I gossip like how people smoked in the 90s. I don’t think it’s good, i think that it’s somewhat wrong, but everyone’s doing it and I need a social life more than I need lungs.
Let’s amp up the “Jason says ow and the batfam thinks he must be gravely injured” headcanon.
Jason calls Bruce or Dick for fun and says nothing but “goodbye” before hanging up (maybe it’s a dare by Roy who TOTALLY suspects the reaction Jay is gonna get).
Ten minutes late the entire Justice League is scouring Gotham, on the hunt for Jason.
Did y’all think about how Edgin is presented as the hero/mc of the movie and then proceeds to be n o t h i n g like a traditional male hero? Apart from the fridged wife he: has a daughter that he loves and is shown loving, can’t physically fight, needs to be saved by Holga constantly, is emotionally vulnerable, is self loathing but won’t let that stop him and won’t make that anyone elses problem!! (sort of), literally never has a single hero-i-saved-the-day-moment, his *moments* in the film is him realising he’s been a dick and apologising, all he does is make plans, gets saved by everyone else and occasionally smack people with his lute! loser of all time.
enough sad soukoku angst. give me SILLY soukoku angst. give me 16 year old dazai dragging tired older brother odasaku on a "very important mission given to him by the boss" and it's just dazai watching chuuya on a date (oooooh) with comically oversized binoculars. the date goes horribly wrong, no dazai meddling required, and dazai feels nothing but successful. odasaku leaves halfway through, knowing he cannot stop this but not wanting to enable dazai.
give me sitcom levels of bullshitery skk or give me death.
There’s something about Roy hiding the champagne bottles behind his back when he and Keeley walk into the treatment room only so that he can pull them out with a big dramatic gesture and go “and fucking celebrate!” that’s just so… well, it’s low-key fucking adorable, actually. Such a tiny thing, but him even thinking to do that, him being playful and wanting to make it as much of a treat and surprise and occasion as possible for Jamie… Mm, yeah. Does things to me.
Maybe I’m just dumb so if someone has an explanation for this pls help me out but it’s kinda odd to me that Gwen, one of the spiderpeople whose universe is extremely visually distinct from Miles’s universe, doesn’t keep her world’s watercolor/color-changing aesthetic in other universes. Like she basically looks like someone from Miles’s universe when she’s not in her own universe, whereas other spiderpeople from visually distinct universes (like Hobie, Noir, and Peni) maintain their universe’s aesthetics regardless of what universe they’re in. So why doesn’t Gwen?
(Also I get that her universe’s art style is a bit inconsistent in that it changes and “ripples” a lot, especially with the characters’ emotions, but it would be cool if they utilized that to have Gwen shift into her universe’s art style during emotional moments)
The methods of dealing with the big bads in Buffy are so funny and get increasingly more unhinged like s1 and 2 are vampires and we killed them. s3 a giant snake monster and we blew it the hell up. s4 a frankenstein monster robot that we killed by melding all of our souls together and using magic to give Buffy superpowers so she can rip out his heart. s5 an invincible god so Giles just straight up murdered its innocent human host to kill it. s6 our good friend Willow who we asked very nicely to please stop murdering people and destroying the world and now she continues to hang out with us and occasionally do ridiculously powerful feats of magic but it's OK she's not quite as depressed and suicidal anymore so she probably won't kill us all. And s7 was just the ultimate evil so we went back to the classic tactic of blowing it's army the hell up.
I've been playing around with possible friendship dynamics of the Beast Council for fun!! I love imagining what kind of childhood they could have in the Forgotten Land all together.
What if Carol and Sillydillo are the fun-loving extroverts? Leon is the introverted one who's been smitten by Carol for a really really long time but he's too shy about it? And Gori is the friend who is an excellent observer and will bluntly tell you what he thinks (and maybe has a tendency to get grumpy when things aren't easily going his way).
Somewhat of a prequel to this other doodle comic about Leon and Carol- everyone here is still a kid ^_^
okay, but where's my steddie AU where steve wants to learn to play guitar to impress a girl he's infatuated with and he remembers that munson kid was always hanging up posters for his weird band at school, so he hikes out to eddie's usual dealing spot behind the track and asks (with far less groveling than he really should have) if eddie will teach him how to play, and obviously eddie says no because why would he want to help king steve, but of course, steve offers to pay him, $20 a week, and well, that's the kind of get-the-hell-out-of-this-shithole-town cash eddie really can't afford to refuse, so fine, he'll teach steve to play and they'll spend inordinate amounts of time together tucked away in eddie's room and they'll start to see that they have more in common than they thought and that they kind of had each other all wrong, and eddie will put his hand over steve's to help him get the placement for a tricky chord and it totally won't awaken anything in either of them?? where is it??
do you ship ravage and drift? you draw them a lot and they're always so touchy lol
nah. they're really touchy amicas, tho. probably because im always touchy with my friends and it just kinda rubs off on my art. ravage is my Me character so i do end up giving him traits i have. one of those is being touchy with people he cares about 🤷♂️. he's especially touchy with drift as when they were grouped together in the dead end (which is where they met in my brain), ravage spent a lot of hours curled up in drift's car alt with laserbeak and buzzsaw for shelter. that touchy aspect never really left their dynamic.
and besides,
drift/deadlock's candle has always been lit for someone else.