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hairmetal666 · 11 months

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Never in a million years did Steve Harrington think he'd be standing in the drama club room in front of Eddie the Freak--who's sitting on a goddamn throne with his full lips pulled into a smug grin--asking to be taught how to play Dorks and Goblins. Yet, here he is, face a burning shade of crimson, as he explains for the sixth time what, exactly, he needs.

"Munson, it's not that hard. Henderson wants me to play in the--the game thingy they're doing when Will is home for a visit."

"Yeah, Harrington, and I stop listening every time you call it a game thingy. You obviously don't care about this at all, so why should I waste my time helping you?"

Steve rolls his eyes. "What if I pay you?"

Munson's face goes through a complicated series of changes before falling into a neutral mask, no smirk or teasing smile to be found. "You'll pay me to teach you dnd? Are you fucking kidding?"

"No?' Steve draws a hand through his hair, watches as Munson's dark eyes track the movement. "I thought you might help me out cause those kids never shut-up about you, but I'm willing to put money on it."

"Huh," Eddie says. He steeples his fingers under his chin. "Maybe I misjudged you, Harrington."

Steve lets himself smile at this. "I don't think you did. I don't give a shit about this game."

"Didn't take you for one to have a bunch of nerdy child friends."

"I'm their babysitter," he says, realizes immediately it was a mistake.

Eddie cackles until it turns into a full-bodied laugh, tears leaking from the corners of his eyes. "You are something else, Harrington," he manages.

For his part, Steve hopes Munson hasn't noticed how bright red his face is. "Does that mean you'll help me?"

"I guess," he rolls his eyes. "But if you're just screwing around, I'm out."

"No, yeah, totally," Steve nods too hard, sends his hair cascading into his face. "Sounds good. How much?"

"Huh?" Eddie tilts his face up, giving Steve a perfect view of the smattering of faint freckles across the bridge of his nose.

"I said I'd pay you. What's the going rate for dnd lessons?"

"Oh, nah, free of charge, Harrington. Henderson would eat me alive if he knew I made you pay."

The smile they share is soft, tentative, and Steve doesn't notice the swathes of pink decorating Eddie's pale cheekbones.

---

They meet up in the drama room after the last bell. Eddie is waiting on the throne with his feet propped on the table, sipping a Mt. Dew. His eyes widen when Steve walks into the room.

"You're on time," he says.

Steve scoffs. "Why wouldn't I be?"

Eddie shrugs, sets his feet on the floor. "Just wasn't aware that the King put a lot of stock in punctuality."

"C'mon, man, I'm trying not to be that guy, and I'm definitely not king of anything. Unless maybe it's Family Video, but even then, that's Robin."

"You're kind of weird, Harrington, you know that?" Eddie's dimples bracket his smile. The sight does weird things in Steve's chest.

"I've been told, yeah." Steve smiles back. "Where do we start?"

They start with dice, with a character sheet.

"Chaotic-good human Paladin?" Eddie asks.

He shrugs. "That's what Dustin keeps screaming at me. I got no idea what any of it means."

"That's not entirely true," Eddie says. "You've kept up with me so far."

"Yeah, that's you. Dustin rambles and then accuses me of not listening when it's over my head. When he goes on long enough, I start to get a headache right here," Steve rubs the spot between his eyes.

"That kid," Eddie says with the right combination of affection and frustration. "I don't know, you seem to have picked up on some of the stuff he said. You have a solid idea on gameplay, at least. I'd say you're doing pretty good."

"Thanks," Steve laughs. "No migraine yet, so that's a point in your favor."

"Migraines?"

"Head trauma."

"Byers?"

"And Hargrove."

"That was Hargrove?" Eddie asks.

"Hit me in the head with a plate."

"What the fuck."

"He was pissed that Max was friends with Lucas. He came after them. I couldn't just let him--I think he would've killed Lucas."

Eddie nods, hands fiddling with a die. "No wonder those kids love you," he says.

"We've been through some shit together."

"Guess it makes more sense why you wanted to learn dnd."

"As much as it pains me to admit," Steve rolls his eyes. "I love to make those little shitheads happy."

"Well, based on the way they talk about you, you succeed."

"You too, you know?" Steve offers. "All I've heard about the last three months is 'Eddie's so cool,' 'Hellfire's so fun.'"

"Jealous?" Eddie laughs.

"Completely," Steve admits.

"Don't worry, Harrington, I'll make a nerd out of you yet."

