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#doing this for a class
kuri-no-tani · 1 month
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JVC Post #31
ZIPANG!
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This show was really interesting. I really liked the intro and the outro too.
Can I just say that the premise of this show resembles an episode of The Twilight Zone? The entire time I was watching the first and third episodes, I was thinking "Rod Sterling would probably write a premise like this". It feels like the kind of story you'd find in a novel or a short story rather than an anime, and I find that intriguing.
The show allows modern Japanese soldiers to confront their past in a literal sense, both personally through the lieutenant and also by being transported to the Showa era in the middle of the war. While we've already seen many works that deal with World War 2, this one feels so much more direct. It feels like it's not only putting Japan's nationalistic, totalitarian past on full display, but it's connecting it directly to the modern audience through modern soldiers who struggle to reconcile their motivations with that past.
Kusaka feels like he will become a driving force in the narrative. His presence alone, just like the soldier said when he first boarded, changes everything. He is what anchors them to the era; Him and all his nationalistic pride, strictness, and hope for Japan's future power. It's why he's on the cover too. He's the symbol of Japan in that era.
When they finally arrive to Singapore and they're at the party/ball(?) Kusaka says that the wants to change the 21st century (something that is already happening, as he points out later). This is after he learns of the future peace in Japan and its lack of military power and whatnot. He wants Japan to be a militaristic superpower like the empire dreams of rather than the relatively peaceful country it eventually becomes. Obviously, the modern soldiers have a contrary opinion.
I feel like this is going to become a point of conflict as the plot thickens.
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cafffine · 4 months
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my prof just explained on the syllabus that he’s included more points in the class than we needed to pass, so we could skip up like?? 20 small assignments/quizzes/participation!! and still get a very high grade!!
the idea was that we could focus on assignments that played to our strengths - only do the participation stuff if we like to talk out loud - only do the quizzes/readings if we want to do the class remotely - only do online discussions if we like to talk and share opinions but struggle with anxiety in class ect.
and that’s cool enough but then he pulled up DnD character sheets with drawings he’d done of these hypothetical student player classes and how our various accessibility needs could be gamified to ‘max out’ different aspects of the class to get high grades and like!!!!!
hell yeah!!!! let’s treat accessibility in higher education not just as a necessity but as the fun, engaging, and creative aspect of learning that it is!!! I love this!!
EDIT: For proper credit or further questions about his system please find my professor on twitter @/kurtishanlon
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spinejackel · 11 months
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What are dead man walking tornadoes? :O
it’s a multi-vortex tornado. i dont remember the tribe it originates from (i think it was cherokee), but there’s a native american legend…? saying? that goes “if you see a man in a tornado, you are about to die.”
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the most infamous shot of a dead man walking tornado hit jarrell, texas in 1997
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it did so much damage to the town it caused the scale that tornados are measured by, the fijita scale, undergo revisions, and it made anchoring buildings in the tornado alley region pretty much mandatory. (it took the entire town off the map. only those who had taken shelter outside of the town or in underground bunkers survived.)
two more examples of dead man walking tornadoes looking like a person are a tornado from 2011 that hit cullman, alabama
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and a tornado from 1975 that hit xenia, ohio
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edit: it has been brought to my attention that the native american “legend” part of this post was a rumor spread by a documentary.
i have been asked to remove it, but i believe in letting my errors stand because i’m not perfect. i make mistakes
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vraska-theunseen · 1 year
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DID YOU ALL KNOW THAT YOU CAN DO WHATEVER UOU WANT WHEN YOURW MAKING ART ISNT THAT WILD
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pinkravat-art · 1 month
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"breakfast" a tma s5 animation thing
audio on:333
dawg can't even fry me an egg in this eyeconomy
[VD: A Magnus Archives animation done in orange and teal titled "Pusryčiai" (meaning: "breakfast"). Mellow music plays as Martin cracks two eggs into a frying pan. He turns away to throw the shells while the pan sizzles, and when he returns with a spatula, a "boom" sound effect plays as Martin recoils with comic disgust.
The egg yolks have been replaced by human eyeballs. Martin stares at them for a moment. He then pokes at the egg with the spatula, producing a squelching sound, and one of the eyes blinks with another gross wet sound. Martin goes from disgusted to comically sad and disappointed, and he fades away before the setting does. The video ends on the words "darė Skaistė" (meaning: made by Skaistė) and a quick shot of an eyeball. End VD]
ty @princess-of-purple-prose for the description, i edited it a bit too.
