than welcome to reblog from me, but if we never interact and I just occasionally see you reblog fifteen posts from my meme tag and then disappear again I'm not gonna be happy. Go to the source or to an archived blog no longer getting notifications, please!

⭐️ Reblog my Meta/Headcanons. If they're from a different blog it's fine but the ones I've personally written are for MY portrayal of Laurens. I work hard on most of my stuff and I'd prefer if you didn't reblog it, not because you aren't allowed to have the same headcanon ideas as me, but because then it ends up getting liked or reblogged by lots of other people, spamming my notifications, etc.

OCs & Multimuses

I love OCs and multi-muse blogs (I have my own multimuse sideblog over at @historyremembers, which has other 18th century characters including the Hamilton children and some OCs), so feel free to interact! That being said, please have an about page of some sort on your blog. I can't follow back blogs that have absolutely no information available regarding their character(s). I don't RP with OC children of Laurens. This is nothing personal, but I'm fairly certain he was gay in real life and prefer to play him that way, and he only had one child - who he never even got to meet - in real life, so it just wouldn't make sense to me for him to have other kids running around unless he'd adopted some. If you're a multimuse, I may not follow you back if I'm only familiar with two of your muses if you have a blog of fifteen characters, simply because I'd prefer to keep my dash clean and only have characters/fandoms I'm familiar with on it. I'll still RP with you if you have a character I'm interested in! I just might not follow back if the majority of your characters I do not know, I apologize for this.

If you’ve made it to the end of this, congrats! I know it couldn’t be easy (my ADHD brain was frustrated trying to just write all this up) but it’s necessary so there’s not misunderstandings on what I am/am not willing to RP. I won’t ask for a password since I trust most people to have the courtesy to at least skim the rules of those they want to RP with.

Have a nice day!

#Everybody Listen Up! {PSA}#Out Of The Field {OOC}#Long Post //

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