---

They meetup after school every day they can over the next two weeks. At first, Steve is surprised that he doesn't really mind spending so much time with Munson, that he actually, kind of, has fun. And the more time they spend together, the more Eddie infiltrates his space. Leans into Steve's side as they sit next to each other, brushes their hands together, hovers over his shoulder, faces nearly touching, as he checks stuff on Steve's character sheet.

It makes Steve feel--well, it makes him think of what it would be like to run his fingers through the soft gloss of Eddie's curls; wonders what that plump mouth would be like pressed against his own; can't stop thinking about if Eddie is as vocal in bed as he is everywhere else. He knows he also likes guys, has for a while, but he's never in his life wanted someone this viscerally; so much he can feel the ache of it in his teeth.

It's the last day before the campaign for Will, and Steve is fucking sad. He thinks maybe Eddie is too. He's at least quieter than normal, explanations not at their usual fever pitch. An hour before they usually call it quits, he claps his hands together (too gently, too unlike himself), says, "That's it, Harrington. You're not going to be more ready than this."

"Right," Steve says. Can't help his eyes from darting over Eddie's face, aching to know what he's thinking. "You'll be there tomorrow?"

Eddie bends his head over his notebooks. "Nah, I don't need to intrude."

"But--"

"It's okay, Stevie. I get that it's family only." He looks like he really means it, but his eyes are sad, don't shine like they should.

Steve doesn't know what to say to that, just nods, and then there's nothing else. They stare at each other for a few very long, quiet seconds, before Eddie says, "I'll see you around, Harrington."

"Right, yeah. You too." And he walks out of the drama room with the heaviest heart he thinks he's ever had.

---

Steve thinks he won't miss Eddie. That if he doesn't dwell on those hours spent with Eddie, learning dnd, that the missing will go away.

It doesn't.

Which is how he finds himself back at the high school on Wednesday, standing in front of the drama room door, willing himself to go inside. Eddie's on the throne, the typical notebooks and binders and Mt. Dew cans clustered around him, but he's not engrossed in imagining up a new campaign for Hellfire. No, his head is in his hands, knees drawn up to his chest.

"Eddie?" Steve asks.

His head pops up, and even in the low light, Steve notices the silvery tracks of tears down his cheeks.

"Steve! What are you--" he hastily wipes at his face with his shirt sleeve. "What are you doing here?"

Steve's acting only on instinct, crossing the room and dropping to his knees, taking Eddie's jaw between his palms, thumbing away the wetness on his cheeks.

"Did someone hurt you?" he asks.

Eddie's laugh is wet. "Nah, Harrington. I only have myself to blame for this one."

"Can I do anything?"

"Are you trying to kill me?"

"Sorry?"

"You, Steve Harrington, kind and compassionate? Learn dnd to make your little nerd friends happy? Who are you?"

"I'm just me, man," Steve blushes. "But, uh, I came to thank you." He's still holding Eddie's face in his hands, can't help but notice the way he flushes, how his dark eyes dart away from Steve's.

"I really liked hanging out with you," Steve says. This close to Eddie, his mind doesn't quite feel like his own. All he can think of is big eyes, soft curls, full lips.

"Yo--you did?"

"So much," Steve whispers. He doesn't quite remember moving, but now their foreheads are pressed together, warm breath mingling, lips almost, almost touching.

"I liked it too," Eddie breathes. After a few seconds, he laughs. "Knew I'd make a nerd out of you, Harrington."

"Shut-up," Steve laughs.

"Make me," Eddie says, and it's just that easy. Steve crosses the space still separating them, presses his mouth against Eddie's.

The kiss is slow, exploratory, the gentle discovery of how they fit together, the promise of all the things they can do in the future, all the pleasure they can bring.

"I'm not a nerd," Steve says when they part.

"No, you're right. You're like a nerd by marriage. Nerd-in-law," Eddie giggles. His eyes are bright, face pink, the most beautiful thing Steve has ever seen.

"Shut-up," Steve giggles right back.

Eddie raises an eyebrow, the dare obvious, and Steve doesn't hesitate to kiss him again.

"You wanna get out of here?" Steve asks when they part, significantly more breathless, jeans significantly tighter, than when he arrived.

"You're gonna have to role persuasion for that, Stevie," Eddie smirks.

#steddie #steve x eddie #steve harrington #eddie munson #fluff #ficlet #oneshot #dnd lessons #falling in love #mutual pining #eddie's down so bad #first kiss #secret nerd steve harrington #i don't know anything about dnd actually so sorry if it's wrong #strangers to friends to lovers #alternate first meeting #big eyes soft curls full lips can't lose #“shut up” “make me” is a love language

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kaladinkholins · 2 months

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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.