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little-klng · 1 year
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i think kids online should really get back to making internetsonas instead of whatever fuckshit this is with putting their entire real faces, names, ages, and such everywhere. you're not gonna realize how nice internet privacy is until you dont have it anymore and no chance at getting it back. make up a guy and a name and just be that online. make up conflicting details about your completely made up backstory. make a fursona or something
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mumblesplash · 5 months
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(teaching my art class)
me: and what’s the number one rule when designing characters with wings? …well?
a handful of students, sighing reluctantly: no good fa-
me (interrupting them): NO good-faith attempts at realism, EVER. you want all the bird dweebs and physicists jumping ship as EARLY AS POSSIBLE so they’re not around to cinemasins your ass when you get to the cool parts of your story, and…ugh, what now, gerald
gerald (my least favorite student): why not just do some minimal research instead of-
me: listen you little shit i can and will singlehandedly tank your 4.0 gpa
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druid-for-hire · 5 months
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[images ID: three images of a comic titled "one must imagine sisyphus happy" by druid-for-hire. it is a visual narrative beginning with someone with wrist pain (depicted by bright orange nerves) working at a drafting table. the reader is shown the same wrist as the person uses it for many everyday tasks such as carrying a grocery basket, pushing elevator buttons, typing, and doing dishes, until the pain dissolves all the panels into chaos. the person then performs several physical therapy exercises until the pain subsides. they sit back down at a desk with their laptop, sigh, and begin typing. a small spark of pain reappears. end id]
a fun little piece i made during the semester and submitted into our school comic anthology! (which you can buy at the Static Fish table at MoCCAFest in NYC ;] ). it's about artists and injury
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isjasz · 1 day
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Stellar death
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kuri-no-tani · 2 months
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JVC Post #30
Welcome to the NHK
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This was one of the first anime I watched on my own, and at the time I loved it. I thought it was one of the best anime I had seen. Now, after watching it again after so many years, I still think it's pretty good, but not as good as I thought at one point. It's part of a slew of important anime that came out in 2006, which was a huge year in anime. Some other big names from that year are The Melancholy of Haruhi Suzumiya(<3), The Familiar of Zero, Death Note, Aria, and Code Geass. There were also some cool OVAs like the Hellsing Ultimate OVA and Dai Mahou Touge. Though this anime is way too pervy. I think there's a lot this series could have done if it didn't have so much perv humor (even if I get why it was included).
Satou is a pretty well written character as well. He feels like a realistic portrayal of a shut-in NEET. This is a common point that a lot of people bring up when they watch this show.
That being said, Satou is also pretty clearly mentally ill (he doesn't have schizophrenia) which is part of the depiction of hikikomori. It's easy to tell someone that you just have to go out and talk to people or whatever, but it's never that easy for that person. For someone like Satou, something that simple is an insurmountable hurdle. Though, it's not just presenting Satou's issues. It also shows you (and Satou) that everyone struggles in their own way. This is harder to see in the 4 episodes we watched but I think the way this show presents mental illness and the complex situation someone Satou is in is something worth noting.
But all of this is really slapped around by the presentation sometimes. Particularly the way it jumps around after episode 11. The anime is a lot different than the manga or light novel, which are more focused. I feel like this anime would be better if it had stuck to what it was building up in the first half of the show instead of going off on a tangent in the later half. It would have been great as a 13-14 episode anime, even if they did change a lot of it from the light novel/manga. While I love MMORPGs, we didn't need 8 episodes about it in the show.
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Its hard to get everything out of this anime with just a few episodes. Some of the episodes are just stuffed with great moments. Despite a lot of it being gross and weird, not a lot of shows have this sort of presentation of otaku culture to my knowledge so it's neat to see. It makes me cringe and look away but it's neat.
What I think the main point of this series is, is to tell people who identify with Satou that no one can go it alone, and to get them to realize that people like Misaki don't exist. You can't hope that someone is gonna knock on your door and rip you out of what you're going through. You have to put in work to make progress on your own; No one can do it for you. It also uses the NHK (Nihon Hikikomori Kyoukai) as a metaphor for blaming the world around you rather than looking inward. It's easy to imagine that you're part of some conspiracy or are in your situation because somehow everything is out to get you, but that's not (usually) the case.
However, I think the "message" of the show might be kind of murky and not well defined. Even with it's realistic depiction of an otaku shut-in NEET, it doesn't say enough about it or offer anything for Satou in the end other than a bittersweet, unhealthy relationship with Misaki. People who relate heavily to Satou aren't going to come out of NHK with anything but a lasting impression of that realistic depiction and will have nothing to go off of. It's a bit disappointing.
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Lastly I wanna point out a cultural reference I noticed that I hadn't before. Though we didn't watch it, you can see in episode 3 when Yamazaki hands Satou his top 10 gal-games he hands him "Toki-doki Memorian" which is an obvious reference to Tokimeki Memorial (which is a great game you should play it). Pururin is also pretty clearly inspired by Di Gi Charat's Dejiko.
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creekfiend · 1 year
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I saw this on FB today and I wanna try and express something about it. Like, you know the curbcutter effect? Where when curbcuts are put in it benefits everyone (bicyclists, people with baby strollers etc) and not just disabled people?
There is also whatever the opposite of the curbcutter effect is. And this is that.
This isn't just anti-adhd/autism propaganda... this is anti-child propaganda.
Kids have developmentally appropriate ways that they need to move their bodies and express themselves and sitting perfectly still staring straight ahead is not natural or good for ANY CHILD.
Don't get me wrong, I was punished unduly as a kid for being neurodivergent (and other types of kid will ALSO be punished unduly for it... Black kids come to mind) and thus UNABLE to perform this -- but even the kids who ARE able to perform this type of behavior are not SERVED WELL by it. They don't benefit from it.
This is bad for everyone.
The idea that bc some kids may be capable of complying with unfair expectations, those expectations don't hurt them... is a dangerous idea. Compliance isn't thriving. Expectation of compliance isn't fair treatment.
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tizzymcwizzy · 7 months
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can you tell the brain rot is coming back
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mokeonn · 10 months
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"But if college was free, then people would abuse that and get useless degrees" hell yeah I would! If I could go to college without debt I would make it my job to get a degree in every little thing that interested me. I'd get a doctorate in film studies. I'd have a bachelor's degree for every science I like. I'd try to learn at least 5 languages with varying results. I would learn something "useful" like coding and then follow it up with a ""useless"" degree like art history. I'd be the world record speed run holder for getting every degree possible.
But I can't afford college without going into massive debt, so instead I spent the last 5 years trying to figure out what I am passionate enough about to consider going into debt over, because unfortunately being passionate about everything is extremely expensive to pursue.
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tofixtheshadows · 1 month
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Sorry but Kabru is so fascinating to me as a character, in a pure mechanical sense, because of what Ryoko Kui does with him. Everything about him is a red herring. He's deliberately introduced as some kind of rival for Laios, a party leader who is hopeless against monsters but absolutely brilliant with people both in and out of combat, and who has good reason to oppose him.
By the end of chapter 31, you might even think Kabru's going to end up as some sort of anti-villain, an antagonist with the best of intentions who nevertheless tries to foil our hero's plans. He wants to defeat the Mad Mage himself, he suspects Laios of being too irresponsible to be trusted with control of the dungeon, and his crew even thinks that Laios's party stole from them (and they're kind of right!). All signs point towards an inevitable showdown.
And then ... none of that happens.
Confrontation over the stolen treasure? Kabru is literally too smart to fall for the classic miscommunication trope and correctly decides it's not worth making a big deal of.
Kabru's deadly PVP skills? Aside from trying to take down Falin, he never fights another human again.
Wanting to be the one who defeats the dungeon? Turns out he was only doing that because he didn't think any other adventurer would have people's best interests at heart, and he's more than willing to play a support role in the whole affair.
Thinking Laios is up to no good? He really did just want to get to know the guy more. He has his misgivings, but ultimately ends up trusting Laios with his life.
Is Kabru going to get some sort of comeuppance for hating monsters and not appreciating their ecosystem? Well no, he has good reasons for hating monsters. He ends up wanting to learn about them through Laios's eyes, but he's never forced into any "Wow, guess I was wrong about them!" revelation.
Hell, even his implied ladykiller ways, which might lead you to think he'll end up being the stock "chivalrous lech" type of character, don't really manifest. He has a lot of opportunities to act flirtatiously around women, but doesn't. He's just a guy whose natural charisma makes him into human catnip.
And that's all hysterical to me, to pull it off. It's a fascinating way to tell a story. To introduce a character explicitly as a rival, potentially even a villain, and instead make them a deuteragonist. It's like a magician making a coin disappear, then slowing down their trick to show you the misdirection. "Did you see what I did there?" they ask with a wink. "The coin was in my other hand the entire time."
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gouinisme · 11 months
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